My God, My God Psalm 22
Christ Will Triumph Over Musical
Oppressors
And about the ninth hour Jesus cried with a loud voice, saying, Eli, Eli, lama sabachthani? that is to say, My God, my God, why hast thou forsaken me? Matt 27:46
See Singing and Shouting outlawed. Yes, there is a burning hell for anyone who oppresses people by demanding that they tithe of their wages. The only reason for this LAW OF GIVING is that the OPPRESSORS believe that Jesud DID NOT Pay it all and need them to be the mediators in song and sermon.
The operative words in the Christian ekklesia, synagogue or school of the Bible is to SPEAK or SAY or to READ. Scholars note that when speak becomes "sing-song" of rhetoric or metrical it is a MARK and CAUSE of an effeminate religionism which is ANTI-Christian and anti-Biblical.
Psalm 109 and 41 also address the TRIUMPH OVER or ALARM or music with noise as THE way the non-Israelite Jews in Jerusalem and all enemies of God in Christ silence Jesus.
The PURPOSE is always to oppress or TAKE CAPTIVE people for their own uses: this is the meaning of HERESY which is created by LIFTING UP which is created by ODEING to create pleasuring which Paul outlawed in Romans 15.
Quoting a part of a psalm was Jesus' common way of pointing us to Psalm 22. This Psalm tells the conclusion of the matter because Jesus would triumph and people of all nations would bow before Him as Lord and God. This Psalm with many others shows that Music in a worship sense was an attempt to destroy Jesus and bleed off worship to the warrior musicians.
Enoch 1:9 And behold! He cometh with ten thousands of His holy ones
To execute judgement upon all,
And to destroy all the ungodly:
And to convict all flesh
Of all the works of their ungodliness which they have ungodly committed,And of all the hard things which ungodly sinners have spoken against Him.
One fallen angel was Azazel (the name of the Scapegoat) who was connected with Nadab and Abihu's being consumed with fire.
Enoch 8:1 And Azazel taught men to make swords, and knives, and shields, and breastplates, and made known to them the metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of costly stones, and all colouring tinctures. And there arose much godlessness, and they committed fornication, and they were led astray, and became corrupt in all their ways.
Lamech is identified in the Babylonian tablets as Ea, the patron god of music. His family were the the "fathers" of those who seduced people by human ARTS AND CRAFTS. Genun or Genii or Genius includes the whole family. The enchantments of Enoch are defined defined further:
Genun (Jubal and team) the Canaanite, son of Lamech the Blind, living in the Land of the Slime Pits,
was ruled by Azael from his earliest youth,
and invented all sorts of musical instruments.
When he played these, Azael entered into them too,
so that they gave forth seductive tunes entrancing the hearts of all listeners.Genun would assemble companies of musicians, who inflamed one another with music until their lust burned bright like fire,
and they lay together promiscuously. He also brewed beer, gathered great crowds in taverns, gave them to drink,
and taught them to forge iron swords and spear-points, with which to do murder at random when they were drunk.When Jubal HANDLED musical instruments the word means WITHOUT AUTHORITY OR COMMAND.
The same FALLEN ANGELS or WANDERING STARS have apparently been CAST OUT again and SENT by God because for those who reject approaching God with REVERENCE and GODLY FEAR "Our God is a consuming fire." Scripture speaks of them as FROM OLD who were reserved and REsent to test for the MARK.
And then shall that Wicked (claims there are NO LAWS) be revealed, whom the Lord shall consume with the spirit of his mouth (the Word), and shall destroy with the brightness of his coming: 2 Thess 2:8
REVEAL means to "take over." Just ask yourself: "Who is trying to take over the non-instrumental churches?"
Consume is: Analisko (g355) an-al-is'-ko; from 303 and a form of the alternate of 138; prop. to use up, i.e. destroy: - consume.
Haireomai (g138) hahee-reh'-om-ahee; prob. akin to 142; to take for oneself, i.e. to prefer: - choose. Some of the forms are borrowed from a cognate helloåmai +tx hel'-lom-ahee; # which is otherwise obsolete
It has the meaning:Airo (g142) ah'ee-ro; a prim. verb; to lift; by impl. to take up or away; fig. to raise (the voice), keep in suspense (the mind); spec. to sail away (i.e. weigh anchor); by Heb. [comp. 5375] to expiate sin: - away with, bear (up), carry, lift up, loose, make to doubt, put away, remove, take (away, up).
Haireo and related words show that it means to choose to take over stolen property by lifting it up and carrying it away. Heresy, therefore, identifies the kleptomaniac. It means that they will lie, cheat and steal: only the law keeps them from killing you. The word aireô further defines heresy in the sense of LIFTING up for your own purposes. The word aeidô shows that the weapon or "instrument" of creating panic in order to steal as a heretic is: to sing, then of any sound, to twang, of the bowstring, to whistle, of the wind, to ring, of a stone struck.
The Greek word Heresy from Liddell and Scott: Haireô means "to take with the hand, grasp, hair. To take by force, to take a city, Il., etc.; to overpower, kill, often of passions, to take, catch, as in hunting, hairein tina kleptonta to convict of theft. To take for oneself.
Another form means: take with the hand, grasp, seize as in the Komo or naked dance. Having taken up the song
Anaireô, anêirêka (aneir-dub. in Com.Adesp.18.6D.): (v. haireô): --take up, anelontes apo chthonos having raised the victim from the ground, so as to cut its throat (cf. aueruô), take up and carry off, bear away, esp. prizes. of oracle's answer to inquiry
II. make away with, destroy, of men, kill, Hdt.4.66; pollous anairôn A.Ch.990 ; se men hêmetera psphos a. E.Andr.517; thanatois a. Pl.Lg. 870d ; ek politeias toiauta thêria a. Din.3.19 , etc.
take up and carry off, snatch, take up money at interest,The Thêria are are the beasts of the book of Revelation and is used with words related to ZOE or EVE or RHEA. thêrion, drakôn, ophis. This is related to daimôn or the genius or Genun as a composite of Jubal, Jabal, Tubal-Cain and Naamah. Jubal "handled" musical instruments meaning "without authority" and to commit HERESY which meant to use music to steal the houses of others.
4. take up bodies for burial. See Isaiah 8 below about chirping and muttering.A word with similar definition of Anaireô connects RHETORIC and MUSIC. In pagan worship the rhetoricians, sOPHISts, singers and musicians performed the role of PARASITE which resulted when all of the animal sacrifice centers fell into disrepute.
Exairô -lift up, lift off the earth 2. raise in dignity, exalt, magnify, exaggerate it. Rhetoric, treat in elevated style, of music
3. arouse, stir up excites thy wish to die, pervert, make away with, get rid of, to be excited, agitated
Includes: Choreia [choreuô] a dance, esp. the choral or round dance with its music
The Muses were taught by Apollo. Homer quotes: "So he spoke, and the minstrel, moved by the god, began, and let his song be heard, taking up the tale. This is specificially related to ZOE who replaces Jesus today. Hesiod shows how the heresy meant to CHOOSE to take up some one's property using music and Apollo's shooting arrows.
Hide me from the secret counsel of the wicked; from the insurrection of the workers of iniquity: Psa 64:2
Who whet their tongue like a sword,
and bend their bows
to shoot their arrows,
even bitter words: Psa 64:3Homer To the Pythian Apollo (Abaddon, Apollon who USES the MUSES of Revelation 18:22) about the destruction of Charismatic music. Be aware that the Greek PSALLO translated melody but meaning to pluck, OUTLAWS the use of the plectrum or "key." Therefore, to promote MUSIC in the worship of a Holy God is to mix Him up with the perverted gods and goddess:
182-206 - Leto"s (mother of Apollo) - all-glorious son goes to rocky Pytho, playing upon his hollow lyre, clad in divine, perfumed garments; and at the touch of the golden key his lyre sings sweet.
Thence, swift as thought, he speeds from earth to Olympus, to the house of Zeus, to join the gathering of the other gods:
then straightway the undying gods think only of the lyre and song,
and all the Muses together, voice sweetly answering voice,hymn the unending gifts the gods enjoy and the sufferings of men, all that they endure at the hands of the deathless gods, and how they live witless and helpless and cannot find healing for death or defence against old age.
The Puthôn (cf. Puthô) the serpent Python, slain by Apollo, Ephor.31(b)J., Apollod.1.4.1, Plu.2.293c.
II. paidiskê echousa pneuma Puthôna a spirit of divination, Act.Ap.16.16.
paidiskê 1 [Dim. of pais] [h]
I. a young girl, maiden, Xen.
II. a young slave, courtesan, Hdt., Plut.You remember that Jesus identified the CLERGY this way:
They are like unto children sitting in the marketplace, and calling one to another, and saying, We have piped unto you, and ye have not danced; we have mourned to you, and ye have not wept. Lu.7:32
This was the musical Abomination of Desolation which took place in the temple. Dionysus was hoped to be the Jewish messiah. The piping would OUT Jesus as the perverted and perverting Dionysus or Bacchus.
2. pl. Puthônes, ventriloquists, Plu.2.414e, cf. Hsch.
Engastri-muthos , on, ventriloquist, mostly of women who delivered oracles by this means: hence, = engastrimantis, Hp.Epid.5.63, Philoch.192, LXX Le.19.31, Ph.1.654, Plu.2.414e, Luc.Lex.20; also, the familiar spirit of such a person, LXX 1 Ki.28.8.
Hes.Sc.302 Hesiod, Shield of Heracles on Charismatic music. Zeus was worshipped in the Jerusalem Temple as the "Abomination which brings desolation." His "son" Dionysus was honored by the sexual and homosexual practices: some right in the Holy of Holys in the presumed "presence of god." Therefore, the Jewish clergy hoped and anticipated that Dionysus would be the "messiah." When Jesus and John were fount NOT to bow as homosexual priests to sing and play while the priests piped, they killed him. For the gymnasium as the MARK of Dionysus take a look at First Maccabees and Second Maccabees.
(ll. 197-200) There, too, was the daughter of Zeus, Tritogeneia who drives the spoil (3). She was like as if she would array a battle, with a spear in her hand, and a golden helmet, and the aegis about her shoulders.
And she was going towards the awful strife.
(ll. 201-206) And there was the holy company of the deathless gods:
and in the midst the son of Zeus and Leto played sweetly on a golden lyre.
There also was the abode of the gods, pure Olympus, and their assembly, and infinite riches were spread around in the gathering, the Muses of Pieria were beginning a song like clear-voiced singers.
[280] and the girls led on the lovely dance to the sound of lyres. Then again on the other side was a rout of young men revelling, with flutes playing; some frolicking with dance and song, and others were going forward in time with a flute player and laughing. The whole town was filled with mirth and dance and festivity.
Beside them was a row of vines [297] in gold, the splendid work of cunning Hephaestus: [299] it had shivering leaves and stakes of silver [300] and was laden with grapes which turned black. And there were men treading out the grapes and others drawing off the liquor. Also there were men boxing and wrestling, and huntsmen chasing swift hares with a leash of sharp-toothed dogs before them, they eager to catch the hares, and the hares eager to escape.
Hephaestus had a triad of wives: Aphrodite and or Charis who is the mother of charismatic or homosexual worship real or pretend MARKED by all musical ritual.
The hares of course were catamites. See the "breaking down the walls" theme
Anaireô: A. take up, anelontes apo chthonos having raised the victim from the ground, so as to cut its throat II. make away with, destroy, of men, kill, III. appoint, ordain, of oracle's answer to inquiry,
See Isaiah 30 to see the LADED BURDEN, MUSIC and HERESY connection. As a result, God uses musical instruments as WEAPONS to drive burden laders back into hell.
Just ask yourself: "Who raises their voice in violation of the SYNAGOGUE defined by Paul in Romans 15?"
Even him, whose coming is after the working of Satan (the false accuser) with all power and signs (an Omen) and lying wonders, 2 thess 2:9
Lying is a PSEUDO. False scholars and preachers are pseudo-preachers. Those who WORK wonders expend tremedious amounts of time and money trying to force music which is the most legalistic and Anti-Christ thing one could do.
The music goes hand in hand often in lying about every musical concept in the Bible (always Satanic and condemned) with NOT loving the Word of God:
And with all deceivableness of unrighteousness in them that perish; because they received not the love of the truth, that they might be saved. 2 Th 2:10
And for this cause God shall send them strong delusion, that they should believe a lie: 2 Thes 2:11
A delusion is a WANDERING STAR or "planet." It means wandering from orthodoxy using "deceit, to deceive, delusion."
We noted that God is CONSUMING them by
Woe unto them for they have gone in the way of Cain, and ran greedily after the error of Balaam for reward, and perished in the gainsaying of Core. Ju.1:11
Saturn or Chiun worshipped musically in Amos 5, 6 and Isaiah 5 has the Chaldee number 666.
That they all might be damned who believed not the truth, but had pleasure in unrighteousness. 2 Thess 2:12
Paul showed how the divisiveness of Romans 14 could be solved in the SYNAGOGUE OF CHRIST where, to imitate Jesus Christ, everyone must forgo PLEASURE. We can understand PLEASURE by looking at its antithesis in Romans 15:
WE then that are strong ought to bear the infirmities of the weak, and not to please ourselves. Rom 15:1
Let every one of us please his neighbour for his good to edification (education). Rom 15: 2
For even Christ pleased not himself; but, as it is written, The reproaches of them that reproached thee fell on me. Rom 15: 3
Oneidizo (g3679) on-i-did'-zo; from 3681; to defame, i.e. rail at, chide, taunt: - cast in teeth, (suffer) reproach, revile, upbraid.
Reproaches included the sexual attack with PIPING hoping that Jesus and others would bow to the Dionysus singing and dancing.
Cherphah (h2781) kher-paw'; from 2778; contumely, disgrace, the pudenda: - rebuke, reproach (-fully), shame.
For whatsoever things were written aforetime were written for our learning, that we through patience and comfort of the scriptures might have hope. Rom 15: 4
Now the God of patience and consolation grant you to be likeminded one toward another according to Christ Jesus: Rom 15: 5
That ye may with one mind and one mouth glorify God, even the Father of our Lord Jesus Christ. Rom 15: 6
Wherefore receive ye one another, as Christ also received us, to the glory of God. Rom 15: 7
HOW ELSE CAN YOU EXPLAIN THE SUDDEN AND QUITE SUPERNATURAL WAY A SMALL BAND OF "SCHOLARS" AND "PREACHERS" HAVE DECLARED THAT ONLY THE CORE GOSPEL CAN BE USED FOR FAITH AND PRACTICE? AND HOW THEY HAVE SUDDENLY OVERPOWERED ELDERS IN ORDER TO "SOW DISCORD" BY ADDING MUSICAL TEAMS OR INSTRUMENT AND LYING ABOUT EVERY MUSICAL CONCEPT IN THE BIBLE AND HISTORY?
Several Psalms speak of the First and perhaps the end-time Abomination of Desolation which brought music and sexuality into the Holy Places of the temple.
Those who were silent observers of the first attack on Jesus as prophesied and fulfilled, WILL BE silent when they are being MARKED with a choice: maybe now. But God has no mercy on the BLIND led by the BLIND because they failed the TEST by having no interest in the Word of God. Nothing proves that you are under STRONG DELUSIONS than Sabbath rituals and so- called Musical Worship Teams presuming the authority of Jesus Christ. It rests 100% on the power of Satan who came into the garden of Eden with wind, string and percussion instruments. And it rests on his AGENTS such as the king/ queen of Tyre as Lucife who is called the "harp- playing prostitute."
DSS means Dead Sea Scroll Translations of Psalm 22 and 41 which prophesied that the ENEMY would attempt to destroy Jesus Christ with MUSIC. Click for the whole article
(To the chief Musician upon Aijeleth Shahar, A Psalm of) (David.) Psa 22:1
The Psalms are PRAISES and the title is Greek and not Hebrew. Praises were written as poetic teaching of the PROSE books of the Bible. One did not SING praises but cantillated or spoke them. The exception would be in events such as moving the ark where DAVID ROSE UP TO PLAY just as they did at Mount Sinai. These introductions were not part of the original writing.
Aijeleth Shahar Hind of the Dawn and would be a MEASURE
This was not part of the original.
MY God, my God, why hast thou forsaken me? why art thou so far from helping me, and from the words of my roaring? Psalm 22:1
Now from the sixth hour there was darkness over all the land unto the ninth hour. Mt 27:45
And about the ninth hour Jesus cried with a loud voice, saying, Eli, Eli, lama sabachthani? that is to say, My God, my God, why hast thou forsaken me? Mt 27:46
O my God, I cry in the daytime, but thou hearest not; and in the night season, and am not silent. Psalm 22:2
Qara (h7121) kaw-raw';...bewray [self], that are bidden, call (for, forth, self, upon), cry (unto),
If you call out to people here is how it is done:
And in that day shall ye say, Praise the Lord, call upon his name, declare his doings among the people, make mention that his name is exalted. Is.12:4
But thou art holy, O thou that inhabitest the praises of Israel. Psalm 22:3
Inhabit is yashab meaning to sit down very quietly AS IN AMBUSH. Or as settled down in a household. This praise is not the loud boasting praise of h1984 by which David and others MADE THEMSELVES VILE to be honored (worshipped) by the camp following girls but:
Yashab (g3427) yaw-shab'; a prim. root; prop. to sit down (spec. as judge. in ambush, in quiet); by impl. to dwell, to remain; causat. to settle,
When you praise God you do not sing PRAISE SONGS: you teach "that which is written" with ONE MOUTH and ONE MIND as the only way to GLORIFY God.
He is thy praise, and he is thy God, that hath done for thee these great and terrible things, which thine eyes have seen. De.10:21
And to make thee high above all nations which he hath made, in praise, and in name, and in honour; and that thou mayest be an holy people unto the Lord thy God, as he hath spoken. De.26:19
And when they began to sing and to praise, the Lord set ambushments against the children of Ammon, Moab, and mount Seir, which were come against Judah; and they were smitten. 2Chr.20:22
Tehillah (h8416) teh-hil-law'; from 1984; laudation; spec. (concr.) a hymn: - praise.
Psalm 41 and especially the Dead Sea Scroll translation shows that those who HATE God and His Word were the Levitical Warrior musicians. Isaiah 30 in the LXX shows that God will destroy the "nations" whom Israel imitated BEATING them to death to the tune of musical instruments. This is why the OPPRESSORS insist on attacking those who will not sing and dance when they pipe
When the Lord thy God shall cut off the nations from before thee, whither thou goest to possess them, and thou succeedest them, and dwellest in their land; Deut 12:29
Take heed to thyself that thou be not snared by following them, after that they be destroyed from before thee; and that thou enquire not after their gods, saying, How did these nations serve their gods? even so will I do likewise. Deut 12:30
You must not worship the LORD your God in their way, because in worshiping their gods, they do all kinds of detestable things the LORD hates. They even burn their sons and daughters in the fire as sacrifices to their gods. De.12:31
What thing soever I command you, observe to do it: thou shalt not add thereto, nor diminish from it. De 12:32
Obeying the Law was especially important because the Sabbath which means REST and never WORSHIP would quarantine the people from the Sabbath day worship from Babylon. This depended almost wholly on the mental aggitation created by MUSIC which cound seduce people into burning their own children to the BEAT of instrumental music. The CRIES of the infants was INTERPRETED by the Priests as a new message from Molech whose worship was IMPOSED because of the musical idolatry at Mount Sinai:
The still spread HATE if you don't choose to either BOW or BURN!
Here is the RULE for oppressing or seting AMBUSH against the unsuspecting who BELIEVE that they should not have their church STOLEN by musical OPPRESSORS:[The Rule of the Trumpets: the trumpets] of alarm for all their service for the [ . . . ] for their commissioned men, 17[by tens of thousands and thousands and hundreds and fifties] and tens. Upon the t[rumpets . . . ]
[ . . . ] )8[ . . . ] 19[ . . . which ] 20 [,, . they shall write . . . the trumpets of Col. 3 the battle formations, and the trumpets for assembling them when the gates of the war are opened so that the infantry might advance, the trumpets for the signal of the slain, the trumpets of 2 the ambush, the trumpets of pursuit when the enemy is defeated, and the trumpets of reassembly when the battle returns.
On the trumpets for the assembly of the congregation they shall write, "The called of God." 3 0n the trumpets for the assembly of the chiefs they shall write, "The princes of God." On the trumpets of the formations they shall write, "The rule of God." On the trumpets of the men of renown [they shall write], "The heads of the congregation's clans."
But if they establish an ambush for a battle formation, the three ambushing formations shall [stay at a dist]ance and not ris[e up . . . ] '3 [ . . . ] the battle.
When they [h]ear the trumpets of alarm, the [infantry]men [shall begin to bring do]wn the guilty casualties. Then the ambush shall rise up from its place and also order its [battle form]ations [ . . . 3
14 The reassembly: from the right and left, from be[hind and before, the f]our direction[s . . . ] in the battles of annihilation. All the battle formation[s] which engaged the en[emy] for battle [shall be gathered]: 5 together. The [fi]rst battle formation shall [set out-to battle] and the second shall remain standting] at their post.When their period is completed, the first shall return and s[tand . ] : 6 The sec[ond foray . . . ] when the battle is arrayed. When the second battle formation shall have completed their period, they shall return and t[ake their position.] 17And the t[hird foray . . .
Then the Chief Priest shall take his stand with his brothers the priests,] the Levites, and men [of the arm]y. And all the while the priests shall be sounding on the trumpets[ . . .
But the Carthaginians manoeuvred so clumsily that the soldiers in derision urged them to sit down.
They called out that they were just going to empty their big stomachs, to dust the gilding of their skin, and to give them iron to drink.
A strip of green cloth appeared at the top of the pole planted before Spendius's tent: it was the signal.
The Carthaginian army replied to it with a great noise of trumpets, cymbals, flutes of asses' bones, and tympanums.
The Barbarians had already leaped outside the palisades, and were facing their enemies within a javelin's throw of them.
A Balearic slinger took a step forward, put one of his clay bullets into his thong, and swung round his arm. An ivory shield was shivered, and the two armies mingled together.
Other versions prove that we don't LIFT GOD UP nor does God LIVE in our praises:
Yet you are enthroned as the Holy One; you are the praise of Israel. Psalm 22:3NIV
for you are holy.The praises of our fathers surrounded your throne; they trusted you and you delivered them. Psalm 22:3LIV
Hear the voice of my supplications, when I cry unto thee, when I lift up my hands toward thy holy oracle. Psa 28:2
Thus will I bless thee while I live: I will lift up my hands in thy name. Ps.63:4
We meet God in the Most Holy Place which now is in the PLACE of the human spirit. No Levitical singer, musician or 'preacer' could enter even into the Holy Place as a type of the church of Christ without being EXECUTED. Therefore, our praises CANNOT be accompanied by musicians.
Our fathers trusted in thee: they trusted, and thou didst deliver them. Psalm 22:4
They cried unto thee, and were delivered: they trusted in thee, and were not confounded. Psalm 22:5
But I am a worm (maggot), and no man; a reproach of men, and despised of the people. Psalm 22:6
Have the workers of iniquity no knowledge? who eat up my people as they eat bread: they have not called upon God. Psa 53:4
There were they in great fear, where no fear was: for God hath scattered the bones of him that encampeth against thee: thou hast put them to shame, because God hath despised them. Psa 53:5
Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms [maggots] cover thee. Is.14:11
How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations! Isa 14:12
And they shall go forth, and look upon the carcases of the men that have transgressed against me: for their worm shall not die, neither shall their fire be quenched; and they shall be an abhorring unto all flesh. Is.66:24
Again, reproach is: Cherphah (h2781) kher-paw'; from 2778; contumely, disgrace, the pudenda: - rebuke, reproach (-fully), shame.
Let the priests, the ministers of the Lord, weep between the porch and the altar, and let them say, Spare thy people, O Lord, and give not thine heritage to reproach, that the heathen should rule over them: wherefore should they say among the people, Where is their God? Jl.2:17
Charaph (h2778) khaw-raf'; a prim. root; to pull off, i. e. (by impl.) to expose (as by stripping); spec. to betroth (as if a surrender); fig. to carp at, i. e. defame; denom. (from 2779) to spend the winter: - betroth, blaspheme, defy, jeopard, rail, reproach, upbraid.
When Jesus likened the Jews and especially the clergy to CHILDREN piping hoping to get Him to sing and dance, this was the perverted choral of Dionysus. The children were the young "chorus leaders" and so named because they were beaten and abused and used.
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The word MOCK or DESPISE points DIRECTLY to the MUSICAL play by which the clergy or "children" PIPED trying to induce singing and dancing into Jesus. This was a perverted thing and there is NO OTHER connection in history between MUSIC and WORSHIP.
A. object of contempt, e. laou LXXPs.21 (22).6.
Psalm 22:[4]WEB Our fathers trusted in you. They trusted, and you delivered them. [5] They cried to you, and were delivered. They trusted in you, and were not put to shame. [6] But I am a worm, and no man; A reproach of men, and despised by the people. [7] All those who see me mock me. They insult me with their lips. They shake their heads, saying,
Empaizô , fut.
A. -xomai LXXHb.1.10 : pf. empepaicha ib.Nu.22.29:-- mock at, mock, tini Hdt.4.134 ; tina PCair.Preis.3.10 (iv A.D.): abs., S.Ant.799:--Pass., psuchê hupo . . sômatôn kai pragmatôn empaizomenê Ph.1.568 , cf. Luc.Trag.333.
Chorus
[791] You seize the minds of just men and drag them to injustice, to their ruin. You it is who have incited this conflict of men whose flesh and blood are one. [795] But victory belongs to radiant Desire swelling from the eyes of the sweet-bedded bride. Desire sits enthroned in power beside the mighty laws. [800] For in all this divine Aphrodite plays her irresistible game.
Commentary [800] empaizei, 'wreaks her will' in that contest which nikai implies. We find empaizô with a dat. (1) of the object, as Her. 4.134 empaizontas hêmin, 'mocking us': (2) of the sphere, as Ar. Th. 975 choroisin empaizei, 'sports in dances.' The en of empaizei here might also be explained as (a) in the imeros, or the blephara, i.e. by their agency: or (b) 'on her victim.' But the interpretation first given appears simpler. (Cp. Vergil's absol. use of illudere, G. 1. 181, Tum variae illudant pestes.)
Start off [970] while you sing to the god of the lyre and to the chaste goddess armed with the bow. Hail! thou god who flingest thy darts so far, grant us the victory! The homage of our song is also due to Here, the goddess of marriage, [975] who interests herself in every chorus and guards the approach to the nuptial couch
Choros, ho, later of the dance as a public religious ceremony
II. choir, band of dancers and singers, h. Ven.118, Pi.N.5.23, Fr.199; sumphônia kai choroi Ev.Luc.15.25
Luke 15:25 Now his elder son was in the field: and as he came and drew nigh to the house, he heard musick and dancing.
Sumphonia (g4858) soom-fo-nee'-ah; from 4859; unison of sound ("symphony"), i.e. a concert of instruments (harmonious note): - music.
Sumphonos (g4859) soom'-fo-nos; from 4862 and 5456; sounding together (alike), i.e. (fig.) accordant (neut. as noun, agreement): - consent.
2. generally, choir, troop, donakôn row of reeds, i. e. Pan's pipe,
III. place for dancing, en de ch. poikille . . Amphiguêeis Il. 18.590 ; leiênan de ch. Od.8.260 , cf. 264; hothi t' Êous êrigeneiês oikia kai choroi eisi 12.4 ; Numpheôn kaloi ch. êde thoôkoi ib.318; at Sparta the agora was called choros, Paus.3.11.9; so perh. in Crete, Supp.Epigr.2.509.6 (Eltynia, prob. v B. C.): v. infr. (Acc. to Hsch. choros = kuklos, stephanos, and therefore prop. denotes a ring-dance.)
The MARKET PLACE where they clergy would try to induce a homosexual song and dance was the AGORA.
A. laugh to scorn, mock at, LXX 1 Es.1.49(51), Phld.Rh.2.216S.
Isa 37:22 This is the word which the Lord hath spoken concerning him; The virgin, the daughter of Zion, hath despised thee, and laughed thee to scorn; the daughter of Jerusalem hath shaken her head at thee.
Leag (h3932) law-ag'; a prim. root; to deride; by impl. (as if imitating a foreigner) to speak unintelligibly: - have in derision, laugh (to scorn), mock (on), stammering.
Is.33:19 Thou shalt not see a fierce people, a people of a deeper speech than thou canst perceive; of a stammering tongue, that thou canst not understand.
Except to Get Drunk, the Jews neve drank much FERMENTED wine:
"Much to the dismay of the wine industry, between the founding of the state in 1948 and until just five years ago, annual Israeli wine consumption remained at about 3.9 liters per capita. Compared to the 60 liter plus consumption of the French, Italians and Spanish, this was not very high. Nor was it high compared to the 11 liter figure of the United States. Resource.
A DRUNK drank wine, a tippler drank highly mixed wine and water but the common people drank the preserved fruit of the vine as a food.
[If wine is fine, beer is better]
No, what Paul really said was:
HIM that is weak in the faith receive ye, but not to doubtful disputations. Romans 14:1
Receive means:
Proslambano (g4355) pros-lam-ban'-o; from 4314 and 2983; to take to oneself, i.e. use (food), lead (aside), admit to friendship or hospitality: - receive, take (unto).
Perhaps, the weak man was once a worshiper of Dionysus. The "in assembly" prophesying (singing with instruments) in Corinth strongly implicates as Dionysic those "just out of" paganism where drinking wine and "speaking in tongues" or composing their own "inspired songs."
The same is true of Ephesus where, in chapter 5, Paul prohibites the "wine drinkers" and demands speaking or preaching the revealed Word: psalms, hymns and spiritual songs.
Of Divininers Heredotus 2.49.1 Heredotus 2
XLIX. Now then, it seems to me that Melampus son of Amytheon was not ignorant of but was familiar with this sacrifice. For Melampus was the one who taught the Greeks the name of Dionysus and the way of sacrificing to him and the phallic procession; he did not exactly unveil the subject taking all its details into consideration, for the teachers who came after him made a fuller revelation; but it was from him that the Greeks learned to bear the phallus along in honor of Dionysus, and they got their present practice from his teaching. [2] I say, then, that Melampus acquired the prophetic art, being a discerning man, and that, besides many other things which he learned from Egypt, he also taught the Greeks things concerning Dionysus, altering few of them; for I will not say that what is done in Egypt in connection with the god and what is done among the Greeks originated independently: for they would then be of an Hellenic character and not recently introduced. [3] Nor again will I say that the Egyptians took either this or any other custom from the Greeks. But I believe that Melampus learned the worship of Dionysus chiefly from Cadmus of Tyre and those who came with Cadmus from Phoenicia to the land now called Boeotia.
musicians, sophistês . . parapaiôn chelun
Sophistês 1 [sophizomai]
I. a master of one's craft or art, an adept, of a diviner, Hdt.; of poets, Pind.; of the Creator, Plat.; metaph., s. pêmatôn an adept in misery, Eur.
2. like phronimos, one who is clever in matters of life, a wise man, in which sense the seven Sages are called sophistai, Hdt.; of Prometheus, Aesch.
I. at Athens, a Sophist, i. e. a professor of grammar, rhetoric, politics, mathematics, such as Prodicus, Gorgias, Protagoras, Thuc., Plat., etc. At first the Sophists were held in honour; but from their loose principles they fell into ill repute, and the word came to mean,
* 2. a sophist (in bad sense), a quibbler, cheat, Ar., Dem., etc.
Parapaiô 1
1. to strike on one side: to strike a false note, and metaph. to be infatuated, lose one's wits, Aesch.: --p. ti to commit a folly, Luc.
* 2. to fall away from, Lat. aberrare, tês alêtheias Polyb.
Chelus 1
I. a tortoise, Lat. testudo:--then, since Hermes made the lyre by stretching strings on its shell, which acted as a sounding-board, chelus came to mean the lyre, Hhymn. (to Merc.), Eur.
II. the arched breast, the chest, from its likeness of shape to the back of a tortoise, Eur.
See laughing and Mocking Jesus
When the Israelites ROSE up to PLAY in musical idolatry at Mount Sinai they THOUGHT that they were worshiping by PLEASURING in a sexualsense. However, God and the onlookers saw something different;
Moses saw that the people were running wild and that Aaron had let them get out of control and so become a laughingstock to their enemies. Ex.32:25
Shimcah (h8103) shim-tsaw'; fem. of 8102; scornful whispering (of hostile spectators): - shame.
He hath bent his bow, and set me as a mark for the arrow. Lam 3:12
He hath caused the arrows of his quiver to enter into my reins. Lam 3:13
I became the laughingstock of all my people; they mock me in song all day long Lam.3:14Gelaô, laughs scornfully at, deride,
Derision:
Make ye him drunken; for he magnified himself against the Lord: Moab also shall wallow in his vomit, and he also shall be in derision. Jer 48:26
Wallow is:
Caphaq (h5606) saw-fak'; or saphaq (1 Kings 20:10; Job 27:23; Isa. 2:6), saw-fak'; a prim. root; to clap the hands (in token of compact, derision, grief, indignation or punishment); by impl. of satisfaction, to be enough; by impl. of excess, to vomit: - clap, smite, strike, suffice, wallow
A feast is made for laughter, and wine maketh merry: but money answereth all things. Ec.10:19
Laugh is "speaking in tongues" which is mocking:
Leag (h3932) law-ag'; a prim. root; to deride; by impl. (as if imitating a foreigner) to speak unintelligibly: - have in derision, laugh (to scorn), mock (on), stammering.
Laag (h3933) lah'-ag; from 3932; derision, scoffing: - derision, scorn (-ing).
Laeg (h3934) law-ayg'; from 3932; a buffoon; also a foreigner: - mocker, stammering.
Thy words were found, and I did eat them; and thy word was unto me the joy and rejoicing of mine heart: for I am called by thy name, O Lord God of hosts. Jer 15:16
I sat not in the assembly of the mockers, nor rejoiced; I sat alone because of thy hand: for thou hast filled me with indignation. Jer 15:17
Mockers:
Sachaq (h7832) saw-khak'; a prim. root; to laugh (in pleasure or detraction); by impl. to play: - deride, have in derision, laugh, make merry, mock (-er), play, rejoice, (laugh to) scorn, be in (make) sport.
The Play at Mount Sinai was musical idolatry (h6711). This was also the SPORT they demanded of Samson. When Samson MADE SPORT the word is (h7832)
And it came to pass, when their hearts were merry, that they said, Call for Samson, that he may make us sport (h7832). And they called for Samson out of the prison house; and he made them sport (h6711): and they set him between the pillars. Judges 16:25
Cachaq (h6711) tsaw-khak'; a prim. root; to laugh outright (in merriment or scorn); by impl. to sport: - laugh, mock, play, make sport.
And they rose up early on the morrow, and offered burnt offerings, and brought peace offerings; and the people sat down to eat and to drink, and rose up to play (h6711). Exod 32:6
Shachaq (h7833) shaw-khak'; a prim. root; to comminate (by trituration or attrition): - beat, wear.
Again, look at 15:17:
I sat not in the assembly of the mockers, nor rejoiced; I sat alone because of thy hand: for thou hast filled me with indignation. Jer 15:17
Zaam (h2195) zah'-am; from 2194; strictly froth at the mouth, i. e. (fig.) fury (espec. of God's displeasure with sin): - angry, indignation, rage.
Alaz (h5937) aw-laz'; a prim. root; to jump for joy, i. e. exult: - be joyful, rejoice, triumph.
Woe unto them that rise up early in the morning, that they may follow strong drink; that continue until night, till wine inflame them Isa 5:11
And the harp, and the viol, the tabret, and pipe, and wine, are in their feasts:
but they regard not the work of the Lord, neither consider the operation of his hands. Isa 5:12
Therefore my people are gone into captivity, because they have no knowledge: and their honourable men are famished, and their multitude dried up with thirst. Isa 5:13
Therefore hell hath enlarged herself, and opened her mouth without measure: and their glory, and their multitude, and their pomp, and he that rejoiceth, shall descend into it. Is.5:14
Pomp to hell:
Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms (maggots) cover thee. Is.14:11
They Mocked Him using the Levitical Warrior Musicians.
He trusted on the Lord that he would deliver him: let him deliver him, seeing he delighted in him. Psalm 22:8
But thou art he that took me out of the womb: thou didst make me hope when I was upon my mothers breasts. Psalm 22:9
I was cast upon thee from the womb: thou art my God from my mothers belly. Psalm 22:10
Be not far from me; for trouble is near; for there is none to help. Psalm 22:11
Many bulls have compassed me: strong bulls of Bashan have beset me round. Psalm 22:12
See the Dogs in Matthew.7.html
The "Satyric dance," * or dance of the Satyrs in Greece, seems to have been the counterpart of this Red Indian solemnity; for the satyrs were horned divinities, and consequently those who imitated their dance must have had their heads set off in imitation of theirs.
* BRYANT. The Satyrs were the companions of Bacchus, and "danced along with him" (Aelian Hist.) When it is considered who Bacchus was, and that his distinguishing epithet was "Bull-horned," the horns of the "Satyrs" will appear in their true light. For a particular mystic reason the Satyr's horn was common. Hislop
tauro-phthongos , on, bellowing like a bull, t. mimoi sounds that imitate the bellowing of bulls, A.Fr.57.8 (anap.)
I. an imitator, mimic: an actor, mime, Dem., Plut.
II. a mime, a kind of prose drama, such as Sophron wrote, Arist.mimaulos , ho, mimic actor, accompanied on the flute, Ath.10.452f.
Similar to:
I. a tall umbelliferous plant, Lat. ferula, with a hollow, pithy stalk, in which Prometheus conveyed fire from heaven to earth, Hes. The stalks furnished the Bacchanalian wands (thursoi ), Eur., (cf. narthêko-phoros); they were also used for canes by schoolmasters, Xen.
II. a casket for unguents, Luc.
Similar Latin
canatim , adv. [canis] , in the manner of a dog, like a dog, kunêdon, Nigid. ap. Non. p. 40, 26
I. a dog or bitch, Hom., etc.; most commonly of hounds, id=Hom., etc.; the Laconian breed was famous, Soph.;-- nê or ma ton kuna was the favourite oath of Socrates, Plat.: cf. trapezeus.
II. as a word of reproach, to denote shamelessness or audacity in women, rashness, recklessness in men, Hom.
2. at Athens a nickname of the Cynics, Arist., Anth.
II. the Trag. apply the term to the ministers of the gods; the eagle is Dios ptênos kuôn Aesch.; the griffins Zênos akrageis kunes id=Aesch.; the Bacchantes Lussês k. Eur., etc.
IV. a sea-dog, mentioned as a fish in Od.
V. the dog-star, i. e. the dog of Orion, placed among the stars with its master, Il.
They gaped upon me with their mouths, as a ravening (tearing to pieces like the SOP or MELODY) and a roaring lion. Psalm 22:13
Pacah (h6475) paw-tsaw'; a prim. root; to rend, i. e. open (espec. the mouth): - deliver, gape, open, rid, utter.
Pacach (h6476) paw-tsakh'; a prim. root; to break out (in joyful sound): - break (forth, forth into joy), make a loud noise.
By this I know that thou favourest me, because mine enemy doth not triumph over me. Ps.41:11
Ruwa (h7321) roo-ah'; a prim. root; to mar (espec. by breaking); fig. to split the ears (with sound), i. e. shout (for alarm or joy): - blow an alarm, cry (alarm, aloud, out), destroy, make a joyful noise, smart, shout (for joy), sound an alarm, triumph.
However, this was OUTLAWED for the synagogue or assembly:
But when the congregation is to be gathered together, ye shall blow, but ye shall not sound an alarm. Nu.10:7
- DSS: They have overtaken me in a narrow pass (gap) without escape
- And there is no rest for me in my trial.
- They sound my censure upon a harp
- and their murmuring and storming upon a zither." Ps.41:11
I am poured out like water, and all my bones are out of joint: my heart is like wax; it is melted in the midst of my bowels. Psalm 22:14
- DSS: And they, teachers of lies and seers of falsehood,
- have schemed against me a devilish scheme,
- to exchange the Law engraved on my heart by Thee
- for the smooth things which they speak to Thy people.
Satan was cunning or smooth and Jesus said that the Pharisees, Scribes and Hypocrites CHANGED the Word of God and peddled it even to the extent of stealing the houses of widows. The rhetoricians, sOPHISts (the serpents in Revelation), singers and musicians were the SORCERERS. SECTARIANS made up of these performing artists are defined in the Greek as PARASITES.
DSS: My strength has gone from my body
- and my heart runs out like water;
- my flesh is dissolved (melted) like wax
- and the strength of my loins is turned to fear.
Fill them with cowardice; melt the boldness of their strength; let them tremble in their destruction. 1 Macc. 4:32
Strike them down with the sword of those who love thee, and let all who know thy name praise thee with hymns." 1 Macc. 4: 33
My strength is dried up like a potsherd; and my tongue cleaveth to my jaws; and thou hast brought me into the dust of death. Psalm 22:15
- DSS: Anguish seizes me
- like the pangs of a woman in travail, (John 16:21)
- and my heart is troubled within me.
- I am clothed in blackness
- and my tongue cleaves to the roof of my mouth. (Vermes, 165f)
For dogs have compassed me: the assembly of the wicked have inclosed me: they pierced my hands and my feet. Psalm 22:16
Keleb (h3611) keh'leb; from an unused root mean. to yelp, or else to attack; a dog; hence (by euphemism) a male prostitute: - dog.
Edah (h5712) ay-daw'; fem. of 5707 in the orig. sense of fixture; a stated assemblage (spec. a concourse, or gen. a family or crowd: - assembly, company, congregation, multitude, people, swarm.
Defining a ministrel who as a Musical Worship Team wanted to pay homage to the dead girl defined people who were SPIRITUAL and LITERAL prostitutes. Therefore, Jesus cast them out "more or less violently" as one "ejects DUNG."
The same authorities who controlled the FLUTE- PLAYERS who were prostitutes also regulated the DUNG HEAP and the CEMETARY.
> For dogs (male prostitutes) have compassed me: the assembly of the wicked have inclosed me: they pierced my hands and my feet. Psa 22:16
Linus was the same god as the Bacchus of Greece, or Osiris of Egypt;
for Homer introduces a boy singing the song of Linus, while the vintage is going on (Ilias), and the Scholiast says that this son was sung in memory of Linus,
who was torn in pieces by dogs.
The epithet "dogs," applied to those who tore Linus in pieces, is evidently used in a mystical sense, and it will afterwards been seen how thoroughly the other name by which he is known--Narcissus--identifies him with the Greek Bacchus and Egyptian Osiris.
I may tell all my bones: they look and stare upon me. Psalm 22:17
- DSS: My arm is torn from its socket
- and I can lift my hand no more;
- My foot is held by fetters
- and my knees slide like water;
- I can no longer walk.
They part my garments among them, and cast lots upon my vesture. Psalm 22:18
But be not thou far from me, O Lord: O my strength, haste thee to help me. Psalm 22:19
Deliver my soul from the sword; my darling (only beloved) from the power of the dog. Psalm 22:20
Keleb (h3611) keh'leb; from an unused root mean. to yelp, or else to attack; a dog; hence (by euphemism) a male prostitute: - dog.
They saw that their army had been put to flight, and that the Jews were burning the camp, for the smoke that was seen showed what had happened. 1 Macc 4: 20
So do thou hem in this army by the hand of thy people Israel, and let them be ashamed of their troops and their cavalry. 1 Macc 4: 31
Fill them with cowardice; melt the boldness of their strength; let them tremble in their destruction. 1 Macc 4: 32Strike them down with the sword of those who love thee, and let all who know thy name praise thee with hymns." 1 Macc 4: 33
........Then both sides attacked, and there fell of the army of Lysias five thousand men; they fell in action. 1 Macc 4: 34Zechariah prophesies this of Messiah:
Awake, O sword, against my shepherd, and against the man that is my fellow, saith the Lord of hosts:
........smite the shepherd, and the sheep shall be scattered (a stumbling block):
........ and I will turn mine hand upon the little ones. Zech 13:7Wherefore have we fasted, say they, and thou seest not? wherefore have we afflicted our soul, and thou takest no knowledge? Behold, in the day of your fast ye find pleasure, and exact all your labours. Isa 58:3
Anah (h6031) aw-naw'; a prim. root [possibly rather ident. with 6030 through the idea of looking down or browbeating]... answer [by mistake for 6030], chasten self, deal hardly with, defile, exercise, force, gentleness, humble (self), hurt, ravish, sing [by mistake for 6030], speak [by mistake for 6030], submit self, weaken, * in any wise.
And it came to pass as they came, when David was returned from the slaughter of the Philistine, that the women came out of all cities of Israel, singing and dancing, to meet king Saul, with tabrets, with joy, and with instruments of musick. 1 Sam 18:6
And the women answered one another as they played (h7832), and said, Saul hath slain his thousands, and David his ten thousands. 1 Sam 18:7
Answered is:
Anah (h6030) aw-naw'; a prim. root; prop. to eye or (gen.) to heed, i. e. pay attention; by impl. to respond; by extens. to begin to speak; spec. to sing, shout, testify, announce: - give account, afflict [by mistake for 6030], (cause to, give) answer, bring low [by mistake for 6030], cry, hear, Leannoth, lift up, say, * scholar, (give a) shout, sing (together by course), speak, testify, utter, (bear) witness. See also 1042, 1043.
Behold, ye fast for strife and debate, and to smite with the fist of wickedness: ye shall not fast as ye do this day,
to make your voice to be heard on high. Is.58:4
Is it such a fast that I have chosen? a day for a man to afflict his soul? is it to bow down his head as a bulrush, and to spread sackcloth and ashes under him? wilt thou call this a fast, and an acceptable day to the Lord? Isa 58:5
Is