North Boulevard Church of Christ Purpose Driven Shepherding

Jimmy Adcox, David Young, Stan Grandberg.  They year ad 2000 is well documented in real prophecy. C. BC 4000 is the date when the Sumerians (the Cain people) collected all of the people and their animal and food producing property with a temple or tower of Babylon: the later Temple was God's abandoning the people to Babylonianism because of the instrumental, trinitarian PLAY or musical mocking at Mount Sinai.

Discipling and Shepharding are good concepts.  Christian Discipling is defined as TEACHING that which is written for our learning.  Parents have the duty to disciple their children as they live out their lives.

Unfortunately, these movements seek to give POWER to the Word and quickly become the elite willing to denounce all of their godly ancestors.  Churches are rarely A School of Christ and the Word or Regulative Principle. The Christian World View would be to begin "using one mind and one mouth" speaking "that which is written for our LEARNING." A Disciple of Christ is a Student of Christ and a student goes to the School of the Word.  The Church of Christ is prophesied to be a Safe House From the World or the Ecumenical the kingdom of the Devil.

Isaiah 4: 6 And there shall be a tabernacle for a shadow in the daytime from the heat,
        and for a place of refuge, and for a covert from storm and from rain.

Refuge: 2620. chacçah, khaw-saw´; a primitive root; to flee for protection (compare 982); figuratively, to confide in:—have hope, make refuge, (put) trust
Anyone claiming any role are commanded to GO AND SEED those who not OF the Ecumenical and they will jump at being baptized because as sojourners and pilgrims in a hostile world they are always listening-listening needs silence.
Umbrācŭlum ,
I. any thing that furnishes shade).
Lit., a shady place, bower, arbor, Verg. E. 9, 42.—
II.  A sunshade, parasol, umbrella, Ov. F. 2, 311; id. A. A. 2, 209; Mart. 14, 28, 1
The laded burden is specificially rhetoric, singing, playing instruments, acting or a TAX. Jesus invited the clergy laden LITTLE FLOCK to come and REST   and "Learn of me."  Anyone not involved in ministering TO and giving REST are as priests and levite singers called sorcerers and PARASITES.
sōlo , I.to make lonely or desolate; to lay waste, desolate (only a few times in the post-Aug. poets): “urbes populis,Stat. Th. 4, 36: “domos,id. ib. 5, 149; Sen. Oedip. 4.
God made the Covenant with Abraham as the only spiritual covenant. The Law of Moses and the Prophets are claimed by the Burden Laders as the PATTERN for a sacrificial observation with loud music; this was always known to "make the lambs dumb before the slaughter."

Covert or sēcūrĭtas FROM
        securitas inaffectatae orationis,quietness,
tranquillĭtas , ātis, f. tranquillus,
I.quietness, stillness, tranquillity. Tac. Agr. 40 fin.

Văcātĭo
, ōnis, f. vaco,
I.a being free from a duty, service, etc.; freedom, exemption, immunity; a freeing, exempting, dispensation (class.; syn. immunitas).
(b). With ab: “a causis vacatio,Cic. Leg. 1, 4, 11: “ab belli administratione,Liv. 23, 32, 15: “ab opere, Col. 6, 14, 3: “a sacerdotio,Gell. 1, 12, 7.—
(g). With quominus: “vacationem augures, quominus judiciis operam darent, non habere,Cic. Brut. 31, 117.—
-mŏdŭlātĭo , ōnis, f. modulor,
I.a regular measure (post-Aug.).
I. In gen.: operis modulationes,Vitr. 5, 9, 3: “dorica,id. 5, 9, 2: “incedendi,a marching to time, Gell. 1, 11, 18.—
II. In partic., a rhythmical measure, modulation; hence, singing and playing, melody, in poetry and music, Quint. 9, 4, 139: “modulatione produci aut corripi (verba),id. 9, 4, 89: “modulatio pedum,id. 1, 6, 2: “scenica,id. 11, 3, 57: “vocis,melody, id. 11, 3, 59: “musica,
Unfortunately, the one another assembly as School (only) of the Word (only) appeals to the MANY in Paul's warning who see godliness as a means of financial gain or occupation.  A Church of Christ has only SERVANTS and no Vision Casters or musical performers identified as sorcerers.

The first attack against the Church of Christ (the Rock) which never changed since the wilderness was ad 1878 with the rise of the Instrumental Sectarians.  A century later in 1984 an attack was launched under the ploy that YOU must use "musical" instruments in order that we be united. This Pseudo Christian World View insists on "unity in diversity" when Jesus guide APT elders to eject the cunning craftsmen or Sophists: these were hireling preachers, singers and instrument players.  Paul issued this direct command because these are the marks of those LYING IN WAIT TO DECEIVE.  Their "drink my KoolAid ploy" was that THEY had discovered the TRUTH which made the olden Scriptures and historic Churches of Christ OBSOLETE. They hammer my telephone daily trying to sell some Snake Oil." History marks religious self exhibitionists absolute: they are effeminate and "set their lies to melodies to cheat the simple lambs."

Revelation 12:12 Therefore rejoice, ye heavens, and ye that dwell in them. Woe to the inhabiters of the earth and of the sea! for the devil is come down unto you, having great wrath,
         because he knoweth that he hath but a short time.  kairo

The self-pleasure or "heresy" or "sectarianism" Paul outlawed before the School of the Word can be taught is "mental excitement" through they hypocritic arts and crafts. One such idea:

com-mŏvĕo (conm- ), A. To remove from a place, to carry away, displace, to start, set in motion, move: if I put my instruments (artifices, tricks, etc.) in motion.
frantic, crazed, Ludo .Especially, to play on an instrument of music, to make or compose music or song: ludere quae vellem calamo cantent, lusit tua musa, puellae,id. Am. 3, 1, 27: amorous play G. To delude, deceive: auditis, an me ludit amabilis Insania?

THEY MUSICALLY MOCKED JESUS AND BEAT HIM WITH A FLUTE!
Gallus , i, m., = Gallos Strab., A. Galli , ōrum, m., the priests of Cybele, so called because of their raving, “resupinati cessantia tympana Galli,Juv. 8, 176.—And satirically (on account of their emasculated condition)
AT MOUNT SINAI: Of or belonging to the priests of Isis, Gallic: “turma,the troop of the priests of Isis, Ov. Am. 2, 13, 18.

WHAT IS A PLAGUE:  PLESSO 3. strike or stamp as one does a coin, Kuprios kharaktēr . .
         en gunaikeiois tupois
peplēktai”  Strike a string with a key, [outlawed by Psallo]

4. of musical sounds, houtôsi plêgenta houtôs ephthenxato ta phônêenta 
EPHTHENXATO--trumpet (thunder), flute, lyre, Phormigx (ABADDON'S instrument), melody in a holy place, CLAPPING HANDS
MARKkharag-ma kha^, atos, to, (kharassō) A.any mark engraved, imprinted, or branded, kh. ekhidnēs the serpent's mark, i. e. its bite, sting 3. metaph., mark, stamp, character,to tēs monados sēmantikon kh.
sēman-tikos , ē, on, ; “rhēma . . phōnē sunthetē s. meta khronouId.Po.1457a14
phōn-ē , , A.sound, tone, prop., the sound of the voice, whether of men or animals with lungs and throat battle-cry, 15.686; of the battle-cry of an army,
4. of sounds made by inanimate objects “kerkidos ph.S.Fr.595; “suriggōnE.Tr.127 (lyr.); “aulōn”  “organōn phōnai” BOASTING

khronos , ho, 3. in Rhythmic and Music, time,diaireitai ho kh. hupo tōn rhuthmizomenōn


BEAST: ThērionSatyric drama III. as a term of reproach, beast, creature, ,
 “ mousikē aei ti kainon thērion tiktei” 

mousikê aei ti kainon thêrion tiktei
A.  Mousikos, musical, agônes m. kai gumnikoi  choroi te kai agônes ta mousika music,  

II. of persons, skilled in music,  kuknos [minstrel]  kai alla zôia; peri aulous - professional musicians, mousikos kai melôn poêtês, use with singing, skilled in speaking before a mob. Melody, 

B. aei always
C. kainos , esp. of new dramas, the representation of the new tragedies,  (Aphrodisias dedicated to Aphrodite (ZOE); comedy, sexual love, pleasure, a woman's form of oath, Aster or Venus or ZOE Lucifer
D. Therion
E. Tikto mostly of the mother  of Rhea one of the zoogonic or vivific principles

IMAGE is "turning the Word of God into a song[
Imāgo , ĭnis, f. cf. imitor, I.an imitation, copy of a thing, Juv. 7, 29: “hoc tibi sub nostra breve carmen imagine vivat,epistula atque imago me certum fecit,” i. e. the image on the seal, the signet,
I. Transf., a reverberation of sound, an echo (mostly poet.): “(mellaria facere oportet) potissimum ubi non resonent imagines, 2. With the idea predominating of mere imitation,
        in OPPOSITION to what is original or real, a mere form, image, semblance, appearance, shadow:

Before looking at David Young's Discipling Dilema it is important to understand that the same manipulators us the same methods as the Discipling Cults. This fits with Spiritual Formation among the feminists professors and Lectio-Divina which seeks a new vision ignoring the text. This is the opposite of READING the LECTIONS of the DIVINE WORD as the one piece pattern for a Church OF Christ where He is the only Teacher and intercessor.

FROM A REBUKE TO PURPOSE DRIVEN CHURCH

IMPLEMENTATION OF THE PURPOSE-DRIVEN VISION
> Our transition (change agents) involved an eleven year process that continues to this day and will continue for years to come. Our plan for transition involved a prescribed procedure in the following order:
> Start a gradual worship style transition.
> Focus on preaching for change to set the stage for determining your church purpose.
> Determine your church purpose: Our church purpose is "to grow in our relationship with Jesus Christ, His family, and the world, our neighbor."  [Vision Casting]
> Emphasize the church's responsibility to reach the unchurched.
> Launch a New Member's class.
> Encourage your members to embrace the church purpose as their personal purpose.
> Adopt new church by-laws so that the organizational concept and structure of the church comply with the biblical structure for a church. [before you expose your agenda: been there, done that three times]
> Implement a covenant process for personal, spiritual growth of church members.
> Enlist the support of your senior adults.
> Transition the ministry of the church to the people and the maintenance of the church to the staff
> Transition the education ministry to make it life-empowering.
> Lead the church to decide to relocate (or expand).
> Pay for property.
> Raise funds for the new facility.
> Lead the church to change its name in preparation for the relocation. [remove Christ from the sign]
> Launch in-home community groups.
> Graciously Release Those Members Who Choose To Leave. Expressed from J.W.McGarvey onward "get over it or get out."
> "Those who went out were not OF us." You must remember that the transition will not please everyone - that would be impossible. Do not abandon your vision to appease a person or even a group of persons who choose to leave. God will send other leaders to take their place.

HOW TO TRANSITION TO MUSICAL IDOLATRY

This is boasted of as the way the instrumental churches intend to make disciples.
Jeff Walling and the NACC  Never confesses how he REALLY seduced HIS church
Rick Atchley and the Christian Standard.

Worship Planning - Form a worship planning team that will help you plan services to correspond with the message so that all songs match the theme of the message. Introduce video projection of sermon notes and words of the songs at this point.

The singular meaning of "worship" in the school of Christ is reading the Word.

Hymn Arrangements - Introduce new arrangements of favorite hymns.

Introduce Some Praise Choruses - Start with a new chorus of the month.

Gradually increase the number of choruses, gauging the response of your church family as you go. Some will readily embrace this change. Others will gradually come along. Still others will reject this outright -- try to help them see the validity of what you are doing.

Move Into a Blended Service - This will happen naturally as you continue to introduce praise choruses.

Begin to Use a Praise Team - This and the next step are the most challenging part of the worship transition. When some people see a Praise Team in front of them, they think, “We are changing,” and the reaction can be extreme.

Introduce Other Instruments - Gradually de-emphasize the piano and organ while introducing other instruments like guitars and drums. This transition can be started with Sunday night services and carefully introduced to Sunday morning. For those churches who do not have Sunday night services, one option is to start a week night praise service that utilizes these other instruments.

One good way to begin this transition is with previously recorded music, which allows you time to recruit a praise band and gradually incorporate them into the worship service.

DAVID YOUNG AND THE NORTH BOULEVARD CHURCH 20/20 VISION

THE BEAST is defined as Therion: A new style of music or Satyric (cappella) drama.
The MARK or SIGN of "striking the flag of the ekklesia" is music as sorcery replacing the Word.
Pau defines this as DEMON worship at Mount Sinai.

Moloch.harp.drum.flute.gif


The practice in the wilderness, tyre and Jerusalem: the PATTERN in 2 Chronicles 29



Mark.10.They.Shall.Mock.Him.With.Music

Judas  was a thief: his bag or box was
always attached to the spotted flute case.


And God WATCHED the prophesied and fulfilled Musical Worship Team
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your FINGERS: not a plectrum
Psallo and SOP have the same root meaning.

Mock.Jesus.Half.size.jpg

Revelation 18F: they are all called Sorcerers who HAD once deceived the whole world.
They WILL BE CAST ALIVE INTO THE LAKE OF FIRE.

The TERMINAL MARK of the Purpose Driven Cult consulting KAIROS for planting new groups: followed the pattern for using my "gifts to the Lord" for a purpose-driven agenda.


The Kairos Plot derives from Babylon and Greek myths or Jewish Fables.

Hope Network: Jimmy Adcox has been the preaching minister for the Southwest Church of Christ in Jonesboro, Arkansas since 1977. Jimmy and the church are highly involved with Kairos Church Planting –a ministry committed to recruiting, training, and coaching church planters and their partner churches.  Stan Grandberg leads the Kairos Church Planting Ministry.

Existing churches and Teaching that which has been taught has been disabled by the Heisenburg Uncertainty Principle and the arrival of COMPUTERS.  They miss the Computer as the only way to TEACH the Word to the whole world as a WITNESS. Anti-Logos or Anti-Jesus

The Discipling Dilema as:
        The Kairos Church Planting VISION
       
Kairos-Hermes-Mercury is the ANTICHRISTIAN LOGOS

CATHOLIC ROOTS FOR THE DISCIPLING DILEMA

WHAT IS A CULT

Lynn Anderson 
        Hope Network Ministries- Lynn Anderson Shepherding

ERASMUS ON SHEPHERDING

link: The Kairos Church Planting Vision

MARK FIVE:  David Young's Book Extreme Discipleship Mark 5 pg 97  The musical minstrels were professional religious musicians hired to perform to appease the spirits of the dead.  The Jews "had a covenant with death and hell" and all religious music intends to appease or buy off a god.

MARK SEVEN:   David Young's Book Chapter 7 the Scribes and Pharisees, Hypocrites

           See Malichi 3 Witness Against The Sorcerers When the Messenger of the Covenant comes



KAIROS:
There must be something–a conception, an idea, a vision, a dream–that gives rise to the creative event. That idea is the formative essence of vision.

It’s well documented that church planters need to be vision casters, people who are able to see so clearly what does not yet exist that others are willing to commit themselves to bring that thing (a new church) about. We feel the idea of vision creation so important that it is one of the central pieces we look for in our church planter assessment (Discovery Lab). We truly believe Charles Ridley is right when he lists vision casting as a knock factor.

This calls God a Liar:
Gen. 6:5 And GOD saw that the wickedness of man was great in the earth, and that every imagination of the thoughts of his heart was only evil continually.
        h3336. yetser, yay´-tser; from 3335; a form; figuratively, conception (i.e. purpose):—frame, thing framed, imagination, mind, work.
to mould into a form; especially as a potter; figuratively, to determine (i.e. form a resolution)

Cōgĭtātĭo
a thinking, considering, deliberating; thought, reflection, meditation  a thought, opinion, judgment; a resolution, design. plan, project:

Thus saith the Lord;
        Cursed be the man that trusteth in man,
        and maketh flesh his arm, and
        whose heart departeth from the Lord. Jer 17:5
For he shall be like the heath in the desert,
        and shall not see when good cometh;
        but shall inhabit the parched places in the wilderness,
        in a salt land and not inhabited. Jer 17:6

For he shall be as a tree planted by the waters,
        and that spreadeth out her roots by the river,
        and shall not see when heat cometh, but her leaf shall be green;
        and shall not be careful in the year of drought,
        neither shall cease from yielding fruit. Jer 17:8

The heart is deceitful above all things, and desperately wicked: who can know it? Jer 17:9

In personality theory the Myers-Briggs concept of iNtuition is important. People with the N as their second letter in the MBTI four letter sequence (example ENTP). Aubrey Malphurs lists four MBTI types as strong indicators for church planting success: ENTP, ENTJ, ENFP, and ENFJ. All of them have the iNtuition aspect in their personality. In the DiSC behavioral assessment it is the high DI combination, the Influencer, that tends to have most success in planting new churches. We look to these two instruments to give us starting points for vision casting.

The JESUS as God's PATTERN for LOGOS was to pick simple people who could still understand the meaning is to GO INTO ALL THE WORLD.  If they used any human talent or were HIRED it would destroy the meaning of the Free Water of the Word.

The Word, Logos or Regulative Principle OUTLAWS personal opinions, preaching, singing, playing instruments. The LOGOS is so divine that the Greeks knew that it could not be spoken, sung or danced but must just be READ.

Acts 15:21 For Moses of old time hath in every city them that PREACH him,
        being READ in the synagogues every sabbath day.

THE MARK OF JESUS DISCIPLES IS THAT THEY PLANT SEED--THE WORD OF GOD.

MARKS FOR AVOIDANCE. Kairos-Hermes-Mercury is the ANTICHRISTIAN LOGOS.  Those who slander existing Churches of Christ often remove "Christ" from their public confession.  The Logos or Regulative Principle is the OPPOSITE of rhetoric, personal opinions, personal experiences, singing, playing instruments or anything which SILENCES the Word. A Church of Christ is a school of the Word and it is the only power of God to salvation and does not depend on molding personalities.

Jesus refused to pray for the WORLD or ECUMENICAL as the "kingdom of the Devil" as Kairos is a demon.
God HIDES from the wise or Sophist "personality" marked as opinion speakers, singers, instrument players.

KAIROS (or Caerus) was the spirit (daimon) of opportunity, the youngest divine son of Zeus. He was depicted as a youth with a long lock of hair hanging down from his forehead, which indicated that Opportunity could only be grasped as he approached.

In Greek mythology, Carius or Karios  was the son of Zeus and Torrhebia. His mother's name is connected to Torrhebos, name of a city in Lydia. According to Hellanicus, there was a mountain named Karios (Carius) near this city, with the sanctuary of Carius situated on it. Nicolaus Damascenus related of him the following tale. As Carius was wandering by a lake which later received the name Torrhebis, he heard the voices of nymphs singing; these nymphs, Nicolaus remarked, were also called the Muses by the Lydians. Carius learned the music from them, and taught it to the Lydians. This kind of music was known as "Torrhebian songs"   Carius ("of Caria") was also a surname of Zeus himself, under which he was venerated in Mylasa.[2]

Apollon-Abaddon is the LEADER and personified spirit of the MUSES and "brides" or Nymps.  His musical worship team were marked as dirty adulteresses: they specialized in changing truth (logos) into outlawed songs to DECEIVE: that is why they are called SORCERERS and will be CAST ALIVE INTO THE LAKE OF FIRE.

kairios , a, on, also os, on Thgn.341, A.Ch.1064, S.Ph.637, Luc.Nigr. 35:

I. (“kairos 11) in Hom. always of Place, in or at the right place, hence of parts of the body,
kairion
a vital part,of wounds, mortal, plēgēn A.Ag.1343; kairias plēgēs tukhein sphagasE.Ph.1431; Slaughter, sacrifices, cut throat (heresy)  Downward Sword, tirade, Fall,  Trauma, wound, hurt, intent to murder
generally, “kairiōtatēs teteukhenai KhōrasTheol.Ar.44.
II. of Time, in season, timely, “heuriske tauta kairiōtata einaiHdt.1.125,
Khrē legein ta k
. A.Th.1, cf. Ch.582; kairioi sumphorai ib.1064; [3. rarely in good sense, good luck, happy issue,
ei ti k. legei S.Ant.724; dran, phronein ta k., Id.Aj.120, El.228 (lyr.);
kairios spoudēId.Ph.637; “Making Haste, zeal for the conflicting arguments
-ōtera boulē
E.Heracl.471; [Killing children: Heirs]
k. enthumēma Reasoning, Device, syllogism, inference  X. HG4.5.4; to aei k. Id.Cyr.4.2.12, etc.; pros to k., = kairiōs, S.Ph. 525
critical
, auta ta k. ekhōn hekkaideka (sc. etē
kairian d' hēmin horō steikhousan Iokastēn
    coming at the right time, S.OT631; The city is mine too, not yours alone. Time to settle the feud.
kairios ēluthesE.El.598; time "to avenge myself on my father's murderer"    
kairia (Dind. for kai doria ptōsimos falling at the exact or fatal moment, A. Ag.1122 (lyr.);
 ta k. timely circumstances, opportunities to fight battles, Th.4.10; emergencies
2. lasting but for a season, AP12.224 (Strato).
III. chief, principal, “ta kairiōtata tōn klēmatōn” 
IV.Adv. -riōs in season, seasonably, “k. eirēmenonA.Ag.1372;“
        time for
eirēmena muthologeuein
skopein
E.Rh.339: His mere appearance would cause a panic among the foe.
Comp. “-ōterōsX.Cyr.4.5.49. And if it seems that we are of more use to you by fighting with you on horseback,
2. mortally, “outasmenosA.Ag.1344, Silence! Who is this that cries out, wounded [plēgēn] by a mortal blow?
cf. Plb.2.69.2. fight with trauma, intent to murder

CATHOLIC ROOTS FOR THE DISCIPLING DILEMA

The Discipling Movement: Roots of the Modern Discipling Movement: A Search for Roots

They began to require, therefore, that the confessor and the Spiritual Director could not be the same person. In this regard, the modern discipling movement is about where the Roman Catholic Church was almost 1,500 years ago. They have not yet learned the danger of having one  [p126] person serve both as the confessor and the Spiritual Director for another person.

In the Roman Catholic Church today there is much less emphasis on each person having a Spiritual Director and more emphasis on each person having spiritual direction. Based on his work with the Association for Psychological Type, Flavil Yeakley reports that the Roman Catholic Church was the first religious group to make widespread use of Jungian typology, the Myers-Briggs Type Indicator, and other approaches to personality differences as a way of counseling individuals about the spiritual direction their lives should take. They now clearly recognize the value of diversity and do not try to make members over after the image of the group norm

Pietism/Wesleyanism

A second root of the discipling movement is to be found in Pietism/Wesleyanism. Early in the Reformation, such men as Spener, Franke, and Zinzendorf wanted to breathe new life into ice cold state churches. John Wesley was impressed by Spener's use of small groups (collegia pietatis) for this purpose. This influenced him to establish Methodist societies within Anglican churches. These small groups soon came to see themselves as a church within a church. They believed that they had achieved a higher level of spirituality than that experienced by other Christians.


WHAT IS A CULT

Researcher Flavil Yeakley, professor at Abilene Christian University, conducted a major study using the Myers-Briggs Type Indicator (MBTI), a psychological profile tool, on members of the Boston Church of Christ (International Church of Christ), Hare Krishnas, Church of Scientology, Children of God, Unification Church (Moonies), The Way, as well as members of mainline Churches of Christ, Baptist, Catholic, Lutheran, Methodist and Presbyterian congregations. The results demonstrated a high level of unhealthy and unnatural changes in personality in the first group of cults, compared with the population of traditional mainline churches. The changes in the members of cult groups showed a strong tendency to conform to the particular personality type normative within a given group. ...

When used in a theological context, the term “cult” refers to a group of people who are centered around a particular person’s serious misinterpretation of the Bible

Ephesians 4:14 warns of men using trickery, craftiness, and deceitful scheming to draw followers.

Group Mentality

Lynn Anderson 
        Link: Hope Network Ministries- Lynn Anderson Shepherding

Hope Network: Jimmy Adcox has been the preaching minister for the Southwest Church of Christ in Jonesboro, Arkansas since 1977. Jimmy and the church are highly involved with Kairos Church Planting –a ministry committed to recruiting, training, and coaching church planters and their partner churches.  Stan Grandberg leads the Kairos Church Planting Ministry.

Lynn Anderson: Accountability Group (no more than 3) What are some good questions to ask each time 2 or 3 of us men meet to hold each other accountable. What are the do's and don'ts of such a commitment...size limits...suggestions for such a commitment. If women want to do this, what accountability questions would be asked in this case? Your ideas and experiences and suggested resources please. We are ministers wanting to lead holy lives before our community in the hope that we may have opportunities to minister and teach.

That does not prevent Lynn Anderson and family from leading the TRANSISTIONING peaceable churches of Christ into Instrumental idolaters. No one can suggest that God ever connected "machines for doing hard work" to "make the lambs dumb before the slaughter without lying about every "instrumental" tidbit in the Bible and Church History.

Lynn Anderson Family Subverting the Elders at Oak Hills Church: Max Lucado's church.
Lynn Anderson Lying about the Psallo foundation for instrumental idolatry
Lynn Anderson the Bible  Texts perverted: confessing to sowing discord

The Musical Invasion is the INTENTIONAL UPSETTING YOUR COMFORT ZONES to make "boiling the frogs easier." Lynn Anderson defined how to BLOW winds of change and the how to NAVIGATE the winds.  Hitler and Machiavelli never said it better.

Accountability Group (no more than 3) Maybe something I say about this can be of help. I think we all know that accountability is an essential part of Christianity in that we are to help each other grow and become sharpened as iron sharpens iron.

Accountability questions need to be positive focused, direct, and geared toward motivating people to grow.

This type of accountability can be hard but it is where people really grow. Especially us ministers have a hard time admitting our faults for fear of discovery and losing our jobs and/or reputations. The end result is that many of us live double lives with secret sin being our second god that we worship when no one else is looking.

Obviously in some cases this deeper type of accountability [your sex life] is only appropriate within all male or all female groups.

Accountability groups only work when there is trust and openness. This may take a while to develop. Give it time and start slow until you feel that your relationship can progress into these
more intimate areas.

Here's the list from Steve Farrar's "Point Man" (Promise Keepers)
1. Have you been with a woman this week in such a way that was inappropriate or could have looked to others that you were using poor judgment?
2. Have you been completely above reproach in all your financial dealings this week?
3. Have you exposed yourself to any explicit material this week?
4. Have you spent daily time in prayer and in the Scriptures this week?
5. Have you fulfilled the mandate of your calling this week?
6. Have you taken time off to be with your family this week?
7. Have you just lied to me?

ERASMUS ON SHEPHERDING

ERASMUS ON MONKS

But Christ, interrupting them in their vanities, which otherwise were endless, will ask them,

"Whence this new kind of Jews?

I acknowledge one commandment, which is truly mine, of which alone I hear nothing. I promised, 'tis true, my Father's heritage,
        and that without parables, not to cowls, odd prayers, and fastings,
        but to the duties of faith and charity.

Nor can I acknowledge them that least acknowledge their faults. They that would seem holier than myself, let them if they like possess to themselves those three hundred sixty-five heavens of Basilides the heretic's invention, or command them whose foolish traditions they have preferred before my precepts to erect them a new one."

When they shall hear these things and see common ordinary persons preferred before them, with what countenance, think you, will they behold one another? In the meantime they are happy in their hopes, and for this also they are beholding to me.

And yet these kind of people, though they are as it were of another commonwealth, no man dares despise, especially those begging friars, because

they are privy to all men's secrets by means of confessions, as they call them. Which yet were no less than treason to discover, unless, being got drunk, they have a mind to be pleasant,

and then all comes out, that is to say by hints and conjectures but suppressing the names.

But if anyone should anger these wasps, they'll sufficiently revenge themselves in their public sermons and so point out their enemy by circumlocutions that there's no one but understands whom 'tis they mean, unless he understand nothing at all; nor will they give over their barking till you throw the dogs a bone. And now tell me, what juggler or mountebank you had rather behold than hear them rhetorically play the fool in their preachments, and yet most sweetly imitating what rhetoricians have written touching the art of good speaking?


Mark 5  CHAPTER FIVE David Young's Book Chaper Five pg 97

Mark 5:35 While he yet spake, there came from the ruler of the synagogue’s house certain which said, Thy daughter is dead: why troublest thou the Master any further?

Everyone was PUT OUT


Mark 5:36 As soon as Jesus heard the word that was spoken, he saith unto the ruler of the synagogue, Be not afraid, only believe.
Mark 5:37 And he suffered no man to follow him, save Peter, and James, and John the brother of James.
Mark 5:38 And he cometh to the house of the ruler of the synagogue, and seeth the tumult, and them that wept and wailed greatly.
Mark 5:39 And when he was come in, he saith unto them, Why make ye this ado, and weep? the damsel is not dead, but sleepeth.

klaiontas kai alalazontas polla,

Plutarch and others understanding the instrumental fall at Mount Sinai say that the godly Jews had fled and the same Levites anticipated that Dionysus or Bacchus would be their Messiah as he had been worshipped in the confiscated Temple.  Therefore, consistent with Christ warning about a Covenant with Death and Hell and the Marzeah defined by Amos and Jeremiah the word probably.  When Jesus called the MEN of Jerusalem children or BOYS (Isaiah 3) who PIPED and their  purpose was to cause Jesus to LAMENT and DANCE to prove that He was one of them.

Alazontas meant 2. generally, cry, shout aloud, Pi.l.c., E.El.855; esp. in orgiastic rites, [WRATN] A.Fr.57; of Bacchus and Bacchae, E.Ba.593 (in Med.), 1133, etc.; “ōloluxan hai gunaikes, ēlalaxan de hoi andres

Paul used the Word
also of other sounds than the voice, sound loudly, “psalmos d' alalazeiA.Fr.57; “kumbalon alalazon1 Ep.Cor.13.1.

1Corinthians 13:1 Though I speak with the tongues of men and of angels,
        and have not charity, I am become as sounding brass, or a tinkling cymbal.

Paul commands that we SPEAK that which is written for our learning: Lexis is opposite to ODE and Psallo is a warfare Word: therefore, Paul said ODE and PSALLO In (En, Eis) the heart which means SILENT as in 1 Corinthians 14.

THE ANGELS:

Aggelos ,  of a loquacious person 2.  generally, one that announces or tells, e.g. of birds of augury, Il.24.292,296; Mousōn aggelos, of a poet,

Abaddon or Apollyon is the Leader of the Muses: In Revelation 18 John calls them sorcerers..

Mousa A.Olumpiades M., Dios aigiokhoio thugateres
kanakhan [Clanging]. . theias antiluron mousasS.Tr.643 (lyr.); “Aiakō moisan pherein
Theiazo be inspired, frenzied, prophesy, II. worship as divine, Id.59.27; “Puthagoran kai Platōna

Paul CAST OUT the Pythian Spirit.
La^l-eō ,Mark of the Locusts
II.  chatter, Opposite. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday, 
III.  of musical sounds, “aulō [flute] laleōTheoc.20.29; of trees, v.supr.1.2; “di'aulou [flute] ē salpiggos l.”[trumpet] Arist. Aud.801a29; of Echomagadin lalein sound the magadis,  [double flute]
Luke 8:49 While he yet spake, there cometh one from the ruler of the synagogue’s house, saying to him, Thy daughter is dead; trouble not the Master.
Luke 8:50 But when Jesus heard it, he answered him, saying, Fear not: believe only, and she shall be made whole.
Luke 8:51 And when he came into the house, he suffered no man to go in, save Peter, and James, and John, and the father and the mother of the maiden.
Luke 8:52 And all wept, and bewailed her: but he said, Weep not; she is not dead, but sleepeth.
klaiō weep  for the dead ; dia ti hoi klaiontes oxu phtheggontai;

phtheggomai  ; of the battle-cry, X.An. 1.8.18; of the recitative of the chorus, Id.Oec.8.3; “ouketi porrō dithurambōn ph.
3. of inanimate things, of a door, creak, Ar.Pl.1099; of thunder, X.Cyr. 7.1.3; of trumpets, Id.An.4.2.7, 5.2.14; of the flute, Id.Smp.6.3, Thgn.532; of the lyre, “phormigx ph. hiron melosId.761, cf. Arist. Metaph.1019b15; of an earthen pot, eite hugies eite sathron ph. whether it rings sound or cracked, Pl.Tht.179d; ph. palamēsi to clap with the hands, Nonn.D.5.106
epos , 1. song or lay accompanied by music, 8.91,17.519. 4. word of a deity, oracle, Od.12.266, Hdt.1.13, etc.
IV. in pl., epic poetry, opp. melē (lyric poetry), iambeia, dithuramboi, etc., “rhaptōn epeōn aoidoiPi.N.2.2
Luke 8:53 And they laughed him to scorn, knowing that she was dead.
Luke 8:54 And HE put them all out, and took her by the hand, and called, SAYING, Maid, arise.

kra^t-eō   I. abs., rule, hold sway, 3. c. gen., to be lord or master of, rule over, II. conquer, prevail, get the upper hand, k. tēs diabolēs get the better of it, 2. c.acc.rei, seize, win and keep, esp.by force,

And He (on the other hand) Latin tĕnĕo took command of the girl's hand "with the sole rule over b. With the accessory idea of firmness, persistence, to hold fast, occupy; to watch, guard, defend; to maintain, retain a thing, kept to his course,

In Mark 4.
ē-ĭcĭo (or ejicio ), jēci, jectum, 3 (eicit, dissyl., Lucr. 3, 877; 4, 1272), v. a. jacio,
I.to cast, thrust, or drive out; to ca, expel
B  In partic., like ekballein, re Esp. of players, public speakers, etc., to hiss or hoot off, Cic. de Or. 3, 50 fin.; Auct. Her. 4, 47 (with deridere);

ekballō
esp. of banishment, ek poleōs e. drive out of the country drive out, banish, cast out of the synagogue, Ev.Jo.34 ; “ek tou tagmatosJ.BJ2.8.8 ; exorcize, cast out evil spirits, Ev.Marc.1.34, al. ; drive an actor from the stage, Id.19.337

Mark 1:34 And he healed many that were sick of divers diseases, and cast out many devils; and suffered not the devils to speak, because they knew him.

Dem. 19 337 he hopes to overawe you by an exhibition of histrionic talent. When he tried to represent the woes of the House of Thyestes, or of the men who fought at Troy, you drove him from the stage with hisses and cat-calls, and came near to pelting him with stones, insomuch that in the end he gave up his profession of actor of small parts
7 CHAPTER SEVEN David Young's Book Chapter 7 the Scribes and Pharisees, Hypocrites

The Prototype of Babylon-Tyre Israel. Sodom not spiritual Israel. Jesus referenced Isaiah and Ezekiel to define the national Worship of the Starry Host--Abaddon The End-Time Fulfillment
For thus saith the Lord God; Behold, I will bring upon Tyrus Nebuchadrezzar king of Babylon, a king of kings, from the north, with horses, and with chariots, and with horsemen, and companies, and much people. Ezek 26:7

They will plunder your wealth and
    loot your merchandise;
    they will break down your walls
    and demolish your fine houses

    and throw your stones, TIMBER and rubble into the sea. Ezek 26:12

Also, thou son of man, the children of thy people still are talking against thee by the walls and in the doors of the houses,

and speak one to another, every one to his brother, saying,

Come, I pray you, and hear what is the word that cometh forth from the Lord. Eze 33:30

Rev 17:3 So he carried me away in the spirit into the wilderness: and I saw a woman sit upon a scarlet coloured beast, full of names of blasphemy, having seven heads and ten horns.
Rev 17:4 And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication:
Rev 17:5 And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.
Rev 17:6 And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration.
I will put an end [Rest, Repose, to your noisy songs, and the music [sound] of your harps will be heard no more. Ezek 26:13
Noisy: Multitudo
Songs:  Canticum chorus canticum Insonuit, magic formula, incantation  any thing that soothes, charms, or allures, a charm, blandishment, allurement, enticement

"And he shall destroy the multitude of thy musicians, and the sound of thy psalteries [cĭthăra] shall be heard no more." Ezek. 26:13 LXX
My people come to you, as they usually do, and sit before you to listen to your words,
    but they do not put them into practice.

With their mouths they express devotion (Lord, Lord as amorousness - inordinate love),

    but their hearts are greedy for unjust gain (commerce or trade or attendance). Eze 33:31
Rev 18:1 And after these things I saw another angel come down from heaven, having great power; and the earth was lightened with his glory.   2 And he cried mightily with a strong voice, saying, Babylon the great is fallen, is fallen, and is become the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird
  And the voice of
harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; Rev 18:22
then I will bring you down with those who go    down to the pit,
   to the people of long ago
  I will make you dwell in the earth below,
as in ancient ruins, with those who go down to the PIT,and you will not return or take your place in the land of the living. Ezek 26:20

Isaiah 14:11 Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms [maggots] cover thee.

Amos 5:23 Take thou away from me the noise [
tŭmultus] of thy songs [carmen]  for I will not hear the melody [cantĭcum] of thy viols
Indeed, to them you are NOTHING MORE
    than one who sings love songs with a beautiful voice
and [NOTHING MORE than one who]
    plays (make melody on) an instrument well,
for they hear your words
    but do not put them into practice. Eze 33
Rev 18:23 And the light of a candle shall shine no more at all in thee;

and the voice of the bridegroom and of the bride shall be heard no more at all in thee:

for thy merchants were the great men of the earth; for by thy sorceries WERE all nations deceived.

I will make thee a terror, and thou shalt be no more:
    though thou be sought for,
    yet shalt thou never be found again, saith the Lord God. Ezek 26:2
When all of this this comes true--

and it surely will--

then they will know that a prophet has been among them." Eze 33:33

Revelation 19:19 And I saw the beast, and the kings of the earth, and their armies, gathered together to make war against him that sat on the horse, and against his army.
   Revelation 19:20 And the beast was taken, and with him the false prophet that wrought miracles before him, with which he deceived them that had received the mark of the beast, and them that worshipped his image. These both were cast alive into a lake of fire burning with brimstone.
THE BEAST THE MOTHER OF HALOTS RIDES TO USE SORCERY TO TAKE AWAY YOUR INHERITANCE

da^pa^n-aō  2. consume, use up, phusis d. ton thoronArist.GA757a25; “khronon eis
of persons, to be destroyed,hupo thēriōnPh.2.43; kathaper hupo puros ib.433; “pros thēriōnApp. BC5.79; “en tartarois kai barathrois
puri kai phonō kai sidērō panta dapanēsasthai   en tartarois kai barathrois dapanōmenous

WASTE THE PUBLIC'S MONEY

thērion , III. as a term of reproach, beast.
kolaki, deinō thēriōPl.Phdr.240b;
mousikē aei ti kainon thērion tiktei

Meaning: A new style of music or drama!

Tarta^r-os , the nether world generally,

And altogether the ancient philosoj)hy of the Greeks appears to have been very much addicted to music; and on this account they judged Apollo to have been the most musical and the wisest of the gods, and Orpheus of the demigods. And they called every one who devoted himself to the study of this art a sophist, as
Aeschylus does in the verse where he says — And then the sophist sweetly struck the lyre.

Musae (Mousai). In Greek mythology the Muses were originally the nymphs of springs, whose waters gave inspiration, such as Hippocrené, Castalia, etc.; then goddesses of song in genera. They are all female and are considered goddesses dwelling in Olympus, who at the meals of the gods sing sweetly to the lyre of Apollo. They are the nine daughters of Zeus. 

Sophis-tês , ou, ho, master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, meletan sophistais prosbalon Pi.I.5(4).28 , cf. Cratin.2; of musicians, sophistês . . parapaiôn chelun A.Fr.314 , cf. Eup.447, Pl.Com. 140; sophistêi Thrêiki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with mod

II. from late v B.C., a Sophist, i.e. one who gave lessons in grammar, rhetoric, politics, mathematics, for money, such as Prodicus, Gorgias, Protagoras, a quibbler, cheat,  a RHETORICIAN as the primary meaning of a HYPOCRITE.

hoi s. tōn hierōn melōn” A sophist, serpent, makes MUSICAL MELODY with a congregation AS a harp and cannot grasp that IN THE HEART is a place.

2 Peter 2:12 But these, as natural brute beasts, [Zoon, Zao, Zoe]
          made to be taken and destroyed,
          speak evil of the things that they understand not;
          and shall utterly perish in their own corruption;

Natural: G5446 phusikos foo-see-kos' From G5449 [natural descent] ; “physical”, that is, (by implication) instinctive:--natural. Compare G5591
Bruit: G249 alogos [Anti-Logical] al'-og-os From G1 (as a negative particle) and G3056 ; irrational:--brute, unreasonable.
Beasts: G2226 zōon dzo'-on Neuter of a derivative of G2198 [Zao, Zoe] ; a live thing, that is, an animal:--beast.
căprīle , is, n. caper, like equile, ovile, bubile, etc., I. an enclosure or stall for goats, Varr. R. R. 2, 3, 8; Col. 7, 6, 6; Plin. 28, 10, 42, § 153; Vitr. 6, 9.—Adj.: căprīlis , e, of or pertaining to the goat: semen, i. e. capellae,

2 Peter 2:13 And shall receive the reward of unrighteousness,
          as they that count it pleasure to riot in the day time.
          Spots they are and blemishes, sporting themselves
          with their own deceivings [delusions] while they feast with you;

          All musicians and rhetoricians are equated to parasites.

Entrupo (g1792) en-troo-fah'-o; from 1722 and 5171; to revel in: - sporting selves.
gamêliôi lechei [marriage couch-bed] hêdonais, playing in the wind, exult over, treat haughtily or contemptuously, made a mock of, tinos sumphorais, III. use or abuse at pleasure
Entru^ph-aō

Paison paizô [pais]
4.
to play (on an instrument), Hhymn. II. to sport, play, jest, joke, Hdt., Xen., etc.; p. pros tina to make sport of one, mock him,

APOLLON LEADER OF THE MUSES


Mark 7:5 Then the Pharisees and scribes asked him, Why walk not thy disciples according to the tradition of the elders, but eat bread with unwashen hands?

Mark 7:6 He answered and said unto them, Well hath Esaias prophesied of you hypocrites, as it is written, This people honoureth me with their lips, but their heart is far from me.

Mark 7:7 Howbeit in vain do they worship me, teaching for doctrines the commandments of men.

Mark 7:8 For laying aside the commandment of God, ye hold the tradition of men, as the washing of pots and cups: and many other such like things ye do.

Mark 7:9 And he said unto them, Full well ye reject the commandment of God, that ye may keep your own tradition.

MALICHI WITNESS AGAINST THE SORCERERS.

Malachi 3:5 I will come near to you to judgment;
        and I will be a swift witness against the sorcerers,
        and against the adulterers, and against the perjurers,
        and against those who oppress the hireling in his wages, the widow, and the fatherless,
        and who deprive the foreigner of justice, and don’t fear me,” says Yahweh of Hosts.

Mălĕfĭcĭum , ĭi, n. maleficus,
1. Fraud, deception, adulteration: “me maleficio vinceres?Plaut. Truc. 2, 6, 20 Speng.; Quint. 7, 4, 36; Plin. 12, 25, 54, § 120.— 2. Enchantment, sorcery, Tac. A. 2, 69 Orell. N. cr.; App. M. 9, p. 230, 24; 231, 28; cf. magica,id. Mag. p. 278, 21; Schol. Juv. 6, 595.—

Măgĭcus , a, um, adj., = μαγικός,
I. of or belonging to magic, magic, magical (poet. and in post-Aug. prose): “artes,Verg. A. 4, 493: “magicis auxiliis uti,Tib. 1, 8, 24: “arma movere,Ov. M. 5, 197: “superstitiones,Tac. A. 12, 59: vanitates,Plin. 30, 1, 1, § 1: “herbae,id. 24, 17, 99, § 156: “aquae,Prop. 4, 1, 102 (5, 1, 106): di magici, that were invoked by incantations (as Pluto, Hecate, Proserpine), Tib. 1, 2, 62; Luc. 6, 577: “linguae,” i. e. hieroglyphics, id. 3, 222; “but lingua, skilled in incantations, Ov. M. 7, 330; Luc. 3, 224: “cantus,Juv. 6, 610: magicae resonant ubi Memnone chordae,mysterious, id. 15, 5.

Cantus , ūs, m. id., I. the production of melodious sound, a musical utterance or expression, either with voice or instrument; hence, song, singing, playing, music
2. With instruments, a playing, music: “in nervorum vocumque cantibus,Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,Cat. 64, 264: “querulae tibiae,Hor. C. 3, 7, 30: “dulcis tibia cantu,Tib. 1, 7, 47: “bucinarum,Cic. Mur. 9, 22: “simul ac tubarum est auditus cantus,Liv. 25, 24, 5: “lyrae,Plin. 34, 8, 19, § 72: “tibicines, qui fidibus utuntur, suo arbitrio cantus numerosque moderantur,Cic. Tusc. 5, 36, 104:
Of an actor: tardiores tibicinis modos et cantus remissiores facere,Cic. de Or. 1, 60, 254.—
A. Prophetic or oracular song: “veridicos Parcae coeperunt edere cantus,Cat. 64, 306; cf. Tib. 1, 8, 4.—
B. An incantation, charm, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,Verg. G. 4, 471: “magici,
Mălĕfĭcus (in MSS. also mălĭfĭ-cus ), a, um, adj. malefacio,
B. In partic., magical: “artes,Vulg. 2 Par. 33, 6.—As substt.
1. mălĕfĭcus , i, m., a magician, enchanter: “de maleficis et mathematicis,Cod. Just. 9, 18, 5: “magi qui malefici vulgi consuetudine nuncupantur,ib. 9, 18, 7; Schol. Juv. 6, 594.—
2. mălĕfĭcum , i, n., a charm, means of enchantment: “semusti cineres aliaque malefica, quis creditur anima numinibus inferis sacrari,Tac. A. 2, 69 fin.

2 Chronicles 33[6] He also made his children to pass through the fire in the valley of the son of Hinnom; and he practiced sorcery, and used enchantments, and practiced sorcery, and dealt with those who had familiar spirits, and with wizards: he worked much evil in the sight of Yahweh, to provoke him to anger.

2 Chronicles 33.6
transireque fecit filios suos per ignem in valle Benennon observabat somnia sectabatur auguria maleficis artibus inserviebat habebat secum magos et incantatores multaque mala operatus est coram Domino ut inritaret eum

ars , artis, f. v. arma,
(a). Rhetorical : “quam multa non solum praecepta in artibus, sed etiam exempla in orationibus bene dicendi reliquerunt!Cic. Fin. 4, 3, 5: “ipsae rhetorum artes, quae sunt totae forenses atque populares,id. ib. 3, 1, 4: neque eo dico, quod ejus (Hermagorae) ars mihi mendosissime scripta videatur; nam satis in eā videtur ex antiquis artibus (from the ancient works on rhetoric) ingeniose et diligenter electas res collocāsse, id. Inv. 1, 6 fin.: “illi verbis et artibus aluerunt naturae principia, hi autem institutis et legibus,id. Rep. 3, 4, 7: “artem scindens Theodori,Juv. 7, 177.—

tŭmultus ,  “canunt ignes subitosque tumultus,Manil. 1, 894: “novos moveat F ortuna tumultus,Hor. S. 2, 2, 126.—
2. Of thunder, storm, etc.: “tremendo Juppiter ipse ruens tumultu,” i. e. the roar of thunder, magis, Extreme Anxiety
A. Disturbance, disquietude, agitation, tumult of the mind or feelings: “tumultus Mentis,Hor. C. 2, 16, 10; Luc. 7, 183: “pulsata tumultu pectora, Petr. poët. 123: sceleris tumultus,Hor. S. 2, 3, 208.—
Acheron rapitur tumultu ingenti,Sen. Herc. Fur. 714: “ “tumultus magis quam proelium fuit,
B. Of speech, confusion, disorder: “sermonis,Plin. 7, 12, 10, § 55: “criminum,Quint. Decl. 1, 4. canunt ignes subitosque tumultus,

A. Cano canta pro cantata ponebant; “once canituri,Vulg. Apoc. 8, 13), 3, v. n. and a. [cf. kanassō, kanakhē, konabos; Germ. Hahn; Engl. chanticleer; kuknos, ciconice; Sanscr. kōkas = duck; Engl. cock], orig. v. n., to produce melodious sounds, whether of men or animals;

B. Ignis

C.  Sŭb-ĕo , Subdue, go under 2. In partic., to come on secretly, to advance or approach stealthily, to steal upon, steal into (poet.), Prop. 1, 9, 26; Ov. Am. 1, 2, 6; id. A. A. 1, 742.—
subit ipse meumque Explet opus,succeeds me, takes my place, id. ib. 3, 648
1. In gen., to come in, succeed, take place; to enter stealthily, come secretly or by degrees: in quarum locum subierunt inquilinae impietas, perfidia, impudentia

D.  Tumultus 
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