Rick Atchley Defending Instrument Music

The Abomination of Desolation: first defined as the instrumental-trinitarian worship at Mount Sinai.

5.07.16   Before the POST-CIVILIZED dying of civilization Cicero had a few words for priests parallel to the Bible which says Jesus, God HID from the Wise, Sophists meaning self-authoring preachers for sale, singers, instrument players or ANY audience feeds them with a dole for which Jesus excluded any role.
  1. Jesus said that Doctors of the law take away the key to knowledge: so we manufacture a host of doctors of the law.
  2. Jesus said that these doctors as Scribes or Pharisees are hypocrites.
  3. The Spirit OF Christ in Isaiah 29 and Ezekiel 33 named self-authoring preachers, singers or instrument players as these hypocrites.
  4. The universal mark of musical noises in the "school of the Word" is silencing the Teacher and also of BURNING.
CICERO one of the scholars the people need to dig themselves out of Control-Religionists DARK AGES. They missed that when John T. Willis the father of the prophesied apostasy says that MELODY always demands musical INSTRUMENTS. He learned that the Spirit OF God was another God Person who led a lady beyond the sacred pages.  Grammar grade 6 debunks those who cannot grasp prepositions and John said that to deny the ONE GOD THE FATHER and ONE LORD or Son Jesus was the mark of ANTICHRIST.

Behold, behold, O priests, this religious man,
        and if it seems good to you, (and it is only the duty of virtuous priests,)
        warn him that there are some fixed limits to religion
        that a man ought not to be too superstitious.

Why was it necessary for you, O fanatical man, with an old woman's superstition,
        to go to see a sacred ceremony which was being performed at another person's house?

        And how was it that you were possessed with such weakness of mind
        as to think it not possible for the gods to be sufficiently propitiated,
        unless YOU intruded yourself into the religious ceremonies of women?

Can you, O priests, avoid being influenced by the authority of this man,
        so chaste, so religious, so holy, so pious a man,
        when he says that he, with his own hands,
        pulled down the house of a most virtuous citizen,
        and with the same hands consecrated it to the gods?

Been there, done that three times under the COHORTS organized for the last time (KAIROS).

What was that consecration of yours?
        “I had carried a bill,” says he, “to make it lawful for me to act.”
        What? had you not inserted this clause in it,
        that if there was anything contrary to what was right in the bill, it should be invalid?

will you then, O priests, by your decision,
        establish the point that it is right that the home of every one of you,
        and your altars, and your hearths, and your household gods,
        should be at the mercy of the caprice of the tribunes?

that it is right for any one, not only to throw down the house of that man
        whom he may have chosen to attack with a body of excited men,
        and may have driven away by violence,—which is an act of present insanity,
                like the effect of a sudden terror,—
                but for him to bind that man and property for all future time
                by the everlasting obligation of religion?


Excited Men performing religious rhetoric, singing, playing instruments were not considered manly and were priests of the Mother Goddess who might also be male.

Excited.
ĭbīdo
minimisque libido,” Juv. 6, 349: “saltante libidine,” i. e. passion goading on, id. 6, 318.—Esp., of unnatural lust, Suet. Aug. 71; Paul. Sent. 5, 23, 13. —Of unbridled indulgence: “vinulentiam ac libidines, grata barbaris, usurpans,” Tac. A. 11, 16A. Unlawful or inordinate desire, passion, caprice, wilfulness, wantonness:

Nah. 3:16 Thou hast multiplied thy merchants above the stars of heaven:
        the cankerworm spoileth, and flieth away.
Nah. 3:17 Thy crowned are as the locusts,
        and thy captains as the great grasshoppers,
        which camp in the hedges in the cold day,
        but when the sun ariseth they flee away,
        and their place is not known where they are.
Nah. 3:18 Thy shepherds slumber,
        O king of Assyria: thy nobles shall dwell in the dust:
        thy people is scattered upon the mountains, and no man gathereth them.


Assyria was the dominant power including the worship of the starry host (including Apollon) in Jerusalem which is called SODOM.

Matt. 23:14 Woe unto you, scribes and Pharisees,
        hypocrites
! [Isaiah 29; Ezekiel 33 self-authoring preacher, singer, instrument player, audience]
        for ye devour widows’ houses [homes and families],
        and for a pretence make long prayer: [hymns among the Greeks.]
        therefore ye shall receive the greater damnation.

A Critic of the NACC noted that only the NOBILITY including key agents claiming to belong to Christ dominate and only they have the right to SELL books, bookings and sermons. The denominational leaders presumed to lay hands on and ordain their new AGENT to the CHILDREN.  Atchley said we taught our youth to leave our movement. That would be fine but the movement is back to babylon. NONE of the obscene "worship leaders" look any better:

NACC.Ordained.Missionary.gif

Surprise! God doesn't love fleecers who bring any kind of music in the holy places and He turns it into howling.  That is the "praise singing" as the world's OLDEST profession. This is what the godly show up as EMPTY PEWS see and hear when the guys begin to sell themselves in the name of love. Neither does God love sowers of discord.
Amos 8:2 And he said, Amos, what seest thou?
        And I said, A basket of summer fruit [gay troubadours] .
Then said the LORD unto me,
        The end is come upon my people of Israel;
        I will not again pass by them any more.
Amos 8:3 And the songs of the temple shall be howlings in that day, saith the Lord GOD: 
        there shall be many dead bodies in every place;
        they shall cast them forth with silence.

They and their harps will be tossed into Sheol

Those who sang at the PLACE of CAPPELLA sang ORGANUM and the Sistine Chapel is named after a goat skin shrine. Cappella is the SHE goat althought she may be male: she sings tragedies or songs intended to MOVE which history calls sorcery (Revelation 18).

When God pours out His Wrath or Orgy Paul warned about from both men and women He turns them into BUFFOONS and the WORLD, Kosmos, Ecumenical or the kingdom of Satan just claps and claps and claps.

"The music over ruled the veto of destiny and filled the entire space, imparting to all of us with its impetuous, invincible bounty a feeling of exultation, as thought a torrent of strange energies had sprung from the dauntless melody the clown blew on his flute as he sat on the railing of the circus.

Later I thought of this clown of the flute as a grotesque modern form of the great god Pan of the forest whom the Greeks worshipped as the symbol of cosmic vitality--serene, goat-footed Pan who plays the sacred syrinx (pan pipes) in the sinking dusk and with its magic sound evokes an echo in all things: leaves and fountains shiver, the stars begin to tremble, and the shaggy goats dance at the edge of the grove. (qtd. in Kinsley, David R. The Sword and the Flute: 33, n. 49)

Judas was prophesied to RESTORE the vocal or instrumental rejoicing God left as a MARK of those who would and did musically mock Jesus to the cross.  The Judas Bag or Box was left for us on EARTHEN VESSELS and it is always attached to a tipsy and naked New Wineskins assassins.  It is always attached to the flute case: watch for it the next time the Peter Pans assault the godly:

JudasBagDio1.gif

Jesus stood at the GATES HELL to denounce those who think they can destroy the REST Jesus died to give US from YOU. This was the temple of PAN:

Gates.Hell2.gif


The instrumental-trinitarian-perverted rising up AGAINST God in PLAY engaged in unnatural lust. God sentenced

them to captivity and death. He gave the Jacob-cursed and God-abandoned Levites to stand guard and execute any of those not of the abandoned Civil-Military-Clergy who came near the BURNING of Goats which is Rick Atchley's pattern it seems that A spirit told him was his pattern.  The only personified spirit is named Apollon-Abaddon and he is the leader of the Muses or Locusts

All musical terms and names of instruments point to sorcery or witchcraft. That is because the witch of Endor used an old wineskin stretched over a hole in the ground as her "familiar spirit." Bone flutes made a sound the earliest witch doctor understood to create the laded burden or "spiritual anxiety" through rituals performed by cunning craftsmen or sophists: rhetoricians, singers, instrument players, actors, dancers or even prostitute who could "bring you into the presence of the gods" -- for a price.

Jude 3 Beloved, when I gave all diligence to write unto you of the common salvation,
        it was needful for me to write unto you,
        and exhort you that ye should earnestly contend for THE FAITH
        which was once delivered unto the saints.
Jude 4 For there are certain men crept in unawares,
        who were before of old ordained to this condemnation,
        ungodly men, turning the grace of our God into lasciviousness,
        and denying the
                only Lord God,
                and
                our Lord Jesus Christ.  [Trinitarian Antichrists according to John]
Jude 5 I will therefore put you in remembrance, though ye once knew this,
        how that the Lord, having saved the people out of the land of Egypt,
        afterward destroyed them that believed not.
Jude 6 And the angels which kept not their first estate,
        but left their own habitation,
        he hath reserved in everlasting chains under darkness unto the judgment of the great day.

WHAT IS THE ABOMINATION IN A HOLY PLACE:

Moloch.harp.drum.flute.gif

Deut. 18:9 When thou art come into the land which the LORD thy God giveth thee, thou shalt not learn to do after the abominations of those nations.
Deut. 18:10 There shall not be found among you any one that maketh his son or his daughter to pass through the fire, or that useth divination, or an observer of times, or an enchanter, or a witch,

hărĭŏlus  soothsayer, prophet, prophetess
somnĭo , to dream; to dream of or see in a dream, to dream, i. e. to think idly or vainly, to talk foolishly:
psaltrĭa , ae, f., = psaltria, . a female player on the cithara, a lutist, “ineptias,” Col. 1, 8, 2: “ah stulte! tu de Psaltriā me somnias Agere,” Ter. Ad. 4, 7, 6; Plaut. Pers. 2, 3, 5Absol.: “vigilans somniat
“portenta non disserentium philosophorum sed somniantium,” Cic. N. D. 1, 8, 18.

Deut. 18:11 Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer

A Charmer is an Abomination
incantātor
, ōris, m. incanto, I. an enchanter, wizard (post-class.), Tert. Idol. 9; Isid. 8, 9, 15; Mos. et Rom. Leg. Coll. 15, 1, 2.

consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: “Apollinem de re,” Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,” Liv. 1, 20, 7: “deos hominum fibris,” Tac. A. 14, 30 fin.: “Phoebi oracula,” Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,” Plaut. Am. 5, 1, 76:

Cantus A. Prophetic or oracular song: “veridicos Parcae coeperunt edere cantus,” Cat. 63 cf. Tib.
B. An incantation, charm, magic song, etc.: cantusque artesque magorum.
“cantus e curru Lunam deducere tentat,”
2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,”

This was outlawed for the Church of Christ (the Rock) in the wilderness
These ăb-ōmĭnor are always MARKED “semimares,” Liv. 31, 12, 8
  Signs or wonders "  Liv. 31, 12, 8 Along with "plundering" the temples, among the Sabines, a child of uncertain sex was born, while another was found whose sex, at the age of sixteen, could not be determined. All these disgusting and monstrous creatures seemed to be signs that nature was confusing species; but beyond all else the hermaphrodites caused terror,... In addition, they directed that a hymn be sung throughout the city by thrice nine maidens, and that an offering be made to Queen Juno.

Galli A form gallantes, as if from gallare, "to rave like a priest of Cybelι," is cited from Varro (ap. Non. p. 119Non., 5). In their wild, enthusiastic, and boisterous rites the Galli recalled the legends of the Corybantes (q.v.). According to an ancient custom, they were always castrated (spadones, semimares, semiviri, nec viri nec feminae), and it would seem that, impelled by religious enthusiasm, they performed this operation on themselves... Other names, however, are of distinctly Semitic affinities; Rhea perhaps=the Babylonian Ri (Mulita or Mylitta), and Nana more certainly=the Babylonian Nana, modern Syrian Nani.  Nana motherof Attis
RICK ATCHLEY'S COMMAND TO IMPOSE "INSTRUMENTAL PRAISE."

2Chr. 29:27 And Hezekiah commanded to offer the burnt offering upon the altar.
        And when the burnt offering began, the song of the LORD began also with the trumpets,
        and with the instruments ordained by David king of Israel.

Hezekiah stopped the sacrifice of infants with the instrumental noise of the Levites who were an old Egyptian Infant burning priesthood.  As soon as Hezekiah died the sacrifices to Moloch began all over again. And THIS IS THE PATTERN of those LYING IN WAIT TO DECEIVE.


The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589).

ACTS 7 IS A DIRECT PARALLEL TO AMOS WHOM DAVID CLAIMS WERE JUST INTERNAL WRONG.

Acts 7:37 This is that Moses, which said unto the children of Israel,
        A PROPHET shall the Lord your God raise up unto you of your brethren,
        like unto me; him shall ye hear.
Acts 7:38 This is he, that was in the church in the wilderness
        with the angel which spake to him in the mount Sina, and with our fathers:
        who received the lively oracles to give unto us:
Acts 7:39 To whom our fathers would not obey,
        but thrust him from them, and in their hearts turned back again into Egypt,
Acts 7:40 Saying unto Aaron, Make us gods to go before us:
        for as for this Moses, which brought us out of the land of Egypt, we wot not what is become of him.

Acts 7:41 And they made a calf in those days,

        and offered sacrifice unto the idol,
        and rejoiced in the works of their own hands.

Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3   II. Pass., make merry, enjoy oneself, to sing,
i. mēkhanēn, [sound, lights ]in the theatre,  merriment of a feast
4. take up and bear, as a burden, “moron” A.Pers.547; “athlon” S.Tr.80; “algos” A.R.4.65.
2. raise by words, hence, praise, extol, E.Heracl.322, etc.; ai. logō to exaggerate, D.21.71.
mēkha^n-ē  

Acts 7:42 Then God turned,
        and gave them up to worship the HOST of heaven; 
        as it is written in the book of the prophets,
        O ye house of Israel,  have ye offered to me slain beasts and sacrifices
        by the space of forty years in the wilderness? 

Acts 7:43 Yea, ye took up the tabernacle of Moloch
        and the star of your god Remphan
        figures which ye made to worship them: 
        and I will carry you away beyond Babylon.

Paul hoped that the concision's knife slipped.

Paizo, 4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16. 5. play amorously, “pros allēlous” X.Smp.9.2

Chrysostom's Commentary on Galatians:
Galatians 5:1.-"With freedom did Christ set us free; stand fast therefore.115 ."
Ver. 12. "I would that they which unsettle you would even cut themselves off." And he says well "that unsettle you."A man that is heretical after the first and second admonition refuse." (Tit. iii: 10) If they will,  let them not only be circumcised, but mutilated. Where then are those who dare to mutilate themselves; seeing that they draw down the Apostolic curse, and accuse the workmanship of God, and take part with the Manichees?

Chrysostom understood that the pagans used vocal or instrumental noise to stir up or create anxiety so that they could steal your food money. Christ outlawed this in Isaiah 55.  Christ outlawed BLASPHEMY in the modern context of saying that God commanded instrumental distractions when  He DID NOT.

But if you will not allow this,  why do you not mutilate the tongue for blasphemy, the hands for rapine, the feet for their evil courses, in short, the whole body?

For the ear enchanted by the sound of a flute hath often enervated the soul;
and the perception of a sweet perfume by the nostrils hath bewitched the mind, and made it frantic for pleasure .

David's PRAISE word HALAL threatened the same sexual proof of superiority:

Ululo
Ulŭlo  I. Neutr., to howl, yell, shriek, utter a mournful cry. B.Transf., of places, to ring, resound, re-echo with howling: penitusque cavae plangoribus aedes Femineis ululant,Verg. A. 2, 488 : resonae ripae, Sil. 6, 285 : Dindyma sanguineis Gallis, Claud. Rapt. Pros. 2, 269 .--

AS PROPHESIED AND FULFILLED BY THOSE PREDESTINED FROM OLD.

Mock.Jesus.Half.size.jpg

Matthew 27 They Mocked Him Hail King of the Jews.
Mark 10 They Shall Mock Him with Music
Led As A Lamb Before The Slaughter: Proven when the preacher and singers won't let Jesus get a word in edgewise
Divination and Lectio Divina

People DO hear a spirit telling them that God commanded instrumental praise. Spiritus in latin speaks of the spirit OF Abaddon or Apollyon; he is unleashed as the king of the LOCUSTS. The Locusts for the reading public are the MUSES.  The muses were dirty adulterers and SHEPHERDS under Apollo at Delphi just up the road from Corinth.

Those who get a vision to MOCK JESUS in fulfillment of prophecy ALSO rush to remove CHRIST from their public confession.  The Levites were called soothsayer- sorcerers: they played loud instruments to make the lambs AND INFANTS dumb before the slaughter or burning.

Ex. 32:25 And when Moses saw that the people were naked; (for Aaron had made them naked unto their shame among their enemies:)
Ex. 32:25  Moses saw that the people were running wild and that Aaron had let them get out of control and so become a laughingstock to their enemies
Lam. 3:14 I became the laughingstock of all my people; they mock me in song all day long.
mansŭesco ,
I. Act., to tame, to make tame B. Trop., to render mild, gentle, or peaceable: gentes mild, soft, gentle, quiet
“nam me jam ab orationibus dijungo fere, referoque ad mansuetiores Musas,” Cic. Fam. 1, 9, 23: “ira,” Ov. Tr. 3, 6, 23
dēlūbrum , i, n. de-luo, the place of expiation, cella [holy place as a house only for a god]“noctu audita ex delubro vox est, etc.,” Liv. 29, 18: “so coupled with templa,” id. 30, 20:
wickedly, profanely illūdo to play at or with any thing, to sport with, amuse one's self with (syn. colludo; cf. ludificor). 1. To make sport or game of, to jest, mock, or jeer at, to ridicule (class.).
1. To scoff or mock at, to make a laughing-stock of, to ridicule ipsa praecepta (rhetorum),” Cic. de Or. 1, 19, 87: “voces Neronis, quoties caneret,” Tac. A. 14, 52: verbis virtutem superbis, Verg. A. 9, 634
Mūsa , ae, f., = Mousa, I.a  muse, one of the goddesses of poetry, music,
“Musarum delubra,” Cic. Arch. 11, 27: “hic Musarum parens domusque Pieria, Mela, 2, 3, 2: crassiore Musā,
A. A song, a poem: “musa procax,” Hor. C. 2, 1, 37
Dumb means the inability to MEDITATE on what is going on. 

cōgĭto
The command is to SPEAK the Word and MEDITATE in the heart: not to make music.
Cogitation in a rational sense can be stopped by (d). With de: “cogitavit etiam de Homeri carminibus abolendis,”  

WHY SAYING THAT GOD COMMANDS (AND DOES NOT OUTLAW) MUSICAL INSTRUMENTS (MACHINES) FOR THE ASSEMBLY (SCHOOL ONLY OF THE WORD ONLY) IS BLASPHEMY EVEN IF DELIBERATELY SOWING DISCORD AND FLEECING THE LAMBS TO FEED THE STAFF ALWAYS IDENTIFIED IN RELIGIONISM AS PARASITES.

Isaiah 5:5 And now go to; I will tell you what I will do to my vineyard:
        I will take away the hedge thereof, and it shall be eaten up;
        and break down the wall thereof, and it shall be trodden down:
Isaiah 5:6 And I will lay it waste: it shall not be pruned, nor digged; but there shall come up briers and thorns:
        I will also command the clouds that they rain no rain upon it.

Amos 8:11 Behold, the days come, saith the Lord GOD, that I will send a famine in the land, not a famine of bread, nor a thirst for water, but of hearing the words of the LORD:
Amos 8:12 And they shall wander from sea to sea, and from the north even to the east, they shall run to and fro to seek the word of the LORD, and shall not find it.
Amos 8:13 In that day shall the fair virgins and young men faint for thirst.

Isaiah 5:7 For the vineyard of the LORD OF hosts is the house of Israel, and the men of Judah his pleasant plant:
        and he looked for judgment, but behold oppression; for righteousness, but behold a cry.

Because of musical idolatry of the Egyptian trinity at Mount Sinai God turned the over to worship the HOSTS of heaven insteadof the Creator of the hosts. (Acts 7)

clāmo celebrate, call,  assembly for money, applause, “triumphum,” Ov. Am. 1, 2, 25: “Saturnalia,”  Of the chirping of a cricket: “(cicada) multo validius clamare occoepit,” Phaedr. 3, 16, 7.—Of the roaring of waters, the rustling of trees, gaudĕo ,
gaudĕo   to take pleasure in, be pleased with, “carmine (with delectari iambis),
delight in any thing (mostly poet. and in post-Aug. prose): “nec tantum Phoebo [Apollyon, Abaddon] gaudet Parnasia rupes, “oratio gaudebit

Isaiah 5:8 Woe unto them that join house to house, that lay field to field, till there be no place,
         that they may be placed alone in the midst of the earth!
Isaiah 5:9 In mine ears said the LORD of hosts, Of a truth many houses shall be desolate,
        even great and fair, without inhabitant.
Isaiah 5:10 Yea, ten acres of vineyard shall yield one bath, and the seed of an homer shall yield an ephah.

Isaiah 5:11 Woe unto them that rise up early in the morning,
        that they may follow strong drink; that continue until night, till wine inflame them!
And (they have) the
harp, and the viol, the tabret, and pipe, and wine, are in their feasts:
        BUT they regard not the work of the Lord, neither consider the operation of his hands. Is 5:12

BUT has this meaning:
1.  The Pilot used the operation of his hands playing a video game
2.  BUT, he was not considering the operation of his instrument panel.
3.  THEREFORE, the plane crashed.

Therefore my people are gone into captivity, because they have no knowledge:
        and their honourable men are
famished, and their multitude dried up with thirst. Is 5:13
Isaiah 5:14 Therefore hell hath enlarged herself, and opened her mouth without measure:
        and their glory, and their multitude, and their pomp, and he that rejoiceth, shall descend into it.
Isaiah 5:15 And the mean man shall be brought down,
        and the mighty man shall be humbled,
        and the eyes of the lofty shall be humbled:
Isaiah 5:16 But the LORD of hosts shall be exalted in judgment, and God that is holy shall be sanctified in righteousness.


In Amos 8 the people hungered and thirsted for the WORD of God and were taken into captivity:
God said I WILL NOT PASS THIS WAY AGAIN, FOR EVER.

MUSIC in the Bible and other literature MEANS "to make the lambs dumb before the slaughter."

Jesus pleads: could you not tarry with me for one hour.  Can you REALLY think that "a spirit" told you that God commanded instrumental praise in YOUR happy church of Christ and I INTEND to make certain that YOU do not disobey what "a" spirit told me to do: Sorry, I promised not to do that to you but THAT was THEN and THIS is NOW.  Sorry that we have discorded your happy family but our LADIES will help your life-long wife escape you because YOU dared to oppose us.  Sorry that up to half of the owners will have to cast themselves our of their synagogue they paid for but we will help you find ANOTHER institution.  "Besides, we warned you--like they said to J.W.McGarvey--that you have to get over it or get out.
ventus , B. Plur., personified as deities, the winds: te, Apollo sancte, fer opem; teque, omnipotens Neptune, invoco; Vosque adeo, Venti! Turpil. ap. Cic. Tusc. 4, 34, 73 (Com. Rel. v. 119 Rib.); Lucr. 5, 1230 (1228); cf. Ov. H. 17 (18), 37.—

spīrĭtus The air: imber et ignis, The breath of a god, inspiration: “ spiritum Phoebus [Apollo, Abaddon, Apollyon]  mihi, Phoebus artem Carminis dedit, poetic spirit or inspiration,

MUSIC in the Bible and other literature MEANS "to make the lambs dumb before the slaughter." The Levites were soothsaysers or sorcerers which is the PURPOSE DRIVING both instruments and instrumentalists.

The Spirit OF Christ gave APT elders to a TRUE Church of Christ as A School of the Word or Logos which is the Regulative principle. Before Paul defines that education-only asssembly with no parasitic staff, any APT elder must first eject or cast out the Musical Madhatters just as Jesus CAST OUT the minstrels and NOISE makers which define the Covenant with Death and Hell in Amos. They are cunning craftsmen or SOPHISTS: God does not speak to or through the WIDE or Sophists and HIDES from them: they are self speakers violating the PATTERN Christ defined in Isaiah 58 and Ezekiel 33, singers and instrument players.

From the singing and harp playing prostitute in the Garden of Eden to the Babylon Mother of Harlots (fruits) in Revelation 17, they as Paul said in Ephesians 4 LIE IN WAIT TO DECEIVE.  Religious music is therefore called SORCERY using the name for the original Babylon Mother of Harlots.  All of the Bible and historic literature proves that they intend to HURT you by inducing a charismatic or madness (says Paul) which they CLAIM is a spirit person speaking to you THROUGH them--and you must pay them, too.
ALL instrument SMITING words carry the meaning of a violent attack. Nimrod and modern science knows that music is an emotional attach upon a large part of the population.

pulso I.      inf. parag. pulsarier, Lucr. 4, 931), 1, v. freq. a. id., to push, strike, beat (cf.: tundo, ferio, pello).
Of musical instruments: “chordas digitis et pectine eburnoto strike, play upon, Verg. A. 6, 647: “chelyn,” (harp) Val. Fl. 1, 139: “pectine nervosSil. 5, 463: “cymbalaJuv. 9, 62.

A.      In gen., to urge or drive on, to impel, to set in violent motion, to move, agitate, disturb, disquiet:
C.      To drive away, remove, put out of the way

Psalmus , i, m., = psalmos, i. q. psalma,
I.      In gen., to play upon a stringed instrument; esp., to play upon the cithara, to sing to the cithara: “psallere saltare elegantius,” Sall. C. 25,
Elego I. to convey away (from the family) by bequest, to bequeath away, Petr. 43, 5; Gai. Inst. 2, 215.
TO RECRUCIFY CHRIST:

Anastatoo (g387) an-as-tat-o'-o; from a der. of 450 (in the sense of removal); prop. to drive out of home, i.e. (by impl.) to disturb (lit. or fig.): - trouble, turn upside down, make an uproar, to stir up, excite, unsettle to excite tumults and seditions in the state to upset, unsettle, minds by disseminating religious error.

Psalmos , ho, twitching or twanging with the fingers, psalmoi toxτnE.Ion173 (lyr.); toxκrei psalmτi [toxeusas] Id.HF1064 (lyr.)

Jesus as Spirit guiding Paul into all truth COULD HAVE used the word known by everyone:

Anti-psallτ , A.play a stringed instrument in accompaniment of song, a. elegois phorminga Ar.Av.218 .
Barbitos , m. (f. in the spurious epistle of Sappho, Ov. H. 15, 8; barbiton -os), a lyre, a lute Latinum, Barbite, carmen,

Psal-tikos A. of or for harp playing, ps. organon a stringed instrument, (of the magadis); andra psaltikκn agathon a good harpist, Ael. ap. Ar.Byz.Epit.84.8.

psalmōd-ia , A. singing to the harp, Aristid.2.310J.
 

Epi-psallτ, A. play the lyre, S.Fr.60, Poll.4.58(Pass.);
b. melesi kai rhuthmois Plu.2.713b; measured motion, time, rhythm
c. sing, tous humnous LXX 2 Ma.1.30 - Then the priests sang the hymns.

psaltōd-eō , A. sing to the harp, LXX 2 Ch.5.13.

And ODE set to music is MUST use a Music Word.
Mouso-ō , A. furnish with power of song, hosa phusis memousōke,
2. to be set to music, “ta di' ōdēs . . mousōthenta kroumata” D.H.Dem.40, cf. Cat.Cod.Astr.8(3).188; to be filled with melody, “memousōtai ta peri tēn thalattan hup' ōdēs tōn petrōn” Philostr.Her.10.7. “kitharizein pros tēn ō.”

  1. Therefore, if you say that Psallo means or has any connection to instrumental worship you say that the Spirit OF Christ was just too ignorant to understand what Simple Simon understood: it always takes 3 or 4 words to define (1) sing and (3) pluck or smite and (4) the name of an instruments: you still need a melody which might consist of just one note.
  2. Or you ALWAYS use Compound words for each type of instrument with or without an instruments.
  3. You therefore despise the Spirit OF God (His, the only one)
  4. To despise the WORD (logos, regulative principle) is the word BLASPHEMY.

Jesus and the Apostles SPOKE (Dicto) ONE hymn until same time next year. The command for those NOT taken captive by Abaddon and his muses is to SPEAK that which is written for our learning. LEXIS is opposite of ODE and ODE is the opposite of LEXIS.

The PSALLO as a warfare and perversion mark is IN (En, Eis) the heart and is therefore SILENT.  The Lord is in His Holy Temple let all the earth keep silent before Him

MUSIC in the Bible and other literature MEANS "to make the lambs dumb before the slaughter." God punished people with the things they worship. For instance, the serpents in the wilderness bit those devoted to fire and serpent worship to which Good abandoned Israel BECAUSE of instrumental idolatry at Mount Sinai.

The Muses are the LOCUSTS and ABADDON is the spiritus who speaks to and leads them. Their task is to DRIVE OUT the godly and preserve the ungodly for easy pickup time.

REJOICE AND BE GLAD the major HIT happened exactly 6,000 years after Moses wrote the history of Israel AFTER the fall into instrumental idolatry at Mount Sinai, God sentenced them to captivity and death and Moses wrote a godly version of the Babylon Tablets to warn the tiny remnant able to read BLACK text on BROWN paper.

John agrees with Scripture and recorded history to MARK the rhetoricians, singers, instrument players (Sophists, Hypocrite says Jesus) as SORCERERS.  Paul warned about them by the word Concision and Dogs or Catamites. People who claim that God did NOT use instruments as the MARK are liars: Sorcerers, Dogs and Liars will be (being) cast alive into the Lake of Fire.

Don't drink no KoolAid and drink no SPIRITS of people whom Paul in Ephesians 4 LIE IN WAIT TO DECEIVE.

Arnobius, Heresies IV May it not happen, may it not come to pass, although you craftily conceal it, that the one should take the other's place, deluding, mocking, deceiving, and presenting the appearance of the deity invoked?

If the magi, who ares o much akin to soothsayers [Levites], relate that, in their incantations, pretended gods steal in frequently instead of those invoked;  that some of these, moreover, are spirits of grosser substance, who pretend that they are gods, and delude the ignorant by their lies and deceit,-  why should we not similarly believe that here, too, others substitute themselves for those who are not, that they may both strengthen your superstitious beliefs, and rejoice that victims are slain in sacrifice to them under names not their own?

33. Your gods, it is recorded, dine on celestial couches, and in golden chambers, drink,
        and are at last soothed by the music of the lyre, and singing .
        You fit them with ears not easily wearied;
        and do not think it unseemly to assign to the gods
        the pleasures by which earthly bodies are supported,
        and which are sought after by ears enervated by the frivolity of an unmanly spirit.

2.26.10  Kairos-Ethos Church Planting Daimon has come down to you

See Rick Gibson Pepperdine approves the Kairos-Ethos Church Planting scheme.  Rick Gibson and Mike Cope plan to establish a group (sect) to DEprogram young preachers and teach them how to leave the Biblical definition of A Church of Christ as A School (only) of the Prophets and Apostles as the only EDUCATIONAL resource for building up or educating Disciples of Christ who do not attend pagan worship rituals were music from mystery means to "make the lambs dumb before the slaughter."

WOE:  for the devil is come down unto you, having great wrath,  because he knoweth that he hath but a short TIME  [kairon  ekhei ETHOS.’] Rev. 12:12
"Just remember: when you're reading your Greek Testament and come upon kairos: stop, look and listen, because the Holy Spirit is flashing a caution light, warning of a coming crisis, an eminent judgment. That's why Jesus used the word more than once to predict his own crucifixion." Quote

The "harp" passages in Revelation used as AUTHORITY prove that no one PLAYS harps: when you hear the SOUNDS-LIKE harps from your musical worship team, another angel warns of JUDGMENT where such sounds produce panic and commands that the living preach the gospel to ALL NATIONS. 

Paul in Ephesians 4 says that Christ gave the gift of APT elders as the only pastor teachers: that is the limit of a Church. First, they have to root out the cunning craftsmen or Sophists: Sophists or rhetoricians, singers, instrument players or actors.  Jesus said that God HIDES from all of these CRAFTY CRAFTS and He called the Scribes and Pharisees, hypocrites: in Ezekiel 33 Christ names the same speakers, singers or instrument players.  Better to debate with three empty chairs than dig up one example of any music connected with the Qahal, synagogue, ekklesia or Church of Christ (the Rock) in the wilderness.

Paul insists that the gifted ELDERS eject the rhetoricians, singers and instrument players because they are not just Bible illititerate (bad enough with a PhDuh) but THEY LIE IN WAIT TO DECEIVE. That is their ordained destiny because they are OF the WORLD doing COSMIC WORSHIP for whom Jesus will not even pray.  John said that the speakers, singers and instrument players in Revelation 18 are SORCERERS (named after the original Babylon mother of harlots) who HAD deceived the whole world once (Genesis 1:1 where the Elohim cast down or made the earth vain and ignorant).

Paul warned against people who CORRUPT the Word (Logos: regulative principle). The word means to sell learning at wholesale and also means prostitution. All of history and modern observations of the Androgynous Worship Leader explains why people leave such churches which gladly remove CHRIST from their public confession.

Heredotus 1: Cyrus was told how to NEUTER captives to keep them under control. Power grabbing preachers who want to be MASTERS (Authoratative Teachers) have KEEPING THEM UNDER CONTROL is absolutely necessary less they grasp that Jesus died to pry the burden laders off our backs: the Laded Burdens are types of repeating songs which perform the act of WITCHCRAFT with a boiling pot of frog yes.

Grant, then, forgiveness to the Lydians, and to make sure of their never rebelling against thee, or alarming thee more,
send and forbid them to keep any weapons of war,
         command them
to wear tunics under their cloaks,
         and to put buskins upon their legs,

.........and make them bring up their sons to cithern-playing (Kitharizein),
          and
singing (psallein),
..........and shop-keeping (Hucksterism). [Corrupting the Word]
So wilt thou soon see them become WOMEN instead of men,
and there will be no more fear of their revolting from thee."

Any kind of performing music when Jesus told us to SPEAK that which is written INTENDS to bring glory and more "Authority" to THE Alpah Malel.

-[4] Ludoisi de sungnτmκn echτn tade autoisi epitaxon, hτs mκte aposteτsi mκte deinoi toi eτsi: apeipe men sphi pempsas hopla arκia mκ ektκsthai, keleue de spheas kithτnas -[khiton  David's garment] te hupodunein toisi heimasi kai kothornous hupodeesthai, proeipe d' autoisi -kitharizein te kai psallein kai kapκleuein [prostitutes, petty trade, playing tricks, corrupting] paideuein tous paidas. kai tacheτs spheas τ basileu gunaikas ant' andrτn opseai gegonotas, hτste ouden deinoi toi esontai mκ aposteτsi."

The word kitharizo means to PLAY THE CITHARA and does not include singing.

-Kitharizτ 1 [kitharis] to play the cithara, phormingi [Apollo, Abaddon, Apollyon] kitharize Il., Hes.; lurκi eraton kitharizτn Hhymn. (so that there can have been no great difference between the kithara, lura, and phorminx ); kitharizein ouk epistatai, of an uneducated person,

-Kithar-isis , eτs, hκ, playing on the cithara, Pl.Prt.325e; k. psilκ, i.e. without the voice, Id.Lg.669e, cf. Pae.Delph.15; aulκsis kai k. Phld.Mus.p.23 K.

The PSALLO word used to GRASP POWER is an Abaddon word from plucking the Bow String to kill you or plucking the Lyre to mollest you.

-Arassτ ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre, Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440, etc.
2. c. dat. modi, arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar, “holmō a.” Nic. Th.508

Croesus thought the Lydians would even so be better off than if they were sold for slaves, and therefore gave the above advice to Cyrus, knowing that, unless he brought forward some notable suggestion, he would not be able to persuade him to alter his mind. He was likewise afraid lest,after escaping the danger which now pressed, the Lydians at some future time might revolt from the Persians and so bring themselves to ruin.

Of Course, the invasion of the "Musical Worship Ministers" proves that they had rather NOT be slaves

2.23.14     WHY ONLY A LITTLE FLOCK ARE WILLING TO UNDERGO THE DISCIPLINE OF A DISCIPLE OR APPRENTICE.

"Not surprisingly, most Israelites declined the prophet's invitation to enter into a dialog with Yahweh.  They preferred a less demanding religion of cultic observance either in the Jerusalem Temple or in the old fertility cults of Canaan.  This continues to  be the case: the religion of compassion is followed only by a minority; most religious people are content with decorous worship in synagogue, church, temple and mosque.

"The ancient Canaanite religions were still flourishing in Israel... the Israelites were still taking part in fertility rites and sacred sex there, as we see in the oracles of the prophet Hosea, Amos' contemporary.  (Armstrong, Karen, A History of God, p. 47).

Matthew 22:13 Then said the king to the servants,
        Bind him hand and foot, and take him away,
        and cast him into outer darkness; there shall be weeping and gnashing of teeth.
Matthew 22:14 For many [most] are called [kleto invited], but few are chosen. [eklektoi]

Eklektoo separated or purified
Eklektos picked out, selected choice, pure II. chosen of God, elect, LXXIs.43.20, Ev.Marc.13.20,
Hebrews 11:6 But without faith it is impossible to please him:
        for he that cometh to God must believe that he is,
        and that he is a rewarder of them that diligently seek him.
[the only 'worship' concept]

Matthew 22:15 Then went the Pharisees,
        and took counsel how they might entangle him in his talk.

The Jews were ignorant of the Prophets and mercinary wanted Jesus to tell them something beyond the text.

Matthew 22:18 But Jesus perceived their wickedness,
        and said, Why tempt ye me, ye hypocrites?

Jesus called the Scribes and Pharisees, hypocrites: in the Ezekiel 22 version the Spirit OF Christ named favor-seeking speakers, singers and instrument players.

It's a fact: Jesus never said "thou shalt NOT be a hypocrite" but the GOSPEL is:

Matthew 11:25 At that time Jesus answered and said, I thank thee, O Father, Lord of heaven and earth, because thou hast HID these things from the wise [sophōn] and prudent,
and hast revealed them unto babes.


The Wise are Sophists: speakers, singers, instrument players especially "melody in a holy place." This marks the worship of Sophia the goddess as opposed to patriarchal worship.

Matthew 11:26 Even so, Father: for so it seemed good in thy sight.
Matthew 11:27 All things are delivered unto me of my Father:
        and no man knoweth the Son, but the Father;
        neither knoweth any man the Father, save the Son,
        and he to whomsoever the Son will reveal him.

Those who are washed with water INTO the Word or Logos or into the School of Christ.  A babe never presumes to REtell and correct the Father.

The Son will not reveal the Father among the "many" which will never collect around the Word.


Matthew 11:28 Come unto me, all ye that labour and are heavy laden,
           Heavy laden by the wise or Sophists means "arousal music and tithes and offerings

        and I will give you REST.
Rest as Sabbath and rest as PAUO means to Stop the speaking, singing, playing or acting.
Why a Disciple of Christ or a Christian will STOP whatever they invent:

Matthew 11:29 Take my yoke upon you,
        and learn of ME; for I am meek and lowly in heart:
        and ye shall find rest unto your souls.

A Christian is a Disciple
What is a Disciple? A Disciple is a student. Students do not add staff (parasites) or musical performers to assist their learning.
What does a Christian-Disciple Study?  Jesus commanded that everyone be taught to observe what HE commanded to be taught.
What did Jesus teach to be TAUGHT? Jesus said that all that was prophesied about Him would be fulfilled.
Peter said that theprophecies had been made more certain by Jesus of Nazareth. He commanded that this not be private interpreted or further expounded. He said that anyone who does not teach that which has been revealed is a false teacher.  That includes the Prophets and Apostle's writing inspired for the Spiritual Community which was quarantined from Jerusalem and other sun and star worship centers.
What is the Purpose for this restricted curriculum?

Ephesians 2:18 For through him [Jesus] we both have access by one Spirit [Jesus] unto the Father.
Jesus wants MEN and WOMEN to be sedentary and silent.

1Timothy 2:1 I exhort therefore, that, first of all, supplications,
        prayers, intercessions, and giving of thanks, be made for all men;
1Timothy 2:2 For kings, and for ALL that are in authority;
        that we may lead a quiet and peaceable life in all godliness and honesty.


That includes preachers (sermonizers) Christ failed to GIFT in Ephesians 4.

Why?

1Timothy 2:4 Who will have all men to be saved,
         and to come unto the knowledge of the truth.  [The WORD or LOGOS is TRUTH]

To MARK those who claim to see visions or hear "spirits" telling them to DESTROY the peace and quiet!


1Timothy 2:5 For there is one God,
        and one mediator between God and men,
        the man Christ Jesus


The ONE God the Father is the only Holy (wholly) Spirit which God breathed (spirit) into the One Lord Jesus. After His glorification Jesus received the promise or EVANGEL OFFICE as the Mind or Spirit of God to we mortals who do NOT hear voices!!

In that role, Jesus as Holy Spirit (1 John 2) MEDIATES by dispensing His Word (the only pattern) but ONLY when there are APT elders who "teach that which has been taught" and exclude those who oppose or need to ENHANCE the Word.

1John 2:1 My little children, these things write I unto you, that ye sin not.
        And if any man sin, we have an ADVOCATE [paraklete] with the Father,
        Jesus Christ the righteous:
1John 2:3 And hereby we do know that we know him, if we keep his commandments.
1John 2:4 He that saith, I know him, and keepeth not his commandments,
        is a liar, and the truth is not in him.

  1. The Spirit OF Christ radically marked the Civil-Military-Clergy as robbers and parasites.  He defined the REST both inclusively and exclusively.  If the promise that God's enemies would MOCK the Son meaning Rhetoric, singing and playing instruments.  And preacher A says that a spirit commanded him to MOCK Jesus with instruments the Scripture marks that person as:
    1. WISE or Sophists: performance preacher for hire, singing, playing instruments. Jesus said that God HIDES from them.
    2. HYPOCRITES: Scribes and Pharisees. Speakers, singers, instrument players. Ezek 33
    3. OF the WORLD or Kosmos: Performing COSMIC worship.  Outlawed in Rome by Paul.

Strab. 10.3.10 And on this account Plato, and even before his time the Pythagoreians [KOSMOS], called philosophy music;1 and they say that the universe is constituted in accordance with harmony,2 assuming that every form of music is the work of the gods. And in this sense, also,
        the Muses are goddesses,
        and Apollo is leader of the Muses,
and poetry as a whole is laudatory of the gods. And by the same course of reasoning they also attribute to music the upbuilding of morals, believing that everything which tends to correct the mind is close to the gods. Now most of the Greeks assigned to Dionysus, Apollo, Hecate, the Muses, and above all to Demeter,
         everything of an orgiastic [wrath] or Bacchic or choral nature,
        as well as the mystic element in initiations; [Into the gay brotherhood]
and they give the name "Iacchus" not only to Dionysus but also to the leader-in-chief of the mysteries, who is the genius of Demeter.
        And branch-bearing, choral dancing, and initiations are common elements in the worship of these gods.
        As for the Muses and Apollo, the Muses preside over the choruses, whereas Apollo presides both over these and the rites of divination. But all educated men, and especially the musicians, are ministers of the Muses; and both these and those who have to do with divination are ministers of Apollo; and the initiated and torch-bearers and hierophants, of Demeter; and the Sileni and Satyri and Bacchae, and also the Lenae and Thyiae and Mimallones and Naοdes and Nymphae and the beings called Tityri, of Dionysus.

1 Plat. Phaedo 61Our Online  Copy

2 Philolaus, Fr. 4 (Stobaeus 1. 458-460) See also Athenaeus 14.632b-c Aristot. Met. 1.5, Sextus Empiricus Adv. Math. 4.6 Cp. Plat. Tim. 32c, 36d, 37a, 41b, Plat. Rep. 617b, Plat. Epin. 991e.

Cosmos ,  metaph., of ornaments of speech, such as epithets, Id.9.9 (pl.), Arist.Rh.1408a14, Po.1457b2, 1458a33; hadumelē k. keladein to sing sweet songs of praise, Pi.O.11 (10).13 (s.v.l.).

As the Leader of the Musicians is Apollo, Abaddon, Apollyon, the leader of Judas and His BAG is the Devil.

Cosmo-krator epith. of ouranos, Orph.H.4.3; “Zeus Mitras Hēlios k. Dam.Pr.131; hoi k. tou skotous toutou the cosmic rulers of this sinful world, Ep.Eph.6.12; “hoi k. hoi ta hupo selēnēn stoikheia dioikountes”

SELF-SPEAKERS AND MUSICIANS CLAIM THE ROLE OF JESUS AND DENY THE PERSONAL NATURE OF BEING A CHRISTIAN.

Ephesians 2:19 Now therefore ye are no more strangers and foreigners,
        but fellowcitizens with the saints, and of the household of God;

A Church of Christ has no clergy nor staff not directly connected to teaching the Word: no, all of the programs or MINISTRIES are a copy of Babylonianism.  iIn Jerusalem and all religions they are called PARASITES because the hinder the PREACHING of the Word by READING the Word for Comfort and Doctrine.

Ephesians 2:20 And are built upon the foundation of the apostles and prophets,
        Jesus Christ himself being the chief corner stone;
Ephesians 2:21 In whom all the building fitly framed together
        groweth unto an holy temple in the Lord:
Ephesians 2:22 In whom ye also are builded together for an habitation of God through the Spirit.


Built upon means Educated in the Ekklesia. Neither synagogue nor ekklesia had any other role than to READ material handed down from a higher authority, discuss it and reach a conclusion: Synagogoue speaks of the syllogism.  Any singer or instrument player would be hurt real bad if they tried to perform in either assemblies.

INDIVIDUALS and not massed multitudes (beasts) worship God IN the spirit as they give heed to THE TRUTH. There is nothing else defined as "worship" even in the old testament for the godly people who attended small group synagogues to REST FROM the clergy, Read and Rehearse or Meditate on the Word.

HOW GOD MARKS FOR AVOIDANCE ON DISCIPLES AS OPPOSED TO CEREMONIAL LEGALISTS:

Habakkuk 2:18 What profiteth the graven image that the maker thereof hath graven it;
        the molten image, and a teacher of lies,
        that the maker of his work trusteth therein, to make dumb idols?
Habakkuk 2:19 Woe unto him that saith to the wood,
        Awake; to the dumb stone, Arise, it shall teach!
        Behold, it is laid over with gold and silver,
        and there is no breath at all in the midst of it.
Habakkuk 2:20 But the LORD is in his holy temple:
         let all the earth keep silence before him.


David was Abandoned to Worship the Starry Host (Acts 7)

Psalms 57:8 Awake up, my glory; awake, psaltery and harp: I myself will awake early.
Psalms 108:2 Awake, psaltery and harp: I myself will awake early.

Euripides-Ion
O thou, that wakest on thy seven-string'd lyre
Sweet notes, that from the rustic lifeless horn [-Keras]
Enchant the ear with heavenly melody,
Son of Latona, thee before this light
Will I reprove. Thou camest to me, with gold
Thy locks all glittering, as the vermeil flowers
 
And now my son and thine, ill-fated babe,
Is rent by ravenous vultures; thou, meanwhile,
Art to thy lyre attuning strains of joy.
We even have a mention at a later date of a similar custom in connection with the cult in Jerusalem, where certain Levites, called me'oreim, 'arousers," sang every morning this verse from Ps 44: 'Awake, Lord, awake! Do not abandon us for ever." The Talmud tells us that Johy Hyrcanus suppressed the practice because it recalled too readily a pagan custom.

A similar practice is attested in connection with the cult of Herakles-Melkart. According to Menander, as he is quoted by Josephus, the king Hiram, who was a contemporary of Solomon, rebuilt the temples of Tyre and, 'he was the first to celebrate the awakening of Heracles in the month of Peritius." (de Vaux, p. 247)

In an inscription from Cyprus, in one from Rhodes and in several from around the district of Carthage, there are references to important personages who bear the title Mqm"lm which we can translate as 'arouser of the god." (de Vaux, p. 247).

THE MARK OF WOMEN AND "BOYS" RULING OVER YOU.

FIRST: the Logos directly outlaws anything beyond PREACHING the WORD by READING the Word (in context) for Comfort and Doctrine: that is what Paul commanded Timothy.  Christ in the Prophets and Jesus making the prophecies more certain and left for our MEMORY told all of the stories and wrote all of the songs: these are great EPICS (Never Lyric) and the Mind or Spirit of God is transferred by READING which is defined over and over as the ONE PIECE PATTERN for A School of Christ.  The School has no other purpose whatever the noble but diverting opinions of mankind repudiating the WORD and therefore repudiating Christ who Spoke ONLY what the Father Breathed (Spirit) into Him.  Jesus set the PATTERN: He spoke only what God breathed into him.  The WORK is done and legalism is thinking you can guild the lillies.

-LOGOS or rational discord of God.  If you add or subtract to the Word then you have less interest in God and His Word than yourself.

Logos is Opposite Pathos  A. that which happens to a person or thing, incident, accident, where this incident took place, unfortunate accident,
2. what one has experienced, good or bad, experience
II. of the soul, emotion, passionlegō de pathē . . holōs hois hepetai hēdonē ē lupē” Arist.EN1105b21), “sophiē psukhēn pathōn aphaireitai”
2. incidents of things, changes or happenings occurring in them,
V.
Rhetoric, emotional style or treatment, to sphodron kai enthousiastikon   A.inspired, “phusis” Pl.Ti.71e; especially by music
Logos is Opposite Sophia, A. cleverness or skill in handicraft and art in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, Sol.13.52, Pi.O.1.117, Ar.Ra.882, X.An.1.2.8,
in divination, S.OT 502 
e. ekstasis  If you get too aroused Paul would call it MANIA.
Logos is Opposite Poiein to excite passion, Arist.Rh.1418a12; V. Rhet., emotional style or treatment, to sphodron kai enthousiastikon p. Longin.8.1; “pathos poiein” Arist. Rh.1418a12; “
4.speech, delivered in court, assembly
VI. verbal expression or utterance, lego, lexis
      -Lexis A.speech, OPPOSITE τidκ

-τidκ, 1.art of song 5. = eppsdκ, spell, incantation
4. text of an author,  OPPOSITE exegesis [Peter's private interpretation outlaws exegesis]
Arist.En1142a26
  1. The ONLY Purpose is to TEACH and COMFORT: Paul told Timothy to READ the Word for Comfort and Doctrine.
  2. The METHOD is to SPEAK "that which is written for our learning." SPEAK is audible and effective. Paul silenced all of the theatrical crowd (marked) and "use one mind and one mouth to speak that which is written for our learning. WHY do you think that Doctors of the Law cannot grasp that? Jesus said their job is to take away the key to knowledge.
  3. The ODE and PSALLO are in the heart, spirit or SILENT. That is because the ODE was a form of enchantment or sorcery and Psallo speaks primarily of plucking the bow to make it twang to send forth a singing arrow. It speaks of Abaddon or Apollo who also carried his lyre to shoot LOVE ARROWS into his friends.  Psallo has NO musical content.
  4. If there is no one who can interpret or TRANSLATE the sound of a musical machine then Paul commanded:
1Corinthians 14:28 But if there be no interpreter,
        let him keep SILENCE in the church;
        and let him speak to HIMSELF, and to GOD


A TONGUE defines both an unknown language OR a musical instrument: a lifeless instrument meaning carnal weapon.

1Corinthians 13:1 Though I speak with the tongues of men and of angels,
        and have not charity, I am become as sounding brass, or a tinkling cymbal.


The SPEAKING which Paul outlaws with a DIRECT COMMAND IS
La^l-eō ,Mark of the Locusts
II.  chatter, Opposite. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday, 
III.  of musical sounds, “aulō [flute] laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou [flute] ē salpiggos l.”[trumpet] of Echomagadin lalein sound the magadis,  [double flute]
THE ANGELS which would mark Abaddon or Apollyon leader of the MUSES are:
Aggelos ,  of a loquacious person 2.  generally, one that announces or tells, e.g. of birds of augury, Il.24.292,296; Mousōn aggelos

In Revelation 18 the speakers, instrument players and MUSES are called sorcerers who HAD deceived the whol world.
A Christian is a Disciple or a Student: The command of Jesus was to teach what HE commanded to be taught.  If you add your own words and body performance then you are violating a Direct command and are proven NOT to care much about what you get paid for.

SECOND: CHRIST MARKED THOSE WHO DO NOT TEACH THAT WHICH IS WRITTEN FOR OUR LEARNING:

Isaiah 8:19 And when they shall say unto you,
        Seek unto them that have familiar spirits [
pythonibus], and unto wizards that peep,
        and that mutter:
        should not a people seek unto their God? for the living to the dead?
incantātĭo , ōnis, f. id., I. an enchanting, enchantment: “magicae, Firm. Math. 5, 5: incantationum vires,” singing and playing instruments
strīdeo  “serpentum Cerberus ore Stridet,” gnash
“barbaraque horribili stridebat tibia cantu,
Isaiah 8:20 To the law and to the testimony[No music in the Law or Prophets]
        if they speak not according to this WORD,
        it is because there is no light in them.
Isaiah 8:21 And they shall pass through it, hardly bestead and hungry: and it shall come to pass,
        that when they shall be hungry, they shall fret themselves,
        and curse their king and their God, and look upward.
Isaiah 8:22 And they shall look unto the earth;
        and behold trouble and darkness, dimness of anguish;
        and they shall be driven to darkness.


Jude 17 But, beloved, remember ye the words which were spoken before
        of the apostles of our Lord Jesus Christ;
Jude 18 How that they told you there should be mockers in the last time, [khronou]
        who should walk after their own ungodly lusts.
empaiktēs , ou, ho, A.mocker, deceiver, LXXIs.3.4, 2 Ep.Pet.3.3, Ep.Jud. 18.
Isaiah 3.4 I will give boys [childish] to be their princes, And children [effeminati] shall rule over them.
Isaiah 3.4 et dabo pueros principes eorum et effeminati dominabuntur eis

princeps  C. A chief, head, author, originator, leader, contriver, first among their playfellows, chief, superior, director
ef-fēmĭno , āvi, ātum, 1, v. a. femina, I.to make feminine.
II. Trop., to make womanish, effeminate, to enervate:
A. Womanish, effeminate (cf.: “mollis, luxuriosus, dissolutus)
“furialis illa vox, religiosis altaribus effeminata,” Cic. Planc. 35, 86: “effeminata ac levis opinio,” id. Tusc. 2, 22, 52: “effeminata et enervis compositio,
histrio  I.a stage-player, actor, either tragic or comic
II. Transf., a boaster: “histrionis est parvam rem attollere,” Cels. 5, 26, 1.

Cic. Planc. 35.86 When no one knew what were the feelings of those men who by means of their armies, and their arms, and their riches, were the most powerful men in the state, then that voice, rendered insane by its infamous debaucheries, made effeminate by its attendance on holy altars, kept crying out in a most ferocious manner that both these men and the consuls were acting in concert with him.

Needy men were armed against the rich, abandoned men against the good, slaves against their masters.

Jude 19 These be they who separate themselves, sensual, having not the Spiri

2 Peter 3 Marks End-Time Mockers

Even in the worst pagan temples including the one in Jerusalem a self-speaker, singer or instrument players was commanded to be executed for getting close to a presumed "holy" thing and place. The REAL command of God was for the Jacob-cursed and God-abandoned Levite were to STAND IN RANKS and make an instrumental noise (never music) to warn any godly person that they would be killed if they were inside the gates where God quarantined the sacrificial which Christ says (Isaiah 1; Jeremiah 7; Acts 7) that God did not command.

There is no command, example or remote inference of any group singing with or without instruments when God quarantined the godly people from those abandoned to worship the starry host.

From Genesis where Lucifer (part of the Kairos-Saturn-Zeus group) where Christ calls him-her-it "a singing and harp playing prostitute to Revelation 17 where the end-time return of the Babylon Mother of harlots uses "lusted after fruits" (same as Amos 8) as sself-speakers, singers and instrument players whom Jesus has John call them the SAME Sorcerers who had deceived the whole world (the c. BC 4000 Time) who will be cast alive into the lake of fire, the MARK of rhetoric, singing and playing MARKS God visiting and promising "I will not pass by again" marks the removal of the LAMPS or "seven Spirits of Divine Knowledge" (Isaiah 11)

The COMMAND is to SPEAK that which is written for our LEARNING and COMFORT.
Both ODE and PSALLO (never musical melody) is in the heart or SILENT as Paul commanded in 1 Corinthians 14.
That is because LEXIS (and all of the LOGOS words) are the opposite to ODE, and ODE is the opposite to LOGOS words.

No historical scholar failed to note that the ODE and MELODY was silent but since singing as an ACT was imposed c ad 373 some concluded that it would not be a SIN to sing audibly.  Both Paul and Peter make certain that all of the self-pleasure or hypocritic arts including the musical and scenic IN THE FLESH rituals are silenced so that rational or spiritual (of the LOGOS) can take place.

Featured at LU a Preacher as Poster Child of the FALSE ACCUSATIONS for almost exactly 100 years by the NACC and a few of their dupes speaking ONLY for the Denominational Organization.

Dave Clayton FEATURED at ACU, LU and Pepperdine as the pattern for  a Kairos-Ethos Church which repudiates all of the Historic Church of Christ from the Wilderness where Christ (The Rock) excluded vocal or instrumental rejoicing as well as self-speak of any kind. The command was to PREACH the Word (Logos) by READING the Word for comfort and doctrine.  The ACCUSER has had a field day at the relaunch of the NACC (beginning 1927) now using ANTI-instrumental music to demand CONFIRMING or CONFORMING to the use of INSTRUMENTS.

The MARK: singing enchanting songs to make the lambs dumb before the slaughter.
The BEAST: a new form of music and Satyric Drama (that gender-variant priesthood thingy)
The IMAGE: is REpresenting the Text in song and claiming that it TEACHES .

David Young Minister North Boulevard Church of Christ. Plans for 60,000 Seed Planting: Certainly beating GOING out to command what JESUS commanded to be taught UNTIL the end of the World. The LOGOS is the Regulative Principle and the whole RACE of progressives mark themselves as Knowing that to obey Jesus is to suffer and die and never get rich and infamous. TIME IS SHORT:  Kairos-Ethos-Renovare wants to REPLACE the LOGOS.
  HIS Elders promoting Unity in Diversity in CONFLICT with Ephesians 4

2.07.14   Kairos-Ethos Church Planting Daimon has come down to you

WOEfor the devil is come down unto you, having great wrath,  because he knoweth that he hath but a short TIME  [kairon  ekhei ETHOS.’] Rev. 12:12

"Just remember: when you're reading your Greek Testament and come upon kairos: stop, look and listen, because the Holy Spirit is flashing a caution light, warning of a coming crisis, an eminent judgment. That's why Jesus used the word more than once to predict his own crucifixion."
Quote

KAIROS (or Caerus) was the spirit (daimon) of opportunity, the youngest divine son of Zeus. He was depicted as a youth with a long lock of hair hanging down from his forehead, which indicated that Opportunity could only be grasped as he approached.

daimτn , A. “daimōn” S.OC1480 (lyr.), “daimon” Theoc.2.11, ho, , god, goddess, of individual gods or goddesses
p. 59.1 :—but more freq. of the Divine power (while theos denotes a God in person), the Deity, cf. Od.3.27;
genomenō mustagōgos tou biou” Manes spiritual or semi-divine being inferior to the God evil spirit, demon, Ev.Matt.8.31,

"In pagan traditions, musical instruments are invented by gods or demi-gods, such as titans. In the Bible, credit is assigned to antediluvian patriarchs, for example, the descendants of Cain in Genesis 4:21. There is no other biblical tradition about the invention of musical instruments." (Freedman, David Noel, Bible Review, Summer 1985, p. 51).

Jubal "handled" musical instruments WITHOUT AUTHORITY in a sexual sense to STEAL other people's property. Jubal descended from Cain who is said to be the SEED (sperm) of the Serpent.  Paul said that Eve was wholly seduced as a young bride is seduced away from the Truth.

"Plutarch implicitly contrasts a serious dinner featuring a sage as the after-dinner speaker with the other sorts of dinners--where sexual play with the girl flute-players or hetairae was common." (Witherington, Ben, Why Not Idol Meat, Bible Review, June 1994, p. 41-42).

ēthos  Not ethical but tactful. TRADITIONAL related to ETHNIC or of the Gentiles TRAMPLING
2. disposition, character, moral character, OPPOSITE dianoia, Arist.EN1139a1; as the result of habit, “to pan ē. dia ethos” Pl.Lg.792e, d. dramatis persona, eisagei andra ē gunaika ē allo ti ē. Arist.Po.1460a11, al.of departed souls,
Aristot. Eud. Eth. 2.1220b [1] as even its name implies that it has its growth from habit, and by our often moving in a certain way a habit not innate in us is finally trained to be operative in that way (which we do not observe in inanimate objects, for not even if you throw a stone upwards ten thousand times will it ever rise upward unless under the operation of force)—
let moral character then be defined as a quality of the spirit in accordance with governing reason [logō] that is capable of following the reason. We have then to say what is the part of the spirit in respect of which our moral characters are of a certain quality.
And it will be in respect of our faculties for emotions according to which people are termed liable to some emotion, and also of the states of character according to which people receive certain designations in respect of the emotions, because of their experiencing or being exempt from some form of emotion.
States of character are the states that cause the emotions to be present either rationally [logo or the opposite: [20] for example courage, sobriety [sōphrosunē] of mind, cowardice, profligacy.

A.timely, “apaggeliai” 2. narrative, recital, description,  lyric poetry is said to be “di' apaggelias autou tou poiētou” Pl. R.394c    The dithyramb was technically a poem in honor of Bacchus.
2. appropriate to certain times or seasons, seasonable, “anthē”  
b. Astrol., belonging to the kairos or chronocratory, planetary hours or chronocratories, probably of Egyptian origin “k. Khronoi Aphroditēs”
Aphroditē [i_, , aphros)
II. as Appellat., sexual love, pleasure, Od.22.444; “hup' Apollōni [ABADDON] psauein Aphroditas” Pi.O.6.35; “erga Aphroditēs” h.Ven.1,9, etc.; ma tēn A., tēn A., a woman's form of oath, Ar.Lys.208, Ec.189, etc.
III. ho tas Aphroditas astēr] the planet Venus [Zoe, Lucifer], cf. Pl.Epin.987b, Arist.Metaph.1073b31,  [of the wandering stars or planets, planes or deceivers.
Plat. Epin. 987b For indeed they have received titles of gods: thus, that Lucifer, or Hesperus(which is the same, should almost belong to Aphrodite, is reasonable, and quite befitting a Syrian lawgiver; and that that which follows the same course as the sun and this together should almost belong to Hermes.

kairios , a, on, also os, on Thgn.341, A.Ch.1064, S.Ph.637, Luc.Nigr. 35:

I.kairos” 11) in Hom. always of Place, in or at the right place, hence of parts of the body,
kairion
a vital part, Il.8.84,326; “en kairiō” 4.185; “ho aukhēn esti tōn kairiōn” X.Eq.12.2, cf. 8 (Sup.);
of wounds, mortal, kairiē (sc. plēgē)“ tetuphthai” Hdt.3.64;
“peplēgmai kairian plēgēn” A.Ag.1343; kairias plēgēs tukhein ib. 1292, cf. X.Cyr.5.4.5;
kairias (v.l. -ious“ sphagas” E.Ph.1431; Slaughter, sacrifices, cut throat (heresy)
ekhein tēn kataphoran k
. Plb.2.33.3Downward Sword, tirade, Fall,
butalso, grave, serious, nousēmata, trōmata, Trauma, wound, hurt, intent to murder
generally, “kairiōtatēs teteukhenai Khōras” Theol.Ar.44.
II. of Time, in season, timely, “heuriske tauta kairiōtata einai” Hdt.1.125,
Khrē legein ta k
. A.Th.1, cf. Ch.582; kairioi sumphorai ib.1064; [3. rarely in good sense, good luck, happy issue,
“ei ti k. legei” S.Ant.724; dran, phronein ta k., Id.Aj.120, El.228 (lyr.);
“kairios spoudē” Id.Ph.637; “Making Haste, zeal for the conflicting arguments
-ōtera boulē
” E.Heracl.471; [Killing children: Heirs]
“k. enthumēma” Reasoning, Device, syllogism, inference  X. HG4.5.4; to aei k. Id.Cyr.4.2.12, etc.; pros to k., = kairiōs, S.Ph. 525
critical
, auta ta k. ekhōn hekkaideka (sc. etē
kairian d' hēmin horō steikhousan Iokastēn
    coming at the right time, S.OT631; The city is mine too, not yours alone. Time to settle the feud.
“kairios ēluthes” E.El.598; time "to avenge myself on my father's murderer"    
kairia (Dind. for kai doria ptōsimos falling at the exact or fatal moment, A. Ag.1122 (lyr.);
 ta k. timely circumstances, opportunities to fight battles, Th.4.10; emergencies
2. lasting but for a season, AP12.224 (Strato).
III. chief, principal, “ta kairiōtata tōn klēmatōn” 
IV.Adv. -riōs in season, seasonably, “k. eirēmenon” A.Ag.1372
        time for
eirēmena muthologeuein”
skopein
” E.Rh.339: His mere appearance would cause a panic among the foe.
Comp. “-ōterōs” X.Cyr.4.5.49. And if it seems that we are of more use to you by fighting with you on horseback,
2. mortally, “outasmenos” A.Ag.1344, Silence! Who is this that cries out, wounded [plēgēn] by a mortal blow?
cf. Plb.2.69.2. fight with trauma, intent to murder

PersEnc. isocrates A degree of relativism underlies his belief that rhetoric should concern itself with what is appropriate (prepon) and comes at the right time (kairos). But like Plato Isocrates attacks “sophists” (whom he sees as rivals) for having no moral values

He comes at critical or dangerous moment Like Hermes [Who makes the thief, protector of thieves] , he has wings in his feet to fly with the wind. Caerus is sometimes considered a daimon spirit rather than a God due to his aggressive nature towards humans. He sought to drink their blood, killing many to do so. Kairos or Caerus is the yougest son of Zeus: as the new spawn pronounces Je-Zeus to foul you. But once he has passed by, no one can grasp him, the back of his head being bald. The Always "mother goddess" name is Occasio.  As a sign to men that I am sharper than any sharp edge.

Kairos.Time.ShortB.gif


1.06.14 
See Randy Lowry Lipscomb CELEBRATON: NOT using instruments causes CONFLICTS.  So he calls on Rick Atchely to help him convice that we should COLLABORATE with what has always been called sorcery or witchcraft.  Lowry confesses a TRIATIC collaboration between ACU, Pepperdine and LU.  We, of course, add the NACC repeating the hostile takeover a hundred years later. They want YOU to bow to Baal and then there will be no CONFLICTAlexander Campbell said that there must be Christians (baptized believers) in all of the sects.  If so, he said that they should COME OUT OF BABYLON.  Denying any unity with the Christian Church which began in 1927-1971, he said that the "Christians" had shown only how we might be divided.

These links are at another page: one of the few men who have chosen to blaspheme so he can take that new mega church for Singing, Playing instruments, clapping, hugging and kissing. Because he uses the documents of the Christian Church such as the Stark-Warlick debate using all of the RACA words, he and they OUT the universal persona that I am not sure always fits. Nevertheless, masses are discorded and offended and FLEE for their lives:

LINKS TO A FEW STEPS TO THE LAKE OF FIRE;  You may read the whole review of David Young's marking without losing this Fulfilment of Prophecy which began c. 4000 when because of MUSICAL IDOLATRY Moses defined the 6 DAYS until Abaddon (the name of the Levites service) or Apollyon being unleashed along with the locusts or muses.  Apollyon is identified in the Classics referenced by John as the MUSICAL WORSHIP LEADER including FEMALE worship leaders.

John calls them SORCERERS who HAD deceived the whole world once: that is why Moses wrote: In the beginning the elohim cast down or profaned the whole world.  However, Christ in Isaiah while defining the REST both inclusively and exclusively to EXCLUDE all of the hypocriitic or parasitic roles, said that JEHOVAH did not create the world in that Mesopotamian-Institutionalized state but HE (singular) created it to be inhabited with all of the FREE resource for living WITHOUT a Fertility Prophet or preacher to CONNECT them with God.

LINKS TO A FEW STEPS TO THE LAKE OF FIRE; FIXED LINKS 12.30

"RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEAL  [smile! that's why up to half of a flock flees Babylon]

TRIBULATION PROMISED FROM WITHIN: BUT, DAVID YOUNG AND THE ELDERS SAY------

THE COMMAND IS TO SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE

HOW RECORDED HISTORY NOTES THAT SINGING AS AN ACT WAS IMPOSED AFTER CONSTANTINE AND WAS DIVISIVE

THE COMMAND: SPEAK THAT WHICH IS WRITTEN.  NOTHING WRITTEN BY THE SPIRIT IS METRICAL OR TUNEFUL

Check.gifANATHEMA is to be ACCURSED for preaching a GOSPEL of Rhetoric, Singing, Playing Instruments, Acting or DECORATING a place as a WORSHIP CENTER

Check.gifISAIAH 3 CHRIST'S PROPHETIC TYPE: CLICK BELOW FOR CHRIST'S WARNING ISAIAH 3: RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEA

Check.gifROMANS 15: CLICK FOR PAUL'S REVEALING THE PROPHETIC MADE MORE CERTAIN FOR OUR EXAMPLE

ISAIAH 8  WHEN EMMANUEL COMES TO YOUR SCHOOL OF CHRIST YOU WILL NOT--CANNOT--PEEP AND MUTTER

CHRIST'S PURPOSE DRIVEN CHURCH DOES NOT BOAST ABOUT ITSELF.

ISAIAH 14  CHRIST'S WARNING OF THE SINGING AND HARP-PLAYING PROSTIITUTES CAST INTO "HELL"

A HUNDRED YEARS OF ATTACKS AGAINST CHURCHES OF CHRIST WHICH WILL NEVER IMPOSE INSTRUMENTAL IDOLATRY.

PROOF THAT ALL INSTRUMENTALISTS ATTACKS ARE BASED ON LIES OR IGNORANCE.

NUMBERS 11 THE REST OF THE STORY ABOUT MUTTERING AND MURMURING:  Violates Christ's outlawing vocal or instrument rejoicing or speaing your own words in Numbers 10

DAVID YOUNG STILL SAYS THAT ALL THINGS ARE LAWFUL?

THE "LEADERSHIP" IS PURPOSE-DRIVEN TO SOW MASSIVE DISCORD WHICH GOD HATES.

ELDERS AND DEACONS ARE THE ONLY VOCATIONAL "STAFF" IN A CHURCH OF CHRIST

The role of PREACHER as SENT Evangelist

ISAIAH 8: THOSE WHO DON'T PREACH THAT WHICH HAS BEEN PROVIDED ARE MARKED AS BEING WITHOUT LIGHT.

THE MARKS OF THE FINAL SHAKING AND THE END-TIME SHAKER.

The MARKS of the BEASTS (Zoe) and the INSECTS-PARASITES (LOCUSTS or musical worship teams)
 

THE FIREY DESTINY OF THOSE WHO SOW MUSICAL OR RHETORICAL DISCORD

Do you believe people who wrestle a congregation out of the hands to make it into an INSTRUMENTAL church so that WE can have unity? Of course, not: they understand that they will do two things God hates: Music in the holy places and those who sow discord among brethren.  They want UNITY with the NACC but know that they sow disunity beyond their congregation with those literate enough to know that there is no "musical" role in what Christ and the Campbells understood to be A School of Christ: Jesus defined the CENI as to "command them to teach and observe what He commanded them." And they know that the LOGOS is the Regulative principle which OUTLAWS any comment by the teacher, singing, playing instruments, acting and other ACTS of body worship which history knows as the FOUNTAIN of the always Gender-Bent priesthoods.

We don't make claims but the evidence is that this is the PERSONA when anyone introduces Musical Worship Clergy claiming the role of Jesus Christ. If up to half of the congregation flees it is not because they are legalistic, sectarian traditionalists.  It is clear that you get very little straight Bible from once-Christians colleges of the BIBLE now diverted into schools of Theology.  John Mark Hicks says that he does not ignore the Bible but bases his teachings and writing on theology from those who never quote from original sources but quotes from other theologians.

Point ONE: THE BEGINNING CYCLE OF THE MOTHER OF HARLOTS INDWELLING THE KING-QUEEN OF TYRE

"The trained musicians which eventually appear around the time of David and Solomon mark a distinctive change in the history of Jewish music. Before this time much of the music was made by women." (Zondervan Pict., Music p. 313).

"Before the establishment of the kingdom under Saul, it was the women who, as in every young civilization, played a major part in the performance of music. Such figures as Miriam, Deborah, Jephtha's daughter, and the women hailing the young hero David have become almost archetypes of female musicians. Characteristic of all these cases is the familiar picture of a female chorus, dancing and singing, accompanied by frenzied drum-beating. This is the scene known to the entire Near East, and not even the severe rule of Islam could wholly suppress this age-old practice." (Int Dict of the Bible, Music, p. 457).

"Women and girls from the different ranks of society were proud to enter the service of the gods as singers and musicians. The understanding of this service was universal: these singers constituted the 'harem of the gods'." (Quasten)

"Its (pipe = to love passionately) was apparently a secular instrument and is never listed in the temple orchestra; only in Ps. 150:4 it is mentioned in a religious (but not ritual) function. Its ethos was not blameless at all, as we see from Genesis Rabbah 50:

'The angels said to Lot: 'There are players of the pipe (organ) in the country, hence it ought to be destroyed'." Its rabbinical identification with the aboda, the flute of the notorious Syrian bayaderes, emphasizes the erotic element which already the Hebrew name suggests." (Interpreter's Dictionary of the Bible, p. 460, Abingdon).

Ezekiel 28:13 Thou hast been in Eden the garden of God; every precious stone was thy covering,
        the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire,
        the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes
        was prepared in thee in the day that thou wast created [cast as profane]

After both Jerusalem and Tyre returned from 70 years of captivity:

Is. 23:15 And it shall come to pass in that day,
        that Tyre shall be forgotten seventy years, according to the days of one king:
        after the end of seventy years shall Tyre sing as an harlot.

HERE IS THE SONG OF THE PROSTITUTE! Note that it takes three terms:

Is. 23:16 Take an [1] harp, go about the city, thou harlot that hast been forgotten;
        make sweet
[2] melody, [3]  sing many songs, that thou mayest be remembered.
Is. 23:17 And it shall come to pass after the end of seventy years, that the LORD will visit Tyre,
        and she shall turn to her hire, and shall commit fornication
        with all the kingdoms of the world upon the face of the earth.

The Testimony of Jesus is the Spirit OF prophecy: Christ defined the REST DAY for the Godly Jews and the future Christians both inclusively and exclusively:
Luke 11:49 Therefore also said the wisdom of God,
        I will send them prophets and apostles, and some of them they shall slay and persecute:
1Peter 1:9 Receiving the end of your faith, even the salvation of your souls.
1Peter 1:10 Of which salvation the prophets have inquired and searched diligently,
        who prophesied of the grace that should come unto you:
1Peter 1:11 Searching what, or what manner of time the Spirit of Christ which was in them did signify,
        when it testified beforehand the sufferings of Christ, and the glory that should follow.

A Church of Christ is built upon or EDUCATED by the Prophets and Apostles recording the confirmed prophets.  Education is the ONLY role of a Church of Christ defined by Ekklesia or Synagogue. Neither of these originated any of the resources for hearing.

Ephesians 2:20 And are built upon the foundation of the apostles and prophets,
        Jesus Christ himself being the chief corner stone;

The Spirit OF God or the Spirit OF Christ is the BREATH of God since the PATTERN of Jesus was never to speak on His own. When God BREATHES (spirit) into the Son (without metron or meter?), He SPEAKS or articulates the Mind of God.  If a person makes a profession using the psychological violence that A spirit is guiding him, Christ in Isaiah 8:20 says THERE IS NO LIGHT IN HIM.

There is nothing taught or practiced by the Later Day Progressives which is not condemned by Christ in the Prophets: Christ called the Civil-Military-Clergy complex ABANDONED to worship the starry host (the same Abaddon-Apollyon leader of the Muses) Robbers and Parasites. In fact PARASITE defines any religious worker especially the Levite Musicians whose prophesying means Soothsaying or Sorcery.

Paul did not CORRUPT the Word which meaning selling anything at retail: the same word means to be a prostitute. That is why no person has anything to say which has not already been said by God.

Acts 15:21 For Moses of old time
        hath in every city them that PREACH him,
        being READ in the synagogues every sabbath day
None of those not Jacob-cursed and God-abandoned people were permitted to leave their local city.  WORK outlawed "sending OUT ministers of God." The local elder led the people in READING AND REHEARSING the Word supplied by Moses.
God EXCLUDED vocal or instrumental rejoicing or any elevated speaking beyond translating and explaining THAT WHICH WAS READ. That pattern is repeated over and over in the New Testament.

PART TWO: ONE OF MANY MIDDLE PARTS
Exod 32:6 And they rose up early on the morrow,  and offered burnt offerings, and brought peace offerings; 
        and the people sat down to eat and to drink, and rose up to play

Ludo  A. To sport, play with any thing, to practise as a pastime, amuse one's self with any thing, B. To sport, dally, wantonly Esp., to play on an instrument of music, to make or compose music or song: “carmina pastorum,”

Empaizō , fut. To be deluded  2. euphem. in mal. part., LXXJd. 19.25.

Jdg 19:25 But the men would not hearken to him: so the man took his concubine, and brought her forth unto them; and they knew her, and abused her all the night until the morning: and when the day began to spring, they let her go.

II. sport in or on, hτs nebros chloerais e. leimakos hκdonais E.Ba. 866 (lyr.); tois choroisin e. to sport in the dance, Ar.Th.975; tτi  Luc.Lex.5

Genesis 26:8 And it came to pass, when he had been there a long time, that Abimelech king of the Philistines looked out at a window, and saw, and, behold, Isaac was sporting with Rebekah his wife

Paig-ma , atos, to,
A. play, sport, lōtos hotan . . paigmata bremē whene'er the pipe sounds its sportive strains, E.Ba.161(lyr.); “Ludia p. luras”  . II. 'child's play', to toiouto p. tōn logōn
Exodus 32:18 And he said, It is not the voice of them that shout for mastery,
        neither is it the voice of them that cry for being overcome:
        but the noise of them that sing do I hear.
vox , a voice, sound, tone, cry, call.
“inclinata ululantique voce canere,”
ŭlŭlo ,  B. Transf., of places, to ring, resound, re-echo with howling: “penitusque cavae plangoribus aedes Femineis ululant,” Verg. A. 2, 488: “resonae ripae,” Sil. 6, 285: “Dindyma sanguineis Gallis,”
Gallus  A. Galli , ōrum, m., the priests of Cybele, so called because of their raving, Ov. F. 4, 361 sq.; Plin. 5, 32, 42, § 146; 11, 49, 109, § 261; 35, 12, 46, § 165; Paul. ex Fest. p. 95 Mόll.; Hor. S. 1, 2, 121.—In sing.: Gallus , i, m., a priest of Cybele, Mart. 3, 81; 11, 74; cf. Quint. 7, 9, 2: “resupinati cessantia tympana Galli,” Juv. 8, 176.—And satirically (on account of their emasculated condition), in the fem.: Gallae , ārum, Cat. 63, 12, and 34.— [Says Paul in Galatians 5: Music and WITCHCRAFT]
A., of or belonging to the priests of Cybele; hence, transf.) Of or belonging to the priests of Isis, Gallic: “turma,” the troop of the priests of Isis, [Re APIS] Ov. Am. 2, 13, 18
canto , āvi, ātum, 1, v. n. and
I.a. [cano], freq. in form, but mostly agrees in meaning with cano.
I. Neutr., to produce melodious sounds (by the voice or an instrument), to sound, sing, play
Less freq. of instrumental music, and only with abl. of the instrument (cf. cano): “tibiis,” Nep. Epam. 2, 1; id. ib. praef. § 1; Vulg. Luc. 7, 32: “lituo, tubă,” Gell. 20, 2, 2: “calamo,” Sen. Ben. 4, 6, 5: ad manum histrioni, in comedy, to sing and play while the actor accompanies the song with gestures or dancing, Liv. 7, 2, 10; cf. Val. Max. 2, 4, 4
2. Of an actor, to represent a part, to act
III. In the lang. of religion, as v. n. or a., to use enchantments, charms, incantations, to enchant, to charm,
B. To call forth, produce by charms: “et chelydris cantare soporem,” Sil. 8, 498: “cantata umbra,” Luc. 6, 767.
 AND THE RECORDED RESULT OF RELIGIOUS MUSIC PERFORMED WITH A DRIVEN PURPOSE

Wherefore God also gave them up to uncleanness, through the lusts of their own hearts,
    to dishonour their own bodies between themselves: Rom 1:24
    Who changed the truth of God into a lie,
    and worshipped and served the
creature more than the Creator,
            who is blessed for ever. Amen. Rom 1:25

    For this cause God
gave them up unto vile affections:
            for even their women did change the natural use into that which is against nature: Rom 1:26

    And likewise also the men, leaving the natural use of the woman, burned in their lust one toward another;
        men with men working that which is unseemly,
        and receiving in themselves that recompence of their error which was meet. Rom 1:27
    And even as they did not like to retain God in their knowledge,
        God gave them over to a reprobate mind,
        to do those things which are not convenient; Rom 1:28

Point THREE: THE ENDING CYCLE OF THE MOTHER OF HARLOTS INDWELLING THE KING-QUEEN OF THE HARLOT CHURCHES

Revelation 17:3 So he carried me away in the spirit into the wilderness:
        and I saw a woman sit upon a scarlet coloured beast,
        full of names of blasphemy, having seven heads and ten horns.

The Goddess as Lady of Beasts was known to the people of Sumer, Crete, and the Indus Valley (India). Her name is largely unknown because worship of her predated writing. She was also known as the Cosmic Creatrix, the creative, fertile, life-giving force. Her special animals were held sacred as manifestations of the deity herself. She is depicted here pregnant, surrounded by pregnant animals, which speaks of her as a powerful fertility figure. She usually appears enthroned with a lion at her side indicating sovereignty and strength. Genesis 3:20 And Adam called his wife’s name Eve; because she was the mother of all living.
        Initially a Hunter Goddess and Lady of the Beasts of Kolchis named Aeaea 'ululation,' [HALAL]she became the funerary Goddess of the island known by her name. Kalypso 'concealer,' Argeia 'bright,' and often Medea 'wise one' who was sometimes called her neice instead. Klymene's daughters were the keepers of golden horned cattle in the lands of the Dead, the Heliades or Merope 'eloquent' or 'bee eater,' Helia 'sun,' Phoebe [ABADDON, APOLLYON]  'bright,' Aetheria 'heavenly one,' Dioxippe 'divine mare,' Lampetia 'beaming one,' Koronis 'crow or raven,' Aegile 'bright,' Lamethusa 'light being,' Phatusa 'bright being,' and Elektryone 'beaming on

Revelation 17:4 And the woman was arrayed in purple and scarlet colour,
        and decked with gold and precious stones and pearls,
        having a golden cup in her hand full of abominations and filthiness of her fornication:

Revelation 17:5 And upon her forehead was a name written,
         MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.

Rev 18:20 Rejoice over her, thou heaven, and ye holy apostles and prophets; for God hath avenged you on her.

Rev 18:21 And a mighty angel took up a stone like a great millstone,
        and cast it into the sea, saying, Thus with violence shall that great city Babylon be thrown down,
        and shall be found no more at all.

Rev 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;

Rev 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived.

Rev 18:24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth.

EVE APPEARS FROM BABYLON AFTER ISRAEL FELL INTO INSTRUMENTAL IDOLATRY AND SENTENCED BACK TO BABYLON. Maybe Paul knew something about Eve?

Theophilus to Autolycus 

This Eve, on account of her having been in the beginning deceived by the serpent, and become the author of sin, the wicked demon, who also is called Satan, who then spoke to her through the serpent, and who works even to this day in those men that are possessed by him, invokes as Eve.58 And he is called "demon" and "dragon," on account of his revolting from God. For at first he was an angel. And concerning his history there is a great deal to be said; wherefore I at present omit the relation of it, for I have also given an account of him in another place.

58 Referring to the bacchanalian orgies in which " Eva " was shouted, and which the Fathers professed to believe was an unintentional invocation of Eve, the authoress of all sin.

The word "abomination" is also key to understanding the context. In Hebrew, the word "to 'evah," (abomination) is almost invariably linked to idolatry. In the passages from which both verses are taken, God tells Moses to tell the people not to follow the idolatrous practices of the people around them, people who sacrificed their children to Molech, or who masturbated into the fire to offer their semen to Molech, for example. Chapter 20 starts off with the same warning.

"To 'evah" also means "something which is ritually unclean."
But also, concerning music, some have fabled that Apollo [Abaddon, Apollyon]  was the inventor, and others say that Orpheus discovered the art of music from the sweet voices of the birds. Their story is shown to be empty and vain, for these inventors lived many years after the flood. And what relates to Noah, who is called by some Deucalion, has been explained by us in the book before mentioned, and which, if you wish it, you are at liberty to read.

ZOE in the Latin is called "The BEAST and Female instructing principle."  The Serpent was a MUSICAL ENCHANTER(ESS)

AND THE PENALTY

Exod 32:34 Therefore now go,
        lead the people unto the place of which I have spoken unto thee:
        behold, mine Angel shall go before thee:
        nevertheless in the day when I visit I will visit their sin upon them.
Amos 5:26 But ye have borne the tabernacle of your Moloch and Chiun your images,
        the star of your god,
        which ye made to yourselves.
Amos 5:27 Therefore will I cause you to go into captivity beyond Damascus,
        saith the LORD, whose name is The God of hosts.

Acts 7:43 Yea, ye took up the tabernacle of Moloch
        and the star of your god Remphan, 
        figures which ye made to worship them: 
        and I will carry you away beyond Babylon.

Revelation 21:8 But the fearful, and unbelieving, and the abominable, and murderers,
        and whoremongers, and sorcerers, and idolaters, and all liars,
        shall have their part in the lake which burneth with fire and brimstone: which is the second death.
Revelation 22:15 For without are dogs, and sorcerers, and whoremongers,
        and murderers, and idolaters, and whosoever loveth and maketh a lie.

See Galatians 5 and the Music and Witchcraft connection.

Catullus  63: Haste you together, she-priests, to Cybele's dense woods, together haste, you vagrant herd of the dame Dindymene, you who inclining towards strange places as exiles, following in my footsteps, led by me, comrades, you who have faced the ravening sea and truculent main, and have castrated your bodies in your utmost hate of Venus [ZOE], make glad our mistress speedily with your minds' mad wanderings.

Let dull delay depart from your thoughts, together haste you, follow to the Phrygian home of Cybele, to the Phrygian woods of the Goddess, where sounds the cymbal's voice, where the tambour resounds, where the Phrygian flutist pipes deep notes on the curved reed, where the ivy-clad Maenades furiously toss their heads, where they enact their sacred orgies [wrath Paul outlawed] with shrill-sounding ululations, where that wandering band of the Goddess flits about: there it is meet to hasten with hurried mystic dance."

When Attis, spurious woman, had thus chanted to her comity, the chorus straightway shrills with trembling tongues, the light tambour booms, the concave cymbals clang, and the troop swiftly hastes with rapid feet to verdurous Ida.

Then raging wildly, breathless, wandering, with brain distraught, hurries Attis with her tambour, their leader through dense woods, like an untamed heifer shunning the burden of the yoke: and the swift Gallae press behind their speedy-footed leader. So when the home of Cybele they reach, wearied out with excess of toil and lack of food they fall in slumber. Sluggish sleep shrouds their eyes drooping with faintness, and raging fury leaves their minds to quiet ease.

SO, DO YOU BELIEVE THAT THE "SCHOLARS" AND UNIVERSITES AND PREACHERS ARE SIMPLY IGNORANT?

WITH NO EXCEPTION IN BETWEEN [Romans 10], THE MUSICAL INFILTRATORS WANT YOU TO BELIEVE THAT YOU ARE SONS OF PERDITION FOR NOT JOINING THEM IN ALL OF THEIR PROPHESIED GAMES.

Stark-Warlick Debate: Lipscomb like the "man of sin," he sits in the temple of God, says: "Thou shalt not." OR "rebellion is as the sin of witchcraft and stubborness is as iniquity and idolatry."

Robert Ballard and the NACC: and to refuse to permit that which God Himsef has (P93) SAID TO USE. To forbid their use, where God has  SAID TO USE THEM, as in Eph. 5:19 and Col. 3:16 is flagrant sin (Rev 22:18:19)

WHY DO YOU THINK THERE WAS SUCH A SUDDEN AND HARSH AGAINST CHURCHES OF CHRIST ALMOST TO THE DAY OF THE END OF THE 6,000 YEARS BASED ON MOSES USE OF BABYLONIAN THEOLOGY TO WARN ISRAEL WHICH HAS JUST FALLEN INTO INSTRUMENTAL IDOLATRY?

The MARK (musical "worship"): The BEAST (A new style of music or Satyric Drama): the IDOL (RE-presenting the Word in song and sermon)

You will NEVER be able to BUY and SELL (books, CD.s, booking a gig) at the Celebrations unless you take the MARK of  the BEAST and "turn the Word of God into rhetoric, singing, playing (Definition of a Hypocrite and Sophist)

1.04.14  See David Young Minister North Boulevard Church of Christ in Murfreesboro, Tennessee

Consistent with the hostile attack from about 1890 to the present, David Young blasphemes the Holy Spirit OF Christ who defined a Church of Christ (the Rock) and in the Prophets radically condemning musical machines as having the power of sorcery or soothsaying (Miriam and the Levites).

Just our Tradition or Traditional 20 Times
Style or Styles 16 Times
Method or Methods 9 Times
Customs 2
A NEW Language 7 Times
Just our Heritage 2
Freedom 22 Times--is something WE give YOU.
Just our Opinions 11 Times

Pharisee 2
Continuity with the Past 2
Judgment 8
THIS PAPER WILL HELP YOU FLEE BABYLON whose Mother of Harlots (Revelation 17) uses "lusted after fruits" (Same as in Isaiah 8) as self-speakers, singers, instrument players and ALL religious craftsmen who were called PARASITES.

1.04.13 LINKS TO A FEW STEPS TO THE LAKE OF FIRE; FIXED LINKS 12.30

ISAIAH 3 CHRIST'S PROPHETIC TYPE: CLICK BELOW FOR CHRIST'S WARNING ISAIAH 3: RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEA

ROMANS 15: CLICK FOR PAUL'S REVEALING THE PROPHETIC TYPE MADE MORE CERTAIN FOR OUR EXAMPLE

THE GOLDEN CALF AGAIN: PAUL EXCLUDED "DOGS" AND "CONCISION" BY MAKING WORSHIP IN THE SPIRIT (A PLACE) AND NOT IN THE FLESH

EPHESIANS 5: COLOSSIAN 3: THE COMMAND IS TO SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE

REVELATION 17-18:  PROPHETIC TYPE CLICK FOR THE END-TIME BABYLON MOTHER OF HARLOTS


BUT, DAVID YOUNG AND THE ELDERS SAY------


THE COMMAND IS TO SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE

HOW RECORDED HISTORY NOTES THAT SINGING AS AN ACT WAS IMPOSED AFTER CONSTANTINE AND WAS DIVISIVE

THE COMMAND: SPEAK THAT WHICH IS WRITTEN.  NOTHING WRITTEN BY THE SPIRIT IS METRICAL OR TUNEFUL

ISAIAH 8  WHEN EMMANUEL COMES TO YOUR SCHOOL OF CHRIST YOU WILL NOT--CANNOT--PEEP AND MUTTER

CHRIST'S PURPOSE DRIVEN CHURCH DOES NOT BOAST ABOUT ITSELF.

ISAIAH 14  CHRIST'S WARNING OF THE SINGING AND HARP-PLAYING PROSTIITUTES CAST INTO "HELL"

A HUNDRED YEARS OF ATTACKS AGAINST CHURCHES OF CHRIST WHICH WILL NEVER IMPOSE INSTRUMENTAL IDOLATRY.

PROOF THAT ALL INSTRUMENTALISTS ATTACKS ARE BASED ON LIES OR IGNORANCE.

NUMBERS 11 THE REST OF THE STORY ABOUT MUTTERING AND MURMURING:  Violates Christ's outlawing vocal or instrument rejoicing or speaing your own words in Numbers 10

DAVID YOUNG STILL SAYS THAT ALL THINGS ARE LAWFUL?

THE "LEADERSHIP" IS PURPOSE-DRIVEN TO SOW MASSIVE DISCORD WHICH GOD HATES.

ELDERS AND DEACONS ARE THE ONLY VOCATIONAL "STAFF" IN A CHURCH OF CHRIST

The role of PREACHER as SENT Evangelist

ISAIAH 8: THOSE WHO DON'T PREACH THAT WHICH HAS BEEN PROVIDED ARE MARKED AS BEING WITHOUT LIGHT.

THE MARKS OF THE FINAL SHAKING AND THE END-TIME SHAKER.

The MARKS of the BEASTS (Zoe) and the INSECTS-PARASITES (LOCUSTS or musical worship teams)
 
THE FIREY DESTINY OF THOSE WHO SOW MUSICAL OR RHETORICAL DISCORD

To a question, he responds, "you are going to find a lot of a cappella churches that are gonna' start saying 'Sunday morning we are going to be a cappella, but after that, we are going to let a lot of freedom reign,' which is pretty much what we do at Richland Hills. You walk into our youth center Sunday morning or Wednesday night: and I'm telling you--Christian rock an' roll is just blasting'" (p. 9).

CHRIST IN ISAIAH 3 SPELLED IT OUT CLEARLY AND THAT IS WHY THE STRAIGHT PEOPLE ARE FLEEING BABYLON WITHOUT KNOWING EXACTLY WHAT HAS HAPPENED TO THEIR OLD SCHOOL OF CHRIST

THE PROPHETIC TYPE BY THE SPIRIT OF CHRIST

Isaiah 3:4 And I will give children to be their princes, and babes shall rule over them.

Isaiah 3:4 et dabo pueros principes eorum et effeminati dominabuntur eis
        dominabuntur Ruler,  MARK Women or the Effeminate as  oratio,
        MARK Women or effeminate who are consilium the person who forms the purpose, 
        MARK Women or the effeminate who Teach Over  aedĭfĭco  in
            a religious sense, to build up, instruct, edify.

“doctum hominem cognovi, idque a puero,” Cic. Fam. 13, 16, 4;
1. A little son, a son (poet.), Plaut. Am. 5, 1, 72: “Ascanius puer,” Verg. A. 2, 598: “tuque (Venus) puerque tuus (Cupido) ZOE
ars , I. Skill in producing any material form, handicraft, trade, occupation, employment
or artes illiberales or sordidae, the arts, employments, of slaves or the lower classes.
musicam, litterarum cognitionem et poλtarum,
rhetorica,” Quint. 2, 17, 4: “musica,” poetry, Ter. Hec. prol. 23: “musica,” music, Plin. 2, 25, 23, § 93: With a gen. designating it: “ars disserendi,” dialectics, Cic. de Or. 2, 38, 157: “ars dicendi,” the art of speaking, cunning, artifice, fraud, stratagem:

Principes B. Esp., the first, chief, principal, most distinguished person: “quales in re publicā principes essent, talis reliquos solere esse civis,” Cic. Fam. 1, 9, 12:

Mŭlĭer
as a term of reproach, a woman, i. e. a coward, poltroon: arbĭtror to make a decision, give judgment or sentence: OR mŭlĭĕro, to make womanish, render effeminate

dŏmĭnor , ātus (ante-class.  to be lord and master, to have dominion, bear rule domineer

Ēōs   domus Aurorae,”  1. Like ēōos (sc. astēr), the morning-star, Verg. G. 1, 288; id. A. 3, 588
3. The name of one of the horses of the sun, Ov. M. 2, 153

Boys: -Effemino 
II. Trop., to make womanish, effeminate, to enervate: “fortitudinis praecepta
“illa elocutio res ipsas effeminat,” Quint. 8 prooλm. § 20.—
A. Womanish, effeminate (cf.: “mollis, luxuriosus, dissolutus): ne quid effeminatum aut molle sit,” Cic. Off. 1, 35, 129; cf. id. Tusc. 4, 30: “intolerabile est servire impuro, impudico, effeminato,  “furialis illa vox, religiosis altaribus effeminata,” Cic. Planc. 35, 86 —B. In mal. part., that submits to unnatural lust: “pathicus,” Suet. Aug. 68;
Cic. Planc. 35.86 When no one knew what were the feelings of those men who by means of their armies, and their arms, and their riches, were the most powerful men in the state, then that voice,
        rendered insane
by its infamous debaucheries,

        made effeminate by its attendance on holy altars,
                 kept crying out [carmen] in a most ferocious manner
                 that both these men
                 and the consuls were acting in concert with him.
Needy men were armed against the rich,  abandoned men against the good, slaves against their masters.
--rĕlĭgĭōsus Eccl. Lat., of or belonging to the clergy, clerical (opp. saecularis)
religious rites,

--carmen
, a tune, song, air, lay, strain, note, sound, both vocal and instrumental
cantus; cf. “also versus, numeri, modi): carmen tuba ista peregit ( = sonus),” Enn. Ann. 508 Vahl.: “carmine vocali clarus citharāque Philammon, “per me (sc. Apollinem) concordant carmina nervis,”  ith allusion to playing on the cithara
Apollo, Abaddon or Apollyon Leader of the Muses at Mount Sinai  and the end-time Babylon Mother of Harlots religion.
--per-sŏno    A. To sound through and through, to resound: “cum domus cantu et cymbalis personaret,” Cic. Pis. 10, 22: “ut cotidiano cantu vocum et nervorum et tibiarum nocturnisque conviviis tota vicinitas personet,”
A.  To fill with sound or noise, to make resound
B.  To make a sound on a musical instrument, to sound, play: “citharā Iopas Personat,” Verg. A. 1, 741: “cymbalis,” Vulg. 1 Par. 16, 5: “buccinis,” id. Jos. 6, 13
C. To sound or blow upon an instrument (post-class.): “personavit classicum,” gave the signal for attack,
        Histrio, stage-player, actor, mimus, II. Transf., a boaster:
                “
histrionis est parvam rem attollere,”

                ragoediarum histrionis,  Hilarus comoediarum histrio,
        Scaena, 1. Of a place like a scene of a theatre Verg. A. 1, 164.—, display of eloquence.

Isaiah 3:12 As for my people, children are their oppressors, and women rule over them.
        O my people, they that lead thee cause thee to err, and destroy the way of thy paths.

Isaiah 3.12 populum meum exactores sui spoliaverunt et mulieres dominatae sunt eius popule meus qui beatum te dicunt ipsi te decipiunt et viam gressuum tuorum dissipant

Those who DOMINATE always have to DRIVE OUT the owners in order to ATTRACT those so MARKED.

exactor , ōris, m. id.; cf. also exactio. * I. A driver-out, expeller
A. In gen.: operis, i. e. an overseer, superintendent, enforcer of any kind of labor, Col. 3, 13, 10; cf. Liv. 45, 37; so, “assiduus studiorum,” Quint. 1, 3, 14; cf.: “asper recte loquendi,” id. 1, 7, 34: “molestissimus sermonis Latini,”  an executioner
B. In partic., a collector of taxes, a tax gatherer,

IF PEOPLE FEEL MOLESTED BY MUSIC OR SERMON THEY WILL FLEE

mŏlestus , a, um, adj. moles, I.troublesome, irksome, grievous, annoying (class.; cf. “importunus): abscede hinc, molestus ne sis!” B. In partic., of speech, labored, affected: “simplex in agendo veritas non molesta,” Cic. Brut. 30, 116: “verba,” Ov. A. A. 1, 464: “pronuntiatio gesticulationibus,” Quint. 11, 3, 183: “dialectos,” Suet. Tib. 56

ŏpĕrōsus  I. Taking great pains, painstaking, active, busy, industrious, laborious
“carmina,” elaborate, Hor. C. 4, 2, 31.—  “divitiae operosiores,” Hor. C. 3, 1, 48
 
Cic. Leg. 2, 26, 64: “divitiae operosiores,” Hor. C. 3, 1, 48;
Cic. Leg. 2.26
Adfert enim haec opinio religionem utilem ciuitatibus, si quidem et illud bene dictum est a Pythagora doctissimo uiro, 'tum maxume et pietatem et religionem uersari in animis
Jesus said that the Kingdom DOES NOT come with OBSERVATION meaning RELIGIOUS operations in houses built by human hands or by the works of human hands. Worship is IN THE SPIRIT only when we GIVE ATTENTION to that which is written for our learning.  All other religious STAFF or CRAFTSMEN are called SORCERERS and PARASITES.

The Pythagoreans were one of the SECTS outlawed by Paul in Romans 14.   He is OF the WORLD or KOSMOS for which Jesus does not Pray.  “somnia,” identifies Spiritual Formation or the "monkish" Ignatian retreats. To dream of or see in a dream, to dream, i. e. to think idly or vainly, to talk foolishly
Pȳthăgŏras , ae, m., = Puthagoras,
“somnia,” Hor. Ep. 2, 1, 52: dogma, Lab. ap. Prisc. p. 679: “pavo,” into which, according to the Pythagorean doctrine of metempsychosis, the soul of Euphorbus had passed before it reached Pythagoras, Pers. 6, 11: “brassica,”
spŏlĭo , āvi, ātum, 1, v. a. spolium,
I.to strip, to deprive of covering, rob of clothing.  also means (g). In a Greek construction: “hiems spoliata capillos,” stripped of his locks [PSALLO], Ov. M. 15, 213.
Ov. Met. 15.213
And other names of vanitie, which are but Poets tricks?
And perrills of another world, all false surmysed geere?
For whether fyre or length of tyme consume the bodyes heere,
The Morning, Pallants daughter fayre, the messenger of lyght
Delivereth into Phebus [Abaddon] handes the world of cleerer hew.

SORRY TO REPORT BUT HISTORY KNOWS NO EXCEPTION TO THE RULE INCLUDING THE JACOB-CURSED LEVITES WHO WORE FEMALE GARMENTS, SANG FALSETTO WHICH JOSEPHUS SAYS MADE THEM GUILTY OF THE FALL OF THE NATION

PAUL'S REVEALING THE PROPHETIC TYPE MADE MORE CERTAIN FOR OUR EXAMPLE

Romans 15:1 We then that are strong ought to bear the infirmities of the weak,
        and not to please [PLACEO Scaena,] ourselves.

Romans 15:2 Let every one of us please his neighbour for his good to edification.

THE WEAK GREEK;   -Asthen-ēs , es,  weak in the mind 5. Insignificant, “ouk asthenestatos sophistēs Hellēnōn” Hdt.4.95; paltry, “a. sophisma” A.Pr.1011;

Plat. Rep. 493d  that it is wisdom to have learned to know the moods and the pleasures of the motley multitude in their assembly, whether about painting or music or, for that matter, politics?
For if a man associates with these and offers and exhibits to them his poetry
        or any other product of his craft or any political. service,
        and grants the mob authority over himself more than is unavoidable,
        the proverbial necessity of Diomede
        will compel him to give the public what it likes,
        but that what it likes is really good and honorable,
have you ever heard an
attempted proof of this that is not simply ridiculous?

Suneimi (eimi 3. attend, associate with, a teacher, X.Mem.1.2.8,24, etc.; also of the teacher, Id.Cyr.3.1.14, Pl.Tht.151a, etc.; of a fellowpupil, “emoi sunōn pote peri mathēmata” hoi sunontes followers, partisans, associates, disciples, Antipho 5.68, Pl.Ap.25e, Tht.168a,
THOSE WHO ARE WEAK:--Sophis-tēs , ou, ho, A. master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalon” Pi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēsparapaiōn khelun” [PLAYING THE LYRE] with modal words added, Prietly person Making Melody in the Assembly “hoi s. tōn hierōn melōn” Ael.NA11.1   Apollōnos [Apollo, Abaddon, Apollyonpoiētai, humnous idekaisuggrapheis, compose a speech
Plat. Laws 936c There shall be no beggar in our State; and if anyone attempts to beg, and to collect a livelihood by ceaseless [making Poieo meter, hymns] prayers, the market-stewards shall expel him from the market, and the Board of city-stewards from the city, and from any other district he shall be driven across the border by the country-stewards, to the end that the land may be wholly purged of such a creature. If a slave, male or female, do any injury to another man's goods,

All religious musicians were called PARASITES.

-Plato. Republic [398a] “True,” he said. “If a man, then, it seems, who was capable by his cunning of assuming every kind of shape and imitating all things should arrive in our city, bringing with himself the poems which he wished to exhibit, we should fall down and worship him as a holy and wondrous and delightful creature, but should say to him that there is no man of that kind among us in our city, nor is it lawful for such a man to arise among us, and we should send him away to another city, after pouring myrrh down over his head and crowning him with fillets of wool 
The WEAK Latin in-firmus   less nourishing,  Of things, of no weight or consequence, weak, trivial, inconclusive: II. Trop., weak in mind or character, superstitious, pusillanimous, inconstant, light-minded: “tenuis atque infirmi haec animi videri,” Caes. B. C. 1, 32: “quippe minuti Semper et infirmi est animi voluptas ultio,” [passonate] Juv. 13, 190:
Voluptas, satisfaction, enjoyment, pleasure, delight  an officer in the imperial household,” master of the revels, Suet. Tib. 42 fin.—
A. Of persons, as a term of endearment: “mea voluptas,” my joy, my charmer,
B. Voluptates, sports, shows, spectacles, given to the people, Cic. Mur. 35, 74: "Are you asking employment as a pimp from a band of luxurious youths"  minimo quidem temporis voluptates intermissae,” Tac. H. 3, 83; C. The desire for pleasure, bent, passion: “suam voluptatem explere, [WRATH, ORGE]” Ter. Hec. 1, 1, 12; cf. Plaut. Am. prol. 19;
STOP everything other than 'using one mind and one mouth speaking that which is written for our learning and comfort.

Romans 14:19 Let us therefore follow after the things

         which make for peace, and things
         wherewith one may edify another.
1Corinthians 14:19 Yet in the church I had rather speak five words with my understanding, that by my voice I might teach others also, than ten thousand words in an unknown tongue.

Ephesians 4:11 And he gave some, apostles; and some, prophets;
        and some, evangelists; and some, pastors and teachers;
We don't FIRE the vocational Deacons and HIRE deaconesses or STAFF to do the work including musical performance "to make the lambs dumb before the slaughter" so they do not know that a PARASITE is a religious musician. A HERETIC is the priest who lifted the lambs up to CUT THEIR THROATS.
Ephesians 4:12 For the perfecting of the saints, for the work of the ministry,
        for the edifying of the body of Christ:
Ephesians 4:13 Till we all come in the unity of the faith,
        and of the knowledge of the Son of God, unto a perfect man,
        unto the measure of the stature of the fulness of Christ:
Ephesians 4:14 That we henceforth be no more children,
        tossed to and fro, and carried [NAVIGATED] about with every wind of doctrine,
        by the sleight of men, and cunning craftiness [SOPHISTS], whereby they lie in wait to deceive;
Ephesians 4:15 But speaking the truth in love,
        may grow up into him in all things, which is the head, even Christ:

John 17:16 They are not OF the world, even as I am not of the world.
John 17:17 Sanctify them through thy truth: thy WORD [
logos] is truth.
John 17:18 As thou hast SENT MEinto the world, even so have I also SENT THEM into the world.


LOGOS is the Regulative Principle: it is OPPOSITE self-speaking (mark of the sons of the Devil), singing, playing instruments, drama, dancing, acting and any of the EFFEMINATE marks.

Isaiah 8:19 And when they shall say unto you,
        Seek unto them that have familiar spirits,
        and unto wizards that peep, and that mutter:
        should not a people seek unto their God? for the living to the dead?

Murmur , ŭris, n. (m.: murmur fit verus, Varr. ap. Non. 214, 14) [Sanscr. marmara, susurrus, murmur, and the Greek mormurō [roar and boil] and murmurō],
I.  a murmur, murmuring; a humming, roaring, growling, grumbling; a rushing, crashing,
Of inanimate things, a murmur, roar, rushing, crashing, crash, rumbling:
—Of wind-instruments: “cornuum,” the sound, Hor. C. 2, 1, 17: inflati buxi, of the tibia, Ov. M. 14, 537: “aurium,” a singing in the ears, Plin. 28, 7, 21, § 75 (Jahn, animalia).—Trop.: “contemnere murmura famae,” Prop. 2, 5, 29; of a muttering, rebellious murmur: “contra Dominum,” Vulg. Exod. 16, 7; id. Act. 6, 1. Added note of impiety

Isaiah 8:20 To the law and to the testimony:
         if they speak not according to this word,
         it is because there is no light in them.

Romans 15:4 For whatsoever things were written aforetime were written for our learning,
        that we through patience and comfort of the scriptures might have hope.
Romans 15:6 That ye may with one mind and one mouth glorify God, even the Father of our Lord Jesus Christ.

Congratulations: you always wanted to be part of something of BIBLICAL PROPORTION. And YES everyone gets to decide whether they will weep in silence or MUSICALLY MOCK Jesus up to the foot of the old rugged cross while the Levite-based TEAM performs the music: always SORCERY as we will show in posts below.

THE GOLDEN CALF AGAIN: PAUL EXCLUDED "DOGS" AND "CONCISION" BY MAKING WORSHIP IN THE SPIRIT (A PLACE) AND NOT IN THE FLESH


Galatians 5:12 I would they were even cut off which trouble you.
Galatians 5:12NET I wish those agitators18 would go so far as to19 castrate themselves!20

A. Based on the words Paul uses pointed to the emasculated priests of the mother goddess, Paul intends to CUT OFF the musical performers in the same way the priests were made eunuchs:

First:
Apo-koptō
, a.ta gennētika, of eunuchs, Ph.1.89: abs., “apokekommenos” eunuch, LXXDe.23.1, cf.Luc.Eun.8:—Med., make oneself a eunuch, Ep.Gal.5.12, cf. Arr.Epict.2.20.19.

This would apply to the musical fall from grace at Mount Sinai:  the worship of the Mother Goddess allowed males to "perform the role of women." David's stola was worn by the office of prostitute and the Ephod was a phallic symbol which David cast off and went naked.

The folly of Israel was common throughout history. An emasculated priest served as the DOGS of Cybele the Mother of the Gods.  The Babylon mother of harlots in Revelation 17 used these "lusted after FRUITS" as speakers, singers and instrument players (Rev 18).  Paul called the SORCERERS who HAD deceived the whole world.
Deuteronomy 23.1He who is wounded in the stones, or has his privy member cut off, shall not enter into the assembly of Yahweh.

Galatians 5:21 Envyings, murders, drunkenness, revellings, and such like:
         of the which I tell you before, as I have also told you in time past,
         that they which do such things shall not inherit the kingdom of God.
Second:
3. esp. of voice or breath, cut short, “ton tou pneumatos tonon” D.H.Comp.14, cf. 22:—Pass., “apokekoptai tini phōnē” Plu.Dem.25, cf. Dsc.Eup.1.85.
Ton-os , o(, (teinō) 2. of sounds, raising of the voice, Aeschin.3.209,210, D.18.280, Phld.Lib.p.19 O., etc.: hence, a. pitch of the voice, Pl.R. 617b, Arist.Phgn.807a17, etc.; including volume, “tonoi phōnēs: oxu, baru, mikron, mega” X.Cyn.6.20; of a musical instrument, Plu.2.827b, etc.; diatonic scale,
3. esp. of voice or breath, cut short, “ton tou pneumatos tonon” D.H.Comp.14, cf. 22:—Pass., “apokekoptai tini phōnē” Plu.Dem.25, cf. Dsc.Eup.1.85
phōn-ē4. of sounds made by inanimate objects, mostly Poet., “kerkidos ph.” S.Fr.595; “suriggōn” (pipe) E.Tr.127 (lyr.); “aulōn”(flute) Mnesim.4.56 (anap.); rare in early Prose, “organōn phōnai” Pl.R.397a; freq. in LXX, “ ph. tēs salpiggos” (harp) LXX Ex.20.18; ph. brontēs ib. Ps.103(104).7; “ ph. autou hōs ph. hudatōn pollōn” Apoc.1.15.

Plat. Rep. 397a [397a]
“the other kind speaker, the more debased he is the less will he shrink from imitating anything and everything. He will think nothing unworthy of himself, so that he will attempt, seriously and in the presence of many, to imitate all things, including those we just now mentioned—claps of thunder, and the noise of wind and hail and axles and pulleys, and the notes of trumpets and flutes and pan-pipes, and the sounds of all instruments, and the cries of dogs, sheep, and birds; and so his style will depend wholly on imitation

Cut off the Organs of sound:
Organon , to/, (ergon, erdō) A. instrument, implement, tool, for making or doing a thing,
“polemika (war) hopla te kai organa” Pl.R.374d, cf. Lg. 956a
3. musical instrument, Simon.31, f.l. in A.Fr.57.1 ; ho men di' organōn ekēlei anthrōpous,Pl.Smp.215c ; aneu organōn psilois logois ibid., cf. Plt.268b ; “o. polukhorda” Id.R.399c, al.; “met' ōdēs kai tinōn organōn” Phld.Mus.p.98K.; of the pipe, Melanipp.2, Telest.1.2.

Ergon , 1. in Il. mostly of works or deeds of war, “polemēia e.” Il.2.338, al., Od.12.116 ; “ergon makhēs” Il.6.522
of Marsyas,

B. John Chrysostom understood Paul's message.

Chrysostom's Commentary on Galatians:

Galatians 5:1.-"With freedom did Christ set us free; stand fast therefore.115 ."
Ver. 12.
"I would that they which unsettle you would even cut themselves off." And he says well "that unsettle you."
"A man that is heretical after the first and second admonition refuse." (Tit. iii: 10) If they will,
let them not only be circumcised, but mutilated.
Where then are those who dare to mutilate themselves; seeing that they draw down the Apostolic curse, and accuse the workmanship of God, and take part with the Manichees? ... But if you will not allow this,
why do you not mutilate the tongue for blasphemy, the hands for rapine, the feet for their evil courses, in short, the whole body?
For the ear enchanted by the sound of a flute hath often enervated the soul;
and the perception of a sweet perfume by the nostrils hath bewitched the mind, and made it frantic for pleasure
.
Catullus,Carmina 63     Notes
Thy timbrel, Mother Cybele, the firstings of thy rite,
And as her tender finger-tips on bull-back hollow rang
She rose a-grieving and her song to listening comrades sang.

"Up Gallae, hie together, haste for Cybele's deep grove,
Hie to the Dindymnean dame, ye flocks that love to rove;
The which affecting stranger steads as bound in exile's brunt
My sect pursuing led by me have nerved you to confront

The raging surge of salty sea and ocean's tyrant hand
As your hate of Venus' [ZOE] hest your
manly forms unmann'd,
Gladden your souls, ye mistresses, with sense of error bann'd.
Drive from your spirits dull delay, together follow ye
To hold of Phrygian goddess, home of Phrygian Cybebe,
Where loud the cymbal's voice resounds with timbrel-echoes blending,
And where the Phrygian piper drones grave bass from reed a-bending,

Where toss their ivy-circled heads with might the Maenades
Where ply mid shrilly lullilooes the holiest mysteries,
Where to fly here and there be wont the she-god's vaguing train,
Thither behoves us lead the dance in quick-step hasty strain."

David's HALAL or "praise" meaning "making self vile" threatening the enemy that they would be robbed, rapped and "raptured" if they did not turn coward.  You WILL NOT QUESTION 'the Leadership' as a real threat.

-ŭlŭlo ,
B. [select] Transf., of places, to ring, resound, re-echo with howling: “penitusque cavae plangoribus aedes Femineis ululant,” Verg. A. 2, 488: “resonae ripae,” Sil. 6, 285: “Dindyma sanguineis Gallis,” Claud. Rapt. Pros. 2, 269

-ŭlŭlātŭs , ūs, m. id.,
I. a howling, wailing, shrieking, as a sound of mourning or lamentation, Verg. A. 4, 667; Ov. M. 3, 179; 5, 153; 8, 447; Plin. 8, 40, 61, § 145: “lugubris,” Curt. 4, 15, 29; 5, 12, 12; Stat. Th. 9, 178 al.—The wild yells or warwhoops of the Gauls, Caes. B. G. 5, 37; 7, 80The wild cries and shouts of the Bacchanals, Cat. 63, 24; Ov. M. 3, 528; 3, 706.

-Fēmĭnĕus 
I. Transf., with an accessory notion of contempt, womanish, effeminate, unmanly: vox, Quint, 1, 11, 1; cf. Ov. A. A. 3, 286: “pectus,” Ov. M. 13, 693: “amor praedae,” Verg. A. 11, 782: “lunae femineum et molle sidus,” Plin. 2, 101, 104, § 223.
“clamor,” id. ib. 12, 226; cf. “vox,” id. ib. 3, 536;

-Gallus 
A. Galli , ōrum, m., the priests of Cybele, so called because of their raving, Ov. F. 4, 361 sq.; Plin. 5, 32, 42, § 146; 11, 49, 109, § 261; 35, 12, 46, § 165; Paul. ex Fest. p. 95 Mόll.; Hor. S. 1, 2, 121.—In sing.: Gallus , i, m., a priest of Cybele, Mart. 3, 81; 11, 74; cf. Quint. 7, 9, 2: “resupinati cessantia tympana Galli,” Juv. 8, 176.—And satirically (on account of their emasculated condition), in the fem.: Gallae , ārum, Cat. 63, 12, and 34.—
2. (Acc. to II. A., of or belonging to the priests of Cybele; hence, transf.) Of or belonging to the priests of Isis, Gallic: “turma,” the troop of the priests of Isis, Ov. Am. 2, 13, 18.
Ovid Amor 2, 13, 18
With cruel art Corinna would destroy
The ripening fruit of our repeated joy.
While on herself she practises her skill,
She's like the mother, not the child, to kill.

Who Memphis visit'st, and the Pharian tower,
Assist Corinna with thy friendly powers.
Thee by thy silver Sistra I conjure, [Miriam's instrument]
A life so precious by thy aid secure;
So mayst thou with Osiris still find grace:
By Anubis's venerable face,
I pray thee, so may still thy rights divine
Flourish, and serpents round thy offerings twine
May Apis with his horns the pomp attend,
And be to thee, as thou'rt to her, a friend.
Look down, oh Isis! on the teeming fair,
And make at once her life and mine thy care:
Have pity on her pains; the help you give
To her, her lover saves, in her I live.
From thee this favour she deserves; she pays
Her vows to thee on all thy solemn days;
And when the Galli at thy altars wait, [emasculated priests of cybele-Isis, dogs, concision]
She's present at the feast they celebrate.


Golden Calf 2: The Egyptian PATTERN of the golden calf or DEMON WORSHIP
Golden Calf 2: The Egyptian PATTERN of the golden calf or DEMON WORSHIP
This describes the Israelite Fall from Grace by perverted musical worship at Mount Sinai
The Spirit OF Christ defined the same MARK of Instrumental noise and a fall from Grace

Gallĭcus III. Of the priests of Cybele; v. 3. Gallus, II. B. 2.
-rĕ-sŭpīno , Prop. 4 (5), 8, 51. resupinati cessantia tympana Galli, i. e. prostrate from drunkenness, Juv. 8, 176 et saep.— In mal. part., to stretch out: “aviam amici,” Juv. 3, 112Pass.

tympănum , i (collat. form typă-num , Cat. 63, 8 sq.), n., = tumpanon,
I. a drum, timbrel, tambour, tambourine.
A. Esp., as beaten by the priests of Cybele, Lucr. 2, 618; Cat. 63, 8 sq.; Verg. A. 9, 619; Ov. M. 3, 537; 4, 29; 4, 391; id. F. 4, 213; Plaut. Poen. 5, 5, 38; Caes. B. C. 3, 105; Curt. 8, 11, 20; 8, 14, 10; Tac. H. 5, 5, —Also by the Bacchantine females, Ov. M. 11, 17.—Beaten by the Parthians as a signal in battle in place of the tuba, Just. 41, 2, 8
B. Trop., a timbrel, etc., as a figure of something effeminate, enervating: “tympana eloquentiae,” Quint. 5, 12, 21: “in manu tympanum est,” Sen. Vit. Beat. 13, 3
elŏquentĭa , ae, f. eloquor,
I. a being eloquent, eloquence, Cic. Part. 23, 79; id. de Or. 1, 5, 19; 1, 32, 146; Quint. 9, 17, 2; 2, 16, 7; Tac. Or. 8, 30 et saep.
Tumpa^non , to/, also in the form tupanon (q.v.): (tuptō):—
A. kettledrum, such as was used esp. in the worship of the Mother Goddess and Dionysus, Hdt.4.76, E.HF892; tumpanōn alalagmoi, aragmata, Id.Cyc.65 (lyr.), 205; tumpana, Rheas te mētros ema th' heurēmata, says Dionysus, Id.Ba.59, cf. 156 (lyr.), IG42(1).131.9, 10 (Epid.); in Corybantic rites, Ar.V.119; t. arassein, rhēssein, AP6.217 (Simon.), 7.485Diosc.); “kataulēsei khrētai kai tumpanois” Sor.2.29. (
2. metaph., tumpanon phusan, of inflated eloquence, AP13.21 (Theodori
kat-auleō ,
A. charm by flute-playing, tinos Pl.Lg.790e, cf. R.411a; tina Alciphr.2.1: metaph., se . . -ēsō phobō I will flute to E.HF871 (troch.):—Pass., of persons, methuōn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros khelōnidos pso to be played to on the flute with lyre accompaniment, Posidon.10 J., cf. Call.Fr.10.3 P., Phld.Mus.p.49 K. you on a ghastly flute,
2. c. gen. loci, make a place sound with flute-playing, Thphr.Fr.87:— Pass., resound with flute-playing, “nēsos katēuleito” Plu.Ant.56.
II. in Pass., [ton monokhordon kanona parekhein tais aisthēsesi . . katauloumenon subdued by a flute accompaniment, Ptol.Harm.2.12: metaph., to be piped down, ridiculed, “gelōmenoi kai -oumenoi” Anon. ap. Suid., cf. Porph.Chr.34.
III. c. acc. rei, play on the flute, “ta mētrōa” Duris 16 J.:—Pass., to have played to one as an accompaniment on the flute, -“oumenoi pros tōn hepomenōn ta mētrōa melē” D.H.2.19.


THE COMMAND IS TO SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE

Basic Reading of the text without the definition of words proves that from the Church in the Wilderness onward there is no musical content in what is defined as A School OF Christ where the command is to teach what HE commanded to be taught:

We are very fortunate that Paul commanded that we
        SPEAK
that which is written for our learning [adults do not sing their lessons]
        Both the ODE and PSALLO SILENT.

THE ALWAYS-PAGAN THESIS OF CEREMONIAL LEGALISM

1. COMMAND: Speak or the LOGOS Words is opposite to rhetoric, singing, playing, acting which Jesus quoting Ezekiel 33 names as HYPOCRITES.
2. ODE and PSALLO in the place of the heart, spirit or mind.  In 1 Corinthians 14 this means Keep It
Silent Silly.

The command is to SPEAK
-lexis , eōs, h(, (legō B) A. speech, OPPOSITE. ōdē, Pl.Lg.816d; l. ē praxis speech or action, Id.R.396c; ho tropos tēs l. ib.400d; ta lexei dēloumena orders given by word of mouth,

ōdē is the OPPOSITE of the LOGOS words

The Psallo based words (ie SOP) were used in the Septuagint because Psalms were warrior chants or taunt songs.  Psalmos can be and is the Son of the DRUNKARD.  Psallo speaks of Apollyon twitching his bow-string to make it twang to shoot forth a literal arrow into hiis enemy's heart.  He always had his Lyre by which He shot forth HYMNS to enable him to shoot love arrows into male or female. Apollyon is the Leader of the Muses or Locusts and John calls them Sorcerers.
ALL of the psallo proof texts used by Tom Burgess and the NACC identify older males twanging his harp in order to seduce a young male whose hairs had been plucked.  They even did some sex reassignment so that those paul warns about could function as the priests of the mother goddesses.

The DRIVING PURPOSE is to Teach and Comfort WITH the Word of Christ in the Prophets and Apostles.We adults know that there can be NO LEARNING if the children clap and play and mock the teacher.

SCRIPTURE ALWAYS DEFINES THE PAGAN THESIS BEFORE OUTLAWING IT.

Plutarch Marcus Antonius  easily fell again to his old licentious life. For straight, one Anaxenor, a player of the cithern, Xoutus, a player of the flute, Metrodorus a tumbler, and such a rabble of minstrels and fit ministers for the pleasures of Asia (who in fineness and flattery passed all the other plagues he brought with him out of Italy), all these flocked in his court, and bare the whole sway: and after that all went awry. For every one gave themselves to riot and excess, when they saw he delighted in it: and all Asia was like to the city Sophocles speaketh of in one of his tragedies:
Was full of sweet perfumes and pleasant songs,
With woeful weeping mingled there-amongs.
For in the city of Ephesus, women, attired as they go in the feasts and sacrifice of Bacchus, came out to meet him with such solemnities and ceremonies as are then used: with men and children disguised like fauns and satyrs. Moreover, the city was full of ivy, and darts wreathed about with ivy, psalterion flutes, and howboye  [hautboys] and in their songs they called him Bacchus, father of mirth, courteous and gentle: and so was he unto some, but to the most part of men cruel and extreme.
        For he robbed noblemen and gentlemen of their goods, to give it unto vile flatterers:
        who oftentimes begged living men's goods, as though they had been dead, and would enter their houses by force.
PAUL COMMANDED THE ANTITHESIS:

Ephesians 5:17 Wherefore be ye not unwise, but understanding what the will of the Lord is.
Ephesians 5:18 And be not drunk with wine, wherein is excess;
The words Paul used are fully explained by his SILENCING both the ODE and PSALLO.

Never used or ALLOWED in the Bible among godly people

kat-auleτ A. charm by flute-playing, tinos Pl.Lg.790e, cf. R.411a; tina Alciphr.2.1: metaph., se . . -κsτ phobτi I will flute to you on a ghastly flute, E.HF871 (troch.):--Pass., of persons, methuτn kai Pass., of persons, methuōn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros khelōnidos psophon to be played to on the flute with lyre accompaniment,

2. c. gen. loci, make a place sound with flute-playing, Thphr.Fr.87:-- Pass., resound with flute-playing, nκsos katκuleito Plu.Ant.56  to be piped down, ridiculed, “gelōmenoi kai -oumenoi”

Plutarcy Antony. 56  [4] For just as all the kings, dynasts, tetrarchs, nations, and cities between Syria, the Maeotic Lake, Armenia, and Illyria had been ordered to send or bring their equipment for the war, so all the dramatic artists were compelled to put in an appearance at Samos; and while almost all the world around was filled with groans and lamentations, a single island for many days resounded with flutes and stringed instruments; theatres there were filled, and choral bands were competing with one another. [5] Every city also sent an ox for the general sacrifice, and kings vied with one another in their mutual entertainments and gifts. And so men everywhere began to ask: ‘How will the conquerors celebrate their victories if their preparations for the war are marked by festivals so costly?’

Never used or ALLOWED in the Bible among godly people

katapsallō A.play stringed instruments to, [“sumposion kataulein kai k.” Plu.2.713e:—usu. in Pass., have music played to one, enjoy music, ib.785e; of places, resound with music, Id.Ant.56.
2.
Pass., to be buried to the sound of music, Procop.Pers.2.23.
3.
metaph., katapsalletai . . ho dēmiourgos is drummed out,

RICK ATCHLEY:
To a question, he responds, "you are going to find a lot of a cappella churches that are gonna' start saying 'Sunday morning we are going to be a cappella, but after that, we are going to let a lot of freedom reign,' which is pretty much what we do at Richland Hills. You walk into our youth center Sunday morning or Wednesday night: and I'm telling you--
Christian rock an' roll is just blasting'" (p. 9).

RICK ATCHLEY: When WE made the decision, we knew we would have to explain why WE were making the decision,  so I led the church through some teaching on why WE were making the change WE made.

And "We used christian bands to teach your youth to leave your movement."

So we BURIED them with the sound of music: 2. Pass., to be buried to the sound of music, Procop.Pers.2.23.
3.
metaph., katapsalletai . . ho dēmiourgos is drummed out,

BUT: THE CHRISTIAN ANTITHESIS
but be filled with the Spirit [WORD, LOGOS]
Col 3:16 "The WORD of Christ."
Romans 15. "That which is written for our LEARNING" or "Scripture for our comfort."

Ephesians 5:19 SPEAKING to yourselves in psalms and hymns and spiritual songs,
        BUT: singing and making melody in your heart to the Lord;

Ephesians 5:20 Giving thanks always for all things unto God and the Father in the name of our Lord Jesus Christ;
Ephesians 5:21 Submitting yourselves one to another in the fear of God.
Ephesians 5:22 Wives, submit yourselves unto your own husbands, as unto the Lord.

Because the PAGAN rebellion was: For in the city of Ephesus, women, attired as they go in the feasts and sacrifice of Bacchus
Plutarch Marcus Antonius and the STAFF PARASITES: As he gave a citizen's house of Magnesia unto a cook, because (as it is reported) he dressed him a fine supper. In the end he doubled the taxation, and imposed a second upon Asia. But then Hybraeas the orator, sent from the estates of Asia, to tell him the state of their country, boldly said unto him, "If thou [p. 173] wilt have power to lay two tributes in one year upon us, thou shouldest also have power to give us two summers, two autumns, and two harvests." This was gallantly and pleasantly spoken unto Antonius by the orator, and it pleased him well to hear it: but afterwards, amplifying his speech, he spake more boldly, and to better purpose: "Asia hath paid thee two hundred thousand talents. If all this money be not come to thy coffers, then ask account of them that levied it: but if thou have received it, and nothing be left of it, then are we utterly undone."

When the Elders who were not APT fired God and demanded a king like the nations it was so that they could WORSHIP like the nations. This is the PATTERN of a Senior Preacher Person intimidating elders and others to let him be the KING. God will abandoned him. See 1 Samuel 8

And Samuel told all the words of the Lord unto the people that asked of him a king. 1 Samuel 8:10

And he said, This will be the manner of the king that shall reign over you: He will take your sons, and appoint them for himself, for his chariots, and to be his horsemen; and some shall run before his chariots. 1 Samuel 8:11

And he will appoint him captains over thousands, and captains over fifties; and will set them to ear his ground, and to reap his harvest, and to make his instruments of war, and instruments of his chariots. 1 Samuel 8:12

And he will take your daughters to be confectionaries, and to be cooks, and to be bakers. 1 Samuel 8:13
And he will
take your fields, and your vineyards, and your oliveyards, even the best of them, and give them to his servants. 1 Samuel 8:14
And he will take the tenth of your seed, and of your vineyards,
       
and give to his officers, and to his servants. 1 Samuel 8:15 [STAFF or PARASITES]

And ye shall cry out in that day because of your king which ye shall have chosen you;
        and the Lord will not hear you in that day. 1 Samuel 8:18

TELL THE KINGS SET OVER YOU THAT THERE IS NO LAW OF TITHING OR OF LAYING BY IN STORE AT THE PREACHER'S BOX.

Of the instruments used only by women or by effeminate or worse males which Paul would not permit points to the absolute connection between religious music as ceremonial legalism proof that the women and BOYS are ruling over you and you must love to have it so to inhabit the "venue" made possible only by driving out the widows and honest working people.
Ps 150:3 Praise him with the sound of the trumpet: praise him with the psaltery and harp

"The name of psaltery entered Christian literature in the 3rd century B.C. translation of the Old Testament called the Septuagint where, in the Psalms, nebel was translated psalterion. Thus, Nebuchadnezzar's idolatrous ensemble included the Aramic psantria. Notice, also, that the book of Psalms has also become known as the Psalter (or psalterium), from the hymns sung with this harp.  

NEBUCHADNEZZAR the king made an image of gold, whose height was threescore cubits (60), and the breadth thereof six (6) cubits: he set it up in the plain of Dura (circle), in the province of Babylon. Dan 3:1

That at what time ye hear the sound of the (1) cornet, (2) flute, (3) harp, (4) sackbut, (5) psaltery, (6) dulcimer, and all kinds of musick, ye fall down and worship the golden image that Nebuchadnezzar the king hath set up: Dan 3:5

"Its (pipe = to love passionately) was apparently a secular instrument and is never listed in the temple orchestra; only in Ps. 150:4 it is mentioned in a religious (but not ritual) function. Its ethos was not blameless at all, as we see from Genesis Rabbah 50:

'The angels said to Lot: 'There are players of the pipe (organ) in the country, hence it ought to be destroyed'." Its rabbinical identification with the aboda, the flute of the notorious Syrian bayaderes, emphasizes the erotic element which already the Hebrew name suggests." (Interpreter's Dictionary of the Bible, p. 460, Abingdon).

The PRESERVED or predestinated out of Israel was a tiny remnant who had NOT bowed to Baal which could happen in Jerusalem.

The Psaltery and Nebel or harp have the same evil ROOTS:

Nebel (h5035) neh'-bel; or nebel nay'-bel; from 5034; a skin- bag for liquids (from collapsing when empty); hence a vase (as similar in shape when full); also a lyre (as having a body of like form): - bottle, pitcher, psaltery, vessel, viol

Nabel (h5034) naw-bale'; a prim. root; to wilt; gen. to fall away, fail, faint; fig. to be foolish or (mor.) wicked; causat. to despise, disgrace: - disgrace, dishonour, lightly esteem, fade (away, - ing), fall (down, -ling, off), do foolishly, come to nought, * surely, make vile, wither..

Nabal (h5036) naw-bawl'; from 5034; stupid; wicked (espec. impious): - fool (-ish, -ish man, -ish woman), vile person.

Because the "god" of the Jews WAS Dionysus or Bacchus imposed because of musical idolatry at Mount Sinai, you should know that PSALLO is never translated in the Greek world as melody.

Melpτ
Verb, celebrate with song and dance, melpontes hekaergon Il.l.c.; Phoibon Hes.l.c., cf. Pi.Fr.75.11; m. tina kata khelun E.l.c.; “tina kōmois” Ar. Th.989 (lyr.); “m. ōdais Spartēn” Anaxandr.41.19 (anap.); “m. ton posin” E.Tr.339 (lyr.).
; “tina kōmois” Ar.

—sing to the lyre or harp, “meta de sphin emelpeto theios aoidos, phormizōn” [APOLLO'S INSTRUMENT] Od.4.17, cf. 13.27; “melpeo kai kitharize” h.Merc. 476; Melpomenos, epith. of Dionysus at Athens, Paus.1.2.5; dance and sing, as a chorus,
Th.989
(lyr.); “m. ōdais Spartēn” Anaxandr.41.19 (anap.); “m. ton posin” E.Tr.339 (lyr.). 

phoibos , A.pure, bright, radiant, “hudōr” Hes.Fr.274, Lyc.1009; “hēliou phoibē phlogi” A.Pr.22; “aigla”
II. as pr. n., Phoibos, ho, Phoebus, i.e. the Bright or Pure, an old epith. of Apollo, “Ph. Apollōn” Il.1.43, al.; rarely inverted, “Apollōn phoibos” 20.68,
kōmos , ho, A.revel, carousal, merry-making, deipna kai sun aulētrisi kōmoi” Pl.Tht.173d;
2. concrete, band of revellers, “k. euiou theou” Id.Ba.1167 (lyr.); esp. of the procession which celebrated a victor in games, Pi.P.5.22, etc.: generally, rout, band,
II. the ode sung at one of these festive processions, Pi.P.8.20, 70, O.4.10, B.8.103; “meligaruōn tektones kōmōn” Pi.N.3.5, cf. Ar.Th.104, 988 (both lyr.).
Sing or celebrate a song and dance Melos  2. music to which a song is set, tune, Arist.Po.1450a14; opp. rhuthmos, metron, Pl.Grg. 502c; opp. rhuthmos, rhēma,
3. melody of an instrument, “phormigx d' au phtheggoith' hieron m. ēde kai aulos” Thgn.761; “aulōn pamphōnon m.”

2.music to which a song is set, tune 3. melody of an instrument, Mouso-polos, on, A.serving the Muses, poetic II. Subst., bard, minstrel, AS

THE: Aoidos  
(aeidō) A.singer, minstrel, bard, Il.24.720, Od.3.270, al., Hes.Th.95, Op.26,
        III.
= eunoukhos, Hsch.; cf. doidos.
        goōn, khrēsmōn aoidos, E.HF110, Heracl. 403; pratos a., of the cock,
eunoukhos , ho, (eunē, ekhō)
A.castrated person, eunuch, employed to take charge of the women and act as chamberlain (whence the name, ho tēn eunēn ekhōn), Hdt.3.130, al., Ar.Ach. 117, X.Cyr.7.5.60, etc.

REVELATION 18PROPHETIC TYPE FULFILLED: THE END-TIME BABYLON MOTHER OF HARLOTS

The Mark of the Beast


thērion , to (in form Dim. of thēr),  A. wild animal, esp. of such as are hunted, mala gar mega thērion ēen, of a stag, Od.10.171, 180 (never in Il.); in Trag. only in Satyric drama

sikinn-i^s si^, or siki_nis (E.Cyc.37), idos,
A. “Sikinnin” D.H.7.72Sicinnis, a dance of Satyrs used in the Satyric drama, S.Fr.772, E. l.c., D.H. l.c., Luc.Salt.22: named from its inventor Sicinnus, Ath.1.20e, cf. Scamon 1; or from Sicinnis, a nymph of Cybele, although originally danced in honour of Sabazios, [David's naked dance]— Also written Sikinnon , to/, Suid.; Sikinna ,
The Jewish Worship promoted by the MUSICAL discorders
Sa^bazios
, ho, (Sabos) a Phrygian deity, whose mysteries resembled the teletai of Dionysus, Thphr.Char.27.8 (but Sabadion [acc.] ib.16.4, cf. Dessau Inscr.Lat.Sel.2189), Nymphis 11; hence afterwards taken as a name of Dionysus himself, Ar.V.9, Av.875, Lys.388; A.“theō Sabaziō pagkoiranō” CIG3791 (Bithynia), cf. IG12(5).27 (Sicinus); “Di Sabaziō”
Cybele or Kubebes: CII. Kubκbκs. The ‘Great Mother’ goddess of the Phrygians worshipped at Pessinus, the mκtκr Dindumκnκ of i. 80. 1. For the Anatolian ‘Great Mother’ cf. App. I. 2, Frazer, G. B. iv, Bk. II, Attis, &c.; Ramsay, in Hastings' Bible Dictionary, extra vol., p. 120 f. The Atys myth which involved her cult is connected with Sardis by H.'s story of the son of Croesus (i. 34. 2 n.). The Great Mother was worshipped at Athens in the days of Sophocles (Phil. 391), and identified by the Greeks with Rhea, mother of the gods (cf. iv. 76; Strabo 469), with Aphrodite, with Demeter, and with Artemis as the lady of the wild woods. But here she is regarded as a foreign goddess.
She is the facilitator or organon a musical instrument of Rhea (Eve, Zoe)
III. as a term of reproach, beast, creature, , cf. Eq.273; “kolaki, deinō thēriō” Pl.Phdr.240b;
Deilos cowardly, vile, worthless, lowborn, mean

Plat. Phaedrus 240b has mingled with most of them some temporary pleasure; so, for instance, a flatterer is a horrid creature and does great harm, yet Nature has combined with him a kind of pleasure that is not without charm, and one might find fault with a courtesan as an injurious thing, and there are many other such creatures and practices which are yet for the time being very pleasant; but a lover is not only harmful to his beloved.
hēdonē , Dor. hadona to speak so as to please another, “dēmēgorein” D.4.38; “ou pros . hoi ēn ta aggellomena” Hdt.3.126; 3. Pl., desires after pleasure, pleasant lusts, X.Mem.1.2.23, Ep.Tit.3.3, al.
Kolax ,  [Philippians 3 Dogs or Catamites]  A. flatterer, fawner, Ar.Pax756, Lys.28.4, Pl.Phdr. 240b, etc.; “tukhēs kolakes” ; parasite D.L.6.4.
 2.   Att. goēs, Moer. p.113 P.
II.  lisping pronunciation of korax, Ar.V.45.
NEVER 
amous-os , on,  A. without song, of fishes, Emp. 74; but usu. without the Muses, i.e. without taste or refinement, rude, E.Ion526, Ar.V.1074; “a. kai aphilosophos” Pl.Sph.259e; a. hēdonē, hamartēmata, gross pleasure, faults, Pl.Phdr.240b, Lg.863c; a. esti, c. inf., it is incongruous, Ar.Th.159; tōn Leibēthriōn amousoteros, PROVERB. for lowest degree of mental cultivation, Zen.1.79: Sup., “glōtta -otatē” Agath.2.28. Adv. “-ōs” Pl.Hp.Ma.292c.
II. of persons, unmusical, Id.Sph.253b, al.
2. of sounds, unmusical, discordant, “amous' hulaktein” E.Alc.760; “amousotatai ōdai” Ph.807, etc. Adv. “-ōs” Jul.Or.8.247d.
Goēs , ētos, ho, A. sorcerer, wizard epōdos Ludias apo khthonos” E.Ba.234
2. juggler, cheat, “deinos g. kai pharmakeus kai sophistēs” Pl.Smp.203d; “deinon kai g. kai sophistēn . . onomazōn” D.18.276; “apistos g. ponēros” Id.19.109; “magos kai g

Sophis-tēs , ou, ho, A. master of one's craft, adept, expert, of diviners, with modal words added, “hoi s. tōn hierōnmelōn ” [MELODY IN THE HOLY PLACE]
3. later of the rhētores, Professors of Rhetoric, and prose writers of the Empire, such as Philostratus and Libanius, Suid.; “Apollōnidē sophistē” [Abaddon, Apollyon]

PHARMAKIA
identifies the speakers, singers and instrument players in Revelation 18: John called them sorcerers and says they will be (are) cast alive into the lake of fire.
 “ mousikē aei ti kainon thērion tiktei” 

mousikκ aei ti kainon thκrion tiktei
A.
 
Mousikos, musical, agτnes m. kai gumnikoi  choroi te kai agτnes ta mousika music,  

II. of persons, skilled in musickuknos [minstrel]  kai alla zτia; peri aulous - professional musicians, mousikos kai melτn poκtκs, use with singing, skilled in speaking before a mob. Melody

B. aei always
C. kainos , esp. of new dramas, the representation of the new tragedies,  (Aphrodisias dedicated to Aphrodite (ZOE); comedy, sexual love, pleasure, a woman's form of oath, Aster or Venus or ZOE Lucifer
D. Therion
E. Tikto mostly of the mother  of Rhea one of the zoogonic or vivific principles

sunestiōmenon, of woman

Sunesti^-aō , A. help to entertain, AP4.3.24 (Agath.):—Pass., live or feast along with or together, Lys.Fr.53.2, Is.3.70, D.19.190, etc.; [theois] Plu.2.121f; “meta tinōn” IG22.1214
2 Peter 2:12 But these, as natural brute beasts, [Zoon, Zao, Zoe căprīlis , e, of or pertaining to the goat: “semen, i. e. capellae,”
          made to be taken and destroyed,
          speak evil of the things that they understand not;
          and shall utterly perish in their own corruption;

Rev 18:1 And after these things I saw another angel come down from heaven, having great power; and the earth was lightened with his glory. 2 And he cried mightily with a strong voice, saying, Babylon the great is fallen, is fallen, and is become the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird. [seed pickers]

And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; Rev 18:22

Rev 18:23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived.

pharmakos (on the accent v. Hdn.Gr.1.150), ho, hκ,
A. poisoner, sorcerer, magician, LXXEx.7.11 (masc.), Ma.3.5 (fem.), Apoc.21.8, 22.15.

-pharmak-eus , eτs, ho,
A.poisoner, sorcerer, S.Tr.1140, Pl.Smp.203d, etc.; “gnēsioi sophistai kai ph.” Jul.Or.6.197d.
II. druggist, apothecary, Aret.CD2.12.
-gnκsi-os mētēr tōn erōtikōn logōn, MOTHER of Aphrodite, , Luc.Am.19; g. aretai real, unfeigned virtues, Pi.O.2.11; g. humnoi inspired song, B.8.83; e. melos a love song  Pi.O.2.11; g. humnoi inspired song, B.8.83; of
mκtκr tτn erτtikτn logτn Mother of erτt-ikos A. of or caused by love, orgκ [wrath], or Aphrodite:
-Thucydides, The Peloponnesian War Thuc. 6.57.3, they rushed, as they were, within the gates, and meeting with Hipparchus by the Leocorium recklessly fell upon him at once, infuriated, Aristogiton by love [orgēs ho men erōtikēs], and Harmodius by insult, and smote him and slew him. [4] Aristogiton escaped the guards at the moment, through the crowd running up, but was afterwards taken and dispatched in no merciful way: Harmodius was killed on the spot.

Note: The story was that the three daughters of King Leos were sacrificed to avert famine from Athens. The chapel is connected with the worship of A pollo as god of purification.
ou rhaidiτs dietethκ : was handled not softly, i.e. cruelly killed (ou rhaidiτs, kakτs Hesych. and Phot.).
sophis-tēs , ou, ho,
A.  master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalon” Pi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelun” with modal words added, “hoi s. tōn hierōn melōn” Ael.NA11.1;
Musical melodi is MELOS and never Psallo: A Sophist or WISE guy from whom God HIDES is one who makes melody in a holy place.
II. from late v B.C., a Sophist, i.e. one who gave lessons in grammar, rhetoric, politics, mathematics, for money [a disgrace], such as Prodicus, Gorgias, Protagoras
2.  sophist (in bad sense), quibbler, cheat, Ar.Nu.331,1111, al., Pl.Sph. 268d; “goēta kai sophistēn onomazōn” D.18.276.
3.  later of the rhētores, Professors of Rhetoric, and prose writers of the Empire
Apollōnidē sophistē”
Morning Star, Lucifer, ZOE

-phτsphoros,
hκlios , ho,
. as pr. n., Helios, the sun-god, Od.8.271, etc.; ton . Men.Sam. 108; hupo Dia Gēn Hēlion,
2. Hēliou astēr, of the planet Saturn, v.l. in Pl.Epin.987c, cf. D.S.2.30, T

-Lampō , Il.13.474, 2. of sound, ring loud and clear, “paian de lampei” S.OT186 (lyr.), cf. 473 (lyr.); cf. “lampros” 1.4.
II. trans., cause to shine, illumine, “dolion aktais astera lampsas” E.Hel. 1131 (ly

-lampas (B), ados, poet. Adj.,
A. torch-lit, l. aktai, of Eleusis, S.OC 1049 (lyr.); “heortai l.” Lys.Fr.105 S.

-lampas
in Bacchic ceremonies, Id.Ra.340 (lyr.); used in festal processions, phainete toutō (sc. Aiskhulō lampadas hieras ib.1525 (anap.), cf. Th.102 (lyr.). 2. faggot, Plb.3.93.4; any light, lamp, “lampades argurai” LXX Ju.10.22;
2.
metaph., of life, “lampada gar zōas me dramein . . ēthele daimōn” Epigr.Gr. 231 (Chios); “kathaper lampada ton bion paradidontas allois ex allōn” Pl.Lg.776b.
-zoe     living, i.e. one's substance, property,
To get one's living by . . , Hdt.8.105, cf. 2.36,
II. zōē,= “graus” 11, the scum on milk

-zτos zτon helein tina to take prisoner
phthiτ , cause to PINE away. let not thy life be wasted, b. of the moon, wane
zτoτ , impregnate,
Venus Also know as Matrimonium also Nuptiae (gamos). Marriage.

The worship of Venus was promoted by Caesar, who traced his descent from Aeneas, who was supposed to be the son of Mars and Venus. (See Aeneas.) The month of April, as the beginning of spring, was thought to be peculiarly sacred to the goddess of love, and recalled also the early Italian conception of her functions. Both ideas are beautifully blended in the magnificent apostrophe to Venus Genetrix with which Lucretius commences his poem De Rerum Natura, in which she is regarded as the creative, vivifying force of Nature, the source of life and strength in all things. Respecting the Greek goddess see Aphroditι.

-Aphroditι

-Aphroditκ [II. [select] as Appellat., sexual love, pleasure, Od.22.444; “hup' Apollōni psauein Aphroditas” Pi.O.6.35
III  ho tas Aphroditas astēr] the planet Venus, Ti.Locr.97a, cf. Pl.Epin.987b, Arist.Metaph.1073b31, etc.
-Apollτn , ho, Apollo: gen. ōnos (also ō An.Ox.3.222): acc.
A.“Apollō” IG1.9, al., A.Supp.214, S.OC1091, Tr.209 (lyr.) (mostly in adjurations, nēton Apollō, etc.), “Apollōna” Pl.Lg.624a, freq. later, Agatharch.7, etc.: voc. “Apollon” Alc.1, A.Th.159(lyr.), Cratin.186, etc.; “Apollōn” A.Ch.559; cf. Apellōn, Aploun.
II. Pythag. name of a number, Porph.Abst.2.36.


 

12.22.13  Lucifer is Venus or ZOE and among the matriarchal "mother of harlots" she-he is EVE or EVAH meaning an Abomination. Lucifer is well documented in the Greek literature.  Christ said that when Lucifer was Cast as Profane (Chalal or Halal the "praise" word) into the Garden of Eden She-He was the "singing and harp-playing prostitute." 

The Beginning Mother of Beasts and the End-Time Babylon Mother of Harlots are identical. Paul said that Eve was wholly SEDUCED as a new bride is SEDUCED just before her husband. That is why Cain (from a musical note or mark) was OF that Wicked one.

Eve is mentioned only twice in the New Testament and because Jesus spoke in parables to HIDE the truth from the WISE (sophists=rhetoricians, singers, musicians, actors).  Moses was writing an INVERTED version of Babylon Myths AFTER the nation fell from grace BECAUSE of instrumental idolatry at Mount Sinai.  Therefore, those who mock Paul do not understand that Paul knew all about Eve and scholars know nothing. While not necessarily true, Paul understood that women especially looked to EVE (Zoe, Mary) as THEIR Mediatrix.

The serpents, however, of the magicians-(that is,) the gods of destruction-withstood the power of Moses in Egypt, but the rod of Moses reduced them all to subjection and slew them. This universal serpent is, he says, the wise discourse of Eve. This, he says, is the mystery of Edem, this the river of Edem;
this the mark that was set upon Cain,
that any one who findeth him might not kill him. This, he says, is Cain, [Gen. iv. 15] whose sacrifice [Gen. iv. 5. ] the god of this world did not accept.

Theophilus to Autolycus 

This Eve, on account of her having been in the beginning deceived by the serpent, and become the author of sin, the wicked demon, who also is called Satan, who then spoke to her through the serpent, and who works even to this day in those men that are possessed by him, invokes as Eve.58 And he is called "demon" and "dragon," on account of his revolting from God. For at first he was an angel. And concerning his history there is a great deal to be said; wherefore I at present omit the relation of it, for I have also given an account of him in another place.

58 Referring to the bacchanalian orgies in which " Eva " was shouted, and which the Fathers professed to believe was an unintentional invocation of Eve, the authoress of all sin.

The word "abomination" is also key to understanding the context. In Hebrew, the word "to 'evah," (abomination) is almost invariably linked to idolatry. In the passages from which both verses are taken, God tells Moses to tell the people not to follow the idolatrous practices of the people around them, people who sacrificed their children to Molech, or who masturbated into the fire to offer their semen to Molech, for example. Chapter 20 starts off with the same warning.

"To 'evah" also means "something which is ritually unclean."
But also, concerning music, some have fabled that Apollo [Abaddon, Apollyon]  was the inventor, and others say that Orpheus discovered the art of music from the sweet voices of the birds. Their story is shown to be empty and vain, for these inventors lived many years after the flood. And what relates to Noah, who is called by some Deucalion, has been explained by us in the book before mentioned, and which, if you wish it, you are at liberty to read.

Genesis 1 is exactly parallel to John 1: after Israel fell into instrumental idolatry of their Egyptian gods, God abandoned the later Civil-Military-Clergy complex to worship the same "gods" that appear as Abaddon or Apollyon in Revelation.  The LOCUSTS or MUSES are unleashed from "hell" and Abaddon is the Musical Worship leader. This happened exactly 4000 years after Moses defined the same conflict between LIGHT and DARK.  That was launched by the most virulent, hostile attack against the ANTI-instrumental Churches of Christ mounted exactly 100 years after the first brutal attack.  This convinced Churches of Christ that even friendly fellowship meant that their flock would be Purpose Driven by the boast of "Infiltrating and diverting the church homes of widows and honest workers into A Theater for Holy Entertainment."

Armageddon is not a war of the world but a war of words: a polemic war with shock and awe as the meaning of mechanical Organon used by Jubal's family to bring on the first destruction.

Great tribulation flaunting "the holiness of sin" has accompanied the loss of faith at the end of each DAY period.

Matthew 24:21 For then shall be great tribulation,
        such as was not since the beginning of the world to this time, no, nor ever shall be.
Matthew 24:22 And except those days should be shortened, there should no flesh be saved:
         but for the elect’s sake those days shall be shortened.
Matthew 24:23 Then if any man shall say unto you, Lo, here is Christ, or there; believe it not.
Matthew 24:24 For there shall arise false Christs, and false prophets,
        and shall shew great signs and wonders;
        insomuch that, if it were possible, they shall deceive the very elect.

sēmeion , 3.  sign or signal to do a thing, made by flags, anedexe sēmēion toisi alloisi anagesthai he made signal for the rest to put to sea, Hdt.7.128; signal for battle, ta s. ērthē, katespasthē, Th.1.49,63, etc.; kathairein to s. to take it down, strike the flag, as a sign of dissolving an assembly, And.1.36; to tēs ekklēsias s. Ar.Th.278;
8.  watchword, war-cry, Plb.5.69.8; “apo s. henos epistrephein tas naus” Th.2.90, cf.X.HG6.2.28.

Lying Wonders teras III. in colloquial language, “teras legeis kai thaumaston” Pl.Hp.Ma.283c, cf. Tht.163d; “teras legeis, ei . . ” Id.Men.91d
A million Jews were cast into Tophet (tabret, tambourine) at the first fulfilment. Not one DISCIPLE of Christ was "burned" and the Jews are still looking for their Levites and the tens of thousands of HARPS which according to the Babylonian Prophetic type were "cast alive with their harps along with the king" 

The Spirit OF (preposition) Christ defines the Church in the Wilderness and the future REST after the Jew's Covenant with Death and Hell had been annulled with only a tiny remnant of faithful Jews:
Isaiah 14:9 Hell from beneath is moved for thee to meet thee at thy coming:
        it stirreth up the dead for thee, even all the chief ones of the earth;
        it hath raised up from their thrones all the kings of the nations.
Isaiah 14:10 All they shall speak and say unto thee, Art thou also become weak as we? art thou become like unto us?
Isaiah 14:11 Thy pomp is brought down to the grave, and the noise of thy viols:
        the worm is spread under thee, and the worms [Maggots] cover thee.

-Sublīmis , B. In partic., of language, lofty, elevated, sublime (freq. in Quint.): “sublimia carmina,” Juv. 7, 28: “verbum,” Quint. 8, 3, 18:  “oratio,
of orators, poets, etc.: “natura sublimis et acer,” Hor. Ep. 2, 1, 165: “sublimis et gravis et grandiloquus (Aeschylus),

carmen , ĭnis, n. (old form cas-men , Varr. L. L. p. 86 Bip.) [Sanscr. ηasto declaim, praise; cf.: camilla, censeo],
I. a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto).
5. A magic formula, an incantation:
6. On account of the very ancient practice of composing forms of religion and law in Saturnian verse, also a formula in religion or law, a form:
        “barbaricum,” id. M. 11, 163.—With allusion to playing on the cithara:
            Apollinem) concordant carmina nervis,
            APOLLO and since he communicated oracles in verse, god of poetry and music,
           presiding over the Muses

Opposite to:  sum-mitto ” to moderate his efforts, restrain himself , accommodating his instructions to the capacity, speak humbly,

grandĭlŏquus , i, m. grandis-loquor,
I. speaking grandly or loftily: “et grandiloqui, ut ita dicam, fuerunt cum ampla et sententiarum gravitate et majestate verborum,” Cic. Or. 5, 20; cf. Quint. 10, 1, 66: grandiloquent: “isti grandiloqui (i. e. Stoici),” boasters, Cic. Tusc. 5, 31, 89.

Lucifer is Venus or ZOE and among the matriarchal "mother of harlots" she-he is EVE or EVAH meaning an Abomination. Lucifer is well documented in the Greek literature.  Christ said that when Lucifer was Cast as Profane (Chalal or Halal the "praise" word) into the Garden of Eden She-He was the "singing and harp-playing prostitute." 

Isaiah 14:12 How art thou fallen from heaven, O Lucifer, son of the morning!
        how art thou cut down to the ground, which didst weaken the nations!

-infernus , a, um, adj. infer,
I. lower, that which lies beneath
IN THE LXX FROM WHICH JESUS QUOTED:

Thy glory has come down to Hades, and thy great mirth: under thee they shall spread corruption and the worm shall be thy covering. Isaiah 14:11 LXX

[11] detracta est ad inferos superbia tua concidit cadaver tuum subter te sternetur tinea et operimentum tuum erunt vermes

-Superbĭa  I. In a bad sense, loftiness, haughtiness, pride, arrogance

Dan 3:5 That at what time ye hear the sound of the cornet, flute, harp, sackbut, psaltery, dulcimer,
        and all kinds of music, ye fall down and worship the golden image that Nebuchadnezzar the king hath set up:
Dan 3:6And whoso falleth not down and worshippeth shall the same hour be cast into the midst of a burning fiery furnace.

-ludībrĭum I. a mockery, derision, wantonness. . A laughing-stock, butt, jest, sport  B. A scoff, jest, sport: to reproach jestingly, scoff, such a drunkard as to be a standing jest, C. Abuse, violence done to a woman: in corporum ludibria deflere, Ex-tollo II. Trop., to raise, elevate, exalt: “orationem amplificationibus,” Quint. 12, 10, 62; cf.
    ōrātĭo , ōnis, f. oro,  E. A prayer, an address to the Deity (eccl. Lat.): “respice ad orationem servi tui,” Vulg. 3 Reg. 8, 28: “per orationes Dominum rogantes,” id. 2 Macc. 10, 16: “pernoctans in oratione Dei,” id. Luc. 6, 12.—Also absol., prayer, the habit or practice of prayer: “perseverantes in oratione,” Vulg. Act. 1, 14: “orationi instate,” id. Col. 4, 2; cf. Gell. 13, 22, 1.
Most Jews of the "viper race" replaced most godly Jews who would not let their boys "wear the hat of Hermes" and serve as singers, dancers and prostitutes in Herod's Temple.  See Second Maccabees and notes from the Pink Swastika.

2 Maccabees 1

1 - The Jewish brethren in Jerusalem and those in the land of Judea, To their Jewish brethren in Egypt, Greeting, and good peace.
2
- May God do good to you, and may he remember his covenant with Abraham and Isaac and Jacob, his faithful servants.
3
- May he give you all a heart to worship him and to do his will with a strong heart and a willing spirit

Madison as the result of the "Jubilee" intending to restructure ALL Churches of Christ was attacked by the Purpose Driven Cult and it appears that the godly elect were "raptured."  This is the end of the road for the Vision 20/20s in most of the assaulted churches of Christ.  Before the Jubilee "frog-boiling" process began Madison boasted that they had over 5000 members and lost only "50": These numbers did and may include 300 members in jail.
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THE KINGDOM OF GOD DOES NOT COME WITH RELIGIOUS "OBSERVATIONS" AND THE WARNING IS STILL IN EFFECT

Matthew 24:25 Behold, I have told you before.
Matthew 24:26 Wherefore if they shall say unto you,
        Behold, he is in the desert; go not forth:
        behold, he is in the secret chambers; believe it not.
Matthew 24:27 For as the lightning cometh out of the east, and shineth even unto the west;
         so shall also the coming of the Son of man be.
Matthew 24:28 For wheresoever the carcase is, there will the eagles be gathered together.
Matthew 24:29 Immediately after the tribulation of those days
        shall the sun be darkened,
        and the moon shall not give her light,  [Bible replaced by Theology fit for OUR CHANGED CULTURE.]
        and the stars shall fall from heaven,    [The lucifer or ZOE types]
        and the powers of the heavens shall be shaken:
Matthew 24:30 And then shall appear the sign of the Son of man in heaven:
        and then shall all the tribes of the earth mourn,
        and they shall see the Son of man coming in the clouds of heaven with power and great glory.
Matthew 24:31 And he shall send his angels with a great sound of a trumpet,
        and they shall gather together his elect from the four winds, from one end of heaven to the other.
ALL of the SOUNDS-LIKE INSTRUMENT PASSAGES war of JUDGMENT and commands the godly--be they ever so scare--to GO and preach the gospel to ALL nations.

The Purpose Driven Locusts or MUSES are to COLLECT all of those with the MARK into large Mega-Groups and the GODLY will evaporate as if by magic. Rick Atchleys boasted of 6400 shrank to about 3500 counting both the MOTHER church and the DAUGHTER churches.  They have collected back up to about 4500 by SOUNDING THE TRUMPETS AND THE LOCUSTS-MUSES as Abaddon the Musical Worship Leader.

11.17.13 From Genesis to Revelation and more extreme in these end times (we pray) the Worship Wars have been between:

  1. The Civil-Military-Clergy Complex to which God abandoned the Jacob-Cursed Levites as Sorcerers because of INSTRUMENTAL IDOLATRY of the Egyptian triad under Apis (bull, demon 1 Cor 10).
              --As opposed to godly people who listened to and obeyed The Book of The Covenant of Grace which was the Abrahamic Covenant made by God in Christ.  Neither in The Book of The Covenant nor The Book of The Law are instrumental sounds permitted to intimidate people NOT to listen to that Covenant.   Christ in Numbers forbids it.
  2. Paul leapfrogs all of the "drunk on wine" or being piped or fluted down with wine and identified the tiny few who cannot be intimidated by the Jewish Civil-Military-Clergy. Jesus warned that those who speak the Word (Logos or Regulative Principle) as He articulated the Breath (Spirit) of the One Almighty, would be hated, despised, rejected and subject to attack.
  3. BEASTSS are a Massed Multitude or "A New Style of Music or Drama" which suddenly ATTACKS the songs and sermons already delivered "for our learning" and COMFORT.  The Purpose Driven Restoration defined by Christ from the wilderness onward was restored for a moment as:
           CHURCH is A School of Christ
           WORSHIP is Reading and Musing the Word
    The WORD is the LOGOS which defines the Regulative Principle: it is OPPOSITE of self-preaching, singing, playing instruments or drama. LOGOS OUTLAWS all of the Rhetorical WIND UP making the speaker or his experiences REPLACE the Resurrection.  Only the resurrection Proves that Jesus speaks for God, and He commanded that we teach and observe what HE commanded to be taught. Those who GO BEYOND do not have Christ and are therefore ANTI-Cross and ANTI-Logos delivered by Jesus of Nazareth and left for our "memory."
  4. If they boast about using MUSIC to teach our youth to leave our movement they are violating the direct command NOT to use the TRIUMPH OVER meaning "vocal or instrumental rejoicing or any self-speak." This was reserved to identify Judas as the Son of Perdition. Psalm  41 prophesied that the familiar friend (Judas) would try to TRIUMPH OVER Jesus.  Twp MARKS are:
             The Judas Bag was for carrying the mouthpieces of a wind instrument into which the thieves put their earnings.
            The SOP Jesus fed Judas caused Satan to enter in and destroy him as a failure: even Satan knew that SOP AND PSALLO have the same root meaning.

Rick Atchley: What are you going to wind up with if you follow Jesus? You are going to wind up with a cross on your back, aren’t you? Let me just imagine—I don’t think anybody with a cross on their back, about to die, fussed about a piano (much laughter). Did they? That’s not what you talk about when you are on your way to be crucified. When you and I die to self, we can be of the same mind, even when we are not of the same opinion. I think it is a crucial matter we need to get across. Be of the same mind with one another.

Disciples or Students of Christ ARE of one mind: they speak what Jesus spoke and commanded to be spoken. They obey Romans 15 and SILENCE all of the performers and "use one mind and one mouth to speak that which is written for our learning." They follow the CENI from Christ in the wilderness onward: they PREACH the WORD by READING the Word for Comfort and Doctrine.  "Arousing spiritual anxiety is defined as RECRUCIFYING Christ to ourselves by removing the COOLING of passions resquested by baptism. 


Jeremiah 11:15 What hath my beloved to do in mine house, seeing she hath wrought lewdness with many, and the holy flesh is passed from thee? when thou doest evil, then thou rejoicest.
dēlectus or dīlectus cujus (euphōnias) in eo dilectus est, ut, etc., Quint. 1, 5, 4
sapiente delectus, or SOPHOS speaking, singing, playing, acting in the holy places
euphōn-ia , ,
A.goodness of voice, X.Mem.3.3.13, Arist.Pr.903b27; tolma kai eu., of an orator, Plu.2.838e.
2. excellence of tone, of horns, Arist. Aud.802b2.
II. euphony, D.H.Comp.25, Quint.1.5.4, Demetr.Eloc.68.
glōrĭor ,.v. dep. a. and n. id., to glory, boast, vaunt, to brag of any thing, pride one's self
Jeremiah 11:16 The LORD called thy name, A green olive tree, fair, and of goodly fruit:
             with the noise of a great tumult he hath kindled fire upon it, and the branches of it are broken.
ignis of the flame of love, love: raving, inspiration, Stat. Ach. 1, 509: “quae simul aethereos animo conceperat ignes, ore dabat pleno carmina vera dei,” Ov. F. 1, 473: “(Dido) caeco carpitur igni,” the secret fire of love, Verg. A. 4, 2

Abaddon or Apollyon is the LEADER of the MUSES
incentor , ōris, m. id.,
I.one who sets the tune or begins to sing, a precentor, singer (post-class.).
I. Lit.: “carminis,” Paul. Nol. Carm. 15, 32: “incentore canam Phoebo Musisque magistris,” Avien. Perieg. 895; Isid. 6, 9, 13
Minister of the musicians and songs of Apollo: to START THE FIRES
“chori canentium,” a head-chorister, leader of a choir, Col. 12, 2: .
II. Trop., an inciter, exciter: “igneus turbarum,” Amm. 15, 1, 2: “civilis belli,” Oros. 5, 19: “rebellionis totius,
THE BAPTISM OF SPIRIT (WIND) AND FIRE WAS TO THRESH JERUSALEM AND A CHURCH NEAR YOU.

19. [+of iniquity+] (16) Wash and make yourselves clean and turn away the evil of your habitual practices from before my eyes, stop doing evil. (17) Learn

Rachac (h7364) raw-khats'; a prim. root; to lave (the whole or a part of a thing): - bathe (self), wash (self).

Is.4:4 When the Lord shall have washed away the filth of the daughters of Zion, and shall have purged the blood of Jerusalem from the midst thereof by the spirit of judgment, and by the spirit of burning.

YOU HAVE BEEN TOLD ABOUT THE MARK OF THE BEAST--A NEW STYLE OF MUSIC AND DRAMA

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Jeremiah 11:17 For the LORD of hosts, that planted thee, hath pronounced evil against thee, for the evil of the house of Israel and of the house of Judah, which they have done against themselves to provoke me to anger in offering incense unto Baal.
Jeremiah 11:18 And the LORD hath given me knowledge of it, and I know it: then thou shewedst me their doings.
Jeremiah 11:19 But I was like a lamb or an ox that is brought to the slaughter;
         and I knew not that they had devised devices against me, saying,
         Let us destroy the tree with the fruit thereof, and let us cut him off from the land of the living,
         that his name may be no more remembered.

Those who get a vision to MOCK JESUS in fulfillment of prophecy ALSO rush to remove CHRIST from their public confession.
mansŭesco ,
I. Act., to tame, to make tame B. Trop., to render mild, gentle, or peaceable:
“nam me jam ab orationibus dijungo fere, referoque ad mansuetiores Musas,” Cic. Fam. 1, 9, 23: “ira,” Ov. Tr. 3, 6, 23
dēlūbrum , i, n. de-luo, the place of expiation, cella [holy place as a house only for a god]
“noctu audita ex delubro vox est, etc.,” Liv. 29, 18: “so coupled with templa,” id. 30, 20:

Isaiah 65.4 who sit among the graves, and lodge in the secret places; who eat pig's flesh, and broth of abominable things is in their vessels;

wickedly, profanely illūdo o play at or with any thing, to sport with, amuse one's self with (syn. colludo; cf. ludificor). 1. To make sport or game of, to jest, mock, or jeer at, to ridicule (class.).
1. To scoff or mock at, to make a laughing-stock of, to ridicule ipsa praecepta (rhetorum),” Cic. de Or. 1, 19, 87: “voces Neronis, quoties caneret,” Tac. A. 14, 52: verbis virtutem superbis, Verg. A. 9, 634
Mūsa , ae, f., = Mousa, I.a  muse, one of the goddesses of poetry, music,
“Musarum delubra,” Cic. Arch. 11, 27: “hic Musarum parens domusque Pieria, Mela, 2, 3, 2: crassiore Musā,
A. A song, a poem: “musa procax,” Hor. C. 2, 1, 37
Dumb means the inability to MEDITATE on what is going on. 
cōgĭto The command is to SPEAK the Word and MEDITATE in the heart: not to make music.
Cogitation in a rational sense can be stopped by (d). With de: “cogitavit etiam de Homeri carminibus abolendis,”  

The WORD or LOGOS is the REGULATIVE PRINCIPLE: opposite to personal experiences, rhetoric, singing, playing instruments or Drama. Those who MOCK the Regulative Principle defined in the Prophets and Apostles both by the Spirit OF Christ, repudiate the Cross as the mark of a SON who speaks only the words of the FATHER who breaths (spirit) without metron most often meaning without meter.  This is another of Gods Rat Traps to sort out those OF the World lusting to perform COSMIC WORSHIP.  Unfortunate for them, Jesus does not PRAY for them nor does He let them read BLACK text on BROWN paper. To be ANTI-God's Regulative Principle is to be ANTI-Christ who died on the cross to prove that the massed multitudes (beasts) will praise the Lord and stab Him while on the cross.

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Acts 8:32 The place of the scripture which he read was this, He was led as a sheep to the slaughter; and like a lamb dumb before his shearer, so opened he not his mouth:

The clergy certainly silenced the Man Jesus of Nazareth but they could not silence Jesus Who returned as Holy Spirit and poured out what you see and hear in the upper room: the wind or BREATH of Christ breathed on the Apostles to give them His WORD or double edged sword. The tongues of fire would be burning up the chaff when the wind separated the grain from the chaff.  John says that the VIPER RACE would be consume.

Acts 8:33 In his humiliation his judgment was taken away: and who shall declare his generation? for his life is taken from the earth.

Self-Pleasure Paul outlawed in Romans 15 identifies a HERETIC: he was the priest who lifted up the lambs to cut their throat while the Levites made instrumental noise and is called a Parasite. The word means to SILENCE anything that prevents the PATTERN to "use one mind and one mouth to speak that which is written for our learning" Paul defined as Scripture, the Holy Scriptures involve the Prophets and apostles.

Matthew 27:29 And when they had platted a crown of thorns, they put it upon his head,
        and a reed in his right hand: and they bowed the knee before him,
        and mocked him, saying, Hail, King of the Jews!
Matthew 27:28 And they stripped him, and put on him a scarlet robe.
Matthew 27:31 And after that they had mocked him, they took the robe off from him,
        and put his own raiment on him, and led him away to crucify him.
Empaizō , fut. to be deluded  II. sport in or on, “hōs nebros khloerais e. leimakos hēdonais” E.Ba. 866 (lyr.); tois khoroisin e. to sport in the dance, Ar.Th.975; “ gumnasiō” Luc.Lex.5.
-Prospaizτ2. abs., sport, jest3. laugh at, make fun or sport ofsing to the gods, sing in their praise or honour, 2. banter, tous rhκtoras

2 Peter 3 Marks of the End Time Mockers

2 Peter 3:2 That ye may
        be mindful of the words which were spoken before by the holy prophets,
        and of the commandment of us the apostles of the Lord and Saviour:

That is the CURRICULUM for DISCIPLES who attend the School of the Word and not pagan ceremonial legalism

2 Peter 3:3  Knowing this first,
        that there shall come in the last days scoffers,
        walking after their own lusts,

LEADER OF THE CHORUS

-Aristoph. Thes.[947] Let us now devote ourselves to the sports which the women are accustomed to celebrate here, when time has again brought round the mighty Mysteries of the great goddesses, the sacred days which Pauson himself honours by fasting and would wish feast to succeed feast, that he might keep them all holy. Spring forward with a light step, whirling in mazy circles; let your hands interlace, let the eager and rapid dancers sway to the music and glance on every side as they move. - 

Great Goddesses:

Paizo dance, play a game,  4. play on a musical instrument, h.Ap.206: c. acc.,