3.01.20 Ben Austin,
Chris Brach, David Brangerberg, Jerry Brian, David Burgess,
John King, Church Lee, Mike Randolph.
CORRUPT elders or WOLVES are MARKED
Click Below: Wrath or ORGE is
anything which stirs up the emotion. The Laded Burden "is
spiritual anxiety created by religious riitual." This
includes boasting RHETORIC, singing, playing instruments,
acting or CHARGING to watch "worship performers.
AUTHENTIA: Usurped Authority or Paul outlawed
Self-Pleasure in Romans 15 which includes any Performed
Rhetoric, Singing, Playing instruments or Acting which
intends to and DOES make it impossible to obey the PATTERN
from the beginning: "Use one mind and one mouth to SPEAK
that which is WRITTEN for our Learning." Paul includes
"Comfort of the Scriptures." Jesus is the Paraclete
or Comforter and HE defined the Word, Logos or Regulative
Principle as His INSTRUMENTAL means of beign our Holy
ALL silencing of WOMEN when the Assembly was called once
each REST day makes it clear that Women from Eve onward
believed that their propensity to fall into Charismatic
Ecstasy proved that the "gods" were speaking ONLY through
them. A male or female musical PERFORMER self-exhibits to
DIVERT the rational or spiritual hemisphere so they can
POUR IN their own substitutes for Holy Scripture.
Authentia: why women are told to LEARN in SILENCE:
You can't LEARN with your mouth open singing your own
SELF-AUTHORED songs, sermons, or PICKING a guitar which is
OUTLAWED by the PSALLO word which has the same effect as
the SOP Jesus hand ground to feed to Judas to reveal Him
as the "familiar friend" of Jesus in prophecy but the SON
1 Timothy 2 Silences BOTH Male and Female beyond READING
the Word only
THE PATTERN STILL IN EFFECT THAT
MADE BOTH JEW AND GENTILE WISE UNTO SALVATION: Gentiles
attended the synagogue in many places. That was the only
assembly which was devoted to EDUCATION ONLY. Gentiles
were to be careful of observing the practices of the Jews.
THEN AND NOW THE RULERS ARE IGNORANT OF THE
PROPHETS AND APOSTLES
Acts 15:20 But that we write unto
that they abstain
from pollutions of idols,
and from things
and from blood.
The Gentiles and most people understood that the synagogue
was a READING of the WORD ONLY assembly. This was in
contrast to all pagans who held "worship services" claiming
to threaten or appease the "gods" so that THEY did not hur
The Command, all examples or
necessary inferences insists that the people ASSEMBLED
themselves weekly to "use one mind and one mouth" to
"speak that which is written for our LEARNING" of
"Scripture for our COMFORT."
For they that dwell at Jerusalem,
and their RULERS,
they knew him not,
nor yet the
voices of the prophets
which are read
every sabbath day,
fulfilled them in condemning him
NO ONE IN SCRIPTURE OR CHURCH HISTORY EVER THOUGHT THAT
SINGING HAD ANY PLACE IN THE CHURCHES.
From Ephraim the Syrian and Aphrahat the
2:1 I exhort therefore, that, first of all,
supplications, prayers, intercessions, and giving of
thanks, be made for all men;
To Ephraim pertains the high and unique
distinction of having originated-or at least given its
living impulse to-
a new departure in sacred literature; and that, not for
his own country merely, but for Christendom.
From him came, if not the first idea, at all events the first successful
of making song an essential
constituent of public worship,
and an exponent of theological teaching;
and from him it spread and
the Eastern Churches, and affected even those of the West.
Latourette, A History of Christianity, p. 760) From
a few lines of Proba's work can be seen the problems with
this approach: little of
what was created could justifiably be placed alongside
works of the past, and
since that was an implicit target the failure to meet it
such Christianisations did not appeal to the highly EDUCATED
who preferred to READ the imitated originals,
This kind of imitation had its brief flourishing at the time of
the emperor Julian, who forbade Christians to teach
pagan works, but had no lasting effect.
1Tim. 2:2 For kings, and for all that are IN AUTHORITY [your elders who are NOT APT]
that we may lead
a quiet and PEACEABLE life in all godliness
hay-soo´-khee-os; a prolonged form of a compound probably
of a derivative of the base of 1476 and perhaps 2192;
PATTERN after Jacob Cursed the Levites and insisted
that we not attend their assemblies: it never changed in
implication) still (undisturbed, undisturbing): —
hedraios, hed-rah´-yos; from a derivative of eºzomai
hezomai (to sit); sedentary, i.e. (by implication)
immovable: — settled, stedfast.
For Moses of old time
WHAT YOUR SENIOR PULPIT PREACHING PASTOR WILL NEVER LET YOU
KNOW. He fabricates his OWN sermons.
hath in every city
them that preach him,
being read in the synagogues
every sabbath day. [Once a week READING
assembly as the only way to LEAR from
never A Day of Worship but a day of "Shelter in Place"
for REST which includes the consept of SCHOOL as the
only way to be REfreshed.
what your preachers do. contrary to massive warning about
MUSICAL SORCERERS OR WITCHES.
A.that which seems to one, opinion or belief,
etc.; esp. of philosophical doctrines
15 47 For they set
forth facts in a style more imaginative and more ornate;
they employ thoughts which are more lofty and more original,
and, besides, they use throughout figures of speech in
greater number and of more striking character.1
A.freedom to use its own laws,
independence 2. au.
All men take as much pleasure in listening to this kind
of prose as in listening to poetry, and many desire to
take lessons in it, believing that those who excel in this
field are wiser and better and of more use to the world
than men who speak well in court.
capable of making, creative, productive, opp. praktikos
the art of poetry, Pl.Grg.502c,
more accomplished in speaking before a
II. of persons, skilled in music, musical,
X.l.c., etc.; “poiētikoi
lyric poet, opp. epic, Pl.Phdr.243a
(but opp. melopoios,
III. of things, elegant, delicate, “brōmata”
4: 6 And there shall be a tabernacle for a shadow
in the daytime from the heat,
1Tim. 2:3 For this is good
and acceptable in the sight of God our Saviour;
and for a place of refuge,
and for a covert from storm and from rain.
, I. any thing that
furnishes shade). I Lit., a
shady place, bower, arbor,Verg. E. 9, 42.—
B. Transf., a school: “in
Cic. Brut. 9, 37:
id. Leg. 3, 6, 14.—II.
A sunshade, parasol, umbrella,
Ov. F. 2, 311;
id. A. A. 2, 209;
Mart. 14, 28, 1;
I.to teach, instruct,
inform, show, tell, etc. (for
syn. cf.: edoceo, perdoceo, erudio, praecipio, instituo)
of Jesus was the Holy SPIRIT in the PROPHETS: They
defined an Assembly of CHRIST both inclusively and EXCLUSIVELY.
Jesus said that Doctors of the Law [Scribes-Pharisee]
TAKE AWAY the Key to knowledge. That is why no
multiple-Phd has NO knowledges of the Prophets. A church
OF Christ WILL BY DEFINITION build or educate by the
Prophets and Apostles.
Is. 32:18 And my people
shall dwell in a peaceable habitation,
and in sure
dwellings, and in quiet resting places;
A Tabernacle is
outside the camp or masses and devoted to
busying one's self about or application
to a thing; assiduity studio often
means simply voluntarily, on purpose, intentionally:
B. Application to learning or studying,
nourishment for the mind: rĕ-quĭes intermission
1Tim. 2:11 Let the woman LEARN
in SILENCE with
Paul knew that the women had always believed that their
singing, playing the harp, and bestowing SEXUALITY proved
that THEY were the UNIQUE speakers for the "gods." Any
male who sang AND played the harp was marked EFFEMINATE or
CLAIM TO BE SUPERIOR TO GOD: Our role as
worship leaders is to minister to the heart
of God Himself – our worship is about HIM
and Him alone. We also serve to bless those who
gather for worship in our services, not so that
they can walk away “satisfied” or “filled” by the music,
but so that space is created for them to encounter
the living God.
hesuchia, hay-soo-khee´-ah; FEMININE of 2272; (as noun) stillness, i.e.
desistance from bustle or language: — quietness, silence.
1Tim. 2:12 But I suffer
not a woman to TEACH,
[the assembly is for LEARNING and not TEACHING
nor to usurp AUTHORITY
over the man, but to be in silence.
authenteo, ow-then-teh´-o; from a compound of 846
Neither Male nor Female can or WILL, if a
Christian, Autos or Self-authors either songs or sermons
purpose driven to silence the Word Christ which is the only
source of SPIRIT AND LIFE.
A. murderer, Hdt.1.117, E.Rh.873,
Antipho 3.3.4, D.C.37.13:
"Dionysus is the wine-god, and thus should be a pleasant fellow, a
benefactor. But wine has both positive and negative aspects. It makes people drunk, causes
them to behave in strange ways. The Greeks were well aware
of the dual natures of wine, mirrored by the dual nature of its god.... He betrays a dual nature: being bright, joyous, and vital for life,
while also having a
side that is dark, mysterious and deadly.
"The adored wife of the
fallen Hector, is taken as a concubine by the authentes, who can command her domestic and
The word also
occurs in a homosexual sense in a speech by Theseus, king of Athens, where love of young boys was considered a virtue
rather than a vice." (Charles Trombly, Who Said Women Can't Teach, p. 174)
"dionysus's worship is
thus established by the simple means of killing the opposition. It has been suggested that every tragic hero who suffers and dies on stage at the Dionysia, the great dramatic festival at
Athens (of the South?), is in fact dionysus himself, being killed."
perpetrator, author, “praxeōs”
[A Temple Robber or a
robber of faithful churches to join the instrumental
action in drama, Opposite. logos,
who engaged in Wrath, and Orgy or any Laded Burden as
Spiritual Anxiety through Religious Ritual would maker her
UNSAFE in childbearing. Loud music is known to
4. magical operation, spellaction in drama, OPPOSITE. logos,
Lach. 192a quickness, [ērōtōn] as we find it in running and
harping [kitharizein], in speaking and
learning 2. practice, i.e. trickery,
,VIII. discourse, lecture of a rhetorician or
a loud mouth 4. of a musical instrument, sound,
(lyr.); of sounds, hēdu
sound sweetly, Plu.2.1021b;
it has a voice, is significant, X.Ap.12.
cry aloud, as in joy, S.Tr.202;
of a singer, “aoidos
. . aiola
, D.18.45; d.
seduce a woman, Lys.1.16, etc.,
of a woman, to lose by miscarriage or premature
 “dēmos authentē
3. Earth, as a goddess, E.Supp.442
THE ONE PIECE PATTERN FOR THE READING AND
JEANENE P. REESE Adam
became subject to the soil from which he had
Eve became subject to Adam from whom she had been taken.
. . .
As a result of Satan’s
work man was now master over woman,
just as the MOTHER-ground
was now master over man.
reasons it is proper to regard both male dominance
and death as being antithetical
to God’s original intent in creation.
Helios, [Apollon, Lucifer] the sun-god, Od.8.271
of the planet Saturn, identified with Apollon,
Helius, the sun-god, son of
Hyperion father of Circe [Circe, Kirke or church is the
holy harlot around Patmos]
II. metaph. of illustrious persons, etc., “phanerōtaton
GRACES [The Muses in
Revelation 18 as sorcerers were led by Apollon and were
known as adulterers and SHEPHERDESSES. They were the
Brides or Nymphs in Revelation as part of the Hieros
Gamos: They are called sorcerers using the same word as
the original Babylon Mother of Harlots. That is why
John groups sorcerers with dogs (male priests) and
promised that THEY WILL BE CAST
ALIVE INTO THE LAKE OF FIRE
We want to be kind and say these "leaders" are Biblically
Illiterate. However, Jesus in His STATE of Holy Spirit
(never a person) says that the speakers, singers or instrument
players are LYING IN WAIT TO DECEIVE. Sorcery is the power
to Infiltrate and STEAL THE CHURCH HOUSES OF WIDOWS.
Singing and playing noise-making machines is NO worship of
God: Worship is whatever or whomever you "give your
attention to." There is nothing similar to tuneful
singing with or without Mechanical devices in Scripture or
in history until after the Reformation.
Wrath or Orgy:
It needs no proving that any musical (sorcery) or
sermonizing content INTENDS and DOES "make the lambs dumb
before the slaughter" and Duct Tapes the mouth of
Jesus as the ONLY authorized Teacher. This is the sole role of APT elders as
the only Pastor-Teachers and that excludes the rare female
who--in all of the silence passages-claims in her MADNESS to
hear the voice of the gods. Madness, wrath or ORGY
Paul silenced all males except the READER because the
men would allow an outbreak of ORGE or an ORGY. Women
were commanded to LEARN in silence because the ORGY or
what Paull call madness was something that weak Females
and almost never a male. The women had grown up
being the only ones who could HEAR the Gods. N
[wrath in 1 Timothy 2] may have been
earlier manifestations of cult than the formal mysteries,
as suggested by the violently ecstatic rites described in
celebrated by Attis in honor of Cybele and reflected in the willing
self-castration of her priests the Galli in the historical period. The
orgia of both Dionysian worship and
the cult of Cybele aim at breaking down barriers
between the celebrants and the divinity through a
state of mystic exaltation:
Chrysostom's Commentary on Galatians:
5:1.-"With freedom did Christ set us free; stand fast
"I would that they which unsettle you
would even cut themselves
off." And he says well "that unsettle you."
"A man that is
heretical after the first and second admonition
refuse." (Tit. iii: 10) If they will,
let them not only be circumcised, but
then are those who dare to mutilate themselves;
seeing that they draw down the Apostolic
curse, and accuse the workmanship of God, and
take part with the Manichees? ... But if
you will not allow this,
why do you not mutilate
the tongue for blasphemy, the
hands for rapine, the feet for their evil courses, in
short, the whole body?
For the ear enchanted
by the sound of a flute hath
often enervated the soul;
and the perception of a sweet perfume by the
nostrils hath bewitched the mind, and made it frantic
for pleasure .
orgy allowed the Bacchant to emerge from the 'ego'
to be united with the god in the ecstatic exaltation of omophagia, dancing and wine. … This
kind of bodily mysticism and psychosomatic
liberation had only temporary effects each time — the
period of the ekstasis.
The participation of women
in orgia, which in some manifestations was
exclusive to women, sometimes led to prurient speculation
and attempts to suppress the rites. In 186 BC, the Roman
senate tried to ban Dionysian religion as subversive
both morally and politically.idore
One ceremony was pharmakos, a ritual
involving expelling a symbolic scapegoat such as a slave or
an animal, from a city or village in a time of
hardship. It was hoped that by casting out the
ritual scapegoat, the hardship would go with it.
Rejoice over her, thou heaven, and ye holy apostles
for God hath
avenged you on her.
Rev. 18:21 And a mighty angel took up a stone like a
and cast it into
the sea, saying, Thus with violence shall that great
city Babylon be thrown down,
and shall be
found no more at all.
Rev. 18:22 And the VOICE of HARPERS, and MUSICIANS,
and of PIERS, and TRUMPETERS,
shall be heard
no more at all in thee; and no craftsman, of
whatsoever craft he be, [religious
craftsmen are called PARASITES.]
shall be found
any more in thee;
and the sound of
a millstone [concubines or prostitutes]shall be heard
no more at all in thee;
Rev. 18:23 And the light of a candle shall shine no
more at all in thee;
and the voice of
the bridegroom and of the bride shall be heard no more
at all in thee:
merchants were the great men of the earth;
for by thy SORCERERS
were all nations deceived.
[wrath in 1 Timothy 2] On
the first day of the Thargelia, a festival of Apollon at Athens, two men, the Pharmakoi,
were led out as if to be sacrificed as an expiation. They
tried to "throww Jesus off a cliff" as a sacrifice. All
singing with or without instruments perforas SORCERERS.
ANATHEMA means that the MUSICAL
PERFORMERS boast that they enhance or enable
worship. Such devoted people or things cannot be
redeemed and MUST BE BURNED. It is fitting that
they serve as SCAPEGOATS.
Rev. 18:24 And
in her was found the blood of prophets, and of saints,
and of all that were slain upon the
Rev. 19:20 And
the BEAST was taken,
and with him the
false prophet that wrought miracles before him,
with which he
deceived them that had received the mark of the BEAST, [new style of
that worshipped his image.
These both were cast alive into a
lake of fire burning with brimstone.
Playing Instruments and Singing in the Latin Texts use forms of
CARMEN. Godly people never engaged in singing with or
without instruments. The instruments COMMANDED BY DAVID
were for making war or the HOLOCAUST of Goats and Infants.
by The Holy Spirit and Roman History
[wrath in 1 Timothy 2] Isidore
of Seville says that the Latin
equivalent of orgia was caerimoniae
(English "ceremonies"), the arcane rites of ancient Roman religion
preserved by the various colleges of
WHY PAUL MADE ODE AND
PSALLO SILENT AND IN THE THE HEART. THE COMMAND TO
SPEAK IS THE ONLY WAY TO TEACH THE WORD, LOGOS OR REGULATIVE
In classical Latin, carmen
usually means "song, poem, ode." In magico-religious
usage, a carmen (plural carmina)
is a chant, hymn, spell,
or charm. In essence "a verbal utterance sung for
ritualistic purposes", the carmen is characterized
by formulaic expression, redundancy, and rhythm. Fragments from two
archaic priestly hymns are preserved, the Carmen Arvale
of the Arval Brethren and the Carmina Saliaria of
the Salii. The Carmen Saeculare of Horace, though self-consciously
literary in technique, was also a hymn, performed by a chorus
at the Saecular
Games of 17 BC and expressing the Apollonian ideology
Thy timbrel, Mother Cybele, the firstings
of thy rite,
And as her tender finger-tips on bull-back hollow rang
She rose a-grieving and her song to listening comrades
"Up Gallae, hie together, haste for Cybele's
Hie to the Dindymnean dame, ye flocks that love to
The which affecting stranger steads as bound in exile's
My sect pursuing led by me have nerved you to confront
The raging surge of salty sea and ocean's tyrant
As your hate of Venus' [ZOE] hest your
Gladden your souls, ye mistresses, with sense of error
Drive from your spirits dull delay, together follow ye
To hold of Phrygian goddess, home of Phrygian Cybebe,
Where loud the cymbal's voice resounds with timbrel-echoes
And where the Phrygian piper drones grave bass
from reed a-bending,
Where toss their ivy-circled heads with might the Maenades
Where ply mid shrilly lullilooes the holiest
Where to fly here and there be wont the she-god's
Thither behoves us lead the dance in quick-step
The Authority outlawed by Paul was AUTHENTIA: This included any
SELF-AUTHORED songs or sermons: Jesus said that the Sons of the
Devil Speak on their own. Authentia is DEFACTO sexual when
self-exhibiting male of female CLAIM that they represent
God. All religious rituals have been historically proven
to be SEXUAL.
OUTLAWED by Paul in Romans 14: he outlaws anything
but edification or EDUCATION IN THE EKKLESIA.
There is no Biblical or other hint of SINGING with our without
instruments when you claim to be a Christian who is a Disciple
who is a STUDENT ONLY.
The method is SPEAK and outlaws singing, playing instruments
or any other mark of ORGIA
One ceremony was pharmakos, a ritual involving
expelling a symbolic scapegoat such as a slave or an
animal, from a city or village in a time of hardship. It was
hoped that by casting out the ritual scapegoat, the hardship
would go with it.
In the first place only the vilest of those Jesus call
Pharisees or Hypocrite would make long prayers (Hymns in
the Greek) by Stealing the Church house of Churches of
Christ. You cannot be an Ekklesia or Synagogue of
Christ and MOCK Him to "Make the lambs dumb" by preaching
or singing YOUR OWN Scripture.
The only known SPIRITUS and WORSHIP
leader of the Locusts or Muses is Apollo or
Apollyon. This is the prophesied time revealed by
Moses who spoke of the Elohim or Sumerian gods in
THERE IS NO "MUSIC" IN A TUNEFUL SENSE IN SCRIPTURE UP
TO AND AFTER THE REFORMATION.
Cantillation signs guide the reader in applying a
chant to Biblical READINGS. This chant is
technically regarded as a ritualized form of SPEECH
intonation rather than as a musical exercise like the
singing of METRICAL hymns: for this reason
Jews always speak of SAYING or READING
a passage rather than of singing it. (In Yiddish
the word is leynen 'READ', derived
from Latin legere, giving rise to the Jewish English
verb "to leyn".)
THE ABSOLUTE BIBLICAL TRUTH WHICH IS REPUDIATED BY THE "MANY OR
MOST" BUT UNDERSTOOD BY THE "CHOSEN FEW". IT IS HIDDEN FROM THE
WISE OR SOPHIST MEANING SPEAKERS, SINGERS OR INSTRUMENT PLAYERS
CLAIMING TO BE A CHRISTIAN, DISCIPLE STUDENT ONLY.
SPIRIT means that Jesus SPAKE God's Word without
Measure, Metron or musical meter. There is
nothing singable in Scripture and the Command is to
SPEAK and never SING Scripture.
In most western European languages, the word for “READ”
starts with the letter “L”. These languages can be
divided into two main groups — those of Latin origin
and those of Germanic origin. In each of the Latin
languages (Italian, Spanish, French, etc.), the
modern word is derived from legere,
the Latin word for “READ”. The Italian word is still
leggere, essentially unchanged
from the Latin. In the other Romance languages, the
“g” sound was lost, and so we have leer
in Spanish, ler in Portuguese,
and lire in French.
(Note: The Old Testament
understands that instrumental music--called NOISE--was authorized only in certain dedicatory or
purification rituals associated with the temple and with Jerusalem. Without both there was
never any rationale for instrument to make a great
crashing sound during animal sacrifices.)
"At the dedication of the later edifice,
the priests blew the trumpets at the same time that the Levites sang
and played upon instruments of music, so as 'to make one sound;' but it is evident that
on that great occasion of rejoicing, what was aimed at
musical harmony, but a powerful crash of jubilant sound. We are shut up to the
conclusion that there was nothing in the
tabernacle-worship, as ordered by Moses, which could be justly
characterized as instrumental music." (George Girardeau, Instrumental Music, p. 29 - a
Acts 8:28 Was returning, and
sitting in his chariot READ
Esaias the prophet.
The Serpent or NACHASH in the garden of Eden was a "musical
enchanter(ess)". This is derived from brass or BELL
METAL. The first person who made brass "clang" claimed
that it was a god speaking. For a certain price, he could
make clanging sounds and tell you what the gods wanted to
say. The flute or pipe has the same meaning.
Acts 15:21 For Moses of old time hath
in every city them
that PREACH him,
being READ in the synagogues every
sabbath day. [once each REST day]
2Cor. 3:14 But their minds were blinded:
for until this day
remaineth the same vail untaken away
in the READING of the old
testament; which vail is done away in Christ.
Col. 4:16 And when this epistle is READ
cause that it be READ also in the church of the
and that ye likewise READ
the epistle from Laodicea.
"In pagan traditions, musical
instruments are invented by gods or demi-gods, such as titans. In the Bible, credit is assigned to
antediluvian patriarchs, for example, the descendants of Cain
in Genesis 4:21. There
is no other biblical tradition about the invention of musical instruments."
(Freedman, David Noel, Bible Review, Summer 1985, p. 51). (Proof
before Israel's existence, we find in Akkadian tablets the
word halhallatu for 'double clarinet,' and we have many
ancient representations of this instruments... Extremely
popular for SECULAR purposes, the clarinet was
played at WEDDINGS, BANQUETS, and FUNERAL. At funerals it served as accompaniment to
the customary WAILING
is the meaning of Matt. 9:23. The chief characteristics of the clarinet
were: popularity, juxtaposition with hand drum and lyre, expression of extreme emotionalism, and symbolic meaning of FERTILITY and RESURRECTION." (Int. Std. Bible Dict., p. 472).
His new STATE of Holy Spirit (never a person) is the Chief
Shepherd of the Flock. Both male and female are to be
SILENT in the assembly "so that all might be SAFE and come to
a knowledge of the TRUTH." The Truth is the Word, Logos
or Regulative which outlaws personal opinions, personal
experiences, rhetoric, singing, playing instruments or
acting. These are defined by Jesus referencing Isaiah 29
and Ezekiel to define Scribes (writers) or Pharisees
The Authority only a few women will have a need to perform in
self-exhibition is the word AUTHENTIA. Self-asserting
women claimed that their persona or actions proved that A
spirit was guiding them.
FROM ACU AGENDA:
Carroll D. Osburn: Trainers use Prophetic roles to Channel and Facilitate the method of subverting
the 'hierarchial" views of Jesus and Paul.
the end-time subversion is the beginninng-time version which
is "Feminist hermeneutics stands over
goal achieved "by small, often unnoticed acts of SUBVERSION.
changes, like EROSION,
bring down the FORTRESS " (IN THE CHURCH: Reclaiming the Ideal p.
The Holy Spirit in Isaiah 3 warned about Women
and Children meaning BOYS ruling over you. There is no
rule over or WORSHIP LEADING in the School of Christ.
In recorded history only the most effeminate males would be
caught singing and playing an instrument claiming to represent
WORSHIP SERVICE among the God-abandoned
Levites was Hard Bondage devoted to Apollyon or Abaddon.
3:4 et dabo pueros principes eorum et effeminati dominabuntur eis
Boys: -Effemino II. Trop.,
to make womanish, effeminate, to
dominabuntur Ruler, MARK Women or
the Effeminate as oratio,
MARK Women or effeminate
who are consilium the
person who forms the purpose,
MARK Women or the effeminate who Teach
a religious sense,
to build up, instruct, edify.
Quint. 8 prooëm. § 20.—
A. Womanish, effeminate (cf.: “mollis,
Cic. Planc. 35, 86
—B. In mal. part., that submits to unnatural lust:
Histrio, stage-player, actor, mimus, II.
Transf., a boaster:
Scaena, 1. Of a place like a
scene of a theatre Verg. A. 1, 164.—,
display of eloquence.
daughter of Dionysus, who on Ida rejoices with
his dear mother
in the Iacchic revels of
Eve, on account of her having been in the beginning deceived by the serpent, and become the author of sin,
the wicked demon, who also is called Satan,
spoke to her through the serpent,
who works even to this
in those men that are possessed by him
invokes as Eve." (Theophilus, p. 105)
In this way in all pagan "worship centers" women were able to
pick men's pocket of their children's health care. This
is outlawed as the Holy Spirit revealed to Isaiah 55.
1. There is nothing we call "musical" in all of
the Holy Scriptures.
2. The Godly Jews attended synagogue or church which was a
once-each week REST and the chance to attend SCHOOL which was
called PREACHING by READING the Word.
3. The Instruments were used by Jacob-Cursed and God Abandoned
Levites under the unauthorized King and Commanders of the
Army. 4. They were also most often used by male or
female prostitutes to seduce customers.
5. God left the ALARM or TRIUMPH OVER instrumental sounds to
MARK those whom God had abandoned to Babylonianism.
6. Anyone who attempts to impose Vocal or Instrumental
Performers is called a Serpent or Viper.
7. THEY are what God provided for the tiny band of Lost
Spirits as a. Way to escape. Where they invade and defined by
Jesus as Scribes, Pharisees Hypocrites, the Little Flock in
the WAY (road, pattern) called a SECT will already have
shuddered at the perverted persona and left.
8. Those who take the MARK-
PLESSO 3. strike or
stamp as one does a coin, Kuprios
Strike a string with a key,
4. of musical sounds, houtôsi plêgenta houtôs ephthenxato ta phônêenta
(thunder), flute, lyre, Phormigx
(ABADDON'S instrument), melody in a holy place, CLAPPING
The BEAST is "a new style of music or
Satyric (cappella) Drama with Christ's enemy of
almost all pulpits.
B.Transf., of things, to move slowly
or imperceptibly, to creep along, proceed
II.Trop., to creep, crawl; to
extend gradually or imperceptibly;
to spread abroad, increase, prevail
, cĕcĭni, cantum (ancient I.imp.
cante = canite,
Vulg. Apoc. 8, 13
to utter melodious notes, to sing, sound,
crowing of a cock: “galli
to practice magic, to charm, Galli is a word
for a Catamite: priest of the Mother Godesses.
Serpent, Beast, Serpo, Herpo in the Garden
of Eden. elelizō
move in coils or spires, of a
in Il. of an
army, cause it to turn and face the enemy, rally
it III. cause to vibrate,
of Zeus, ib.1.530, cf. 8.199; phormigga
make its strings quiver,
phormigx as the
instrument of Apollo, “phormiggos
Psallo NEVER defines
instruments. People call God and the Spirit STUPID
for never using anything like playing an instrumennt and
stringed instrument in accompaniment
of song, “a.
II. poem in elegiac distichs
, orig. accompanied by the flute, cf. aluros e
(lyr.); “Asias e. iēios
; so Elegoi
, title of a nomos aulōdikos
; of the song
of the nightingale, Ar.Av.218
, of the halcyon,
(lyr.); later, lament, song of mourning
derived from e
to cry woe! woe! EM326.49
1. Israel fell from grace beyond
redemption because of Instrumental-Trinitarian-Perverted
Idolatry at Mount Sinai.
2. The NOBILITY turned the REST
of God into a day of the Worship as the
ABOMINATION they brought from Egypt.
3. The REST of God is Sabbath or
the Greek PAUO and demands STOPPING anything
beyond Rest, Reading and Rehearsing the Word
delivered by Moses.
4. The Civil-Military-Clergy were
abandoned behind closed gates to engage in the
Lust of Blood and Flesh and the HOLOCAUST of
INFANTS and GOATS.
5. The Godly Jews were never
gathered to engage in group singing with or
without instruments: this was outlawed for the SYNAGOGUE
as A School--only of the Word-only.
6. Any kind of musical or
theatrical performance would MARK the Effeminate
and their refusal to HEAR the Word of God.
7. Even worse any kind of
self-exhibition especially SINGING is that which
MARKS and produces ALL of the data defining:
Abomination, Witchcraft, the
BEASTS, Demon worship, Viper,Sorcery,
enchantment, harlots, beguile, serpents,
vipers, Serpo, Herpo, inducing
wine-drinking, Cunning Craftsmen or
Sophists, Rhetoricians, Dogs
or Catamites, magic, Voodoo
in primitive America, Melodies to deceive,
Deceiver, Cunning Crafts, Techne.
religious craftsmen, Lucifer, Locusts,
SILENT because it marks the
hair-plucked or effeminate.
Worship Teams Mark the Effeminate
See the Nimrod at At Babylon
Vineyard New Wineskin Worship
See Charismatic and Homosexual
connection among the Greeks
of Church and Christianity
considered it paradoxical that music should be regarded as
veneration of the gods while musicians were paid for performing this so-called veneration.
Again, Philodemus held as self deceptive the view that
music mediated religious ecstasy. He saw the entire condition induced by
the noise of cymbals and tambourines as a disturbance of the spirit.
Accordingly, nothing of value could be
attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied
much in the same way that food and drink did.
He found it
significant that, on the whole, only women and effeminate men fell into this folly.
KNOWN TO ANY ONE WHO UNDERSTANDS THAT A CHURCH IS BUILT UPON
OR EDUCATED BY THE PROPHETS and not USURPERS.
An Assembly of Christ is an UMBRELLICUM
or Safe House Jesus built to Translates the tiny number of
Lost Spirits safe from elders who turn into wolves.
SPIRIT means that God put His WORDS into the MOUTH of the
Prophets without a Spirit God. The TESTIMONY of Jesus
was that SPIRIT and LIFE or His WORDS (John 6:3).
Lūdo , ” Verg. E. 6, 1.—Esp.,
to play on an instrument of music, to make or compose
music or song: “ludere
Verg. E. 1, 10:
Isa 57:4 Against whom do ye sport yourselves?
against whom make ye a wide mouth, and draw out
the tongue? are ye not children of transgression,
a seed of falsehood,
Delude or Deceive.quod tenerae cantent,
lusit tua musa, puellae,” id.
Am. 3, 1, 27: “coloni Versibus
incomptis ludunt,” Verg. G. 2,
386: “carmina pastorum,
Neutr., to produce melodious sounds
(by the voice or an instrument), to sound, sing,
Of an actor: “cantante
Less freq. of instrumental music, and only with abl. of the
instrument (cf. cano): “tibiis,”
histrioni, in comedy, to sing and play while the actor
accompanies the song with gestures or dancing,
psallitur, Of the singing
pronunciation of an orator, to declaim in a singing tone,
III In the lang. of religion, as v. n. or a.,
to use enchantments, charms, incantations,
to enchant, to charm
exorcised by magic, B. To call forth,
produce by charms: “et
Isaiah 4: 6 And there shall
be a tabernacle for a shadow in the
daytime from the heat,
That MARKS anyone who takes over the Church of
Honorable people claiming that there is a Jot or Tittle of
anything in Scripture called MUSIC. Paul in Ephesians
denies that FORE ORDAINED (Jude) people who FEED with singing
or any kind of music were not Biblically IGNORANT but LYING IN WAIT TO DECEIVE.
and for a place of refuge, and
for a covert from storm and from rain.
, I. any thing that
furnishes shade). I Lit., a
shady place, bower, arbor,Verg. E. 9, 42.—
B. Transf., a school: “in
Cic. Brut. 9, 37:
id. Leg. 3, 6, 14.—II.
A sunshade, parasol, umbrella,
Ov. F. 2, 311;
id. A. A. 2, 209;
Mart. 14, 28, 1;
This SCHOOL or REST
will be OUTSIDE THE GATES OR CAMPS OF THE MUSICAL
I.to teach, instruct, inform, show,
tell, etc. (for syn. cf.: edoceo, perdoceo, erudio,
, āvi, ātum, 1, v. a. solus, I.to make lonely
or desolate; to lay waste
few times in the post-Aug. poets): “urbes
Stat. Th. 4, 36
id. ib. 5, 149
; Sen. Oedip. 4
is one's own house from Sen.
In philos lang., a philosophical school,
Ac. 1, 4; Sen. Ep. 29 fin.;
id. Ben. 5, 15.
audĭo, to hear,
to perceive or understand by hearing,
to learn, the person from whom one hears or
learns any thing,
Seneca identifies the School as:
expressions, language, discourse,
recito, declamo, affirmo
ANYONE THINKING TITHES
OR LAYING BY IN STORE IS A BANDIT: FLEE BABYLOON
in His STATE of Holy Spirit defined the ELDERS as the
Pastor-Teachers over the flock. Job One for any ELDER is
to EJECT the Cunning Craftsmen or SOPHISTS. Jesus said
that God HID from the Wise or Sophists which are Elders
who go beyond "Teaching that which has been taught"
This is the MARK and why people flee and allow you to STEAL
THE CHURCH HOUSE OF WIDOWS and Honest Workers.
The Word or Logos is God's Regulative Principle: It is to
MARK anyone who adds their own songs or sermons. This marks
ANTIchrist and the Rise of Apollyon as THE leader of the
Locusts, muses or his adulterous worship team.
2. statement of a theory, argument,
prob. in Heraclit.50; logon
discourse and reflection on reality,
YOUR MUSICIANS ARE THE LOCUSTS SENT BY GOD AFTER YOU HAVE
BLASPHEMED ABOUT GOD AND HIS WORD. Jude says that you
were FOREORDAINED for this Apostasy.
IV. inward debate of
the soul, reflection,
Regulative and formative forces,
derived from the intelligible and operative in
the sensible universe,
Opposite to epithumia
A. desire, yearning, longing after
a thing, desire of or for it, Theaomai :--gaze at,
behold, mostly with a sense of wonder, 3.
view as spectators
Opposite Pathos A. that
which happens to a person or thing, incident,
accident, Moralizing Rhetoric
Opposite Poiein to excite passion,
V. Rhet., emotional style or
Opposite Enthousi-astikos , ē, on, A. inspired, “phusis” Pl.Ti.71e;
esp. by music,
Prose, OPPOSITE -poiêsis, Id.R.390a;
OPPOSITE -poiêtikê, D.H.Comp.6;
OPPOSITE poiêmata, onomatopoeic
OPPOSITE emmetra Modus 2. The
measure of tones, measure, rhythm, melody, harmony, time;
in poetry, measure, metre, mode: Mūsĭcus a, um, adj., = mousikos.
X. the Word or Wisdom
of God, personified as his agent in creation and
Theologians are doomed to call God a liar or
INCOMPETENT. If God had wanted any kind of music in
the tuneful sense He was INTELLIGIBLE But denied by C.
2. generally, votary of the Muses, The
Muses were the LOCUSTS unleashed with Apollon their
"musical worship leaders." The Greek and Latin literature
identifies them as dirty adulteresses
 the Muses of Olympus,
daughters of Zeus who holds the aegis: “Shepherds of
wretched things of shame,
we know how to speak
many false things as though they were true;
but we know, when we
will, to utter true things.”
they bade me sing of the race of the blessed gods that are
but ever to sing of themselves both
first and last.
3. enchanted potion, philtre:
hence, charm, spell, Od.4.220
[Circe, Church, Corinth mother of harlots] Theoc.2.15
This also marks those OF the World,
Kosmos, Ecumenical or the kingdom of Satan for whom Jesus will
not pray and from whom god hides.
John 8:23 And he said unto them, Ye
are from beneath; I am from above: ye are of THIS
world; I am not of this world.
Jews had a covenant with death and hell: this is the
pattern for ex churches practicing witchcraft or
belonging to the Lower Regions, infernal: tenebrae,
[darkness was upon the face of the earth] “infernas umbras carminibus elicere,”
to raise the dead by magical incantations,
HELL hell (eccl. Lat.), Ambros.
in Psa. 48, §§ 22, 24; Vulg.
Job, 17, 13; id. Psa. 9, 18.
— 3. inferni
, ōrum, m., the shades below: “Theseus
Prop. 2, 1, 37;
2, 28, 49.—
Goats-cappellas--probably know that they HAD
ONCE fooled the whole world as sorcerers] Tartarus Husband of EARTH as in Genesis.
a tune, song, air, lay,
strain, note, sound, both vocal and
NEVER IN SCRIPTURE 2. mŏdus
The measure of tones, measure, rhythm,
melody, harmony, time; in poetry, measure, metre,
Cic. Div. 2, 3, 9:
saltare ad tibicinis modos, to the music
or sound of the flute, carmen
Lyre, flute 5. A magic formula,
an incantation: “Carminibus
Church The Holly Prostitute
In partic., in relig. lang.: Jovem, Manes, etc., to call
forth, call down a god by religious rites; to
raise, conjure up a departed spirit
by magic arts,
Rom. 10:6 But the righteousness which
is of faith speaketh on this wise,
Say not in thine
heart, Who shall ascend into heaven? (that is, to bring
Christ down from above:)
Rom. 10:7 Or, Who shall descend into the deep? (that is,
to bring up Christ again from the dead.)
Rom. 10:8 But what saith it?
The WORD is
nigh thee, even in thy mouth, and in thy heart: that is,
the word of faith, which we preach;
ye have said, We have made a COVENANT with death, and with hell
are we at agreement; when the overflowing scourge shall pass
through, it shall not come unto us: for we have made lies our refuge, and under falsehood have
we hid ourselves:
per-cŭtĭo Kill an aminal srike, smite, b
To strike, play a musical
instrument (poet.): “lyram,”
Ov. Am. 3, 12, 40;
Val. Fl. 5, 100.—
There is no example in Scripture of Godly
assemblying for WORSHIP. There is no example in
Scripture of Godly people engaged in Congregational Singing
with our without mechanical instruments.
rite movet mixtoque sonantem
lyram nomenque relinquit hareni
There is no example of SINGING in the modern tuneful
sense in Scripture or recorded History before the
The Greek and
Latin overflows with
identifying anyone who tried
to control another's mind with
anything but FACTS
Amos 5:27 Therefore will I cause you to go into
captivity beyond Damascus,
saith the LORD, whose
name is The God of hosts.
Yea, ye took up the tabernacle of Moloch,
and the star of your
figures which ye made
to worship them:
and I will carry
you away beyond Babylon.
Trumpet, drums, flute, cymbals and castinets
Psallo permits ONLY smiting a string with your
FINGERS: not a plectrum
Psallo and SOP have the same root meaning.
Revelation 18F: they are all called Sorcerers who HAD once
deceived the whole world.
They WILL BE CAST ALIVE INTO THE LAKE
At Mount Sinai the faithless Hebrews Rose up to Play and
Profaned the REST DAY. This was
Instrumental.Trinitarian.Perverted Idolatry. This was a
sin beyond redemption. Dedicating your own "talent"
replaces the Word, Logos or Regulative Principle. This
is the meaning of ANATHEMA and such presumptious dedication
Cannot be REDEEMED and must be BURNED.
The Synagogue or Ekklesia was the Church of Christ (whomever
God anointed) the Rock in the Wilderness was defined:
Exclusive: Vocal or Instrumental Rejoicing
Inclusive: Rest, Reading
and Rehearsing the Spiritual Scriptures
is God's Way
to mark His
try to try to
marked as OF
or the Kingdom
God makes them
But when the
congregation is to be gathered together, ye shall blow, but ye shall not sound an alarm. Num 10:7
he Alarm which
was OUTLAWED for the Church in the wilderness is the
same PSALLO or Bow-Twanging noise outlawed in the
gathering of Jesus Christ.
from the QAHAL
EXCLUDED from the episunagoge
Ruwa (h7321) roo-ah'; a
prim. root; to mar (espec. by breaking); fig. to
split the ears (with sound), i. e. shout for alarm
or joy: - blow an alarm, cry (alarm,
aloud, out), destroy, make a joyful
noise, smart, shout (for joy), sound
an alarm, triumph.
Psallo (g5567) psal'-lo;
prob. strengthened from psao, (to rub or touch the
surface; comp. 5597); to twitch or twang, i.e. to
play on a stringed instrument (celebrate the
divine worship with music and accompanying odes):
- make melody, sing (psalms)
Ruwph (h7322) roof; a
prim. root; prop. to triturate (in a mortar), i. e. (fig.) to
agitate (by concussion): - tremble.
Psocho (g5597) pso'-kho;
prol. from the same base as 5567; to triturate, i.e. (by anal.)
to rub out (kernels
from husks with the fingers or hand): - rub.
Eph. 5:17 Wherefore be ye not
what the WILL
of the Lord is.
The Word or
Logos is EXCLUSIVE of
Personal opinions, personal
instruments, acting or
anything beyond READ or
SPEAK that which is written
for our LEARNING.
And be not drunk with wine,
wherein is excess;
be filled with the SPIRIT;
Eph. 5:19 SpeakING
to YOURSELVES [PLACE] in
psalms and hymns and spiritual
singING and makING
melody in [PLACE]your
heart TO THE LORD
John 6:63 It is
that quickeneth; the flesh
profiteth nothing: [Jesus:
sons of Devil speak on their
that I SPEAK
unto you, they are SPIRIT,
and they are life.
Col. 3:16 Let the WORD
of Christ dwell in you richly in
admonishing one another
in psalms and hymns and
with grace in your
to the Lord.
figurative or a PARABLE to hide
from the wise or sophists:
rhetoricians, singers or
Is. 59:21 As
for me, this is my covenant
with them, saith the Lord;
that is upon thee,
and my WORD
which I HAVE
put in thy MOUTH,
depart out of thy mouth, nor
out of the mouth of thy seed,
nor out of
the mouth of thy seed’s seed,
saith the Lord, from
henceforth and for ever.
SORCERY is claiming that
singing your own words can
cause a SPIRIT to enter into
SPIRIT is the
Word put into
the Mouth of
of Jesus is
THEM WITH A
The Mark of
Cain was a
The Mark is
that no one
who is FROM
Isa 8:19 And when they shall say unto you,
unto them that
and that mutter:
not a people
to the dead?
To the law and to the
to make a shrill noise, sound harshly, creak, hiss, grate,
whiz, whistle, rattle, buzz: stridentia tinguunt Aera lacu, V.: cruor stridit, hisses, O.: belua Lernae Horrendum stridens, V.: horrendā nocte (striges), O.: mare refluentibus undis, V.: aquilone rudentes, O.: videres Stridere secretā aure susurros, buzz, H.
H7442 rânan raw-nan' A primitive root;
properly to creak (or emit a stridulous sound), 2.
tremulous sound of a mast or pole "Shaken by the wind"
also the sound of a torrent. Vibrate the voice TRILL
which is the WOMEN'S sound of Halal above.
-cantus , ūs, m. id., 2.
With instruments, a playing, music:
“in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4;
id. Rosc. Am. 46, 134:
“citharae,” Hor. C. 3, 1, 20:
“horribili stridebat tibia cantu,” Cat. 64, 264:
“querulae tibiae,” Hor. C. 3, 7, 30:
B. An incantation, CHARM, magic
song, etc.: cantusque artesque magorum. Ov. M. 7, 195;
7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471:
The Wizzard is one who thinks that they
can hear the Word of God "beyond the sacred page."
John called them sorcerers because they used
rhetoric, singers and instrumentalists to STEAL the Word
and money from others Yiddeoniy (h3049) yid-deh-o-nee'; from 3045; prop. a
knowing one; spec. a conjurer; (by impl.) a ghost: - wizard.
"In Isa 8:19 the 'obhoth and yidh'onim are spoken of those who 'chirp and mutter."
These terms refer to the necromancers themselves who
practiced ventriloquism in connection with their magical rites. In
Isa 29:4 it is said 'Thy voice shall be
as an 'obh, out of the ground.'... They are stamped in these
passages, as in the Witch of Endor narrative, as deceivers practising a fraudulent art. By implication their power to
evoke spirits with
whom they were in familiar
denied." (Int Std Bible Ency., ency, p. 690)
Jesus called the Scribes and Pharisees Hypocrites. In
Is. 29:9 Stay
yourselves, and wonder; cry ye out, and cry: ob-stupēscō
ad-mīror mē thaumazein; [Lying wonder] “acc. to Pythagoras mŏdus Melody spectacula
,, I. the serpent
slain, according to the myth, near Delphi
by Apollon, who was fabled to have been
called Pythius in commemoration of this victory, Ov. M. 1, 438;
1. Pȳthĭa , ae, f., = hē Puthia, the priestess who
uttered the responses of the Delphic Apollo,
the Pythoness, Pythia, Cic. Div. 1, 19, 38;
Nep. Milt. 1, 3.
they are drunken, but not
with wine; they stagger, but not with strong
rise in waves,
driven about by the waves, to be restless, unquiet
be untrustworthy, to vacillate, wavering in
struck, Ov. M. 10, 89:
id. ib. 5, 112:
id. H. 4, 48;
Is. 29:10 For the LORD hath poured out upon you the
spirit OF deep sleep, kata-nuxis
and hath closed your eyes: the prophets
and your rulers, the seers hath he
Eph. 5:18 And be not drunk with wine,
wherein is excess; but be filled with the Spirit; [The
kat-auleô A. charm by flute-playing, I
will flute to you on a
ghastly flute, E.HF871 os drinking
wine to the strains of the
played to on the flute with lyre
I call the sun-god to witness that here I am acting
against my will; like a fearful bull in act to charge; he
bellows...nor shall their murderer know that he is killing
the children he begot, till he is released from my
madness. ... calling on the goddesses of nether hell.
Soon will I rouse you to yet wilder dancing and pipe a
note of terror in your ear. Soar away, O Iris,
by flute-playing Pl.Lg.790e,,
drinking wine to the strains of the flute, resound
with flute-playing, “nēsos
subdued by a flute accompaniment, Ptol.Harm.2.12:
metaph., to be piped down, ridiculed
if they SPEAK
not according to this WORD,
it is because there is no light in them.
Here is a
short list of
or any kind of
that God is
America, Melodies to
The Greek and
Latin overflows with
identifying anyone who tried
to control another's mind with
anything but FACTS
Proof is one
Infiltrates, builds a huge
institution and then claims a
VISION that God wants Him to
"steal the church houses of
widows" to, in the name of the
Great Tribulators create A
Theater for Holy
Cantillation signs guide the reader in applying a chant to
Biblical readings. This chant is technically regarded as a
ritualized form of speech intonation rather
than as a musical exercise like the singing of metrical hymns:
for this reason Jews always speak of saying or reading
a passage rather than of singing it. (In Yiddish the
word is leynen 'read', derived from Latin legere,
giving rise to the Jewish English verb "to
The Philipedium: In most
western European languages, the word for “read” starts with
the letter “L”. These languages can be divided into two main
groups — those of Latin origin and those of Germanic origin.
In each of the Latin languages (Italian, Spanish, French,
etc.), the modern word is derived from legere,
the Latin word for “read”. The Italian word is still leggere, essentially unchanged from the
Latin. In the other Romance languages, the “g” sound was
lost, and so we have leer in Spanish, ler in Portuguese, and lire
(Note: The Old Testament
understands that instrumental music--called NOISE--was authorized only in certain dedicatory or
purification rituals associated with the temple and with Jerusalem. Without both there was never
any rationale for instrument to make a great crashing sound
during animal sacrifices.)
Paull commanded that we SPEAK the Text for our
LEARNING. Both Ode and Psallo are words marking SORCERERS
"At the dedication of the later edifice, the
priests blew the trumpets at the same time that the Levites sang and
played upon instruments of music,
so as 'to make one sound;' but it is evident that
on that great occasion of rejoicing, what was aimed at
musical harmony, but a powerful crash of jubilant sound. We are shut up to the
there was nothing in the tabernacle-worship,
as ordered by Moses, which could be justly characterized as
instrumental music." (George Girardeau, Instrumental Music, p. 29 - a
The Evil Psallo
I. In gen., to play upon a stringed instrument;
esp., to play upon the cithara,
to sing to the cithara: “psallere
Sall. C. 25, 2 canituri,”
SING and cantare marked as SORCERY. saltare
et cantare; Cic. Catil. 2.10.23
Suet. Tit. 3
Saltatio Dancing was
originally closely connected with religion. Plato thought all
dancing should be based on religion, as it was, he says, among
the Egyptians. It has been shown under Chorus
that the chorus in the oldest times consisted of the whole
population of a city, who met in a public place to offer up
thanksgivings to the god of their country by singing hymns and
performing dances. These dances, which, like all others, were
accompanied by music,
David's Dirty Dancing with the Camp following girls
ALWAYS MARKING WITCHES OR SORCERS
click on these resources, go to the Display
Preferences, pick "Latin Translation." To the
right you can display in English.
what proof do you rely? I asked.
I see, he said, certain
speech-writers who do not know how to use the
special arguments composed
just as lyre-makers in
regard to their lyres:
in the former case also there are other persons able to use
what the makers produced,
while being themselves
unable to make the written speech.
Hence it is clear that in speech likewise there are two
distinct arts, one of making and one of using.
I think you give sufficient
proof, I said, that this art of the speech-writers cannot be
that whose acquisition would make one happy. And yet I
fancied that somewhere about this point would appear the
knowledge which we have been seeking all this while.
not only do these speech-writers themselves, when I
am in their company, impress me as prodigiously clever,
Cleinias, but their art itself seems so exalted
as to be almost inspired. However, this is not surprising;
for it is a part of the SORCERER'S art, epōdōn tekhnēs
Plat. Euthyd. 290a and
only slightly inferior to that. The sorcerer's art is the
charming of snakes and tarantulas and scorpions
and other beasts and diseases, while the other is
just the charming and soothing of juries, assemblies [Ekklesia
or church], crowds, and so forth. Or does it strike
you differently? I asked.
kai mentoi ouden thaumaston: esti gar tēs tōn epōdōn tekhnēs morion mikrō te ekeinēs hupodeestera.
Thaumaston Is a Lying wonder which claims that
your rituals are ordained by God.
-epōdē , Ion. and poet.
epa^oidē , hē, A.song
sung to or over: hence, enchantment,
spell, LADEN BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
oute pharmaka..oud' au epōdai” Pl.R. 426b ;
thusiai kai e. ib.364b ;
charm for or against..,
“toutōn epōdas ouk epoiēsen patēr” A.Eu.649.
epōd-os , on, （epadō）
A.singing to or over,
using songs or charms to heal wounds, “epōdoi muthoi”
c. c. dat., assisting, profitable,
2. Pass., sung to music, “phōnai” Plu.2.622d
; fit for singing, “poiētikēn e. parekhein
2. epōdos, ho, verse
or passage returning at intervals, in
Alcaics and Sapphics, D.H.Comp.19
; chorus, BURDED, refrain,
Let us persuade the young man by our discourse that all
things are ordered systematically by Him who cares for
the World—all with a view to the preservation and
excellence of the Whole, whereof also each part, so far
as it can, does and suffers what is proper to it. To
each of these parts, down to the smallest fraction,
rulers of their action and passion are appointed to
bring about fulfillment even to the uttermost
No, it appears to me, he
replied, to be as you say.
kēl-ēsis , eōs, hē, *A. bewitching,
charming, ekheōn, nosōn, Pl.Euthd. 290a:
enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music
and sweet sounds, Id.R.601b, Stoic.3.97.
Plat. Rep. 601b whether
he speak in rhythm, meter [melos]
and harmony [rhuthmon]
about cobbling or generalship or anything whatever. So
mighty is the spell1
that these adornments naturally exercise; though when they
are stripped bare of their musical coloring [metron]
and taken by themselves,2
I think you know what sort of a showing these
sayings of the poets make. For you, I believe, have observed
them.” “I have,” he said. “Do they not,” said I, “resemble
the faces of adolescents, young but not really beautiful,
when the bloom of youth abandons them?3”
“By all means,” he said. “Come, then,” said I, “consider
this point: The creator of the phantom, the imitator, we
say, knows nothing of the reality but only the appearance.
THE WARNING OF JUDE.
, fruits ripe for plucking or rippe for death.
The Jacob-Cursed Levites
Jude 3 Beloved, when I gave all diligence
to write unto you of the common salvation,
it was needful for me to
write unto you, and exhort you that ye should earnestly
or the faith which was
once delivered unto the saints.
Jude 4 For there are certain men crept in unawares,
who were before of old
ordained to this condemnation,
ungodly men, turning the
grace of our God into lasciviousness,
and denying the only
Lord God, and our Lord Jesus Christ.
Jude 5 I will therefore put you in remembrance, though ye once
how that the Lord,
having saved the people out of the land of Egypt, afterward
destroyed them that believed not.
Jude 6 And the angels which kept not their first estate, but
left their own habitation,
he hath reserved in
everlasting chains under darkness unto the judgment of the
Jude 7 Even as Sodom and Gomorrha, and the cities about them
in like manner,
giving themselves over
and going after strange
flesh, are set forth for an example, PATTERN
vengeance of eternal fire.
Jude 8 Likewise also these filthy dreamers defile the flesh,
despise dominion, and speak evil of dignities.
Jude 13 Raging
waves of the sea, foaming out their own shame; wandering
stars, to whom is reserved the blackness of darkness for
Jude 14 And Enoch also, the
seventh from Adam, prophesied of these, saying, Behold,
the Lord cometh with ten thousands of his saints,
Jude 15 To execute judgment upon
all, and to convince all that are ungodly among them
of all their ungodly deeds which they have ungodly
committed, and of all their hard speeches which ungodly
sinners have spoken against him.
Jude 16 These are murmurers,
complainers [blaming Fate], walking after their own
lusts; and their mouth speaketh great swelling words, having
mens persons in admiration because of advantage.
gong-goos-tace´; from 1111; a grumbler: — murmurer.
1114. goes, go´-ace; from goa¿w goao (to wail);
properly, a wizard (as muttering spells), i.e. (by
implication) an imposter: — seducer.
sorcerer, wizard, Phoronis 2, Hdt.2.33,4.105,
380d, Phld.Ir.p.29 W.; g. epôidos Ludias apo chthonos E.Ba.234
, cf. Hipp.1038;
prob. f.l. for boêisiHdt.7.191.
Jude 17 But, beloved,
remember ye the words
I.singing to or over: as Subst. an
enchanter, Eur.: c. gen. acting as a charm
for or against, Aesch., Plat. 2. pass. sung or said
after, morphês epôidonc alled after
II. in metre, epôidos, ho, a verse or passage
returning at intervals, a chorus, burden,
refrain, as in Theocr.
E.Ba.234 Euripides, BacchaePentheus
 I happened to be
at a distance from this land, when I heard of strange
evils throughout this city, that the women have left our
homes in contrived Bacchic rites, and rush
about in the shadowy mountains, honoring with dances
 this new deity
Dionysus, whoever he is. I hear that mixing-bowls
stand full in the midst of their assemblies, and
that they each creep off different ways into secrecy to
serve the beds of men, on the pretext that they are Maenads worshipping; 
but they consider Aphrodite before Bacchus....
As many of them as I have caught,
servants keep in the public strongholds with their hands
bound, and as many as are absent I will hunt from the
mountains, [I mean Ino and Agave, who bore me to Echion,
and  Autonoe, the mother of Actaeon.] And having
bound them in iron fetters, I will soon stop them from
this ill-working revelry. And they say that some stranger
has come, a sorcerer, a conjuror from the Lydian land,
 fragrant in hair with golden curls, having in his
eyes the wine-dark graces of Aphrodite. He is with the
young girls day and night, alluring them with joyful
mysteries. If I catch him within this house,  I will
stop him from making a noise with the thyrsos and shaking
his hair, by cutting his head off.
2. juggler, cheat, deinos g. kai pharmakeus kai sophistês
Pl.Smp.203d ; deinonkai g. kai sophistên . . onomazôn D.18.276
; apistos g. ponêrosId.19.109
; magoskai g. Aeschin.3.137
: Comp. goêtoteros Ach.Tat.6.7 (s. v. l.). (Cf. Lith. žavēti
, ou, ho, A.master
of one's craft, adept, expert, of diviners,
of poets, meletan sophistais prosbalon Pi.I.5(4).28 , cf.
Cratin.2; of musicians, sophistês . . parapaiôn chelun sophistêiThrêiki (sc. Thamyris) E.Rh.924,
cf. Ath.14.632c: with modal words added, hoi s. tôn hierôn melôn
II. from late v B.C., a Sophist, i.e. one
who gave lessons in grammar, rhetoric, politics,
mathematics, for money, such as Prodicus, Gorgias,
apoka^leō , stigmatize
Plat. Gorg. 512c But you
none the less despise him and his special art, and you
would call him “engineer” in a taunting sense, and would
refuse either to bestow your daughter on his son or let
your own son marry his daughter. And yet after the
praises you sing of your own pursuits what fair ground
have you for despising the engineer and the others whom
I was mentioning just now? I know
Pi.I.5(4).28 Pindar Isthmian 5. But my
heart  cannot taste
songs without telling of the race of Aeacus. I have come with the Graces for the
sons of Lampon
 to this well-governed city. If Aegina turns her steps to the clear road of
god-given deeds, then do not grudge  to
for her in song a boast that is fitting recompense for
toils. In heroic times, too, fine warriors gained fame,
and they are celebrated with lyres and flutes in
 for time beyond reckoning. Heroes who are
honored by the grace of Zeus provide a theme for skilled poets
(since Hermes made the first lyre by stretching
strings on a tortoise's shell, which acted as a
sounding-board), ib.25,153, Sapph.45, A.Fr.314; kath'heptatonon oreian ch. E.Alc.448
(lyr.), cf. HF683
the constellation Lyra,
or from the mountains,mountain-haunting,numphênoureiên
were among the mathematici 'learned mothers' who defined the Zodiac
and the star
movements marking the seasons, one translation
of the word 'hora.' Another is 'hour,' and the Horae
developed various means to mark time. Hence the word
for time keeping, 'horology' and the French word for
The patriarchs became the most incensed
sacred women of Agape. Among their symbols were the lotus,
lily, and dove,
all representations of
Among their mysteries was ritual cunnilingus, which demands respect
pleasure and the female body.
This aspect of the
sacred feminine was among the first to be erased. The
effort began early. Originally, the land of the 'Lotus
Eaters' was in the Amazon territories of North Africa,
then was moved further away still, to beyond the
Southern Sea. Source
wizard, esp. in bad sense, impostor, charlatan
gnêsioi sophistaikai Plat. Sym. 203d
Plat. Sym. 203d But
he takes after his father in scheming for all that is
beautiful and good; for he is brave, strenuous and
high-strung, a famous hunter, always weaving some stratagem;
desirous and competent of wisdom, throughout life ensuing
the truth; a master [goēs] of jugglery [pharmakeus],
A.master of one's craft, adept,
expert, of diviners, Hdt.2.49;
of poets, “meletan
cf. Cratin.2; of
. . parapaiōn
A.Fr.314, cf. Eup.447, Pl.Com.
(sc. Thamyris) E.Rh.924,
with modal words added, “hoi
of the Creator of the universe (ho
of cooks, “eis
Alex.149.14, cf. Euphro 1.11; hoi
skilled in . . , Ael.NA13.9:
deviser, contriver of pains, E.Heracl.993:—then,
Rev. 18:22 And the
voice of harpers, and musicians, and of
pipers, and trumpeters, shall be heard no
more at all in thee; and no craftsman, of whatsoever
craft he be, shall be found any more in thee; and the
sound of a millstone shall be heard no more at all in
Rev. 18:23 And the light of a candle shall shine no more
at all in thee; and the voice of the bridegroom and of
the bride shall be heard no more at all in thee: for thy
merchants were the great men of the earth; for by
thy sorceries were all nations deceived.
Rev. 18:24 And in her was found the blood of prophets,
and of saints, and of all that were slain upon the
Rev. 21:8 But the
fearful, and unbelieving, and the abominable, and
murderers, and whoremongers, and sorcerers, and
idolaters, and all liars, shall have their part in the
lake which burneth with fire and brimstone: which is the
A. bewitch, beguile, Pl.Grg.483e, etc.:--Pass., Id.R.412e,
413b, D.19.102, etc.; fascinate, as a snake,
2. abs., play the wizard, D.L.8.59
were spoken before of the apostles of our Lord Jesus Christ;
Jude 18 How that they told you there should be mockers
in the last time,
who should walk after
their own ungodly lusts.
Jude 19 These be they who separate themselves, sensual,
having not the Spirit.
Enoch 7: 10 Then they took
wives, each choosing for himself; whom they began to
approach, and with whom they cohabited; teaching them sorcery, incantations, and the dividing of roots and trees.
contr. Att. epaidô , fut. A.
, etc.; -aisô Ach.Tat.2.7 :--sing to or in
accompaniment, Magos 2.sing as an
incantation, charms or incantations,Pl.Tht.157c;
epaeidôn by means of
Euripides, Electra. Set your
step to the dance, my dear, 
a fawn leaping high up to heaven with joy. Your brother is
victorious and has accomplished the wearing of a crown . .
. beside the streams of Alpheus. Come sing 
a glorious victory ode, to my dance.
wizard, esp. in bad sense, impostor, charlatan,
Enoch 7: 11 And the women
conceiving brought forth giants, (7)
Enoch 7: 15 Then the earth reproved the unrighteous.
Enoch 8:1 Moreover Azazyel taught men to make swords, knives,
shields, breastplates, the fabrication of mirrors, and the workmanship of bracelets and
ornaments, the use of paint, the beautifying of the eyebrows, the use of stones of
every valuable and select kind, and all sorts of dyes, so that
the world became altered.
Enoch 8:2 colouring
tinctures. And there arose much godlessness, and they
committed fornication, and they
Enoch 8:3 were led astray,
and became corrupt in
all their ways. Semjaza taught enchantments,
and root-cuttings, 'Armaros the resolving of enchantments,
Baraqijal (taught) astrology, Kokabel the constellations, Ezeqeel the knowledge of
the clouds, Araqiel the signs of the earth, Shamsiel the signs of the
sun, and Sariel the course of the moon. And as men
perished, they cried, and their cry went up to heaven.
"Jubal, who was born of
the same mother with him, exercised himself in music; (7) and invented the psaltery and the harp. But Tubal, one of his
children by the other wife, exceeded all men in strength,
and was very expert and famous in martial performances. He procured what
tended to the pleasures
of the body
by that method; and first of all invented the art of making brass. Lamech was also the father of
a daughter, whose name was Naamah. And because he was so skillful in matters
that he knew he was to be punished for Cain's murder of his
brother, he made that known to his wives.
"Nay, even while Adam
was alive, it came to pass that the posterity of Cain
became exceeding wicked, every one successively dying, one after another,
more wicked than the former. They were intolerable in war, and vehement in robberies; and if any one
were slow to murder people, yet was he bold in his
profligate behavior, in acting unjustly, and doing
injuries for gain. Josephus
"In pagan traditions, musical instruments are invented by gods or demi-gods, such as titans (Seitans). In the Bible,
credit is assigned to antediluvian patriarchs, for example,
the descendants of Cain in Genesis 4:21. There is no other biblical
about the invention of musical instruments." (Freedman,
David Noel, Bible Review, Summer 1985, p. 51). (Proof Here).