Look To The Hills Leadership and Worship Conference

Brandon Scott Thomas didn't make it to Broadway but he has been hired to bring theater (making a spectacle) of all of the hypocritic arts and crafts at Highland Church of Christ who fed the "non-institutional" sowing of discord.

John T. Willis is the enabler at ACU and Highland: He claims that melody MEANS to use instruments.
John T. Willis and Psallo:
It is not possible to be a minimal student of the Word and not know that PSALLO has never at any time had any musical meaning: it means to PLUCK with the fingers and NEVER with a plectrum. That is because Psallo derives from the twanging of Apollo's (Abaddon, Apollyon) Lyre to shoot forth LOVE ARROWS into his favorite male friends and his BOW to shoot literal singing arrows into those who oppose him.

The Logos is the Regulative principle: SPEAK is the oppose of SING

Logos  computation, reckoning 2. statement of a theory, argument, ouk emeu alla tou l. akousantas prob. in Heraclit.50; logon ēde noēma amphis alētheiēs discourse and reflection on reality,
IV. inward debate of the soul, reflection, deliberation
Regulative and formative forces, derived from the intelligible and operative in the sensible universe,

Opposite to epithumia
 A. desire, yearning, longing after a thing, desire of or for it, Theaomai :--gaze at, behold, mostly with a sense of wonder3. view as spectators
Opposite Pathos  A. that which happens to a person or thing, incident, accident,
Opposite Poiein to excite passion, Arist.Rh.1418a12; V. Rhet., emotional style or treatment,
Opposite Enthousi-astikos , ē, on, A. inspired,phusisPl.Ti.71e; esp. by music,
VI. verbal expression or utterance, lego, lexis
      -Lexis A.speech, OPPOSITE ôidê

-ôidê, 1.art of song 5. = eppsdê, spell, incantation
4. text of an author,  OPPOSITE exegesis [Peter's private interpretation outlaws exegesis]
Prose OPPOSITE -poiêsis, Id.R.390a;
OPPOSITE -poiêtikê, D.H.Comp.6; opp. poiêmata, onomatopoeic word

OPPOSITE  emmetra Modus   2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: Mūsĭcus a, um, adj., = mousikos.
X. the Word or Wisdom of God, personified as his agent in creation and world-government,
No! We should not worship the Mountain gods or gods of the hills. Lucifer is Zoe and is the singing and harp playing prostitute of end time religion. See Revelation 18:22.

Jesus said that worship is in THE NEW PLACE of the human SPIRIT which is the human MIND. Worship happens IN TRUTH according to Paul when we Teach that which has been taught or give heed to the inspired Word.

ALL external worship is PAGAN and Perverted.

A Cappella Worship Leader
Aquinas, Thomas Praise Singing.
Praise Songs as Christian Voodoo
Ancient Pagan Praise Leader
Music as Brainwashing
Latter Rain, praise teams, praise singing, charismatic
Praise Worship Ploughs the Ground Hosea 10:ll
Rubel Shelly Praise and Thanksgiving
Rubel Shelly Psalm 106
See how CHARISMATIC music was born of sodomy preferably in the form of Pederasty.
See that ZOE is Eos or Helios or Aphrodite or Lucifer: the singing and harp-playing prostitute. YOU ARE HERE
See how it works out when the "children and effeminate rule over you."
See more notes on a cappella.
See Edward Fudge on A Cappella

See our first review of the Zoe Group to see that ZOE is LUCIFER.

you live in Phoenix and stretch you LOOK TO THE SUPERSTITION MOUNTAINS. If you LOOK TO THE HILLS you will be engaging in one of the oldest superstitions about the Mountain Gods as opposed to the God Who MADE the hills and mountains. It is fulfilled prophecy that the end time harlot church will be consumed with commerce (from musicians), false religion (from musicians) and MUSIC from the musicians (Rev 18). Many of the LOCUSTS (Muses of Apollo or musical performers) pretending to love you (to death) will and do turn hostile when confronted. That is, they have the SCORPION'S sting in their "tails."

Jesus promised to build an EKKLESIA or synagogue or school of the Bible. "Praise" services were outlawed for the called assemblies (Qahal or synagogue or church in the wilderness) (Num 10:7). This was the WARRIOR'S PANIC SONG with the intention of TRIUMPHING OVER Jesus

On the other hand, all "religion" (Treskia) was devoted to Orpheus (mild) or Dionysus (wild) and is sexual in nature.

Threskos (g2357) thrace'-kos; prob. from the base of 2360; ceremonious in worship (as demonstrative), i.e. pious: - religious.
........... 1. religious worship
........... 2. esp. external, that which consists of ceremonies
........... 3. religious discipline, religion

"Nor are these Thracian orgies, from which the word Worship (Threskos) is said to be derived; nor rites and mysteries of Orpheus, whom the Greeks admired so much for his wisdom that they devised for him a lyre which draws all things by its music.

"Nor the tortures of Mithras which it is just that those who can endure to be initiated into such things should suffer

"The term "religion" does not occur frequently in Scripture. In fact the term "religion" occurs less than ten times in the entire Bible. There are two terms translated "religion" in the New Testament. The first term used is THRESKEIA (qrhskeiva &endash; Strong's #2356), which refers to external religious worship and ceremonial procedures (Acts 26:5; Colossians 2:18; James 1:26-27).

Which knew me from the beginning, if they would testify, that after the most straitest sect of our religion I lived a Pharisee. Ac.26:5

Paul practiced "threskos" and was a Pharisee. He was busily engaged in killing people who would not practice the OUTWARD CEREMONIES.

In The Bacche by Euripides, we read:

To the hills! to the hills! fleet hounds of madness, where the daughters of Cadmus hold their revels,

goad them into wild fury
against the
man disguised in woman's dress, a frenzied spy upon the Maenads.

First shall his mother mark him as he peers from some smooth rock or riven tree, and thus to the Maenads she will call, "Who is this of Cadmus' sons comes hasting to the mount, to the mountain away, to spy on us, my Bacchanals? Whose child can he be? For he was never born of woman's blood; but from some lioness maybe or Libyan Gorgon is he sprung." Let justice appear and show herself, sword in hand, to plunge it through and through the throat of the godless, lawless, impious son of Echion, earth's monstrous child!

who with wicked heart and lawless rage, with mad intent and frantic purpose,

sets out to meddle with thy holy rites, and with thy mother's, Bacchic god, thinking with his weak arm to master might as masterless as thine.

This is the life that saves all pain, if a man confine his thoughts to human themes, as is his mortal nature, making no pretence where heaven is concerned.

I envy not deep subtleties; far other joys have I, in tracking out great truths writ clear from all eternity, that a man should live his life by day and night in purity and holiness, striving toward a noble goal, and should honour the gods by casting from him each ordinance that lies outside the pale of right.

Let justice show herself, advancing sword in hand to plunge it through and through the throat of Echion's son, that godless, lawless, and abandoned child of earth!

Appear, O Bacchus, to our eyes as a bull or serpent with a hundred heads, or take the shape of a lion breathing flame! Oh! come, and with a mocking smile cast the deadly noose about the hunter of thy Bacchanals, e'en as he swoops upon the Maenads gathered yonder.



O house, so prosperous once through Hellas long ago, home of the old Sidonian prince,

who sowed the serpent's crop of earth-born men,
how do I mourn thee! slave though I be, yet still the sorrows of his master touch a good slave's heart.

See Psalm "41" as translated in the Dead Sea Scrolls. This explains why Judas failed to MUSICALLY TRIUMPH OVER JESUS.

See more details of how the Levitical Warrior Musicians momentarily TRIUMPHED over Jesus after dismissing Him as Beel-zebul (Dung God in Hebrew and therefore Lord of the Flies). In the end, God in Christ would make "music" as the fruit of His lips.

If someone named their MUSICAL WORSHIP TEAM "Jezebel" we would want to know the message of Jezebel." And the name LUCIFER adopted by some bands would be under her different names, ZOE or SOPHIA- ZOE. Therefore, when musicians do a radical infiltrate and diversion to take over non- musical churches with the goal of turning them into "theaters for holy entertainment" we would be fools if we did not know the eternal Biblical and historical repudiation of music "as" worship. The original musical sectarians who used the law to confiscate a non-instrumental church confessed in court that IF the instrument was used as PART of worship it would be sin. And so says the Word of God.

The story of the Zoe character begins in Babylon and is prophetic of the end-time Babylon Whore (Inanna) who will be destroyed along with her singers, instrumentalists and the crafts or commercialism. The rhetoricians, Sophists, singers and musicians worked the sorcery according to the Greek literature. They belonged to the SECT of the hypocrites and were identified as PARASITES. The perverted disciples of Dionysus were left overs from the Abomination of Desolation in the temple in Jerusalem where musicians were prostitutes or Sodomites.

Increase of Gnosticism and Mysticism in the Aftermath of a Destroyed Jerusalem and Ravaged Palestine (70 C.E. and after)

"In the aftermath of the destruction of Palestine after the Jewish revolts of 66 C.E. and 132 C.E., the door was open for a large number of alternative religious views and mysticism. Some manuscripts that have been discovered show a bitter disillusionment with Jehovah, the Creator. They sometimes mocked the Creator as a lesser God and wrote on deities (Sophia, Pistis, Zoe, etc) that clearly show they were influenced by the Platonic belief in the emanation of divine beings from a universal God.

This, in our lifetime has given rise to the Godhead as a Family of gods with three independant, separated "persons." This frees up the Holy Spirit emanation for the personal use of musical worship in exact fulfillment of many Biblican and historical types.

ASLAN: the Lion of the Tribe of Judah? Lucy is Lucifer or Sophia/ Zoe: 5/20/03. Aslan is the lion of the tribe of Judah in C. S. Lewis anti-Christ writings. Lucy or Luce or Lucifer rides on the back of Aslan. In the end times this "lion" or Aslan does not rebuke the perverted Dionysus worshippers but actually LEADS the parade. Any presentation of arts and crafts as WORSHIP or aiding worship has only one historical and/or legendary source: Satan who took over the youth and taught them the wizardy skills including drama. We have heard from a person who calls himself ASLAN who only gainsays.

From Tatum Church in Phoenix: Look to the Hills: A CONSUMING FIRE an experience in worship. [The consuming fire is reserved for those who teach others to NOT be reverent and fearful in God's presence! But the MARK is always there so we won't be mislead]. We know about "sincerity" but sincerity does not give authority to sow discord by teaching a "new style worship" which began at the foot of the Towers of Babylon and ends (about now) in Revelation 18.

The LUCIFER principle is to put TRAFFICK instead of Christ on the cross. That is his DOUBLE CROSS. The end time Harlot worship will be enmeshed with TRAFFICK or commerce which is the Lucifer Principle. If the GOD BUSINESS suddenly collapsed and the MARKETERS of grace were finally understood, our entire economy would collapse. It is now within the reach of the hostile takeover MARKED by singers and musicians.

The only consuming fire in a religious sense was MOLECH worship; and God will consume those who refuse to and teach others NOT to come before God with reverence and Godly fear. We are not approaching a human lover but the God of the whole universe. He is pure or holy (wholly) Spirit and CANNOT be worshiped with the works of human hands. That includes waving, singing, clapping, playing instruments or USING women in the earthy type of the Holy Place.

When Israel sinned largely beyond redemption at Mount Sinai it was because of the MUSICAL WORSHIP of many of the starry host. In Israel Chiun was Molech or Saturn or some other CREATURE whose number is 666. In Carthage and Jerusalem the "king's music grove" was named after the Tambourine (Topheth). Music had meaning ONLY in the sense of burning something: the tens of thousands of types of Lord Jesus Christ in the COURT YARD or innocent babies in the red hot arms of Molech. These were the uses of CONSUMING Fires other than God defeating His enemies.

The illustration is taking artistic liberty with both a Molech engraving and Zoe's (Lucifer's) consuming fires.

"The description of HELL began with Solomon's Music Grove. Once the music-grove, where Solomon's singers, with voice and instrument, regaled the king, the court and the city; then the temple of Baal, the high place of Moloch, resounding with the cries of burning infants; then (in symbol) the place where is the wailing and gnashing of teeth." (p. 3313-14, four-volume Smith).

"All the while the hordes would be dancing around the statue singing, playing flutes and tambourines to drown out the screams of the dying child.

The "authentia" authority Paul outlawed knew that, wittingly or half-wittingly, usurping women had "children of fornication" specificially to dedicate them to Baal with musical performance taking away people's ability to understand that you don't have to literally burn your children to dedicate them to Baal.

Training up children and making hard wired brain connections between "reverent worship" and the sexual, sensuous FEELING produced by music is literally BURNING UP their ability to worship in the PLACE of the human spirit as it falls at the feet of God seeking His will in HIS words. Music produces a morphine-like drug producing the impulses of FIGHT, FLIGHT OR SEXUALITY.

Quit burning up your babies with music or God will CONSUME you with the fire of His breath! There is absolutely NO evidence which refutes this.

Zoe speaks of spreading the fire. They undoubtedly believe that the grinding and grating (the meaning of Paul's melody which also defines the SOP Jesus fed to Judas) which drives many people up the walls is musical. Sure, even Nero admired his own skills while Rome Burned.

A Web Page "Spreading the fire." Fuel the Fire

"The nature of a fire is to spread, but how can we expect the fire to grow and to catch onto others if ours is only a candle-sized flame? The best way to witness to your friends is to show them by example. When Non-Christians see the inferno in our lives they will find it irresistible and will be drawn like moths."

INFERNO means "HELL or suggesting hell." The CONSUMERS WITH FIRE literally invite you to participate in HELL right now. But God always MARKS them with some sign so that those awake will not turn into toast.

God consumes enemies: that is the baptism of fire.

To the general assembly and church of the firstborn, which are written in heaven, and to God the Judge of all, and to the spirits of just men made perfect, Heb. 12:23

And to Jesus the mediator of the new covenant, and to the blood of sprinkling, that speaketh better things than that of Abel. Heb. 12:24

Musical teams promise to "lead you into the presence of God." That means that the musical mediators, just as in the pagan temples, REPLACE the role of Lord Jesus Christ.

When the Levites lead the types of Jesus Christ into the presence of the court yard (only) and made a great "musical noise" while they were LED TO THE SLAUGHTER they should know that they were heading for THE CONSUMING FIRES.

See that ye refuse not him that speaketh. For if they escaped not who refused him that spake on earth, much more shall not we escape, if we turn away from him that speaketh from heaven: Heb. 12:25

For our God is a consuming fire. Heb.12:29

There is holy warning here about trying to stir up STRANGE FIRE by the "works of human hands."

And there came a fire out from before the Lord, and consumed upon the altar the burnt offering and the fat: which when all the people saw, they shouted, and fell on their faces. Lev 9:24

AND Nadab and Abihu, the sons of Aaron, took either of them his censer, and put fire therein, and put incense thereon, and offered strange fire before the Lord, which he commanded them not. Lev 10:1

And there went out fire from the Lord, and devoured them, and they died before the Lord. Lev 10:2

NOTE: This was not even in the Tabernacle Holy Place which is a pattern of the Heavenly Tabernacle. No, never, by no means did an Israelite singer or musician come into the presence of God either in the type of the church or body of Christ OR into the human spirit where we "come boldly before the throne of grace" to meet God--one at a time.

The very "tricky" fire which COMMERCIAL promoters of TRAFFICK in the church by music which Lucifer tried on God is someday going to consume those who offer it.

There is NO music word in connection with any worship in the Bible anywhere other than pagan worship.

Paul commanded TEACHING OR PREACHINNG using "that which is written, the Spirit or the Word of Christ."

Musical "worship" teams use self-composed secular, self-directed and often erotic praise songs.

Therefore, ALL musical "performers" REFUSE AND TURN AWAY from Christ Who still speaks from heaven through His word. Furthermore, they deliberately try to keep others from hearing the WORDS or songs of Lord Jesus Christ Who is the Spirit of the Prophets.


Wherefore we receiving a kingdom which cannot be moved, let us have grace, whereby we may serve God acceptably with reverence and godly fear: Heb. 12:28

Reverence is: Aidos (g127) ahee-doce'; perh. from 1 (as a neg. particle) and 1492 (through the idea of downcast eyes); bashfulness, i.e. (towards men), modesty or (towards God) awe: - reverence, shamefacedness.

When the feminine or effeminate swing and sway and clap and sing silly, erotic praise songs, they CANNOT be reverent and they MANUFACTURE irreverence. There is no such thing as reverent DRAMA.

Godly Fear is: Eulabeia (g2124) yoo-lab'-i-ah; from 2126; prop. caution, i.e. (religiously) reverence (piety); by impl. dread (concr.): - fear (- ed).

Most "team worshipers" sing, clap, dance, use drama and often use instruments which have their origin in Lucifer or Sophia/ Zoe before he/she was CAST OUT of heaven along with his "worshipers." There can be no Godly fear and God is MOCKING them with blindness to MARK and lead out others who are blind. The Hebrew for clapping includes the word VOMIT.

"Worship" is like a "dog licking his feet" because a human approaching God in the Most Holy Place comes boldly but not with DELIBERATE IRREVERANCE.

Because: For our God is a consuming fire. Heb.12:29

God does NOT CONSUME the "commercial musical industry's ENEMIES; it consumes the musicians WITH THEIR OWN BREATH. In a mystical way God is already BURNING the enemies of His Words just as He is removing the Spirits of the faithful to His invisible kingdom: when Jesus returns you may not find a singe SAVED PERSON in "church" named after CIRCE who was John's model of the HOLY WHORE.

Let's recycle that:

See that ye refuse not him that speaketh. For if they escaped not who refused him that spake on earth, much more shall not we escape, if we turn away from him that speaketh from heaven: Heb. 12:25

"Him that spake on earth: Moses, who spoke on the part of God to the Hebrews, every transgression of whose word received a just recompense of reward, none being permitted to escape punishment; consequently, if ye turn away from Christ, who speaks to you from heaven, you may expect a much sorer punishment, the offense against God being so much the more heinous, as the privileges slighted are more important and glorious. Henry

Refused Moses on Earth: And there went out fire from the Lord, and devoured them, and they died before the Lord. Lev 10:2

Refuse Christ Who HAS SPOKE FROM HEAVEN and DO NOT serve Him with the fear and reverence, THEN you will find out:

For our God is a consuming fire. Heb.12:29

The people rose up in PLAY. This was musical idolatry not unlike "Sunday" morning in many paganized churches. When Israel returned to musical idolatry Stephen said that God TURNED THEM OVER to worship the heavenly STARS. This included Chiun, Molech or Saturn whose Chaledee numer is 666

The prophesied end time of Apollo (abaddon, apollyon), the muses, instrumentalists and the Babylon Whore will bring on the same wrath God brought on Egypt, Assyria and Jerusalem which in an earthly sense is Sodom or Egypt.

Behold, the name of the Lord comes after a long time, burning wrath; the word of his lips is with glory, a word full of anger, and the anger of his wrath shall devour as fire. Isaiah 30:27 LXX

And his breath, as rushing water in a valley, reach as far as the neck, and be divided, to confound the nations for their vain error; error also shall pursue them and overtake them. Isaiah 30:28 LXX

Of Lucifer- Sophia/ Zoe personified in the king/queen of Babylon:

All your pomp has been brought down to the grave (Sheol or hell), along with the noise of your harps; maggots are spread out beneath you and worms cover you. Isaiah 14:11NIV

That is what God promises of the musical prostitute religion in Revelation:

Therefore shall her plagues come in one day, death, and mourning, and famine; and she shall be utterly burned with fire: for strong is the Lord God who judgeth her Re.18:8

Apollo who resurrects the musical performers (locusts) both controlled the locusts and was "god of plagues." He was the god of "shooting arrows (the Dionysuc type), musical harmony, thieves and liars.

And he said unto me, It is done. I (Jesus) am Alpha and Omega, the beginning and the end. I will give unto him that is athirst of the fountain of the water of life freely. Rev 21:6

Israel starved their people by MUSIC and withholding the "Water of the Word."

He that overcometh shall inherit all things; and I will be his God, and he shall be my son. Rev 21:7

But the fearful, and unbelieving, and the abominable, and murderers, and whoremongers, and sorcerers (magical songs), and idolaters (idolatry of talent), and all liars (those who "speak on their own"), shall have their part in the lake which burneth with fire and brimstone: which is the second death. Re.21:8

Because music is the eternal WEAPON of hell fire:

And Tyrus did build herself a strong hold, and heaped up silver as the dust, and fine gold as the mire of the streets. Zechariah 9:3

Behold, the Lord will cast her out, and he will smite her power in the sea; and she shall be devoured (burned up) with fire. Zechariah 9:4

There is little doubt that the Musical Team (mourning, weddings, religious festivals) whom Jesus CAST OUT LIKE DUNG was also burned up in the fires of destroyed Jerusalem. If they and their dung were not ALREADY consumed before they died.

And it shall come to pass in that day, that Tyre shall be forgotten seventy years, according to the days of one king: after the end of seventy years shall Tyre sing as an harlot. Is.23:15

And it shall happen to him from every side, that they from whom their hope of assistance was, in which he trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX


Many of the church Fathers grasped that music was from Lucifer or Satan or Zoe and that it intended to steal worship due ONLY to God.

Origen translates Ezekiel:

"And a cherub drove thee forth from the midst of the burning stones; and thy heart was elated because of thy comeliness, thy discipline was corrupted along with thy beauty: on account of the multitude of thy sins, I cast thee forth to the earth before kings;

When the Israelites returned to MUSICAL IDOLATRY at Mount Sinai God said that they were seen as a laughingstock!

"I gave thee for a show and a mockery on account of the multitude of thy sins, and of thine iniquities:

"because of thy trade (musical trade and CDs) thou hast polluted (play the flute, pollute, prostitute) thy holy places. And I shall bring forth fire from the midst of thee, and it shall devour thee, and I shall give thee for ashes and cinders on the earth in the sight of all who see thee: and all who know thee among the nations shall mourn over thee. Thou hast been made destruction, and thou shalt exist no longer for ever." (Ezek. 28:)

Thou art the anointed cherub that covereth; and I have set thee so: thou wast upon the holy mountain of God; thou hast walked up and down in the midst of the stones of fire. Eze 28:14

Hell "INFERNO" from beneath is moved for thee to meet thee at thy coming: it stirreth up the dead for thee, even all the chief ones of the earth; it hath raised up from their thrones all the kings of the nations. Isaiah 14:9KJv

Hell from beneath is provoked to meet thee: all the great ones that have ruled over the earth have risen up together against thee, they that have raised up from their thrones all the kings of the nations Isaiah 14:9 LXX

All they shall speak and say unto thee, Art thou also become weak as we? art thou become like unto us? Isaiah 14:10KJV

AII shall answer and say to thee, Thou also hast been taken, even as we, and thou art numbered amongst us. Isaiah 14:10 LXX

Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms (maggots) cover thee. Isaiah 14:11KJV

Thy glory has come down to Hades, and thy great mirth: under thee they shall spread corruption and the worm shall be thy covering. Isaiah 14:11 LXX

How art thou fallen from heaven, O Lucifer (female/male), son of the morning! how art thou cut down to the ground, which didst weaken the nations! Isaiah 14:12KJV

How has Lucifer, that rose in the morning, fallen from heaven. He that sent orders to all the nations is crushed to the earth. Isaiah 14:12 LXX

Lucifer is derived from MUSICAL PRAISE. ZOE is Lucifer

Heylel (h1966) hay-lale'; from 1984 (in the sense of brightness); the morning-star: - lucifer.

Halal (h1984) haw-lal'; to shine; hence to make a show, to boast; and thus to be (clamorously) foolish; to rave; causat. to celebrate; also to stultify (With David it was to "make self vile playing, singing and dancing).

Note: The word HANDLE related to Jubal means WITHOUT WARRANT or Biblical authority.

Chalal (h2490) khaw-lal'; to wound, to dissolve; fig. to profane (a person, place or thing), (from 2485) to play (the flute): - pipe, player on instruments, pollute, (cast as) profane (self), prostitute, slay (slain), sorrow, stain, wound. Hebrew Dictionary: hollow/vacuum as a means to trap or bring together, disregard; violating instruction, to pipe, play pipes

MOST "worship" in Jerusalem and Samaria was of the 666 type where the Jews went into musical processions to God's "holy hill" to burn babies. Therefore, God told Judah what would happen to them as it happened to Egypt and Assyria

The LOVE FEAST or Agapae will undoubtedly be celebrated by Zoe. This was an ancient polluted festival derived from the Mazeah celebrated and condemned by Amos. Earlier some Israelites made their dung sacrifice to Baal-Peor and "ate the sacrifices" made by others. Fluids of fornication or sodomy or menstrual fluids were CONSUMED by male "worshippers" as part of the "love feasts."

And though the Lord shall give you the bread of affliction and sent water,

yet they that cause thee to err shall no more at all draw nigh to thee,
for thine eyes
shall see those that cause thee to err Isaiah 30:20 LXX

and thine ears shall hear the words of them that went after thee to lead thee astray, who say, This is the way, let us walk in it, whether to the right or to the left. Isaiah 30:21 LXX

And thou shalt pollute the plated idols, and thou shalt grind to powder (like "melody" in Greek) the gilt ones, and shalt scatter them as the water of a removed woman, and thou shalt thrust them forth as dung. Isaiah 30:22 LXX

All superstitious and ignorant pagans believed that the "gods" lived inside of musical instruments. Africans baptized their flutes and drums, and Catholics baptized and named their bells and pipe organs. David tried to awaken his lyre so that HE could awaken the dawn or Shakar the symbolic "parent" of the day star which was the symbol of Lucifer/ Zoe.

Woe unto him that saith to the wood, Awake; to the dumb stone, Arise, it shall teach Behold, it is laid over with gold and silver, and there is no breath (holy spirit) at all in the midst of it. Hab 2:19
........... But the Lord is in his holy temple [me]: let all the earth keep silence before him. Hab 2:20

God ONLY accepts worship in the new PLACE of the human spirit where we meet Him as SPIRIT. This is the holy place and any musician who tried to enter would be slaughtered like a he goat.

Zoe is teaching that you should be consumed with making a noise before the "gods." Such noise making or "music" was always the MARK of one who had totally lost or been CAST OUT of god's presence at least in their deranged minds.

The Fulfillment by Jesus of those piping trying to get he and others to sing and dance the perverted Dionysus worship in song and dance. Another fulfilment was Jesus CASTING OUT the women musical worship team LIKE DUNG. Nothing has ever been considered more VILE than women who brough or possibley brought menstrul blood into the holy places. Remember, please, that the Levitical warrior musicians NEVER went into the Holy Place as a type of the church of Christ. The exception was the ABOMINATION OF DESOLATION when sexuality and perverted sexuality filled the holy places.

To say musical worship team or CHORUS, which Jesus wouldn't join when the Jews PIPED, is to say clapping of hands.

And when Jesus came into the rulers house, and saw the minstrels and the people making a noise, Matt 9:23

He said unto them, Give place: for the maid is not dead, but sleepeth. And they laughed him to scorn (mocked). Matt 9:24

But when the people were PUT FORTH, he went in, and took her by the hand, and the maid arose. Matt 9:25

Put forth is:

Ekballo (g1544) Ekballoek-bal'-lo; from 1537 and 906; to eject (lit. or fig.): - bring forth, cast (forth, out), drive (out), expel, leave, pluck (pull, take, thrust) out, put forth (out), send away (forth, out).

The Minstrels or musical team were theatrical performers. Therefore, CLAPPING was to put them forth or out:

BALLO (g906) bal'-lo; a prim. verb; to throw (in various applications, more or less violent or intense): - arise, cast (out), dung, lay, lie, pour, put (up), send, strike, throw (down), thrust. Comp. 4496.

Apollo or Abbadon or Apollyon controlled the living and dead locusts. He will unleash them in these last days. The Muses of SATAN offended the MOTHER GODDESS and were sentenced to the underworld. Satan will unleash the locusts as "musical performers" as part of the Babylon Whore religion defined in Revelation 18:22, etc.

Must ye always rejoice, and go into my holy places continually, as they that keep a feast? and must ye go with a pipe, as those that rejoice into the mountain of the Lord, to the God of Israel Isaiah 30:29 LXX

The Devouring Flame is the lusted for CONSUMING FIRE which will specificially consign to everlasting punishment by fire those who PERFORMED FIRE WORSHIP with music. Implicating Egyptians and Babylonians:

and the Lord shall make his glorious voice to be heard and the wrath of his arm, to make a display with wrath and anger and devouring flame: he shall lighten terribly, and his wrath shall be as water and violent hail. Isaiah 30:30 LXX

For by the voice of the Lord the Assyrians shall be overcome, even by the stroke where with he shall smite them. Isaiah 30:31 LXX

And it shall happen to him from every side, that they from whom their hope of assistance was, in which he trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX

And in every place where the grounded staff shall pass, which the Lord shall lay upon him, it shall be with tabrets and harps:and in battles of shaking will he fight with it. Isaiah 30:32KJV

The MUSICAL NOISE was not music nor was it used for the people's worship. It was a DESTRUCTIVE WEAPON (Same Hebrew word) to MELT the heart of the enemy. Later, this would be Jesus as they tried ot MELT HIS HEART.

The MUSICAL LOCUSTS and Satan actually MARK OUT and PUNISH those devoted to music and they cannot escape. Those MARKED with the Word of Christ on their forehead and arm are SEPARATED OUT by the destroying angels. That is fine because before the temple and the nation was BURNED UP WITH FIRE as they ate their own children, God MARKED and removed the faithful believers.

What does it mean?

"As the Mother of the Logos (inferior to Zoe), Mary took on attributes of the Judaic biblical figure of Sophia, or Wisdom--described in Proverbs and Ecclesiasticus as God's eternal creation, a celestial feminine being who personified divine wisdom and mediating humanity's knowledge of God.

"In Roman Catholic theology, Mary was explicitly identified as Sophia. The relationship of the Old Testament Sophia to the New Testament Logos, both of which represented the divine creative and revelatory wisdom,
........... was thus obliquely reflected in the relationship of Mary to Christ.

The figure of the Virgin Mother also absorbed some of the original meaning and function of the Holy Spirit--as principle of divine presence in the Church, as comforter, as mediator of wisdom and spiritual birth, and as instrument of Christ's entrance into the world.

"Catholicism signified the disguised return to the religion of the Great Mother who had been defeated by Yahweh." (Tarnas, Richard, The Passion of the Western Mind, p. 480).

How can we tell?

The almost universal picture of ancient, ignorant superstitious worship was that sexuality produced fertility in better crops, rain, lambs, etc. The old and latter JEZEBEL worship with hundreds of prophesiers (singers, musicians) taught that SODOMY bound flesh and spirit together. Therefore, the picture of the Dionysus type which tried to seduce Jesus with "musical" playing and singing, and the Abomination of Desolation was that SODOMY induced by worried initiates brought you "into the presence of the gods."

The connection between professional MUSIC, drugs, sexuality and homosexuality endorses the first thousands of years of almost universal testimony. That is the meaning of the Babylon whore religion of the book of Revelation.

How fitting that MUSICAL WORSHIP TEAMS replacing Jesus Christ and His Word are usually associated with FAILED churches who are convinced that MUSIC and its drug- induced SEXUALITY will restore FERTILITY to the "flock" and the shepherds will not have to GO.

Zoe produces female Music/Worship ministers. By definition women cannot rule over a flock "with a tune" without exercising AUTHENTIA or authority which is "erotic and murderous." I am sure that the "shepherds" know how to get the flock into estrus.

Now back to Phoenix looking for love in all the wrong places. Watch what you drink at the new Sophia-Zoe style "Agapae."

Men died twenty years old saying "if I just had forty more years I would get rich." Men died 90 years old saying "If I just had one more hour I could have found the gold." But the treasure of the hills was the GOD Who made the hills. Therefore, there is no command which says: "Look to the Hills." Rather, the perverted Scripture means: "NO. I will look to the Lord Who made the hills."

If you GIVE HEED to to the NEW THEATRICAL AND MUSICAL PERFORMERS you are WORSHIPPING the musical performers. There can be no doubt. ZOE is LUCIFER or daughter of lucifer (Latin) and presumed to be the SUPERIOR sister to the "little ignorant male logos or Jesus Christ." Lucifer is known as the "harp playing prostitute" as the king/queen of Tyre. She stole the property of all nations and even the SOULS of Israelites using music to seduce or shut down the rational mind of people doing business with HER. See Wen Amun's true account of dealing with HER.

Satan has always uses sexually attractive choirs and musicians to seduce people DOWN FROM THE HOLY HILLS and the presence of the Living Word. The end-time effort of the FEMALE approach is to LOOK TO THE HILLS to seduce you away from the Written Word.

Look to the hills is the product of the Zoe Group. The theme is: I will lift up mine eyes unto the hills, from whence cometh my help. We suggest that the period should be a question mark as proven by the next verse and other translations. Originally posted in 1998 and following.

Look at further notes about the ZOE as the restoration of the most ancient, pagan superstition: that MUSIC can bring you into the presence of the gods. That "feeling" is NOT a holy spirit.

And see some connections with WICCA or Witchcraft or Neo-Paganism.

Therefore, rather than COMMAND AUTHORITY to "look to the hills" for one's salvation from the MOUNTAIN GODS it is a question: "Shall I look to the Hills for salvation? No! I will look to God for salvation."

In the Baal Epic you will see the LOOK TO THE HILLS theme which plagued Israel when God turned them over to worship "the starry host" as a result of their musical idolatry at Mount Sinai.

Baal was now King of the Gods. Lord of the Mountain of Saphon. But Baal had no palace like the other Gods. He speaks His word to Kothat-u-Khasis:

But then God promised to send strong delusions and strong deluders to those who have already decided that they aren't interested in the Word of God.

If this isn't the end-time then we missed a good date and many of the MARKS.

See the story of Adam and Eve and Looking to the Hills

Yet, this fits the end-time prophecy. The FALL in the garden of eden was caused by a "musical enchanter" based on the definition of the Hebrew and many ancient parallel versions. The FALL before the flood was caused by the Jubal or Cainite family. The FALL at Mount Sinai was cased by PLAY which was musical idolatry with DRAMA and DANCE. The FALL of Israel was brought about by the human kings whom God permitted and who made the MILITARY PANIC MUSICIANS into temple servants. The prophecy of Judas in Psalm 41 was that he would try to TRIUMPH OVER Jesus. This was with music. The Dead Sea Scroll version of this Psalm proves that they would try to TRIUMPH over Jesus with the panic music of warfare. In the end, Jesus would praise God with the "instruments of God" or those human lips and voice as the spiritual ZITHERS. Josephus attributed the national fall (Re the Idealized temple Ezek 40f) to the Levitical musicians who took on priestly duties and warned that their new effort would destroy the nation again: modern Jews are still looking for those tens of thousands of harps.

And, we could go on and on until the prophecy of the end-time Prostitute worship which will also terminate all things with MUSICAL PERFORMANCE (Rev 18).

In the Babylonian Harlot pattern, the Original Fall Was Caused by Satan using Youth to Look To the Hills to Seduce the Holy people away from the Living WORD Who was present with them as the LOGOS.

The Scheme of Seduction is Revealed in Numerous forms with a FEMALE or EFFEMINATE character Always Trying to Seduce God's People Away From His Word through Music and effeminate theatrical performance.

The end-time Babylon-Harlot worship illustrated numerous times in the Old Testament always see music as the MARK which says to God: "We will not listen to your Word."

Only a tiny REMNANT of people will be able to close their ears as they pass the FEMALE SIRENS trying to shipwreck our faith on the rocks of Rock and Roll--an obscene expression of "religious" music built on the spiritual lostness of the wild frontier using the Black component derived from Voodoo. Blacks and whites agree that the SOURCE of modern theatrical worship is the new mega-church plantation owners using the methods of the most backward snake charming whites and poor blacks expressing the most desperate sense of powerlessness.

Joseph Campbell in Myths to Live By affirms that when people lose the anchor of their faith they fall back into archaic forms including music (creates endorphins) and Peyote or other drugs.

The Zoe Group--No Males Even At Worst

Not in the most vile pagan temples did either performance SINGERS or MUSICIANS ever enter into the holy places. In the Jerusalem temple a singer or musician who attempted to enter into the Holy Place even to clean out garbage would have been executed. Therefore, when the MUSICAL WORSHIP TEAM attempted their superstitious musical ritual over the dead girl, Jesus cast them out "more or less violently" as one "expells dung."

Not even in Babylon was there musicians or music in the holy place.

Of course, the Greeks borrowed this from the Babylonians. For instance,
In the Hymn in Praise of Enki's Temple Esira at Eridu:
When one bends the knee in his holy temple
may the harp, algar, drum, algarsurra,
har-har, sabitum, miritum,
instruments of sweet entreaty and humble imploring
which fill the temple, <
accompany the entreaty in its splendor.
Enki's holy algar has [always] sung to him in splendor.
The musical instruments indeed
[always] accompanied [the temple's] entreaty!
Again, these words occur:
"In reverence commanded in the forecourt the seven musical instruments
are played and the ceremonies of exorcism are undertaken.
(Quasten, Johannes, Music and Worship in Pagan and Christianity Antiquity)

The temple allowed at the Jebusite high place was because David was too fearful to every return to the Tabernacle to seek God. The elders fired God and God understood that they wanted to "worship like the nations." Therefore, God's "approval" was a destructive type until the sentence imposed at Mount Sinai was carried out in captivity and death. Therefore, there is no hesitance to define the loud noise during the burning of animals to be a form of exorcism to aid the priests as they slaughtered and burned thousands of types of Lord Jesus Christ.

The Holy Place and its contents was a carnal TYPE of the church or body of Christ. The musicians could not ever be in even the CARNAL type of the church of Christ. They were outside where Jesus was crucified with the MOCKING music of the Warrior Levites prophesied to musically attack Jesus Christ (Psalm 41)

Gregory-Nazianzen-Oration wrote:

"Neither let our houses be illuminated with the material light,
........... nor resounding with concerts and the clapping of hands----f
........... or this is the pride of a heathen festivity.

But let not us glorify God, or celebrate the present occasion with such things as these, wherewith it is not fitting----
........... but rather with purity of soul and cheerfulness of temper,
........... and with the lamps of the Church that illuminate the body,

I mean with godly contemplations, add thoughts raised aloft upon the Sacred Lamp-stand, and diffusing a light over all the world I Compared to such a Light, I esteem as a mere trifle all that men light up when they hold festival.

I have also a certain unguent, but one wherewith only priests and kings are anointed, being of various ingredients and very |115 costly, and poured out for our sake, but compounded by the art of the Great Ointment-maker.

Note 25: Alluding to the Golden Candlestick of the Temple, greatly reverenced by Jews and Christians of that age.

Oh, that it may be mine to offer up to God the sweet savour of this ointment! I have likewise a table, this spiritual one, which the Lord hath prepared for me,

when He rescued me out of the hand of the oppressors, at the which I refresh myself and revel, yet do not grow wanton out of fulness, but calm down all rebellion of my passions.

Flowers, too, I have, more blooming and lasting than all those of spring, "out of the full land that the Lord hath blessed," that is, the holy and sweet-smelling pastors and teachers, and all that is pure and choice of the congregation; with these do I desire to be crowned and to go in procession, "having fought the good fight, having finished my course, having kept the faith," according to the holy Apostle.

Let us take up hymns instead of timbrils, psalmody instead of profane talking and songs, the applause of thanksgiving instead of the applause of the theatre, and action that is of good report, understanding instead of laughter,

But there was one notable exception.

When Antiochus Epiphanes controlled the Jews, Zeus and Dionysus were worshiped in the holy places. The worship of Dionysus plagued the Jewish clergy at the time of Jesus and the ultimate TRIUMPH OVER or pollution of Jesus would be to PIPE and get the disciples to perform the perverted song and dance of Dionysus.

Music and sexuality were always TONI TWINS in pagan religion and sacrifices were made in the most holy precincts of the temple. Second Maccabees contains the evidence of what is being pushed.

The Zoe Movement is a movement which believes that WORSHIP is performed and mediated by professional music, drama and other PERFORMING ARTS. This is not strange in that the NACHASH or serpent in the garden of Eden was a "musical enchanter."

Aristotle: "With some people, drawing; reading and writing and drawing being taught as being useful for the purposes of life and very serviceable, and gymnastics as contributing to manly courage;

but as to music, here one might raise a question. For at present most people take part in it for the sake of pleasure; but those, who originally included it in education did so because, as has often been said, nature itself seeks to be able not only to engage rightly in business but also to occupy leisure nobly;

At the same time also boys must have some occupation, and one must think Archytas's rattle a good invention,

which people give to children in order that while occupied with this
they may not break any of the furniture; for young things cannot keep still.

...for--to speak about it yet again --this is the first principle of all things. For if although both business and leisure are necessary,

yet leisure is more desirable and more fully an end than business, we must inquire what is the proper occupation of leisure.

For assuredly it should not be employed in play, since it would follow that play is our end in life

The Sophia-Zoe concept is based on the feminist belief that the TRUE gods were really GODDESSES who are superior because they readily fell into the charismatic madness as at Corinth and were believed to reveal the words of the goddess in the performance arts in mortal combat with the RATIONAL mind of the masculine God.

Eve as Zoe or Life was always chanted in worship to her: she was SUPERIOR because she absorbed the teaching and charismatic style taught to her by mother Lucifer: the harp-playing prostitute who had been in Eden (Ezek 23:16). In the Gnostic version of Zoe she was the BEAST or female instructing principle in the garden while Sophia was the serpent. She was often designated as Sophia-Zoe.

They believe that Judaism and then Christianity USURPED the goddesses and replaced them with Jehovah who is held by trinitarians to be the OLD god of the Old Testament and the Jesus (Logos or Word) of the New Testament.

The HOLY SPIRIT as an imagined third member of the Godhead is actually female. In Catholicism, Eve or Zoe is Mary who is the Mother of God: this trinity is often seen as Father, Mother (Spirit) and little Son.

Therefore, SHE is held to be the only agent of the Godhead who rules the post-Christendom or post-Biblical era. As this female "holy spirit" is part of the "god family" then she is the resurfacing Lucifer or Zoe as the female goddess, superior to "brother" Logos. As Zoe is the "beast" or "female instructing principle" she naturally replaces the old, decadent and deleterious people still devoted to the male LOGOS as Father, Son and Spirit and His revealed Word.

Eve was actually worshiped as superior because Satan or Lucifer taught her all of the knowledge of good and evil. The Jewis clergy devoted to Dionysus or Bacchus worship piped hoping that Jesus would enter into the song and CIRCLE DANCE of the females or effeminate.

This would PROVE to them that Eve or Zoe was superior to the Logos as the originla Zoe dominated the Logos and forced all of the males into forming a MUSICAL WORSHIP TEAM:

I shall display, as it were, on the stage of life, to the spectators of truth. The bacchanals hold their orgies in honour of the frenzied Dionysus,

celebrating their sacred frenzy by the eating of raw flesh,
and go through the distribution of the parts of butchered victims,
you must eat my flesh

crowned with snakes, shrieking out the name of that Eva by whom error came into the world. [Eve or Zoe in the Greek Septuagint]

The symbol of the Bacchic orgies. is a consecrated serpent. Moreover, according to the strict interpretation of the Hebrew term, the name Hevia, aspirated, signifies a female serpent. Clement of Alexandria, Against Heresies.

Lordy, we heard of one church restoring the perverted Agapae and taking the Lord's Supper with SWINE FLESH still in their teeth.

In pagan myths, the gifts of SPIRIT are most often those of the ARTS. However, the seven Spirits which would rest on Messiah like a Dove were gifts of the HUMAN spirit or intellect.

In the Greek Septuagint (LXX) Version, Eve is the word ZOE. Try to grasp that Paul restricted women based on EVE's deception rather than inferiority. It is a fact even noted by feminist writers that the male will be more interested in the WORD while women will be interested in the symbolism of flowers and music. The church is school of the Bible and has no arena for the "female instructing principle."

Babylonian religion always the enemy of a righteous God Who created mankind to serve them.

The Babylonian Sabbath was changed by Him to a day of REST.

Babylonian gods made mankind to SERVE the gods with food, clothing, singing, dancing, drama, playing instruments and sexual favors: the "agents" of the gods got the goodies

Inanna, Ishtar, Astarte as the mother of the gods.

> He gave me the loosening of hair.
> The gift of priesthood.
> The gift of eldership.
> He gave me the art of kissing the phallus.
> He gave me the art of prostitution.
> He gave me the resounding musical instrument.
> He gave me the art of song, etc., etc.

Original Goddesses and Worship. Eve was ZOE in the Greek Version (LXX)

Lucifer Superior to Jesus. Defeated Adam and Eve as Musical Enchanter or prostitute "wholly seducing" Eve.

Musical worship, sexual perversion.

As Zoe instructed the minor and mindless males, Eve instructed and led Adam into sin.

Patriarchal Gods and Worship: the Bible.

Jesus as Father, Son, Spirit all Male. The dove of the Mother Goddess rests on the head of the SON of a FATHER GOD.

Jehovah known through His Laws and Words.

WORD has always been the quest of males but MUSIC has been the quest of females or the effeminate.

Gnosticism resurfacing of Babylonian Mother of the gods

Sophia-Zoe dominates minor jehovahs.

Zoe (Life) superior to Logos (the Word of God)

Restoration of Sophia among Lesbian "pastors" and "professors" re-imaging the church.

Restoration of ZOE with music and FLESHLY life superior to the Word and spiritual life.

End Time Feminine-Effeminate rising from the ground. Apollo (Abaddon, Apollyon) in Seeker Centers.

Sophia-Zoe-Mary as the Mother Goddess. Identical to the Babylonian Inanna taking the powers or ME from the masculine God Ea. Inanna creates DISCORD among brethren.
Females using "wine" from "new wineskins" to take the masculine powers through the use of musical and theatrical performance to make hearing the Words of God impossible. History universally identifies the Music-Worship connection as feminine or effeminate.

In the rise of Gnosticism it is logical that Sophia (wisdom) and Zoe (life) are the feminist goddesses replacing the "junior jehovah" and the "dumb brother Logos" of the Jewish Patriarchal view of a MASCULINE God. Rather than the Mother Goddess with the dove resting on her head, the baptism of Jesus identifies the dove resting on the head of the SON and the message is that the GOD of Christianity is the FATHER rather than a Eve or Zoe or Mary as the Mother of the Gods.

Sophia is identified as the SERPENT and Zoe is identified as the BEAST. She is the female instructing principle. Therefore, as in the end-time Babylon Whore religion the MARK of the BEAST has many roots connected to music. The music and musicians will return back to Sheol with Lucifer who was the musical enchanter in the garden of Eden, the king/queen of Tyre called the "harp playing prostitute" and the king/queen of Babylon who along with his harps and harpist literally rested in Sheol on a bed of maggots.

Lucifer came equipped with pipes and tambourines and was the prostitute harpist merging false religion and commerce. The Latin word "Lucifer" was applied to Satan in the garden because of his relationship to the stones of fire and light and his musical seduction. The word "praise" which means to make a fool of yourself is the Hebrew:

Halal (1984) haw-lal'; a prim. root; to be clear (orig. of sound, but usually of color); to shine; hence to make a show, to boast; and thus to be (clamorously) foolish; to rave; causat. to celebrate; also to stultify, make, fool (-ish, -ly), glory, give [light], be (make, feign self) mad (against), give in marriage, [sing, be worthy of] praise, rage, renowned, shine.

Lucifer is derived from halal and therefore defines the then and end-time methods SHE will use against the Word of God.

Heylel (h1966) hay-lale'; from 1984 (in the sense of brightness); the morning-star: - Lucifer.

And Lucifer is ZOE dominating the "minor jehovahs" and forcing them into organizing musical worship bands.

And Zoe (Life giver, enlightener, female instructor), the daughter of Pistis Sophia, cried out and said to him, "You are mistaken, Sakla!" - for which the alternative name is androgynous.

She breathed into his face, and her breath became a fiery angel for her; and that angel bound Yaldabaoth (an empty type of Jehovah) and cast him down into Tartaros below the abyss.

Now when his offspring Sabaoth saw the force of that angel, he repented and condemned his father and his mother, matter.
........... He loathed her, but he sang songs of praise up to Sophia and her daughter Zoe.

The message Jesus sent when He associated the Jews (especially the temple clergy) as "children piping" hoping that He would join in the Dionysus choral dance and song, was that Jesus as the LOGOS would sing the praise of the feminine or male--always homosexual--god of the NEW WINESKIN.

The Catholic trinity is, at its heart, Father, Mother and baby son. Therefore, the priesthood continued in "christianity" quite identical to the Jewish priesthod. The goal which was amplified in Gnostic Christianity was that Mary was seen as Sophia-Zoe or Eve or the Mother of the gods. Therefore, they do what Jesus refused to do in singing the praises of the FEMALE mother goddess. It has been noted that Methodists have joined in honoring the Mother Goddess and feminist and lesbian "pastors" and professors now worship Sophia and the eucharist is the ancient Agape or love feast.

The modern tritheism (polytheism) promoted by Max Lucado and Rubel Shelly see God the Father in the dispensation of Law, Jesus Christ had the Biblical dispensation but NOW "we" are under the direct guidance of the Holy Spirit as a separated "person." See John Mark Hicks Review.

But, if you see the Holy Spirit as a "person" the Catholics are forced to see HOLY SPIRIT as the feminine "mother." Therefore, those who write off the Father god and Son god as "having had their dispensations" you are left with a restored worship of the MOTHER OF THE GODS which is Eve, Mary or Sophia- Zoe.

When the mother goddesses decide to USE the Biblical male God, they turn them to the ARTS always dominated by homosexuals in all priesthoods:

And Sophia and Zoe caught him up and gave him charge of the seventh heaven, below the veil between above and below. And he is called 'God of the forces, Sabaoth', since he is up above the forces of chaos, for Sophia established him.

Now when these (events) had come to pass,

he made himself a huge four-faced chariot of cherubim,
and infinitely many angels to act as ministers,
and also harps and lyres.
And Sophia took her daughter Zoe
and had her (ZOE) sit upon his right to teach him (minor Jehovah) about the
things that exist in the eighth (heaven);
and the angel of wrath she placed upon his left.
Since that day, his right has been called 'life' (ZOE);
and the left has come to represent the unrighteousness
of the realm of absolute power above.

However, you will remember that it was Jesus, the Word or the Logos Who sat at the Right of the throne. With the ZOE theme or MARK of a movement, the Logos or inferior brother is booted out of His role as authentic Speaker of the Thought of His own Mind or Spirit.

Then shall he say also unto them on the left hand, Depart from me, ye cursed, into everlasting fire, prepared for the devil and his angels: Mt.25:41

Thus, you will find the NEW STYLE of Gnostic praise singing worships the COMPOSER or the PERFORMER because GIVING HEED or ATTENTION is the meaning of WORSHIP. You cannot focus on ZOE without repudiating the LOGOS and that has always been the only motive of music in the Bible.

Zoe is Also Pictured as Mary. She has all of the instruments of death including the trumpet and timbrel. The Hebrew for "instrument" and "weapon" is the same. Lucifer (she) was in the garden of Eden walking in the stones of fire. She came equipped with pipes and tabrets. Timbrel or Tabret gave rise to Topheth as the place of burning infants to the beat of musical instruments. Topheth (the picture of hell) was once Moses the king's music grove.

Therefore, since SHE is prophesied as the end-time prostitute MOTHER of false religion and commerce (we sell lots of magazines and CDs, even in the church foyer), there is only one commercial institution which proudly takes the name of ZOE and substitutes WISDOM or SOPHIA seen in seductive, theatrical performance for the WORDS of God. This group produces the Wineskin magazine and is closely associated with Rubel Shelly of Woodmont Hills Family of God who is the end-time promoter of the NEW WINESKIN concept which, at the time of Christ, honored Dionysus or Bacchus as the father of WINE and charismatic, musical, theatrical performance worship.

The Bacchae By Euripides shows the only understanding in history: instruments were given by the "gods" as they LOOKED TO THE HILLS:

"Anon shall the whole land be dancing, when Bromius leads his revellers to the hills, to the hills away! where wait him groups of maidens from loom and shuttle roused in frantic haste by Dionysus. O hidden cave of the Curetes! O hallowed haunts in Crete, that saw Zeus born,

where Corybantes with crested helms devised for me in their grotto the rounded timbrel of ox-hide (lifeless instrument), mingling Bacchic minstrelsy with the shrill sweet accents of the Phrygian flute,

a gift bestowed by them on mother Rhea,
to add its
crash of music to the Bacchantes' shouts of joy;

but frantic satyrs won it from the mother-goddess for their own, and added it to their dances in festivals, which gladden the heart of Dionysus, each third recurrent year. Oh! happy that votary, when from the hurrying revel-rout he sinks to earth, in his holy robe of fawnskin, chasing the goat to drink its blood, a banquet sweet of flesh uncooked, as he hastes to Phrygia's or to Libya's hills; while in the van the Bromian god exults with cries of Evoe (Eve or ZOE among the Gnostics). With milk and wine and streams of luscious honey flows the earth, and Syrian incense smokes.

While the Bacchante holding in his hand a blazing torch of pine uplifted on his wand waves it, as he speeds along, rousing wandering votaries, and as he waves it cries aloud with wanton tresses tossing in the breeze; and thus to crown the revelry, he raises loud his voice, "On, on, ye Bacchanals, pride of Tmolus (a gold-producing mountain in Lydia, near Sardis:)

with its rills of gold to the sound of the booming drum,
chanting in joyous strains the praises of your joyous god with Phrygian accents lifted high,
what time the
holy lute with sweet complaining note invites you to your hallowed sport,

according well with feet that hurry wildly to the hills; like a colt that gambols at its mother's side in the pasture, with gladsome heart each Bacchante bounds along."

Mead in the Orphic Pantheon observes:

"Music and Mantras, therefore, were used by the Orphics
........... to attract, or call down, the influence of the Mother of the Gods, (Rhea Zoe Eve, Mary)

who at the same time was the 'Store-house of Life', of Divine Nature. Thus Proclus in his Commentary on Euclid (ii) tells us that 'the Pole of the World is called by the Pythagoreans the Seal (MARK) of Rhea' (Myst. Hymns, p. 63).

Now the pole is the conductor of the vital and magnetic forces of the earth-envelope, and is, therefore, appropriately called by this name, as being the seal and signature of the vital forces of Divine Nature,
........... whereby all diseases can be healed and all states of the soul vitalized.

Our Lady (he says) is the spiritual generation, the celestial, the above; and the "strong" he who is born.' That is, the new 'Twice-born,' or Initiate who is born from the 'Fountain of Life.' (ZOE is connected to Lucifer) (But see my translation in Lucifer, xiii.47). We next pass to Rhea's royal son and husband, Zeus.

Look To the Hills is a feature of the Zoe Group and Woodmont Hills Church of Christ. The cute title again misunderstands the concept. In all of the ancient stories, Satan taught Genun (Jubal) how to organize mixed-sex choirs, use instrumental music and drink wine in order to call down the holy Sethites who were upon the mountain of God. The "Word" personally lived with them and Satan "looked to the hills" trying to seduce people with singing, dancing, playing instruments and sexual perversion.

Unfortunate for those who gave heed to the LOOKERS or WATCHERS came down into the dark soil of Cain, discovered that they had been spiritually and sexually perverted, wanted to GET OUT but there simply was no way for them to ASCEND back into the presence of the WORD. In some versions, the agents of Satan try to ascend to meet the holy Sethites. Can't you picture the THEATRICAL PERFORMERS:

One day it pleased them to seduce them Sethites, after daubing their faces with rouge and powder, their eyes with antimony, and the soles of their feet with scarlet, dyeing their hair, putting on golden earrings, golden anklets, bracelets, and many-colored garments.

In their ascent of the holy mountain, they twanged harps, blew trumpets, beat drums, sang, danced, clapped hands; then, having addressed the five hundred and twenty anchorites in cheerful voices,
each caught hold of her victim and seduced him. These Sethites, after once succumbing to the Cainite women's blandishments,
........... became more unclean than dogs, and utterly forgot God's laws.

Book of Enoch, Chapter 8.

1 Moreover Azazyel taught men to make swords, knives, shields, breastplates, the fabrication of mirrors, and the workmanship of bracelets and ornaments, the use of paint, the beautifying of the eyebrows, the use of stones of every valuable and select kind, and all sorts of dyes, so that the world became altered.

In the Sons of The Gods:

(r) Genun (Tubal-Cain etal.) the Canaanite, son of Lamech the Blind, living in the Land of the Slime Pits,

was ruled by Azael from his earliest youth,
invented all sorts of musical instruments.
When he played these,
Azael entered into them too,
........... so that they gave forth seductive tunes entrancing the hearts of all listeners.

Genun would assemble companies of musicians,
........... who inflamed one another with music until their lust burned bright like fire,
........... and they lay together promiscuously.

He also brewed beer, gathered great crowds in taverns, gave them to drink,
........... and taught them to forge iron swords and spear-points,
........... with which to do murder at random when they were drunk.

Without knowing why, it is possible to use catchy, off the web titles and pick up bits and pieces of paganism without intending to.

While this seems severe, a modern, liberal Theologian claims that "there is no tradition other than the story of Jubal which does not show that musical instruments come from demigods or demons. In the Book of Enoch quoted by Jesus, Peter, Jude and others at least 128 times. Similar versions group Jubal and siblings under Genun or Canaan--Canaanites.

Rejecting the WORD and obedience is attributed by Enoch to everything created by God but mankind. Enoch and other writers point out that SATAN came into Genun or Yukon as Jubal and taught him how to seduce holy people through the use of mixed-sex choirs, wine, musical instruments and sexual perversion. In this story, Satan is bisexual: he appears in apparitions to transform himself into a beautiful masculine angel of light to Eve who WAS deceived but then a beautiful female through whom Adam WAS NOT deceived.

You must remember that in the postmodern world spewing out of once-christian universities teaches that there IS NO ABSOLUTE TRUTH. Therefore, their agents such as Rubel Shelly as part of the Look To the Hills effort claims that we can "take liberties" since the Bible has been sifted through philosophy and the writer's personal agenda to "take liberties" with truth in the first place.

Therefore, while the choice of LOOK TO THE HILLS may just be the product of natural Biblical illiteracy among the new "priesthood," it is also possible that they have been GUIDED into preaching an Anti-Christ and Anti-Logos, end-time religion by the same AGENT who taught Jubal or Yukon or Genun.

The Proof Text Which is the IDOL of this effort to, like Lucifer, PROGRAM the youth to go home and seduce the church with the same theatrical performance skills to SILENCE the Words of Christ as the ONLY resource for Spiritual worship.

I will lift up mine eyes unto the hills, from whence cometh my help. Psa 121:1KJV
........... My help cometh from the Lord, which made heaven and earth. Psa 121:2

Sounds pretty catchy to you? Sure. Everyone knows that neither God nor the enemy can get at you if you build a mountain like the towers of Babylon. The Assyrians might get you with their chariots on the plains but trust in the hills to save you.

"But there were some in Israel who were not just ordinary citizens. They saw by the eye of the Spirit.
........... And they were aware of the weakness of trusting in natural resources
........... for help against such cunning, vicious, and determined enemies.

Sounds like Satan giving false security in wine, women and song. What if we just changed it from a declaration of faith into a serious question by those with eyes. Look at it this way:

A Song of Ascents. I will lift up my eyes to the hills From whence comes my help? Psa 121:1NKJV

Now, this fits the context because the Psalmists said, NO. My help does not come from created things but from the Creator: the Lord.

My help cometh from the Lord, which made heaven and earth. Psa 121:2

Many paganistic Jews believed that God was God of the mountain or hills but not of the plains simply because the people felt more protected by the physical hills. The Living Bible reads:

> Shall I look to the mountain gods for help? Psa 121:1LIV NO. Don't Do it!
A song of ascents. I lift up my eyes to the hills-- where does my help come from? 121:1NIV
> (A Song of Ascents.) I Will lift up my eyes to the mountains; From whence shall my help come? Psa 121:1NAS
> A Song of Ascents. I lift up my eyes to the hills. From whence does my help come? Psa 121:1RSV
........... > > No! My help is from Jehovah who made the mountains! And the heavens too! Psa 121:2LIV

And we have other proof of the utter superstition that God is restricted in where He can work. For instance,

And the servants of the king of Syria said unto him, Their gods are gods of the hills; therefore they were stronger than we; but let us fight against them in the plain, and surely we shall be stronger than they. 1K.20:23

Har (g2022) har; a short. form of 2042; a mountain or range of hills (sometimes used fig.): - hill (country), mount (-ain), * promotion.

And there came a man of God, and spake unto the king of Israel, and said, Thus saith the Lord,
........... Because the Syrians have said, The Lord is God of the hills,
........... but he is not God of the valleys,
........... therefore will I deliver all this great multitude into thine hand, and ye shall know that I am the Lord. 1 Kings 20:28

The ten northern tribes of Israel looked to the hills in Mount Gerezim and Carmel throughout their existence. The Jews in Jerusalem looked to the hills in Mount Zion which was an adopted Jebusite High Place.

The prophets of Baal and Asherah under Jezebel looked to the hills at Mount Carmel with their singing, dancing, instrument playing charismatic prophets.

Amos knew that people let their guard down up in the mountains and preached:

> WOE to them that are at ease in Zion, and trust in the mountain of Samaria,

which are named chief of the nations,
whom the house of Israel came Amos 6:1
Ye that put far away the evil day, and cause the seat of violence to come near; Amos 6:3
chant to the sound of the viol, and invent to themselves instruments of musick, like David; Amos 6:5
drink wine in bowls, and anoint themselves with the chief ointments: but they are not grieved for the affliction of Joseph. Amos 6:6

Therefore now shall they go captive with the first that go captive, and the banquet of them that stretched themselves shall be removed. Amos 6:7

The people really didn't LOOK TO THE HILLS but they were DEVOTED to the musical performers and others who MANNED the places of unholy worship:

Woe to you who are at ease in Zion, And trust in Mount Samaria,
........... Notable persons in the chief nation, To whom the house of Israel comes! Amos 6:1NKJV

The banquet was a form of the musical idolatry which sentenced Israel at Mount Sinai:

Mirzach (h47970 meer-zakh'; from an unused root mean. to scream; a cry, i. e. (of joy), a revel: - banquet.

This was a form of the RISING UP TO PLAY or musical idolatry at Mount Sinai which doomed the nation of Israel to participate in the worship of the STARS until God sent the human kings to destroy them as a nation.

Speaking of the religious ritual condemned by Amos and others we note that:
---- "The marzeah had an extremely long history extending at least from the 14th century B.C. through the Roman period. In the 14th century B.C., it was prominently associated with the ancient Canaanite city of Ugarit (modern Ras Shamra), on the coast of Syria...
The marzeah was a pagan ritual that took the form of a social and religious association... Some scholars regard the funerary marzeah as a feast for--and with--deceased ancestors (or Rephaim, a proper name in the Bible for the inhabitants of Sheol)." (King, Biblical Archaeological Review, Aug, 1988, p. 35, 35)
"These five elements are: (1) reclining or relaxing, (2) eating a meat meal, (3) singing with harp or other musical accompaniment, (4) drinking wine and (5) anointing oneself with oil." (King, p. 37).

The Battle of Baal and Yahm

  1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
  2. Aloud they [summon the assembly of the gods/ do cry to those near]. They invite
  3. the distant ones/ those far away, to the assembly of `El
  4. they summon/do cry: "`El remains seated
    [in his
    marzeah/banqueting hall/among his cult-guests (dM)] . . .
  5. The shame of the Eternal One/The shameful conduct of the usurper . . .
  6. O gods, (to) the house of your lord . . .
  7. [Who surely travels (S)/lest he go (D/G) quickly/the Runner will not walk (dM)] through the land, . . .
  8. who goes in the dust (of) destruction/a mess of mud on the ground . . .
Comments: Smith believes lines 7-8 should be interpreted "Either literally, as `El walking through the underworld,
or an allusion to `El being "dead drunk," or both metaphorical,
and ironic, as the marzeah serves as the setting
for feasts for the dead and for the living mourning the dead (p. 145).
---- "With the wine-drinking (which is the literal meaning of the Hebrew for feasting), went music and dancing." (Heaton, E. W., Everyday Life in Old Testament times, Scribners, p. 93)
---- "Worship was form more than substance; consequently, conduct in the marketplace was totally unaffected by worship in the holy place. Amos spoke from the conviction that social justice is an integral part of the Mosaic covenant, which regulates relations not only between God and people, but also among people." (King, p. 44).
---- "In pagan traditions, musical instruments are invented by gods or demi-gods, such as titans. In the Bible, credit is assigned to antediluvian patriarchs, for example, the descendants of Cain in Genesis 4:21. There is no other biblical tradition about the invention of musical instruments." (Freedman, David Noel, Bible Review, Summer 1985, p. 51).

Bill Britton notes that:

"Jeremiah was even more bold in Jeremiah 3:23, when he said, "TRULY IN VAIN IS SALVATION HOPED FOR FROM THE HILLS, AND FROM THE MULTITUDE OF MOUNTAINS (polemic warriors): TRULY IN THE LORD OUR GOD IS THE SALVATION OF ISRAEL." This scripture may seem to you to conflict with the Psalmist, but this is only because Psalms 121:1 has been so misunderstood, misquoted, and misinterpreted down through the years. Reach for the Stars

However, Jeremiah declares that it is VAIN to LOOK TO THE HILLS rather than trust in the Creator of the hills and His Word:

But I said, How shall I put thee among the children, and give thee a pleasant land, a goodly heritage of the hosts of nations? and I said, Thou shalt call me, My father; and shalt not turn away from me. Jer 3:19

Surely as a wife treacherously departeth from her husband, so have ye dealt treacherously with me, O house of Israel, saith the Lord. Jer 3: 20

A voice was heard upon the high places, weeping and supplications of the children of Israel: for they have perverted their way, and they have forgotten the Lord their God. Jer 3: 21

Return, ye backsliding children, and I will heal your backslidings. Behold, we come unto thee; for thou art the Lord our God. Jer 3: 22

Eve was worshipped as ZOE and Mary because she was "the mother of the gods" and because Satan had filled her head to TREACHEROUSLY DEPART FROM HER HUSBAND..

> Truly in vain is salvation hoped for from the hills, and from the multitude of mountains:
........... truly in the Lord our God is the salvation of Israel. Jer 3:23

Musical or theatrical worship facilitated by the ZOE concept and Jubilee has and is using Infiltrating and Diverting to "steal the church houses of widows" who cannot and will not sit as "audience" while the Peter Pans bring shame on themselves and on God by "standing in the holy place" which, in the temple typical of the CHURCH was strickly off limits to the Levitical musicians who made a great crashing noise during the burning of animals.

For shame hath devoured the labour of our fathers from our youth; their flocks and their herds, their sons and their daughters. Jer 3:24

We lie down in our shame, and our confusion covereth us: for we have sinned against the Lord our God, we and our fathers, from our youth even unto this day,
........... and have not obeyed the voice of the Lord our God. Jer 3:25

The end-time battle of Armageddon is really seen as a polemic battle. It will be between the LOFTY or prideful musical performers trying to elevate themselves from little hills on the plain to the BIGGEST mountain around.

The lofty looks of man shall be humbled, and the haughtiness of men shall be bowed down, and the Lord alone shall be exalted in that day. Isaiah 2: 11

For the day of the Lord of hosts shall be upon every one that is proud and lofty, and upon every one that is lifted up; and he shall be brought low: Isaiah 2: 12

And upon all the cedars of Lebanon, that are high and lifted up, and upon all the oaks of Bashan, Isaiah 2: 13
........... > And upon all the high mountains, and upon all the hills that are lifted up, Isaiah 2: 14

Not only was the Assyrians the serpent people opposing God's Word, the Assyrians are identified as THE TALLEST TREES IN EDEN. They lifted themselves above other trees.

Therefore, mountains or hills really means that rather than looking to literal hills the charismatic and theatrical performers seek to silence the Word of God and project THEMSELVES like the Gnostic ZOE as the objects of worship. They seek to BE the mountains to which others look and worship and admire and purchase the merchandise.

However, as all FALSE RELIGIONS tried to find a HIGH PLACE to prove themselves more worthy of worship than God in their imitation of ZOE or LUCIFER will all be cast down when Messiah comes to establish His kingdom which will repudiate the Judas prophesied music of triumph (Psa 41) and make the almost total WORSHIP CONCEPT as giving HEED to Christ by giving heed to His WORDS in song and sermons:

And it shall come to pass in the last days, that the mountain of the Lords house shall be established in the top of the mountains, and shall be exalted above the hills; and all nations shall flow unto it. Isaiah 2:2

And many people shall go and say, Come ye, and let us go up to the mountain of the Lord,
........... to the house of the God of Jacob;
........... and he will teach us of his ways,
........... and we will walk in his paths:
........... ........... for out of Zion shall go forth the law,
........... ........... and the word of the Lord from Jerusalem. Isaiah 2:3

Therefore, the pagans LOOKED TO THE HILLS as the home of the MOUNTAIN GODS. However, the Israelites looked to the hills of Gerezim as the home of their gods (Molech, Chiun, Remphan of Amos 5 and 6). However, the Jews looked to Zion as the home of their God whom David believed he had trapped in a box.

None of these people worshiped the CREATOR of mountains by listening to HIS word and they all used music and theatrical performance, often in fear, when trying to worship God with the works of human hands.

However, Christ put an end to worship in time and place and physical hills and mountains when he told the Samaritan woman that He came with the TRUTH and not to be entertain, fed, clothed or known in a personal way:

The woman saith unto him, Sir, I perceive that thou art a prophet. John 4: 19

Our fathers worshipped in this mountain; and ye say, that in Jerusalem is the place where men ought to worship. John 4: 20

Jesus saith unto her, Woman, believe me, the hour cometh, when ye shall neither in this mountain, nor yet at Jerusalem, worship the Father. John 4: 21

Ye worship ye know not what: we know what we worship; for salvation is of the Jews. John 4: 22

But the hour cometh, and now is, when the true worshipers shall worship the Father in spirit and in truth: for the Father seeketh such to worship him. John 4: 23
........... God is a Spirit: and they that worship him must worship him in spirit [PLACE] and in truth. John 4: 24

Zion and Gerezim are PLACES and therefore the HUMAN SPIRIT is the new place of worship. The Spirit is the regenerated nature of the mind. Paul told the Corinthians in chapter two that the HOLY SPIRIT is to us THE MIND OF CHRIST. Therefore, worship is not in LOOKING TO THE HILLS trying to seduce people but in the mind.

We come individually and boldly before the throne of God in the Most Holy Place. That PLACE is the MIND of absolute DARKNESS and utter SILENCE. Therefore, the singy-clappy CHILDREN playing games INTEND to keep your mind off the MASCULINE JEHOVAH- SAVED or Jesus and make you worship Sophia and Zoe the "superior" goddesses of the feminist takeover:

The woman saith unto him, I know that Messias cometh, which is called Christ: when he is come, he will tell us all things. John 4: 25
........... Jesus saith unto her, I that speak unto thee am he. John 4: 26

Jesus said that when He returned to His Heavenly Glory and Majesty as FULL DEITY they would not be concerned about the flesh--even His flesh. Rather, worship in the human spirit is related ONLY to the Words of Christ

It is the spirit that quickeneth; the flesh profiteth nothing: the words that I speak unto you, they are spirit, and they are life. John 6:63

Therefore, Paul who was inspired by the Spirit Lord Who came in the name of Jesus of Nazareth, never remotely associated the manipulation of the human body or voice or music or even singing as WORSHIP IN SPIRIT. Rather, his almost unique "worship" word means to give HEED to Christ by GIVING HEED to His Word. Paul told Timothy to "give attendance to the public reading of the Word, to exhortation of that WORD and to the DOCTRINE contained in that Word."

I don't know what the end-time Babylon Whore worship will look like other than it is devoted to those things people LUST AFTER, to false teaching, to musical excitement and to commerce--trying to sell their PRODUCTS as having the mediating power to bring you into God's presence. There is NOTHING else on the scene of forseeable future which better fits the Babylon Harlot worship which will end as it began: with musical seduction and total disrespect for the Word of God, the LOGOS in competition to "SUPERIOR SISTER, ZOE."

The absolute Biblical and secular record is that once you have fallen from the WORD to the CHOIRS AND DANCING AND MUSIC down in the dark soil of the Cainites (Cain was OF that wicked one) you have fallen and you will never get up. There is no exception even for the Jews.

When you once make the snapse connections which identifies the sensual or sexual feeling produced by music with SPIRITUAL worship you are MARKED. The induced DRUG HIGH is from endorphins or morphine-within. Musical addiction is the easiest to acquire and the hardest to kick. If the police knew what was happening with the revival of the JESUS PEOPLE they would close down churches as SPIRITUAL CRACK HOUSES. Sure, you can suck in the seekers!

Saturn or Chiun worshiped musically in Israel (Amos 6, 6, 8) worshipped the STAR whose Chaldee number is 666. The MARK is that of response to MUSIC. The Muses or musicians of Revelation 18 are in Legend of John's Patmos area the muses who were turned into LOCUST or "musical performers." One of the end time MARKS is that the locusts with scorpion stings in their tail (inflicting a vlie weeping plague) MARK and then musically punish those so marked making them believe that the thrill of drugs is spiritual worship.

Believers are MARKED with the Word of God in their minds and in their actions.

The LOCUSTS do not cause people to be lost: they simply identify and MARK those who have rejected the Word "as it has been taught."

If you live in Phoenix, the GOLDEN TREASURE is the God Who made the hills and not the "gods who dwell in the hills."

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