Instrumental Music mark of Anti-Church of Apollyon-Abaddon
Ben Austin, Chris Brach, David Brangerberg, Jerry Brian,
David Burgess, John King, Church Lee, Mike Randolph.
CORRUPT elders or WOLVES are MARKED
1. There is nothing we call "musical" in all of
the Holy Scriptures.
2. The Godly Jews attended synagogue or church which was a
once-each week REST and the chance to attend SCHOOL which was
called PREACHING by READING the Word.
3. The Instruments were used by Jacob-Cursed and God Abandoned
Levites under the unauthorized King and Commanders of the
Army. 4. They were also most often used by male or
female prostitutes to seduce customers.
5. God left the ALARM or TRIUMPH OVER instrumental sounds to
MARK those whom God had abandoned to Babylonianism.
6. Anyone who attempts to impose Vocal or Instrumental
Performers is called a Serpent or Viper.
7. THEY are what God provided for the tiny band of Lost
Spirits as a. Way to escape. Where they invade and defined by
Jesus as Scribes, Pharisees Hypocrites, the Little Flock in
the WAY (road, pattern) called a SECT will already have
shuddered at the perverted persona and
left. Isaiah.3.Women.and.Children [boys].Rule.Over.Them That's what the Holy
Spirit Inspired. That is the PERSONA which causes
the owners to cast themselves out.
8. Those who take the MARK-
PLESSO 3. strike or
stamp as one does a coin, Kuprios
Strike a string with a key,
4. of musical sounds, houtôsi plêgenta houtôs ephthenxato ta phônêenta
(thunder), flute, lyre, Phormigx
(ABADDON'S instrument), melody in a holy place, CLAPPING
The BEAST is "a new style of music or
Satyric (cappella) Drama with Christ's enemy of
almost all pulpits.
B.Transf., of things, to move slowly
or imperceptibly, to creep along, proceed
II.Trop., to creep, crawl; to
extend gradually or imperceptibly;
to spread abroad, increase, prevail
, cĕcĭni, cantum (ancient I.imp.
cante = canite,
Vulg. Apoc. 8, 13
to utter melodious notes, to sing, sound,
crowing of a cock: “galli
to practice magic, to charm, Galli is a word
for a Catamite: priest of the Mother Godesses.
"In pagan traditions,
musical instruments are invented
by gods or demi-gods, such as titans (Seitans). In the Bible,
credit is assigned to antediluvian patriarchs, for
example, the descendants of Cain in Genesis 4:21. There is no other
biblical tradition about the invention of musical
instruments." (Freedman, David Noel, Bible Review,
Summer 1985, p. 51). (Proof Here).
Tubal-Cain, Naamah Babylonian Musical Idolatry
Serpent, Beast, Serpo, Herpo in the Garden
of Eden. elelizō
move in coils or spires, of a
in Il. of an
army, cause it to turn and face the enemy, rally
it III. cause to vibrate,
of Zeus, ib.1.530, cf. 8.199; phormigga
make its strings quiver,
phormigx as the
instrument of Apollo, “phormiggos
Psallo NEVER defines
instruments. People call God and the Spirit STUPID
for never using anything like playing an instrumennt and
stringed instrument in accompaniment
of song, “a.
II. poem in elegiac distichs
, orig. accompanied by the flute, cf. aluros e
(lyr.); “Asias e. iēios
; so Elegoi
, title of a nomos aulōdikos
; of the song
of the nightingale, Ar.Av.218
, of the halcyon,
(lyr.); later, lament, song of mourning
derived from e
to cry woe! woe! EM326.49
1. Israel fell from grace beyond
redemption because of Instrumental-Trinitarian-Perverted
Idolatry at Mount Sinai.
2. The NOBILITY turned the REST
of God into a day of the Worship as the
ABOMINATION they brought from Egypt.
3. The REST of God is Sabbath or
the Greek PAUO and demands STOPPING anything
beyond Rest, Reading and Rehearsing the Word
delivered by Moses.
4. The Civil-Military-Clergy were
abandoned behind closed gates to engage in the
Lust of Blood and Flesh and the HOLOCAUST of
INFANTS and GOATS.
5. The Godly Jews were never
gathered to engage in group singing with or
without instruments: this was outlawed for the SYNAGOGUE
as A School--only of the Word-only.
6. Any kind of musical or
theatrical performance would MARK the Effeminate
and their refusal to HEAR the Word of God.
7. Even worse any kind of
self-exhibition especially SINGING is that which
MARKS and produces ALL of the data defining:
Abomination, Witchcraft, the
BEASTS, Demon worship, Viper,Sorcery,
enchantment, harlots, beguile, serpents,
vipers, Serpo, Herpo, inducing
wine-drinking, Cunning Craftsmen or
Sophists, Rhetoricians, Dogs
or Catamites, magic, Voodoo
in primitive America, Melodies to deceive,
Deceiver, Cunning Crafts, Techne.
religious craftsmen, Lucifer, Locusts,
SILENT because it marks the
hair-plucked or effeminate.
Worship Teams Mark the Effeminate
See the Nimrod at At Babylon
Vineyard New Wineskin Worship
See Charismatic and Homosexual
connection among the Greeks
of Church and Christianity
considered it paradoxical that music should be regarded as
veneration of the gods while musicians were paid for performing this so-called veneration.
Again, Philodemus held as self deceptive the view that
music mediated religious ecstasy. He saw the entire condition induced by
the noise of cymbals and tambourines as a disturbance of the spirit.
Accordingly, nothing of value could be
attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied
much in the same way that food and drink did.
He found it
significant that, on the whole, only women and effeminate men fell into this folly.
KNOWN TO ANY ONE WHO UNDERSTANDS THAT A CHURCH IS BUILT UPON
OR EDUCATED BY THE PROPHETS and not USURPERS.
An Assembly of Christ is an UMBRELLICUM
or Safe House Jesus built to Translates the tiny number of
Lost Spirits safe from elders who turn into wolves.
SPIRIT means that God put His WORDS into the MOUTH of the
Prophets without a Spirit God. The TESTIMONY of Jesus
was that SPIRIT and LIFE or His WORDS (John 6:3).
Isa 57:4 Against whom do ye sport
yourselves? against whom make ye a wide mouth, and
draw out the tongue? are ye not children of transgression,
a seed of falsehood,
Lūdo , ” Verg. E. 6, 1.—Esp.,
to play on an instrument of music, to make or compose
music or song: “ludere
Verg. E. 1, 10:
Delude or Deceive.quod tenerae cantent,
lusit tua musa, puellae,” id.
Am. 3, 1, 27: “coloni Versibus
incomptis ludunt,” Verg. G. 2,
386: “carmina pastorum,
Neutr., to produce melodious sounds
(by the voice or an instrument), to sound, sing,
Of an actor: “cantante
Less freq. of instrumental music, and only with abl. of the
instrument (cf. cano): “tibiis,”
histrioni, in comedy, to sing and play while the actor
accompanies the song with gestures or dancing,
psallitur, Of the singing
pronunciation of an orator, to declaim in a singing tone,
III In the lang. of religion, as v. n. or a.,
to use enchantments, charms, incantations,
to enchant, to charm
exorcised by magic, B. To call forth,
produce by charms: “et
Isaiah 4: 6 And there shall
be a tabernacle for a shadow in the
daytime from the heat,
That MARKS anyone who takes over the Church of
Honorable people claiming that there is a Jot or Tittle of
anything in Scripture called MUSIC. Paul in Ephesians
denies that FORE ORDAINED (Jude) people who FEED with singing
or any kind of music were not Biblically IGNORANT but LYING IN WAIT TO DECEIVE.
and for a place of refuge, and
for a covert from storm and from rain.
, I. any thing that
furnishes shade). I Lit., a
shady place, bower, arbor,Verg. E. 9, 42.—
B. Transf., a school: “in
Cic. Brut. 9, 37:
id. Leg. 3, 6, 14.—II.
A sunshade, parasol, umbrella,
Ov. F. 2, 311;
id. A. A. 2, 209;
Mart. 14, 28, 1;
This SCHOOL or REST
will be OUTSIDE THE GATES OR CAMPS OF THE MUSICAL
I.to teach, instruct, inform, show,
tell, etc. (for syn. cf.: edoceo, perdoceo, erudio,
, āvi, ātum, 1, v. a. solus, I.to make lonely
or desolate; to lay waste
few times in the post-Aug. poets): “urbes
Stat. Th. 4, 36
id. ib. 5, 149
; Sen. Oedip. 4
is one's own house from Sen.
In philos lang., a philosophical school,
Ac. 1, 4; Sen. Ep. 29 fin.;
id. Ben. 5, 15.
audĭo, to hear,
to perceive or understand by hearing,
to learn, the person from whom one hears or
learns any thing,
Seneca identifies the School as:
expressions, language, discourse,
recito, declamo, affirmo
ANYONE THINKING TITHES
OR LAYING BY IN STORE IS A BANDIT: FLEE BABYLOON
in His STATE of Holy Spirit defined the ELDERS as the
Pastor-Teachers over the flock. Job One for any ELDER is
to EJECT the Cunning Craftsmen or SOPHISTS. Jesus said
that God HID from the Wise or Sophists which are Elders
who go beyond "Teaching that which has been taught"
This is the MARK and why people flee and allow you to STEAL
THE CHURCH HOUSE OF WIDOWS and Honest Workers.
The Word or Logos is God's Regulative Principle: It is to
MARK anyone who adds their own songs or sermons. This marks
ANTIchrist and the Rise of Apollyon as THE leader of the
Locusts, muses or his adulterous worship team.
2. statement of a theory, argument,
prob. in Heraclit.50; logon
discourse and reflection on reality,
YOUR MUSICIANS ARE THE LOCUSTS SENT BY GOD AFTER YOU HAVE
BLASPHEMED ABOUT GOD AND HIS WORD. Jude says that you
were FOREORDAINED for this Apostasy.
IV. inward debate of
the soul, reflection,
Regulative and formative forces,
derived from the intelligible and operative in
the sensible universe,
Opposite to epithumia
A. desire, yearning, longing after
a thing, desire of or for it, Theaomai :--gaze at,
behold, mostly with a sense of wonder, 3.
view as spectators
Opposite Pathos A. that
which happens to a person or thing, incident,
accident, Moralizing Rhetoric
Opposite Poiein to excite passion,
V. Rhet., emotional style or
Opposite Enthousi-astikos , ē, on, A. inspired, “phusis” Pl.Ti.71e;
esp. by music,
Prose, OPPOSITE -poiêsis, Id.R.390a;
OPPOSITE -poiêtikê, D.H.Comp.6;
OPPOSITE poiêmata, onomatopoeic
OPPOSITE emmetra Modus 2. The
measure of tones, measure, rhythm, melody, harmony, time;
in poetry, measure, metre, mode: Mūsĭcus a, um, adj., = mousikos.
X. the Word or Wisdom
of God, personified as his agent in creation and
Theologians are doomed to call God a liar or
INCOMPETENT. If God had wanted any kind of music in
the tuneful sense He was INTELLIGIBLE But denied by C.
2. generally, votary of the Muses, The
Muses were the LOCUSTS unleashed with Apollon their
"musical worship leaders." The Greek and Latin literature
identifies them as dirty adulteresses
 the Muses of Olympus,
daughters of Zeus who holds the aegis: “Shepherds of
wretched things of shame,
we know how to speak
many false things as though they were true;
but we know, when we
will, to utter true things.”
they bade me sing of the race of the blessed gods that are
but ever to sing of themselves both
first and last.
3. enchanted potion, philtre:
hence, charm, spell, Od.4.220
[Circe, Church, Corinth mother of harlots] Theoc.2.15
This also marks those OF the World,
Kosmos, Ecumenical or the kingdom of Satan for whom Jesus will
not pray and from whom god hides.
John 8:23 And he said unto them, Ye
are from beneath; I am from above: ye are of THIS
world; I am not of this world.
Jews had a covenant with death and hell: this is the
pattern for ex churches practicing witchcraft or
belonging to the Lower Regions, infernal: tenebrae,
[darkness was upon the face of the earth] “infernas umbras carminibus elicere,”
to raise the dead by magical incantations,
HELL hell (eccl. Lat.), Ambros.
in Psa. 48, §§ 22, 24; Vulg.
Job, 17, 13; id. Psa. 9, 18.
— 3. inferni
, ōrum, m., the shades below: “Theseus
Prop. 2, 1, 37;
2, 28, 49.—
Goats-cappellas--probably know that they HAD
ONCE fooled the whole world as sorcerers] Tartarus Husband of EARTH as in Genesis.
a tune, song, air, lay,
strain, note, sound, both vocal and
NEVER IN SCRIPTURE 2. mŏdus
The measure of tones, measure, rhythm,
melody, harmony, time; in poetry, measure, metre,
Cic. Div. 2, 3, 9:
saltare ad tibicinis modos, to the music
or sound of the flute, carmen
Lyre, flute 5. A magic formula,
an incantation: “Carminibus
Church The Holly Prostitute
In partic., in relig. lang.: Jovem, Manes, etc., to call
forth, call down a god by religious rites; to
raise, conjure up a departed spirit
by magic arts,
Rom. 10:6 But the righteousness which
is of faith speaketh on this wise,
Say not in thine
heart, Who shall ascend into heaven? (that is, to bring
Christ down from above:)
Rom. 10:7 Or, Who shall descend into the deep? (that is,
to bring up Christ again from the dead.)
Rom. 10:8 But what saith it?
The WORD is
nigh thee, even in thy mouth, and in thy heart: that is,
the word of faith, which we preach;
ye have said, We have made a COVENANT with death, and with hell
are we at agreement; when the overflowing scourge shall pass
through, it shall not come unto us: for we have made lies our refuge, and under falsehood have
we hid ourselves:
per-cŭtĭo Kill an aminal srike, smite, b
To strike, play a musical
instrument (poet.): “lyram,”
Ov. Am. 3, 12, 40;
Val. Fl. 5, 100.—
There is no example in Scripture of Godly
assemblying for WORSHIP. There is no example in
Scripture of Godly people engaged in Congregational Singing
with our without mechanical instruments.
rite movet mixtoque sonantem
lyram nomenque relinquit hareni
There is no example of SINGING in the modern tuneful
sense in Scripture or recorded History before the
The Greek and
Latin overflows with
identifying anyone who tried
to control another's mind with
anything but FACTS
Amos 5:27 Therefore will I cause you to go into
captivity beyond Damascus,
saith the LORD, whose
name is The God of hosts.
Yea, ye took up the tabernacle of Moloch,
and the star of your
figures which ye made
to worship them:
and I will carry
you away beyond Babylon.
Trumpet, drums, flute, cymbals and castinets
Psallo permits ONLY smiting a string with your
FINGERS: not a plectrum
Psallo and SOP have the same root meaning.
Revelation 18F: they are all called Sorcerers who HAD once
deceived the whole world.
They WILL BE CAST ALIVE INTO THE LAKE
At Mount Sinai the faithless Hebrews Rose up to Play and
Profaned the REST DAY. This was
Instrumental.Trinitarian.Perverted Idolatry. This was a
sin beyond redemption. Dedicating your own "talent"
replaces the Word, Logos or Regulative Principle. This
is the meaning of ANATHEMA and such presumptious dedication
Cannot be REDEEMED and must be BURNED.
The Synagogue or Ekklesia was the Church of Christ (whomever
God anointed) the Rock in the Wilderness was defined:
Exclusive: Vocal or Instrumental Rejoicing
Inclusive: Rest, Reading
and Rehearsing the Spiritual Scriptures
is God's Way
to mark His
try to try to
marked as OF
or the Kingdom
God makes them
But when the
congregation is to be gathered together, ye shall blow, but ye shall not sound an alarm. Num 10:7
he Alarm which
was OUTLAWED for the Church in the wilderness is the
same PSALLO or Bow-Twanging noise outlawed in the
gathering of Jesus Christ.
from the QAHAL
EXCLUDED from the episunagoge
Ruwa (h7321) roo-ah'; a
prim. root; to mar (espec. by breaking); fig. to
split the ears (with sound), i. e. shout for alarm
or joy: - blow an alarm, cry (alarm,
aloud, out), destroy, make a joyful
noise, smart, shout (for joy), sound
an alarm, triumph.
Psallo (g5567) psal'-lo;
prob. strengthened from psao, (to rub or touch the
surface; comp. 5597); to twitch or twang, i.e. to
play on a stringed instrument (celebrate the
divine worship with music and accompanying odes):
- make melody, sing (psalms)
Ruwph (h7322) roof; a
prim. root; prop. to triturate (in a mortar), i. e. (fig.) to
agitate (by concussion): - tremble.
Psocho (g5597) pso'-kho;
prol. from the same base as 5567; to triturate, i.e. (by anal.)
to rub out (kernels
from husks with the fingers or hand): - rub.
Eph. 5:17 Wherefore be ye not
what the WILL
of the Lord is.
The Word or
Logos is EXCLUSIVE of
Personal opinions, personal
instruments, acting or
anything beyond READ or
SPEAK that which is written
for our LEARNING.
And be not drunk with wine,
wherein is excess;
be filled with the SPIRIT;
Eph. 5:19 SpeakING
to YOURSELVES [PLACE] in
psalms and hymns and spiritual
singING and makING
melody in [PLACE]your
heart TO THE LORD
John 6:63 It is
that quickeneth; the flesh
profiteth nothing: [Jesus:
sons of Devil speak on their
that I SPEAK
unto you, they are SPIRIT,
and they are life.
Col. 3:16 Let the WORD
of Christ dwell in you richly in
admonishing one another
in psalms and hymns and
with grace in your
to the Lord.
figurative or a PARABLE to hide
from the wise or sophists:
rhetoricians, singers or
Is. 59:21 As
for me, this is my covenant
with them, saith the Lord;
that is upon thee,
and my WORD
which I HAVE
put in thy MOUTH,
depart out of thy mouth, nor
out of the mouth of thy seed,
nor out of
the mouth of thy seed’s seed,
saith the Lord, from
henceforth and for ever.
SORCERY is claiming that
singing your own words can
cause a SPIRIT to enter into
SPIRIT is the
Word put into
the Mouth of
of Jesus is
THEM WITH A
The Mark of
Cain was a
The Mark is
that no one
who is FROM
Isa 8:19 And when they shall say unto you,
unto them that
and that mutter:
not a people
to the dead?
To the law and to the
to make a shrill noise, sound harshly, creak, hiss, grate,
whiz, whistle, rattle, buzz: stridentia tinguunt Aera lacu, V.: cruor stridit, hisses, O.: belua Lernae Horrendum stridens, V.: horrendā nocte (striges), O.: mare refluentibus undis, V.: aquilone rudentes, O.: videres Stridere secretā aure susurros, buzz, H.
H7442 rânan raw-nan' A primitive root;
properly to creak (or emit a stridulous sound), 2.
tremulous sound of a mast or pole "Shaken by the wind"
also the sound of a torrent. Vibrate the voice TRILL
which is the WOMEN'S sound of Halal above.
-cantus , ūs, m. id., 2.
With instruments, a playing, music:
“in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4;
id. Rosc. Am. 46, 134:
“citharae,” Hor. C. 3, 1, 20:
“horribili stridebat tibia cantu,” Cat. 64, 264:
“querulae tibiae,” Hor. C. 3, 7, 30:
B. An incantation, CHARM, magic
song, etc.: cantusque artesque magorum. Ov. M. 7, 195;
7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471:
The Wizzard is one who thinks that they
can hear the Word of God "beyond the sacred page."
John called them sorcerers because they used
rhetoric, singers and instrumentalists to STEAL the Word
and money from others Yiddeoniy (h3049) yid-deh-o-nee'; from 3045; prop. a
knowing one; spec. a conjurer; (by impl.) a ghost: - wizard.
"In Isa 8:19 the 'obhoth and yidh'onim are spoken of those who 'chirp and mutter."
These terms refer to the necromancers themselves who
practiced ventriloquism in connection with their magical rites. In
Isa 29:4 it is said 'Thy voice shall be
as an 'obh, out of the ground.'... They are stamped in these
passages, as in the Witch of Endor narrative, as deceivers practising a fraudulent art. By implication their power to
evoke spirits with
whom they were in familiar
denied." (Int Std Bible Ency., ency, p. 690)
Jesus called the Scribes and Pharisees Hypocrites. In
Is. 29:9 Stay
yourselves, and wonder; cry ye out, and cry: ob-stupēscō
ad-mīror mē thaumazein; [Lying wonder] “acc. to Pythagoras mŏdus Melody spectacula
,, I. the serpent
slain, according to the myth, near Delphi
by Apollon, who was fabled to have been
called Pythius in commemoration of this victory, Ov. M. 1, 438;
1. Pȳthĭa , ae, f., = hē Puthia, the priestess who
uttered the responses of the Delphic Apollo,
the Pythoness, Pythia, Cic. Div. 1, 19, 38;
Nep. Milt. 1, 3.
they are drunken, but not
with wine; they stagger, but not with strong
rise in waves,
driven about by the waves, to be restless, unquiet
be untrustworthy, to vacillate, wavering in
struck, Ov. M. 10, 89:
id. ib. 5, 112:
id. H. 4, 48;
Is. 29:10 For the LORD hath poured out upon you the
spirit OF deep sleep, kata-nuxis
and hath closed your eyes: the prophets
and your rulers, the seers hath he
Eph. 5:18 And be not drunk with wine,
wherein is excess; but be filled with the Spirit; [The
kat-auleô A. charm by flute-playing, I
will flute to you on a
ghastly flute, E.HF871 os drinking
wine to the strains of the
played to on the flute with lyre
I call the sun-god to witness that here I am acting
against my will; like a fearful bull in act to charge; he
bellows...nor shall their murderer know that he is killing
the children he begot, till he is released from my
madness. ... calling on the goddesses of nether hell.
Soon will I rouse you to yet wilder dancing and pipe a
note of terror in your ear. Soar away, O Iris,
by flute-playing Pl.Lg.790e,,
drinking wine to the strains of the flute, resound
with flute-playing, “nēsos
subdued by a flute accompaniment, Ptol.Harm.2.12:
metaph., to be piped down, ridiculed
if they SPEAK
not according to this WORD,
it is because there is no light in them.
Here is a
short list of
or any kind of
that God is
America, Melodies to
The Greek and
Latin overflows with
identifying anyone who tried
to control another's mind with
anything but FACTS
Proof is one
Infiltrates, builds a huge
institution and then claims a
VISION that God wants Him to
"steal the church houses of
widows" to, in the name of the
Great Tribulators create A
Theater for Holy
Cantillation signs guide the reader in applying a chant to
Biblical readings. This chant is technically regarded as a
ritualized form of speech intonation rather
than as a musical exercise like the singing of metrical hymns:
for this reason Jews always speak of saying or reading
a passage rather than of singing it. (In Yiddish the
word is leynen 'read', derived from Latin legere,
giving rise to the Jewish English verb "to
The Philipedium: In most
western European languages, the word for “read” starts with
the letter “L”. These languages can be divided into two main
groups — those of Latin origin and those of Germanic origin.
In each of the Latin languages (Italian, Spanish, French,
etc.), the modern word is derived from legere,
the Latin word for “read”. The Italian word is still leggere, essentially unchanged from the
Latin. In the other Romance languages, the “g” sound was
lost, and so we have leer in Spanish, ler in Portuguese, and lire
(Note: The Old Testament
understands that instrumental music--called NOISE--was authorized only in certain dedicatory or
purification rituals associated with the temple and with Jerusalem. Without both there was never
any rationale for instrument to make a great crashing sound
during animal sacrifices.)
Paull commanded that we SPEAK the Text for our
LEARNING. Both Ode and Psallo are words marking SORCERERS
"At the dedication of the later edifice, the
priests blew the trumpets at the same time that the Levites sang and
played upon instruments of music,
so as 'to make one sound;' but it is evident that
on that great occasion of rejoicing, what was aimed at
musical harmony, but a powerful crash of jubilant sound. We are shut up to the
there was nothing in the tabernacle-worship,
as ordered by Moses, which could be justly characterized as
instrumental music." (George Girardeau, Instrumental Music, p. 29 - a
The Evil Psallo
I. In gen., to play upon a stringed instrument;
esp., to play upon the cithara,
to sing to the cithara: “psallere
Sall. C. 25, 2 canituri,”
SING and cantare marked as SORCERY. saltare
et cantare; Cic. Catil. 2.10.23
Suet. Tit. 3
Saltatio Dancing was
originally closely connected with religion. Plato thought all
dancing should be based on religion, as it was, he says, among
the Egyptians. It has been shown under Chorus
that the chorus in the oldest times consisted of the whole
population of a city, who met in a public place to offer up
thanksgivings to the god of their country by singing hymns and
performing dances. These dances, which, like all others, were
accompanied by music,
David's Dirty Dancing with the Camp following girls
ALWAYS MARKING WITCHES OR SORCERS
click on these resources, go to the Display
Preferences, pick "Latin Translation." To the
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what proof do you rely? I asked.
I see, he said, certain
speech-writers who do not know how to use the
special arguments composed
just as lyre-makers in
regard to their lyres:
in the former case also there are other persons able to use
what the makers produced,
while being themselves
unable to make the written speech.
Hence it is clear that in speech likewise there are two
distinct arts, one of making and one of using.
I think you give sufficient
proof, I said, that this art of the speech-writers cannot be
that whose acquisition would make one happy. And yet I
fancied that somewhere about this point would appear the
knowledge which we have been seeking all this while.
not only do these speech-writers themselves, when I
am in their company, impress me as prodigiously clever,
Cleinias, but their art itself seems so exalted
as to be almost inspired. However, this is not surprising;
for it is a part of the SORCERER'S art, epōdōn tekhnēs
Plat. Euthyd. 290a and
only slightly inferior to that. The sorcerer's art is the
charming of snakes and tarantulas and scorpions
and other beasts and diseases, while the other is
just the charming and soothing of juries, assemblies [Ekklesia
or church], crowds, and so forth. Or does it strike
you differently? I asked.
kai mentoi ouden thaumaston: esti gar tēs tōn epōdōn tekhnēs morion mikrō te ekeinēs hupodeestera.
Thaumaston Is a Lying wonder which claims that
your rituals are ordained by God.
-epōdē , Ion. and poet.
epa^oidē , hē, A.song
sung to or over: hence, enchantment,
spell, LADEN BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
oute pharmaka..oud' au epōdai” Pl.R. 426b ;
thusiai kai e. ib.364b ;
charm for or against..,
“toutōn epōdas ouk epoiēsen patēr” A.Eu.649.
epōd-os , on, （epadō）
A.singing to or over,
using songs or charms to heal wounds, “epōdoi muthoi”
c. c. dat., assisting, profitable,
2. Pass., sung to music, “phōnai” Plu.2.622d
; fit for singing, “poiētikēn e. parekhein
2. epōdos, ho, verse
or passage returning at intervals, in
Alcaics and Sapphics, D.H.Comp.19
; chorus, BURDED, refrain,
Let us persuade the young man by our discourse that all
things are ordered systematically by Him who cares for
the World—all with a view to the preservation and
excellence of the Whole, whereof also each part, so far
as it can, does and suffers what is proper to it. To
each of these parts, down to the smallest fraction,
rulers of their action and passion are appointed to
bring about fulfillment even to the uttermost
No, it appears to me, he
replied, to be as you say.
kēl-ēsis , eōs, hē, *A. bewitching,
charming, ekheōn, nosōn, Pl.Euthd. 290a:
enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music
and sweet sounds, Id.R.601b, Stoic.3.97.
Plat. Rep. 601b whether
he speak in rhythm, meter [melos]
and harmony [rhuthmon]
about cobbling or generalship or anything whatever. So
mighty is the spell1
that these adornments naturally exercise; though when they
are stripped bare of their musical coloring [metron]
and taken by themselves,2
I think you know what sort of a showing these
sayings of the poets make. For you, I believe, have observed
them.” “I have,” he said. “Do they not,” said I, “resemble
the faces of adolescents, young but not really beautiful,
when the bloom of youth abandons them?3”
“By all means,” he said. “Come, then,” said I, “consider
this point: The creator of the phantom, the imitator, we
say, knows nothing of the reality but only the appearance.
THE WARNING OF JUDE.
, fruits ripe for plucking or rippe for death.
The Jacob-Cursed Levites
Jude 3 Beloved, when I gave all diligence
to write unto you of the common salvation,
it was needful for me to
write unto you, and exhort you that ye should earnestly
or the faith which was
once delivered unto the saints.
Jude 4 For there are certain men crept in unawares,
who were before of old
ordained to this condemnation,
ungodly men, turning the
grace of our God into lasciviousness,
and denying the only
Lord God, and our Lord Jesus Christ.
Jude 5 I will therefore put you in remembrance, though ye once
how that the Lord,
having saved the people out of the land of Egypt, afterward
destroyed them that believed not.
Jude 6 And the angels which kept not their first estate, but
left their own habitation,
he hath reserved in
everlasting chains under darkness unto the judgment of the
Jude 7 Even as Sodom and Gomorrha, and the cities about them
in like manner,
giving themselves over
and going after strange
flesh, are set forth for an example, PATTERN
vengeance of eternal fire.
Jude 8 Likewise also these filthy dreamers defile the flesh,
despise dominion, and speak evil of dignities.
Jude 13 Raging
waves of the sea, foaming out their own shame; wandering
stars, to whom is reserved the blackness of darkness for
Jude 14 And Enoch also, the
seventh from Adam, prophesied of these, saying, Behold,
the Lord cometh with ten thousands of his saints,
Jude 15 To execute judgment upon
all, and to convince all that are ungodly among them
of all their ungodly deeds which they have ungodly
committed, and of all their hard speeches which ungodly
sinners have spoken against him.
Jude 16 These are murmurers,
complainers [blaming Fate], walking after their own
lusts; and their mouth speaketh great swelling words, having
mens persons in admiration because of advantage.
gong-goos-tace´; from 1111; a grumbler: — murmurer.
1114. goes, go´-ace; from goa¿w goao (to wail);
properly, a wizard (as muttering spells), i.e. (by
implication) an imposter: — seducer.
sorcerer, wizard, Phoronis 2, Hdt.2.33,4.105,
380d, Phld.Ir.p.29 W.; g. epôidos Ludias apo chthonos E.Ba.234
, cf. Hipp.1038;
prob. f.l. for boêisiHdt.7.191.
Jude 17 But, beloved,
remember ye the words
I.singing to or over: as Subst. an
enchanter, Eur.: c. gen. acting as a charm
for or against, Aesch., Plat. 2. pass. sung or said
after, morphês epôidonc alled after
II. in metre, epôidos, ho, a verse or passage
returning at intervals, a chorus, burden,
refrain, as in Theocr.
E.Ba.234 Euripides, BacchaePentheus
 I happened to be
at a distance from this land, when I heard of strange
evils throughout this city, that the women have left our
homes in contrived Bacchic rites, and rush
about in the shadowy mountains, honoring with dances
 this new deity
Dionysus, whoever he is. I hear that mixing-bowls
stand full in the midst of their assemblies, and
that they each creep off different ways into secrecy to
serve the beds of men, on the pretext that they are Maenads worshipping; 
but they consider Aphrodite before Bacchus.
2. juggler, cheat, deinos g. kai pharmakeus kai sophistês
Pl.Smp.203d ; deinonkai g. kai sophistên . . onomazôn D.18.276
; apistos g. ponêrosId.19.109
; magoskai g. Aeschin.3.137
: Comp. goêtoteros Ach.Tat.6.7 (s. v. l.). (Cf. Lith. žavēti
, ou, ho, A.master of one's
craft, adept, expert, of diviners, Hdt.2.49;
of poets, meletan sophistais prosbalon Pi.I.5(4).28 , cf.
Cratin.2; of musicians, sophistês . . parapaiôn chelun sophistêiThrêiki (sc. Thamyris) E.Rh.924,
cf. Ath.14.632c: with modal words added, hoi s. tônhierônmelôn
Pi.I.5(4).28 Pindar Isthmiah 5. But my
heart  cannot taste
songs without telling of the race of Aeacus. I have come with the Graces for the
sons of Lampon
 to this well-governed city. If Aegina turns her steps to the clear road of
god-given deeds, then do not grudge  to
for her in song a boast that is fitting recompense for
toils. In heroic times, too, fine warriors gained fame,
and they are celebrated with lyres and flutes in
 for time beyond reckoning. Heroes who are
honored by the grace of Zeus provide a theme for skilled poets
(since Hermes made the first lyre by stretching
strings on a tortoise's shell, which acted as a
sounding-board), ib.25,153, Sapph.45, A.Fr.314; kath'heptatonon oreian ch. E.Alc.448
(lyr.), cf. HF683
the constellation Lyra,
or from the mountains,mountain-haunting,numphênoureiên
were among the mathematici 'learned mothers' who defined the Zodiac
and the star
movements marking the seasons, one translation
of the word 'hora.' Another is 'hour,' and the Horae
developed various means to mark time. Hence the word
for time keeping, 'horology' and the French word for
The patriarchs became the most incensed
sacred women of Agape. Among their symbols were the lotus,
lily, and dove,
all representations of
Among their mysteries was ritual cunnilingus, which demands respect
pleasure and the female body.
This aspect of the
sacred feminine was among the first to be erased. The
effort began early. Originally, the land of the 'Lotus
Eaters' was in the Amazon territories of North Africa,
then was moved further away still, to beyond the
Southern Sea. Source
wizard, esp. in bad sense, impostor, charlatan
Rev. 18:22 And the
voice of harpers, and musicians, and of
pipers, and trumpeters, shall be heard no
more at all in thee; and no craftsman, of whatsoever
craft he be, shall be found any more in thee; and the
sound of a millstone shall be heard no more at all in
Rev. 18:23 And the light of a candle shall shine no more
at all in thee; and the voice of the bridegroom and of
the bride shall be heard no more at all in thee: for thy
merchants were the great men of the earth; for by
thy sorceries were all nations deceived.
Rev. 18:24 And in her was found the blood of prophets,
and of saints, and of all that were slain upon the
Rev. 21:8 But the
fearful, and unbelieving, and the abominable, and
murderers, and whoremongers, and sorcerers, and
idolaters, and all liars, shall have their part in the
lake which burneth with fire and brimstone: which is the
A. bewitch, beguile, Pl.Grg.483e, etc.:--Pass., Id.R.412e,
413b, D.19.102, etc.; fascinate, as a snake,
2. abs., play the wizard, D.L.8.59
were spoken before of the apostles of our Lord Jesus Christ;
Jude 18 How that they told you there should be mockers
in the last time,
who should walk after
their own ungodly lusts.
Jude 19 These be they who separate themselves, sensual,
having not the Spirit.
Enoch 7: 10 Then they took
wives, each choosing for himself; whom they began to
approach, and with whom they cohabited; teaching them sorcery, incantations, and the dividing of roots and trees.
contr. Att. epaidô , fut. A.
, etc.; -aisô Ach.Tat.2.7 :--sing to or in
accompaniment, Magos 2.sing as an
incantation, charms or incantations,Pl.Tht.157c;
epaeidôn by means of
Euripides, Electra. Set your
step to the dance, my dear, 
a fawn leaping high up to heaven with joy. Your brother is
victorious and has accomplished the wearing of a crown . .
. beside the streams of Alpheus. Come sing 
a glorious victory ode, to my dance.
wizard, esp. in bad sense, impostor, charlatan,
Enoch 7: 11 And the women
conceiving brought forth giants, (7)
Enoch 7: 15 Then the earth reproved the unrighteous.
Enoch 8:1 Moreover Azazyel taught men to make swords, knives,
shields, breastplates, the fabrication of mirrors, and the workmanship of bracelets and
ornaments, the use of paint, the beautifying of the eyebrows, the use of stones of
every valuable and select kind, and all sorts of dyes, so that
the world became altered.
Enoch 8:2 colouring
tinctures. And there arose much godlessness, and they
committed fornication, and they
Enoch 8:3 were led astray,
and became corrupt in
all their ways. Semjaza taught enchantments,
and root-cuttings, 'Armaros the resolving of enchantments,
Baraqijal (taught) astrology, Kokabel the constellations, Ezeqeel the knowledge of
the clouds, Araqiel the signs of the earth, Shamsiel the signs of the
sun, and Sariel the course of the moon. And as men
perished, they cried, and their cry went up to heaven.
"Jubal, who was born of
the same mother with him, exercised himself in music; (7) and invented the psaltery and the harp. But Tubal, one of his
children by the other wife, exceeded all men in strength,
and was very expert and famous in martial performances. He procured what
tended to the pleasures
of the body
by that method; and first of all invented the art of making brass. Lamech was also the father of
a daughter, whose name was Naamah. And because he was so skillful in matters
that he knew he was to be punished for Cain's murder of his
brother, he made that known to his wives.
"Nay, even while Adam
was alive, it came to pass that the posterity of Cain
became exceeding wicked, every one successively dying, one after another,
more wicked than the former. They were intolerable in war, and vehement in robberies; and if any one
were slow to murder people, yet was he bold in his
profligate behavior, in acting unjustly, and doing
injuries for gain. Josephus
"In pagan traditions, musical instruments are invented by gods or demi-gods, such as titans (Seitans). In the Bible,
credit is assigned to antediluvian patriarchs, for example,
the descendants of Cain in Genesis 4:21. There is no other biblical
about the invention of musical instruments." (Freedman,
David Noel, Bible Review, Summer 1985, p. 51). (Proof Here).