Rick Atchley-Chris Seidman
Instrumental Music Delusion
Rick
Atchley Defends Instrumental Praise Based on the
Jacob-cursed and God-Abandoned infant burning Levites.
12.03.15 Instrumental and Trinitarian
idolatry at Mount Sinai was a sin beyond redemption because
the people ascribed to The Book of The Covenant but rose up
in PLAY. Acts 7, Romans 10 and 1 Corinthians 10 is the
EXAMPLE or PATTERN against the worship of Demons. Apis the
golden calf was the symbol of the Egyptian and other
trinities repudiated by all of Scripture
God
saw this Musical Worship Team and abandoned them to
Babylonianism at the temple God did not command
Below: God
say this just BEFORE and just AFTER Hezekiah's Plague
Stopping Exorcism. This is recorded in 2 Chronicles
29: it is the PATTERN a "spirit" commanded Rick Atchley
etal to impose "instrumental praise". Spiritus in
Latin defines the personified spirit as that of Apollon or
Abbadon. He is the ruler of the locusts to readers is
defined as the leader of the Muses or the adulterous
musicians. In Revelation 18 they are defined as sorcerers
who HAD deceived the wholeworld.
The practice
in the wilderness, tyre and Jerusalem
Mark.10.They.Shall.Mock.Him.With.Music
Judas was
a thief: his bag or box was
always attached to the spotted flute case.
He is defined as the familiar friend of
Jesus in Psalm 41. He would try to ALARM or TRIUMPH over
Jesus: this is a MARK. It was outlawed in the Church of Christ
in the Wilderness as vocal or instrumental rejoicing or any
speaking beyond the Word
And God WATCHED
the prophesied and fulfilled Musical Worship Team
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your
FINGERS: not a plectrum
Psallo and SOP have the same root meaning.
Revelation 18F: they are all called
Sorcerers who HAD once deceived the whole world.
They WILL BE CAST ALIVE INTO
THE LAKE OF FIRE.
Jay
Guin Ephesians 5:19 and Psalms
When people lie TO God and ABOUT God He sends strong delusions
that you believe your own lies. Lying wonders are religious
observations (to which the
Kingdom does not come). None of the Purpose Driven to
Discord can grasp that
God turned the Jews over to worship the starry hosts and
they had "a covenant with death and hell". Jesus
died to give us rest FROM the laded burdens and the BURDEN
LADERS. For
instance PARASITE
speaks of religious craftsmen who claim some special
skill (Scribes and Pharisees): especially the Jacob-Cursed and
God-Abandoned Levites as an old Egyptian
Infant-burning sect.
Paul and the rest
of the New Testament is ANTITHETICAL to the Jews
and modern sowers of discord "Covenant with Death
and with Hell."
The Spirit OF
Christ warned about the Lying Pen of the Scribes
and Jesus called the Scribes and Pharasees, hypocrites: in
Ezekiel 33 version He named speakers for hire
(HIRELINGS), singers and instrument
players. The MARK was of neither
preacher nor fleeced audience had any intention
of obeying the Word of God. Word or
Logos is God's REGULATIVE PRINCIPLE
about which all of the Scribes
and Pharisees or "doctors of
the law lie" because
Paul in Ephesians 4 says
that the cunning craftsmen
or SOPHISTS (speakers,
singers, instrument
players) were LYING IN
WAIT TO DECEIVE.
They are predestinated
because they are OF the World for which
Jesus doesn't pray.
In Revelation 18 as
"lusted after
fruits" they are
called sorcerers
who HAD DECEIVED
THE WHOLE WORLD.
The Ghebers of Hebron
2 Hoaea, xii. 4 derives the name Israel from Sarah to contend,
to
fight, and El = God of Fire. — Gen. xxxii.
'28. Asarians, Asriel,
Israel, a name of the War god {Exodus, xiii. 21, 22,
xiv. 25), Saturn
and the Sun. The Fire-god Azar was the
God of war, and M'irs was the Sun. —
Macrob. I. xvii. OS
Exodus 13:21 And the LORD went before
them by day in a pillar of a cloud, to lead them the way;
and by night in a pillar of fire, to give them
light; to go by day and night:
Exodus 13:22 He took not away the pillar of the
cloud by day, nor the pillar of fire by night, from before
the people.
The Ghebers of Hebron The Jews
blew the trumpet on the newmoon, poured out
libations and offered burnt sacrifices. And for
this duty the Lobii, Luim or Levites
were assigned to do just what the Brahmans did in India.
They ministered to la'hoh, Lord of Life,
according to Exodus, iii. 14 ; xxxviii. 21; xl. 15; Jeremiah,
xxxiii.
18. Hence the Jews were the Brahmaus of Palestine,
as Josephus said,
worshipping Brahma, whom, for their own political
purposes, they chose
to regard as Ab (Father) Ram (Most High) which
title is not unsuitable
to the Most High of the Hindu Gods. King
states that the words brahrna
and abrahm have the same numerical value.
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Must
ye
always
rejoice, and go into my holy places
continually, as they
that keep
a
feast?
and must ye go
with a pipe,
as those that rejoice into the mountain of the Lord,
to the God of
Israel Isaiah 30:29 LXX
and
the
Lord shall make his glorious voice to be
heard
and the wrath of his
arm,
to make a display with
wrath
and anger and devouring
flame:
he shall lighten terribly, and his
wrath shall
be
as water and violent hail. Isaiah 30:30 LXX
For
by
the voice of the Lord
the Assyrians shall be overcome,
even by
the
stroke where with he shall smite them.
Isaiah 30:31
LXX
And
it
shall happen to him from
every side, that they from whom their hope of
assistance was, in
which he trusted, themselves shall war against him in turn with drums
and with harp.
Isaiah 30:32 LXX
For
thou
shalt be required
before thy time: has it been prepared for thee
also
to reign? nay, God has prepared for thee a deep
trench, wood piled
fire
and much wood: the wrath of the Lord shall be as
a trench kindled
with sulphur. Isaiah 30:33 LXX
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Paul CORRECTED the Jewish and Abilene Kingdom folly by
proving that the ONLY Spiritual Covenant made by God in Christ
was made to ABRAHAM
2 Maccabees 1
1 - The
Jewish
brethren in Jerusalem and those in the land of Judea, To
their Jewish
brethren in Egypt, Greeting, and good peace.
2 - May God do
good to you, and may he remember
his covenant with Abraham and Isaac and
Jacob, his faithful servants.
3 - May he
give you all a heart to worship him and to do
his will with a strong heart and a
willing
spirit
Psalms
105:9 Which covenant he made with Abraham, and his
oath unto Isaac;
Acts 3:25 Ye are the children of the prophets,
and of the covenant
which God made with our fathers,
saying unto Abraham,
And in thy seed shall all the kindreds of the earth be
blessed.
Acts 3:25 Ye are the children of the prophets,
and of the covenant
which God made with our fathers,
saying unto Abraham,
And in thy seed shall all the kindreds of the earth be
blessed.
Rick Atchley probably from father John T. Willis says that 2
Chronicles 29 as Hezekiah's Plague Stopping Exorcism to cast out
the "instruments" of the Assyrians substituted BURNT GOATS
(which God did not command) with the Loud Noise to warn any
godly person that they would be executed if they came
near. They burned infants just before Hezekiah substituted
the Cappellas and resumed just after Hezekiah died.
General
postings of false teachers and false teachers
Doctors
of the Law, Universities and Staff the Cycle of Simony
See
our look at Rick Atchley's Seven
Churches in Revelation. Rick does not build
on the foundation or the text and therefore misses the point
that sowing discord with musical instruments--called sorcery
in Revelation 18--is exactly what John warned us to mark and
avoid
- If you say that Churches of Christ which
did not use INSTRUMENTS during the School of the
Word from the Wilderness onwwars was just and evil
tradition.
- And from Genesis to Revelation musical
machines are said to have been brought by Lucifer (ZOE)
into the garden of Eden and resulted in some sexual
hanky panky to REVELATION when the Babylon mother of
harlot rises again and ALL of her religious STAFF
are called sorcerers and will be cast alive into the
Lake of Fire.
- Then Christ
in Jeremiah 23 says that you despise
the Word and the Latin word is BLASPHEME
THE SPIRIT OF CHRIST DEFINED THE
END-TIME EFFEMINATE RELIGIONISM
Isaiah 3:4 And I will give children to be
their princes, and babes shall rule over them.
Isaiah
3:4 et dabo pueros principes eorum et effeminati dominabuntur eis
dominabuntur Ruler, MARK
Women or the Effeminate as oratio,
MARK
Women or effeminate who are consilium the
person who forms the purpose,
MARK Women or the
effeminate who Teach Over aedĭfĭco
in a religious sense, to build
up, instruct, edify.
Isaiah 3:12 As for my people, children
are their oppressors, and women rule over them.
O my people, they
that lead thee cause thee to err, and destroy the way of
thy paths.
Mŭlĭer
as a term of reproach, a woman, i. e. a
coward, poltroon: arbĭtror
to make a decision, give judgment or sentence:
OR mŭlĭĕro,
to make womanish, render effeminate
Boys: -Effemino
II. Trop., to make womanish,
effeminate, to enervate: “fortitudinis
praecepta
“illa
elocutio
res
ipsas
effeminat,”
Quint. 8 prooëm. § 20.—
A. Womanish, effeminate (cf.: “mollis,
luxuriosus,
dissolutus):
ne
quid
effeminatum
aut
molle
sit,”
Cic. Off. 1, 35, 129;
cf. id. Tusc. 4, 30:
“intolerabile
est
servire
impuro,
impudico,
effeminato,
“furialis
illa
vox,
religiosis
altaribus
effeminata,”
Cic. Planc. 35, 86
—B. In mal. part., that submits to unnatural
lust: “pathicus,”
Suet. Aug. 68;
Cic.
Planc. 35.86 When no one knew what were the
feelings of those men who by means of their armies, and
their arms, and their riches, were the most powerful
men in the state, then that voice,
rendered insane
by its infamous debaucheries,
made effeminate by its attendance
on holy altars,
kept crying out [carmen]
in a most ferocious
manner
that both
these men
and the consuls were acting in concert with him.
Needy men were armed against
the rich, abandoned men against the good, slaves
against their masters.
--rĕlĭgĭōsus Eccl.
Lat., of or belonging to the clergy,
clerical (opp. saecularis)
--per-sŏno
A. To sound through and through, to resound:
“cum
domus
cantu et
cymbalis personaret,”
Cic. Pis. 10, 22:
“ut
cotidiano
cantu vocum
et
nervorum
et
tibiarum nocturnisque
conviviis
tota
vicinitas
personet,”
A. To fill with sound
or noise, to make resound
B. To make a sound on a musical
instrument, to sound, play:
“citharā
Iopas
Personat,”
Verg. A. 1, 741:
“cymbalis,”
Vulg. 1 Par. 16, 5:
“buccinis,”
id. Jos. 6, 13.—
C.
To sound or blow
upon an instrument (post-class.): “personavit
classicum,”
gave the signal for attack,
Histrio, stage-player, actor,
mimus, II. Transf., a boaster:
“histrionis
est
parvam
rem
attollere,”
ragoediarum
histrionis, Hilarus
comoediarum
histrio,
Scaena, 1. Of a place
like a scene of a theatre Verg. A. 1, 164.—,
display of eloquence.
FULFILLING
PROPHECY FOR THE FIRST AND LAST ADVENT
Luke 18:32 For he shall be delivered unto the Gentiles,
and shall be mocked,
and spitefully entreated, and spitted
on:
Paizo dance, play a game, 4. play
on a musical instrument, h.Ap.206:
c. acc., Pan ho kalamo phthongapaizôn [played
on a reed]
Ar.Ra.230
; dance and sing, Pi.
O.1.16.
5.
play amorously, prosallęlous X.Smp.9.2
Xen.
Sym. 9.2 “Gentlemen, Ariadne will now enter the
chamber set apart for her and Dionysus; after that, Dionysus,
a little flushed with wine drunk at a banquet of the gods,
will come to join her; and then they will disport
themselves together.”
herpeton
II. creeping thing, reptile,
esp. snake, kinad-os
, eos,
hence, cunning rogue, dog, catamite.
epi-triptos
thērion,
psōmo-kolax
, a^kos,
ho,
A.flatterer for morsels of bread, parasite
2. hē
nun
e.
kai
kateaguia
mousikē
the disreputable and effeminate music
of to-day, oulomenos
II. ruined, lost:
hence, unhappy, wretched: pharmakon
preachers, singers,
instrument players SORCERERS to be cast
alive int the lake of fire.
thērion
The Beast is a new style of
music or drama including satyric dramas. THE MARK of
the beast is to PLAY or mock Jesus
The Serpent in the Garden of Eden was a Musical
Enchanter(ess) since real men don't do that. Christ defined the
Kings of Babylon and Tyre (ditto Jerusalem) as
"a singing and harp-playing prostitute."
Serpo
II. Trop., to creep, crawl;
to extend gradually or imperceptibly; to
spread abroad, increase, prevail
(a favorite trope of Cic.): occulto
Of a low, grovelling poetic style: “(poëta)
Serpit
humi
tutus,”
crawls along the earth, Hor. A. P. 28
(cf.: “sermones
Repentes
per
humum,”
“sapor,”
Verg. G. 3, 397:
b. Of persons, close, reserved, secret,
not opendissembling his hate,
Canam,
qui
leniter
... placidis
per
vada
serpis
aquis,”
creepest, windest along,
occŭlo
(obc-
) In partic., to cover up, hide, conceal
puncta
argumentorum,”
Cic. de Or. 2, 41, 77:
“narratum
ab
iis,”
to keep secret, conceal, Tac. A. 3, 16:
“occulta
conjurationis
retexere,”
id. ib. 15, 74: “occulta
cordis,”
Vulg. 1 Cor. 14, 25:
Săpor
, 1. Of style: “vernaculus,”
i.e. taste, elegance, Cic. Brut. 46, 172;
Arn. 3, p. 108: “Atticus,”
Quint. 12, 10, 75;
cf. id. 6, 4, 107:
“sermo
non
publici
saporis,”
of uncommon elegance, Petr. 3, 1
PAUL
SILENCES THE DIVERSITY SO THERE CAN BE UNITY
People may
fall beyond redemption when they grasp that God
sends strong delusions to anyone who does not obey
the singular pattern: to PREACH the WORD
by READING
the Word for Comfort and doctrine. Jesus
said that God HIDES from the wise or Sophists:
sophists are preaching beyond the Word for hire, singing,
playing instruments, acting or massing a
STAFF defined in all religions as
PARASITES. Since you can fool most of
the people most of the time these false
teachers just laugh when you tell them
that the
"kings have no clothes."
Ephesians 4:14 That we henceforth be no more children,
tossed to and
fro, and carried about with every wind of
doctrine,
by the sleight
of men, and cunning craftiness, whereby they lie in wait to
deceive;
Panourgia (g3834) pan-oorg-ee'-ah;
from 3835; adroitness,
i.e. (in a bad sense) trickery or sophistry:
-
(cunning) craftiness,
subtilty.
-Panourg-ęma
A. knavish trick,
villainy, S.El.1387 (lyr.), LXX Si.1.6 (v.l.); sophistry,
Gal.5.251; cf. panourgeuma.
Cunning craftiness
has the same meaning as SOPHOS:
1Cor. 3:18 Let
no man deceive himself. If any man among
you
seemeth to be
wise [sophos] in
this world,
let him become
a fool, that he
may be wise.
1Cor. 3:19 For the wisdom of this world is
foolishness with
God.
For it is
written,
He taketh the
wise sophia
in their own craftiness.
pa^nourg-ia
Luke 10:21 In that hour
Jesus rejoiced in spirit, and said, I thank thee, O
Father, Lord of heaven and earth, that thou hast hid
these things from the wise and prudent, and hast
revealed them unto babes: even so, Father; for so it
seemed good in thy sight.
1Cor. 3:20 And again,
The Lord knoweth the thoughts
of the
wise, sophōn
that they are vain.
matai-os
-Sophia A. cleverness
or skill in handicraft and art, as in
carpentry, tektonos,
hos
rha
te
pasēs
eu
eidē
s.
Il.15.412; of the
Telchines, Pi.O.7.53;
hē
entekhnos
s.,
of Hephaestus and Athena, Pl.Prt.32 1d; of Daedalus
and
Palamedes, X.Mem.4.2.33,
cf. 1.4.2; in music
and singing, tekhnē
kai
s.
h.Merc.483,
cf. 511; in poetry,
Sol.13.52, Pi.O.1.117
1Cor. 3:18 Let no man deceive himself. If any man
among
you
seemeth to be wise
[sophos] in
this world,
let him become a fool,
that he
may be wise.
1Cor. 3:19 For the wisdom of this world is
foolishness with
God.
For it is written,
He taketh the wise
sophia
in their own craftiness.
pa^nourg-ia
1Cor. 3:20 And again,
The Lord knoweth the thoughts
of the
wise, sophōn
that they are vain.
matai-os
THIS PAPER WILL HELP
YOU FLEE BABYLON whose Mother of Harlots (Revelation 17) uses "lusted after
fruits" (Same as in Isaiah 8) as self-speakers, singers, instrument
players and ALL religious craftsmen who were called
PARASITES.
LINKS TO A FEW STEPS TO THE LAKE OF
FIRE; FIXED LINKS 12.30
"RELIGION"
REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE
PAGAN SEXUAL IDEAL
TRIBULATION
PROMISED FROM WITHIN: BUT, DAVID YOUNG AND THE ELDERS
SAY------
THE COMMAND IS TO
SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE
HOW
RECORDED HISTORY NOTES THAT SINGING AS AN ACT WAS
IMPOSED AFTER CONSTANTINE AND WAS DIVISIVE
THE
COMMAND: SPEAK THAT WHICH IS WRITTEN. NOTHING
WRITTEN BY THE SPIRIT IS METRICAL OR TUNEFUL
ANATHEMA
is to be ACCURSED for preaching a GOSPEL of Rhetoric,
Singing, Playing Instruments, Acting or DECORATING a place
as a WORSHIP CENTER
ISAIAH 3 CHRIST'S PROPHETIC
TYPE: CLICK
BELOW FOR CHRIST'S WARNING ISAIAH 3:
RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP
ANDROGYNY THE PAGAN SEXUAL IDEA
ROMANS 15:
CLICK FOR PAUL'S REVEALING THE PROPHETIC MADE MORE
CERTAIN FOR OUR EXAMPLE
ISAIAH 8 WHEN
EMMANUEL COMES TO YOUR SCHOOL OF CHRIST YOU WILL
NOT--CANNOT--PEEP AND MUTTER
CHRIST'S PURPOSE DRIVEN
CHURCH DOES NOT BOAST ABOUT ITSELF.
ISAIAH 14 CHRIST'S WARNING OF THE
SINGING AND HARP-PLAYING PROSTIITUTES CAST
INTO "HELL"
A HUNDRED YEARS OF ATTACKS
AGAINST CHURCHES OF CHRIST WHICH WILL
NEVER IMPOSE INSTRUMENTAL IDOLATRY.
PROOF THAT ALL INSTRUMENTALISTS ATTACKS
ARE BASED ON LIES OR IGNORANCE.
NUMBERS 11 THE
REST OF THE STORY
ABOUT MUTTERING AND
MURMURING:
Violates Christ's outlawing
vocal or instrument
rejoicing or speaing your
own words in Numbers 10
DAVID
YOUNG STILL SAYS THAT ALL
THINGS ARE LAWFUL?
THE
"LEADERSHIP" IS PURPOSE-DRIVEN
TO SOW MASSIVE DISCORD WHICH
GOD HATES.
ELDERS
AND DEACONS ARE THE
ONLY VOCATIONAL
"STAFF" IN A CHURCH OF
CHRIST
The role
of PREACHER as SENT
Evangelist
ISAIAH 8: THOSE
WHO DON'T PREACH THAT WHICH HAS
BEEN PROVIDED ARE MARKED AS BEING
WITHOUT LIGHT.
THE
MARKS OF THE FINAL
SHAKING AND THE END-TIME
SHAKER.
The MARKS
of the BEASTS (Zoe) and the
INSECTS-PARASITES
(LOCUSTS or musical worship
teams)
THE FIREY
DESTINY OF THOSE WHO SOW
MUSICAL OR RHETORICAL
DISCORD
Keith Brenton New Wineskins Magazine series promoting
Instrumental music: Jay Guin's interview with Rick Atchley and
Chris Seidman Confess the calculated conspiracy to strip
all truth about instruments from sermons and Youth
Gatherings. This
Purpose Driven Church deliberately rejects the truth of the
Word and
church history but MARKS itself as the end-time agents of the
Babylon
mother of harlots using lusted after fruits. John calls them sorcerers
and marks them to be delivered alive (now) into the lak of
fire. That
fits the prophecy of Christ throughout Scripture but
especially Isaiah
30.
Read the added lower notes
that proves
that this is rank paganism. Rick
and David Faust have Mark
Henderson at Quail Springs doing catch up with a
lot of sowing
of discord.
Rick Atchley and Chris Seidman
manifesting Strong Delusions
See
Mike Cope
on A Cappella Music defending his friend Rick
Atchley
See Mike Cope promoting
women worship leaders
See
Mike Cope using Rick Atchley at the Pepperdine
2012 lectureship A New Beginning in Revelation 21
LEAVES BEHIND the Abominable and Sorcerers
(speakers, singers, instrument players)
Rick Atchley: The era of the progressive Church
of Christ is over.
Back
in the 80’s you could go to any major city, especially
in the South,
and you could find a progressive Church of
Christ — and if they would
preach grace, and if they would put words on a
screen, and if they
would let divorced people place membership,
they would grow.
The
generation of Boomers has enough denominational
loyalty that they’re
going to find the least legalistic
Well, we discipled the children of
those progressive churches
for a whole
generation to grow
past us Boomers.
They never
heard the sermons we heard.
They never
heard the rationale for a cappella
music.
We sent them to youth
rallies and Church of Christ events
with some of
the finest Christian
bands in the world.
We discipled our children to
leave our Movement!
8.07.12 The Spirit OF
Christ denied that God commanded king, kingdom, Temple,
priests, animal sacrifices or Levites who were
SOOTHSAYERS with instrumental noise (never music).
God's true command was that the Levites "stand in ranks"
ready to execute any civillian or any Levite who came
near any "holy" thing or into any "holy" place.
They were under the Kings and Commanders of the Army.
If you say that God commanded something He did not
command The Spirit OF Christ in Jeremiah
He calls it despising or Blasphemy.
The word "psallo" upon which
instrumental churches are built and ANTI-non instrumental people
sow discord means PLUCK: primarily a bow string.
The word never in recorded history meant to Play a Harp
much less Play a Melody upon a Harp.
To lead people into trying to silence the mouth of the
"victim" based on the PLUCKING word with the same root
as SOP further insists that The Spirit of Christ, the
inspired writers and recorded history prior to the
Disciples were TERMINALLY IGNORANT.
A
literate Holy Spirit or Paul or anyone worthy of being a
disciple of Christ given A holy spirit or A
good conscience to be able to read BLACK text on BROWN
paper would know two sets of facts:
First, since psallo never at any time or place in
recorded history MEANT more than pluck or smite a string
with your FINGERS and never with a PLECTRUM
they would know that pluck had and has absolutely no
"musical" content. That is why there is no
recorded Bible or literary example of being able to
instruct someone to pluck a string with
one word. If you tell someone PLUCK there is no telling
what would happen to you. The same is true in
English and all languages.
Second, if you want to tell someone to PLUCK an
INSTRUMENT there are compound words for
all named instruments and STYLES of plucking.
Third, you blaspheme the Spirit of Christ by saying
that:
- He was too ignorant not to use TWO words
such as PSALLO Plus A Harp.
- He was
too ignorant not to use one compound
word which meant play a harp
- He just
wanted to throw in stumble words for those who have
not been washed with water INTO the Word or
school of Christ or
- He
intentionally wanted to sow massive discord since
singing as an ACT was first imposed in the
hear 373.
Even if "psallo" meant play a harp
it could NEVER be used to justify a guitar pick, a flute
or drums
Playing the part of those
deliberately sowing discord and blaspheming, let's
assume that the Spirit of Christ or Paul or anyone prior
to 1878 was too illiterate to know about all of the
compound words. For instance.
Anti-psallô, A.play
a stringed instrument in accompaniment of song, a. elegois phorminga
{Apollo, Abaddon, Apollyon's instrument]
Epi-psallō,
A. play the lyre,
S.Fr.60,
Poll.4.58（Pass.); “
melesi kai rhuthmois”
SING,
“
tous humnous”
LXX 2 Ma.1.30:
Then the
priests sang the hymns.
Melos
A. limb, in early writers
always in pl.is corrupt for kata
meros
2.
metaphor., “esmen
. . allēlōn
melē”
Ep.Rom.12.5,
cf. 1 Ep.Cor.6.15.
meros
, A. share,
portion, 2. with Preps., ana
meros
in turn, successively,
III. the
part one takes in a thing
B. Especially musical member,
phrase: hence, song, strain, first in h.Hom.19.16
lyric poetry,
choral songs, Opposite Epic or Dramatic
verse
HH
19 To Pan:1 Muse, tell me about Pan,
the dear son of Hermes, with his goat's
feet and two horns —a lover of merry noise.
Through wooded glades he wanders with dancing nymphs
who foot it on some sheer cliff's edge, [5] calling upon
Pan, the shepherd-god, long-haired, unkempt.... Often he
courses through the glistening high mountains, and often
on the shouldered hills he speeds along slaying wild
beasts, this keen-eyed god. Only at evening, [15]
as he returns from the chase,
he sounds his
note,
playing sweet
and
low on his pipes of reed:
not even she could
excel him in melody —
that bird who in flower-laden
spring pouring forth her lament utters honey-voiced song
amid the leaves....
Then all the immortals were glad in heart and Bacchic
Dionysus in especial; and they called the boy Pan
because he delighted all their hearts.
2. music to which a song is set, tune,
Arist.Po.1450a14;
Melos is Opposite.
rhuthmos,
metron,
Pl.Grg. 502c;
Melos is Opposite metron
, II. metre, Ar.Nu.638,
641,
etc.;
Aristoph.
Cl. 638 Soc.
In the first place, to be clever at an entertainment,
understanding what rhythm is for the war-dance,
and what, again, according to the dactyle.
Again "meter" is the opposite of melos
or melody and rhythm.
Opposite
melos (music) and rhuthmos
(time), Pl.Grg.502c
Melos
is Opposite. rhuthmos,
rhēma,
Id.Lg.656c;
Melos is Opposite rhēma
(erō)
A. that which is said or spoken,
word, saying,
Ero
I. I will say or speak,
II. I will tell, proclaim, 2. to
be specified, agreed, promised
II.2. to be specified, agreed,
promised
sullegō
II. of persons, collect, get together,
“stasiōtas” Hdt.1.59;
“egkhōrious” E.IT303;
“khoron” Antipho 6.11;
“ekklēsian”
—Pass., come together, assemble, “rhēmata kai logous”
mustered, Gathered
1Corinthians 14:23 If therefore the whole church
be come together into one place, and all
speak with tongues, and there come in those
that are unlearned, or unbelievers, will they not
say that ye are mad?
1
Cor 14: 23 Ean oun sunelthē
hē ekklēsia holē epi to auto kai pantes lalōsin glōssais, eiselthōsin de idiōtai ē apistoi, ouk erousin hoti mainesthe;
Sunerkhomai II.
come together, assemble, meet “sunelthe pros Theōna”
La^l-eō ,Mark
of the Locusts
III. of musical sounds,
“aulō [flute] laleō” Theoc.20.29;
of trees, v.supr.1.2; “di'aulou [flute] ē salpiggos l.”[trumpet]
Arist. Aud.801a29;
of Echo, magadin lalein sound
the magadis, [double
flute]
3.
subject of speech, matter, Hebraism
cf. rhētos
rhēt-os
on stated terms, on certain conditions,
according to covenant
IV.
to
rh.
the precise, literal contents of a
document, the letter of the law,
expressly, distinctly,
Plb.3.23.5,
rhētos
literal, Opposite. allegorical, Ph.1.69, al.
Opposite Allēgor-eō
, (agoreuō) 2.
abs., speak figuratively or
metaphorically,
4. allēgor-ētēs
, ou, ho, allegorical
expounder,
agoreuō agora 1.
to speak in the assembly, harangue, speak
of the kērux in the
Ecclesia, tis agoreuein bouletai; who
wishes to address the people?
Since melos or
melody is the opposite of rhema or speaking
about the covenant and law, it is impossible to both
sing AND make melody at the same time with or without
an instrument. The "logos" forms of speech are also
the opposite of poetry or music.
YES, CHRIST IN THE PROPHETS WARNED US SO ALMOST ALL
CONGREGATIONS HAVE REPUDIATED THE NACC hostile takeover
working with ONCE Christian colleges.
Isaiah 28:14 Wherefore hear the word of
the LORD,
ye scornful
men, that rule this people which is in Jerusalem.
Isaiah 28:15 Because ye have said,
We have made a covenant
[cutting, smiting]with death,
and with hell
are we at agreement;
when the overflowing scourge shall pass through,
it shall not come unto us:
for we have made
lies [mendacium
myths, fable, poetry] our refuge,
and under falsehood
have we hid ourselves:
Isaiah
28.15 dixistis enim percussimus foedus cum morte et cum inferno fecimus pactum flagelluminundans cum transierit non veniet super nos quia posuimus mendacium spem nostram et mendacioprotecti sumus
All "playing" or "plucking" a musical instrument
words are derived from and often used to pluck or smite a
person. The
Levites musically mocked Jesus as He was crucified:
Percutio1. (With
the notion of the per predominating.) To
strike through and through,
to thrust or
pierce through (syn.: percello, transfigo).
a vein is opened, blood is let
b. To strike, play a musical
instrument (poet.): “lyram,” Ov. Am. 3, 12, 40;
Val. Fl. 5, 100.—
1. To smite, strike, visit
with calamity of any kind (class.): “percussus calamitate,” Cic. Mur. 24, 49:
“percussus fortunae vulnere,” id. Ac. 1, 3, 11: “ruina,” Vulg. Zach. 14, 18:
anathemate. id. Mal. 4, 6:
“plaga,” id. 1 Macc. 1, 32:
“in stuporem,” id. Zach. 12, 4.—
2. To strike,
shock, make an impression upon, affect
deeply, move, astound (class.): “percussisti me de oratione prolatā,”
Muthos , o(, 7.
talk of men, rumour, “aggelian . . tan ho megas m. aexei” S.Aj.226
(lyr.), cf. 188 (lyr.,
pl.), E.IA72;
report, message, S.Tr.67
(pl.), E.Ion 1340.
2. fiction (Opposite logos, historic truth),
Pi.O.1.29
(pl.), N.7.23
(pl.), Pl.Phd.61b,
Prt.320c,
324d, etc.
epos , words, speeches,
1. song or lay accompanied by music,
8.91,17.519.
Opposite Epagoge
2. bringing in to one's aid,
introduction
b. incantation,
spell, in pl., Pl.R.364c,
Lg.933d;
Hekatēs phaskōn epagōgēn gegonena ispell, Thphr.Char.16.7.
7. leading away into
captivity, captivity, LXX Is.14.17:
generally, distress, misery,Si.23.14
Hsch. saying that
Hecate had put it under a ib.
Isaiah 4:3 And it shall come to pass, that he that is left
in Zion, and he that remaineth in Jerusalem,
shall be called holy,
even every one that is written among the living in Jerusalem:
Isaiah 4:4 When the Lord shall have washed away the filth
of the daughters of Zion,
Jesus cast out the musical
minstrels "more or less violently, like dung."
And
the Lord will again wait,
that he may pity you, and will therefore be exalted that
he may have
mercy upon vou because the Lord your God is a judge
blessed are they that stay themselves
upon him. Isaiah 30:l8
LXX
For
the holy people shall dwell in Sion and whereas Jerusalem has wept bitterly saying, Pity me; he shall pity thee when he perceived the
voice of thy cry he hearkened
to thee. Isaiah 30:19 LXX
And
though the Lord shall give
you the bread of
affliction and sent
water,
yet
they
that
cause thee to err shall no more at all draw
nigh to
thee,
for thine
eyes shall
see
those
that cause thee
to err Isaiah 30:20 LXX
and
thine ears shall hear
the words of them that went after thee to lead
thee
astray,
who say, This is the way, let us walk
in it, whether to the right
or to the
left. Isaiah 30:21 LXX
And
thou shalt pollute the plated idols,
and thou shalt grind to powder (like
"melody" in Greek)
the gilt
ones,
and shalt
scatter them as the water of a removed woman,
and thou
shalt thrust
them forth as dung.
Isaiah 30:22 LXX
and shall have purged the blood of Jerusalem
from the midst thereof
by the spirit of judgment, and by the spirit
of burning.
Alăpa , ae, f. akin to
-cello, to smite, as if calapa; cf. kolaphos,
I. a stroke or blow upon the cheek
with the open hand, a box on the ear: “ducere gravem alapam alicui,” to give, Phaedr. 5, 3:
“ministri eum alipis caedebant,” Vulg. Marc. 14, 65;
ib. Joan. 18, 22;
19, 3; esp. among actors,
for the purpose of exciting a laugh among their auditors,
* Juv. 8, 192;
* Mart. 5, 61, 11.—When a
slave was emancipated, his master gave him an alapa; hence, poet.:
“multo majoris alapae mecum veneunt,” i. e. with me
freedom is much more dearly purchased, Phaedr. 2, 5, 25.
ălăpus , i, m. alapa, I.
a parasite, who submitted to the box on
the ear for gold,
Inpia blasphemi cecidit domus ecce Caiphae,
in qua pulsata est alapis facies sacra Christi,
hic peccatores manet exitus, obruta quorum 160
vita ruinosis tumulis sine fine iacebit.
The
universal root: Pulso , I. inf.
parag. pulsarier, Lucr. 4, 931),
1, v. freq. a. id., to push, strike,
beat (cf.: tundo, ferio, pello).
Of all musical instruments: Of
musical instruments: “chordas digitis et pectine eburno,” to strike,
play upon, Verg. A. 6, 647:
“chelyn,” Val. Fl. 1, 139:
“pectine nervos,” Sil.
5, 463: “cymbala,” Juv. 9, 62.—Of
things: “pulsant arva ligones,” Ov. Am. 3, 10, 31;
id. M. 11, 529:
“nervo pulsante sagittae,” Verg. G. 4, 313.—
Caedo , 1. To
cut, hew, lop, cut down,
fell, cut off, cut to pieces:
caesa abiegna trabes,
2. In gen., to strike upon something, to
knock at, to beat, strike, cudgel,
etc.: “ut lapidem ferro quom caedimus evolat ignis,
II. Trop.: caedere
sermones, a Grecism, acc. to Prisc. 18,
p. 1118 P., = koptein ta rhēmata, to chop words,
chat, talk, converse, Ter. Heaut. 2, 3, 1;
hărundo F. A
reed pipe, shepherd's pipe, Pan-pipes,
= surigx (an instrument made of
several reeds, fastened together with wax, each successive
reed somewhat shorter than the preceding): “junctisque canendo vincere arundinibus servantia lumina temptat,” Ov. M. 1, 684;
cf. id. ib. 1, 707
sq.; “11, 154: agrestem tenui meditabor harundine Musam,” Verg. E. 6, 8;
cf.: “compacta solitum modulatur harundine carmen,” id.
Cul. 100: “nec crepuit fissa me propter harundine custos,” Prop. 4 (5), 7, 25.—
God won't let such people read or hear His Words: strong
delusions
results in religious services focused on rhetoric, singing and
instruments. Christ identified these as the hypocritic arts and
crafts
of the Scribes and Pharisees.
Therefore they missed that because they volunteered to EXECUTE
3,000 of
their brethren who engaged in musical idolatry of the Egyptian
(etal)
trinity at Mount Sinai.
Hezekiah knew that what God commanded was that the Levites STAND
IN
RANKS at the cursed slaughter of the innocents
to execute any godly
person who came near.
By using the Levites as the patternism for instrumental music
people have doomed themselves to be executed spiritually because
that's what God commanded.
Only for the BURNT OFFERING does reading 101a show that the
Levites
under the king and commanders of the army made
instrumental
noise. History and Christ in the prophets knows that God
never
commanded sacrifices or burnt offerings: only a select
priesthood made
burnt offerings and these were to DEMONS.
This must be
deception of Biblical proportions especially since
it is based on violating all Biblical and Historical
evidence. It is not possible to be so
misinformed.
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The Serpent
Deceiver is
defined as a Musical Enchanter(ess). Christ calls
Tyre. Lucifer "the
singing and harp-playing prostitute in the garden
of Eden."
"According
to the
system which Nimrod
was the grand instrument in introducing, men were
led to believe
that
a real
spiritual change of
heart was unnecessary,
and that so far as change was needful,
they could be regenerated by mere external
means.
"Looking
at the subject in the
light of the Bacchanalian orgies (Read
Ephesus and
Corinth), which, as the reader has seen,
commemorated the history
of Nimrod, it is
evident that
he
led mankind to seek
their chief good in sensual
enjoyment,
and
showed them how they might
enjoy the pleasures of sin, without any fear of
the wrath of a holy
God.
"In
his various
expeditions he was always accompanied by troops
of women; and by music and
song,
and
games
(ritual
drama) and revelries,
and everything that could please the
natural
hearts,
he
commended himself to the good graces
of
mankind." (Hislop, Alexander, The Two Babylons, p. 55, Loizeaux
Brothers)
Rome:
Therefore it was brought in secretly, and
by little and little, one corruption being
introduced after another, as apostacy
proceeded, and the backsliding Church
became prepared to
tolerate it, till it has reached
the
gigantic height we now see, when in almost every
particular the
system of the Papacy is the very antipodes of
the system of the primitive
Church.
Of the gradual
introduction of all that is now
most characteristic of Rome,
through the working of the "Mystery of
iniquity.
Aristotle: Melody Deceives: "Poets also make use of
this in inventing words, as a melody
"without strings" or "without the
lyre"; for they employ epithets from
negations, a
course which is approved in proportional metaphors..
The form of
diction should be neither metrical nor without
rhythm.
If
it is metrical, it lacks
persuasiveness, for it appears
artificial, and at the same
time it distracts
the hearer's attention, since it sets him
on
the watch for the recurrence of such and such
a cadence..
According
to Philo, the gods of the pagans exploit this weakness of
men. For the sake of a
better effect, and with the intention
of more easily cheating their devotes, that they have set
their lies to melodies, rhythms
and meters.."
Click for more.
-347d
such is their lack of
education—put a premium on flute-girls
by
hiring the extraneous voice
of the flute at a high price,
and
carry on their intercourse by means
of its utterance.
But where the party consists of thorough
gentlemen
who have had a proper education,
you will see
neither flute-girls nor
dancing-girls nor harp-girls,
but only the
company contenting
themselves with their own conversation,
and none of
these fooleries and
frolics—
each
speaking and listening decently in his turn,
Pind.
N. 7 Skillful men know the wind
that will come on the day after tomorrow,
and they do not
suffer loss through the love of gain.
The rich man and
the poor man alike travel together to the boundary
of death.
[20] And I
expect that the story of Odysseus came to exceed his
experiences,
through the
sweet songs of Homer,
since there is
a certain solemnity in his lies and winged
artfulness,
and poetic skill
deceives, seducing us with stories,
and the heart
of
the mass of men is blind.
For if [25] they had been able to see the
truth, then mighty Aias, in anger over the arms,
would never have planted in his chest the smooth
sword—Aias, who was the most powerful
in battle,
According
to Philo, the gods of the pagans exploit this weakness of men. For the sake of a
better effect, and with the intention
of more easily cheating their
devotes, that they have set
their lies to melodies, rhythms
and meters.."
Click for more.
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Rick Atchley: They’re
not leaving the kingdom of God, and I’m not
saying that — so please
hear me say, I’m not placing the health of the
Movement above the
kingdom of God — I want my kids to love Jesus,
but I do think that
Churches need to understand.
The use of musicians and music
as well as rhetoricians is the MARK that the
kingdom has not come to that lost
congregation. When a church turns to what John calls
Sorcery with Instrumental Accompaniment, that body and
the Lamps have been removed from the Kingdom of
Christ.
Jesus said the kingdom of God does not come to
"Religious Observations" or worship
services: Jesus commanded the ekklesia
or synagogue as A School of Christ (only). Too
bad. When God
sends strong delusions the Lying Wonders are religious
observations using rhetoric, singing and instruments SAYING that
they are doing God's Will.
Rick
Atchley: They
are older and smaller, and their kids
are gone. Their kids have fond memories of growing up in
that church.
The church taught them about Jesus, but now they are somewhere else.
You
know, when I hear some of those old arguments about
music, because of
my history, even though I disagree, at least I can
connect the dots and
see how you got there. My children don’t even have the
graph paper!
The doctors of the law--who take away the key to
knowledge--and the scholars cannot grasp that at no time or
place in the entire Bible did the godly people ever assemble
to engage in congregational singing with instrumental
accompaniment. The Levites--the
patternism of the NACC--engaged in Soothsaying with
instrumental accompaniment. That was to warn any godly
person not already abandoned that they would be executed if they
came near.
Clement:
Recount to us also the useless
oracles of that other
kind of divination, or rather madness, the Clarian, the Pythian,
the
Didymaean, that of Amphiaraus, of Apollo, of
Amphilochus; and if
you will,
couple ("deprive of their
holiness," "no longer count holy." Eusebius reads: "unholy interpreters."
)
Apollo
is the Biblical Abaddon or
Apollyon.
with
them the expounders of prodigies,
the augurs,
and the interpreters of dreams.
And bring
and place beside the Pythian
those that divine by flour, and those that divine by
barley,
and
the ventriloquists still held in
honour by
many. Let the
secret shrines of the
Egyptians and the necromancies of the
Etruscans be
consigned to darkness.
Insane
devices truly are they
all of unbelieving men.
Goats, too, have
been confederates in this art
of soothsaying, trained to
divination;
and crows taught by men to give
oracular responses to
men.
Assume that you are aware that because of musical idolatry God
turned Israel over to worship the starry host: that was the same
planetary and fire worship practiced by the Jews who were now
Egyptians.And Amos, Acts 7 and others give the NAMES to
whom God abandoned Israel and they have names associated
with the sun, moon and the known wandering stars and
planets and not the Jehovah God of Abraham.
"Hathor and Aphis, the cow and bull gods of Egypt, were representatives of sun
worship.
Their worship
was just one stage in the long Egyptian history of solar veneration. The golden calf at Mount
Sinai is more
than sufficient evidence to prove that the feast
proclaimed was related to sun
worship.
The event at Mount
Sinai was
just one
episode in the Satanic
apostasy
which began at
the tower of
Babel. The
celebration
of December
25th,
originally
proclaimed in honor of the birth of the sun god Mithra, can only be one of the
final events in the long continuing saga of
Satanic sun worship."
Richard Rives, Too Long in the Sun, Partakers Pub., 1996,
pp. 129-30.
According to Jeremiah, vii. 21, 22, blood
offerings were not divinely commanded.
According to the
Samaveda, says Jacolliot,7 it is murder to
shed blood except as an offering.
In comparing the
Jewish religion with
the Hindu, Leviticus, xvii. 3, 4, offers a positive
testimony.
The
verses show that the Hebrews were under the sway of this
chief brahman
doctrine.
Porphyry The Iamblichus
"As Manetho related, they were used in
archaic times to burn
living men in the city of Ilithyia styling them
Typhonian." Ashmes,
who expelled the Hyk-sos rulers, put an end to
the custom. It existed
in Asiatic countries, where Semitic worships existed,
and even the
Hebrews seem not to have been an exception
yry and others of the philosophers of that
period
declared distinctly
that the sacrifices of living creatures
were not for the
gods at all,
but for daemons
and the lower orders of
spiritual essences.
Plutarch
denounced this practice,
and declared his
belief that there
was never
a god that required it,
but it was only
intended to avert and
appease
the malice and rancor of evil spirits.
And you pick as
LEGALISTIC PATTERNISM one of the isolated slaughter of God's
animals with
loud noise called exorcism for which Hezekiah had to look back
almost
300 years from its authority for "stopping a plague."And
Christ in the prophets calls these Civil-Military-Clergy
people who had rejected God's rule, robbers and parasites.
And you say that this is the pattern for the ekklesia
or synagogue or Church of Christ which outlawed "vocal or
instrumental rejoicing" including rhetoric.We can assume that
such a person is selling himself as a brain surgeon when he
doesn't know where to cut.
None of the Bible is metrical and cannot be sung tunefully
even if they knew how, and congregational singing of radically
rewritten Psalms (only) to be sung in unison (only) never
happened until after the Reformation. We can assume that
anyone who can even hallucinate congregational singing with
instrumental accompaniment is SEEING THE UNSEEN
as LU suggests that you use your imagination which God
says is only evil continually.
It is not possible that anyone who knows that only baptized
disciples
are Christiains can define the word "disciple" and still impose
by
violent means a "musical worship team" to fabricate their own
text. By
refusing to comply with "teaching that which has been taught" or
"that
which is written for our learning" one is violating direct
commands and
lying that God has the right to command, example or infer.
My thesis is that Rick has never read
Christ's views about instrumental music. He is
reading off the
NACC white paper but does not grasp that "vocal or
instrumental
rejoicing" or elevated forms of speech was OUTLAWED
for the Church of
Christ in the wilderness.
Chris Seidman:
Let me say this, I don’t think whether our churches
become “hybrids” with a cappella
and instrumental services will be the
difference-maker in whether the
younger generations stay with the Movement. I think
there are bigger fish to fry in their
minds. But I do think that music is a variable
in
their decision.
Not
only is the instrumental genre a part of the
culture,
but they are growing up with it
being used in their children’s
and youth ministries.
Yes, we knew that this was going on
and it is called "boiling the frogs" to disciple the
NEXT generation to be disloyal to the Word of God.
The kingdom of God does not come with religious
observation or with INSTRUMENTAL SERVICES: the Kingdom
of God is withing a believer. That is the only
place where one
can worship in Paul's UNIQUE sense of "giving heed to
the Word of God." Paul said that they worshipped IN
THE SPIRIT as opposed to IN THE FLESH specificially to
keep the dogs, catamites or old style praise singers
called Cynics from attacking from within.
We
always understood this to be the method of
deliberately altering the minds of the
youth so they would finance people with no
Biblical role
and no dole.
Chris Seidman: When they get to adulthood
and begin functioning within a local church in
our heritage, they will notice its
absence. And I think that in the long run, they won’t
engage in a
discussion because,
as
Rick said, they don’t even have the graph paper
to connect the dots.
They’ll be more likely just to quietly transition
to another part of Christendom.
This is happening
right now.
Between our concern for the younger generations
in the Movement and our
desire to reach those who have disengaged or
never connected with Jesus
in our culture, we think it’s worth addressing
the matter.
That is whistling in the cemetary by those whose hostile
takeover has had almost no effect. In fact, as they mature
they will be disgusted by rhetorical (effeminate) preaching and
the wimpy-burger praise singers.
CLAIMING TO BE A TEACHER BUT NOT KNOWING THAT THE CHURCH OF
CHRIST IS BUILT ON THE PROPHETS AND APOSTLES IS
DANGEROUS. That
is why most preachers and "scholars" cannot read BLACK
text on BROWN paper
where Christ REPUDIATES you and puts you beyond
redemption:
Isa 57:3 But draw near hither,
ye
sons of
the sorceress, the seed of the adulterer and
the whore.
Augŭrātrix , īcis, f.
id.,I. a female soothsayer or diviner
(post-class.), Vulg. Isa. 57, 3
(as transl. of the Heb. ; but in Paul. ex Fest. p. 117, the correct
reading is argutatrix; v. Müll. ad h. l.
Clement:
Recount to us also the useless
oracles of that other
kind of divination, or rather
madness, the Clarian, the
Pythian, the
Didymaean, that of Amphiaraus, of Apollo, of
Amphilochus; and if
you will,
couple ("deprive
of their
holiness," "no longer count holy." Eusebius reads: "unholy
interpreters." )
Apollo
is the Biblical Abaddon or
Apollyon.
with
them the expounders of
prodigies, the augurs,
and the interpreters of
dreams. And bring
and place beside the Pythian
those that divine by flour, and those that divine by
barley,
and
the ventriloquists still
held in honour by
many. Let the
secret shrines of the
Egyptians and the necromancies of the
Etruscans be
consigned to darkness.
Insane
devices truly are they
all of unbelieving men.
Goats, too,
have been confederates in this
art of soothsaying,
trained to divination;
and crows taught
by men to give
oracular responses to
men.
Soothsayers: Anan (h6049) aw-nan'; a prim.
root;
to cover; used only as denom. from 6051, to cloud over;
fig. to act
covertly, i. e. practise magic: - * bring, enchanter,
Meonemin, observe
(-r of) times, soothsayer, sorcerer.
Anag
(h6026) aw-nag'; a prim. root; to be soft or pliable,
i. e. (fig.)
effeminate or luxurious: - delicate (-ness),
(have) delight (self),
sport self.
Empaizô
, fut. - mock at, mock, tini 3. Pass.,
to be deluded, Ev.Matt.2.16,
AP10.56.2 (Pall.), Vett.Val.16.14; to be defrauded,
of the revenues,
Cod.Just.1.34.2. II. sport in or on, hôs nebros
chloerais
e. leimakos hędonais E.Ba.
866 (lyr.); tois
choroisin e. to
sport in the dance, Ar.Th.975; tôi gumnasiôi Luc.Lex.5 .
Paig-ma , atos, to,
II. 'child's play',
to toiouto p. tōn logōn
- Hędonę A. enjoyment, pleasure, first in
Simon.71, S.l.c.,
Hdt.1.24, al.; prop. of sensual
pleasures,
JUST AFTER
RICK ATCHLEY'S FODDER FROM THE NACC
2Chr 33:6 And he caused his children to pass through the
fire in the valley of
the son of Hinnom:
also he observed times,
and used enchantments, and
used witchcraft,
and dealt with a
familiar spirit, and with wizards: he
wrought much evil in the sight of the LORD,
to provoke him
to anger.
[6] transireque fecit filios suos per ignem in valle Benennon observabat somnia sectabatur auguria maleficis artibus inserviebat habebat secum magos et incantatores multaque mala operatus est coram Domino ut inritaret eum
ignis , Charis A.
(Mostly poet.) The fire or glow
of passion, in a good or bad sense; of
anger, rage, fury: “exarsere ignes animo,” Verg. A. 2, 575:
“saevos irarum concipit ignes,” Val. Fl. 1, 748
“quae simul aethereos animo conceperat ignes, ore dabat pleno carmina vera dei,” “(Dido) caeco carpitur igni,” the secret
fire of love, Verg. A. 4, 2
Carmen 1.
In gen., a tune, song, air, lay,
strain, note, sound, both vocal and instrumental
sc. Apollinem [Apollo, Abaddon] concordant carmina nervis, “barbaricum,
B. An incantation, charm,
magic song,
etc.: cantusque artesque magorum. Ov. M. 7, 195;
7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471:
“magici,
Ars
, artis, f. v. arma,
(a). Rhetorical : “quam multa non solum praecepta in artibus, sed etiam exempla in orationibus bene dicendi reliquerunt!” Cic. Fin. 4, 3, 5:
“ipsae rhetorum artes, quae sunt totae forenses atque populares,” id. ib. 3, 1, 4: neque eo dico,
quod
ejus (Hermagorae) ars mihi mendosissime scripta videatur;
nam satis in
eā videtur ex antiquis artibus (from the ancient works on
rhetoric)
ingeniose et diligenter electas res collocāsse, id.
Inv. 1, 6 fin.: “illi verbis et artibus aluerunt naturae principia, hi autem institutis et legibus,” id. Rep. 3, 4, 7:
“artem scindens Theodori,” Juv. 7, 177.—
Isa 57:4 Against whom do ye sport
yourselves?
against whom make ye a wide
mouth, and draw out the
tongue? are
ye not children of transgression, a seed
of falsehood,
This is
defined--then and now--as rising up to Play including
playing
instruments and playing one with another (Romans
1). This was a
sin WITHOUT REDEMPTION.
Lūdo , ” Verg. E. 6, 1.—Esp.,
to play on an instrument of music, to make
or compose music or song: “ludere quae vellem calamo permisit agresti,” Verg. E. 1, 10:
“quod tenerae cantent, lusit tua musa, puellae,” id. Am. 3, 1, 27:
“coloni Versibus incomptis ludunt,” Verg. G. 2, 386:
“carmina pastorum,”
Musa
I. a muse, one of the goddesses
of poetry, music, and the other liberal arts.
A. A song, a poem: “musa procax,” Hor. C. 2, 1, 37:
“pedestris,” a style of
poetry bordering on prose, id. S. 2, 6, 17.—
Canto:
. Neutr., to produce melodious sounds
(by the voice or an instrument), to sound, sing,
play (class. in prose and poetry; rare in Cic.).
C. Transf., of instruments, to sound,
resound: “pastoris bucina cantat,” Pro
C. Transf.,
of
instruments,
to sound,
resound:
“
pastoris bucina cantat,”
ProI.
Lit.,
to play, play at a game of some
kind:
C. Ludere aliquem or aliquid,
to play, mock,
imitate, mimic a person or thing (only in
mockery; cf.: partes agere, etc.): civem bonum ludit,
Cael. ap.
Cic. Fam. 8, 9, 1;
cf.: “
ludere opus,”
to imitate work,
make believe work,
Sport: Anag
(h6026) aw-nag'; a prim. root; to be soft or pliable, i.
e. (fig.) effeminate or luxurious: - delicate
(-ness), (have) delight (self),
sport self.Empaizô
, fut. - mock at, mock, tini 3.
Pass., to be deluded, Ev.Matt.2.16,
AP10.56.2 (Pall.), Vett.Val.16.14;
to be defrauded, of the revenues,
II. sport in or on, “hōs nebros khloerais e. leimakos hēdonais” E.Ba. 866
(lyr.); tois khoroisin e. to sport in the
dance, Ar.Th.975;
“tō gumnasiō” Luc.Lex.5.
Prophetic:
Isa 57:18 I
have seen his ways, and will heal
him:
I will
lead him
also, and restore comforts unto him and to his mourners.
Isa
57:19 I create the fruit of
the lips;
Peace, peace to him
that
is far off, and to him that is near, saith the Lord; and I
will heal
him.
Heb 13:14
For
here have we no continuing city, but we seek
one to come.
Heb 13:15
By
him therefore let us offer the sacrifice to
God continually,
that
is,
the fruit of our lips
giving
thanks to his
name.
Amos and John warn about the "Lips of the Fruits."
All recorded history
proves that religious services with singing and instruments is
the mark of The Lips of the Fruits.
The
Levites: Acted as Soothsayers with Instrumental
Accompaniment.
They were commanded to stand guard (God's command in 2
Chronicles 29)
and make a loud crashing sound. This was not "worship" but to
warn any godly non-Levite who came
near that they would be EXECUTED. Moses ordained them to bear
the burden of THEIR
OWN INIQUITY
and to guard the not-commanded sacrificial system from
non-Levi tribes. The Levites failed when they took the
sacrifices
out from behind closed gates and walls in Jerusalem where the
horrors
of slaughtering and burning God's creatures and the lambs of
the poor
was exposed for what it was. Christ says that it was NOT
commanded. If you say that it WAS commanded then Christ
in
Jeremiah 23 says that you have blasphemed the Holy Spirit of
Christ
When you have been deluded you must boast! Rick Atchley speaks
of the
"progressive Church of Christ" which we know to date from the
census of
the Disciples of Christ in 1971 which recognized the beginning
of the
Christian Church / Churches of Christ as a separate
denomination
regulated by the NACC: first setting up new turf in
1927. Men
began to "progress" people by gradual introduction of "acts"
which they
understood to be "discording" but which would in time bear
fruits. Having made that divisive, discording leap, the
next
Purpose Driven Step was to "go all of the way" and become what
any
Bible-honoring disciple understands to be SECTARIAN or
HERETICAL which
means "to steal other people's property by induced
dissociation by "a
New Style of Music or Drama" which is exactly the meaning of
the BEAST
in the book of Revelation.
You should understand that the Grace-Centered cult used grace
to mean
"we gonna violate the principles of Christ but grace gonna
give us
cover." Grace is another designator of Christ Who came
as Word to
teach us to DENY what the Post-Progressives actively promote:
John 1:14 And the Word was made flesh,
and dwelt among us,
(and we beheld his
glory,
the glory as of the
only begotten of the Father,)
full of grace and
truth.
John 1:15 John bare witness of him, and cried, saying,
This was he of whom I
spake, He that cometh after me is preferred before me:
for he was before me.
John 1:16 And of his fulness have all we received, and grace
for grace.
John 1:17 For the law was given by Moses,
but grace and truth
came by Jesus Christ.
Titus 2:11 For the grace of God that
bringeth salvation hath appeared to all men,
Titus 2:12 Teaching us that,
denying ungodliness and
worldly lusts,
we should live soberly,
righteously, and godly, in this present world;
Titus 2:13 Looking for that blessed hope,
and the glorious
appearing of the great God and our Saviour Jesus Christ;
Titus 2:14 Who gave himself for us,
that he might redeem
us from all iniquity,
and purify unto
himself a peculiar people, zealous of good works.
Titus 2:15 These things speak, and exhort, and
rebuke with all authority. Let no man despise thee.
Universal Thesis: Study
to shew thyself approved unto God, a workman
that
needeth not to be ashamed, rightly dividing
the word of truth. 2Tim. 2:15
Dividing means to teach logon as
it has been delivered
Word or Logos: Opposite to rhetoric,
singing, playing, preacher's tales.
Christ in Isaiah 58
forbids "speaking your own words or seeking your own
pleasure."
Looks like the NACC has snookered these men into violating
ALL of the direct commands not availabile to the
"doctors of the Law."
Universal AntiThesis: But
shun profane and vain babblings: for
they will increase
unto more ungodliness. 2Tim. 2:16
And their word will eat as doth a canker: of whom
is Hymenaeus and Philetus; 2Tim. 2:17
Vain includes any of the WORKS of human hands or
human rhetoric or human music.
Kenophōn-ia agraph-os, unwritten wills, speak without the
book, law of nature, religious traditions, not
weighed or tested, teaching clandestinely.
Hebrews 9:16 For where a testament is,
there must also of necessity
be the death
of the testator.
Hebrews 9:17 For a testament is of force after men are
dead:
otherwise it is of
no strength at all while the testator liveth.
vānus I.
that contains nothing, empty, void.
vacant.
B. Transf., of persons, false,
lying, deceptive, delusive, untrustworthy:
“orationi vanae crediderunt,” idle,
delusive, Cic. Rosc. Am. 40, 117:
“voti vanus,” i. e. deceived,
Sil. 12, 261: “turba vana sanctitudinis,”
Turba “festaque confusā resonabat regia turbā
You cannot even hallucinate a role for rhetoric or
other hypocritic
arts WITHOUT repudiating the Last Will and Testament of
Jesus Christ
revealed in the Prophets and Apostles.
The Jews profaned the Sabbath at Mount Sinai by musical
idolatry of the Egyptian (etal) trinity.
Bebęl-oô , A.profane,
to sabbaton LXX
Ex. 31.14 , Ev.Matt.12.5;
ta anthrôpina
2.pollute, defile, tina LXX
Le.21.9 , Hld.2.25
To defile the sabbath is:
Chalal
(h2490) khaw-lal'; to profane (a person,
place or thing), to break
(one's word), to begin (as if by an "opening wedge");
denom. (from
2485) to play (the flute): --- take inheritance, pipe, player on instruments,
pollute, (cast as) profane (self), prostitute,
slay (slain), sorrow, stain, wound.
Profane:
952. bebelos, beb´-ay-los; from the base of
939 and
belos (a threshold); accessible (as by crossing the
door-way), i.e. (by
implication, of Jewish notions) heathenish,
wicked: profane (person). The Levites Soothsayed
with Instrumental accompaniment
953. bebeloo, beb-ay-lo´-o; from
952; to desecrate: profane.
954. Beelzeboul, beh-el-zeb-ool´; of
Chaldee origin (by parody on H1176);
dung-god; Beelzebul, a name of Satan:
Beelzebub.
-Symoisuyn [218b] a Pausanias, an Aristodemus, and an Aristophanes--I need not mention Socrates himself--and all the rest
of them; every one of you has had his share
of philosophic frenzy and transport, so
all of you shall hear. You
shall stand up alike for what then was done and for what
now is spoken.
But the domestics, and all else profane and clownish,
must clap the
heaviest of doors upon their ears.“Well,
gentlemen, when the lamp had been put out
-Bebēlos. Cp.
Schol. Aristid. III. p. 471 esti de kērugma mustikon to “thuras... bebēloi,” hōs pou kai Orpheus dēloi “phthegxomai hois themis esti: thuras d' epithesthe bebēloi”: Tim. bebēloi: amuētoi. Alcib.'s language,
like Diotima's, is suggestive of mystery-lore: cp. Theaet. 155 E;
Eur. Bacch. 70 ff., 472; Horace's “odi
profanum volgus et arceo.”
You Profane by:
-Phthenxomai of the battle-cry,
X.An. 1.8.18;
of the recitative of the chorus, Id.Oec.8.3;
“ouketi porrō dithurambōn ph.” Pl.Phdr.238d
3. of inanimate things, of a door, creak,
Ar.Pl.1099;
of thunder, X.Cyr. 7.1.3;
of trumpets, Id.An.4.2.7,
5.2.14;
of the flute, Id.Smp.6.3,
Thgn.532; of the lyre,
“phormigx ph. hiron melos” Id.761, cf. Arist. Metaph.1019b15;
of an earthen pot, eite hugies eite sathron ph. whether it rings
sound or cracked, Pl.Tht.179d;
ph. palamēsi to clap
with the hands, Nonn.D.5.106,
The phormix is proof of "Apollyon making melody
in a holy place."
Universal Thesis
|
Universal Thesis |
|
1 Tim 1:3 As I
besought thee
to abide still at
Ephesus, when I went into Macedonia, that thou
mightest charge some
that they teach no other doctrine,
Mat 28:20 Teaching
them to observe all things whatsoever
I have commanded
you: and, lo, I am with you alway,
even unto the end of the world. Amen.
|
2Timothy 4:2 Preach
the word;
be instant in season,
out of season;
reprove, rebuke,
exhort
with all longsuffering
and doctrine.
2Timothy 4:3 For the time will come when
they will not endure sound doctrine;
|
| Universal AntiThesis |
Universal AntiThesis |
|
1 Tim 1:4 Neither give heed
to fables and endless
genealogies, which
minister questions,
rather than godly edifying [teaching]
which is in faith:
so
do.
Col 1:25 according to the stewardship
of God which was given me
toward you, to fulfill the word of
God,
|
2Timothy 4:3 but after
their own lusts shall they heap
to themselves teachers, having itching ears; [eager for combat,
pleasure, to be wanton, get one's sores
scratched. Helkos the festering bite of a serpent,
plague]
2Timothy 4:4 And they shall turn away
their ears
from the truth,
|
Alēth-eia truth,
opposite lie or mere appearance,
mim-ēma anything
imitated, counterfeit, 2. artistic
representation, Pl.Lg.669e,
autophues m. luras, of the akris, [Locusts]
The MARK of the
Locusts (Muses) is Imitating the Lyre or Harp.
A. Self-Grown
B. lura A.
lyre, a stringed instrument with a
sounding-board formed of the shell of a tortoise
l. kai kithara
Plat.
Laws 669e without words, and
using the bare sound of harp or flute,
wherein it is almost impossible to understand
what is intended by this wordless rhythm
and harmony,
or what
noteworthy original it represents.
Such methods,
as one ought to
realize, are clownish in the extreme
in so far as
they exhibit an excessive craving for speed,
mechanical accuracy,
and the imitation
of
animals' sounds, and consequently employ
the pipe and the harp
without
the accompaniment of dance and song;
Therefore, the instrument adds NOTHING to
the command to teach that which has been taught.
|
Muthos
talk of men, rumour, tale,
story, narrative, logos, without
distinction of true or false, either
of a story which never comes to an end, 2.
fiction (opp. logos, historic
truth), generally fiction,
|
and shall be turned unto fables
Logos is the opposite of poetry or music
or anything that happens in your life.
|
Pind.
O. 1 From there glorious song enfolds
the wisdom of poets, so
that they loudly sing [10] the son of Cronus, when
they arrive at the rich and blessed hearth of Hieron,
who wields the scepter of law in Sicily
of many flocks, reaping every excellence at its peak,
and is glorified
[15] by the choicest music, which we men often play
around his
hospitable table. Come, take the Dorian lyre down from
its peg, if the
splendor of Pisa
and of Pherenicus placed your mind under the influence
of sweetest thoughts
Yes, there are many marvels,
and yet I
suppose the speech of mortals
beyond
the true account can be deceptive,
stories
adorned with embroidered lies;
[30] and Grace, who fashions all gentle things
for
men, confers esteem and often contrives to make
believable the
unbelievable. But the days to come are the
wisest witness
|
Rubel Shelly, Rick Atchley etal say that "we should be as
much LIKE the World to win the World." The
sacrificial system and their 'patternism' for noise makers under
the "King set over us" and his new Levite who were not
musical worship ministers but chief executioners
under the king and commanders of the army.
Jesus Christ says:
And now, O Father, glorify thou me with thine own self with
the glory which I had with thee before the world was. John
17:5
I have manifested thy name unto the men
which thou gavest
me OUT of the world:
thine they were, and
thou gavest them me;
and they have kept thy word. John 17:6
Now they have known that
all things whatsoever thou hast given
me are of
thee. John
17:7
For I have given unto
them the words which thou gavest
me; [CENI]
and they have
received them,
and have known
surely that I came out from thee,
and they have
believed that thou didst send me. John 17:8
I pray for them: I pray NOT for the world,
[the kingdom does not come with
religious observations]
but for them
which thou hast given me; for they are thine. John 17:9
Neither pray I for these
alone,
but for them also
which shall believe on ME
through THEIR WORD; John 17:20
If you fabricate your own songs and sermons then Jesus says that
the Father has not given you to the Son.
If you fabricate your own songs and sermons they will believe in
YOU and your words.
Facts prove that people fabricate because they KNOW that
teaching the
truth would not make them rich and famous and they would have to
suffer.
Instruments are the MARKS that God has removed the speakers,
singers and instrument players from the
kingdom at the same time that the LAMPS are removed
(Revelation 18) because all of these arts are named hypocrites
by Jesus and sorcerers by John: the sorcerers are
already cast alive into the Lake of Fire and that is why they
cannot stay still or quiet.
JESUS DOES NOT PRAY FOR THOSE OF THE WORLD WHO HAVE NO
INHERITANCE IN A SPIRITUAL KINGDOM.
Kosmos , metaph.,
of ornaments of speech, such as epithets,
Id.9.9
(pl.), Arist.Rh.1408a14,
Po.1457b2,
1458a33; hadumelē k. keladein to sing sweet
songs of praise, Pi.O.11
(10).13 (s.v.l.).
Pind.
O. 11 My tongue wants to foster such
themes;
[10] but it is by the gift of a
god that a man flourishes with a
skillful mind, as
with anything else.
For the present rest assured, Hagesidamus son of
Archestratus: for the
sake of your boxing victory,
I shall loudly sing
a sweet song, an adornment for your garland of
golden olive,
[15] while I honor the
race
of the Western Locrians.
There, Muses, join in the victory-song; I
shall pledge my word to you that we will find there a race
that does
not repel the stranger, or is inexperienced in fine deeds, but one that
is wise and warlike too.
Kosmo-krator
epith. of ouranos, Orph.H.4.3;
“Zeus Mitras Hēlios k. Dam.Pr.131; hoi k. tou skotous toutou the cosmic rulers
of this sinful world, Ep.Eph.6.12;
“hoi k. hoi ta hupo selēnēn stoikheia dioikountes”
Ephesians 6.[12] For our wrestling is not
against flesh and blood, but against the principalities,
against the
powers, against the world's rulers of the darkness of
this age, and
against the spiritual hosts of wickedness in the heavenly
places.
G3823 palē pal'-ay From πάλλω pallō (to vibrate; another form
for G906 ); wrestling:—+ wrestle.
Why would false teachers use the weapons/instruments of
the World which Jacob warned about to wrestle with the evil
powers in
high places (podiums) when THESE are the instruments of the
Devil--there is no other recorded history.
Pallô, poise, sway
a missile before it is
thrown, sway, brandish, she drove
it furiously, tripped on the shield-rim, quiver, leap, esp.
in fear, II. Pass., swing, dash oneself, Pi.N.5.21; vibrate,
of strings, Pl.Phd.94c (psalloito ap.
Stob.); leap, bound,
quiver, quake, phrena
deimati pallôn S.OT153 (lyr.); dash along, of horses,
E.El.477
(lyr.).
God the One Father in Heaven made Jesus of Nazareth to be both
Lord and
Christ. God breathed (spirit) His thoughts on Jesus who
articulated the
very Words of God. Jesus the Son of God delievered these
words to
the Apostles. The Apostles in turn left us a "memory" of their
eye and
ear witness of the Rising Lord. Peter says that those who do not
speak
what was revealed through the Prophets and Apostles IS A FALSE
TEACHER.
Christ
in Isaiah 55 gave us the "free water of the Word" and
in Isaiah 58 commanded us NOT to seek our own pleasure or even
speak our own words.
Paul being Prophet-literate commanded the same thing in
Romans 15 where
all of the hypocritic (Scribes and Pharisees) arts and
crafts are
FORBIDDEN.
Even
Simple
Simons know not to arouse the people's lust of the eyes and
ears when
Jesus comes to be our teacher when the elders "teach that
which has
been taught." Rick Atchley got his "spiritual" message from
the WORLD
and therefore Jesus will not even pray for him.
WHAT RICK DOESN'T GRASP IS THAT THE NACC AGENTS WERE BUSY
CUCKOLDING THE LATTER DAY PROPHETS.
See
David Faust's insisting on Instrumental Music while
PRETENDING to be preaching 'unity.'
Rick just told you how "WE" deliberately REMOVED
the
graph paper: by musical performance the minds of the kids weree
also
altered based on all recorded history where "people set their
lies to
music to deceive the simple."
By believing all of the lies on the NACC white paper, Rick was
also
deprived of the graph paper which had all of the dots
removed. He
was carefully handled
If Rick had become a Disciple of Christ he would have found not
a single instance of God's
righteous people ever goint to synagogue where the elders
violated the
direct commands of Christ for the Qahal, synagogue or church of
Christ
in the wilderness. You have to be strongly delusioned to
impose
music where the Campbells understood the Bible and taught:
Church is A school of Christ
Worship is reading and musing the Word of God.
That's what all of the writers wrote but delusioned
people cannot read BLACK text on BROWN
PAPER.
- Rick Atchley, Chris
Seidman and band follow the NACC credo that God
commanded instrumental music for worship under the
Monarchy.
- If God did not command
musical instruments at any time and place.
- The Christ in Jeremish
23 says that all of this band of men have blasphemed
the Holy Spirit of Christ in the prophets.
- If God turned Israel over to worship the starry host
listed in Amos and Acts 7.
- And Rick Atchley, Chris Seidman etal use that as a "patternism"
and demand that you participate.
- Then God has abandoned you to captivity and death
in neo-Babylon.
That is marked in Revelation 18 by lusted after fruits as
rhetoricians,
singers and instrument players: they will be (have been)
cast alive
into the Lake of Fire being consumed by their own lips.
- Rick Atchley, Chris Seidman, the once-Christian colleges
say that the Levites are the patternists for
instrumental music.
- Moses elevated the Levites to their role because they
volunteered to slaughter 3,000 of their "brethren" for
engaging in musical
idolatry at Mount Sinai.
Christ in the
Prophets makes it certain.
- The command of God was to STAND IN RANKS
to slaughter any non-cursed civillian from coming near any
holy thing or place during the burnt offering.
- The Musical Worship Team boasts of standing in the
holy place
and they will NOT tolerate any one not of their race
to perform music
in the neo-worship of the starry
host.
- God did not command the king, kingdom, temple,
animal slaughter or the "music" used to make the lambs dumb
before the slaughter. See
Second Samuel Eight for MARKS that God may have already
Abandoned you.
- Christ instead ordained the Qahal, synagogue or Church of
Christ in the wilderness for instructions only and "vocal or
instrumental rejoicing" including rhetorical sissy speaking
was
forbidden.
- The Church is built upon the foundation of the prophets
and apostles: the command is to PREACH the Word by
READING the Word or "that which is written for our
learning."
- Therefore, the musical bandits
deliberately REJECT obeying the direct command for resource
and method of presentation.
- Therefore, they have terminally repudiated Jesus Christ.
- Bandit preachers used the Set A King Over Use because they
want to use people for their own profit.
- The Levites were cursed by father Jacob as murderous
people. He told us NOT to enter their covenant
or assemblies
- The Levites volunteered to slaughter 3,000 of the
brethren who engaged in musical idolatry on the rest day.
- The Role of the Levites commanded by God was to stand guard
and execute anyone who came into their assemblies.
- The Role commanded by the King and Commanders was
to
make loud "instrumental noise" to warn people to be "outside
the camp"
or if authorized bowing or on their face.
See
the nature of the Levites (Musical Worship Team) the
Kings
set over you have imposed proving the "strong delusion" marked
by
all of the religious services using any performing art: Jesus
called
them hypocrites (speakers, singers, players)
DISCUSS THIS
HERE
Chris
Seidman thinks that the word Psallo and the Harps in
Revelation gives him authority to sow massive
discord. Reading off the NACC white paper will get you into
deep trouble.
7.04.11 Some People will never
get it:
THIS IS THE DIRECT COMMAND
2Timothy 4:2 Preach
the word; be
instant in season,
out of season;
reprove, rebuke,
exhort with
all longsuffering and doctrine.
2Timothy 4:3 For the time will come when they will not
endure sound doctrine;
but after their own lusts
shall they heap to themselves teachers,
having itching ears;
[eager for combat, pleasure, to be wanton]
HERE IS PROOF THAT YOU WILL NOT
ENDURE SOUND DOCTRINE:
2Timothy 4:4 And they shall turn away their ears from the
truth,
and
shall be turned unto fables.
FABLES TO FOOL: Fābŭla , ae, f. fari,
B.
Of particular kinds of poetry.
1.
Most freq., a dramatic poem,
drama, play (syn.: “ludus, cantus, actio, etc.): in full, fabula scaenica,” Amm. 28, 1, 4; “or, theatralis,” id. 14, 6, 20: “fabula ad actum scenarum composita,”fabulam, quae
versatur in tragoediis atque carminibus non a
veritate modo
FABLES TO FOOL: Cantus , ūs, m. id.,
I. the production of melodious
sound, a musical utterance or
expression, either with voice or instrument;
hence, song, singing, playing,
1. With the voice, a singing, song;
in full, cantus vocum, Cic. Rosc. Am. 46, 134: cantibus
2. With instruments, a playing,
music: “citharae,” “horribili stridebat tibia cantu,” Cat. 64, 264:
“querulae tibiae, “lyrae,” Plin. 34, 8, 19, § 72:
“tibicine
What Paul outlawed in Romans 15
before teaching "that which is written for our learning" can
be taught.
FABLES TO FOOL: Scaenĭcus (scen- ), skēnikos, I. of
or belonging to the stage, scenic, dramatic,
theatrical stage-plays, theatrical
representations, “fabula,” a drama, “organa,” Suet. Ner. 44:
“coronae,” id. ib. 53: “habitus,” id. ib. 38: “gestus,” Cic. de Or. 3, 59, 220:
“modulatio,” Quint. 11, 3, 57:
1. scaē-nĭcus , i, m., a
player, actor, Cic. Off. 1, 31, 114:
---“orator plurimum aberit a scaenico 2. scaenĭca , ae, f., a
female player, an actress,
THE MOST POWERFUL WEAPON TO FOOL:
Orgănum , i, n., =
organon, Of musical
instruments, a pipe, Quint. 11, 3, 20;
9, 4, 10;
Juv. 6, 3, 80;
Vulg. Gen. 4, 21;
id. 2 Par. 34, 12
et saep. an organ, water-organ: “organa hydraulica,” Suet. Ner. 41:
aquatica, Mythogr. Lat. 3, 12.—Of a church-organ,
Cass. Expos. in Psa. 150; Aug.
Enarr. in Psa. 150, n. 7.— B.
Transf.: organum oris, the tongue
of a man, Prud. steph
Jubal "Handled" musical instruments "without
authority."
2Timothy 4:5 But watch (sober:
drink no wine) thou in all things,
endure afflictions,
do the work of an evangelist,
make full proof
of thy ministry. [Servant]
Ergon Work Opposite Epos
1. song or lay accompanied by
music, 8.91,17.519.
Hom.
Od. 8.83 [90] But as often as he began again,
and the nobles of the Phaeacians
bade him sing, because they took pleasure in his lay,
Odysseus would
again cover his head and moan. Now from all the rest he
concealed the
tears that he shed, but Alcinous alone marked him and took
heed,
Hom.
Od. 17.505 [515] Three nights I had him by
me, and three days I kept him in my
hut, for to me first he came when he fled by stealth from
a ship, but
he had not yet ended the tale of his sufferings. Even as
when a man
gazes upon a minstrel who sings to mortals songs of
longing that the
gods have taught him, [520] and their desire to hear him
has no end,
whensoever he sings, even so he charmed me as he sat in my
hall...
[530] But as for these men, let them make sport
as they sit in the
doorway or here in the house, since their hearts are merry.
For their
own possessions lie untouched in their homes,
bread and sweet wine, and
on these do their servants feed.
But themselves
throng our house day
after day,
[535] slaying our oxen,
and sheep, and fat goats,
and keep revel
and drink the flaming wine recklessly,
and havoc is made
of all
this wealth,
Make "sport" hepsi-aomai , Amuse
oneself Od.17.530;
“hepsiaasthai molpē kai phormiggi” [Apollo's Harp] 21.429 epsioōnto, as if from epos,
Hom.
Od. 21.401 But now it is time that supper too
be made ready for the Achaeans,
while yet there is light, and thereafter must yet other
sport be made
[430] with song and with the lyre; for
these things are the
accompaniments of a feast.
YOU CANNOT BUILD A RELIGIOUS INSTITUTE AND BE AND
EVANGELIST.
Euaggel-istēs , ou, ho,
A. bringer
of good tidings: hence, evangelist,
preacher of the gospel, Act.Ap.21.8.
II.
proclaimer of oracular messages
Euaggel-os , on, (aggellō) A. bringing
good news, “pur” A.Ag.21;
elpides ib. 262, etc.;
sōtēriōn pragmatōn eu. ib.646; Phēmē eu. IG14.1120;
“rhinos”
SACRIFICIAL
INSTRUMENT PLAYERS WERE CALLED "PARASITES"
Corrupting the Word: selling learning (just fabricated) at
retail. Sermonizing for pay.
1.
Should
Christian teaching be regarded as a profession?
It is so now: men are
brought up to it, trained for it, and live by it, as
architects,
lawyers, doctors.
Surely
preaching
the gospel should no more be regarded as a profession
than the talk
of loving parents to children.
Surely official
preaching has no
authority,
either in Scripture, reason,
or experience, and it
must come to an end sooner or later." (Pulpit Commentary, 1
Cor. p. 464).
See
John Calvin on the need for a Restoration Movement
excluding
professional preachers.
"For
what duties do
they perform in return? In the same way as anciently,
under the laws,
those who served at the altar lived by the altar, "even
so hath the
Lord ordained, that they which preach the gospel
should live of the
gospel" (1 Cor. 9:14). [daily
dole of food while on duty]
These
are Paul's words. Let
them, then, show us that they are ministers of the gospel,
and I will have no difficulty in conceding their right
to stipend.
The ox must not be muzzled that treadeth out the corn [1 Cor. 9:9].
But is it not altogether at
variance with reason that the ploughing oxen should starve, and the lazy asses be fed?
They
will say, however, that
they serve at the altar.
I answer, that the priests under the law deserved
maintenance, by ministering at an
altar;
but
that, as Paul
declares, the case under the New Testament is different. And what are those
altar services, for which they
allege that maintenance is due to them?
Forsooth,
that they may perform
their masses
and chant
in churches, for example, partly labor to no purpose,
and partly perpetrate
sacrilege, thereby
provoking the anger of God. See for what it is that
they are
alimented at the public expense!
Humn-eō , Ep. humneiō Hes.Op.2;
Ep.3pl. II. Tell over and over
again, harp upon, repeat, recite,; humnousi ; ton nomon humnein recite the form of
the law, Id.Lg.871a:
Rick Atchley: “If you’ve got
people who
still feel that their relationship with God depends on how we
do things at church, then this is not going to fly —
and you can’t get there because you did a series on
grace.” “An Afternoon with Rick Atchley and
Chris Seidman, Part 3” (New Wineskins, September – December
2010
Then
why radically change "how we do things at church" and say
that God
commanded instrumental praise and we should not be
disobedient. The
NACC led dogma is that instruments are COMMANDED, therefore,
"you cannot
DO church without instruments." Why else would one drive out
the owners?
Christ identified the Qahal,
synagogue or Church of Christ in the wilderness it was:
INCLUSIVE of
Reading, Rest and Rehearsing the Word of God (only)
EXCLUSIVE of vocal or instrumental rejoicing
including elevated styles of speaking.
That is
defined as the ONLY time and place the godly people
asssembled and only for instruction.
Rick Atchley, Chris
Seitman, Jay
Guin etal all use the BURNT OFFERING of the goats trying to
appease the
nation of Israel to get them to return to protect Hezekiah
as their
PATTERNISM. These great pretenders and truth benders
do not want
you to know that it was because of musical idolatry that God
turned
them over to worship the starry host. That created the
Civil-Military-Clergy Sect which Christ in the prophets
calls robbers
and parasites.
John 9:39 And Jesus said,
For judgment I am come
into this world,
that they which see not
might see;
and that they which
see might be made blind.
John 9:40 And some of the Pharisees which were with
him heard these words,
and said unto him, Are
we blind also?
John 9:41 Jesus said unto them, If ye were blind, ye should
have no sin:
but now ye say, We
see; therefore your sin remaineth.
John 10:6 This parable spake Jesus unto them:
but they understood
not what things they were which he spake unto them.
John 10:7 Then said Jesus unto them again,
Verily, verily, I say
unto you, I am the door of the sheep.
John 10:8 All that ever came before me are thieves and
robbers:
but the sheep
did not hear them.
WHAT ARE ROBBERS?
lēst-ēs A. robber,
pirate log-ismos , ho, YOUR III. reasoning
power, [Epich.] 257.1, Democr.
187, X.Mem.4.3.11,
Epicur. Sent.16, al.:
freq. in Arist., to tōn anthrōpōn genos [zē] “kai tekhnē kai logismois” Metaph.980b28
Tekhne
A. art, skill, cunning of hand.
of a soothsayer, A.Ag.249
(pl., lyr.), Eu.17,
S.OT389,
etc.; “tekhnai heterōn heterai” Pi.N.1.25;
“ōpase t. pasan” Id.O.7.50
make one's profession
3. way, manner, or means whereby
a thing is gained, without any definite sense of art
or craft
II. an art, craft make this his trade.
hoi tas t. tōn logōn suntithentes systems
of rhetoric, Arist.Rh.1354a12,
cf. Isoc.13.19,
Pl.Phdr.271c,
Phld.Rh.2.50 S., al.; hence title of various
treatises on Rhetoric (v. VI; but rather tricks
of Rhetoric,
How else could you use a not commanded GOAT BURNING
accompanied with the King's Levites under the commander of
the army as
"your" command to impose "instrumental praise" when Christ
in the
prophets says God did NOT command it. Jesus says they were
sheep
killers, liars and killers.
Isoc.
13 19 Now as for the sophists who have
lately sprung up and have very recently embraced these
pretensions,
even though they flourish at the moment, they will all, I
am sure, come
round to this position. But there remain to be considered
those who
lived before our time and did not scruple to write the
so-called arts
of oratory.
These must not be dismissed without rebuke, since they
professed to
teach how to conduct law-suits, picking out the most
discredited of
terms, which the enemies, not the champions, of this
discipline might have been expected to employ—
Peter defined the prophets and the prophecies made more
perfect by
Jesus and left as a memory by the apostles; He says that
anyone who
private interprets or further expounds is a FALSE
TEACHER. If you
weave your own songs and sermons you are a robber because
you deprive
people of the Word of God.
Robbers
Suntithēmi 3. construct
or frame a story, compose
, s. muthous, poiēsin, melōdian, orkhēsin,
I. put together for oneself,
i.e. observe, give heed to, “suntheto thumō boulēn” Il.7.44;
“phresi suntheto thespin aoidēn” Od.1.328;
“emeio de suntheo muthon” 17.153;
“sunthemenos rhēma” Pi.P.4.277;
Kupris , i^dos, hē, acc. Kuprin and Kuprida, Il.5.330,458:—Cypris,
a name of Aphrodite, from the island of
Cyprus, Il. ll.cc. (never in
Od.), Sapph.5.1,
Corinn.Supp.2.58 (Koupri), etc.; joined
with Aphroditē, [who is Venus, Lucifer, Zoe
sexual love, pleasure, Apollōni
Religious music is always connected with
sexuality or homosexuality.
2. metaph., of a
beautiful girl, a Venus, [Zoe, Eve]
II. as Appellat., love, passion, E.Ba.773;
“Kuprin hupharpazein” Ar.Ec.722;
lathraia K. Eub. 67.8; en plēsmonē toi K.
Tu^rann-is , II.
despotic rule, obtained by force or fraud,
tyranny the fine arts, Epich.171.11, Pl.Phdr.245a,
Arist.Rh.1354a11,
EN1140a8;
“hē empeiria tekhnēn epoiēsen
Plat.
Phaedrus [244e]
has entered in and by oracular
power has found a way of release for those in need,
taking refuge in prayers and the service
of the gods, and so, by purifications and
sacred rites, he who has this madness is
made safe for the present and
the after time, and for him who is rightly possessed of
madness a
release from present
Plat. Phaedrus 245a ills is found. And a third kind
of possession and madness comes from the Muses.
This takes hold upon a
gentle and pure soul, arouses it and inspires
it to songs and other
poetry, and thus by adorning countless deeds of the
ancients educates
later generations. But he who without the divine madness
comes to the
doors of the Muses, confident that he will be a good poet
by art, meets
with no success, and the poetry of the sane man
vanishes into
nothingness before that of the inspired madmen.
THE SHEEP BY DEFINITION WILL NOT LISTEN
TO THEM: THEY FLEE AND DO NOT LOOK BACK
John 10:9 I am the door: by me if any man enter in,
he shall be saved, and
shall go in and out, and find pasture.
John 10:10 The thief cometh not,
but for to steal,
and to kill, and to destroy:
I am come that they
might have life, and that they might have it more abundantly
THOSE WHO STEAL YOUR PROPERTY:
John 10.8 pantes hosoi ēlthon pro emou kleptai eisin kai lēstai: all' ouk ēkousan autōn ta probata. egō eimi hē thura:
klept-ēs , ou, o(,
2. generally, cheat,
knave, S.Aj.1135;
“kakōn allotriōn k.” D.45.59.
Klept-ēs , ou, ho,cheat, knave, lying,
cheating and stealing:
Soph.
Aj. 1135
Menelaus
He hated me as I hated him, and you knew it, too.
Teucer
[1135] Yes, he hated you because you had been caught
fixing the votes in order to rob him.
Menelaus
At the hands of the jurymen, not mine, he suffered that
loss.
Teucer
You could make a thousand stealthy crimes look pretty.
harpax , agos, o(, h(, (harpazō)
II. mostly as
Subst.,
3. species of wolf, Opp.C.3.304.
lukos . kekhēnōs”
Ar.Lys.629;
prin ken l. oin humenaioi, of an
impossibility,
Id.Pax1076,
1112,
cf.
Il.22.263;
hōs lukoi arn' agapōsin, of
treacherous
or
unnatural love,
VI. nickname of paiderastai, AP12.250 (Strat.), cf. Pl.Phdr. 241d.
Plat. Phaedrus 241c
who was necessarily without reason,
but rather a reasonable non-lover; for
otherwise he would have to
surrender himself to one who was faithless, irritable,
jealous, and
disagreeable, harmful to his property, harmful
to his physical
condition, and most harmful by far to the
cultivation of his soul,
than
which there neither is nor ever will be anything of
higher importance
in truth either in heaven or on earth.
These things, dear boy, you must
bear in mind,
and you must know
that the fondness of the lover is not a
matter of goodwill,
but of appetite
which he wishes to satisfy:
Plat. Phaedrus 241d
“Just as the wolf loves the lamb, so
the lover adores his beloved.” There it is, Phaedrus! Do
not listen to
me any longer; let my speech end here.
THOSE
ROBBERS WHO KILLED BEFORE CHRIST
When Hezekiah suggested a burnt offering of GOATS to try to
appease
Isreal, the Levites under thee king and commanders of the
army made a
great noise.
Rick Atchley etal of the NACC delusion claim that God
commanded
instrumental praise in YOUR church and you had better not
disobey.
Christ in Isaiah and Jeremiah 7 said that God DID NOT COMMAND
sacrifices or burnt offerings.
THESIS
Isaiah 66:1 Thus saith the LORD, The heaven is my throne,
and the earth is my footstool:
where is the house
that ye build unto me? and where is the place of my rest?
Isaiah 66:2 For all those things hath mine hand made, and
those things have been,
saith the LORD:
but to this man will I look,
even to him that is poor
and of a contrite spirit,
and trembleth at
my word.
ANTITHESIS
Isaiah 66:3 He that killeth an ox is as if he slew
a man;
he that sacrificeth a
lamb,
as if he cut off a
dog’s neck;
he
that offereth an oblation, as if he offered swine’s
blood;
he that burneth
incense, as if he blessed an idol.
Yea, they have chosen
their own ways,
and their soul
delighteth in their abominations.
Jesus said that those Christ identified as parasites
and robbers--or
hypocrites in Ezekiel 33 as speakers, singers and instrument
players
were KILLERS. It would seem to be beyond
redemption to have such a perverted view of God when no one
could have misssed the point.
Thuo
I. Act., offer by burning
meat or drink to the gods (“to thuein dōreisthai esti tois theois” Pl.Euthphr.14c),
“theoisi de thusai anōgei Patroklon . . , ho d' en puri balle thuēlas” Il.9.219, cf.
Plat.
Euthyph. 14c For now, when you were close
upon it
you turned aside; and if you had answered it, I should
already have
obtained from you all the instruction I need about
holiness. But, as
things are, the questioner must follow the one questioned
wherever he
leads. What do you say the holy, or holiness, is? Do you
not say that
it is a kind of science of sacrificing and
praying?
Euthyphro
Yes.
Socrates
And sacrificing is making gifts to the gods
2. sacrifice, slay a victim, [tō hēliō th. hippous (v.l. hippoisi) ib. 216; “tauron” Pi.O.13.69;
“hautou paida” A.Ag.1417,
cf. S.El.532,
etc.; “hira” Hdt.1.59; “hiereia”
Aesch.
Ag. 1412 Clytaemestra
It's now that you would doom me to exile from the land, to
the hatred
of my people and the execration of the public voice;
though then you
had nothing to urge against him that lies here. And yet
he, [1415]
valuing no more than if it had been a beast that
perished—though sheep
were plenty in his fleecy folds—he sacrificed his own
child, she whom I
bore with dearest travail, to charm the blasts of
Thrace.
Is it not he whom you should have banished from
this land [1420] in requital for his polluting deed?
WHAT WAS THE GOD THEY SACRIFICED TO?
Hēlios ,
ho,
II. as pr. n.,
Helios, the sun-god,
Od.8.271,
etc.;
nē ton Hē.
Men.Sam.
108;
hupo Dia Gēn Hēlion, in
manumission-formula,
POxy.48.6,
49.8 (i A.D.),
IG9(1).412（Aetolia),
IPE2.54.10(iii A.D.); [“
Hēlios doulous eleutherous poiei”
Artem.2.36;
identified with
Apollo,
Carm.Pop.12,
E.Fr.781.11; with
Dionysus,
D.Chr.31.11, etc.
2. Hēliou astēr, of the planet Saturn,
[666]
HOW DO WE KNOW THAT?
Acts 7:40 Saying unto Aaron, Make us gods to go before us:
for as for
this Moses, which brought us out of the land of Egypt, we
wot not what
is become of him.
Acts 7:41 And they made a calf in those days,
and offered sacrifice
unto the idol,
and rejoiced in the works
of their own hands.
Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3
Pind.
I. 6 Just as we
mix the second bowl of wine when the men's
symposium is
flourishing, here is the second song of the Muses for
Lampon's children
and their athletic victories: first in Nemea, Zeus, in
your honor they
received the choicest of garlands,
Pind.
I. 7 In which of the local
glories of the past, divinely blessed Thebe, did
you most delight your spirit? Was it when you
raised to eminence the
one seated beside Demeter of the clashing bronze
cymbals,
flowing-haired [5] Dionysus? Or when you received, as a
snow-shower of
gold in the middle of the night, the greatest of the gods,
when he stood in the doorway of Amphitryon, and then went
in to the
wife to beget Heracles?
But since ancient grace
sleeps, and mortals are forgetful
of whatever does not reach the highest bloom of
skillful song, joined to glorious streams of
words, [20] then begin the victory procession with a
sweet-singing hymn for Strepsiades;
Acts 7:42 Then God turned,
and gave them up
to worship the host of heaven;
as it is written in
the book of the prophets,
O ye house of Israel,
have ye offered to me slain beasts
and sacrifices by the
space of forty years in the wilderness?
BUT God had not
commanded sacrifices. But:
Acts 7:43 Yea, ye took up the tabernacle of Moloch,
and the star
of your god Remphan,
figures which ye made
to worship them:
and I will carry you
away beyond Babylon.
The Ghebers of Hebron
2 Hoaea, xii. 4 derives the name Inracl from Sarah to
contend, to
fight, and El = God of Fire. — Gen. xxxii. '28.
Asarians, Asriel,
Israel, a name of the War god {Exodus, xiii. 21,
22, xiv. 25), Saturn
and the Sun. The Fire-god Azar was the God of war,
and M'irs
was the
Sun. — Macrob. I. xvii. OS
But these fire-worshippers carried with them the
arks
of Moloch and
Khiun (Life-god), their Adon, and they had,
like the other
peoples of
the Delta, their Mysteries, which the priests
instituted. They took
with them from Phoenicia, probably, a certain
knowledge of fixed vocal signs; and it
would not be safe to deny to Syria the possession of some
sort of (Syrian) hieroglyphs
Acts 7:44 Our fathers had the tabernacle of witness
in the wilderness,
as he
had appointed, speaking unto Moses,
that he should make it according to the fashion that he
had seen.
Acts 7:45 Which also our fathers that came after brought in
with Jesus into the possession of the Gentiles,
whom God drave
out before the face of our fathers, unto the days of David;
Acts 7:46 Who found favour before God,
and
desired to find a tabernacle for the God of Jacob.
Acts 7:47 BUT Solomon
built him an house.
Acts 7:48 Howbeit the most High dwelleth not in temples
made with hands; as saith the prophet,
WHO ARE THOSE WHO DESTROY?
Apollu_mi or apol-uō
A. “apōllun” A.Pers.652(lyr.),
S.El.1360,
“apōlluon” And.1.58:
II. to be lost, hudōr apolesket' (of the water
eluding Tantalus) Od.11.586; oupote karpos apollutai never falls
untimely, ib
John 10:11 I am the good shepherd: the good shepherd
giveth his life for the sheep.
John 10:12 But he that is an hireling, and not the
shepherd, whose own the sheep are not,
seeth the wolf
coming, and leaveth the sheep, and fleeth:
and the wolf catcheth
them, and scattereth the sheep.
John 10:13 The hireling fleeth, because he is an
hireling, and careth not for the sheep.
The sacrificial system--burning
goats with the Warrior's loud noise--was off-limits to
the godly people. Jacob in Genesis 49 outlaws
attending their assemblies
and looks forward to the Messiah to destroy the Levitical
system
recorded says Christ in the prophets by "the lying pen of
the Scribes."
The same Scribes Jesus calls hypocrites identified by Christ
in Ezekiel
33 as rhetoricians, singers and instrument players.
LYING
ABOUT GRACE IS PART OF THE PATTERNISM
God's Word is always
antithetical to the always pagan
instrumental pagans: The thesis
is that Grace was "a blue-eyed blond prostitute musician" in
the Greek
World. If you asked someone where to find Grace they would
point you to
a pagan "worship center." God the Father made Jesus of
Nazareth to be
both Lord and Christ to tell you of better things.
Jesus grew up close
to a theater and He knew abouth those called Graces or Muses
and had
John tell us that they performed as sorcerers (Rev 18) under
the
Babylon mother of harlots (Rev 18). And tell you that
sorcerers and
dogs (catamites) and liars will be--maybe have been--cast
while still
alive into a lake of fire. The maggots or parasites
eating up the
rotting and burning flesh at the garbage dump are singers
and players.
The antithesis is that
Grace is
personified in Jesus of Nazareth as is the Word of God. The
Grace of
god DENIES what these people are promoting.
| Titus 2:11 For the [1]
grace of God that bringeth
salvation hath appeared to all men, |
John 1:14 And the Word was made flesh, and
dwelt among us, (and we beheld his glory, the glory as
of the only begotten of the Father,) full of grace
and truth. |
Titus 2:12
[2] Teaching us
that |
Acts 2:14 But Peter, standing up with the eleven,
lifted up
his voice, and said unto them, Ye men of Judaea, and all
ye that dwell
at Jerusalem, be this known unto you, and hearken to
my words: |
[3] denying
ungodliness and worldly lusts,
|
Acts 2:36 Therefore let all the house of Israel know
assuredly, that
God hath made that same Jesus, whom ye have
crucified, both Lord and
Christ. |
| [4] we should live
soberly, righteously, and godly, in this present world; |
Acts 2:37 Now when they heard this, they were pricked
in their heart,
and said unto Peter and to the rest of the apostles, Men
and brethren,
what shall we do? |
Titus 2:14
[5] Who gave
himself for us, |
Acts 2:38 Then Peter said unto
them Repent, |
[6] that he might redeem
us from all iniquity,
[Lawlesness]
Lutron redeem, Luo lavo , cleanse or
wash, bathe,
lave. louô, purify,
tina ek tôn hamartiôn
Col. 1:14 In
whom we have redemption through his
blood,
|
and be baptized every one of you
in the name of Jesus Christ
for the remission of sins,
Redemption or Remission happens
ONLY after BAPTISM
even the forgiveness
of sins: |
[7] and purify unto
himself a peculiar people,
zealous of good works. |
and ye shall receive the gift of A holy spirit
|
THOSE WHO FIGHT BAPTISM REJECT GRACE: THAT FORM OF DOCTRINE
(BAPTISM) IS A TUPOS WHICH MEANS INSTEAD OF. BAPTISM IS
SOMETHING YOU CAN OBEY INSTEAD OF DYING FOR YOUR OWN
SINS AND BE ETERNALLY LOST. THAT IS HOW PAUL DEFINES THE ONLY
GRACE YOU ARE GOING TO GET.
Jay Guin: “In 1 Corinthians,
Paul culminates his discussion on the
Lord’s Supper, women’s role in the assembly, and spiritual
gifts by
emphasizing the supremacy of love
(1 Corinthians 13) and testing proposed activities in the
assembly by
asking, not whether the activities are on a pre-approved
list of ‘acts
of worship,’ but whether these actions build up,
encourage, and console the saints
(1 Corinthians 14:3 ESV)” Jay Guin’s article “‘Thy Kingdom
Come’ and
the Instrument” (New Wineskins, September – December 2010)
Paul does not say that ALL
things are to be done but ONLY those things which edify.
After silencing the private opinions in Romans 14 he
commanded "using one mind and one mouth" to teach "that
which is written for our learning" in romans 15.
Paul, like Jesus, only
speaks to
those who love the truth: he always repudiates the pagan
worshipped
marked by clanging brass and tinkling women. Then, he defines
SPEAKING
and never singing.
P. Ovidius Naso, The Epistles of Ovid
Ov. Ep. Sapph. 4
Modesty is to be joined with love, as far as is
possible and convenient. Love commands me to write what I
was ashamed
to speak. It is not safe to slight the commands of
Love; he reigns uncontrolled, and has power even
over the sovereign gods. He first commanded me, when full of
doubts and fears, to write; Write, said he; though
hard as steel, he will yield his captive hands.
Be present, Love; and, as you nourish in my bones a wasting
fire, fix
also in his breast a dart that may soften it towards me. Yet
will I not
by any crime stain my connubial vows. My fame (search into
it) you will
find fair and spotless. Love, the later it seizes us, rages
the more. I
burn inwardly; I burn, and my breast feels the hidden woundAnd now (what you will
scarcely
believe) my inclinations carry me after new and
unaccustomed
delights. I long to assault with you the savage breed;
already the
Delian goddess, distinguished by the crooked bow, presides
in my
thoughts; your judgement in this determines also mine. I
am impatient
to range the woods, to pursue the stage into the toils,
and cheer the
nimble hounds along the rocky cliffs; or lance the
trembling dart
with a vigorous arm, and stretch my wearied limbs on a
grassy bank.
Oft I am pleased to
drive the nimble chariot involved in dust, and guide the
panting
steeds with steady rein. Now wild, I rave as
a Bacchanal when full of the
inspiring god,
or like those who on
the Idean
hill urge with redoubled strokes the sounding brass; yea more wild than those
whom the Dryads half
divine, and horned
Satyrs, strike with
terror and amazement.
Gaius Valerius Catullus, Carmina
(ed. Leonard C.
Smithers) 64
But on another part [of
the
tapestry] swift hastened the flushed Iacchus with his
train of Satyrs
and Nisa-begot Sileni, seeking you, Ariadne, and aflame
with love for
you. ... These scattered all around, an inspired band,
rushed madly
with mind all distraught, ranting "Euhoe," with tossing of
heads
"Euhoe." Some with womanish hands shook thyrsi with
wreath-covered points; some tossed
limbs of a rended steer; some girded themselves with
writhed snakes;
some enacted obscure orgies with deep chests, orgies of which the profane
vainly crave a hearing;
others beat the tambours with outstretched
palms, or from the burnished
brass provoked shrill tinklings, blew raucous-sounding
blasts from many horns, and the barbarous pipe
droned forth horrible
song. With luxury of
such figures was the coverlet adorned, enwrapping the
bed with its
mantling embrace
The only worship concept for
the synagogue or Church in the wilderness
was to give heed to the Word of Christ: if you listen to the
pale
horses of rhetoricians or praise singers you in fact WORSHIP
them and
because the eternal persona is of gender-confused this is
proof that
the children and women (effeminate) Christ prophesied about In
Isaiah
has come true.
Romans 15:1 We
then that are strong ought to bear the infirmities of the
weak,
and not to please
ourselves.
Romans 15:2 Let every one of us please his neighbour for his
good to edification.
Romans 15:3 For even Christ pleased not himself; but, as it
is written,
The reproaches of them
that reproached thee fell on me.
Romans 15:4 For whatsoever things were written aforetime
were written for our learning,
that we through
patience and comfort of the scriptures might
have hope.
Romans 15:5 Now the God of patience and consolation
grant you to be likeminded
one toward another according to Christ Jesus:
Romans 15:6 That ye may with one mind and one mouth
glorify God,
even the Father of our
Lord Jesus Christ.
Romans 15:7 Wherefore receive ye one another, as Christ
also received us to the glory of Go
1Pe.4:11
If any man speak,
...........
let
him speak as the oracles of God;
...........
if
any man minister,
...........
let
him do it as of the ability which
God giveth:
...........
that
God
in all things may be glorified
through Jesus Christ,
...........
to
whom be praise and dominion for ever
and ever. Amen.
|
Cycle
One
|
Cycle
Two
|
| WE then that are strong
ought to bear the infirmities of the weak, and
not to please ourselves. Romans
|
And again he saith, Rejoice, ye
Gentiles, with his people. Romans
15:10 |
Romans
15:2 Let every one of us please his
neighbour for his good to edification.
For
even Christ
pleased not himself; but,
as it is written, The reproaches of them
that reproached thee fell on me. Romans 15:3
|
And again, Praise the Lord, all ye
Gentiles;
and laud him,
all ye people.
Romans 15:11 |
| For whatsoever things were written aforetime were
written for our learning (teaching), that
we through
patience and comfort of the scriptures might have hope. Romans
15:4 |
And again, Esaias
saith, There shall be a root
of Jesse, and he that shall rise to reign
over the Gentiles; in him
shall the Gentiles trust. Romans
15:12 |
| Now the God of patience and consolation grant
you to be likeminded one
toward another according to Christ
Jesus: Romans 15:5 |
Now the God of hope fill you
(not with wine but)
with all joy and peace in
believing, that ye
may abound in hope, through the power of the Holy
Ghost. Romans 15:13 |
| That ye may with one
mind and one
mouth glorify (tell
of His works)
God, even the
Father of our Lord Jesus Christ. Romans 15:6
|
And I myself also am persuaded of
you, my
brethren, that ye also are full
of goodness, filled
with all
knowledge, able also to admonish one
another. Romans 15:14 |
| Now I say that Jesus Christ was a
minister (deacon) of the
circumcision
for the truth of God,
to confirm the promises made
unto the fathers:
Romans 15:8 |
Nevertheless, brethren, I have written the
more boldly unto
you in some sort, as putting you in mind, because of
the grace that is given to
me of God. Romans 15:15 |
| And that the Gentiles might
glorify God for his
mercy; as it
is written, For
this cause I will |
(2) that the offering (bloodless
sacrifice) up of the
Gentiles might be acceptable, being sanctified by the
Holy Ghost.
Romans 15:16 |
| (1) confess to thee
among the
Gentiles, and |
(1)
That I should be the minister of
Jesus Christ to the
Gentiles, |
|
(2)
sing unto
thy name. Romans
15:9
This
is the way to let Jesus Christ "sing" to the
Gentiles.
|
ministering the gospel
of God, that the
offering up of the Gentiles might be acceptable,
being sanctified by
the Holy Ghost.
For I will not dare to speak of
any of those things
which Christ hath not wrought by me, to make the
Gentiles obedient, by
word and deed. Rom 15:18
Through
mighty
signs and wonders, by the power of
the Spirit of God;
so that from Jerusalem, and round about unto
Illyricum, I have fully
preached the
gospel of Christ.
Rom 15:19
|
Now,
put on your thinking cap
again and see that the statement Paul made to the Romans
means what
he said to the Ephesians and Colossians
|
EPHESIANS
5:17-20KJV
|
COLOSSIANS
3:16-17
|
|
Wherefore be ye
not unwise, but understanding
what the will of the Lord is. Eph 5:17
And
be not drunk
with wine,
Allen:
For Plato as for the Christians, there was
another reason for
disallowing instruments -- they stir up
the emotions in
excitement Niceta is keen to claim that
the songs of the Church put out, rather
than excite, the passions Basil
contrasts psalms, fasting
and prayer' with auloi, dancing
and drunkenness Homily Psa 114
ĭn-ēbrĭo
Saturate, full of talk
|
|
kat-auleō
, A. charm by flute-playing,
methuōn kai katauloumenos
drinking wine to the strains of the
flute katauloumenon
subdued by a flute accompaniment,
metaph.,
to be piped down, ridiculed, “gelōmenoi kai -oumenoi” mētrōa melē” Metroos
the worship of Cybele, b.
Mētrōa, Mother
goddess: music played
in her honour, Mele Melos3.
melody of an instrument, “phormigx d' [mark of
Apollo] au phtheggoith' hieron m. ēde kai aulos”
|
wherein is excess;
(Greek: vanity)
The results of being drunk on
wine
|
luxŭrĭa
Of style: “in qua (oratione), ut
luxŭrĭo
, wanton, revel, sport,
skip, bound, frisk: Deliciis that
which allures, flatters the senses],
delight, pleasure, charm,
allurement; deliciousness,
luxuriousness, voluptuousness,
curiosities of art; ,
to make sport paizō
dance 4. play
on a musical instrument, h.Ap.206:
c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230;
dance and sing, Pi. O.1.16.
saltātĭo,
David's naked dance.
|
Paul always
defines away all of the hypocritic arts.
BUT, be filled
with the Spirit; Eph 5:18
John
6:63b the words that I speak unto you,
they
are spirit, and they are life.
|
Colossians 3:1 If ye then be
risen with Christ, seek those things which
are above, where Christ sitteth on the
right hand of God.
Colossians 3:5 Mortify
therefore your members which are upon
the earth; fornication, uncleanness,
inordinate affection, evil concupiscence,
and covetousness, which is idolatry:
Phĭlŏsŏphĭa,
doctores săpĭentĭa sermons, interpret, sects Cic.Off.2.2.5
Wisdom, = sophia
|
Sophia
, A. cleverness or skill
in handicraft and art, in music and
singing, poetry, divination
interprĕtor
, ātus (in tmesi interpres, to explain,
expound, interpret,
give expression to, translate;
to understand, conclude, infer.
A. To decide, determine
12, 29:
“haec ex Graeco carmine interpretata recitavit,”
Liv.
23, 11, 4; 45, 29,
3.
Carmen,
I. In gen., a tune, song,
air, lay, strain, note,
sound, both vocal and instrumental“barbaricum,”
id. M.
11, 163.—With
allusion to playing on the cithara
|
Rom 8[13] For if you live after the flesh, you
must die; but if by the Spirit you put to
death the deeds of the body, you
will live.
|
Pathos emotion,
to create passion, drama
MY experiences Sophia
cleverness or skill
in handicraft and art, in music
and singing, tekhnē kai s, poetry,
in divination pleonexia assumption,
one's own advantage. Financial
gain |
Colossians
3:10 And have put on the new man,
which is renewed in
knowledge
after the image of him that
created him:
Colossians
3:16 Let the word of Christ dwell
in you richly in all wisdom;
|
|
Speaking to
yourselves
in psalms
and hymns
and spiritual
songs, [Scripture]
|
teaching and admonishing one
another
in psalms
and hymns
and spiritual
songs, [Scripture] |
|
singing and making melody
in your heart to
the Lord; |
singing with grace
in your hearts to
the Lord. |
|
always giving thanks
to God the Father
for
everything,
in the name of our Lord
Jesus Christ.
|
And whatsoever ye
do in word or
deed, do all
In the
name of the Lord Jesus,
giving thanks to God and
the Father
by him.
|
Jay Guin: “Those who use 1
Corinthians 14 in their anti-instrumental polemics
never approach the question asking the same
questions Paul asks: does the instrument help build up,
encourage, or
console the saints or draw unbelievers toward worship?
If so, they are approved. That’s Paul’s reasoning.” Jay
Guin’s article “‘Thy Kingdom Come’ and the
Instrument” (New Wineskins, September – December 2010)
The unique "worship" concept used by
Paul is to "give attendance to the
The musical invaders boast about making
"worship wars." The Levite "patternism" was under the
King and Commanders of the army: they engaged in polemęďaerga,
Organon , to, ( [ergon, erdô] ) I. an implement, instrument,
engine of any kind (mostly post-Aug.), Col. 3, 13,
12.--Of military or architectonic
engines (whereas machina denotes one of a larger size and more
complicated construction)
A. instrument, implement, tool, for making
or doing a thing
2.organ of sense or apprehension, theaomai, gaze at, behold,
mostly with a sense of wonder, 3.view as
spectators, esp. in the theatre
3.musical instrument,
Simon.31, f.l. in A.Fr.57.1 ; homen di' organôn ekęlei anthrôpous, of Marsyas, Pl.Smp.215c
; aneuorganôn psiloisl ogois ibid., cf. Plt.268b
; o. poluchordaId.R.399c
, al.; met'ôidęs kai tinôn organôn Phld.Mus.p.98K. ; of
the pipe, Melanipp.2, Telest.1.2
Ergon [Ergô] I.work, 1.
in Il. mostly of deeds of war, polemęďaerga, 3.a hard piece of
work, a hard task, Il.: also, a shocking deed
or act,
Polemeios:
warlike, aoida war-note, of the
trumpet, B.17.4
aoid-ę 5. =
eppsdę, spell, incantation
THE MUSICAL WORSHIP MINISTER AS THE polemęďa erga,
•Assist in the
planning and preparation for Sunday evening worship services
a) Act as a
support to the Director of Sunday Evening Worship
b) Attend weekly “Worship
Staff” meeting (Tuesdays at 10:00am)
c) Attend weekly “Worship
Coordination” meeting (Tuesdays from
11:30am-12pm)
d) Take administrative
responsibility for the weekly production of the
PM Order of Worship
e) Participate
musically in services as needed
•Assist in the
coordination of special services, including Christmas Eve,
Maundy Thursday, and Easter
a) Coordinate
rehearsals, including room reservations
b) Coordinate
childcare, including room reservations
c) Coordinate catering/meals
d) Assist with the preparation
of music (copying, preparing folders, etc)
•Serve as a liaison to
the Sunday evening worship participants
a)
Communicate with Sunday evening instrumentalist,
vocalist and pastoral participants
b) Catering: Arrange
for a between service meal for all service participants
c) Visual tech:
-Prepare the MediaShout
presentation and coordinate with the visual
tech worker
-Assist in the procurement of visual images
•Supervise music library
a) Pull and re-file instrumental and vocal music
weekly
b) Prepare lead sheets, melody sheets, and
chord charts as needed
c) Be proficient in using www.ccli.com as a resource
•Assume directorial duties in the absence of
Director of Sunday Evening Worship
a) Communicate with the preaching pastor and create Order
of Worship
b) Run rehearsals and lead worship on Sunday
evening
Qualifications:
•A clear and unreserved commitment to Jesus Christ as Lord
and Savior
•Understanding of the difference between worship and
performance
•Exhibit excellent leadership, organizational, and
communication skills
•Competence and training musically; ability to read music
is required
•Experience in leading worship
•Fundamental commitment to building community and working
well with both large and small groups of people
•Bachelor’s degree required, music degree preferred
THOUGH I speak with the tongues of
men and of angels, and have not charity, I am become as sounding ,
or a tinkling cymbal. 1 Corinthians 13:1
Jesus said that the
Kingdom of God is WITHIN US where we think as Disciples
are commanded
to do: the kingdom does not come with OBSERVATION which
means with
"religious observations" or so-called "worship services.
Paul was speaking to the literate people
of the
time and the sounding brass and tinkling cymbals are marks
of the
theater or of witchcraft. Here are something you
should read:
A further peculiarity of
Dodona was the "bronze," a large gong set
vibrating at every breeze by a scourge held in the hand of a figure
standing over it;
the persistent ringing passed into a Greek
proverbial
phrase--Khalkos
Dodones
("Brass
of
Dodona")-- for a
continuous talker who
has nothing to say. Britannica Members
"A famous oracle in Epi'ros, and the most
ancient of Greece. It was
dedicated to Zeus
(Jupiter), and situate in the village of Dodna.
The tale is, that
Jupiter
presented his daughter Theb with two black pigeons which had the gift of
human speech. Lempričre tells us that the
Greek word peleiai (pigeons) means, in the dialect of the
Eprots, old women; so that the two black
doves with human voice were two black or African women. One went to Libya, in
Africa, and
founded the oracle of Jupiter Ammon; the other went to Eprus and
founded the oracle of
Dodna. We are also told
that plates of brass were suspended on the oak trees of
Dodona, which
being struck by thongs when the wind blew, gave various sounds from
which the responses were
concocted. It appears that this suggested to the Greeks
the phrase Kalkos
Dod ns (brass of Dodona), meaning a babbler, or one who talks an
infinite deal of nothing. Bartleby
P. Ovidius Naso, The Epistles of
Ovid
And now (what you will
scarcely
believe) my inclinations carry me after new and
unaccustomed
delights. I long to assault with you the savage breed;
already the
Delian goddess, distinguished by the crooked bow, presides
in my
thoughts; your judgement in this determines also mine. I
am impatient
to range the woods, to pursue the stage into the toils,
and cheer the
nimble hounds along the rocky cliffs; or lance the
trembling dart
with a vigorous arm, and stretch my wearied limbs on a
grassy bank.
Oft I am pleased to
drive the nimble chariot involved in dust, and guide the
panting
steeds with steady rein. Now wild, I rave as
a Bacchanal when full of the
inspiring god,
or like those who on
the Idean
hill urge with redoubled strokes the sounding brass; yea more wild than those
whom the Dryads half
divine, and horned
Satyrs, strike with
terror and amazement.
Gaius Valerius Catullus, Carmina
(ed. Leonard C.
Smithers)
But on another part [of
the
tapestry] swift hastened the flushed Iacchus with his
train of Satyrs
and Nisa-begot Sileni, seeking you, Ariadne, and
aflame with love for
you. ... These scattered all around, an inspired band,
rushed madly
with mind all distraught, ranting "Euhoe," with tossing of
heads
"Euhoe." Some with womanish hands shook thyrsi with
wreath-covered points; some tossed
limbs of a rended steer; some girded themselves with
writhed snakes;
some enacted obscure orgies with deep chests, orgies of which the profane
vainly crave a hearing;
others beat the tambours with outstretched palms,
or from the burnished
brass provoked shrill tinklings, blew raucous-sounding
blasts from many horns, and the barbarous pipe
droned forth horrible
song. With luxury of
such figures was the coverlet adorned, enwrapping the
bed with its
mantling embrace.
Tertullian (b155-d220) in Carthage where Molech
worship probably originated and ended up in Jerusalem.
We see,
therefore, that the arts also
are consecrated to the service of the beings who dwell in the names of their founders; and that things cannot be
held free from the taint
of idolatry whose inventors have got a place among the
gods for their
discoveries.
Nay, as
regards
the arts, we
ought to have gone further
back,
and barred all further
argument
by the position
that the
demons,
predetermining
in their own interests from
the first, among other evils of idolatry,
the
pollutions of the public shows,
with the object
of drawing man away from his Lord
and
binding him to
their own service,
carried out their
purpose
by bestowing on him the
artistic gifts which the shows require.
For none but themselves would
have made provision and
preparation for the objects they had in view;
nor would
they have
given the
arts to the world by
any but those in whose names, and images,
and
histories they set
up for their own
ends the
artifice of consecration.
Paul in Romans warned
Rom.
13:12
The
night is far spent, the day is at hand:
let
us
therefore
cast off the works of darkness,
and
let
us
put on the armour of light.
Rom.
13:13
Let us walk honestly
[decorous], as in
the day;
not
in
rioting and
drunkenness,
not in chambering and wantonness, not in strife and
envying.
Rom.
13:14
But put ye on the
Lord Jesus Christ,
and
make
not provision for the flesh, to fulfil the lusts thereof.
Music
is provided ONLY
for the flesh. Here is a picture of the Komos or
rioting
h2979. The Judas bag was "for carrying the
mouthpieces of wind
instruments." Here is a picture.
Jay Guin: “They are
edified and built up in their faith by such
instrumental accompaniment.” Al Maxey’s article “Reflective
or Regulative?” (New Wineskins, September – December 2010)
The
word "edified" in these passages mean EDUCATE: the
commanded resource
is 'that which is written for our learning." Most people
cannot
be edified by "instrumental accompaniment" when they are
commaned to
SPEAK using one mind and one mouth.
WHAT PAUL OUTLAWED: doubtful
disputations consists of any private opinion which has no
place in the
church or synagogue where the patternism was and is;
That was by direct
command of Christ for the Holy Convocation to which the godly
were called.
Acts 15:21 For
Moses of old time
hath in every city
them that preach
him,
being read in
the synagogues every sabbath day.
Rom.
14:1 Him that is weak in the faith receive ye, but not to
doubtful
disputations.
“Disputing”
implies a
questioning mind and suggests an arrogant attitude
by those who assume
they’re always right. Arguing with others in the body of
Christ is
disruptive. That’s why Paul spent the first part of
chapter 2 on
humility.
To
dwell above, with saints we love, that will
be grace and glory
But to live below with saints we know, now that’s a
different story!
Dialogismos
is used 11 times
in the
Septuagint (LXX)
(Ps 40:5, 56:5, 92:5, 94:11, 139:2, 139:20,
146:4, Isa 59:7, Jer 4:14, Lam 3:60-61) Dialogismos often
means the perverse, vain thinking which
contemplates destruction
(Ps. 94:11), and
is turned against God (Jer. 4:14; Isa. 59:7) and against
the godly (Ps.
56:5).
Commenting
on Phil 2:14, MacArthur
notes that dialogismos...
"soon
developed the more specific ideas of
questioning, doubting, or disputing the truth
of a matter. In Romans
14:1, the word is used of passing judgment on another
believer’s
opinions and in 1 Timothy 2:8 it is rendered
“dissension.” Whereas
grumbling is essentially emotional, disputing
is essentially
intellectual. A person who continues to murmur and
grumble against
God
will eventually argue and dispute with Him. (MacArthur, J. Philippians. Chicago:
Moody
Press)
