Instrumental Music mark of Anti-Church of Apollyon-Abaddon
Ben Austin, Chris Brach, David Brangerberg, Jerry Brian, David Burgess, John King, Church Lee, Mike Randolph.

1. There is nothing we call "musical" in all of the Holy Scriptures.
2. The Godly Jews attended synagogue or church which was a once-each week REST and the chance to attend SCHOOL which was called PREACHING by READING the Word.
3. The Instruments were used by Jacob-Cursed and God Abandoned Levites under the unauthorized King and Commanders of the Army.  4. They were also most often used by male or female prostitutes to seduce customers.
5. God left the ALARM or TRIUMPH OVER instrumental sounds to MARK those whom God had abandoned to Babylonianism.
6. Anyone who attempts to impose Vocal or Instrumental Performers is called a Serpent or Viper.
7. THEY are what God provided for the tiny band of Lost Spirits as a. Way to escape. Where they invade and defined by Jesus as Scribes, Pharisees Hypocrites, the Little Flock in the WAY (road, pattern) called a SECT will already have shuddered at the perverted persona and left.  
Isaiah.3.Women.and.Children [boys].Rule.Over.Them  That's what the Holy Spirit Inspired.  That is the PERSONA which causes the owners to cast themselves out.
8.  Those who take the MARK-
THE PLAGUE:  PLESSO 3. strike or stamp as one does a coin, Kuprios kharaktēr . .
         en gunaikeiois tupois
peplēktai  Strike a string with a key,
4. of musical sounds, houtôsi plêgenta houtôs ephthenxato ta phônêenta 
EPHTHENXATO--trumpet (thunder), flute, lyre, Phormigx (ABADDON'S instrument), melody in a holy place, CLAPPING HANDS

FIRST The.Mark.of.The.Beast
The BEAST is "a new style of music or Satyric (cappella) Drama with Christ's enemy of almost all pulpits.

Serpo   B.Transf., of things, to move slowly or imperceptibly, to creep along, proceed gradually,
II.Trop., to creep, crawl; to extend gradually or imperceptibly; to spread abroad, increase, prevail
per agmina murmur,(bestias canam,
căno , cĕcĭni, cantum (ancient I.imp. cante = canite,
once canituri,Vulg. Apoc. 8, 13  to utter melodious notes, to sing, sound, play.
tibicen  cithara, crowing of a cock: “galli victi silere solent, canere victores,to crow,
to practice magic, to charm, Galli is a word for a Catamite: priest of the Mother Godesses.

"In pagan traditions, musical instruments are invented by gods or demi-gods, such as titans (Seitans). In the Bible, credit is assigned to antediluvian patriarchs, for example, the descendants of Cain in Genesis 4:21. There is no other biblical tradition about the invention of musical instruments." (Freedman, David Noel, Bible Review, Summer 1985, p. 51). (Proof Here).

Lamech, Jubal, Jabal, Tubal-Cain, Naamah Babylonian Musical Idolatry

SECOND: The Serpent, Beast, Serpo, Herpo in the Garden of Eden. elelizō  move in coils or spires, of a SERPENT
            II.   in Il. of an army, cause it to turn and face the enemy, rally it III.  cause to vibrate,
            megan d' elelixen Olumpon, of Zeus, ib.1.530, cf. 8.199; phormigga e. make its strings quiver,
                    phormigx     as the instrument of Apollo, “phormiggos perikalleos hēn ekh' Apollōn
                    Psallo NEVER defines instruments.  People call God and the Spirit STUPID for never using anything like playing an instrumennt and singing.

anti-psallō , a stringed instrument in accompaniment of song, “a. elegois phormiggaAr.Av.218.
elegos , ho,, melody, orig. accompanied by the flute, cf. aluros e. E.Hel.185 (lyr.), IT146 (lyr.); “Asias e. iēiosId.Hyps.Fr.3(1)iii9; so Elegoi, title of a nomos aulōdikos, Plu.2.1132d; of the song of the nightingale, Ar.Av.218(pl.); elegon oiton, of the halcyon, E.IT1091 (lyr.); later, lament, song of mourning, A.R.2.782.
II. poem in elegiac distichs, Call.Fr.121; hilaroi e. AP10.19 (Apollonid.). (Commonly derived from e e legein, to cry woe! woe! EM326.49.)


1. Israel fell from grace beyond redemption because of Instrumental-Trinitarian-Perverted Idolatry at Mount Sinai.
2. The NOBILITY turned the REST of God into a day of the Worship as the ABOMINATION they brought from Egypt.
3. The REST of God is Sabbath or the Greek PAUO and demands STOPPING anything beyond Rest, Reading and Rehearsing the Word delivered by Moses.
4. The Civil-Military-Clergy were abandoned behind closed gates to engage in the Lust of Blood and Flesh and the HOLOCAUST of INFANTS and GOATS.
5. The Godly Jews were never gathered to engage in group singing with or without instruments: this was outlawed for the SYNAGOGUE as A School--only of the Word-only.
6. Any kind of musical or theatrical performance would MARK the Effeminate and their refusal to HEAR the Word of God.
7. Even worse any kind of self-exhibition especially SINGING is that which MARKS and produces ALL of the data defining:
        Abomination, Witchcraft, the BEASTS, Demon worship, Viper,Sorcery, Charming, Soothsaying,  enchantment, harlots, beguile, serpents, vipers, Serpo, Herpo, inducing wine-drinking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, magic, Voodoo in primitive America, Melodies to deceive, Deceiver, Cunning Crafts, Techne. religious craftsmen, Lucifer,  Locusts, Apollyon, Levi-Leviathan

FIFTH:  Psallo is SILENT because it marks the hair-plucked or effeminate.

Musical Worship Teams Mark the Effeminate

See the Nimrod at At Babylon

Vineyard New Wineskin Worship
See Charismatic and Homosexual connection among the Greeks
Effeminization of Church and Christianity

"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit.

He found it significant that, on the whole, only women and effeminate men fell into this folly.

Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did.


Isa 57:4 Against whom do ye sport yourselves? against whom make ye a wide mouth, and draw out the tongue? are ye not children of transgression, a seed of falsehood,

Lūdo , ” Verg. E. 6, 1.—Esp., to play on an instrument of music, to make or compose music or song: “ludere quae vellem calamo permisit agresti,Verg. E. 1, 10:

Delude or Deceive.quod tenerae cantent, lusit tua musa, puellae,id. Am. 3, 1, 27: “coloni Versibus incomptis ludunt,Verg. G. 2, 386: “carmina pastorum,

canto Neutr., to produce melodious sounds (by the voice or an instrument), to sound, sing, play
Of an actor: “cantante eo (Nerone) ne necessariă quidem causă excedere theatro
Less freq. of instrumental music, and only with abl. of the instrument (cf. cano): “tibiis,
histrioni, in comedy, to sing and play while the actor accompanies the song with gestures or dancing,
in caelo cantatur et psallitur, Of the singing pronunciation of an orator, to declaim in a singing tone, to sing,
III In the lang. of religion, as v. n. or a., to use enchantments, charms, incantations, to enchant, to charm
cantata Luna,exorcised by magic, B. To call forth, produce by charms: “et chelydris cantar
An Assembly of Christ is an UMBRELLICUM or Safe House Jesus built to Translates the tiny number of Lost Spirits safe from elders who turn into wolves.  SPIRIT means that God put His WORDS into the MOUTH of the Prophets without a Spirit God.  The TESTIMONY of Jesus was that SPIRIT and LIFE or His WORDS (John 6:3).
Isaiah 4: 6 And there shall be a tabernacle for a shadow in the daytime from the heat, 
        and for a place of refuge, and for a covert from storm and from rain.

UmbrācŭlumI. any thing that furnishes shade).Lit., a shady place, bower, arbor,Verg. E. 9, 42.— B. Transf., a school: “in solem et pulverem, ut e Theophrasti doctissimi hominis umbraculis,Cic. Brut. 9, 37: “ex umbraculis eruditorum in solem atque in pulverem,id. Leg. 3, 6, 14.—II.  A sunshade, parasol, umbrella, Ov. F. 2, 311; id. A. A. 2, 209; Mart. 14, 28, 1;


Sōlo , āvi, ātum, 1, v. a. solus, make lonely or desolate; to lay waste, desolate (only a few times in the post-Aug. poets): “urbes populis,Stat. Th. 4, 36: “domos,id. ib. 5, 149; Sen. Oedip. 4.

Domos is one's own house from Sen. Ep. 29
dŏmus  b. In philos lang., a philosophical school, sect, Cic. Ac. 1, 4; Sen. Ep. 29 fin.; id. Ben. 5, 15.   audĭo, to hear, to perceive or understand by hearing, to learn, the person from whom one hears or learns any thing,

Seneca identifies the School as:
verbum  words, expressions, language, discourse, conversation  logos
dīco praedico, recito, declamo, affirmo
dŏcĕo teach, instruct, inform, show, tell, etc. (for syn. cf.: edoceo, perdoceo, erudio, praecipio, instituo).
That MARKS anyone who takes over the Church of Honorable people claiming that there is a Jot or Tittle of anything in Scripture called MUSIC.  Paul in Ephesians denies that FORE ORDAINED (Jude) people who FEED with singing or any kind of music were not Biblically IGNORANT but LYING IN WAIT TO DECEIVE.


 Jesus in His STATE of Holy Spirit defined the ELDERS as the Pastor-Teachers over the flock.  Job One for any ELDER is to EJECT the Cunning Craftsmen or SOPHISTS.  Jesus said that God HID from the Wise or Sophists which are Elders who go beyond "Teaching that which has been taught"

This is the MARK and why people flee and allow you to STEAL THE CHURCH HOUSE OF WIDOWS and Honest Workers.


The Word or Logos is God's Regulative Principle: It is to MARK anyone who adds their own songs or sermons. This marks ANTIchrist and the Rise of Apollyon as THE leader of the Locusts, muses or his adulterous worship team.

Logos  computation, reckoning 2. statement of a theory, argument, ouk emeu alla tou l. akousantas prob. in Heraclit.50; logon ēde noēma amphis alētheiēs discourse and reflection on reality,
IV. inward debate of the soul, reflection, deliberation
Regulative and formative forces, derived from the intelligible and operative in the sensible universe,

Opposite to epithumia
 A. desire, yearning, longing after a thing, desire of or for it, Theaomai :--gaze at, behold, mostly with a sense of wonder3. view as spectators
Opposite Pathos  A. that which happens to a person or thing, incident, accident,  Moralizing Rhetoric
Opposite Poiein to excite passion, Arist.Rh.1418a12; V. Rhet., emotional style or treatment,
Opposite Enthousi-astikos , ē, on, A. inspired,phusisPl.Ti.71e; esp. by music,
 OPPOSITE -poiêsis, Id.R.390a;
OPPOSITE -poiêtikê, D.H.Comp.6; OPPOSITE poiêmata, onomatopoeic word
OPPOSITE  emmetra Modus   2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: Mūsĭcus a, um, adj., = mousikos.
X. the Word or Wisdom of God, personified as his agent in creation and world-government,

Theologians are doomed to call God a liar or INCOMPETENT.  If God had wanted any kind of music in the tuneful sense He was INTELLIGIBLE But denied by C. Leonard Allen.

mousikos kai melōn poētēs
2. generally, votary of the Muses,  The Muses were the LOCUSTS unleashed with Apollon their "musical worship leaders." The Greek and Latin literature identifies them as dirty adulteresses
[25] the Muses of Olympus, daughters of Zeus who holds the aegis: “Shepherds of the wilderness,
        wretched things of shame, mere bellies,
        we know how to speak many false things as though they were true;
        but we know, when we will, to utter true things.”
            ...and they bade me sing of the race of the blessed gods that are eternally,
                but ever to sing of themselves both first and last.
pharma^kon 3. enchanted potion, philtre: hence, charm, spell, Od.4.220 sq., Ar.Pl.302, [Circe, Church, Corinth mother of harlots]  Theoc.2.15

This also marks those OF the World, Kosmos, Ecumenical or the kingdom of Satan for whom Jesus will not pray and from whom god hides.

John 8:23 And he said unto them, Ye are from beneath; I am from above: ye are of THIS world; I am not of this world.
The Jews had a covenant with death and hell: this is the pattern for ex churches practicing witchcraft or sorcery.
infernus, underground, belonging to the Lower Regions, infernal: tenebrae, [darkness was upon the face of the earth] infernas umbras carminibus elicere,” to raise the dead by magical incantations, HELL hell (eccl. Lat.), Ambros. in Psa. 48, §§ 22, 24; Vulg. Job, 17, 13; id. Psa. 9, 18. — 3. inferni , ōrum, m., the shades below: “Theseus infernis, superis testatur Achilles,Prop. 2, 1, 37; 2, 28, 49.—  [Judas Goats-cappellas--probably know that they HAD ONCE fooled the whole world as sorcerers] Tartarus  Husband of EARTH as in Genesis.

carmen , a tune, song, air, lay, strain, note, sound, both vocal and instrumental mŏdus
2. mŏdus The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,Cic. Div. 2, 3, 9: “musici,
saltare ad tibicinis modos, to the music or sound of the flute carmen tuba  citharāque
Apollinem  Lyre, flute 5. A magic formula, an incantation:  “Carminibus Circe Church The Holly Prostitute

elicere B. In partic., in relig. lang.: Jovem, Manes, etc., to call forth, call down a god by religious rites; to raise, conjure up a departed spirit by magic arts,

Rom. 10:6 But the righteousness which is of faith speaketh on this wise,
        Say not in thine heart, Who shall ascend into heaven? (that is, to bring Christ down from above:)
Rom. 10:7 Or, Who shall descend into the deep? (that is, to bring up Christ again from the dead.)
Rom. 10:8 But what saith it?
        The WORD is nigh thee, even in thy mouth, and in thy heart: that is, the word of faith, which we preach;

Is.28:15 Because ye have said, We have made a COVENANT with death, and with hell are we at agreement; when the overflowing scourge shall pass through, it shall not come unto us: for we have made lies our refuge, and under falsehood have we hid ourselves:

per-cŭtĭo  Kill an aminal srike, smite, To strike, play a musical instrument (poet.): “lyram,Ov. Am. 3, 12, 40; Val. Fl. 5, 100.—

Odrysius dux16 rite movet mixtoque sonantem
100percutit ore17 lyram nomenque relinquit hareni
There is no example in Scripture of Godly assemblying for WORSHIP.  There is no example in Scripture of Godly people engaged in Congregational Singing with our without mechanical instruments.

There is no example of SINGING in the modern tuneful sense in Scripture or recorded History before the Reformation

The Greek and Latin overflows with identifying anyone who tried to control another's mind with anything but FACTS

Amos 5:27 Therefore will I cause you to go into
        captivity beyond Damascus,
        saith the LORD, whose name is The God of hosts.
Acts 7:43 Yea, ye took up the tabernacle of Moloch, 
        and the star of your god Remphan, 
        figures which ye made to worship them: 
        and I will carry you away beyond Babylon.


Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your FINGERS: not a plectrum
Psallo and SOP have the same root meaning.


Revelation 18F: they are all called Sorcerers who HAD once deceived the whole world.
At Mount Sinai the faithless Hebrews Rose up to Play and Profaned the REST DAY.  This was Instrumental.Trinitarian.Perverted Idolatry.  This was a sin beyond redemption.  Dedicating your own "talent" replaces the Word, Logos or Regulative Principle.  This is the meaning of ANATHEMA and such presumptious dedication Cannot be REDEEMED and must be BURNED.

The Synagogue or Ekklesia was the Church of Christ (whomever God anointed) the Rock in the Wilderness was defined:


Exclusive:  Vocal or Instrumental Rejoicing The Synagogue
Inclusive:  Rest, Reading and Rehearsing the Spiritual Scriptures

But when the congregation is to be gathered together, ye shall blow, but ye shall not sound an alarm. Num 10:7
he Alarm which was OUTLAWED for the Church in the wilderness is the same PSALLO or Bow-Twanging noise outlawed in the gathering of Jesus Christ.

External Alarm


External Melody

EXCLUDED from the episunagoge

Ruwa (h7321) roo-ah'; a prim. root; to mar (espec. by breaking); fig. to split the ears (with sound), i. e. shout for alarm or joy: - blow an alarm, cry (alarm, aloud, out), destroy, make a joyful noise, smart, shout (for joy), sound an alarm, triumph.
Psallo (g5567) psal'-lo; prob. strengthened from psao, (to rub or touch the surface; comp. 5597); to twitch or twang, i.e. to play on a stringed instrument (celebrate the divine worship with music and accompanying odes): - make melody, sing (psalms)
Ruwph (h7322) roof; a prim. root; prop. to triturate (in a mortar), i. e. (fig.) to agitate (by concussion): - tremble.
Psocho (g5597) pso'-kho; prol. from the same base as 5567; to triturate, i.e. (by anal.) to rub out (kernels from husks with the fingers or hand): - rub.

Eph. 5:17 Wherefore be ye not unwise,
        but understanding what the WILL of the Lord is.

The Word or Logos is EXCLUSIVE of Personal opinions, personal experiences, rhetoric, singing, playing instruments, acting or anything beyond READ or SPEAK that which is written for our LEARNING.

Eph. 5:18KJV And be not drunk with wine, wherein is excess;
        BUT be filled with the SPIRIT;
Eph. 5:19 SpeakING  to YOURSELVES [PLACE] in psalms and hymns and spiritual songs,  [SCRIPTURE ONLY]
BUT singING and makING melody in [PLACE]your heart TO THE LORD

John 6:63 It is the SPIRIT that quickeneth; the flesh profiteth nothing:  [Jesus: sons of Devil speak on their own]
        the WORDS that I SPEAK unto you, they are
SPIRIT, and they are life.

 Col. 3:16 Let the WORD of Christ dwell in you richly in all wisdom;
        teachING and
[PLACE] admonishing one another
                   in psalms and hymns and spiritual songs,
         singiING with grace in your hearts
[PLACE] to the Lord.

SPIRIT is figurative or a PARABLE to hide from the wise or sophists: rhetoricians, singers or instrument players.

Is. 59:21 As for me, this is my covenant with them, saith the Lord;
        My SPIRIT that is upon thee,
        and my WORD which I HAVE put in thy MOUTH,
        shall not depart out of thy mouth, nor out of the mouth of thy seed,
        nor out of the mouth of thy seed’s seed, saith the Lord, from henceforth and for ever.

SORCERY is claiming that singing your own words can cause a SPIRIT to enter into you

SPEAK OR READ is God's Way to mark His Enemies Who try to try to SILENCE the Word or Regulative Principle.  They are universally marked as OF this WORLD, The Ecumenical or the Kingdom of the Devil.  God makes them into a laughingstock by exposing the effeminate or perverted persona.

SPIRIT is the Word put into the Mouth of the Prophets.  The Testimony of Jesus is that SPIRIT put into Audible WORDS John 6:63.

THE HOLY SPIRIT MARKS THEM WITH A BRAND.  The Mark of Cain was a Musical Note.

WIZARDS or WITCHES or SORCERERS are those Jesus defined as BENEATH or Tartarus.  The Mark is compared to Speaking in tongues so that no one who is FROM ABOVE with Jesus will FLEE the Babylon Mother of Harlots.

Isa 8:19 And when they shall say unto you,
        Seek unto them that have familiar spirits,
        and unto wizards that peep, and that mutter:
                should not a people seek unto their God?
                for the living to the dead

[19] et cum dixerint ad vos quaerite a pythonibus et a divinis qui stridunt in incantationibus suis numquid non populus a Deo suo requirit pro vivis a mortuis

-strīdō    to make a shrill noise, sound harshly, creak, hiss, grate, whiz, whistle, rattle, buzz: stridentia tinguunt Aera lacu, V.: cruor stridit, hisses, O.: belua Lernae Horrendum stridens, V.: horrendā nocte (striges), O.: mare refluentibus undis, V.: aquilone rudentes, O.: videres Stridere secretā aure susurros, buzz, H.
        H7442 rânan raw-nan' A primitive root; properly to creak (or emit a stridulous sound), 2. tremulous sound of a mast or pole "Shaken by the wind" also the sound of a torrent. Vibrate the voice TRILL which is the WOMEN'S sound of Halal above.

-cantus , ūs, m. id., 2. With instruments, a playing, music: “in nervorum vocumque cantibus,Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,Cat. 64, 264: “querulae tibiae,Hor. C. 3, 7, 30:
B. An incantation, CHARM, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,Verg. G. 4, 471: “magici,

The Wizzard is one who thinks that they can hear the Word of God "beyond the sacred page."  John called them sorcerers because they used rhetoric, singers and instrumentalists to STEAL the Word and money from others Yiddeoniy (h3049) yid-deh-o-nee'; from 3045; prop. a knowing one; spec. a conjurer; (by impl.) a ghost: - wizard.

"In Isa 8:19 the
'obhoth and yidh'onim are spoken of those who 'chirp and mutter." These terms refer to the necromancers themselves who practiced ventriloquism in connection with their magical rites. In Isa 29:4 it is said 'Thy voice shall be as an 'obh, out of the ground.'... They are stamped in these passages, as in the Witch of Endor narrative, as deceivers practising a fraudulent art. By implication their power to evoke spirits with whom they were in familiar intercourse is denied." (Int Std Bible Ency., ency, p. 690)

Jesus called the Scribes and Pharisees Hypocrites.  In Isaiah 29

Is. 29:9  Stay yourselves, and wonder; cry ye out, and cry: ob-stupēscō  terror
ad-mīror  thaumazein; [Lying wonder]acc. to Pythagoras  mŏdus  Melody spectacula

Pȳthon ,, I. the serpent slain, according to the myth, near Delphi by Apollon, who was fabled to have been called Pythius in commemoration of this victory, Ov. M. 1, 4381. Pȳthĭa , ae, f., = Puthia, the priestess who uttered the responses of the Delphic Apollo, the Pythoness, Pythia, Cic. Div. 1, 19, 38; Nep. Milt. 1, 3. —

they are drunken, but not with wine; they stagger, but not with strong drink.
fluctŭo   rise in waves, undulate, are driven about by the waves, to be restless, unquiet
văcillo be untrustworthy, to vacillate, wavering in fidelity
mŏvĕo   et fila sonantia movit,struck, Ov. M. 10, 89:
            “citharam cum voce,id. ib. 5, 112: “tympana,id. H. 4, 48; to disturb

Is. 29:10 For the LORD hath poured out upon you the spirit  OF deep sleep
        and hath closed your eyes: the prophets and your rulers, the seers hath he covered.

Eph. 5:18 And be not drunk with wine, wherein is excess; but be filled with the Spirit; [The WORD]

kat-auleô   A. charm by flute-playing, I will flute to you on a ghastly flute, E.HF871 os drinking wine to the strains of the flute, Pl.R.561c played to on the flute with lyre accompaniment,

E.HF871 I call the sun-god to witness that here I am acting against my will; like a fearful bull in act to charge; he bellows...nor shall their murderer know that he is killing the children he begot, till he is released from my madness. ...[870] calling on the goddesses of nether hell. Soon will I rouse you to yet wilder dancing and pipe a note of terror in your ear. Soar away, O Iris,

kat-auleō  A.charm by flute-playing Pl.Lg.790e,, methuōn kai katauloumenos drinking wine to the strains of the flute, resound with flute-playing, “nēsos katēuleitoPlu.Ant.56. katauloumenon subdued by a flute accompaniment, Ptol.Harm.2.12: metaph., to be piped down, ridiculed
To the law and to the testimony:
        if they SPEAK not according to this WORD,
        it is because there is no light in them. Isa 8:20


Here is a short list of PERFORMANCE and PERFORMING Enabled by rhetoric, singing or any kind of instruments which CLAIMS that God is ignorant.

An Abomination, Witchcraft, the BEASTS, Sorcery, Charming, Soothsaying,  enchantment, harlots, beguile, serpents, vipers, Serpo, Herpo, inducing wine-dranking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, magic, Voodoo in primitive America, Melodies to deceive, Deceiver, Cunning Crafts, Techne, religious craftsmen, Lucifer, Voodoo, Locusts, Apollyon, Levi-LeviathanI
The Greek and Latin overflows with identifying anyone who tried to control another's mind with anything but FACTS
Proof is one Infiltrates, builds a huge institution and then claims a VISION that God wants Him to "steal the church houses of widows" to, in the name of the Great Tribulators create A Theater for Holy Entertainment. 

Music.  Cantillation signs guide the reader in applying a chant to Biblical readings. This chant is technically regarded as a ritualized form of speech intonation rather than as a musical exercise like the singing of metrical hymns: for this reason Jews always speak of saying or reading a passage rather than of singing it. (In Yiddish the word is leynen 'read', derived from Latin legere, giving rise to the Jewish English verb "to leyn".)

The Philipedium: In most western European languages, the word for “read” starts with the letter “L”. These languages can be divided into two main groups — those of Latin origin and those of Germanic origin. In each of the Latin languages (Italian, Spanish, French, etc.), the modern word is derived from legere, the Latin word for “read”. The Italian word is still leggere, essentially unchanged from the Latin. In the other Romance languages, the “g” sound was lost, and so we have leer in Spanish, ler in Portuguese, and lire in French.

(Note: The Old Testament understands that instrumental music--called NOISE--was authorized only in certain dedicatory or purification rituals associated with the temple and with Jerusalem. Without both there was never any rationale for instrument to make a great crashing sound during animal sacrifices.)

"At the dedication of the later edifice, the priests blew the trumpets at the same time that the Levites sang and played upon instruments of music,

so as 'to make one sound;' but it is evident that on that great occasion of rejoicing, what was aimed at was not musical harmony, but a powerful crash of jubilant sound. We are shut up to the conclusion that

there was nothing in the tabernacle-worship, as ordered by Moses, which could be justly characterized as instrumental music." (George Girardeau, Instrumental Music, p. 29 - a Presbyterian)

Paull commanded that we SPEAK the Text for our LEARNING.  Both Ode and Psallo are words marking SORCERERS and PERVERTS.

The Evil Psallo  I. In gen., to play upon a stringed instrument; esp., to play upon the cithara, to sing to the cithara: “psallere saltare elegantius,Sall. C. 25, 2  canituri,”  SING and cantare marked as SORCERY.    saltare et cantare; Cic. Catil. 2.10.23   Suet. Tit. 3

Saltatio   Dancing was originally closely connected with religion. Plato thought all dancing should be based on religion, as it was, he says, among the Egyptians. It has been shown under Chorus that the chorus in the oldest times consisted of the whole population of a city, who met in a public place to offer up thanksgivings to the god of their country by singing hymns and performing dances. These dances, which, like all others, were accompanied by music, 

David's Dirty Dancing with the Camp following girls PATTERN



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Plato, Euthydemus

[289d] On what proof do you rely? I asked.

I see, he said, certain speech-writers who do not know how to use the
        special arguments composed by themselves,
        just as lyre-makers in regard to their lyres:
in the former case also there are other persons able to use what the makers produced,
        while being themselves unable to make the written speech.
Hence it is clear that in speech likewise there are two distinct arts, one of making and one of using.

I think you give sufficient proof, I said, that this art of the speech-writers cannot be that whose acquisition would make one happy. And yet I fancied that somewhere about this point would appear the knowledge which we have been seeking all this while.

[289e] For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired. However, this is not surprising; for it is a part of the SORCERER'S art, epōdōn tekhnēs
Latin 289e:
kai mentoi ouden thaumaston: esti gar tēs tōn epōdōn tekhnēs morion mikrō te ekeinēs hupodeestera.

Thaumaston Is a Lying wonder which claims that your rituals are ordained by God.

, Ion. and poet. epa^oidē , , sung to or over: hence, enchantment, spell, LADEN BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
  oute pharmaka..oud' au epōdaiPl.R. 426b ; thusiai kai e. ib.364b ;
charm for or against..,toutōn epōdas ouk epoiēsen patērA.Eu.649.

epōd-os , on, (epadō
A.singing to or over, using songs or charms to heal wounds, “epōdoi muthoi

Subst., enchanter,e. kai goēsE.Hipp. 1038 (but “goēs e.Ba.234): c. gen., a charm for or against,ethusen hautou paida epōdon Thrēkiōn aēmatōnA.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.
c. c. dat., assisting, profitable, 2. Pass., sung to music,phōnaiPlu.2.622d ; fit for singing,poiētikēn e. parekhein
2. epōdos, ho, verse or passage returning at intervals, in Alcaics and Sapphics, D.H.Comp.19 ; chorus, BURDED, refrain,

Pl.Lg.903b    Athenian
Let us persuade the young man by our discourse that all things are ordered systematically by Him who cares for the World—all with a view to the preservation and excellence of the Whole, whereof also each part, so far as it can, does and suffers what is proper to it. To each of these parts, down to the smallest fraction, rulers of their action and passion are appointed to bring about fulfillment even to the uttermost

Plat. Euthyd. 290a and only slightly inferior to that. The sorcerer's art is the charming of snakes and tarantulas and scorpions and other beasts and diseases, while the other is just the charming and soothing of juries, assemblies [Ekklesia or church], crowds, and so forth. Or does it strike you differently? I asked.

No, it appears to me, he replied, to be as you say.

kēl-ēsis , eōs, , *A.  bewitching, charming, ekheōn, nosōn, Pl.Euthd. 290a: enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music and sweet sounds, Id.R.601b, Stoic.3.97.
Plat. Rep. 601b whether he speak in rhythm, meter [melos] and harmony [rhuthmon about cobbling or generalship or anything whatever. So mighty is the spell1 that these adornments naturally exercise; though when they are stripped bare of their musical coloring [metron] and taken by themselves,2 I think you know what sort of a showing these sayings of the poets make. For you, I believe, have observed them.” “I have,” he said. “Do they not,” said I, “resemble the faces of adolescents, young but not really beautiful, when the bloom of youth abandons them?3” “By all means,” he said. “Come, then,” said I, “consider this point: The creator of the phantom, the imitator, we say, knows nothing of the reality but only the appearance.

hōraios , fruits ripe for plucking or rippe for death.

The Jacob-Cursed Levites

Jude 3 Beloved, when I gave all diligence to write unto you of the common salvation,
        it was needful for me to write unto you, and exhort you that ye should earnestly contend f
        or the faith which was once delivered unto the saints.
Jude 4 For there are certain men crept in unawares,
        who were before of old ordained to this condemnation,
        ungodly men, turning the grace of our God into lasciviousness,
        and denying the only Lord God, and our Lord Jesus Christ.
Jude 5 I will therefore put you in remembrance, though ye once knew this,
        how that the Lord, having saved the people out of the land of Egypt, afterward destroyed them that believed not.
Jude 6 And the angels which kept not their first estate, but left their own habitation,
        he hath reserved in everlasting chains under darkness unto the judgment of the great day.
Jude 7 Even as Sodom and Gomorrha, and the cities about them in like manner,
        giving themselves over to fornication,
        and going after strange flesh, are set forth for an example, PATTERN
         suffering the vengeance of eternal fire.
Jude 8 Likewise also these filthy dreamers defile the flesh, despise dominion, and speak evil of dignities.

Jude 13 Raging waves of the sea, foaming out their own shame; wandering stars, to whom is reserved the blackness of darkness for ever.

Jude 14 And Enoch also, the seventh from Adam, prophesied of these, saying, Behold, the Lord cometh with ten thousands of his saints,

Jude 15 To execute judgment upon all, and to convince all that are ungodly among them of all their ungodly deeds which they have ungodly committed, and of all their hard speeches which ungodly sinners have spoken against him.

Jude 16 These are murmurers, complainers [blaming Fate], walking after their own lusts; and their mouth speaketh great swelling words, having mens persons in admiration because of advantage.

1113.  goggustes, gong-goos-tace´; from 1111; a grumbler: — murmurer.

1114.  goes, go´-ace; from goa¿w goao (to wail); properly, a wizard (as muttering spells), i.e. (by implication) an imposter: — seducer.

goês  A. sorcerer, wizard, Phoronis 2, Hdt.2.33,4.105, Pl.R. 380d, Phld.Ir.p.29 W.; g. epôidos Ludias apo chthonos E.Ba.234 , cf. Hipp.1038; prob. f.l. for boêisiHdt.7.191.

Epôidos [epaidô] I.singing to or over: as Subst. an enchanter, Eur.: c. gen. acting as a charm for or against, Aesch., Plat. 2. pass. sung or said after, morphês epôidonc alled after this form, 
II. in metre, epôidos, ho, a verse or passage returning at intervals, a chorus, burden, refrain, as in Theocr.

E.Ba.234 Euripides, BacchaePentheus

[215]  I happened to be at a distance from this land, when I heard of strange evils throughout this city, that the women have left our homes in contrived Bacchic rites, and rush about in the shadowy mountains, honoring with dances [220]  this new deity Dionysus, whoever he is. I hear that mixing-bowls stand full in the midst of their assemblies, and that they each creep off different ways into secrecy to serve the beds of men, on the pretext that they are Maenads worshipping; [225]  but they consider Aphrodite before Bacchus.

2. juggler, cheat, deinos g. kai pharmakeus kai sophistês Pl.Smp.203d ; deinonkai g. kai sophistên . . onomazôn D.18.276 ; apistos g. ponêrosId.19.109 ; magoskai g. Aeschin.3.137 : Comp. goêtoteros Ach.Tat.6.7 (s. v. l.). (Cf. Lith. žavēti 'incantare'.)

Sophis-tês , ou, ho, A.master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28 , cf. Cratin.2; of musicians, sophistês . . parapaiôn chelun  sophistêiThrêiki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, hoi s. tônhierônmelôn

Pi.I.5(4).28 Pindar Isthmiah 5. But my heart [20] cannot taste songs without telling of the race of Aeacus. I have come with the Graces for the sons of Lampon [22] to this well-governed city. If Aegina turns her steps to the clear road of god-given deeds, then do not grudge [25] to mix for her in song a boast that is fitting recompense for toils. In heroic times, too, fine warriors gained fame, and they are celebrated with lyres and flutes in full-voiced harmonies [28] for time beyond reckoning. Heroes who are honored by the grace of Zeus provide a theme for skilled poets

Chelus  2.lyre (since Hermes made the first lyre by stretching strings on a tortoise's shell, which acted as a sounding-board), ib.25,153, Sapph.45, A.Fr.314; kath'heptatonon oreian ch. E.Alc.448 (lyr.), cf. HF683 (lyr.).

Oreios A.of or from the mountains,mountain-haunting,numphênoureiên

The Horae were among the mathematici 'learned mothers' who defined the Zodiac and the star movements marking the seasons, one translation of the word 'hora.' Another is 'hour,' and the Horae developed various means to mark time. Hence the word for time keeping, 'horology' and the French word for clock 'horlogue.'

The patriarchs became the most incensed over the sacred women of Agape. Among their symbols were the lotus, lily, and dove,

all representations of the vulva.
Among their mysteries
was ritual cunnilingus, which demands respect for female pleasure and the female body.

This aspect of the sacred feminine was among the first to be erased. The effort began early. Originally, the land of the 'Lotus Eaters' was in the Amazon territories of North Africa, then was moved further away still, to beyond the Southern Sea. Source

3. the constellation Lyra,

Magos  3.enchanter, wizard, esp. in bad sense, impostor, charlatan

Pharmak-eus    gnêsioi sophistaikai

Pharmakos sorcerer, Magician

Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;
Rev. 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived.
Rev. 18:24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. 

Rev. 21:8 But the fearful, and unbelieving, and the abominable, and murderers, and whoremongers, and sorcerers, and idolaters, and all liars, shall have their part in the lake which burneth with fire and brimstone: which is the second death.

goêt-euô ,
A. bewitch, beguile, Pl.Grg.483e, etc.:--Pass., Id.R.412e, 413b, D.19.102, etc.; fascinate, as a snake, Plot.4.4.40.
2. abs., play the wizard, D.L.8.59

Jude 17 But, beloved, remember ye the words 
        which were spoken before of the apostles of our Lord Jesus Christ;
Jude 18 How that they told you there should be mockers in the last time,
        who should walk after their own ungodly lusts.
Jude 19 These be they who separate themselves, sensual, having not the Spirit.

Enoch 7: 10 Then they took wives, each choosing for himself; whom they began to approach, and with whom they cohabited; teaching them sorcery, incantations, and the dividing of roots and trees.

Epaeidô , contr. Att. epaidô , fut. A. -aisomai Ar.Ec.1153 , etc.; -aisô Ach.Tat.2.7 :--sing to or in accompaniment, Magos  2.sing as an incantation,  charms or incantations,Pl.Tht.157c; epaeidôn by means of charms,

Euripides, Electra. Set your step to the dance, my dear, [860]  like a fawn leaping high up to heaven with joy. Your brother is victorious and has accomplished the wearing of a crown . . . beside the streams of Alpheus. Come sing [865]  a glorious victory ode, to my dance.

Magos 3.enchanter, wizard, esp. in bad sense, impostor, charlatan, Heraclit.14, S.OT387, E.Or.1498 (lyr.), Pl.R.572e, Act.Ap.13.6, Vett. Val.74.17

Enoch 7: 11 And the women conceiving brought forth giants, (7) Enoch 7: 15 Then the earth reproved the unrighteous.

Enoch 8:1 Moreover Azazyel taught men to make swords, knives, shields, breastplates, the fabrication of mirrors, and the workmanship of bracelets and ornaments, the use of paint, the beautifying of the eyebrows, the use of stones of every valuable and select kind, and all sorts of dyes, so that the world became altered.

Enoch 8:2 colouring tinctures. And there arose much godlessness, and they committed fornication, and they

Enoch 8:3 were led astray, and became corrupt in all their ways. Semjaza taught enchantments, and root-cuttings, 'Armaros the resolving of enchantments, Baraqijal (taught) astrology, Kokabel the constellations, Ezeqeel the knowledge of the clouds, Araqiel the signs of the earth, Shamsiel the signs of the sun, and Sariel the course of the moon. And as men perished, they cried, and their cry went up to heaven.

"Jubal, who was born of the same mother with him, exercised himself in music; (7) and invented the psaltery and the harp. But Tubal, one of his children by the other wife, exceeded all men in strength, and was very expert and famous in martial performances. He procured what tended to the pleasures of the body by that method; and first of all invented the art of making brass. Lamech was also the father of a daughter, whose name was Naamah. And because he was so skillful in matters of divine revelation, that he knew he was to be punished for Cain's murder of his brother, he made that known to his wives.

"Nay, even while Adam was alive, it came to pass that the posterity of Cain became exceeding wicked, every one successively dying, one after another, more wicked than the former. They were intolerable in war, and vehement in robberies; and if any one were slow to murder people, yet was he bold in his profligate behavior, in acting unjustly, and doing injuries for gain. Josephus

"In pagan traditions, musical instruments are invented by gods or demi-gods, such as titans (Seitans). In the Bible, credit is assigned to antediluvian patriarchs, for example, the descendants of Cain in Genesis 4:21. There is no other biblical tradition about the invention of musical instruments." (Freedman, David Noel, Bible Review, Summer 1985, p. 51). (Proof Here).

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