Here are the
two standards or rules recognized by many in the "Christian Church,"
namely, that of "walking by faith," and that of "walking by opinion."
W.R. Walker calls the opinions of man
in the "areas of silence" "the authority
of Christ." This is tantamount to saying that man's
opinions
in the "areas of silence"
are of equal force with the word of God.
H. Leo Boles The Way of Unity
See
Alexander Hislop on the High Church attempt
Also
See Hugh Brown
History
refuting the Law of Silence
The
Disciples were built on the "High Church" concept of the church of
England which, like the Catholics, gave them the authority to add or
delect rituals based on the culture. However, the Church of
England never approved of this patternism. The Christians in the SE
inherited this view from the Methodists back to the Catholic Church.
You only need a LAW if you intend to IMPOSE something new and divisive:
congregational singing has never divided and needs no law.
ALL RECORDED HISTORY PROVES THAT THE USE OF MUSICAL INSTRUMENTS WAS
INTRODUCED BY SATAN TO SILENCE THE LAMBS SO THEY COULD NOT HEAR THE
WORD.
Echeion ( [êchos]
) drum, gong, tambourine, as head-dress,; used for stage-thunder,
as sounding-boards in the theatre,
II.
in the lyre, = chalkôma, apptly. a metallic
sounding-plate
2.
Adj. êcheion organon sounding instrument,
Plut. Crass. 23 But
when they were near the Romans and the signal was raised by their
commander, first of all they filled the plain with the sound
of a deep
and terrifying roar. [7]
For the Parthians do not incite
themselves to battle with horns or trumpets, but they have hollow
drums
of distended hide, covered with bronze bells, and on these they beat
all at once in many quarters, and the instruments give forth a low and
dismal tone, a blend of wild beast's roar and harsh
thunder peal.
They
had rightly judged that, of all the senses,
hearing
is the one most apt
to confound the soul,
soonest
rouses its emotions,
and most
effectively unseats the judgment.
That is why, without exception, music and instruments were lifeless
instruments or carnal weapons used to induce enchantment intending to
pick your pockets while causing you to smile.
Aesch. PB 575 Io
[575] The waxen pipe drones forth in accompaniment
a
clear-sounding slumberous strain. Alas, alas! Where
is my far-roaming
wandering course taking me? In what, O son of Cronus, in what have you
found offence so that you have bound me [580] to this yoke of
misery—aah! are you harassing a wretched maiden to frenzy by this
terror of the pursuing gadfly? Consume me with fire, or hide me in the
earth, or give me to the monsters of the deep to devour; but do not
grudge,
O Lord,
the favor that I pray for.
[585] My
far-roaming wanderings have taught me enough,
and I cannot
discern how to escape my
sufferings.
Do you
hear the voice of the horned virgin?
Amos
8:10 And I will turn your feasts into mourning,
and all your songs
into lamentation;
and I
will bring up sackcloth upon all loins, and
baldness upon every head;
and I
will make it as the mourning of an only
son,
and the end
thereof as a bitter day.
Amos 8:11 Behold,
the days come,
saith the Lord GOD,
that I will send a
famine in the land, not a famine of bread, nor a thirst for water,
but
of hearing the words of the LORD:
Amos 8:12 And they shall
wander
from sea to sea, and from the north
even to the east,
they
shall run to and fro to seek the word of the
LORD, and shall not find it.
- Hippolytus
V
-
- "Yobal made reed instruments, and harps, and flutes, and whistles,
-
and the devils went and dwelt inside them.
When men blew into the pipes, the devils sang
inside them,
-
And Satan had been made ruler (or
prince) of that camp
- And
when the men and women were stirred
up to lascivious frenzy by the devilish playing of the reeds
which emitted musical sounds, and by the harps which the men played
through the operation of the power of the devils,
and by the sounds of
the tambourines and of the sistra which were beaten and rattled
through
the agency of evil spirits, the sounds of their
laughter were heard in the air above them, and ascended to that holy mountain.
Tulsa
Workshop 2010
Our
First Tulsa Workshop which
matched non-instrumentalists agreeing with instrumentalists: these
spokesmen had already or planned to divert "their" churches into
instrumental churches.
REVISED 5.13.10
Remembering that Christ spoke through the prophets to warn about the
free water of the Word (Isaiah 55) and to MARK those who lade burdens
and disturb your rest by SPEAKING THEIR OWN WORDS (a mark of the
Devil). He always repudiated the Civil-Military-Clergy
complex
imposed because of musical idolatry as robbers and parasites.
From the garden of Eden onward HE gets to decide what to
command,
example and infer. Christ never said THOU SHALT NOT permit
wizzards and sorcerers into thy "school of the Word" He just said THERE
IS NO LIGHT IN THEM.
Isa.
8:19 And when they shall say unto you,
Seek unto them that have familiar
spirits,
and unto
wizards that peep, and that mutter:
should
not a people seek unto their God? for the living to the dead?
[19] et cum dixerint ad vos quaerite a pythonibus et a divinis qui stridunt in incantationibus suis numquid non populus a Deo suo requirit pro vivis a mortuis
To
the
law and to the
testimony:
if
they speak not according to this word,
it is because there
is no light in them. Isa 8:20
Strabo
Geography [10.3.10]
And
on this account Plato, and even before his time the Pythagoreians, called philosophy music; and
they
say that the
universe is constituted in accordance with harmony,
assuming that every form of
music is the work of
the gods.
And in this sense, also, the Muses are goddesses,
and Apollo
is leader of the Muses,
and poetry
as a whole is laudatory
of the gods.
And branch-bearing, choral dancing, and initiations are common
elements in the worship of these gods. As for the Muses and
Apollo
the Muses (female pastors) preside over the choruses,
whereas Apollo presides
both over these and the rites of divination.
But
all educated men, and
especially the musicians, are ministers of the Muses;
and
both these and
those who have to do with divination are ministers of Apollo;
and the initiated and
torch-bearers and hierophants, of Demeter; and the Sileni
and Satyri
and Bacchae, and also the Lenae and
Thyiae and Mimallones and
Naïdes and Nymphae and the beings called Tityri, of Dionysus.
-10.3.11]
In Crete,
not only these rites, but in particular those sacred to Zeus, were performed
along
with orgiastic
worship and
with the kind of
ministers who were in
the service of Dionysus, (Coroi, youth)
mean the Satyri (Gender-bent
musical Pan
types).
These
ministers they called
"Curetes," young
men
who executed
movements in armour, accompanied by dancing, as they set forth the
mythical story of the birth of Zeus; in this
they introduced Cronus as accustomed to swallow his
children
immediately after their birth,
and Rhea as
trying to keep her travail secret and, when the child was
born, to get it out of the
way and save its life by every means in her power; and to accomplish
this it is said that
she
took as helpers
the Curetes, who, by surrounding the goddess with tambourines
and similar noisy
instruments and with war-dance and uproar,
were
supposed to strike
terror into Cronus and without
his
knowledge to steal
his child
away;
and that,
according to tradition, Zeus was actually reared by them with the
same diligence; consequently the
Curetes,
either
because,
being young, that is
"youths," they performed this
service, or
because they "reared" Zeus "in his youth" (for both explanations are
given), were accorded this appellation (Curo-trophein), as if they
were Satyrs,
so to speak,
in
the service of Zeus. Such, then,
were the Greeks in the matter of orgiastic worship.
|
in-canto
I. To sing in, with dat.:
“passer
incantans
saepiculae
(i.
e.
in
saepicula),
C. Transf., of
the instruments by which, or (poet.) of the places
in which, the sounds are produced, to sound, resound:
“canentes
tibiae,”
Cic. N. D. 2, 8,
22: “maestae
cecinere
tubae
Crowing of a cock: Gallus .
Galli
, ōrum, m., the priests of Cybele, so
called because of their raving, Ov.
F. 4, 361 sq.; Plin. 5, 32, 42,
§ 146; 11, 49, 109, §
261; 35, 12, 46, § 165;
Paul. ex Fest. p. 95
Müll.; Hor. S. 1, 2, 121.—In
sing.: Gallus
, i, m., a priest of Cybele, Mart. 3, 81; 11, 74; cf. Quint. 7, 9, 2:
“resupinati
cessantia
tympana
Galli,”
Juv. 8, 176.—And
satirically (on account of their emasculated condition), in the fem.:
Gallae
, ārum, Cat. 63, 12
2. (Acc. to II. A., of or
belonging to the priests of Cybele; hence, transf.) Of
or belonging to the priests of Isis, Gallic:
“turma,”
the troop of the priests of Isis, Ov. Am. 2, 13, 18.
1. To consecrate with charms
or spells: “incantata
vincula,
“incantata
mulier, II.
Transf., as a term of reproach, a
woman, i. e. a coward, poltroon: Plaut. Bacch. 4, 8, 4.
Pl. Bac. 4.8 CLEOMACHUS
He doesn't consider that I am a soldier, but a
woman, who cannot defend myself and mine. But may neither Bellona nor
Mars ever put confidence in me, if I don't put him out of life, if I
meet him, or if I don't make him lose possession of his existence...
CHRYSALUS
How now? Does Chrysalus seem such a villain to you? Come, chain me now,
and do listen to your son. Didn't I tell you that you would discover
what sort of person he is?
Chain me now:
He says this satirically pointing to his fetters
Vinculo
I. to
fetter, bind, chain:
Phalerari, Magus magic,
magical carmen
Phalerari I. to
adorn with trappings, ornament the breast
(late Lat.): “animalia
phalerari
sibi
magis
quam
nodari
gaudent,”
Ambros. Cant. Cantic. 1,
43.—Fig., to deck, set
off, display: “eloquentiae
phalerandae
gratiā,
II. Trop., decorated,
ornamented: phaleratis dictis aliquem
ducere, with fine speeches,
Carmen I.
a tune,
song; poem,
verse; an oracular response,
a
prophecy; a form of incantation (cf.: cano, cantus, and
canto).
I. In gen.,
a tune,
song,
air,
lay,
strain,
note,
sound, both vocal
and instrumental.
5. A magic
formula,
an incantation:.
Ovid Ov. Am. 1.8
There is a bawd renown'd
in Venus'
wars, [Lucifer, Zoe]
Aud dreadful still with honorable scars;
Her youth and beauty, craft and guile supply,
Sworn foe to all degrees of chastity.
Dypsas, who first taught
love-sick maids the way
To cheat the bridegroom on the wedding-day,
And then a hundred subtle tricks devis'd,
Wherewith the am'rous theft might be disguis'd;
Of herbs and spells she
tries the guilty force,
The poison of a mare that goes to horse.
Cleaving the midnight air upon a switch,
Some for a bawd, most take her for a witch.
Each morning sees her
reeling to her bed,
Her native blue o'ercome with drunken red:
Her ready tongue ne'er wants a useful lie,
Soft moving words, nor charming flattery.
Mulier II.
Transf., as a term of reproach, a
woman, i. e. a coward, poltroon: “non
me
arbitratur
militem,
sed
mulierem,”
Plaut. Bacch. 4,
8, 4.
GENDER BLEED AND LYING ARE THE UNIVERSAL MARKS OF
RELIGIOUS MUSIC
Aristotle:
Melody
Deceives: "Poets also make use of this in inventing
words, as a melody
"without strings" or "without the lyre"; for they employ epithets
from negations,
a course which is approved in proportional metaphors..
The
form
of diction should be neither metrical nor without
rhythm.
If
it is metrical, it lacks
persuasiveness, for it appears artificial, and at the same time it
distracts
the hearer's attention, since it sets him on
the watch for the recurrence of such and such
a cadence..
According
to
Philo, the gods of the pagans
exploit this weakness of
men.
For the sake of a
better effect, and with the intention of
more easily cheating their devotes, that they have set
their lies to melodies, rhythms and meters.."
Click
for more.
REVISED
5.06.10
I would not expect that anyone who has "thused" over Tulsa will want to
read
the MARKS. It is not possible that anyone who has ever read the Bible
with respect could doubt that music has always been the cause and mark
of those who tell God to shut His mouth: it is called sacred violence
and it is proven to be able to shut the mouth of the Prophets and
Apostles and Jesus in Spirit as He leads through His Word.
Jn 8:35 And a slave does not abide
in the house forever,
but a son
abides forever.
Jn 8:36 Therefore if the Son makes you free,
you shall be free indeed.
Jn 8:37 “I know that you are Abraham’s descendants,
but you seek to kill Me, because My
word has no place in you.
Jn 8:43 Why do you not understand My speech?
Because
you are not able to listen to My word.
The Spiritual Covenant was made to Abraham by Christ in
Spirit.
The Law of Moses was imposed because of musical idolatry at Mount
Sinai. Therefore, anyone who tries to impose the burnt
offerings
and sacrifices with the Levite Warrior's music or noise is ENCHAINING
you to keep the whole law. The word PSALLO is directly
connected to putting a chain or bridle on your minds.
Jesus died to remove the laded
burden and the burden laders and to give
us REST:
both of these speak of the exciting music associated with religious
ritual used to make the lambs dumb before the slaughter.
Apollo,
Abaddon or Apollyon in the book of Revelation is also called:
Phoberos. 2. caused
by fear, troubled, panic,
anachôrêsis Th.4.128 ; phobera ossois homichla
prosêixe A.Pr.144 (lyr.); ph. phrontides anxious thoughts, 3.
of style, impressive, awe-inspiring, paizō
,
Paizō
, alla
pepaistai
metriōs
hēmin,
of the chorus, Ar. Th.1227.
5. play
amorously, “pros
allēlous”
X.Smp.9.2;
“meta
tinos”
LXX Ge.26.8
The Bible writers point us directly to one name for the
Beast defined by Homer To Pan
HH 3 206 To Pythian Apollo
[1] O Lord, Lycia is
yours and lovely Maeonia
[180] and Miletus,
charming city by the sea, but over wave-girt Delos
you greatly reign your own self.
Leto's all-glorious son goes to rocky Pytho,
playing upon his hollow lyre, clad in divine, perfumed
garments; and his lyre,
[185] at the touch of the golden key, sings sweet. Thence, swift as
thought, he speeds from earth to Olympus,
to the house of Zeus, to join the gathering of the other gods:
then
straightway the undying gods think only of the lyre and song, and all
the Muses together,
voice
sweetly answering voice, [190] hymn the
unending gifts the gods enjoy and the sufferings of men,
all that
they
endure at the hands of the deathless gods,
and how
they live witless
and helpless and
cannot
find healing for death or defence against old
age.
Xen. Sym. 9.2
After he had withdrawn, a chair of state, first of all, was set down in
the room, and then the Syracusan came in with the announcement:
“Gentlemen, Ariadne will now enter the chamber set apart for her and
Dionysus; after that, Dionysus, a little flushed with wine drunk at a
banquet of the gods, will come to join her; and then they will disport
themselves together.”
See Saltatio
where the simple gestures while singing was called dancing especially
when worshiping Phoberos or Apollo (Abaddon, Apollyon) and performed by David in 2 Samuel 6
Jn 8:44 You are of your father the devil,
and the desires of your father you
want to do. He was a murderer from the beginning,
and does not stand in
the truth, because there is no truth in him. When he speaks a lie, he
speaks from his own resources, for he is a liar and
the father of it.
Eph
2:2 Wherein in time past YE
walked according
to the course of this WORLD (Kosmos)
according to the prince of the power of the air,
the SPIRIT that now worketh in the children of
disobedience:
"The necromancer or
soothsayer gained
their power through magical incantations. The
sound of brass, pipe or string
imitated the music of
the seven heavenly spheres.
As a
result, the gods were
forced to give material and sensual blessings."
Enuma
Elish III.101; IV. 1-26, 91
and other Near Eastern Manuscripts
Prince Arkhon a.
tou
kosmou
toutou,
of Satan, Ev.Jo.16.11,
al.
Kosmokrator
lord of the world.,
epithet of ouranos,
Orph.H.4.3;
“Zeus
Mitras
Hēlios.”
Helios II. as pr. n., Helios,
the sun-god, Od.8.271, [“Hēlios
doulous
eleutherous
poiei”
identified with Apollo, 2. Hēliou
astēr,
of the planet Saturn, v.l. in Pl.Epin.987c,
cf. D.S.2.30
Ruler of
the kosmos,
i.e. planet, “hoi
hepta
k. hoi
k.
tou
skotous
toutou
the cosmic rulers of
this sinful world,
Ep.Eph.6.12;
“hoi
k.
hoi
ta
hupo
selēnēn
stoikheia
dioikountes”
YOU CANNOT MAKE WAR USING SATAN'S LIFELESS INSTRUMENTS
OR CARNAL WEAPONS.
Eph. 6:12 For we WRESTLE
not against flesh and
blood,
but
against principalities, against
powers, against the rulers of the darkness of this world,
against
spiritual wickedness in high places.
Eph. 6:13 Wherefore
take
unto you the whole armour of God,
that ye
may be able to withstand in
the evil day, and having done all, to stand.
We do NOT wrestle against flesh and
blood:
Pale (g3823) pal'-ay; from pallo, (to vibrate; another form for 906); wrestling:
- / wrestle
ANOTHER
FORM OF THE PSALLO WORD: we do NOT make war against Satan with PSALLO.
Pallô, poise, sway
a missile before it is
thrown, sway, brandish, she drove
it furiously, tripped on the shield-rim, quiver, leap, esp. in fear, II. Pass., swing,
dash oneself, Pi.N.5.21; vibrate,
of strings, Pl.Phd.94c (psalloito PSALLO ap.
Stob.); leap, bound,
quiver, quake, phrena
deimati pallôn S.OT153 (lyr.); dash along, of horses, E.El.477
(lyr.). spring upon ephallomai, leap, bound E.El.435
Eur. Ba. 775 Pentheus
Already like fire does this insolence of the Bacchae
blaze up, a great
reproach for the Hellenes. [780] But we must not hesitate. Go to the
Electran gates, bid all the shield-bearers and riders of swift-footed
horses to assemble, as well as all who brandish the light shield and pluck
[psallo]
bowstrings with their hands, so that we can make an assault
against [785] the Bacchae. For it is indeed too much if we suffer what
we are suffering at the hands of women.
Eph. 6:14 Stand therefore,
having your loins girt about with TRUTH
and
having on the breastplate of righteousness;
Eph. 6:15 And your feet shod with the preparation of the
gospel of peace;
Eph. 6:16 Above all, taking the shield of faith,
wherewith
ye shall be
able to quench
all the fiery darts of the wicked.
DON'T LET THEM SHOOT
YOU WITH LOVE ARROWS or encourage you to dance with God.
Aesch. PB 640 [645] For
visions of the night, always haunting my maiden chamber,
sought to beguile me with seductive words, saying: “O damsel greatly
blessed of fortune, why linger in your maidenhood so
long when it is
within your power to win a union of the highest? Zeus is inflamed
by
passion's dart [650] for you and is eager to unite with you
in love.
THE ONLY WAY NOT TO
GET SHOT WITH THE DARTS OF PERVERSE LOVE
Eph. 6:17
And take the helmet of salvation,
and the sword
of the
Spirit, which is the word of God:
Eph.
6:18 Praying always with all prayer and supplication in the Spirit,
and
watching thereunto with all perseverance and supplication for
all
saints;
IF YOU ARE OF THE WORLD AND USING
THE WORLD'S INSTRUMENTS YOU ARE LOST.
I pray for them: I pray NOT
for the WORLD
but for
them which thou hast given me; for they are thine.
John 17:9
have given them THY
WORD;
and the WORLD
hath hated them,
because
they are not of the
world, even as I am not of the world. John 17:14
I pray not that thou shouldest take them
out of the world,
but that
thou shouldest keep them from the evil. John 17:15
They are
not OF the world, even as I am not of the world.
John 17:16
SANCTIFY them through THY TRUTH:
thy
WORD is TRUTH. John 17:17
God does not speak TO the kosmos and Jesus does not
pray for the kosmos.
He does NOT want unity with the superstitious musical sects.
Jesus called them hypocrites by quoting
Isaiah and ezekiel 33:
Ezek.
33:30 Also, thou son of
man, the children of thy people still are talking against
thee by the
walls
and in
the doors of the houses, and speak one to another, every
one to his brother,
saying, Come, I pray you, and hear what
is the word
that cometh forth from the LORD.
Ezek. 33:31 And they come unto thee as the people
cometh,
and they
sit
before thee as my people,
and they
hear thy words, but they will not do
them:
for with
their mouth they shew much love,
but their
heart goeth
after their covetousness.
Christ gives an example to explain those who become massed multitudes
(beasts) knowing that they have no intention of listening to what He
has to say:
Ezek.
33:32 And, lo, thou art unto them
as a very
lovely song of one
that hath a pleasant voice,
and can
play well on an instrument:
for
they hear thy words, but they do them not.
Ezek. 33:33 And when this cometh to pass, (lo, it will come,)
then
shall they know that a prophet hath been among them.
THE MUSIC IS BOTH A CAUSE AND A
MARK OF PEOPLE SHUTTING DOWN YOUR MIND TO FEED YOU THEIR WORDS.
Of Jesus:
He unchained us from the Musical minstrels by casting them out "like
dung."
He unchained us from the hypocrites which means the rhetoricians or
smooth-speak
He unchained us from the hypocrites meaning the chanters or singers as
hypocrites.
He unchained us from the sons of the Devil who speaks from their own
resources.
He unchained us from the sermon writers and song writers replacing HIS
Words in the prophets and apostles.
He unchained us from the pipers, singers and dancers by consigning them
to the marketplace with all of the other corruptions.
He unchained us from the temple tax (buildings and grounds) by paying
it off.
He unchained us from having to go to a "place" to pray: the direct
command is "in your closet."
He unchained us from laying by in story by the direct command to take
care of our own alms.
He unchained us from any instrument player while putting something into
the poor box.
He unchained us from worship at a PLACE by letting us worship in our
own spirit devoted to the truth.
Paul unchained us for using the PSALLO
word as a weapon against SATAN'S weapons.
He empowered the synagogue or Church in the wilderness as a School
(only) of the Word (only). The Lord's Supper is an act of evangelism
and anything beyond that destroys unity.
Luke 17:23 And they shall
say to you, See here; or, see there:
go
not after them, nor follow them.
Rev 5.05.10
IF YOU FOLLOW A MULTITUDE
YOU WILL DO EVIL AND
REJOICE IN IT.
Heb. 13:10 We have an altar, whereof they have no
right to eat which serve the tabernacle.
Heb. 13:11 For the bodies of those beasts,
whose
blood is brought into the sanctuary by the high priest for sin,
are
burned without the camp.
Heb. 13:12 Wherefore Jesus also, that he might sanctify the people with
his own blood,
suffered
without the gate.
Heb. 13:13 Let us go forth therefore unto him without the camp, bearing
his reproach.
YOU WILL NEVER FIND JESUS IN THE MASSED MULTITUDES: thats
where He consigned the pipers, singer and dancers.
Camp Parembole
drawing up in battle oder, insertion of men in ranks, company of
soldiers, SOLDIER'S QUARTERS or barracks Plb. 6.29.1 Phb. 6.31The Camp Marketplace.
Agora business
of the agora public speaking, to trade in the market, selling of "biblion" paper,
documents, selling of scriptures. Meeting for games Pi.N.3.14:
metaphor “murmēkōn
a.”
Luc. Icar.19:
prov., theōn
a.
'Babel', Suid.,
etc.
Pi.N.3.14
Queenly Muse, our mother! I entreat you, come
in the sacred month of Nemea
to the much-visited Dorian island of Aegina. For beside the waters of
the Asopus young men are waiting, craftsmen of honey-voiced
[5]
victory-songs, seeking your voice.
Various
deeds thirst for various
things;
but
victory in the games loves song most of all,
the most
auspicious attendant of garlands and of excellence.
Matt.
5:6 Blessed are they which do hunger and thirst after righteousness:
for they shall be filled.
Send an abundance of it, from my wisdom; [10] begin, divine daughter,
an acceptable
hymn to the ruler of the cloud-filled sky,
and I
will communicate it by the voices of those singers
and by the lyre.
The hymn
will have a pleasant toil, [burden] to
be the glory of the land where the
ancient Myrmidons lived, whose marketplace, famous long ago
Heb. 13:14 For here have we no continuing city, but we seek one to
come.
Heb. 13:15 By him therefore let us offer the sacrifice of
praise to God continually,
that is,
the fruit of our lips giving thanks to his name.
Heb. 13:16 But to do good and to communicate forget not: for with such
sacrifices God is well pleased.
THE CHANGELINGS BOAST ABOUT
ESTABLISHING THE GROUP MIND.
HITLER USED THE TERM SEEKER AND MASS, MUSICAL
PERFORMANCES PROMISING EVERYONE LIBERTY.
In
Mein Kampf Hitler joked about how easy it was to
excite the "human material" into
gambling away their kingdom. That is what Peter warned about
especially with the GOOSE-CLAPPING men spreading PATTERNISM hate and
promising you liberty by CORRUPTING you. But, then the petty tyrants
can be virtually unable to read BLACK text on BROWN paper
in order to get a Phd.
The
mass
meeting is also necessary for the
reason that in it the individual, who at first while becoming a
supporter of a young movement, feels lonely and easily succumbs to
the fear of being alone, for the first time gets the picture of a larger
community, which in most people has a strengthening,
encouraging effect.
The same man, within a company
or a
battalion, surrounded by all his comrades, would set out on an attack
with a lighter heart than if left entirely on his own In the crowd he
always feels somewhat
sheltered, even if a thousand
reasons
actually argue against it.
But
the community of the great
demonstration not only
strengthens the individual, it also unites
and helps to create an esprit de corps. The man
who is exposed to grave tribulations, as
the first advocate of a new doctrine in his factory or workshop,
absolutely needs
that strengthening which lies in the conviction of being a member
and fighter in a
great comprehensive body.
And
he obtains an impression of
this body for the first time in the mass
demonstration. When from his little workshop or big
factory, in
which he feels very small,
he steps for the first time into a mass
meeting and has thousands and thousands of people of the same
opinions around him, when, as a seeker,
(Als
Suchender.' A
Wagnerian phrase,
which
Hitler was apparently determined to use at all costs)
he is swept
away by three or
four thousand others into
the
mighty effect of suggestive intoxication
and enthusiasm,
when the
visible success and agreement of
thousands
confirm
to him the rightness of the new doctrine
and
for
the first time arouse doubt in the truth of his previous conviction
-
then he himself has succumbed
to
the magic influence of what we designate
as 'mass suggestion.'
The will, the longing,
and also
the power of
thousands are accumulated
in
every
individual. The man who enters such a
meeting doubting and wavering leaves it inwardly reinforced: he
has become a link
in the
community.
The
National Socialist movement must never
forget this and in particular
it
must never let
itself be
influenced by those bourgeois who know
everything better,
but who nevertheless
have gambled away a great state
including their own
existence and the rule
of their class.
YOU
CANNOT COME AWAY UNCHAINED
FROM ANY MASSED MULTITUDE.
Tulsa Workshop 2010 depended almost totally on those who had made a
living by defining faithful believers as PATTERNISTS as a RACA
word to
make people HATE those who do not use musical instruments who are
faithful to the Bible and all recorded history. First, you have to make
a group of people hate even those who bought the property and invested
their religious life before you can mount a hostile attack.
It is clear that MUSIC has always been the mark of Satan and those
wishing to silence the voice of God and is the CORE legalistic act
which is at the root of all attempts to "unify" religious groups into
one creedal statement. This use of 0% of facts to try to
first
ALARM and the TRIUMPH OVER those they hate is the very "vocal or
instrumental rejoicing" which Christ outlawed for the Qahal, synagogue
or Church of Christ in the Wilderness. For the first time in
recorded history the Diciples / NACC used the PSALLO word to try to
collectivize many groups and it is a fact that Psallo has the same root
word as SOP which was the signal or mark for Satan to enter ento Judas.
In
The Tulsa Workshop 2010 we showed that it has been taken over to
promote UNITY with the NACC which unity is always a code word for "You
bow when we pipe and we can be friends and you DO want to be joined,
don't you?" From Lucifer the singing and harp
playing
prostitute
in the garden of Eden onward Lucifer is purpose driven to silence the
words of God: this is the SOPHIA-ZOE (effeminate and worse,
performance) in mortal conflict with the Jehovah-Logos teaching of
mankind how to live in peace.
Why
would Tulsa Workshop
be defended when it's major speakers twisted all of the Scriptures and
known literature to say that "a spirit" told him that he was
going to have to begin--after 12 years of timid tremors--that GOD
COMMANDED INSTRUMENTAL praise and WE MUST NOT BE DISOBEDIENT.
God
ABANDONED Israel to the worship of the starry host BECAUSE of musical
idolatry and Christ in ALL of the prophets denied that God commanded
sacrifices or BURNING THE GOATS to sounds of the Levitical Warrior
Prophesiers (Soothsayers). Why would Al Maxey who has made a
career out of inventing RACA words to define those who OPPOSE
instruments being imposed in their congregation: he applauded Rick
Atchley for deliberately sowing discord.
THE
RELIGIOUS MUSIC PERSONA IS ABSOLUTE AND NO RECORDED HISTORY DENIES IT.
"Middleclass
Protestants in POST-INDUSTRIAL America
were increasingly literate producing and devouring newspapers
magazines, histories, novels, and poetry
in enormous quantities. At the same time, male
and female roles were being
redefined, and many men
spent their energies in the business and politics of an expanding
society. Those were arenas
from which both women
and ministers, by custom and/or law,
were excluded. Religion
itself was becoming a separate sphere, no
longer directly linked to
government and public
affairs, and ministers
had lost the prestige
their forefathers had as scholars and advisers to magistrates.
Together with their most faithful
followers, middleclass women, they created
a realm of intense
religious experience,
separate from the larger society, and gave it expression in poetry and hymnody.
"Philodemus
considered it paradoxical that music
should be regarded as veneration of the gods while musicians
were paid for
performing this
so-called veneration. Again, Philodemus held as self deceptive the
view that music mediated
religious ecstasy.
He
saw the entire condition
induced by the noise of cymbals
(hand clapping or tabering) and tambourines as a disturbance of the spirit.
He
found it
significant that, on the whole, only women and effeminate
men fell into this folly.
Accordingly, nothing of value could be attributed to
music; it was no more
than a slave
of the sensation of
pleasure, which
satisfied much in the same way that food and drink did.
"Women
and girls
from the different ranks of society were proud to enter the service
of the gods as singers
and musicians. The understanding of
this service was universal:these singers
constituted the 'harem of the gods'." (Johannes
Quasten. In Music
and Worship in Pagan and Christian
Antiquity,
beginning on
page 41:)
Following O.E. Payne
Tom Burgess drags out many "proof
texts" to show that "psallo" meant to play an instrument.
An
e-mail from
2004 Tulsa Workout:
"Ashamed October 12 2004, 5:47 PM
I
am from the Tulsa area, and
attended the workshop for the first time this past year. Mr.
Lancaster was leading singing the night I was there. All I can say is
I actualy was embarrased by the actions on stage. I can't for the
life of me imagine how our leaders seem to think they are more
important than they really are. People a Song leader aka worship
leader is not there for our amusement (entertainment) If I wanted to
be entertained I would go somewhere else. It is a song leaders job to
start the song and get the CONGREGATION into an active worship. It
seems like some of these guys think we should just sit back and let
them perform. The dancing
actualy made me blush in
embarasment. I actualy
thought to myself Man I hope nobody I know sees me here, and Man I'm
glad I didn't invite anyone to go with me to this. What a absolute
tragedy. I'll
take my small
congregation
of singers over you and your praise team any day of the week and
twice (literally) on Sunday.
Sorry,
but all
of the proof texts used by the NACC (not the people) speak of males
plucking the strings to seduce a young male. The Muses in
Revelation 18 John called sorcerers were known as adulteresses:
Hesiod,
Theogony: the Muses of Olympus,
daughters of Zeus who holds the aegis:
(ll. 26-28)
`Shepherds of the wilderness, wretched things of shame, mere
bellies,
............we know how to speak many false
things as though they
were true;
............but we know, when we will, to
utter true things.'
Matt
16:4 A wicked and adulterous generation seeketh
after a sign; and there shall no sign be
given unto it, but the sign
of the
prophet Jonas. And he
left them, and
departed.
| TULSA |
ASLUT |
|
Tom
Burgess: Examples 60 and 61 have
been obtained from the writings of Plutarch. Plutarch's use of the
word psallo
is of great value and worth because he lived and wrote during the
same period as did the Apostles (46-120A. D. ). His books, Parallel
Lives of
Illustrious Greeks and Romans and Moralia, are a
great credit to Greek literature. Plutarch's
use of psallo
shows, without a doubt, that he knew nothing of any drastic
change in the word which extracted the
musical
instrument from it s definition.
Three times in example 60 he
uses a form of psallo.
These have been translated: "plucked
the strings, " "to pluck the strings, " and" pluck the strings," In
example 61another form is translated "harpplayer, "
Tillô, pluck or
pull outhair, 2. with acc. of that from
which the hair or
feathers are plucked, as a description of an idle
fellow, also, pluck live sheep,
instead of shearing, have
one's hair plucked out as a punishment of adulterers
melê pluck
the harp-strings, play
harp-tunes,
Cratin.256
(lyr.).
Melos , eos, to, B. esp. musical member,
phrase: hence, song, strain, 3. melody of an instrument, phorminx [harp]; aulôn
{flute}
II. since tearing the hair
was a usual expression of
sorrow, tillesthai tina tear one's hair in sorrow for any one III.
metaph., pluck,
vex, annoy, as
punishment of adulterers
|
Plutarch, Lives [4] Such objects are to be found in virtuous
deeds; these implant in those who search them out a great and zealous
eagerness which leads to imitation. In other cases, admiration of the
deed is not immediately accompanied by an impulse to do it. Nay, many
times, on the contrary, while we delight in the
work, we despise the workman
as, for instance, in the case
of perfumes and dyes; we take
a delight in them
but dyers and
perfumers we regard as illiberal and vulgar folk.
5] Therefore it was a fine saying of Antisthenes, when he heard that
Ismenias was an excellent piper: "But he's
a worthless man,"
said he, "otherwise he wouldn't be so good
a piper."
And
so Philip [Philip of Macedon, to
Alexander.] once
said to his son, who, as
the wine went round, plucked
the strings charmingly and skilfully, "Art not ashamed
to pluck the strings so well?" It is enough, surely, if a king have leisure
to hear others pluck the
strings, and he pays great deference to the Muses if he be
but a spectator of such
contests.
Apo-Psallo A. pluck
off, a. pagên spring a trap that is
set,
Lyc.407; twang a
string, Id.915;
hêglôtta a. tên akran Atthida rings out
the
purest Attic, metaphor
from the
lyre.
Page anything
that fixes or fastens, snare, noose, trap
|
FOLLOWING LUCIFER TO BE CHAINED
OUT OF HEAVEN
Ezek.
28:12 Son of man, take up a lamentation upon the king of Tyrus, and say
unto him,
Thus
saith the Lord GOD; Thou sealest up the sum, full of wisdom, and
perfect in beauty.
Ezek. 28:13 Thou hast been in Eden the garden of God;
every
precious stone was thy
covering, the sardius, topaz, and the diamond, the beryl, the onyx,
and the
jasper, the sapphire, the emerald, and the carbuncle,
and gold:
the workmanship of thy tabrets
and of thy pipes
was
prepared in thee in the day that thou wast created. [cast as
profane]
Ezek. 28:14 Thou art the anointed cherub that covereth; and I have set
thee so:
thou wast
upon the holy mountain of God;
thou hast
walked up and down in the midst of the stones of fire.
Ezek. 28:15 Thou wast perfect in thy ways from the day that thou wast
created, till iniquity was found in thee.
Ezek. 28:16 By the multitude of thy merchandise
they have filled the midst of thee with violence,
and thou
hast sinned: therefore
I will
cast thee as profane out of the mountain of God:
h2490
Chalal: play the flute, steal people's inheritance, pollute,
prostitute. cast as profane
halal: the "praise" word
meaning to "make self vile."
and I will destroy thee, O covering
cherub,
from the
midst of the stones of fire.
Ezek. 28:17 Thine heart was lifted up because of thy beauty,
thou hast
corrupted thy wisdom by reason of thy
brightness:
I will
cast thee to
the ground, I will lay thee before kings, that they may
behold thee.
BEING
CHAINED TO CRAWL IN THE DUST AS A SERPENT see H2490 Chalal below
See
how modern Serpent or Devil Worship is performed.
The "serpent" in the
Garden of Eden is the Naga. She / he is a musical
enchanter(ess) and is also called the "tallest tree in Eden"
identifying the Assyrians as the eternal enemy of God as Patriarch.
H5178
nechôsheth nekh-o'-sheth For H5154
; copper; hence, something made of
that metal, that is, coin,
a fetter; figuratively base (as compared with gold or silver):—brasen,
brass, chain, copper, fetter (of brass), filthiness,
steel.
5155. nchiylah,
nekh-ee-law´; probably denominative from 2485; a flute:--(plural)
Nehiloth.
2485. chaliyl, khaw-leel´; from
2490; a
flute (as perforated):--pipe
h2490 Chalal: play the flute,
steal people's inheritance, pollute, prostitute.
halal: the "praise" word
meaning to "make self vile."
"Lucian tells us
that spectres fled at the sound
of bronze and iron, and
he contrasts the repulsion which
the clank
of these metals exerted on spirits
with the attraction which the clink of silver
money wielded over
women of a certain
class." (Sir James George Frazer, Folk-Lore in the Old Testament, p.
41, Macmillian, 1923)
THE
SERPENT MASTERS WILL BE AT TULSA --
"The serpent-charmers
usual instrument is the flute.
Those who professed the art of taming
serpents were called by the Hebrews menachashim, while
the art itself was called lachash , (Jer
8:17; Ecc 10:11)" Smith's Dictionary,
Serpent.
Lachash (h3908)
lakh'-ash; from 3907; prop. a whisper, i. e.
by impl. (in a good sense) a
private prayer, (in a bad one) an incantation; concr.
an amulet: - charmed, earring, enchantment, orator,
prayer.
"There are some serpents which
defy all of the attempts of the charmer: in
the language of Scripture such individuals may be termed deaf. The
point of the rebuke consists in the fact that the pethen was
capable of hearing the charmer's song, but
refused to do so. Serpents, though comparitively speaking deaf to
ordinary sounds, are no doubt capable of hearing the sharp,
shrill sound which the charmer produces
either by
his voice or by an instrument."
(Smith's Dict. Asp)
"The
necromancer or
soothsayer gained
their power through magical incantations. The
sound of brass, pipe or string
imitated the music of
the seven heavenly spheres.
As a
result, the gods were
forced to give material and sensual blessings."
Enuma
Elish III.101; IV. 1-26, 91
and other Near Eastern Manuscripts
H5154 nechûshâh
nechûshâh nekh-oo-shaw', nekh-oo-shaw' Feminine of H5153 ;
copper:—brass, steel. Compare H5176 .
H5153 nâchûsh naw-khoosh'
Apparently passive participle of H5172
(perhaps in the sense of
ringing, that is, bell metal; or from the red color of the throat
of a
serpent ( H5175 , as denominative) when hissing); coppery,
that is,
(figuratively) hard:—of brass.
H5172 nâchash naw-khash' A
primitive root; properly to hiss, that is, whisper
a (magic) spell; generally to prognosticate:— X certainly,
divine, enchanter, (use) X
enchantment, learn by experience, X indeed, diligently observe.
H5173 nachash
nakh'-ash From H5172 ; an incantation or
augury:—enchantment.H5175 nâchâsh From H5172 ; a snake
(from its hiss):—serpent.
BEING
CHAINED TO GO INTO CAPTIVITY AND DEATH BECAUSE OF MUSICAL IDOLATRY
Acts
7:41 And they made a calf in those days,
and
offered sacrifice unto the idol,
and
rejoiced in the works of their own hands.
Acts 7:42 Then God turned,
and gave
them up to worship the
host of heaven;
as it is
written in the book of the prophets,
O ye
house of Israel, have ye
offered to me slain beasts and sacrifices
by the
space of forty years
in the wilderness?
Acts 7:43 Yea, ye took up the tabernacle of Moloch,
and the
star of your god Remphan,
figures
which ye made to worship them:
and
I
will carry you away beyond Babylon.
When they use anything from then onward they are
imposing the worship of the starry host. Miriam and the Levites--an old
Egyptian Moloch infant burning cult--prophesied meaning "soothsaying."
kēl-ēsis
, eōs,
h(, A. bewitching, charming, ekheōn,
nosōn,
Pl.Euthd.
290a: enchantment
by eloquence, dikastōn
k.
te
kai
paramuthia
ibid.; by music and sweet sounds, Id.R.601b,
Ekhis
a viper
or skorpion pricking you
Plat. Euthyd. 290a
and only slightly inferior to that. The sorcerer's
art is the charming
of snakes and tarantulas and scorpions and other beasts and diseases,
while the other is just the charming and soothing of juries,
assemblies, crowds, and so forth. Or does it strike you differently? I
asked. ekklēsi-astēs
BEING
CHAINED TO WORSHIP THE STARRY HOST
Keep
in Latin: Custodio II.
With the access. idea of hindering free motion, A.
In gen., to hold something back, to preserve,
keep: To prevent PLAY or Ludo A.
To sport, play with any thing, to
practise as a pastime, amuse one's self with any thing, B.
To sport, dally, wanton Esp.,
to play on an instrument of music, to
make or compose music or song:
Ex. 32:4 And he received them at their hand, and
fashioned it with a graving tool, after he had made it a molten calf:
and they
said, These be thy gods, O Israel,
which
brought thee up out
of the land of Egypt.
Ex. 32:5 And when Aaron saw it,
he built an
altar before it; and Aaron made proclamation,
and said,
To morrow is a
feast to the LORD.
Ex. 32:6 And they rose up early
on the morrow,
and
offered burnt offerings, [not commanded]
and
brought peace offerings;
and the
people sat down to eat and to drink, and rose up to play. aven."
Exod
32:7 And the Lord said unto Moses, Go,
get thee
down;
for thy
people, which thou broughtest out of the land of Egypt, have corrupted
themselves:
Pecco
B. In partic., of sexual sin: quid inter-Est in
matron®°,
ancill®°, peccesve togat°? Hor. S. 1, 2, 63 ; Ov. H.
16, 295; Mart. 1, 35, 2
H2490 Chalal
The Ghebers of Hebron 2 Hoaea,
xii. 4 derives the name
Inracl from Sarah to contend, to
fight, and El = God of Fire.name of the
War god {Exodus, xiii. 21,
22, xiv. 25), Saturn
and the Sun. The Fire-god Azar was the God of war, and M'irs
was the
Sun. — Macrob. I. xvii. OS — Gen.
xxxii. '28.
Asarians, Asriel,
Israel,
But these fire-worshippers
carried with them the arks
of Moloch and
Khiun (Life-god), their Adon, and they had, like the other
peoples of
the Delta, their Mysteries, which the priests
instituted. They took
with them from Phoenicia, probably, a certain
knowledge of fixed vocal
In the cuneiform
writing the Jews were named laudi.—
Schrader,
Keilinschr. n. d. Alt. Test. 188. Audah, in Hebrew, means ' I will
praise.' This reveals the original name of Judea, the land of And. If
we follow St. Jerome's dictum " to write a ' he' but to read it an «,"
we will find that Isaiah, xix. 17, has " laiidah's laud " instead of
Jeudah's land. By a Hebrew pun, Genesis, xxix. 35, gives us ' Audah' as
the root of the name laudah. Ami's altar was sprinkled with blood. Saturn's
name was Chion, the Living One. Saturn's
altars were
blood-besprinkled. The horns of lachoh's (lao's) altars were
blood-besprinkled on Saturn's day. The right ears
of Aharon and his
sons, their right thumbs, their right great toes, and their garments
were sprinkled with blood.—Exodus, xxix. 12, 116, 20, 21. For the life
of the flesh is in the blood.—Leviticus, xvii. G, 11. Chion was the
Achiah asur Achiah, of Exodus, iii. 14, the Living God of Time,
Set or Saturn. Compare Daniel, vii. 13. For Chion
(like Moloch) was the name
of the Living One!
We find the cities
of the priests with
the brothers (fratres) in their
orders, in 2 Chronicles, xxxi. 15. A deity, regarded as the pure,
holy
fire, cannot be approached by the ordinary man; a priest-caste
is
requisite, to which the preservation of the sacred fire-place
is
entrusted, and which by mortifyings (of the flesh) and torments
self-inflicted must make itself worthy of the
access to the deity and
its revelation. We find among the Old Canaanites no proper priesthood,
but everywhere in Palestine, according to the Scriptural accounts,
where the Chaldean fire-god Moloch
Dionysus was
worshipped among the Old Kanaanites
and Arabians—" where
the Bacchic fire of the God leaps forth." This Fire
is that of Bal Melkarth or Moloch.
The worship of this Tyrian Fire-god Herakles
(Archal) was carried to Tarz
1 Eiodus, xix. 10, 11, 18; 1
Samuel, xxi. 4, 5. The "bundle of life"
with la'hoh (1 Sara. xxv. 29) is the union of the souls with Osiris!
was adored.
According to Jeremiah, vii. 21, 22, blood offerings were not divinely
commanded. According to the Samaveda, says Jacolliot,7 it is murder to
shed blood except as an offering. In comparing the Jewish religion with
the Hindu, Leviticus, xvii. 3, 4, offers a positive testimony. The
verses show that the Hebrews were under the sway of this chief
brahman
doctrine. The Brahmans were not allowed " to feed on the
flesh of
living creatures that assist the labors of men." ' The Egyptians slay
no cattle except for sacrifice.—Herodotus, ii. 41. £iva is the only God
to whom animal sacrifices were offered.9
Ecclesiasticus
48:
1
.
Then the prophet Elijah arose
like a fire,
and his word
burned like a torch.
2. He
brought a famine
upon them, and by his zeal he made them
few in number.
3
.
By the word of the Lord he shut
up the heavens, and
also three times brought down fire.
4. How
glorious you were,
O Elijah, in
your wondrous deeds! And who has the right to boast which you
have?
5. You who
raised a corpse from
death and from
Hades,
by the word of
the Most High;
6. who
brought kings down to
destruction,
and famous
men
from their beds;
7. who heard
rebuke at Sinai and judgments
of vengeance
at Horeb;
8
.
who anointed
kings to
inflict
retribution,
........and
prophets to succeed
you.
Hosea
confirms this of
Israel and Judah was not much different:
O
Israel, thou hast destroyed
thyself; but in me is
thine help. Hosea 13:9
I will
be thy king : where
is any other that may save thee
in all thy cities? and thy judges of whom thou saidst, Give me a king
and princes? Hosea 13:10
I
gave thee a king in mine
anger, and took him away in my wrath. Hosea 13:11
Professor
Robert Briffault's
introductory words to his article titled "Sex in Religion"
published in the book "Sex in Civilization" (Garden City Publishing
Co.)
.
"The
elaborate mystic theology of
Egypt was replete with sexual symbolism; hierodular
[sacred] prostitution, ritual
bestiality were
among the observances of its
cult. The religions of Babylonia, of Asia Minor, of the far-flung Semitic
colonies, were notorious for the licentiousness of their
rites: their priestesses were
sacred prostitutes and
prostitution was
incumbent upon every woman.
'Nearly
all peoples,
except the Egyptians and the Greeks,' says Herodotus, 'have intercourse
with women in
the
temples.'
BEING
CHAINED TO PERFORM AS A SINGING AND HARP PLAYING PROSTITUTE
Tyre would go into captivity for the same 70 years Israel was captive
and largely restored.
Is.
23:15 And it shall come to pass in that day,
that Tyre
shall be forgotten seventy years, according to the days of one king:
after the
end of seventy years shall Tyre sing as an harlot.
How does one sing as a harlot?
Is. 23:16 Take an harp, go about the city,
thou
harlot that hast been forgotten;
make
sweet melody,
sing many
songs,
that thou
mayest be remembered.
The King of Tyre was male but functioned as a prostitute. He / she used
musicians to fleece people out of their property and sould.
Nevertheless, while being a musical prostitute (corrupting
the
word, selling learning at retail, adultery) HE wanted to be remembered
AS A MALE. Don't they all?
Is.
5:12 And the harp, and the viol, the tabret, and pipe, and
wine, are in their feasts:
but they
regard not the work of the LORD,
neither
consider the operation of his hands.
BEING
CHAINED BY PEER APPROVAL, MONEY OR A MARKET FOR YOUR BOOKS
Exod
23:1 You shall not spread a false report.
Don't join your hand
with the wicked to be a malicious witness.
Impĭus I.
without reverence or respect
for God, one's parents, or one's country; irreverent,
ungodly, undutiful, unpatriotic;
abandoned, wicked, impious
(rare but class.; cf.: nefarius, sacrilegus. The Titans contending for
the sovereignty of heaven. Circe (church) as daughter of the Sun.
Pugna troups drawn up for battle, a contest
Exod
23:2ASV You shall not follow
a crowd to do evil; neither shall you testify in court to side with a
multitude to pervert justice;
H7227 rab
a large multitude, great persons
Subvert to overthrow or interpret the testamony
Exod 23:8
And thou shalt take no gift: for the gift blindeth the
wise, and perverteth the words of the righteous.
THE
RELIGIOUS MUSIC PERSONA IS ABSOLUTE AND NO RECORDED HISTORY DENIES IT.
CHRIST
IN ISAIAH 3 DEFINES HOW THE PEOPLE WILL BE ENSLAVED BY THE EFFEMINATE
AND MUSICAL
Isaiah III.
For, behold, the Lord, Yahweh of Hosts, takes away from Jerusalem and
from Judah supply and support, The whole supply of bread,
And the whole supply of water; [2] The
mighty man, The man of war, The judge, The prophet, The diviner,
The elder, [3]
The captain of fifty, The honorable man, The counselor,
The skilled craftsman, And the clever enchanter.
[4]
I will give boys to be their princes, And children
shall rule over them
Isaiah 3.III.ecce enim
Dominator Deus exercituum
auferet ab Hierusalem
et ab Iuda
validum et fortem
omne robur panis
et omnerobur
aquae [2] fortem et
virum bellatorem iudicem
et prophetam et
ariolum et senem
[3] principem super quinquaginta
ethonorabilem
vultu et consiliarium
sapientem de architectis
et prudentem eloquii
mystici [4] et dabo
pueros principes eorum
eteffeminati
dominabuntur eis
Propheta and
prŏphētes , ae, m., = prophêtês, I. a foreteller, soothsayer,
prophet [Miriam, Levites] sacerdotes
Aegyptiorum,
quos
prophetas
vocant,”
Macr. S. 7, 13, 9:
“Aegyptius,
propheta
primarius,
Hariolus
I. a soothsayer, prophet, prophetess Chresmodotes
one who gives oracles, p;ophet, soothsayer
Eloquium poets,
and their imitators among prose writers, for eloquentia, eloquence,
Hor. A. P. 217, uses with Ignis.
Boys:
Effemino II.Trop.,
to make womanish,
effeminate, to enervate, A.Womanish,
effeminate,
Histrio,
stage-player, actor, mimus, boaster, used with
Scaena, 1.
Of a place like a scene of a theatre, school of
rhetoric, display of eloquence.
B. In mal. part., that submits to
unnatural lust: pathicus,
Cinaedos: a sodomite, catamite,
one who dances
publicly
Matt. 11:8 But what went ye out
for to see? A man clothed in soft raiment? behold,
they that wear soft
[Catamites] clothing are in kings’ houses.
Matt. 11:16 But whereunto shall I liken this generation? It is
like unto children sitting in the markets, and
calling unto their fellows,
Matt. 11:17 And saying, We have piped unto you, and
ye have not danced; we have mourned unto you, and
ye have not lamented.
“furialis
illa
vox,
religiosis
altaribus
effeminata,”
Cic. Planc. 35,
86:
1 Kings 14:[22]
10. and will utterly sweep away the house of Jeroboam, as a man sweeps
away dung,above all that their
fathers had done. [23]
For they also built them high places,
and pillars, and Asherim, on every high hill, and under every green
tree; [24]
and there were also sodomites in the land: they did
according to all
the abominations of the nations
which Yahweh drove out before the
children of Israel. until it be all
gone. Judah
did that which was evil in the sight of Yahweh, and they provoked him
to jealousy with their sins which they committed,
Cic. Planc. 35.86
Was it a very formidable thing for me to fight with the sword with
the relics of those men, whom, when they were flourishing with their
strength unimpaired, I had defeated without the sword? The basest and
most infamous consuls in the memory of man,—as both the beginning of
their conduct and as their recent termination of those affairs, show
them to have been, (one of whom lost his army, and the other sold
it,)—having bought their provinces, had deserted the senate, and the
republic, and all good men. When no one knew what were the feelings of
those men who by means of their armies, and their arms, and their
riches, were the most powerful men in the state, then that voice,
rendered insane by its infamous debaucheries, made effeminate by its
attendance on holy altars, kept crying out in a most ferocious manner
that both these men and the consuls were acting in concert with him.
Needy men were armed against the rich, abandoned men against the good,
slaves against their masters
Mysticus,
mustikos Vannus
mystica Iacchi,,
fan borne about in the Bacchic festival, Verg. G.
1, 166 .
See this See Strabo and the Musical Vile
pervert connection
9) Strabo Geography 10.3.13 Corybantes
(Phrygian castrate
priests of Cybele) in
their caverns invented this hide-stretched
circlet, (tambourine) and
blent its Bacchic
revelry with the high-pitched, sweet-sounding breath of Phrygian
flutes, and in
Rhea's [Eve, Zoe]
hands placed its resounding noise,
to accompany the shouts of the Bacchae,
(ev-ah!) Mother and from
Mother Rhea frenzied
Satyrs obtained it and joined it to
the choral dances of
the Trieterides, (Triennial Festivals) in whom
Dionysus takes delight. Bacchae And in
the Palamedes
the Chorus says,
Thysa, daughter of
Dionysus, who on Ida rejoices with his dear
mother
in the Iacchic revels of tambourines.
"This Eve, on
account of her having been in the beginning
deceived by
the serpent, and become
the author of sin,
the wicked demon, who
also is called Satan,
who then spoke to her through the serpent,
and who
works even to this
day
in those men that are possessed by him
invokes as
Eve." (Theophilus, p.
105)
IT IS A FACT THAT THE PSALLO
WORD INCLUDES "CARRYING AWAY PRISONERS" AND A RELATED WORD DEFINES
CHAINS.
The
Book of Amos defines
the perverted-musical worship of Israel which had continued the rising
up in musical idolatry at Mount Sinai. The result was that people were
UNCHAINED from the Word and attached to the CHAIN of captivity with
fishhooks
Amos 4:1 HEAR this word, ye kine of Bashan, that
are in the
mountain of Samaria,
which oppress
the poor, which crush
the needy,
which say
to their masters, Bring, and let us drink. [the wineskins patternism]
Break friendship, violate faith, run through property
Amos 4:2 The Lord God hath sworn by his holiness, that, lo, the
days shall come upon you,
that he
will take you away with hooks, and
your posterity with fishhooks.
Rĕ-curvus , a,
um, adj.,
I. turned
back, bent, crooked,
or curved back (a poet. word of
the Aug. per.; also in post-Aug. prose; syn.: reduncus, repandus):
cornu, * Verg. A. 7, 513;
Ov. M. 5, 327;
id. F. 5, 119:
“puppis,”
id. M. 8, 141;
11, 464;
15, 698:
“fibrae
radicis,”
id. ib. 14, 632:
“hederae
nexus,”
winding, id.
ib. 3, 664; cf. “tectum,”
i. e. the Labyrinth, id. H. 10, 71:
“aera,”
i. e. hooks, fishhooks, id. F. 6, 240: “tergum
(delphini),”
id. ib. 2, 113
et saep.: “conchae
ad
buccinum
recurvae,”
Plin. 9, 33, 52,
§ 103.
Bucinus a
trumpeter, of the cock
būcĭnum
(bucc-
), i, n. id..
II. A
shell-fish used in dyeing purple, Plin. 9, 36, 61,
§ 129 sq.
Job 41 Can you draw out
Leviathan with a fishhook?
Or press down his tongue with a cord? [2] Can you put a rope into his
nose? Or pierce his jaw through with a hook? [3] Will he make many
petitions to you? Or will he speak soft words to you? [4] Will he make
a covenant with you, That you should take him for a servant forever?
[5] Will you play with him as with a bird? Or will you bind him for
your girls? [6] Will traders barter for him? Will they part him among
the merchants? [7] Can you fill his skin with barbed irons, Or his head
with fish-spears?
Matthew
Henry Amos 4:2. How their punishment is described, v. 2, 3.
God will take them away with hooks, and
their posterity with
fish-hooks; he will send the Assyrian army upon them, that
shall make a prey of them, shall not only enclose the body of the
nation in their net, but shall angle for particular persons,
and
take them prisoners and captives as with hooks and fish-hooks,
shall
draw them out of their own land as fish are drawn out of the
water,
which is
their element, them and their children with them,
or,
They in their day shall be drawn out by one victorious enemy,
and their posterity in their day by another,
so that
by a succession of destroying judgments they shall at length
be wholly
extirpated.
Amos 4:3 And ye shall
go out at the breaches, every cow [dominant
MALE] at
that which is before her;
and ye
shall cast them into the palace,
saith the Lord.
Amos 4:4 Come to Beth-el, and transgress; at Gilgal multiply
transgression;
and bring
your sacrifices every morning, and your
tithes after three years:
Amos 4:5 And offer a sacrifice of thanksgiving with leaven,
and
proclaim and publish the free offerings:
for this liketh you, O ye
children of Israel, saith the Lord God.
Amos 4:6 And I also have given you cleanness of teeth in all your
cities,
and want
of bread in all your places: yet have ye not
returned unto me, saith the Lord.
Amos 4:7 And also I have withholden the rain from you,
when
there were yet three months to the harvest:
and I
caused it to rain
upon one city, and caused it not to rain upon another city:
one piece
was rained upon, and the piece whereupon it rained not withered.
Amos 4:8 So two
or three cities wandered unto one city, to
drink water;
but they
were not satisfied: yet have ye not
returned unto me, saith the Lord.
SEE
AMOS 8 to see the music and the baskets of summer
fruits (same as in Revelation 18).
Amos
8:3 And
the songs of the temple shall be howlings
in
that day,
saith the
Lord GOD: there shall be many dead bodies in every place;
they shall cast them forth with silence
Amos
8:11 Behold, the days come,
saith the Lord GOD,
that I will send a
famine in the land, not a famine of bread, nor a thirst for water,
but
of hearing the words of the LORD:
Amos 8:12 And they shall wander
from sea to sea, and from the north
even to the east,
they
shall run to and fro to seek the word of the
LORD, and shall not find it.
Amos 8:13 In that day shall the
fair virgins and young men faint for
thirst.
Amos 8:14 They that swear by the
sin of Samaria, and say,
Thy god, O
Dan, liveth; and, The manner of Beersheba liveth;
even they
shall fall,
and never rise up again.
Rev 14:9
And the third angel followed them, saying with a
loud voice,
If any
man
worship the beast and his image, and receive his mark
in his forehead,
or in his hand,
Rev 14:10 The same
shall drink of the wine
of the wrath of God, which is poured
out without mixture into the cup of his indignation;
and he shall be
tormented with fire and brimstone in the presence of the holy angels,
and in the presence of the Lamb:
PETER WARNED HOW TO NOT LET THE
CHAINS COME DOW
2
Pet
1:15 Moreover
I will endeavour that ye may be able after my decease
to have these things alway
in remembrance.
2Pet.
1:16 For we have not followed cunningly
[sophizo] devised fables,
Fables
are myths from MUO [to shut the mouth: music forces
the lambs to be silent before the slaughter]
2. fiction (opposite
logos, historic
truth)
From
there glorious song enfolds the wisdom of poets so that they
loudly sing [10] the
son of Cronus, when they arrive at the rich and
blessed hearth of Hieron, [12] who
wields the scepter of law in Sicily of many flocks, reaping every
excellence at its peak, and is glorified
[15] by the choicest music, which we
men often play around his hospitable table. Come, take the Dorian lyre down from its peg..
Yes,
there are many marvels,
and yet I
suppose the speech of mortals
beyond the true account can be deceptive,
stories
adorned with embroidered lies;
Fables
are myths from MUO [to shut the mouth: music forces
the lambs to be silent before the slaughter]
Sophis-tês , ou,
ho, master of
one's craft, adept, expert, of diviners, of poets, meletan sophistais
prosbalon Pi.I.5(4).28
, cf. Cratin.2; of musicians, sophistês . . parapaiôn chelun
Goes A.sorcerer,
wizard, a juggler, cheat , Apistos unbeliever,
Magos, E.Ba.234,
2.juggler, cheat, deinos g. kai pharmakeus kais ophistês
Pl.Smp.203d
when we
made known unto you the power and coming of our Lord Jesus Christ,
but
were eyewitnesses of
his majesty.
2 Pet
1:18 And this voice
which
came from heaven
WE heard, when
WE were
with him in
the holy mount.
2 Pet 1:19 WE have also a more
sure word of
prophecy;
whereunto
YE do well that ye take heed,
Peter outlawed "private
interpretation" or further expounding which repudiates human songs and
sermon beyond that which is written. This was to MARK the false
teachers as there were false prophets:
2Pet. 2:3 And through covetousness
shall they with feigned words make
merchandise of you:
whose
judgment now of a long time lingereth not, and their damnation
slumbereth not.
2Pet. 2:4 For if God spared not
the angels that sinned,
but cast
them down to hell, and delivered them into chains of darkness,
to be
reserved unto judgment;
2Pet. 2:5 And spared not the old
world, but saved Noah the eighth person,
a
preacher of righteousness, bringing in the flood upon the world of the
ungodly;
2Pet. 2:6 And turning the cities
of Sodom and Gomorrha into ashes condemned them with an overthrow,
making
them an ensample unto those that after should live ungodly;
A
HUPODEIGMA AN EXHIBIT FOR IMITATION OR WARNING, A PATTERN
2Pet.
2:7 And delivered just Lot, vexed with the filthy
conversation of the wicked:
2Pet. 2:8 (For that righteous
man dwelling among them,
in seeing
and hearing, vexed his righteous soul from day to day with their unlawful
deeds;)
2Pet. 2:17 These are wells
without water, clouds that are carried with a tempest;
to whom
the mist of darkness is reserved for ever.
2Pet. 2:18 For when they speak
great swelling words of vanity,
they allure
through the lusts of the flesh, through much wantonness,
those
that were clean escaped from them who live in error.
2Pet. 2:19 While they promise
them liberty,
they
themselves are the servants of corruption:
for of
whom a man is overcome,
of the
same is he brought in bondage.
Phtheirō
, 3. corrupt, bribe,
tina
D.S.4.73;
lure, entice, trap
b.
seduce
a woman, “hupo tēs
thugatros adikoumenon kai Dionusiou tou
phtheirantos autēn kinaidou” PEnteux.26.11
of
hangers-on and flatterers, D.21.139,
cf. Plu.Phoc.21,
Eum. 14,
Ant.24;
“eis hēdonas apo . . ponōn”
Anon.
ap. Stob.4.31.84;
“akouō se lurōdou gunaikos eran kai
eis ekeinēs phtheiromenon pasan tēn ephēmeron agran katatithesthai”
Alciphr.1.18.
Thugatros
A daughter,
the Muse --thugatēr Moisan thugateres, of Odes, Pi.N.4.3;
plastigx hē khalkou th.
Critias 1.9D.;
th. Seilēnou, of
the vine,
-Mousa.
Moisa
Sapph.84;
Dor. Mōsa
Alcm. 1,
etc.; Lacon. Mōha
(for Mōsa) Ar.Lys.1298,
cf. An. Ox.1.277:—Muse,
A. “Olumpiades M., Dios aigiokhoio thugateres”
Il.2.491,
cf. Hes.Th.25,
etc.; nine in number, first in Od.24.60;
named in Hes.Th.75
sqq. II. mousa,
as Appellat., music, song
- Pindar, Nemean 4
[1] When toils have been resolved, festivity is the
best
physician; and songs, the skillful daughters of the Muses, soothe with
their touch. And warm water does not wet the limbs so gently [5] as
praise that accompanies the lyre. Speech lives longer than deeds;
whatever words the tongue, with the favor of the Graces,
draws from the
deep mind. [9] May
it be mine to set forth such speech, in honor of Zeus the son of Cronus, and Nemea,
Antiluron Antiluros A.responsive
to the lyre or like that of the lyre
(Sch.), kanacha, of
the flute, S.Tr.643. Autolurizon, luroktupos,
S.Tr.643
Kanach-ê A.
sharp sound; esp. ring or clang
of metal, deinên . . pêlêx ballomenê kanachên eche Il.16.105 , cf. 794;
k. d'ên hêmionoiinloud rang their tramp,
Od.6.82; odontônmen k. peleg gnashing
of teeth, Il.19.365, Hes.Sc.164:
pl., ib. 160; k. [Chalk]oktupos B.13.15; Chrusou k. S.Ant.130
(lyr.); k. aulôn sound of flutes, Pi.P.10.39B.2.12,
cf. S.Tr.642
(lyr.); ofthelyre, h.Ap.185. Clango, Clangor
S.Tr.642
Sophocles, Trachiniae Chorus
[640] Soon
the glorious voice of the
flute will go up for you again, sounding no bothersome, strident notes,
but divine music worthy of the lyre! For the son whom Alcmena bore to Zeus[645] is
hurrying homeward, with spoils won by supreme valor.
Pindar, Pythian 10.
[20] having received no small share of the delights of Greece,
may they encounter no envious reversals at the hands of the gods. A
god's heart should be free from pain; but a man is
considered
fortunate, and wise poets sing his praises, if he wins victory with his
hands or the excellence of his feet, and takes the greatest prizes
through his courage and strength,
Apollo who is
Abaddon or Apollyon PROMISES you liberty: He is called
fhe Washer: you can deny baptism because in musical ecstasy (a woman's
thingy) you are promised the remission of sins through
EXTERNAL
MEANS
WINESKINS, MUSIC AND RELIGIOUS
MUSICIANS MEANS TO ENCHAIN OR MAKE THE LAMBS DUMB BEFORE THE SLAUGHER.
Music
in the School of
Christ (Restoration View) is sacred violence and it was and is the
intention to silence the voice of the victime and to break apart
relationships with brethren. You can never assume a pure
motive.
4.2.2
The way of
unholy communions involves a special
form of
violence, a 'good' violence that is sanctioned to keep in check the
'bad,' mimetic violence that
arises out of rivalrous
desire. In modern cultures
based on law, this good violence is the sanctioned violence
of police
and
military forces. In more ancient cultures, it is the sacred
violence of
ritual blood sacrifice. The New Testament witness is that in Jesus
Christ
we arrive at the end of both Law and Sacrifice --
"end" in both
of its
senses. Christ is the end in that we cease
to live
according
to the previous practices of Law and Sacrifice. Christ is also the end
in the sense of the fulfillment of both Law and
Sacrifice.
Jesus
Christ ushers in the way of God's Culture ("Kingdom"), based on the Law
of Love (cf., Rom. 13:8-10; Gal. 5:14; James 2:8) and the way of
self-sacrifice
(cf., Rom. 12:1; Heb. 9:26).
To
recrucify Christ means to stir up the passion and pride to replace the
Word.
Heb. 12:18 For ye are not come unto the mount that might be touched,
and that burned with fire,
nor unto
blackness, and darkness, and tempest,
Heb. 12:19 And the sound of a trumpet, and the
voice of words;
which
voice they that heard intreated
that
the word should not be spoken to them any more:
Heb. 12:26 Whose voice then shook the earth: but now he hath promised,
saying,
Yet once
more I shake not the earth only, but also heaven.
Heb. 12:27 And this word, Yet once more,
signifieth the removing of those things that are shaken,
as of
things that are made,
that
those things which cannot be shaken may remain.
Heb. 12:28 Wherefore we receiving a kingdom which cannot be
moved,
let us
have grace, whereby we may serve God acceptably with reverence
and godly fear:
Heb. 12:29 For our God is a
consuming fire.
5.4.2
Behind the
anthropological predilections
against the victim's
perspective, there is a very practical, quasi-historical reason:
namely,
the victim is shunned and often killed. In the ancient world, the role
of music during ritual sacrifice was often to drown out any
cries
from
the victim.
It is crucial that the
victim not be heard. The practical mechanics of making victims means
that
it is unusual for the victim's perspective to survive. In the world of
ancient ritual it was probably impossible.
45.
The Greek verb myo means
to close the mouth or shut the eyes. There is
debate about
whether myo
plays a crucial role in the etymology of other significant words such
as myth, mystery,
and even music. These
etymologies make sense within the
Girardian
hypotheses. Myth means to close ourselves to the victim and tell the
tale
according to the perpetrator's perspective; mystery cults are based on
the silence of the victims; music derives from drowning out the voice
of
the victim.
3466. musth/rion
musterion, moos-tay´-ree-on; from a derivative of mu/w
muo (to shut the mouth); a secret or “mystery” (through the idea of
silence imposed by initiation into religious rites): — mystery.