Patrick Mead on Instrumental Music
Patrick Mead at Rochester Church of Christ in his first sermon on God and Instrumental Music sifts through the Old Testament for passages that use an instrument of any kind. This tends to flood the mind with the notion that the Bible is filled with direct commands to use instrumental music to worship God.
Patrick's sermon # 2 has been reviewed in part by clicking here.
Why is this important in reviewing the RESOURCES hand fed by the NACC to a few preachers and THEIR repeating the material almost word-for-word?This intentionally just picks up on the obvious uses of instruments (machines for deceiving or controlling) none of which are used in the spiritual worship of the "citizens" of Israel. On the contrary, these are all marks of Satan (Lucifer, Zoe), making war, sending signals, exorcism, prostitutes and Sodomites. The proof-texts--intentionally ignoring the context and story line--are MARKS of a national, Civil-Priestly state to which God abandoned Israel because of musical idolatry at Mount Sinai. [Acts 7 and many clear statements)
On the other hand, the Bible is flooded with LOUD warnings beginning with Genesis where the "serpent" is defined as a musical enchanter(ess) who is bisexual and able to wholly seduce Eve in a sexual way says Paul and able for Adam to "eat of the tallest tree in Eden" whom the prophets identify as the Assyrians. The FRUITS are not apples.
Lucifer the singing and harp playing prostitute in Eden: Ezekiel 28In the middle of the Bible and throughout, Amos lumps the female-controlled players of musical instrumets with the "basket of summer FRUITS." These are defined as the DOGS or CATAMITES Paul warned about in our worship. They caused the people to hunger and thirst for the Word of God until they died or went into captivity with the females led away with fishhooks in their nose.
Assyrians in Eden: Ezekiel 31
The Bible ends with the Mother of harlots (Revelation 17) using the "lusted after FRUITS" as speakers, singers and instrumentalists identified by John as sorcerers (Revelation 18) who HAD deceived the whole world.
It is because Jesus told the Apostles why He would not even preach the clear gospel to the clergy of Scribes and Pharisees whom He called hypocrites. Jesus pointed to Isaiah and Ezekiel who identify the HYPOCRITES as speakers, singers and instrument players along with anyone who would go out and listen to them to be entertained.Why do people hide the dozens of bright lights warning about instruments as a MARK of rejecting God under a bushel of isolated verses none of which defines collective worship?
Jesus said that truth had been hidden in parables from the foundation of the World FROM those He also called Doctors of the Law who "Take away the KEY to knowledge." They, being blind, will lead the blind and charge you an unlawful wage for doing it.
Jesus explains why it may be utterly impossible for those sowing musical discord to even read or hear this message: God may have sent strong delusion and the most powerful DELUDERS were known as singers and musicians.
Why, yes, and a far more marvellous one than the satyr. His lips indeed had power to ENTRANCE mankind by means of instruments; a thing still possible today for anyone who can PIPE his tunes: or the music of Olympus' flute belonged, I may tell you, to Marsyas his teacher. "So that if anyone, whether a fine flute-player or paltry [cheap, easy] flute-girl, can but flute his tunes, they have no equal for exciting a RAVISHMENT, and will indicate (prophesy) by the divinity that is in them who are apt recipients of the deities and their sanctifications.
You differ from him in one point only--that you produce the same effect with simple prose unaided by instruments. For example, when we hear any other person--
[215d] quite an excellent orator, perhaps--pronouncing one of the usual discourses, no one, I venture to say, cares a jot; but so soon as we hear you, or your discourses in the mouth of another,--though such person be ever so poor a speaker, and whether the hearer be a woman or a man or a youngster--we are all astounded and entranced. As for myself, gentlemen, were it not that I might appear to be absolutely tipsy, I would have affirmed on oath all the strange effects I personally have felt from his words, and still feel even now. For when I hear him.Psilos IV. opposite to melody. Ordinary sound of the voice OPPOSITE to singing.
This is the same procedure used by David Faust who is the latest facilitator from the NACC tutoring a few men to infiltrate peaceable churches of Christ with instrumental music. It always begins with "musical worship teams" to lead you into God's presence: they claim to be God standing in the holy places capable of being your mediators. The next step will be to appease the masses with A Sunday Acappella service BUT adding a third or Sabbath Worship service. Believe me, they intend to "go all the way" as did Max Lucado appeasing the people all along that this will be "soft strings in another room." Don't be fooled.
Why list ALL of the "instrument" passages gleaned from a lexicon without ever reading what God was saying?
The impact of a serial quoting of
non-related statements is pretty strong until you
just stop and
understand that there must be a deliberate patternism
for using the
boasted-of postmodern plan or Lynn Anderson's
Navigating the Winds of
Change to make a shocking impact. This is not
unexpected because a
musical instrument is defined as "a machine for doing hard work mostly
in making war and in creating
the shock and awe of
performance
religionism." However, one of the oldest bits of information is that
leaders use musical performers to point or direct the credit or worship
to the leader and to bind them to himself:
tribalism 101a--and pay him too.
We will skip the proof that God had abandoned the national leaders to "worship the starry host" because of musical idolatry at Mount Sinai. When the elders fired God and demanded a king LIKE THE NATIONS He understood that to mean "so we can worship like the nations." As a result Hosea says that "I gave them kings in my anger and took them away in my anger." God warned that the king set over them would take their tithe and lands and give it to his "ministry team." He would take the young girls for the court and the young boys to make musical instruments and run before the potentate's chariots.
Anyone who has read how the elders "fired" God and God's
promises that the kings would destroy them, cannot miss the primary
document of O.E.Payne and later by Tom Burgess who justifies
instrumental music by the Greek word Psallo along with the curse of the
Old Testament. Not to be missed is that ALL
of the literature where psallo is used it means only the plucking and
the proof uses Alexander the Great condemned by his father, Philip, for
outing his pederasty by the WAY he plucked the harp seducing young boys
for a sexual favor.
Next,
we need to establish that God or the Spirit OF
Christ knows
that there are two classes of people one of which
Jesus called
a
Crooked Generation meaning the perverted
skolion singers from whom we
are to SAVE OURSELVES. God intends to make fools of the blind
to
collect the blind and quarantine them just as the sacrificial system
was off limits
to people who assembled or synagogued as a school of the Bible where
vocal and instrumental rejoicing was outlawed. Not too helpful when
people are told that god LOVES loud noise when He tries to be our
teacher when the elders "teach that which has been taught" and we "sing
that which is written." On the contrary, Habakkuk 2 says to silence the
"idols" we assume SPEAK to us and "when God is in His Holy Temple, let
all the earth keep silence before him."
You might LUMPED with a group whom Jesus INTENDS to keep in
the
dark because you have let the wolves inside when Paul told you to
worship in the SPIRIT in contrast to in the FLESH. Body Worship is not
a pretty term. Rember
that Lucifer is called "the singing and harp playing prostitute" in the
garden of Eden. She / he / it is called in Gnosticism "Zoe, the beast
and female instructing principle."
Therefore the Lucifer Principle intends to make noise and especially music to PREVENT people from hearing the still, quiet voice of God speaking so gently that with Elijah God's voice is the "silence of a whispered breeze." As long as people invent their own songs and make music no one can convince anyone that the performers--Jesus called hypocrites--intend for you to keep the though and thoughs of God in your mind. Why should all historic scholars and founders of denominations be so wrong and a half dozen people in these end times be so opposite but correct?
Here is how God intends
to fool those foolish enough to revert to an Old Testament
priestly
class all
condemned by the Spirit OF Christ in the prophets.
Sure, they
were the senior pastors, preachers, doctors of the law and identified
by Jesus as "piping trying to force people to sing and dance." This
MARKED the perverted Dionysus or god of the new wineskin bowing to
Baal. But,
Nehemiah speaking of the Monarchy said "they all TOOK us for
all they
could collect."
The prophecy of these end times was from Isaiah who in Isaiah 5 just radically repudiated the practice defined by Amos where their religious festivals were MARKED by wine, visible women and instrumental music. Isaiah promises that they will be led into captivity and the dominant women would suffer reproach and die for lack of the Word of God. In chapter 6 he prophesies the modern church:Matt 13:10: And the disciples came, and said unto him,
Why speakest thou unto them in parables?
Matt 13:11: He answered and said unto them,
Because it is given unto you to know the mysteries of the kingdom of heaven,
but to them [clergy, doctors of the law] it is not given.
Matt 13:12: For whosoever hath, to him shall be given, and he shall have more abundance:
but whosoever hath not, from him shall be taken away even that he hath.
Matt 13:13: Therefore speak I to them in parables:
because they seeing see not; and hearing they hear not, neither do they understand.
Matt 13:14: And in them is fulfilled the prophecy of Esaias, which saith,
By hearing ye shall hear, and shall not understand;
and seeing ye shall see, and shall not perceive:
Matt 13:15: For this people's heart is waxed gross, and their ears are dull of hearing,
and their eyes they have closed;
lest at any time they should see with their eyes, and hear with their ears,
and should understand with their heart,
and should be converted, and I should heal them.
Matt 13:16: But blessed are your eyes, for they see: and your ears, for they hear.
Also I heard the voice of the Lord, saying, Whom shall I send, and who will go for us?
Then said I, Here am I; send me. Isa 6:8
And he said, Go, and tell this people,
Hear ye indeed, but understand not; and see ye indeed, but perceive not. Isa 6:9Make the heart of this people fat, and make their ears heavy, and shut their eyes;
lest they see with their eyes, and hear with their ears, and understand with their heart,
and convert, and be healed. Isa 6:10
ALL musical terms and names of instruments are derived from evil roots. All Greek singing and playing words convey the idea of enchantment or deception or sorcery as John said of the "fruits" speaking, singing and playing instruments in Revelation 18:22-23
#E The words SPEAK for the synagogue or ekklesia are defined as the OPPOSITE of poetry or music. The Bible is not metrical and cannot be sung in a tunful sense.
ALL MELODY
CONCEIVES
TO DECEIVE: Simple Simon knew and knows how to make the HEART FAT:
Pindar, Nemean Odes 7. [20] And I expect that the story of Odysseus came to exceed his experiences, through the sweet songs of Homer,
Pause! poetry and music were to be used ONLY by the MYTH MAKERS to inflate the truth. Why do they ALL twist truth? Musicians and poets DO NOT WANT you to know the truth and YOU being blind love to follow the blind. Congratulations, God wrote about you.
[22] since there is a certain solemnity in his lies and winged artfulness, and poetic skill deceives, seducing us with stories, and the heart of the mass of men is blind.
For if [25] they had been able to see the truth, then mighty Aias, in anger over the arms, would never have planted in his chest the smooth sword--Aias, who was the most powerful in battle, except for Achilles, and whom the breath Hades breaks over all alike; it falls on the man who does not expect it, and on the one who does. There is honor for those whose fame a god causes to grow luxuriant when they are dead. Neoptolemus came to help, to the great navel of the broad-bosomed earth. And he lies beneath the Pythian soil, of the unswerving Zephyr conveyed in swift ships, to bring back the wife of golden-haired Menelaus [30] from the city of Ilus.
Paul and John knew the stories the Greeks told one another to entertain and deceive the masses. But, Jesus never speaks to the masses without using PARABLES. However, not even the DECENT poets used meter or melody:
Aristotle: Melody Deceives: "Poets also make use of this in inventing words, as a melody "without strings" or "without the lyre"; for they employ epithets from negations, a course which is approved in proportional metaphors..
The form of diction should be neither metrical nor without rhythm.
If it is metrical, it lacks persuasiveness, for it appears artificial,and at the same time it distracts the hearer's attention, since it sets him on the watch for the recurrence of such and such a cadence.
According to Philo, the gods of the pagans exploit this weakness of men. For the sake of a better effect, and with the intention of more easily cheating their devotes, that they have set their lies to melodies, rhythms and meters.." Click for more.
#F Don't be shocked that these definitions of all music speak of witchcraft or sorcery because no one dared add singing as an ACT into the church assembly until about the year 373 and then to sing non-Biblical text.
Epôidê , Ion. and poet. epaoidê , hê,
A. song sung to or over: hence, enchantment, spell Od.19.457 Pi.P.4.217 ou pros iatrou sophou thrênein epôidas pros tomônti pêmati S.Aj. 582 ; of the Magi, Hdt.1.132,Pindar, Odes 4:[216] Aphrodite [ZOE] of Cyprus brought the maddening bird to men for the first time, and she taught the son of Aeson skill in prayerful incantations, so that he could rob Medea of reverence for her parents, and a longing for Greece would lash her, her mind on fire, with the whip of Persuasion.
That is why the Lucifer Principle uses speakers, singers and musicians to ROB God of reverence without which Hebrews 12 says you should know that "God is a consuming fire." How can anyone say that God COMMANDS making loud noise when He demands reverence and Godly fear?
THE NINE MUSES AND THE NINE MAGPIES The Muses work for Apollo or Abaddon.
Lucina's aid.--Unduly puffed with pride,
because it chanced their number equalled ours,
these stupid sisters, hither to engage
in wordy contest, fared through many towns;--
through all Haemonia and Achaia came
to us, and said;--'Oh, cease your empty songs,
attuned to dulcet numbers, that deceive
the vulgar, untaught throng. If aught is yours
of confidence, O Thespian Deities
contend with us: our number equals yours.
We will not be defeated by your arts;
nor shall your songs prevail.Origen Book VI, Chapter XLI speaking of the "god" to whom God abandoned Israel because of musical idolatry.
In the next place, as if he had forgotten that it was his object to write against the Christians, he says that, "having become acquainted with one Dionysius, an Egyptian musician,
Alawys denounced: "the latter told him, with respect to magic arts,
that it was only over the uneducated and men of corrupt morals that they had any power,Alawys approved: "while on philosophers they were unable to produce any effect,
because they were careful to observe a healthy manner of life."
PROVING THE UNIVERSAL MARK OF THE EFFEMINATE: the church is almost now devoid of men.Following the use of women and instrumental music in the religious festivals which left the nation ignorant of God's word, the nation would be DECEIVED until "women and children rule over" the houses and they become a testesterone-free save house for the effete.
Then said I, Lord, how long? And he answered, Until the cities be wasted without inhabitant, and the houses [of God] without man, and the land be utterly desolate, Isa 6:11
And the Lord have removed men far away, and there be a great forsaking in the midst of the land. Isa 6:12
Isa 6:13 But yet in it shall be a tenth, and it shall return, and shall be eaten: as a teil tree, and as an oak, whose substance is in them, when they cast their leaves: so the holy seedsubstance thereof. shall be the
E-mail from a long term but now X member of one of Patrick Mead's sister congregations:
"This will confirm many things that you have been saying about these hijacked congregations.
It was the most efiminate thing that I have ever witnessed. They had a choir that was totally composed of women. This group sang a couple of performance songs and also led the congregational singing. Only one song was acapella, a bone tossed to those that still care. The two men besides the preacher that spoke, although married, were way off the scale in the feminine category. It was really sad."
Why does GOD need music as a MACHINE to make His Word more powerful. Especially when this is a universal mark of all effeminate priesthoods? #H
"The trained musicians which eventually appear around the time of David and Solomon mark a distinctive change in the history of Jewish music.
Before this time much of the music was made by women." (Zondervan Pict., Music p. 313).
"Before the establishment of the kingdom under Saul, it was the women who, as in every young civilization, played a major part in the performance of music. Such figures as Miriam, Deborah, Jephthah's daughter, and the women hailing the young hero David have become almost archetypes of female musicians.
"Characteristic of all these cases is the familiar picture of a female chorus, dancing and singing, accompanied by frenzied drum-beating.
This is the scene known to the entire Near East, and not
"even the severe rule of Islam could wholly suppress this age-old practice." (Int Dict of the Bible, Music, p. 457).Ancient literature from Babylonian tablets and beyond agree with Johannes Quasten. In Music and Worship in Pagan and Christian Antiquity, beginning on page 41 He uses many of the church Fathers and Classical resources we also rely upon:
"Philodemus considered it paradoxical that music should be regarded as veneration of the gods while musicians were paid for performing this so-called veneration. Again, Philodemus held as self deceptive the view that music mediated religious ecstasy. He saw the entire condition induced by the noise of cymbals and tambourines as a disturbance of the spirit.
He found it significant that, on the whole, only women and effeminate men fell into this folly.
Accordingly, nothing of value could be attributed to music; it was no more than a slave of the sensation of pleasure, which satisfied much in the same way that food and drink did.
Similar opinions may be found in the writings of Philo. On one occasion he spoke of the Jewish "Feast of Fasting," used by the Greeks for the Day of Atonement:
This is the laded burden [songs] Jesus died to remove along with the burden laders. And what Paul outlawed as SELF-pleasure so that the ekklesia or school of the Bible could take place in Romans 15."Now, many a man from the false religions, which are not ashamed of criticising what is noble, will ask: how can there be a feast without carousing and overeating, without the pleasant company of hosts and guests, without quantities of unmixed wine, without richly set tables and highly stacked provisions of everything that pertains to a banquet, without pageantry and jokes,
bantering and merry-making to the accompaniment of flutes and citharas, the sound of drums and cymbals and other effeminate and frivolous music of every king,
enkindling unbridled lusts with the help of the sense of hearing. For in and through the same [pleasures] those persons openly seek their joy, for what true joy is their they do not know.
T. Maccius Plautus, Truculentus, or The Churl
STRATOPHANES
(to PHRONESIUM.) What say you? Why have you dared to say that you love another man?
PHRONESIUM I chose to.
STRATOPHANES
Say you so, indeed? I'll first make trial of that. Do you, for the sake of such a shabby present, vegetables, and comestibles, and vinegar-water, bestow your love upon an effeminate, frizzle-pated, dark-haunt frequenting, drum-drubbing debauche , a fellow not worth a nutshell?
GETA What new thing's this? Do you dare, you rogue, to speak ill of my master, you spring-head of vice and perjury?
Note: 6 Is he deranged: "Hariolus." Literally, "a soothsayer," or "diviner." In their prophetic frenzy, these persons often had the appearance of being mad, and were so considered.
7 Drum-drubbing debauchee: "Typanotriba." Literally, "drum," or "tambourine beater." He alludes to the eunuch-priests of Cybele, who used to beat tambourines in her procession-probably in allusion to debauchees, emasculated by riot and dissipation
"Hebrew music... was used in the luxurious times of the later monarchy the effeminate gallants of israel, reeking with perfumes, and stretched upon their couches of ivory, were wont at their banquets to accompany the song with the tinkling of the psaltery or guitar (Am. v1. 4-6), and amused themselves with devising musical instruments while their nation was perishing. (Smith's Bible Dictionary, Music, p. 590).
Psalms Delitzsch
Moreover, we must take into consideration the facts that the compass of the tenor extends even into the soprano, that the singers were of different ages down to twenty years of age, and that Oriental, and more particularly even Jewish, song is fond of falsetto singing
Clement of Alexandria on Exhortation to the Heathen whom they twist to authorize instrumental music in worship says:Paul repeated this warning which also appears in Isaiah 29 and Isaiah 48 shows why the mercinaries or corrupters of the word meaning "selling learing at retail" meaning spiritual adultery will not have a clue. A blind flock deserves a blind shepherd to "craunch your bones."
All honour to that king of the Scythians, whoever Anacharsis was, who shot with an arrow one of his subjects who imitated among the Scythians the mystery of the Mother of the gods, as practised by the inhabitants of Cyzicus,
And do you not see Moses, the hierophant of the truth, enjoining that no eunuch, or emasculated man, or son of a harlot, should enter the congregation? By the two first he alludes to the impious custom by which men were deprived both of divine energy and of their virility; and by the third, to him who, in place of the only real God, assumes many gods falsely so called,-as the son of a harlot, in ignorance of his true father, may claim many putative fathers.
- beating a drum and sounding a cymbal
- strung from his neck like a priest of Cybele,
- condemning him as having become effeminate among the Greeks,
- and a teacher of the disease of effeminacy to the rest of the Cythians.
THOUGH I speak with the tongues of men and of angels, and have not charity, I am become as sounding brass, or a tinkling cymbal. 1 Cor 13:1
See the TWANGING ARROW as the background to external melody which Paul prohibited.
And some believed the things which were spoken, and some believed not. Acts 28:24Isaiah 30 notes that when you hear the wind, string and percussion instruments it is the SIGN or MARK that God is driving His enemies into hell. That is the last MARK that Jesus the Spirit has visited your church and REMOVED the candlesticks meaning the seven Spirits OF Divine knowledge. (Isa 11:1)
And when they agreed not among themselves, they departed, after that Paul had spoken one word, Well spake the Holy Ghost by Esaias the prophet unto our fathers, Acts 28:25
Saying, Go unto this people, and say, Hearing ye shall hear, and shall not understand; and seeing ye shall see, and not perceive: Acts 28:26
For the heart of this people is waxed gross, and their ears are dull of hearing, and their eyes have they closed; lest they should see with their eyes, and hear with their ears, and understand with their heart, and should be converted, and I should heal them. Acts 28:27
Be it known therefore unto you, that the salvation of God is sent unto the Gentiles, and that they will hear it. Acts 28:28
As in the days of Noah, god will send a SPIRIT of FIRE and a SPIRIT of judment to burn up the blind chaff.
NOW, JUMP TO MATTHEW 15 TO HEAR JESUS DEFINED THE PERFORMERS AS HYPOCRITES
When we are told that there is little symphathy for the BLIND
who are led by the BLIND and both fall into a
ditch. Who
are the BLIND men playing their bluff. In Matthew 15 Jesus
spoke
of the false teachers afflicting people a Scribes and Pharisees whom He
called hypocrites. What is a hypocrite so that we can know whether
Patrick Mead is speak for a God who LOVES LOUD or whether he is a
hypocrite?
Matt 15:6 And
honour not his father or his mother, he shall be free.
Thus have
ye made the
commandment of God
of none effect
by
your tradition.
The MEANING of the Scribes, Pharisees and Hypocrites was that they IMPOSED their own TRADITIONS in order to TRUMP the COMMANDMENTS of God.
A SPECIFIC EXAMPLE
It is easier to mumble personal opinion than to LOOK at the proof that Jesus was OUTLAWING musical performers. Why can't you FACE Scripture fair and squar?
Matt 15:7 Ye hypocrites, well did Esaias prophesy of you, saying,
Matt 15:8 This
people
..........
draweth nigh unto me
with their mouth, and
..........
honoreth me with their lips;
..........
but their heart is far from
me.
.......... teaching for doctrines the commandments of men
A LEGALISTIC PATTERNISM CONDEMNEDHypokrites (g5273) hoop-ok-ree-tace'; from 5271; an actor under an assumed character (stage-player), i.e. (fig.) a dissembler ("hypocrite"): - hypocrite.
Hupokrinô reply, make answer, of an oracle, 2. expound, interpret, explain [Peter outlawed this as private interpretation.] 2. deliver a speech, declaim, of orators and rhetoricians, represent dramatically,
LATIN: canto I. Neutr., to produce melodious sounds (by the voice or an instrument), to sound, sing, play (class. in prose and poetry; to sing and play while the actor accompanies the song with gestures or dancing, C. Transf., of instruments, to sound, resound: 2. Of the singing pronunciation of an orator, to declaim in a singing tone, to sing, preach to deaf ears. occasion for singing, i. e. for imagination, fiction, Of an actor:Similar Words:
Erôtikôn dramatôn 3. of an orator, use histrionic arts, exaggerate, ape, mimic, Mania or religious frenzy.Melos a love song: includes melody of an instrument. External melody is rhythmic and induces what Carol Wimber and the pagans called a "sexual-like climax." Sure, that is why modern music attracts and why musicologists know that "churchy" music is derived from Voodoo which again needs femal operatives.
Paul utterly outlawed stand over female because they automatically produce the AUTHENTIA authority which is both erotic and murderous. Paul would exclude women clapping or waving unholy ARMS when he restricted prayer to mature males lifting holy PALMS without wrath or orge meaning and EROTIC outbreak of sight, sound and motion: a 100% virtual or real sexaul climax according to the Vineyard lady, Carol Wimber and Greek and Egyptian resources.
Demosthenes, Speeches [15] but in fact he has deserted the path of right and justice, he has flinched from the proof of recent guilt, and then, after a long interval, he makes a hotchpotch of imputation and banter and scurrility, and stands on a false pretence, denouncing me, but indicting Ctesiphon. He sets in the forefront of the controversy his private quarrel with me, in which he has never confronted me fairly; yet he is avowedly seeking to disfranchise somebody else.
5. hupokrinetai, he plays his part: cf. etragôidei in § 13.6. The word implies not only pomposity but dissimulation.--katêgorei...krinei: see note on § 14.8. [sing or speak a sad song]
Ezekiel also defines the HYPOCRITES Jesus condemned as slick speakers, singers and instrument players.
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Ezekiel 33 identifies the same HYPOCRITES which Jesus also associated with the perverters who PLAYED in the marketplace trying to force others to sing or lament and dance. This would be the mark that Jesus was their hoped for Dionysus who gave them authority for the sexuality, homosexuality and music in the Holy Places as the Abomination of Desolation:
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My
people come to
you, as they usually do, and sit before
you to listen to your words,
but they do not put them into practice. With
their mouths
they express devotion
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sitting in the markets,
and calling unto their fellows, Mt 11:16 This "love" word has the same meaning as the organ Patrick Mead is defending of Jubal. |
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Indeed,
to them you are
nothing more
than
one who sings love song
That means you are NOTHING
just NOTHING
at all. with a beautiful voice and plays (make melody on) an instrument well, |
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Then
began he to
upbraid the cities wherein most of his mighty
works were done,
because they repented not: Mt
11:20
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