My Enemies will not Triumph over me


My.Enemies.Will.Not.Triumph.Over.Me

Isaiah.30.


Genesis 49.5 Symeon et Levi fratres vasa iniquitatis bellantia

Gen. 49:5 Simeon and Levi are brethren;
        instruments (weapon, psaltery)
        of cruelty are in their habitations.
                 (stabbing, dig through furnace, for burning
                 Bellor fight,  carry on war,

Iniquitas B. Unfairness, injustice, unreasonableness: luxuria, praetoris, unreasonable demands in the shape of taxes,

Both the Sabbath and the tithe or "taxes" came from Babylon.

Gen. 49:6 O my soul,
        come not thou into their secret;
        unto their assembly,
        mine honour,
        be not thou united:
                for in their anger they slew a man,
                and in their selfwill they digged down a wall.

Consilior to take counsel, to consult,
h5475 Sod h3245 session, deliberaton, secret.
h3519  Kabod theglory  or darkness of the temple
Coitus come A.  Abstr., a coming or meeting together, an assembling:
 A. A uniting, joining together, combination

Gen. 49:7 Cursed be their anger, for it was fierce; and their wrath, for it was cruel
   
        I will divide them in Jacob, and scatter them in Israel.

The musical idolatry at Mount Sinai caused God to DIVIDE the nation into that common to all Gentiles:

The Civil-Military-Clergy was abandoned to worship the starry host (gods named in Amos and Acts 7: not Jehovah)
The godly people attended the assembly or synagogue as a School of the Covenant and Prophets.

Divido I. To force asunder, part, separate, divide (very freq. and class.; cf.: distribuo, dispertio; findo, scindo, dirimo, divello, separo, sejungo, segrego, secerno, to break up, dissolve, destroy = dissolvere d.  To accompany, i. e. to share upon an instrument a song sung by a voice: “grata feminis Imbelli cithara carmina divides,Hor. C. 1, 15, 15.Imbelli non-combatants, women and children: that changed under David.

Fēmĭna Applied as a term of reproach to effeminate men, Ov. M. 12, 470; Sil. 2, 361; Suet. Caes. 22; Just. 1, 3; Curt. 3, 10 fin. al.—

The NEW WINESKIN GOD "Dionysus certainly roves more than the other gods; the traditional picture of him is not one of him sitting sedately on Olympus sipping nectar and listening to the Muses (9 females) sing. Rather it is one of him roaming through the wilderness, thrysus (a reed bound with ivy and topped with a pine cone) in hand, followed by bands of ecstatic women, his Bacchants, and spreading the art of cultivation of vines and of wine-making. Other gods may leave Olympus, but it is not habitual with them as it is with dionysus.

"dionysus often seems to stand somewhere between male and female, between god and man, between death and life. He is a male god, but he is always surrounded by women, his chief worshipers.

"His worship involved transvestism and the blurring of sex roles. Men and women both dressed in long robes covered by fawnskins, and women, as bacchants, left their normal sphere of activity, the home, and danced madly on mountainsides. dionysus even looks somewhat ambiguous sexually; Pentheus in the Bacchae comments on the god's effeminacy: his long curls, his pale complexion.

Di-spergo    “Mesopotamia vicatim dispersa,” i. e. divided, Plin. 6, 26, 30, § 117: “magna pars Judaeae vicis dispergitur,Tac. H. 5, 8
Gen. 49:8 Judah, thou art he whom thy brethren shall praise:
        thy hand shall be in the neck of thine enemies;
        thy father’s children shall bow down before thee.
Gen. 49:9 Judah is a lion’s whelp: from the prey, my son, thou art gone up:
        he stooped down, he couched as a lion, and as an old lion;
        who shall rouse him up?

The Godly people--those who loved to hear the Word of God--would be QUARANTINED from the Civil-Military-Clergy whom Christ called robbers and parasites UNTIL SHILOH COMES.  Those attended the Church of Christ (the Rock) in the wilderness: they were not deprived but protected
 
Gen. 49:10 The sceptre shall not depart from Judah,
        nor a lawgiver from between his feet,
        until Shiloh come; and unto him shall the gathering of the people be. [Gentiles]
Gen. 49:11 Binding his foal unto the vine, and his ass’s colt unto the choice vine;
        he washed his garments in wine, and his clothes in the blood of grapes:
Gen. 49:12 His eyes shall be red with wine, and his teeth white with milk.

The nations or Gentiles would be gathered into fellowship as disciples of Christ ONLY if the evangelist obeyed the simple command to GO into all the world

MOUNT SINAI
 
Psalms 25:0 A Psalm of David.
Psalms 25:1 Unto thee, O LORD, do I lift up my soul.
Psalms 25:2 O my God, I trust in thee: let me not be ashamed, let not mine enemies triumph over me.
irrīdĕo (inr- ), rīsi, rīsu , 2, v. n. and I. . [1. in-rideo] (collat. form irrīdo
I.  Neutr., to laugh at a person or thing, to joke, jeer: “irrides in re tanta,
II. Act., to mock, ridicule, laugh to scorn: “bonis tuis rebus meas res irrides malas,
con-fundo , fūdi, fūsum, 3, v. a.
I. To pour, mingle, or mix together (class. in prose and poetry).
2.  Esp., with the idea of confounding, disarranging, to confound, confuse, jumble together, bring into disorder: “an tu haec ita confundis et perturbas, ut quicumque velit, quod velit, quo modo velit possit dedicare?Cic. Dom. 49, 127: “
B Trop.: “aliquid in totam orationem,Cic. de Or. 2, 79, 322: “vim quandam sentientem atque divinam, quae toto confusa mundo sit,id. Div. 2, 15, 35: rosa ingenuo confusa rubore, suffused with, etc., Col. poët. 10, 260.—Hence, confūsus , a, um, P. a. (acc. to I. B. 2.), brought into disorder, confused, perplexed, disorderly (class. in prose and poetry): “ruina mundi,Lucr. 6, 607; cf. “natura,id. 6, 600: “vox,id. 4, 562; 4, 613; cf.: “oratio confusa, perturbata,Cic. de Or. 3, 13, 50:
per-turbo , āvi, ātum, 1, v. a., “clamore perturbari,Cic. Rab. Perd. 6, 18:
reliquos (milites) incertis ordinibus perturbaverunt,Caes. B. G. 4, 32:
haec te vox non perculit? non perturbavit?Cic. Verr. 2, 3, 57, § 132:
I.to throw into confusion or disorder, to confuse, disturb (cf.: confundo, misceo).
A. Troubled, disturbed, unquiet: “mihi civitatem perturbatam vestris legibus et contionibus et deductionibus tradidistis,Cic. Agr. 1, 8, 23:

mŏdus , i, m. root med-, measure, weigh; Gr. μέδομαι, μέδοντες, μήστωρ, μέδιμνος; cf.: modius, modestus, moderor,
I.a measure with which, or according to which, any thing is measured, its size, length, circumference, quantity (freq. and class.).
2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,Cic. Div. 2, 3, 9: “musici,Quint. 1, 10, 14: “lyrici,Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,Hor. Ep. 1, 3, 12: Bacchico exsultas (i. e. exsultans) modo, Enn. ap. Charis. p. 214 P. (Trag. v. 152 Vahl.): “flebilibus modis concinere,Cic. Tusc. 1, 44, 106: saltare ad tibicinis modos, to the music or sound of the flute, Liv. 7, 2: “nectere canoris Eloquium vocale modis,Juv. 7, 19.—Fig.: “verae numerosque modosque ediscere vitae,moral harmonies, Hor. Ep. 2, 2, 144.—

ĭnĭmīcus omp.: “nec quidquam inimicius quam illa (oratio) versibus,Cic. Or. 57, 194
God often REPAYS His enemies with the same methods people used to try to DEFEAT Him.
Isaiah 66:5 Hear the word of the LORD, ye that tremble at his word;
        your brethren that hated you, that cast you out for my name’s sake, said,
         Let the LORD be glorified:
         but he shall appear to your joy, and they shall be ashamed.
John 12:42 Nevertheless among the chief rulers also many believed on him;
        but because of the Pharisees they did not confess him,
        lest they should be put out of the synagogue:
When you hear these people taking music into the reality of the Holy Place:

Isaiah 66:6 A voice of noise from the city, a voice from the temple,
         a voice of the LORD that rendereth recompence to his enemies.
Musical idolatry was the sin at Mount Sinai: God abandoned the Levi tribe to worship the starry host.  However, not in Jerusalem or the vilest pagan temple would singers or players go into the covered holy places under penalty of death. Therefore MARK of God carrying out the driving into hell process is:
Vox oratio'st eloquent speech ŭlŭlo , āvi, “theatrum ita resonans,
ŭlŭlo , āvi,(halal) B.  Transf., of places, to ring, resound, re-echo with howling: “penitusque cavae plangoribus aedes Femineis ululant,Verg. A. 2, 488: “resonae ripae,Sil. 6, 285: “Dindyma sanguineis Gallis,
Gallus , A. Galli , ōrum, m., the priests of Cybele, so called because of their raving, m., a priest of Cybele, Mart. 3, 81; 11, 74; cf. Quint. 7, 9, 2: “resupinati cessantia tympana Galli,Juv. 8, 176.—And satirically (on account of their emasculated condition),
Of or belonging to the priests of Isis, Gallic: “turma,the troop of the priests of Isis, Ov. Am. 2, 13, 18.
siderā excantata voce Thessalā,incantation, id. Epod. 5, 45:
sayings, maxims, doctrines, Hor. Ep. 1, 1, 34; cf.: “populum falsis Dedocet uti Vocibus,id. C. 2, 2, 21: “deripere lunam vocibus,with charms, incantations, i
Excanto I. to charm out or forth, to bring out by enchantment (not in Cic. or Caes.), Varr. ap. Non. 102, 11; Lucil. and Plaut. ib.; * Prop. 3, 3, 49 (4, 2, 49 M.); * Hor. Epod. 5, 45; Luc. 6, 686; 9, 931: QVI FRVGES EXCANTASSIT, i. e. had removed them by enchantment into another field, Tab. XII. ap. Plin. 28, 2, 4, § 17
ĭnĭmīcus omp.: “nec quidquam inimicius quam illa (oratio) versibus,Cic. Or. 57, 194
Psalms 25:3 Yea, let none that wait on thee be ashamed:
        let them be ashamed which transgress without cause.
Psalms 25:4 Shew me thy ways, O LORD; teach me thy paths.
Psalms 25:8 Good and upright is the LORD: therefore will he teach sinners in the way.
Psalms 25:9 The meek will he guide in judgment: and the meek will he teach his way.
Psalms 25:10 All the paths of the LORD are mercy and truth unto such as keep his covenant and his testimonies.
Psalms 25:11 For thy name’s sake, O LORD, pardon mine iniquity; for it is great.
Psalms 25:12 What man is he that feareth the LORD? him shall he teach in the way that he shall choose.
Psalms 25:13 His soul shall dwell at ease; and his seed shall inherit the earth.
Psalms 25:14 The secret of the LORD is with them that fear him; and he will shew them his covenant.
Psalms 25:15 Mine eyes are ever toward the LORD; for he shall pluck my feet out of the net.





The congregation of the people was defined in Exodus 18 for groups as small as then families led by a mercinary teacher and guide.  After the fall into the musical idolatry of the always-pagan trinity (Osiris, Isis, Horus: always father, mother (spirit) and infant son), the tribe of Levi was abandoned to the worship of the starry host: the godly people attended Qahal, synagogue, ekklesia or Church of Christ (the Rock etc) in the wilderness.  The Text, the definition of the assembly Edersheim and Calvin affirm that these assemblies were called on the REST day by a trumpet (church bell) but excluded vocal or instrumental rejoicing or self-speak.

Numbers 10:7 But when the congregation is to be gathered together,  [h6950 Qahal is still used for the synagogue]
        ye shall blow, but ye shall not sound an alarm.

H7321 rűaroo-ah' A primitive root; to mar (especially by breaking); figuratively to split the ears (with sound), that is, shout (for alarm or joy):—blow an alarm, cry (alarm, aloud, out), destroy, make a joyful noise, smart, shout (for joy), sound an alarm, triumph
Then and now the ONLY reason for calling the assembly was/is to hear the Word (only) PREACHED by being READ for comfort and doctrine.  The Lucifer-Principal (the Halal, Chalal) intends to replace and silence and therefore ALARM or TRIUMPH OVER the Words of Christ. There is nothing in the Greek, Hebrew or Latin which PERMITS any speaker, singer or instrument player to perform or ADD by pretending to be a mediator in song and sermon.  God ordained TWO SILVER TRUMPETS to send signals but not when HE sent His Word through Moses, Aaron and the small group leaders:
Tŭba , ae, f. kindr. with tubus, a tube, I.a trumpet, esp. a war-trumpet, at tuba terribili sonitu taratantara dixit,
Apart from military purposes, it was used on various occasions, as at religious festivals, games, funerals,
b. Sonorous, elevated epic poetry, Mart. 8, 3, 22; 8, 56, 4; 10, 64, 4;
c. A lofty style of speaking
I. Trop.: “tuba belli civilis,” i. e. exciter, author, instigator, Cic. Fam. 6, 12, 3: “rixae,” [or dispute, contest, strife, contention] Juv. 15, 52.

Clangor , ōris, m. clango,
I.a sound, clang, noise (mostly poet. and in Aug. prose).
I. Of wind instruments: “tubarum,III. Of dogs, a barking, baying,
Caes. Gal. 8.20 imagined that the Romans were marching against them, and calling a council in haste by sound of trumpet, unanimously cry out to send embassadors and hostages to Caesar.
Con-cīdo  A. Of discourse, to divide minutely, dismember, render feeble: “
To deceive, cheat, defraud: artĭcŭlātim , adv. articulatus
II. Trop., of discourse, properly divided (v. articulus, II. A.); hence, clearly, distinctly, point by point: verba discernere articulatim,
        Lucr. 4, 555: “aliquid explicare, Varr. L. L. 10, 4, 179: aliquid articulatim distincteque dicere, * Cic. Leg. 1, 13, 36.

Everyone was smart enough to catch on to DIRECT COMMANDS:
Acts 15:21 For Moses
        of old time hath
        in every city them that PREACH him,
        being READ in the synagogues every sabbath day.

Even Jesus understood that!
Luke 4:16 And he came to Nazareth, where he had been brought up:
        and, as his custom was,
        he went into the synagogue on the sabbath day,
        and stood up for to read.
And He had the uncommon decency:
Luke 4:20 And he closed the book, and he gave it again to the minister, and sat down.
        And the eyes of all them that were in the synagogue were fastened on him.
Ex-plĭco , I. Lit.: “velum,Plaut. Mil. 4, 8, 7: “non explicata veste neque proposito argento, etc.,spread out, to put in order
1. To disentangle, set in order, arrange, regulate, settle, adjust any thing complicated or difficult:
2. Of speech, to develop, unfold, set forth, exhibit, treat, state: vitam alterius totam explicare, oratione
perturbatione explicabo,” “summorum oratorum Graecas orationes,id. de Or. 1, 34, 15

Jesus made the prophecies more certain and Peter said:
2Peter 1:20 Knowing this first,
        that no prophecy of the scripture is of any private interpretation.
epi-lu^sis solution, “sophismatōnS.E.P.2.246; explanation
soph-isma , atos, to, A.acquired skill, method. Mechanical contrivance.

   sophis-tēs , ou, hoA.master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalonPi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelun
with modal words added, “hoi s. tōn hierōn melōn” [Melody in a holy place]
of the Brakhmanes [Levites re Josephus] quibbler, cheat,
3. later of the rhētores, Professors of Rhetoric, and prose writers of the Empire, such as Philostratus and Libanius, Suid.; “Apollōnidē sophistē” [Abaddon, Apollyon]
       sophos , ē, on, A.skilled in any handicraft or art, clever, mantisId.Th.382; mostly of poets and musicians, Pi.O.1.9, P.1.42, 3.113; en kithara s. E.IT1238 ,   also en oiōnois, kithara, E. IT662
Jesus didn't SELL the free water of the Word.
2Corinthians 2:17 For we are not as many, which corrupt the word of God:
        but as of sincerity, but as of God, in the sight of God speak we in Christ.
ka^pēl-euō , retail-dealer, drive a petty trade, sell learning by retail, hawk it about,
tēs hōras anthos or tēn hōran, of prostitutes
playing tricks with life, corrupting it,
That means that NOTHING in Scripture is subject to EXPLICATION or further expounding.
2Peter 2:1 But there were false prophets also among the people,
        even as there shall be false teachers among you,
        who privily shall bring in damnable heresies,
        even denying the Lord that bought them,
        and bring upon themselves swift destruction.
2Peter 2:2 And many shall follow their pernicious ways;
         by reason of whom the way of truth shall be evil spoken of.
2Peter 2:3 And through covetousness shall they with feigned words make merchandise of you:
        whose judgment now of a long time lingereth not, and their damnation slumbereth not.
Ulŭlo , B  Transf., of places, to ring, resound, re-echo with howling: “penitusque cavae plangoribus aedes Femineis ululant,Verg. A. 2, 488: “resonae ripae,Sil. 6, 285: “Dindyma sanguineis Gallisululanti voce canere,Cic. Or. 8, 27.—
Gallus , i, m., = Gallos Strab.,
A. Galli , ōrum, m., the priests of Cybele, so called because of their raving, Ov. F. 4, 361 sq.; Plin. 5, 32, 42, § 146; 11, 49, 109, § 261; 35, 12, 46, § 165; Paul. ex Fest. p. 95 Müll.; Hor. S. 1, 2, 121.—In sing.: Gallus , i, m., a priest of Cybele, Mart. 3, 81; 11, 74; cf. Quint. 7, 9, 2: “resupinati cessantia tympana Galli,Juv. 8, 176.—And satirically (on account of their emasculated condition), in the fem.: Gallae , ārum, Cat. 63, 12, and 34.—
Of or belonging to the priests of ISIS, Gallic: “turma,the troop of the priests of Isis, Ov. Am. 2, 13, 18.

These were the instrumental idolaters at Mount Sinai: There was no redemption.

Căno , cĕcĭni, cantum (ancient to make something the subject of one's singing or playing, to sing of, to celebrate, or make known in song, etc.
I. Neutr., to utter melodious notes, to sing, sound, play.
2. Of the faulty delivery of an orator, to speak in a sing-song tone:inclinată ululantique voce more Asiatico canere,Cic. Or. 8, 27; cf. canto and canticum.— of the crowing of a cock: C. Transf., of the instruments by which, or (poet.) of the places in which, the sounds are produced, to sound, resound: “canentes tibiae,
DAVID'S MOCKING DANCE

As the Spirit OF Christ, He commanded that the sabbath day consist of Rest, Reading the Word or Rehearsing what had been taught by tribal elders.

He specificially outlawed both vocal and instrumental "rejoicing" because that created a sense of panic, was reserved for signals and made the purpose of the synagogue impossible. You cannot use a music team to teach Physics: why insult Jesus when He teaches when the elders teach "that which has been taught"?

David as one of the kings had been permitted by God when the elders fired Him as their king and leader. God promised that the kings would make the nation a slave state and destroy them.  One of the curses was to make the young men into musical triumph leaders.

When the Monarchy and Temple were IMPOSED and not desired, this was the King's shrine and civilians did not participate. Civilians were quarantined to the synagogue which was a school of the Bible. Jesus' example approved this format and he used the word "ekklesia" which was for vocal instruction only and performers ere excluded.

The "dancing naked" event was after David could never return to Gibeon and the old Tabernacle and God gave him Jerusalem which was a Jebusite High Place.  The worship at Jerusalem was the "worship of the starry host" because Stephen (Acts 7) and others make it clear.  Therefore, the Levitical Warrior musicians were under the king and commanders of the army: they were not leaders of religion.

Whatever David did was as King and fittingly the PRAISE word means "to make yourself vile." This is what people did when they were trying to frighten the enemy or were in mortal fear of God.

To the fact that God abandoned the "nation" to worship the starry host, and the fact that the nation went into captivity and mostly death, is the prophets condemnation of both king and the priestly class.  Therefore, any example from David or the sacrificial system is an example of a nation having been abandoned to worship just like other nations.  When preachers urge musical performance they are forced to get their proof from a Civil state most of the time identical to that of Egypt, Canaan or Babylon.  That is because you are not required to be a Bible student if you know how to smooth talk in speaking. That is why Jesus identified the Scribes and Pharisees as hypocrites by pointing to Isaiah and Ezekiel where "smooth speakers, singers and instrument players" are identified. To that you can add all of the back up Greek literature which identifies HYPOCRITE to include all of the theatrical or musical performing arts.

In the non-"christian" world, people who twist the facts, force many owners to desert (and they are still deserting) in order to impose their own will (from a vision) would be locked up.  I understand that the once church of Christ (had a vision to remove Christ) now has a Baptist preacher: that was always the hidden theology of Max.  Christians do not do that.

While David was moving the ARK away from God's Tabernacle to his new already-Jebusite high place, David consistently engaged in the universal singing, dancing naked and playing. His play was identical to the nation which ROSE UP TO PLAY at Mount Sinai. When this happens it is a sign that God is deserting you to your own will.

We understand that the Levites as instrument players were under the King and Commanders of the Army: they stood in ranks to execute any godly person who came near any "holy" thing or into a "holy" place. That is because God does not live in houses built by human hands nor is He worshipped by the works of human hands.  When God's grace saved David's life He gave him Mount Zion to build HIS OWN Tent or Tabernacle because David feared to go to Gibeon.  But, says Stephen, Solomon built God a HOUSE as a place he supposed the gods could live in including those of his pagan wives. Earlier, David had built his own tabernacle:

SEE 2 SAMUEL 6 FOR THE OBSCENITY OF DAVID'S DANCE

2 Sam 6:5 And David and all the house of Israel played before the Lord
............ on all manner of instruments made of fir wood
............ even on harps, and on psalteries, and on timbrels,
............ and on cornets, and on cymbals.

Lūdo , A. To sport, play with any thing, to practise as a pastime, amuse one's self with any thing: “illa ipsa ludens conjeci in communes locos, Cic. Par. prooem.: Prima Syracosio dignata est ludere versu Nostra ... Thalia,Verg. E. 6, 1.—Esp., to play on an instrument of music, to make or compose music or song: “ludere quae vellem calamo permisit agresti,Verg. E. 1, 10: “talia fumosi luduntur mense Decembri,Ov. Tr. 2, 491: “quod tenerae cantent, lusit tua musa, puellae,id. Am. 3, 1, 27: “coloni Versibus incomptis ludunt,Verg. G. 2, 386: “carmina pastorum,
C. Ludere aliquem or aliquid, to play, mock, imitate, mimic a person or thing (only in mockery; cf.: partes agere, etc.): civem bonum ludit, Cael. ap. Cic. Fam. 8, 9, 1; cf.: “ludere opus,to imitate work, make believe work
David did not LIVE to see the HOUSE built by Solomon.  God never commanded the Civil-Miilitary-Clergy or Temple or slaughter of innocent animals. Because God turned the nation over to worship the starry host, the Jacob-cursed and God-Abandoned Levites "prophesied" with instruments which means that they were soothsayers or sorcerers.  Those who use that as a "pattern" are still not disciples of Christ.

None of these instruments could be played INSIDE of even pagan temples.  Because the Holy Place is a type of the church of Christ, using the Old Testament and bringing musicians INSIDE would get you executed. ALL of the musical instruments have evil or Satanic roots:

Harp: Nebel (h5035) neh'-bel; or nebel nay'-bel; from 5034; a skin- bag for liquids (from collapsing when empty); hence a vase (as similar in shape when full); also a lyre (as having a body of like form): - bottle, pitcher, psaltery, vessel, viol

Nabel (h5034) naw-bale'; a prim. root; to wilt; gen. to fall away, fail, faint; fig. to be foolish or (mor.) wicked; causat. to despise, disgrace: - disgrace, dishonour, lightly esteem, fade (away, - ing), fall (down, -ling, off), do foolishly, come to nought, * surely, make vile, wither..

The Timbrel or Tabret has its roots in Topheth which is HELL just outside Jerusalem and the PLACE where God is driving people when you hear the wind, string and percussion instruments. Click to read Isaiah 30.

"The name of psaltery entered Christian literature in the 3rd century B.C. translation of the Old Testament called the Septuagint where, in the Psalms, nebel was translated psalterion. Thus, Nebuchadnezzar's idolatrous ensemble included the Aramic psantria. Notice, also, that the book of Psalms has also become known as the Psalter (or psalterium), from the hymns sung with this harp. Source http://www.s-hamilton.k12.ia.us/antiqua/psaltery.htm

Tympanotriba , ae, m., = tumpanotribęs,
I. a taborer, a timbrel-player, a term of reproach for a soft, effeminate person (alluding to the priests of Cybele), Plaut. Truc. 2, 7, 49; cf. tympanum.

Before David, any man who sang and played and danced would be outside the pale: I wouldn't be too quick to jump on David since God had already abandoned him to worship the starry host.

The word PLAY was confessed by David to MAKE SELF VILE and he did it to be honored by the CAMP FOLLOWER GIRLS. The Latin for play is identical to the Greek which appears up many times in the New Testament. But, if you engage in performance "worship" people are deliberately depriving you of the Word.  No synagogue of Christ can be popular and must suffer reproaches: these reproaches are going on in the lusted-for mega churches.

lu-do to sport, to play on an instrument of music, to make or compose music or song: 
C. Ludere
aliquem or aliquid, to play, mock, imitate, to imitate work, make believe work, [PARASITES]

2 Peter 2:13 And shall receive the reward of unrighteousness, as they that count it pleasure to riot in the day time. Spots they are and blemishes, sporting themselves with their own deceivings while they feast with you;

Truphaô , ( [truphę] ) A. live softly, luxuriously, fare sumptuously,  paisonpaison
paizô
[pais]. to play (on an instrument), to sport, play, jest, joke, to make sport of one, mock him, 

B. To sport, dally, wanton (cf. "amorous play," 
Ov. A. A. 2, 389
Ovid's Art of Love: Book II.....Latin

Or when she combs or when she curls her hair,1
Commend her curious
art and gallant air.
Singing, her voice, dancing, her steps, admire;
Applaud when she desists, and still desire

Let all her words and actions wonder raise;
View her with
raptures, and with raptures praise
Fierce as Medusa though your mistress prove,
These arts will teach the stubborn beauty love.

Be cautious lest you overact your part,
And temper your HYPOCRISY with ART;
Let no false action give your words the lie,
For once deceiv'd, she's ever after shy.

David was wearing the Ephod which was a feminine garment for the priesthood which was like ALL national priesthoods and NOT an approved PATTERNISM. No one doubts that he WENT NAKED. Other words define the naked PLAY:

Nu-do I. to make naked or bare; to strip, bare, lay bare, expose to view, uncover (syn.: exuo, detego, revelo).

Scurra , ae, m. 1. A city buffoon, droll, jester (usually in the suite of wealthy persons, and accordingly a kind of parasite; syn.: -Of the clown in a pantomime, Juv. 13, sannio, parasitus)

Sannio ,
I. one who makes
mimicking grimaces, a buffoon
Parasi-tus
, i, m., = parasitos, lit. one who eats with another; hence,
parasitus
Phoebi, a player, actor [For APOLLO or Apollyon and his MUSES]
II. In partic., in a bad sense, one who, by flattery and buffoonery, manages to live at another's expense, a sponger, toad-eater, parasite  

2 Sam 6:13 And it was so, that when they that bare the ark of the Lord had gone six paces
        he
sacrificed oxen and fatlings.


Everyone has a right to organize THEIR church any way they wish: no one has the right to twist all of the Bible in order to steal one.

My guess is that you have gradually had a massive OCCUPATION going on and most of the church of Christ people have alread fled.


 







Psalms 41 is a PROMISED that "Judas" would not triumph over Messiah. The Judas bag was ALWAYS attached to a flute case in Greek Vases and descriptions: it was for carrying the Mouth Pieces of Wind Instruments.  Jesus halted the final effort of Judas by hand grinding the SOP: This was a SIGNAL and Satan entered into Judas and he excluded himself from the kingdom.  The word SOP and the word PSALLO have the same root meaning.  The Dead Sea Copy of the Psalms reads exactly as we will note:

DSS: "After them the chiefs of the Levites serve continually, twelve in all, one to a tribe. The chiefs of their courses shall serve each man in his office. The chiefs of the tribes and fathers of the congregation shall support them, taking their stand continually at the gates of the sanctuary

They were there to EXECUTE any preacher or singer who came NEAR: In Battle:

"The priests shall blow the trumpets of massacre, and the Levites and all the blowers of the ram's horn shall sound a battle alarm,

and the foot soldiers shall stretch out their hands against the host...
and at the
sound of the alarm they shall begin to bring down the slain.
All the people shall cease their
clamor,
........... but the priests shall continue to blow the trumpets of massacre."  - War Scroll

7

DSS: And they, teachers of lies and SEERS of falsehood,
have schemed against me a devilish scheme,
to exchange the Law engraved on my heart by Thee
for the smooth things which they speak to Thy people.
And they withhold from the thirst the drink of Knowledge, (Amos 5, 6, 8, Isa 5)
        and assuage their
thirst with vinegar,that they may gaze on their straying,
        on
their folly concerning their feast-days (Jubilee, Feast of Tabernacles)
        on their
fall into their snares.
DSS: "The priests shall blow the trumpets of massacre, and
the Levites and all the blowers of the ram's horn
shall sound a battle alarm,
and the foot soldiers shall stretch out their hands against the host...
and at the sound of the alarm
they shall begin to bring down the slain.
All the people shall cease their clamor,
but the priests shall continue
to blow the trumpets of massacre."  - War Scroll
9
DSS: They have overtaken me in a narrow pass (gap) without escape
And there is no rest for me in my trial.
They sound my censure upon a harp
and their murmuring and storming upon a zither." Ps.41:11
DSS: I will groan with the zither of lamentation
in all grief-stricken mourning and bitter complaint
until iniquity and wickedness are consumed

However, when the Scribes and Pharisees, Hypocrites (speakers, singers, instrument players Ezek 33)

DSS: Then will I play on the zither of deliverance
and harp of joy,
on the tabors of prayer and the pipe of praise
without end.
GO AHEAD, DARE TO BE A JUDAS: MAKE GOD'S DAY!
Psalms 41:11 By this I know that thou favourest me,
        because mine enemy doth not triumph over me.

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The enemy for the Church of Christ (the Rock) in the wilderness would perform vocal or instrumental rejoicing including loud self -- speaking: sermons were outlawed for the synagogue. Jesus called the Scribes and Pharisees, hypocrites and Christ in Ezekiel 33 named entertainment: speakers, singers or instrument players. That is why the doctors of the law "took away the key to knowledge." The LOGOS speak words are the opposite of rhetoric, singing, playing instruments or drama. The Enemy in Latin is:

Inĭmīcus , a, um ( Comp.: “nec quidquam inimicius quam illa (oratio) versibus,Cic. Or. 57, 194;   “inimicissime contendere,
versus   B. In partic., a line of writing; and in poetry, a verse: “ut primum versum (legis) attenderet,Cic. Rab. Post. 6, 14:
V. A kind of dance, or a turn, step, pas in a dance, Plaut. Stich. 5, 7, 2.

ōrātĭo , ōnis, f. oro,  I.a speaking, speech, discourse, language
2. Speech, language, utterance; OPPOSITE. to fact, action, II. In partic., formal language, artificial discourse, set speech (opp. to sermo, ordinary speech, conversational language): : “mollis est oratio philosophorum et umbratilis, nec verbis instructa popularibus
B. A set speech, harangue, discourse, oration: “(oratio) ut gravis, ut suavis, ut erudita sit, ut liberalis, ut polita, ut sensusprayer, the habit or practice of prayer: “perseverantes in oratione,

The enemy HATES and another definition of the TRIUMPH OVER attempts is:

God had not commanded the temple: this was a ziggurat after God turned them over to worship the starry host because of instrumental idolatry at Mount Sinai. When the Jacob-Cursed and God-Abandoned made a great NOISE God SHUT DOWN the temple so that the Jews were certain that they had captured Him in a house built by human hands. THEY said that no one could contact God but God answered the prayers from OUTSIDE the "church house" directly from HEAVEN.

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The Self-pleasure in Romans 15 is outlawed: "creating mental excitement" using any of the performing or hypocritic arts. This is the "heresy" concept which means that the object is to bewitch people so that the enemy can "take away their property."

Psalm 40.12 in hoc cognovi quoniam voluisti me quoniam non gaudebit inimicus meus super me

Gaudĭum , I.inward joy, joy, gladness, delight (opp. laetitia, joy which shows itself externally).
      the outward expressions of joy
: feminarum praecipue et gaudia insignia erant et luctus,Liv. 22, 7, 12
B.
In partic., sensual pleasure, delight, enjoyment (rare; not in Cic.; cf. “above the passage,
       
a). With dat.: “Herophile Phoebo grata,

The instrumental worship of the Egyptian trinity at Mount Sinai was a fall back into the worship of the Astrial Gods: that is why Stephen said that God abandoned them to worship the starry host.  In one way or another the Apollo or Abaddon or Apollyon of Revelation was a key "god' worshipped in the wilderness and at Jerusalem which was an old Jebusite high place devoted to Sabazianism. Therefore, the attempt to TRIUMPH OVER or silence the voice of Jesus is defined as:
Herophile PRIESTESS of Apollo (Abaddon, Apollyon) Of human beings, , (cf.: uxor, mulier, matrona;” , .Applied as a term of reproach to men, ;A.a femalewoman, , : “ In gram., tunc femina simplex,the female character undisguised Juv. 6, 327 effeminate Ov. M. 12, 470Sil. 2, 361Suet. Caes. 22Just. 1, 3Curt. 3, 10 fin. B.a female she( bestiarum )II.the feminine genderQuint. 1, 6, 121, 4, 24
In Revelation 17 the Babylonian mother of harlots in Revelation 18 uses the "lusted after fruits." These are the same FRUITS Amos warned about in Amos 8 where God turned the music IN the temple into howling because the leaders had TAKEN AWAY the water and food of the Word.  The speakers, singers, instrument players and craftsmen including ALL performing religious teknokrats HAD deceived the whole world once and John says that they along with the dogs (Catamites) will be cast alive into the lake of fire.  Males who sang and played are said to be "drunk, perverted or just having fun-mocking."  Ovid notes:
Ov. Met. 12.470

Full well I doo remember that Cymelius threw a dart
Which lyghted full in Nesseyes flank about his privie part
And think not you that Mops, the sonne of Ampycus, could doo
No good but onely prophesye. This stout Odites whoo

Had bothe the shapes of man and horse, by Mopsis dart was slayne,
And labouring for to speake his last he did but strive in vayne....
No better than a moother will I count thee whyle I live.
Remembrest not what shape by birth dame nature did thee give?
Forgettst thou how thou purchasedst this counterfetted shape
Of man? Consyderest what thou art by birth? and how for rape
Thou art become the thing thou art? Go take thy distaffe,
gaudĕo ,
(γ). [select] With abl.: “ipsa liberatione et vacuitate omnis molestiae gaudemus, omne autem id, quo gaudemus, voluptas est,Cic. Fin. 1, 11, 37: “correctione,id. Lael. 24, 90: “illis,id. ib. 6, 22: “aequitate justitiaque,id. ib. 22, 82: “hoc scientiae genere,id. Off. 3, 33, 121: “praeda ac populationibus, magis quam otio aut requie,Liv. 22, 9, 5: “scaena gaudens miraculis,id. 5, 21, 9: “equis,Hor. S. 2, 1, 26: “equis canibusque,id. A. P. 162: rure, id. S. 1, 10, 45: “pictis tabellis,id. ib. 1, 1, 72: “carmine (with delectari iambis),id. Ep. 2, 2, 59: “gaude sorte tua,id. Epod. 14, 15; cf.: “ille cubans gaudet mutata sorte,id. S. 2, 6, 110: “ero gaude,” i. e. at your master's return, Cat. 3

Outlawed by Paul in Rome in Latin:scaena gaudens miraculis,id. 5, 21, 9  2. (Post-Aug.) Of the schools of rhetoric, as scenes for the display of eloquence: “at nunc adulescentuli deducuntur in scaenas scholasticorum, qui rhetores vocantur,1. The public stage, the public: “quia maxima quasi oratori scaena videatur contionis,

Performances are always lying wonders:
mīrācŭlum , i, n. id., I.a wonderful, strange, or marvellous thing, a wonder, marvel, miracle; wonderfulness, marvellousness (class.; syn.: prodigium, portentum): miracula, quae nunc digna admiratione dicimus,

carmine (with delectari iambis)

carmen , ĭnis, n. (old form cas-men , Varr. L. L. p. 86 Bip.) [Sanscr. çasto declaim, praise; cf.: camilla, censeo],
I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto).
I. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental
II. Esp., a composition in verse, a poem; poetry, verse, song, whether in a broader sense, of every kind of poetic production, epic, dramatic, lyric (opp. to prose and to cantus, the melody), or, in a more restricted sense, for lyric poetry.

dēlecto , āvi, ātum, 1,
I. To allure from the right path, to entice away, to seduce (only ante-class.): me Apollo [ABADDON, APOLLYON] ipse delectat, ductat Delphicus, Enn. ap. Non. 97, 32 (Trag. v. 390 Vahl.: delectare, illicere, attrahere, Non.): hostem, Quadrig. ib. 98, 2: “ubi sementem facturus eris, ibi oves delectato,keep back, Cato R. R. 30 (also copied in Plin. 17, 9, 6, § 55). —
jumentis,Caes. B. G. 4, 2: “imperio,id. B. C. 3, 82: “criminibus inferendis, Cic. Lael. 18, 65: “carminibus,Hor. Od. 4, 1, 23; cf. “iambis (with gaudere carmine),id. Ep. 2, 2, 59 et passim:  “interea cum Musis nos delectabimus aequo animo,id. Att. 2, 4, 2; cf.: “cum Musis delectari,
me magis de Dionysio delectat,Cic. Q. Fr. 2, 13 fin

THOSE WHO TRY TO TRIUMPH OVER THE WORDS OF CHRIST IN THE PROPHETS AND APOSTLES USE INFERENCES. They INFER that Christ's silence is THEIR PART.  They INFER that "it doesn't matter" and that is why INFERENCES intend VIOLENCE and passing judgment

in-fĕro A. In gen., to bring forward, introduce; to produce, make, excite, occasion, cause, inflict: “in re severa delicatum aliquem inferre sermonem,
dicium, to JUDGE (post-class.), Dig. 5, 2, 4: “prima peregrinos obscena pecunia mores intulit,Juv. 6, 299. —
B. To throw upon, apply to any thing; esp. of fire, to set fire to: “tectis et templis ignes inferre conati sunt,to set fire to,
B. In partic., to conclude, infer, draw an inference, Cic. Inv. 1, 47, 87; Quint. 5, 11, 27.
A. (Mostly poet.) The fire or glow of passion, in a good or bad sense; of anger, rage, fury: ore dabat pleno carmina vera dei,Ov. F. 1, 47
To Deliver

Carmen
,
I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto).
I. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental
carmine vocali clarus citharāque
Cĭthăra , ae, f., = kithara, I.the cithara, cithern, guitar, or lute
II. Meton., the music of the cithara, or, in gen., of a stringed instrument, the art of playing on the cithara,
Hor. S. 2.3.104 If any person were to buy lyres, and [when he had bought them] to stow them in one place, though neither addicted to the lyre nor to any one muse whatsoever:
Cyrus was told how to NEUTER men:
Grant, then, forgiveness to the Lydians, and to make sure of their never rebelling against thee, or alarming thee more,
send and
forbid them to keep any weapons of war, command them to wear tunics under their cloaks, and to put buskins upon their legs,
        and make them
bring up their sons to cithern-playing (Kitharizein), singing (psallein),
        and shop-keeping (Hucksterism). 
So wilt thou soon see them become women instead of men,
and there will be no more fear of their revolting from thee."

-Kitharizô 1 [kitharis] to play the cithara, phormingi [Apollo] kitharize Il., Hes.; luręi eraton kitharizôn Hhymn. (so that there can have been no great difference between the kithara, lura, and phorminx ); kitharizein ouk epistatai, of an uneducated person,
ALL INSTRUMENT PLAYING IS RELATED TO VIOLENCE
-Arassô ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre, Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440, etc.
2. c. dat. modi, arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar, “holmō a.Nic. Th.508













ost of the church of Christ people have alread fled.


Matthew 27:29 And when they had platted a crown of thorns, they put it upon his head, and a reed in his right hand:
        and they bowed the knee before him,
        and mocked him, saying, Hail, King of the Jews!
Matthew 27:31 And after that they had mocked him, they took the robe off from him,
        and put his own raiment on him, and led him away to crucify him.
illūdo (inl-
I  Neutr., to play at or with any thing, to sport with, amuse one's self with (syn. colludo; cf. ludificor).
1. To scoff or mock at, to make a laughing-stock of, to ridicule (so most freq.): “satis superbe illuditis me,
feminarum illustrium capitibus,”  : illusa pictae vestis inania, rhetorum),
How to use PSALLO to turn captives into WOMEN

Grant, then, forgiveness to the Lydians, and to make sure of their never rebelling against thee, or alarming thee more,
send and forbid them to keep any weapons of war, command them to wear tunics under their cloaks, and to put buskins upon their legs,
..........and make them bring up their sons to cithern-playing (Kitharizein), singing (psallein),
..........and shop-keeping (Hucksterism). 
So wilt thou soon see them become women instead of men,
and there will be no more fear of their revolting from thee."

-[4] Ludoisi de sungnômęn echôn tade autoisi epitaxon, hôs męte aposteôsi męte deinoi toi eôsi: apeipe men sphi pempsas hopla aręia mę ektęsthai, keleue de spheas kithônas -[khiton  David's garment] te hupodunein toisi heimasi kai kothornous hupodeesthai, proeipe d' autoisi -kitharizein te kai psallein kai kapęleuein [prostitutes, petty trade, playing tricks, corrupting] paideuein tous paidas. kai tacheôs spheas ô basileu gunaikas ant' andrôn opseai gegonotas, hôste ouden deinoi toi esontai mę aposteôsi."

The word kitharizo means to PLAY THE CITHARA and does not include singing.

-Kitharizô 1 [kitharis] to play the cithara, phormingi [Apollo] kitharize Il., Hes.; luręi eraton kitharizôn Hhymn. (so that there can have been no great difference between the kithara, lura, and phorminx ); kitharizein ouk epistatai, of an uneducated person,

-Kithar-isis , eôs, hę, playing on the cithara, Pl.Prt.325e; k. psilę, i.e. without the voice, Id.Lg.669e, cf. Pae.Delph.15; aulęsis kai k. Phld.Mus.p.23 K.

-Arassô ,of any violent impact, with collat. notion of rattling, clanging, as of horses, hoplais, pound in a mortar, strike with a shower of stones.
a). kitharēn strike the lyre, Orph.A.382; humnon, melos, etc., Nonn.D.1.15,440, etc.
2. c. dat. modi, arassein tina oneidesi, kakois, assail with reproaches or threats,
II. Pass., to be dashed against, dash one against the other
Pound in a mortar,holmō a.Nic. Th.508

When they MOCKED Jesus the prophecy used the word Alarm or Triumph which is to play loud wind instruments and make a loud rejoicing sound.

G1702 empaizō emp-aheed'-zo From G1722 and G3815 ; to jeer at, that is, deride:
Empaizō , fut. A.-xomaiLXXHb.1.10: pf. empepaikha ib.Nu.22.29:— mock at, mock, “tiniHdt.4.134;
3. Pass., to be deluded, Ev.Matt.2.16, AP10.56.2 (Pall.), Vett.Val.16.14; to be defrauded, of the revenues, Cod.Just.1.34.2.
II. sport in or on, “hōs nebros khloerais e. leimakos hēdonaisE.Ba. 866 (lyr.); tois khoroisin e. to sport in the dance, Ar.Th.975; “ gumnasiōLuc.Lex.5. 


E.Ba. 866 Euripides, Bacchae ........OnLine Text
 
Chorus
Shall I move my white foot in the night-long dance, aroused to a frenzy, [865] throwing my head to the dewy air, like a fawn sporting in the green pleasures of the meadow, when it has escaped a fearful chase beyond the watchers [870] over the well-woven nets, and the hunter hastens his dogs [Catamites] on their course with his call, while she, with great exertion and a storm-swift running, rushes along the plain by the river, rejoicing [875] in the solitude apart from men and in the thickets of the shady-foliaged woods.
What is wisdom? Or what greater honor do the gods give to mortals than to hold one's hand [880] in strength over the head of enemies? What is good is always dear.
Empaiktęs , ou, ho,A. mocker, deceiver, LXXIs.3.4, 2 Ep.Pet.3.3, Ep.Jud. 18.
2 Peter 2:13 And shall receive the reward of unrighteousness, as they that count it pleasure to riot in the day time. Spots they are and blemishes, sporting themselves with their own deceivings while they feast with you;

Entrupo (g1792) en-troo-fah'-o; from 1722 and 5171; to revel in: - sporting selves.

Truphaô , ( [truphę]
2. part. truphōn as Adj., effeminate, luxurious, Ar.Nu.48, etc.; “t. kai amelēsPl.Lg.901a; “to truphōneffeminacy, Ar.V.1455 (lyr.); also of things, dainty, delicate,  “paison,
II. to be licentious, run riot, wax wanton, Ar.Lys.405, etc.; to be extravagant

Paison paizô [pais]
2. esp. dance, “paisateOd.8.251; “dōma peristenakhizeto possin andrōn paizontōn23.147, cf. Hes.Sc.277; “p. te kai khoreuein
alla pepaistai metriōs hēmin, of the chorus,
4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōnAr.Ra.230; dance and sing, Pi. O.1.16.
5.
play amorously,


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