Mike Cope Women Worship Leaders

A Church or Ekklesia of Christ is commanded to READ or SPEAK that which is written for our LEARNING. Jesus said that Doctors of the law such as Scribes and Pharisees take away the kEY to learning knowledge.  Scripture and The Classical writers drew a Red Line in the Sand against the class of people devoted to SOPHIA and those devoted to LOGOS.

Judah.Tamar.gif
Judah and Tamar Testament Judah

The WORD or LOGOS is what God SPEAKS.  It is the Regularive Principle. It EXCLUDES rhetoric, singing, playing instruments or acting. To reject the Word is the mark of ANTICHRIST.

The Spirit OF Christ in Isaiah says of those who do NOT speak the WORD that THERE IS NO LIGHT IN THEM.
C. Leonard Allen: In this view God is essentially dynamic, relational, and ecstatic (going outside oneself). God is the very paragon of love in relationship, of living in intimate community and submissive freedom--
"Pepperdine 2017 workshop Song of Solomon Song of Solomon 2:12. It is our great ... We begin and conclude each day with periods of heartfelt worship. Song 2:2 As the lily among thorns, so is my love among the DAUGHTERS
   or Chosen Concubine for the Sacred Marriage based on Ishtar (etal) and Tammuz (the Babylonian Jeasus)


Rick.Marrs.Pepperdine.2017.Song.of.Solomon.html

Courtship of Inanna and Dumuzi or Tammuz in Ezekiel 8

First: Worship is IN the Spirit or Mind as a PLACE: God will not enter houses and cannot be worshipped with the works of human hands. The Abomination in a "holy place" is defined Deuteronomy.18.Abomination.Of.Those.Nations

Second: The Hieros Gamos fulfills (Revelation 17-18) with the Babylonian Harlot using ANY craftsman, singer or instrument player led by Apollon is called a sorcerrer and will be cast alive into the lake of fire.

Laura Buffington SEX and SALVATION: the Song of Solomon or the Hieros Gamos.

SEE Sara.Barton.The.Song.of.Solomon
for more notes on the Hieros Gamos. Timothy commanded that BOTH be silent and sedentary so that "We might all be SAFE and come to a knowledge of the Truth. All of Scriptures and the Campbells makes this the One Piece Pattern with no Roles and no Dole. Selling the Word or corrupting it is called adultery by Paul and Civil Greek Society.

Third: ALL of Jerusalem had been abandoned to worship the starry host (Acts 7 etal) because of rising up to PLAY instruments and PLAY with one another. The Jacob-Cursed and God-Abandoned Levites did HARD BONDAGE from ABADDON.

Fourth: In Garden of Eden, Mount Sinai, The Song of Solomon and the Apostate Church, the Song of Solomon is the Hieros Gamos: That's why they say WE USE WOMEN when there are no performance roles for women OR men.

ACappella is the mark of the Pope's Castrated Worship Team IN THE Sistine Chapel or Caper or GOAT SHRINE. BUT, the STYLE is Organum with several voices speaking the SAME NOTE because "evil men set their lies to melodies to trick the simple-minded as everyone understood. Commanded Romans 15.

LOGOS AS REGULATIVE PRINCIPLE: 4.speech, delivered in court, assembly
VI. verbal expression or utterance, lego, lexis

      -Lexis A.speech, OPPOSITE τidκ

-τidκ, 1.art of song 5. = eppsdκ, spell, incantation
LOGOS: 4. text of an author,  OPPOSITE exegesis [Peter's private interpretation outlaws exegesis] Arist.En1142a26

FIRST: Logos meant that they needed to discuss something important. In order not to be "fluted down with wine" they voted to dismiss the flute and harp boys and girls.  That was Paul's warning so that they could SPEAK the Biblical text for LEARNING.

SECOND: Sophia meant
they couldn't discuss anything. Paul outlawed self pleasure which is the heresy or sectarian disturbance of rhetoric, singing or playing instruments.

§ Plato on the Symposium i. Summary of the Argument.

First: Not till they are half-way through the meal does Socrates appear; and Agathon rallies him on his devotion to sophia. The proposal of Pausanias to restrict the potations, in view of yesterday's banquet, and that of Eryximachus to dismiss the flute-girl

Second: and amuse themselves by logoi, are unanimously agreed to. Then Eryximachus propounds an idea of Phaedrus, that Eros is the best possible theme for encomia, and suggests that each of the party in turn, commencing with Phaedrus, should now deliver an encomium on Eros. This suggestion is applauded by Socrates. Of the encomia the most noteworthy were the following:—

d The varying nomoi [Legalism] concerning Eros may be classified thus:—

(1) In all Greek states except Athens the nomos is simple, either
        (a) approving paederastia, as in Elis and Boeotia; or
        (b) condemning it, as in Ionia and states subject to barbarian rule,
                where it is held to foster a dangerous spirit of independenc
e (e.g. Harmodius and Aristogiton).
        (2) At Athens the nomos is complex. (a) Eros is approved, and its excesses condoned, when directed towards superior youths approaching manhood. (b) It appears to be condemned, in so far as parents forbid their boys to hold converse with “erastae.” The explanation of this ambiguous attitude must be sought in the principle laid down above, that the moral quality of an act depends upon the conditions of its performance.

THE ONE-PIECE PATTERN OF GOD WHICH REJECTS SOPHIA:

Luke 1:69 And hath raised up an horn of salvation
        for us in the house of his servant David;
Luke 1:70 As he spake by the mouth of his holy prophets,
        which have been since the world began:
Luke 1:71 That we should be saved from our enemies,
        and from the hand of all that hate us;
Luke 1:72 To perform the mercy promised to our fathers,
        and to remember his holy covenant;
Luke 1:73 The oath which he sware to our father Abraham,
Luke 1:74 That he would grant unto us,
        that we being delivered out of the hand of our enemies
        might serve him without fear,
Luke 1:75 In holiness and righteousness before him, all the days of our life.
Luke 1:76 And thou, child, shalt be called the prophet of the Highest:
        for thou shalt go before the face of the Lord to prepare his ways;
Luke 1:77 To give knowledge of salvation unto his people by the remission of their sins,
Luke 1:78 Through the tender mercy of our God;
        whereby the dayspring from on high hath visited us,
Luke 1:79 To give light to them that sit in darkness and in the shadow of death,
        to guide our feet into the way of peace.

A Church of Christ is not built upon SOPHIA or strange sexuality manifest by rhetoric, music or any self-exhibition. Corrupting the Word or selling learning at retail is defined as prostitution:

A Church of Christ is built upon LOGOS or God's Regulative principle EXCLUDING the hypocratic and effeminate arts and crafts:

Eph. 2:18 For through him we both have access by one Spirit [the WORD or LOGOS] unto the Father.
Eph. 2:19 Now therefore ye are no more strangers and foreigners,
        but fellowcitizens with the saints, and of the household of God;
Eph. 2:20 And are built upon [educated by] the foundation
        of the apostles and prophets,
        Jesus Christ himself being the chief corner stone;

YOU HAVE TO BE PURPOSE DRIVEN OR FOREORDAINED (JUDE) TO MAKE A PROFESSION OF SEX AS SALVATION.
AUGUSTINE:  50. From this, therefore, let them understand that the matter is not left obscure or doubtful even to the slowest and dullest minds: from this, I say, let these perverse applauders of Christ and execrators of the Christian religion understand that the disciples of Christ have learned and taught, in opposition to their gods, precisely what the doctrine of Christ contains.

For the God of Israel is found to have enjoined in the books of the prophets that all these objects which those men are minded to worship should be held in abomination and be destroyed, while He Himself is now named the God of the whole earth, through the instrumentality of Christ and the Church of Christ, exactly as He promised so long time ago.

Deut. 18:10 There shall not be found among you any one that maketh his son or his daughter to pass through the fire, or that useth divination, or an observer of times, or an enchanter, or a witch,
hărĭŏlus  soothsayer, prophet, prophetess
somnĭo , to dream; to dream of or see in a dream, to dream, i. e. to think idly or vainly, to talk foolishly:
psaltrĭa , ae, f., = psaltria, . a female player on the cithara, a lutist, “ineptias,” Col. 1, 8, 2: “ah stulte! tu de Psaltriā me somnias Agere,” Ter. Ad. 4, 7, 6; Plaut. Pers. 2, 3, 5Absol.: “vigilans somniat
“portenta non disserentium philosophorum sed somniantium,” Cic. N. D. 1, 8, 18.

Deut. 18:11 Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer
A Charmer is an Abomination

Cantus A. Prophetic or oracular song  incantātor , ōris, m. incanto, I. an enchanter, wizard (post-class.), 2. With instruments, a playing, music: “citharae, [guitar] “horribili stridebat tibia cantu, “simul ac tubarum est auditus cantus,

Signs or wonder
s "  Liv. 31, 12, 8 Along with "plundering" the temples, among the Sabines, a child of uncertain sex was born, while another was found whose sex, at the age of sixteen, could not be determined. All these disgusting and monstrous creatures seemed to be signs that nature was confusing species; but beyond all else the hermaphrodites caused terror,... In addition, they directed that a hymn be sung throughout the city by thrice nine maidens, and that an offering be made to Queen Juno.

The Purpose Driven and Kairos Church Planters "infiltrate and divert the church houses of widows" so they can musicate and fabracate
MEN ARE SILENCED BECAUSE THEY PERMIT WRATH OR AN ORGY TO BREAK OUT: singing, clapping, playing and SEXUAL persona of the Cohorts.

WOMEN ARE TO BE SILENT: Paul was speaking of the Mad Women of Corinth who went mad on music or drugs and claimed that her babbling (praise hymns) were messages from a God. During the Carol Wimber or Fuller "climax with the spirit" she preped you for the FOURTH ACT of worship: giving of monney.


1Corinthians 14:33 For God is not the author of confusion,  [purpose-driven discord]
        but of peace,
   
ma^nia   II. enthusiasm, inspired frenzy, “m. Dionusou para” E.Ba.305; “apo Mousōn katokōkhē te kai m.” Pl.Phdr. 245a; theia m., opp. sōphrosunē anthrōpinē, passion, “erōtikē m.”

Of those who claim that A spirit is leading them, His name is Appollon the leader of the Locusts-Muses known as dirty prostitutes and as Sorcerers in Revelation 18.

katokōkh-ē , II. being possessed, inspiration, “theia moira kai katokōkhē” Pl.Ion536c; “apo Mousōn k.
THE MARK OF MADMEN or STRONGLY DELUDED
Plat. Phaedrus 245a And a third kind of possession and madness comes from the Muses. This takes hold upon a gentle and pure soul, arouses it and inspires it to songs and other poetry, and thus by adorning countless deeds of the ancients educates later generations. But he who without the divine madness comes to the doors of the Muses, confident that he will be a good poet by art, meets with no success, and the poetry of the sane man vanishes into nothingness before that of the inspired madmen



THAT IS WHY THE NORMAL-QUIET MALE AND THE "PROPHESIER" WOMEN ARE TO BE SILENT. So that all might be SAFE and come to a knowledge of the truth.

IF YOU RISE UP AGAINST THE WORD OR LOGOS IN MUSICAL APOSTASY JUDE SAYS THAT YOU WERE FOREORDAINED. 

as in all churches of the saints.
        Let your women keep silence in the churches:
        for it is not permitted unto them to speak;
        but they are commanded to be under obedience,
        as also saith the law. 1Corinthians 14:34

The ONLY ordained task was to PREACH the Word (only) by READING the Word only. Everyone else was to be SILENT. For some reason it was women and effeminate males who violated this rule in paganism.

si_gaō  2.  metaph. of things, “sigōn d' olethros kai mega phōnount'
surigges ou sigōsin”  surigx , iggos, , A.shepherd's pipe, Panspipe,
phōn-eō , (phōnē) A.produce a sound or tone: 4. of a musical instrument, sound, E.Or.146 (lyr.); of sounds, hēdu phōnein sound sweetly, Plu.2.1021b; but brontē ph. it has a voice, is significant, X.Ap.12.

Xen. Apol. 12 As for introducing ‘new divinities,’ how could I be guilty of that merely in asserting that a voice of God is made manifest to me indicating my duty? Surely those who take their omens from the cries of birds and the utterances of men form their judgments on ‘voices.’ Will any one dispute either that thunder utters its ‘voice,’ or that it is an omen of the greatest moment? Does not the very priestess who sits on the tripod at Delphi divulge the god's will through a ‘voice’?

surigx , iggos, , A.shepherd's pipe, Panspipe, [Nomos: all rhetoric or music is LEGALISTIC and must be performed by a PATTERN.
 surizō” 11.2, surigmos:—the last part of the nomos Puthikos was called surigges, prob. because it imitated the dying hisses of the serpent Pytho, Str.9.3.10. 3. mouthpiece of the aulos
SPEAK: la^l-eō ,  OPPOSITE of  legō or lOGOS which is the opposite of ODE.
II. chatter, opp. articulate speech, as of LOCUSTS, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday,
III. of musical sounds, “aulō laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou ē salpiggos l.” Arist. Aud.801a29; of Echo, D.C.74.14: also c.acc. cogn., magadin lalein sound the magadis,

The WORD is the LOGOS and it is the Regulative Principle. It is law because it outlaws personal opinions, personal experiences, rhetoric, singing, playing instruments or acting such as the self-exhibition of the cute and popular whereas speaking the WORD like Jesus would make the HATED and murdered.

Miriam was a prophetess because she was an Egyptian and as a virtual princess would serve Hathor or the female Apis or golden calf. The musical idolatry at Mount Sinai got Israel turned over to worship the starry host (Acts 7 etal) and sentenced to captivity and death in Babylon: that is THE LAW.

Miriam means:

Miryam (h4813) meer-yawm'; from 4805; rebelliously; Mirjam, the name of two Israelitesses: - Miriam.
Meriy
(h4805) mer-ee'; from 4784; bitterness, i. e. (fig.) rebellion; concr. bitter, or rebellious: - bitter, rebellion, rebellious).

Marah (h4784) maw-raw'; a prim. root; to be (caus. make) bitter (or unpleasant); (fig.) to rebel (or resist; causat. to provoke): - bitter, change, be disobedient, disobey, grievously, provocation, provoke (- ing), (be) rebel (against, -lious).

"In the first place, it will be noticed from the account of the triumphant rejoicing on the shore of the Red Sea that the men sang only: 'Then sang Moses and the children of Israel this song unto the Lord, and spake saying.'" (Girardeau, George, p. 33)

"In the second place, it was Miriam and the women who used instruments of music on the occasion: 'And Miriam, the prophetess, the sister of Aaron, took a timbrel in her hand; and all the women went after her with timbrels and with dances." (George Girardeau, Presbyterian.).

The PLAY at Mount Sinai would have been led by women prophetesses. That violation of The Book of the Covenant which was SILENT about the use of Egyptian music was seen by God as their prayer and He TURNED THEM OVER TO WORSHIP THE STARRY HOST.

"The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589).

When Miriam took the lead over Aaron and claimed that her "prophesying" was the WORD of God, He smacked her with leprosy

"She was "the sister of Moses, was the eldest of that sacred family; and she first appears, probably as a young girl, watching her infant brother's cradle in the Nile, (Exodus 2:4) and suggesting her mother as a nurse. ver. 7. After the crossing of the Red Sea "Miriam the prophetess" is her acknowledged title. ch. (Exodus 15:20) The prophetic power showed itself in her under the same form as that which it assumed in the days of Samuel and David,

poetry, accompanied with music and processions. ch. (Exodus 15:1-19)

"She took the lead, with Aaron, in the complaint against Moses for his marriage with a Cushite, (Numbers 12:1,2) and for this was attacked with leprosy. This stroke and its removal, which took place at Hazeroth, form the last public event of Miriam's life. ch. (Numbers 12:1-15) She died toward the close of the wanderings at Kadesh, and was buried there. ch. (Numbers 20:1) (B.C. about 1452.) (Smith's Bible Dictionary)

God warned:

Take heed in the plague of leprosy, that thou observe diligently, and do according to all that the priests the Levites shall teach you: as I commanded them, so ye shall observe to do. Deut 24:8

Remember what the Lord thy God did unto Miriam by the way, after that ye were come forth out of Egypt. Deut 24:9


1Corinthians 14:35 And if they will learn any thing,

     Let them ask their husbands at home:
     for it is a shame for women to speak in the church.

Beyond the absolute PATTERN of Reading or Speaking the Logos or regulative principle it is a SHAME for men to so speak. However, we are told that singing and playing marked one as "drunk, perverted or just having fun." it was not a warning needed for Word Centered Males.

IF they are interested in LEARNING as the one-piece pattern for the ekklesia

disco learn, to learn to know, to become acquainted with manthanō , hoi manthanontes learners, pupils, IV. understand

If she-he is NOT interested in learning anything but the READ and MEMORIZED text of the bible then she might preach out of her own head, sing, play, dance or clap.


Inter-rŏgo  To interrogate judicially, to examine; to go to law with, bring an action against,  to cross-question a witness in such a manner as to make him contradict himself, To argue, reason syllogistically:
     

eperōt-aō   put a formal question in stipulatio

turpis   of sound, disagreeable, cacophonous, shameful thing, a disgrace, shame, reproach:

To speak out, to say, tell, talk about, mention, utter, name:
lŏquor , “loquere tuum mihi nomen,” Plaut. Men. 5, 9, 7; id. Aul. 2, 1, 15: “deliramenta,” id. Am. 2, 2, 64: “quas tu mulieres quos tu parasitos loquere,” id. Men. 2, 2, 47:

If she is a hired craftsman then "eating at the expense of others" is THE meaning of a PARASITE.
       

părăsītus , i, m., = parasitos, lit. one who eats with another; hence, II. In partic., in a bad sense, one who, by flattery and buffoonery,
Hence, parasitus Phoebi [serving Apollon], a player, actor, Mart. 9, 29, 9
manages to live at another's expense, a sponger, toad-eater, parasite  
Martial, Epigrams. Book 9. III. TO DOMITIAN. But what shall I say of the temples to Hercules and Apollo, and the affectionate Lacedemonian twins?1 What of the Flavian temple which towers to the Roman sky? You must needs be patient and suspend your claims, for Jove's treasury does not contain sufficient to pay you. 1 Castor and Pollux.

XLII. TO APOLLO, THAT STELLA MAY HAVE 
THE CONSULSHIP
.
So may you ever be rich, Apollo, in your sea-girt plains; so may you ever have delight in your ancient swans; so may the learned sisters ever serve you, and your Delphic oracles never speak falsely; so may the palace of Caesar worship and love you; as the kind Domitian shall speedily grant and accord to Stella, at my request, the twelve fasces. Happy then shall I be, and, as your debtor for the fulfilment of my prayer, will lead to the rustic altar a young steer with golden horns, as a sacrifice to you. The victim is already born, Phoebus; why do you delay?

Tuesday, May 20, 2014
TODAY the Sun enters the Sign of Gemini — the sign of the Twins Castor and Pollux, Gods of Homosexuality.  This is the zodiac sign which ushers in a special sacred time in the Religion of Antinous, for this is the time of year when the STAR OF ANTINOUS rises, after having been hidden below the horizon since the Death of Antinous at the end of October.


la^l-eō , II. chatter, opp. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi),
III. [select] of musical sounds, “aulō laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou ē salpiggos l.” Arist. Aud.801a29; of Echo, D.C.74.14: also c.acc. cogn., magadin lalein sound the magadis,
Proving the problem of "uncovered" female prophesiers (singing, music) in 1 cor 11:5
 
1Corinthians 14:36 What? came the word of God out from you? or came it unto you only





1 Timothy 2.12 I Suffer Not a Woman to Teach or usurp Authority: Authentia Murderous and Sexual

3.15.16  SEE Sara.Barton.The.Song.of.Solomon for more notes on the Hieros Gamos. Timothy commanded that BOTH be silent and sedentary so that "We might all be SAFE and come to a knowledge of the Truth. All of Scriptures and the Campbells makes this the One Piece Pattern with no Roles and no Dole. Selling the Word or corrupting it is called adultery by Paul and Civil Greek Society.

Would YOU lie, cheat, steal the church house of widows and sow discord for this?   Would you follow or allow to teach your youth TO LEAVE OUR MOVEMENT anyone who said that God Commanded an Instrumental Sectarian Institution for the first claim of a spirit's authority in recorded history? 

Blasphemy Against the Holy Spirit--the Word of God, Logos, Regulative Principle
John writes that Antichrist denies the one god the FATHER and one SON Jesus Christ

Blasphemy: Claiming the Baptism of The Holy Spirit. North Boulevard Church of Christ East and West.
 The Baptism of Fire is reserved for the Viper Race (serpents) including Scribes and Pharisees: Speaking your own Words, singing, playing instruments, drama or anything beyond REST which means A School (only) of Christ (only).

The Abomination of Desolation: first defined as the instrumental-trinitarian worship at Mount Sinai.

III. [select] of musical sounds, “aulō laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou ē salpiggos l.” Arist. Aud.801a29; of Echo, D.C.74.14: also c.acc. cogn., magadin lalein sound the magadis,

A NEW DAY CONFERENCE: KAIROS (DEVIL) CHURCH PLANTERS

Mike Cope ACappella Music
The castrated opra singers were imported to the Sistine Chapel (capel) as "worship team" where instruments were outlawed in the Pope''s presence. They replaced the FALSETTO WORSHIP TEAM who could not compete. The SYLE of singing was ORGANUM which was chanting with one and later two notes. After castrating was outlawed composers wrote TROUSER'S SONGS known as PRAISE SONGS.  Musical performers known as PARASITES had to be male but they had to perform the role of women. That is the MARK of worship services to which the kingdom does not come.

All musical terms and names of instruments point to sorcery or witchcraft. That is because the witch of Endor used an old wineskin stretched over a hole in the ground as her "familiar spirit." Bone flutes made a sound the earliest witch doctor understood to create the laded burden or "spiritual anxiety" through rituals performed by cunning craftsmen or sophists: rhetoricians, singers, instrument players, actors, dancers or even prostitute who could "bring you into the presence of the gods" -- for a price.

Abomination of desolation? Daniel 3: 5 bow to the phallic pillar when you hear the cornet, flute, harp, sackbut, psaltery, dulcimer, and all kinds of musick.

Instrumental Idolatry:  Children pass through the fire, or that useth divination, or an observer of times, or an enchanter, or a witch,
Deut. 18:1 The priests the Levites, and all the tribe of Levi,
        shall have no part nor inheritance with Israel:
        they shall eat the offerings of the LORD made by fire, and his inheritance.
Deut. 18:9 When thou art come into the land which the LORD thy God giveth thee, thou shalt not learn to do after the abominations of those nations.
Deut. 18:10 There shall not be found among you any one that maketh his son or his daughter to pass through the fir
e, or that useth divination, or an observer of times, or an enchanter, or a witch,
hărĭŏlus  soothsayer, prophet, prophetess
somnĭo , to dream; to dream of or see in a dream, to dream, i. e. to think idly or vainly, to talk foolishly:
psaltrĭa , ae, f., = psaltria, . a female player on the cithara, a lutist, “ineptias,” Col. 1, 8, 2: “ah stulte! tu de Psaltriā me somnias Agere,” Ter. Ad. 4, 7, 6; Plaut. Pers. 2, 3, 5Absol.: “vigilans somniat
“portenta non disserentium philosophorum sed somniantium,” Cic. N. D. 1, 8, 18.

Deut. 18:11 Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer
A Charmer is an Abomination
incantātor
, ōris, m. incanto, I. an enchanter, wizard (post-class.), Tert. Idol. 9; Isid. 8, 9, 15; Mos. et Rom. Leg. Coll. 15, 1, 2.

consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: “Apollinem de re,” Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,” Liv. 1, 20, 7: “deos hominum fibris,” Tac. A. 14, 30 fin.: “Phoebi oracula,” Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,” Plaut. Am. 5, 1, 76:

Cantus A. Prophetic or oracular song: “veridicos Parcae coeperunt edere cantus,” Cat. 63 cf. Tib.
B. An incantation, charm, magic song, etc.: cantusque artesque magorum.
“cantus e curru Lunam deducere tentat,”
2. With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,”
This was outlawed for the Church of Christ (the Rock) in the wilderness
These ăb-ōmĭnor are always MARKED “semimares,” Liv. 31, 12, 8

  Signs or wonders "  Liv. 31, 12, 8 Along with "plundering" the temples, among the Sabines, a child of uncertain sex was born, while another was found whose sex, at the age of sixteen, could not be determined. All these disgusting and monstrous creatures seemed to be signs that nature was confusing species; but beyond all else the hermaphrodites caused terror,... In addition, they directed that a hymn be sung throughout the city by thrice nine maidens, and that an offering be made to Queen Juno.

Galli A form gallantes, as if from gallare, "to rave like a priest of Cybelι," is cited from Varro (ap. Non. p. 119Non., 5). In their wild, enthusiastic, and boisterous rites the Galli recalled the legends of the Corybantes (q.v.). According to an ancient custom, they were always castrated (spadones, semimares, semiviri, nec viri nec feminae), and it would seem that, impelled by religious enthusiasm, they performed this operation on themselves... Other names, however, are of distinctly Semitic affinities; Rhea perhaps=the Babylonian Ri (Mulita or Mylitta), and Nana more certainly=the Babylonian Nana, modern Syrian Nani.  Nana motherof Attis

Paul hoped that the concision's knife slipped.

Paizo
, 4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16. 5. play amorously, “pros allēlous” X.Smp.9.2


WHAT IS THE ABOMINATION IN A HOLY PLACE: Not before David would a male sing and play in self-exhibition.

Moloch.harp.drum.flute.gif

ANYTHING BEYOND A SCHOOL OF THE WORD (REGULATIVE PRINCIPLE) IS A PREDESTINED CULT.

Sabbath was never a day of worship beyond Rest, Reading and Rehearsing the Word of God. The New Day or New Hermeneutics teaches people to despise their ancestors and even parents who "did the best they could" before "a" spirit helped Cast A Vision: an old Wicca concept from Hope Network.
Kata-Pauo   3. depose from power, k. tina tκs archκs, tκs basilκοκs, Hdt.4.1, 6.64; tous turannous Id.5.38 , cf. 2.144, 7.105;
Mousas depose them from their honours, cease to worship themE. HF685
Mousa singing, playing the lyre, Aiakō moisan pherein” Pi.N.3.28  Queenly Muse our Mother

Stopleitourg-ia ,  public service of the gods, 2. perform religious service, minister, “epi tōn hierōn”
Stop Singing, aoid-ē  spell, incantantations,  
Stop melōd-eō , A. chant, sing,
Stop the Rhetoric
Sabbat-ismos A. a keeping of days of rest, Ep. Hebr.4.9, baptismous Bentley). Latin: quĭes to take repose, keeping still, rhe rest of sleep, repose
        Ab-luo abluere sibi umbras, to remove darkness (by bringing a light),
        II. Trop., of calming the passions
Stop the sorcery Pharmakon A. poisoner, sorcerer, magician,
Eur. Her. 685 Yes, still the aged singer lifts up his voice of bygone memories: still is my song of the triumphs of Heracles [gender-bent worship] whether Bromius the giver of wine is near, or the strains of the seven-stringed lyre and the Libyan pipe are rising; [685] not yet will I cease to sing the Muses' praise, my patrons in the dance.
skholē , , A.leisure, rest, ease,
skhol-azō have rest or respite from a thing, cease from doing,
have rest or respite from a thing, cease from doing,  students, study, attend lectures, devote oneself to a master, attend his lecture

NOT: the school of
Apollon the only personified "spirit" and the leader of his worship team.
Elders turned
lukeios  epith. of Apollon or (fr. Lukē) as the god of light: “Lukei' Apollon

THOSE WHO WERE PREDESTINED--OF THE WORLD ORDER, ECUMENICAL OR THE KINGDOM OF THE DEVIL

Jude 3 Beloved, when I gave all diligence to write unto you of the common salvation,
        it was needful for me to write unto you,
        and exhort you that ye should earnestly contend for THE FAITH [The Word, Logos, Regulative Principle]
        which was once delivered unto the saints.
Jude 4 For there are certain men crept in unawares,
        who were before of old ordained to this condemnation,
        ungodly men, turning the grace of our God into lasciviousness,
        and denying the
                only Lord God,
                and
                our Lord Jesus Christ[Trinitarian Antichrists according to John]
Jude 5 I will therefore put you in remembrance, though ye once knew this,
        how that the Lord, having saved the people out of the land of Egypt,
        afterward destroyed them that believed not.
Jude 6 And the angels which kept not their first estate,
        but left their own habitation,
        he hath reserved in everlasting chains
        under darkness unto the judgment of the great day.

Moses prayed for the people but God did not save the SINNERS: 3000 of the brethren were executed by the Jacob-Cursed and God-Abandoned and Atchley-Affirmed Levites.

  RICK ATCHLEY'S COMMAND TO IMPOSE "INSTRUMENTAL PRAISE."

2Chr. 29:27 And Hezekiah commanded to offer the burnt offering upon the altar.
And when the burnt offering began, the song of the LORD began also with the trumpets,
        and with the instruments ordained by David king of Israel.

  1. Hezekiah stopped the sacrifice of infants with the instrumental noise of the Levites who were an old Egyptian Infant burning priesthood. 
  2. As soon as Hezekiah died the sacrifices to Moloch began all over again. And THIS IS THE PATTERN of those LYING IN WAIT TO DECEIVE.
  3. The personified Spiritus is Apollon-Abaddon. He is king over the "lusted after fruits" (same as Amos 8)

To Hestia HH 24  To the Muses and Apollo
[1] Hestia, you who tend the holy house of the lord Apollo, the Far-shooter at goodly Pytho, with soft oil dripping ever from your locks,
   come now into this house, come, having one mind [5] with Zeus the all-wise —draw near, and withal bestow grace upon my song.
Hestia Vesta, daughter of Kronos and Rhea [Eve, Evah Abominating Mediatrix among the historic gender gapped],
Paul cast the Divining (Pythian) spirit out of the young girl who then and now were used as a way to fleece people by getting aroused and chanting a prophecy

HH 25    [1] I will begin with the Muses and Apollo [Apollōnos] and Zeus. 
        For it is through the Muses and Apollo that there are singers upon the earth
        and players upon the lyre; but kings are from Zeus.
                Happy is he whom the Muses [5] love: sweet flows speech from his lips.

Mousagetēs 1 doric for Mousēgetēs leader of the Muses, Lat. Musagetes, of Apollo [Abaddon, Apollyon] , Plat.1 Mous-a_getēs, ou, ho,
Mousa_geta_s
, a, ho, Dor. for Mousēgetēs (v. infr.), A.leader of the Muses, epith. of Apollo, Pi.Fr.116; “ho m. kai arkhagetas tas poiētikas theos” (Delph. Mousēgetēs , Pl.Lg. 653c, D.S.1.18, Jul.Or.4.132a, al.; voc. Mousēgeta^ , IG12(5).893 (Tenos); also Epithet of Heracles, in dat. Mousagētē ,

Molech.Col.Wiki2.gif

The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589).

ACTS 7 IS A DIRECT PARALLEL TO AMOS WHOM DAVID CLAIMS WERE JUST INTERNAL WRONG.

Acts 7:37 This is that Moses, which said unto the children of Israel,
        A PROPHET shall the Lord your God raise up unto you of your brethren,
        like unto me; him shall ye hear.
Acts 7:38 This is he, that was in the church in the wilderness
        with the angel which spake to him in the mount Sina, and with our fathers:
        who received the lively oracles to give unto us:
Acts 7:39 To whom our fathers would not obey,
        but thrust him from them, and in their hearts turned back again into Egypt,
Acts 7:40 Saying unto Aaron, Make us gods to go before us:
        for as for this Moses, which brought us out of the land of Egypt, we wot not what is become of him.

Acts 7:41 And they made a calf in those days,

        and offered sacrifice unto the idol,
        and rejoiced in the works of their own hands.

Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3   II. Pass., make merry, enjoy oneself, to sing,
i. mēkhanēn, [sound, lights ]in the theatre,  merriment of a feast
4. take up and bear, as a burden, “moron” A.Pers.547; “athlon” S.Tr.80; “algos” A.R.4.65.
2. raise by words, hence, praise, extol, E.Heracl.322, etc.; ai. logō to exaggerate, D.21.71.
mēkha^n-ē  

Acts 7:42 Then God turned,
        and gave them up to worship the HOST of heaven; 
        as it is written in the book of the prophets,
        O ye house of Israel,  have ye offered to me slain beasts and sacrifices
        by the space of forty years in the wilderness? 

Acts 7:43 Yea, ye took up the tabernacle of Moloch
        and the star of your god Remphan
        figures which ye made to worship them: 
        and I will carry you away beyond Babylon.

Paul hoped that the concision's knife slipped.

Paizo, 4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōn” Ar.Ra.230; dance and sing, Pi. O.1.16. 5. play amorously, “pros allēlous” X.Smp.9.2

Chrysostom's Commentary on Galatians:
Galatians 5:1.-"With freedom did Christ set us free; stand fast therefore.115 ."
Ver. 12. "I would that they which unsettle you would even cut themselves off." And he says well "that unsettle you."A man that is heretical after the first and second admonition refuse." (Tit. iii: 10) If they will,  let them not only be circumcised, but mutilated. Where then are those who dare to mutilate themselves; seeing that they draw down the Apostolic curse, and accuse the workmanship of God, and take part with the Manichees?

Chrysostom understood that the pagans used vocal or instrumental noise to stir up or create anxiety so that they could steal your food money. Christ outlawed this in Isaiah 55.  Christ outlawed BLASPHEMY in the modern context of saying that God commanded instrumental distractions when  He DID NOT.

But if you will not allow this,  why do you not mutilate the tongue for blasphemy, the hands for rapine, the feet for their evil courses, in short, the whole body?

For the ear enchanted by the sound of a flute hath often enervated the soul;
and the perception of a sweet perfume by the nostrils hath bewitched the mind, and made it frantic for pleasure .

David's PRAISE word HALAL threatened the same sexual proof of superiority:

Ululo
Ulŭlo  I. Neutr., to howl, yell, shriek, utter a mournful cry. B.Transf., of places, to ring, resound, re-echo with howling: penitusque cavae plangoribus aedes Femineis ululant,Verg. A. 2, 488 : resonae ripae, Sil. 6, 285 : Dindyma sanguineis Gallis, Claud. Rapt. Pros. 2, 269 .--
AS PROPHESIED AND FULFILLED BY THOSE PREDESTINED FROM OLD.

PROPHECY OF JUDAS IN PSALM 41 AND THE DEAD SEA SCROOLS

Ruwa (h7321) roo-ah'; a prim. root; to mar (espec. by breaking); fig. to split the ears with sound, i. e. shout (for alarm or joy): - blow an alarm, cry (alarm, aloud, out), destroy, make a joyful noise, smart, shout for joy, sound an alarm, triumph.

By this I know that thou favourest me, because mine enemy (Judas) doth not triumph over me. Ps.41:11

DSS: "After them the chiefs of the Levites serve continually, twelve in all, one to a tribe. The chiefs of their courses shall serve each man in his office. The chiefs of the tribes and fathers of the congregation shall support them, taking their stand continually at the gates of the sanctuary

DSS: And they, teachers of lies and seers of falsehood,
        have schemed against me a devilish
scheme to exchange the Law engraved on my heart
        by Thee
for the smooth things which they speak to Thy people.
"The priests shall blow the trumpets of massacre, and the Levites and all the blowers of the ram's horn
        shall sound a
battle alarm,
        and the foot soldiers shall stretch out their hands against the host...
and at the sound of the alarm
        they shall begin to
bring down the slain.
All the people shall cease their clamor,
       
but the priests shall continue
        to
blow the trumpets of massacre."  -
 War Scroll
DSS: All who have eaten my bread
        have
lifted their heel against me (cf John 13:18)
        And all those
joined to my Council
        have
mocked me with wicked lips. (Children piping and chiding.)
They have overtaken me in a narrow pass (gap) without escape .........
        And there is no rest for
me in my trial. .........
        They
sound my censure upon a harp ........
        .
and their murmuring and storming upon a zither." Ps.41:11

And God WATCHED the prophesied and fulfilled Musical Worship Team
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your FINGERS: not a plectrum
Psallo and SOP have the same root meaning.

Mock.Jesus.Half.size.jpg


Scripture and church history calls those claiming that "music" must be used in what is always called a SCHOOL liars and accusing God of being liars.

The SABBATH was a day of REST and not a time for men to collect enough people to free him from work.  Rest in Greek is PAUO which demands that you STOP that which the universities are determined to introduce.

Sabba^t-ismos , ho,
A.a keeping of days of rest, Ep. Hebr.4.9, cf. Plu.2.166a (codd., baptismous Bentley).
Skholē , , A.leisure, rest, ease,

skhol-azō , A.to have leisure or spare time, to be at leisure, have nothing to do, Devote oneself to a Master: Jesus is the ONLY Master Teacher even when Senior Pastors claim that THEY are.
II. s. apo tinos have rest or respite from a thing, cease from doing, X.Cyr. 7.5.52; apo tou Krōmnou were set free from the operations at K., Id.HG7.4.28; also “s. ergōn” Plu.Nic.28.
s. kalōs
spend one's leisure well, Id.Pol.1337b31; s. eleutheriōs kai sōphronōs ib.1326b31:
3. abs., devote oneself to learning: hence, give lectures (cf. “skholē”
peri logous” Plu.Brut.22; “pros ennoia . . pros hauton” Id.Num.14.
esp. of students, study, attend lectures, devote oneself to a master, attend his lecture
Music from mystery means "to make the lambs dumb before the slaughter." Both in prophecy and fulfillment the clergy musically mocked Jesus up to the food of the old rugged cross. The progressives mock those who have never since the Church in the Wilderness ever fell into musical performance when the only reason for assembly was to synagogue: a Word Assembly.

ONE OF THE NACC'S PROOF TEXTS

Plut. Per. 1 You may use your time for MUSIC or LEARNING
Nay, many times, on the contrary, while we delight in the work, we despise the workman, as, for instance, in the case of perfumes and dyes; we take a delight in them, but dyers and perfumers we regard as illiberal and vulgar folk. [5] Therefore it was a fine saying of Antisthenes, when he heard that Ismenias was an excellent piper: ‘But he's a worthless man,’ said he, ‘otherwise he wouldn't be so good a piper.’ And so Philip once said to his son, who, as the wine went round, plucked the strings charmingly and skilfully, ‘Art not ashamed to pluck the strings so well?’ It is enough, surely, if a king have leisure to hear others pluck the strings, and he pays great deference to the Muses if he be but a spectator of such contests.

Alexander PLUCKED (the only meaning of Psallo) trying to seduce a young man whose hairs had been plucked.

  1. Mike Cope is hired to convert preachers to the use of "instrumental music."
  2. He-they-all say that God commanded instrumental music as Worship.
  3. God reputed the angels of blight from Genesis to Revelation.
  4. If God hath NOT commanded instruments the Spirit OF Christ calls that blasphemy.

God hates the music in the temples (Amos 8) and He hates sowing discord.
The "progressives" pushed by the NACC bet their souls that all of the radical connecting instruments to the devil and the LAKE OF FIRE is just lying. They have a new PARADIGM (pattern) which

THIS IS THE SPIRIT OF CHRIST SPEAKING (1 Peter 1:11; 2 Cor 3; Revelation 19:10]

Jer. 23:17 They say still unto them that despise me,  [blaspheme]
        [they say] The LORD hath said,
        Ye shall have peace; [happy, friendly, prosperous]
        and they say unto every one that walketh

             [the SECT called thhe WAY or Road: a narrow Word-centered pattern.]
        after the imagination of his own heart,
        No evil shall come upon you.

Jer. 23:18 For who hath stood in the counsel of the LORD,
        and hath perceived and heard his WORD?
        who hath marked his WORD, and heard it?
         [give heed: the only worship concept]

Verbum  translation of logos, [Regulative Principle Outlaws those Jesus branded as hypocrites: performing preachers for hire, singers, instrument players]
Verbum Simulatio falsely assumed appearance, a false show, hypocrisy
under pretence of a divine command, Tac. H. 2, 61. —
Make Believe Work: all religious operatives were called parasites.
Tac. H. 2, 61.  Mariccus, a Boian of the lowest origin, pretending to divine inspiration, ventured to thrust himself into fortune's game, and to challenge the arms of Rome. Mariccus was captured in the engagement, and was soon after exposed to wild beasts, but not having been torn by them was believed by the senseless multitude to be invulnerable, till he was put to death in the presence of Vitellius.

Jer. 23:19 Behold, a whirlwind of the LORD is gone forth in fury,
        even a grievous whirlwind:
        it shall fall grievously upon the head of the wicked.
Jer. 23:20 The anger of the LORD shall not return,
        until he have executed,
        and till he have performed the thoughts of HIS heart:
        in the latter days ye shall consider it perfectly.
Jer. 23:21 I have not sent these prophets, yet they ran:
        I have not spoken to them, yet they prophesied.

Other than the writing Prophets:
prŏphēta and prŏphētes or Miriam and the God-Abandoned Levites
fanorum oraculorumque interpretes [outlawed by Peter]
sacerdotes Aegyptiorum, quos prophetas vocant,” Macr. S. 7, 13, 9: “Aegyptius, propheta primarius,

Prīmārĭus  I.one of the first, of the first rank, chief, principal, excellent, remarkable (class.): “primarius parasitus,” the first speaker, he who has a right to be heard, femina,”

Părăsītus , i, m., = parasitos, lit. one who eats with another; hence,
parasiti Jovis, the gods, (Diotrephes] Hence, parasitus Phoebi, a player, actor, Mart. 9, 29, 9
II. In partic., in a bad sense, one who, by flattery and buffoonery, manages to live at another's expense, a sponger, toad-eater, parasite
The tutelar deity of parasites was Hercules, [introduced sodomy into the temples] Plaut. Curc. 2, 3, 79.

The Spirit OF Christ did not give a role or dole to preachers, musicians and clowns. The "progressives" promote Unity in Diversity as long as you take the mark of the beast defined as "a new style of music or Satyric (cappella) drama."  Jesus wants any APT elder to eject the cunning craftsmen or SOPHISTS meaning performance preachers for HIRE, singers or instrument players. Jesus called the Scribes and Pharisees, hypocrites and in Ezekiel 33 Christ names speaker, singers and instrument players.  Jesus said that God HIDES from the wise or sophists: speakers, singers or instrument players.

Patrick Mead is a favorite comic and He is endorsed warning about the TALIBAN WING of our church.  Wrath is an orgy and in Hebrew He sends jesters and buffoons.

2.07.15 The dominant feminists having gained authority at once Christian-Colleges DO what Paul warned about: they assume authentia or self-originating authority and emasculate all of the "professionals" seeking a rich and famous career path.  The Spirit of Christ in Ezekial and elsewhere warns that they have collected private parts in their baskets of summer fruits.  Not to worry: there is only a teeny, Little Flock callled the SECT called the WAY. Jesus was sent to give the sign to the lost spirits: those who gladly receive the Word (logos, regulative principle) want to be baptized. They call back and Jesus translates their spirits into a heavenly kingdom because the kingdom DOES NOT COME with religious observations. The Massed multitude who are OF the World consist of the Kosmos (Cosmic Worship ACU, NACC) which are the ECUMENICAL.

The historic literature never accepted even those who claimed to be apotles if they came with their hand out. They could tell the people what He know that they didn't already know for a few days and then they sent him on his way with a dole of food.

It is true: the church or ekklesia consisting of all of the Little Flock (Not ACU's universals) by direct command and approved examples gather themselves ONE TIME EACH WEEK on the REST DAY. The one piece pattern from the wilderness onward is to PREACH the Word by READING the Word for Comfort and Doctrine: That was how Paul told Timothy to hold synagogue or a READING ASSEMBLY.

Sorry, but Jesus as Spirit gifted APT elders to be the only Pastor-Teachers and their one piece authority was to "teach that which has been taught" and boot out those who oppose 'that which has been taught.'

Dare to be a SECTARIAN and get lied to, cheated and have your "house" stolen form you. The WAY or ROAD is very narrow and the gate is so strait that almost no one can find it.  The SECT called the WAY is very exclusive: historically the assembly was conducted privately and no one sang hymns as a public Money Tree.

11.04.14   Jeanene P. Reese Theology of Women Teachers.  She promotes This new paradigm [Pattern] or the New Order of Post-Christiandom.

The Abilene Kingdom probably began with the Jo Bass twisting the elders and bringing on the anticipated defection of the Herald of Truth and its widespread sowing of discord.  Women having gained authority OVER the "go along to get along" males is the riise of witchcraft which Paul prevented in MOST of the tiny, Little Flock not OF the World or ECUMENICAL.

Things like Lectio-Divina as part of the MONKISH practiced imposed out of Fuller and confiscating most of the once-Christian colleges is exactly the claim to have a NEW ORDER by claiming that the One Almighty was not smart enough to provide moral guidance for OUR generation. That's fine: the rise of the Babylon Mother in Revelation 17 dominates a priesthood of the Queen of Heaven: they are called "lusted after fruits" (same as in Amos 8) where the women forced the men to steal from the poor that they might engage in their wine, women and music INSIDE of the holy places which was a terminal offense.

EVE speaks of the orgies of Dionysus which the Hebrew Women enacted with the musical worship of the egyptian trinity at Mount Sinai

The Spirit OF Christ defined Messiah's future REST from clergy both inclusively and exclusively. In Ezekiel He warned about the witches or female "preachers" who went to workshops and stole their words one from another. The Divina of Lectio-Divina praising Mary the Mother of gods:

Divination and Lectio Divina
John called the craftsmen, singers and instrument players as priests of the Babylon Mother, SORCERERS and says they WILL BE CAST ALIVE INTO THE LAKE OF FIRE.

Divina.gif

Hor. Od. 1.27 Poor youth!
O, you deserved a better flame!
What wizard, what Thessalian spell,
What god can save you, hamper'd thus?
To cope with this Chimaera fell
Would task another Pegasus.

dē-canto ,I. To sing a thing off, to repeat in a singing manner (v. cano and canto).
C. Esp., to repeat as a charm, and hence to bewitch, enchant, charm: “nullo decantatus carmine,
A.  Any kind of divination, prophecy, soothsaying, interpretation: “auguria rerum futurarum,” Cic. Phil. 2, 35, 89:
C. The art of the augur, augury: “cui laetus Apollo Augurium citharamque dabat,” Verg. A. 12, 394 (v. Apollo [Abaddon, Apollon] and augur
cĭthăra , ae, f., = kithara,  II. Meton., the music of the cithara, or, in gen., of a stringed instrument, the art of playing on the cithara, Prop. 2 (3), 10, 10; Verg. A. 12, 394; Hor. C. 1, 24, 4; id. S. 2, 3, 104 and 105.

"Ezekiel in describing the necromantic ritual of the witches, says they fastened 'magic bands' (kesatot) on their wrists and with them 'trapped souls like birds' (Ezekiel 13:20). This rare word is related to the Sumerian KI-ShU, meaning some kind of magical imprisonment, but we have to look to Greek for its precise significance. In the form kiste, Latin cista, it appears as a container used in certain mystery rituals of the Dionysiac cult, supposedly for the carrying of secret implements. In fact, wherever the cista is graphically represented it is shown as a basket from which a snake is emerging. Thus on sarcophagi inscribed with Bacchic scenes, the cista is shown being kicked open by Pan and the snake raising itself from the half-opened lid. The snake is an important feature of the Dionysiac cult and imagery. The Maenads of Euripides' Bacchae have serpents entwined in their hair and round their limbs, and the snake was the particular emblem of the Phyrigian Sabazios (Sabadius) with whom Dionysos is identified." - John M. Allegro, The Sacred Mushroom and the Cross

"...Osiris is the same as Dionysos, and who should know better than you, Clea, since you are at once the leader of the Thyades [female initiates who celebrated on sacred sites the nocturnal orgies of Bacchus] at Delphi and have been consecrated in the Isirian rites by your father and mother?" Plutarch, Isis and Osiris

"A fourth-century BC hymn in honor of Dionysos contains the invocation: 'Come to us, King Dithyramb, Bacchus, god of the holy chant.'"

Dithurambos, Dithyramb "comes to be used of a Dionysiac song which possessed some infectious quality that led his votaries to take it up as a ritual chant. Later it became the subject for competition at Dionysiac festivals, and with its formalization it lost any spontaneity it may have possessed originally."

"At the beginning of the fifth century BC tragedy formed part of the Great Dionysia, the Spring festival of Dionysos Eluethereus. Three poets completed, each contributing three tragedies and one satyric play. The latter was performed by choruses of fifty singers in a circle, dressed as satyrs, part human, part bestial, and bearing before them huge replicas of the erect penis, as they sang dithyrambs." - John M. Allegro, The Sacred Mushroom and the Cross

"Early worshippers of Dionysos reenacted this gruesome scene by whipping themselves into a frenzy and tearing a live bull to pieces with their hands and teeth. These grisly rites, accompanied by loud music and the crashing of cymbals, were intended to propel the revelers into a state of ecstasy, a word literally meaning 'outside the body' to the Greeks. Through this ecstasy, the cultists hoped to transcend their earthly bonds and allow the soul a temporary liberation from the body. Only in this way could the soul achieve a condition of enthousiasmos, meaning 'inside the god,' which the worshipers believed was a taste of what they might one day enjoy in eternity." The Search for the Soul

To the Jewish clergy, Jesus fulfilled the prophecies of Dionysus and therefore they put Him to the test:

They are like unto children sitting in the marketplace, and calling one to another, and saying, We have piped unto you, and ye have not danced; we have mourned to you, and ye have not wept. Luke 7:32

This singing is related to the Triumph Over of Jesus when, in the end He would have them in derision:

Thriambeuo (g2358) three-am-byoo'-o; from a prol. comp. of the base of 2360 and a der. of 680 (mean. a noisy iambus, sung in honor of Bacchus); to make an acclamatory procession, i.e. (fig.) to conquer or (by Hebr.) to give victory: - (cause) to triumph (over).

Paul silenced both men and women: men because having unholy hands (palm) certified that they were not defacto reading from the text. Men as not APT elders would permit an outbreak of wrath, orgia or an ORGY where all musical performers were women.
Women from the tripple-goddesses in Babylon claimed the power to invent a "new paradigm" in order to refute the Father gods.
This would stifle the one-piece pattern: that all might be saved or SAFE and come to a knowledge of the truth.
The punch-line deliberately ignored is that "there is just one God the Father and ome MEDIATOR the man Jesus Christ.
That repudiates the universal error that the women said that "truth originated with them." Authentia authority means self-composed or authored like the scribes and Pharisees, hypocrites.

Jesus said that truth had been hidden from the Scribes, Pharisees, hypocrites from the foundation of the world in parables. No better place to HIDE the truth from theologians who litterally cannot READ the Word (Logos, regulative principle) nor HEAR it when it is PREACHED by being READ on our rest days.

Orgĭa , ōrum, n., = Ὄργια, cistis  [a basked for the reaped summer fruits or the penis' of the men]
I.a nocturnal festival in honor of Bacchus, accompanied by wild bacchanalian cries, the feast or orgies of Bacchus.
B. Transf., in gen., secret frantic revels, orgies, Juv. 2, 91; Stat. S. 5, 5, 4
II. Trop.: “Itala per Graios Orgia ferre choros,” the mysteries of love in the Latin tongue, Prop. 4, 1, 4: “naturae,” secrets, mysteries, Col. 10, 217.

 1 Timothy 2:13 Adam gar prōtos eplasthē, eita hEua:

EVE, Evah or Abomination is:
-euast-ēs , ou, or parox. euastēs , ou, ho, (euazō)
A.one who cries euai, a Bacchanal, Orph.H.54.5, APl.1.15, etc.
2. eu. theos, = Bakkhos, Ath.Mitt.27.94 (Pergam., ii B.C.).
II. ho eu. thriambos, = Lat. ovatio, D.H.5.47 (nisi leg. ouastēs).

euazō , A.cry euai, in honour of Bacchus, S.Ant.1134 (lyr.), E.Ba. 1034 (lyr.); “Dionusō” AP9.363.11 (Mel.), cf. D.S.4.3, Callistr.Stat.2: c. acc. cogn., “melōdon eu. khoron” Sopat.10:—Med., “Bakkhion -omena” E. Ba.68 (lyr.).
melōd-os , on,
A.musical, melodious, kuknos, ornis, E.IT1104 (lyr.), Hel.1109 (lyr.); “akhēmata” Id.IA1045 (lyr.).
II. Subst. melōdos, ho, = melopoios, Pl.Lg.723d, AJP48.18 (Rome).

khoros , ho,
later of the dance as a public religious ceremony, “Dionuson timōsas khorois” E.Ba. 220;
II. choir, band of dancers and singers, h. Ven.118, Pi.N.5.23, Fr.199; “sumphōnia kai khoroi” Ev.Luc.15.25.



Stephen Johnson ACU Apocalypse Theology has an aggressive feminist movement

Most of the once-Christian colleges have experienced a hostile takeover: the NEW ORDER says that God nor Jesus nor the Apostles were INTELLIGENT enough to express the great resource of Teaching-Only literature to survive the rough 2,000 year journey.  Because this despises the Word, Christ in Jeremiah 23 defines that as blasphemy. Too bad that none of the deliberate dividers ever read the Latin literature.  Because the present ORDER is rotten to the core the universities must train preachers (no role-no dole) able to TRAVERSE the 2,000 years, go back and get what Jesus WOULD have said if He had a still-bleeding sheepskin.  Once they have this information it will take the utmost courage to retrace their steps and shock the Church of Christ with the TRUE TRUTH.  Remember that Paul warned about strong delusions causing lying wonders meaning all of the hypocritic arts and crafts enhanced by women being USED to see and hear.

Beginning with the Jo Bass Versus E. R. Harper and the massive sowing of discord there can be no doubt that women RULING OVER at the university level has neutered Patriarchal Religion of the Son of the Father. That is replaced with the Daughter of the Mother beginning in Babylon.  Initially the always-pagan trinity was a Triple-Goddess. This devolved into a father, spirit (mother, dove, seed sower) and infant perverted son. At Mount Sinai with the fall into trinitarian-musical "play" the women played the wind, string and percussion instruments.

The Anti-Christian view of the Church of Christ Neo-Trinity invented in the year 1938 as well as instrumental music are the true MARKS of feminist or effeminate theology (an Apollo or Apollon mark) of effeminate folly

Fellow Traveler Bobby Valentine:  Gal328.org Paul uses the word NEITHER and not BOTH.  There is no role and no dole if you are not a GOING evangelists worthy of your food and travel.

Bobby Valentine: It is clear from the content of 1.3-7 that Paul is seriously concerned with Timothy’s handling of the false teachers and their gangrenous teaching. However the unhealthy teachers are finding a receptive field among some ignorant (of the basic truths of the faith??) women who go from house church to house church spreading misinformation (5.13) [14].

WATCH THE VIPER BITE!

1Tim. 1:3 As I besought thee to abide still at Ephesus, when I went into Macedonia, that thou mightest charge some that they teach no other doctrine,
1Tim. 1:4 Neither give heed to fables and endless genealogies, which minister questions, rather than godly edifying [TEACHING] which is in faith: [THE WORD LOGOS] so do.

G3453 mueo moo-eh'-o From the base of G3466 ; to initiate, that is, (by implication) to teach: ;instruct.

muthos , ho2. fiction (OPPOSITE. logos, historic truth), Pi.O.1.29 (pl.), N.7.23 (pl.), Pl.Phd.61b, Prt.320c, 324d, etc. 3. generally, fiction, “m. idioi” Phld.Po.5.5; legend, myth, Hdt.2.45, Pl.R.330d, Lg. 636c, etc.; “ho peri theōn m.” Epicur.Ep.3p.65U.; “tous m. tous epikhōrious gegraphen” SIG382.7 (Delos, iii B.C.).

fābŭla , ae, f. fari, I.a narration, narrative, account, story; the subject of common talk quae versatur in tragoediis atque carminibus non a veritate modo
B. Of particular kinds of poetry. 1. Most freq., a dramatic poem, drama, play (syn.: “ludus, cantus, actio, etc.): in full, fabula scaenica,”Amm. 28, 1, 4; “or, theatralis,” id. 14, 6, 20: “fabula ad actum scenarum composita,” Quint. 5, 10, 9; cf. id. 11, 3, 73 sq.:

dĕus , 2. Of Bacchus, Verg. A. 9, 337; 1, 636
C.1. In poets sometimes a goddess; cf. Gr. theos: “ducente deo (sc. Venere),” Verg. A. 2, 632: “audentes deus ipse juvat (sc. Fortuna),” Ov. M. 10, 586; Macr. Sat. 3, 8; cf. of Aurora, Cat. ap. Cic. N. D. 1, 28 fin.;
Vĕnus , ĕris (I.gen. sing. VENERVS, Inscr. Orell. 1364), f. v. veneror, the goddess of Love, the goddess Venus [Zoe, Lucifer]
“fabula nullius veneris sine pondere et arte,” Hor. A. P. 320: “sermo ipse Romanus non recipere videatur illam solis concessam Atticis venerem,
II. Derivv.: Vĕnĕrĕus or Vĕnĕrĭus , a, um, adj., of or belonging to Venus: “sacerdos,” Plaut. Rud. 2, 2, 23:
Bobby Valentine:  However the unhealthy teachers are finding a receptive field among some ignorant (of the basic truths of the faith??) women who go from house church to house church spreading misinformation (5.13) [14].

If men are guilty of the Female Preacher then the condemnation is final

1Ti 5:5 Now she that is a widow indeed, and desolate,
        trusteth in God, and continueth in supplications and prayers night and day.
1Ti 5:6 But she that liveth in pleasure is dead while she liveth.

6] nam quae in deliciis est vivens mortua est

"Scholars" wander from church to church and workshop to workshop and are LIVING IN PLEASURE by teaching things they out not to.  Living in pleasure was bad for women but was without redemption for the males who fell into rhetoric, singing, playing instruments, acting or dancing.

-spa^ta^l-aō ,  *A.  ive softly or in excessive comfort or indulgence, Plb.36.17.7, IG14.2002 (Rome), LXX Si.21.15, 1 Ep.Ti.5.6, Ep.Jac.5.5; ta spatalōnta tōn paidiōn spoilt children,

-Truphaτ 2.revel in, LXXSi.14.4 ; delight in, .Ne.9.25. [Nehemiah called the kings-priests parasites]
A. live softly, luxuriously, fare sumptuously, of a child, leukos . Ep.Jac.5.5, Gal.6.416, etc.; paison, truphκson, zκson
  
paison paizτ [pais] 4. to play (on an instrument),  to sport, play, jest, joke, to make sport of one, mock him,
“to truphōn” effeminacy,III. give oneself airs, be dainty, fastidious, connected to the Polus, Spoiled pets: en tais ekklκsiais t. kai kolakeuesthai, of the people,
-dēlĭcĭae delicio; that which allures, flatters the senses delicias facere, to play tricks, to joke, to make sport of one, to sport as lovers, deliciae (pretensions)
II of living beings: delight, darling, sweetheart, beloved: a voluptuary, minion,
scurra , ae, m. I. Orig., an elegant, town-bred man; a fine gentleman, gallant, dandy: 1. A city buffoon, droll, jester (usually in the suite of wealthy persons, and accordingly a kind of parasite; “syn.: sannio, parasitus): urbani assidui cives, quos scurras vocant,” off the clown in a pantomime, venustissimus inter rhetores scurra,”
vīvo puellae,” Hor. C. 4, 9, 11; : “carmina,” id. Ep. 1, 19, 2: “scripta,” Ov. Tr. 1, 7, 25: “das nostro nomen victurum amori,”
Making Music (called parasites)
Making sermons, songs, versus,
Making Love
        nōmen canitur, similitudine nomen invenit,
A. To live on any thing or in any manner, i. e. to support life; to sustain or maintain one's self:

Vinco    I.to conquer, overcome, get the better of, defeat, subdue, vanquish, be victorious, etc. (syn.: supero, debello).
II A. In gen., to prevail, be superior; to convince, refute, constrain, overcome, etc.: “argumentis vincit,

Dead mŏrĭor , vocibus,” dying accents, the accents of a dying man, desperately in love, dying for love, of the loss of moral or spiritual vitality, to die, to lose virtue and divine guidance: lacking faith

Jingling, banging, and rattling accompanied heathen cults, and the frenzying shawms of a dozen ecstatic cries intoxicated the masses. Amid this euphoric farewell feast of a dying civilization, the voices of nonconformists were emerging from places of Jewish and early Christian worship ..." (Encyclopaedia Judaica, 1971 ed., s.v. "Music")

"Awed by the mysteries of his own spirit no less than by those of nature, primitive man was likely to attribute to divine influence

any abnormal emotional state, whether above or below the usual level. Medicine men customarily went into states of trance in which they were believed to be in communication with the gods,

and many tribes supposed lunatics and sexual deviants to be divinely possessed.

1Ti 5:7 And these things give in charge, that they may be blameless.

WHY WOULD A PERSON LIVING OFF THE FREE WATER OF THE WORD BE GUILTY OF THE SAME THING AS THE CONDEMNED WOMEN.

1Tim. 5:13 And withal they learn to be idle,
        wandering about from house to house;
        and not only idle, but tattlers [ “ ph. philosophia” also and busybodies,
        speaking things which they ought not. 
They were not just gossips but female preachers earning a living by the normal pagan religions.
argos not working the ground, Hdt.5.6  free from it, tōn oikothen from domestic toils, have no trade, “diatribē a.” in which nothing is done, fruitless
b. argos   logos, name of a sophism,
Hdt. 5.6 The idler is most honored, the tiller of the soil most scorned; he is held in highest honor who lives by war and robbery.
perierkhomai  go about like a beggar [parasite], Wandering overreach, cheat, “sophiē p. tina”
sophia A.cleverness or skill in handicraft and art, Hephaestus and Athena, Pl.Prt.32 1d; of Daedalus and Palamedes, in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, in divination, Plu.Them.2; also, cunning, shrewdness, craft, Hdt.1.68, etc.; to loidorēs ai theous ekhthra s. Pi.O. 9.38.

ONLY THE ELDERS AS PASTOR TEACHERS HAVE THE TEACHING ROLE:
Titus 1:7 For a bishop must be blameless, as the steward of God; not selfwilled, not soon angry, not given to wine, no striker, not given to filthy lucre;
Titus 1:11 Whose mouths must be stopped,
        who subvert whole houses,
        teaching things which they ought not, for filthy lucre’s sake.
1Pet. 5:2 Feed the flock of God which is among you,
        taking the oversight thereof, not by constraint, but willingly;
        not for filthy lucre, but of a ready mind;
la^l-eō , A. [select] talk, chat, prattle
II. chatter, opp. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday, Aristopho 10.6; “anthrōpinōs l.” Strato Com.1.46.
III.  of musical sounds, “aulō laleō” Theoc.20.29; of trees, v.supr.1.2; “di'aulou ē salpiggos l.” Arist. Aud.801a29; of Echo, D.C.74.14: also c.acc. cogn., magadin lalein sound the magadis, Anaxandr.35.

OUGHT NOT
deō (A), imper. 3pl.   it is (was, etc.) necessary (as binding):—
2. alone, bind, keep in bonds, pōs an egō se deoimi; says Hephaistos [Tubal-Cain], pointing to the nets in which he had caught Ares 3. metaph., bind, enchain, “glōssa de hoi dedetai” later, bind by spells, “to stoma”
4. c. gen., hinder from a thing, “edēse keleuthou”
Pind. P. 3 [50] or with their bodies wasting away from summer's fire or winter's cold, he released and delivered all of them from their different pains, tending some of them with gentle incantations, others with soothing potions, or by wrapping remedies all around their limbs, and others he set right with surgery. But even skill is enthralled by the love of gain. [55] Gold shining in his hand turned even that man, for a handsome price, to bring back from death a man who was already caught
sophia Daedalus and Palamedes, X.Mem.4.2.33, cf. 1.4.2; in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, in divination,
“sophos” 1.3) Ba.395 (lyr.), etc.; freq. in Arist., speculative wisdom,
Soph. OT 502 Zeus and Apollo indeed are keen of thought and know the affairs of the earth. [500] But there is no sure test of whether a mortal seer attains more knowledge than I do, though man may surpass man in wisdom.

The church (ekklesia) by command, example and inference assembles or SYNAGOGUES one time each week. Jesus CENI was to go and teach what HE commanded to be taught in the Prophets and Apostles to build or EDUCATE.  There is no command, example or inference to call people into asssembly on the sabbath (REST) to hold a worship service.  The command was to rest, read and rehearse the Word only (Speak the Word and meditate in the heart--silently).  Literal worship is to come before God in reverence and godly fear because GOD IS A CONSUMING FIRE and you don't do a lap dance with God. Spiritual worship is rational worship IN the mind or spirit giving attendance to the WORD.

The.Ekklesia.A.Church.of.Christ  Lectio Divina is defines a HAG but Lectio defines the one-piece pattern commanded to PREACH the Word by READING the Word for comfort and doctrine.

Dale Pauls Neitheer Male Nor Female. The Ekklesia rests FROM "worship" except by command, example and inference ONCE a week it synagogues where the pattern of Christ in the wilderness was to rest, read and rehearse the Word. Jesus practiced and all of the examples limits assembly to EDUCATION which flows from God to the reverent.

Dale Paul's 1 Timothy 2 Why reading BLACK text on BROWN paper is the mark of one "washed with water INTO the Word or into the School of Christ."

Naomi Walters: Jesus didn't give that role or dole to any man not ready to GO, suffer and die and not tamper with the Word.

When the LIBERATED elect assembles as SYNAGOGUE or School of the Word it is EXCLUSIVE of vocal or instrumental Rejoicing or rhetoric: Christ defined these as hypocrites in Ezekiel 33 of hirelings who speak on their own (sons of the devil), performance singers or instrument players.

The kingdom of God does not come with observation meaning WORSHIP SERVICES defined as lying wonders by delusional anti-Christians.  The gospel is the gospel OF the Kingdom and everyone is commanded to be silent and sedentary as a senior elder as the Christ-ordained Pastor-Teaches READS whole thought patterns and it is rehearsed so that everyone goes home: there the prone-to-claim inspiration women or the effeminate can discuss that which is not subject to private interpretation meaning further expounding. It is not to be corrupted by "selling learning at retail" which word also means prostitution or selling any of your body parts.  The MARK is that a minister (Deacon) of God will not tamper with the Word which is the LOGOS or regulative principle.

WORSHIP ASSEMBLIES meant to do something FOR a god to gain their favor or fleece the poor was ALWAYS the domain of women who did not need pseudo-scholars to LIBERATE them.  Threskia is impure religion in contrast to PURE Threskia

When Church is Tribulated with "worship rituals" it is logical that women should be included in what was always known to be a female or effeminate domination then and now.

God is Father contrary to the feminists and He supplied NOTHING which is lyrical or can be matched to the notes of the lyre the mark of Apollon.
All slides into Rhetoric, singing, playing instruments, acting, dancing, clapping etal are the historical MARKS of effeminate hostile takeover. That is why so many mature males and females show up as empty pews when the eternal PERSONA of rhetoric, singing or playing STANDS in their "holy places" claiming to speak for God when Jesus died to get the ONE ONLY job as mediator and intercessor.

James 1:27 Pure religion and undefiled [asbestos: will not burn] before God and the Father is this,
        To visit the fatherless and widows in their affliction,
        and to keep himself unspotted from the WORLD.

thrēsk-eia , Ion. thrēsk-eiē , , (thrēskeuō)
A.religious worship, cult, ritual, peri ta hira th. Hdt.2.18, IG12(5).141.5 (Paros, iii B.C.), J.AJ17.9.3, etc.; “tou Apollōnos” SIG801 D (Delph., i A.D.); peri tinos th. ib. 867.48 (Ephesus, ii A.D.): pl., rites, Hdt.2.37, D.H.2.63,
2. religion, service of God, LXX Wi.14.18, Act.Ap.26.5, Ep.Jac.1.26;
th. tōn aggelōn worshipping of angels, Ep.Col.2.18. 3. in bad sense, religious formalism, “anti hosiotētos” Ph.1.195; th. biōtikē vulgar superstition,
Abaddon or Apollyon is the unleashed king of the LOCUSTS which are the Muses. Apollyon is Leader of the Muses. And it's about time
Apollōn , ho, Apollo: gen. ōnos (also ō An.Ox.3.222): acc. A.Apollō
Pythag. name of a number, Porph
God covenants with the Domos or laity and NOT with priests or Levites.  All religious performers were called PARASITES.

Hdt. 2.37 Their religious observances are, one may say, innumerable. [4] But also they receive many benefits: they do not consume or spend anything of their own; sacred food is cooked for them, beef and goose are brought in great abundance to each man every day, and wine of grapes is given to them, too. Many (not only one) are dedicated to the service of each god. They grab in the marketplaces but do not PAY.  One of these is the high priest; and when a high priest dies, his son succeeds to his office.

Mike Cope and the "infiltrated and diverted" or transistioned in the words of the Christian Standard and the "priesthood" of the NACC build on the foundation of the Jacob-cursed and God-Abandoned Levites. Their command was to be a COHORT and stand in ranks and act as instrumental sorcerers to warn a Mike Cope that if he came near any of the now-Babylonish "holy" thing or "house" to execute them.  Performance singers, "pastors" acting as mediators and interpreters for God all of the STAFF beyond "teaching that which has been taught" are called PARASITES in all "religions." That is why the qahal, ekklesia, synagogue or church of Christ (the Rock) is defined as CENI:

EXCLUSIVE of vocal or instrumental rejoicing or personal opinions.
INCLUSIVE Rest (from religion), Reading and Rehearsing the Word of God as deliverd.

ALL men were to turn up holy palms without WRATH forcing Peace and Silence when doing SCHOOL of the Word which is ANTI-theology.
Both men and women would be sedentary and silent because the ONE PIECE PATTERN for any assembly SELF-called is:

So that ALL might be saved or SAFE and Come to a knowledge of the TRUTH.  Those not involved are called PARASITES picking the widow's purse.

Women were always the "mothers" in paganism and men must be emasculated in order to follow the lead: only a certain CLASS of women and rarely males.

1Tim. 2:4 Who will have all men to be saved, and to come unto the knowledge of THE TRUTH.
1Tim. 2:5 For there is one God, [in one Being]
        and one mediator between God and men,
        the man Christ Jesus;
1Tim. 2:6 Who gave himself a ransom for all, to be testified in due time.

Threskeia is named after Orpheus or That Thracian.

"Nor are these Thracian orgies, [WRATH] from which the word Worship (threskia) is said to be derived; nor rites and mysteries of Orpheus, whom the Greeks admired so much for his wisdom that they devised for him a lyre which draws all things by its music. Nor the tortures of Mithras

WORSHIP intending to SILENCE the Mouth of the Victim is Sacred Violence: the COHORT is a MARK for avoidance:
--Vergil Aeneid VI 6.[645] Orpheus was one of the mythical fathers of song,
and his name was associated with revelations about the lower world, supposed to be preserved by secretsocieties (Dict. M. Orpheus),
            so that he is naturally made the harper who plays while the blessed spirits dance and sing.
           He is called ‘sacerdos,’ as in Hor. A. P. 391 he is called sacer interpresque deorum
The longrobe was characteristic of musicians, as Cerda shows, comp. Prop. 3. 23. 16, Pythius inl onga carmina veste sonat” (of the statue of Apollo in the Palatine temple), and also Hor. A. P. 215, Ov. F. 6. 654, 688, where the long robes of the ‘tibicines’ are mentioned and accounted for. ‘Cumveste’ above v. 359. Elsewhere we have ‘in veste,’ as 12. 169, puraque investe sacerdos
The putting on of garments worn by the musician was masculine but performed by men performing the roles of women: like David's falling into a naked dance while stripping off the ephod as last garment which Michal said made him NAKED.
vestis : mulierem cum auro et veste abducere,” Plaut. Curc. 2, 3, 69
lugubrisid. Heaut. 2, 3, 45; id. Eun. 3, 5, 24: ad vestem muliebrem conficiendam,
mŭlĭĕbris , e, adj. mulier, I.of or belonging to a woman, womanly, female, feminine. venustasimpotentia,
B. In a reproachful sense, womanish, effeminate, unmanly: parce muliebri supellectili. Mi. Quae ea est supellex? Ha. Clarus clamor sine modo, Plaut. Poen. 5, 3, 26 sq.: to enervate, weaken, render effeminate
III. In eccl. Lat., a royal robe, Vulg. 1 Par. 15, 27
Stŏla , ae, f., = stolē, “lugubri stolā succincta,”  so, muliebris  vestimenta muliebria ... veluti stolae, pallia, tunicae, etc. (Dianae) erat admodum amplum signum cum stolā Hence, also, of the dress of a voluptuary, Hor. S. 1, 2, 71; of a cithern-playerVarr. R. R. 3, 13, 3; Ov. F. 6, 654; of the priests of Isis,”
1 Chronicles 15.[27] David was clothed with a robe of fine linen, and all the Levites who bore the ark, and the singers, and Chenaniah the master of the song [prophesy] [with] the singers: and David had on him an ephod of linen.
1Tim. 2:13 For Adam was first formed, then Eve.
1Tim. 2:14 And Adam was not deceived,
        but the woman being deceived was in the transgression.
  1. SHE alone she thought GOT Cain from "god" but Paul said that CAIN was OF that wicked one in a "genetic sense"
  2. CAIN is named after a Musical Note or Mark because Christ says that "lucifer-Satan" was the singing and harp-playing prostitute in the garden even though she is a HE. 
  3. His seed JUBAL is the father (genetically) of all of those who HANDLE musical instruments meaning "without authority." We know from Babylonian tablets that GENUN as the composite of Cain's SEED.
  4. Jesus warned about "parables" from the foundation of the world to HIDE the truth from the Scribes and Pharisees, hypocrites meaning "performance speakers, singers and instrument players.
  5. EVE or EVAH carries the message of a certain CLASS of female who lusts to PERFORM a role Christ the Spirit gave only to elders as pastor-teachers commanded to "teach that which has been taught." That CLASS includes "performing" males where rhetoric, singing, playing instruments and gestulating is the mark of the EFFEMINATE.

LEGALISM is applied only to speakers, singers, instrument players, actors or dancers: they must have talent (God doesn't need), practice for years, rehearse, perform, be judged by the audience and usually for HIRE making one a HIRELING.

Tragedy is associated with the stage, lyric with the convivium, Marcus Reciting the Book

11 Hence, I argue first that the representation of the epic recital is highly dependent upon the representation of other public performances and, second, that epic's social image is attacked and reclaimed via its public performance. In fact, behind the criticisms of the epic recital often lie issues about the performance of gender and social status.

In that regard, epic's position is parallel to that of rhetoric. Beginning with Aristotle's Rhetorica (1404a), critics of rhetorical performance have ascribed to lively delivery the same effect as that of acting. There is a persistent association between theatrics, bad rhetoric and effeminacy.

12 That this pattern of criticism was transferred onto the epic recital is ironic because the setting which brought epic into existence in Greece was public performance. In the hands of the Roman satirists and critics, however, epic's performance became subject to the same kind of scrutiny to which the public performance of rhetoric in first-century Rome was subjected.

Rhetoric was forever at pains to disentangle itself from unwanted associations with female deception and histrionic art, because it was viewed as the art of socially weak women and slaves,and rhetoricians of all ages have assiduously fought against any trace of bodily and vocal practice associated with these groups.

15 12. Enders (1997) 253--78. Such gendering of aesthetic categories prevails not only in antiquity but appears also in Kant's distinction between the passive feminine beautiful and the active masculine sublime and in Rousseau's association of art and the theater with the feminine. I have in mind Kant's "The Beautiful and the Sublime" and "The Fair Sex" and Jean-Jacques Rousseau's "On Theater and Morals," in Kramnick (1995) 339--42, 580--86, 333--36.

Cantare does not lose its more dignified association with the prophesying sacerdos (OLD 7c), as used by Horace in Carmina 3.1.4 (virginibus puerisque canto).

Hor. Od. 3.1
Bid the unhallow'd crowd avaunt!
Keep holy silence; strains unknown
Till now, the Muses' hierophant,
I sing to youths and maids alone.
Kings o'er their flocks the sceptre wield;
sacerdos: cf. Vergil's pii vates and Musae quarum sacra fero (G. 2.475); Milt., 'Smit with the love of Sacred Song'; Ov. Am. 3.8.23, ille ego Musarum purus Phoebique [Abaddon, Apollyon] sacerdos;

Cantus , 2. With instruments, a playing, music: A. Prophetic or oracular song: “veridicos Parcae coeperunt edere cantus,” Cat. 64, 306; cf. Tib. 1, 8, 4 B. An incantation, charm, magic song, etc.: cantusque artesque magorum.  

16 Quintilian contrasts cantare to agere, chanting a speech to delivering it (I.O. 11.3.60). The recitals of epic, as we shall see further, are also evaluated in the light of this performative practice. I suggest that in the same way as the orator strives to distinguish himself from the realm of performance (canticum), so the public reader of epic is also confronted with the borderline between recitare and cantare.

Oratory initially modeled itself on the performance of serious poetry, and gradually tried to distinguish itself from the realm of song. As Habinek notes, "Oratory, perhaps because its performance context so closely resembles the occasions that call for public song, is carefully policed throughout its history to prevent its reverting to the musical incantation from which it--and the terminology for its study--evolved." However, from the examples that I have just used, it is evident, I believe, which art of music I consider appropriate in the training of the orator and to what extent.

Nevertheless, I think that I need to be more explicit in stating that the music which I prescribe is not the modern music which has been emasculated by the lascivious melodies of the effeminate stage and has to no small extent destroyed the amount of manly vigor that we still possessed. I refer rather to the music of old with which people used to sing the praises of brave men and which the brave themselves used to sing.


SPIRITUAL FORMATION the most ARROGANT term a human could mouth: THE MARK OF THOSE WANTING TO BE LIKE THE WORLD: COSMIC WORSHIP BETWEEN NACC AND ONCE-CHRISTIAN COLLEGES


-Plat. Gorg. 513a  and so therefore now, whether it is your duty to make yourself as like as possible to the Athenian people, if you intend to win its affection and have great influence in the city: see if this is to your advantage and mine, so that we may not suffer, my distinguished friend, the fate that they say befalls the creatures who would draw down the moon—the HAGS of Thessaly;  that our choice of this power in the city may not cost us all that we hold most dear. But if you suppose that anyone in the world can transmit to you such an art as will cause you  [513b] to have great power in this state without conforming to its government either for better or for worse, in my opinion you are ill-advised,

1 Socrates alludes to the popular theory that the practice of witchcraft is a serious danger or utter destruction to the practicer.
as Thettalidas: the Thessalian women were very skilful in sorcery and poisoning. They stood in close relation to the night-goddess Hecate; hence people ascribed to them the power to draw the moon from the heavens. Strepsiades says in Ar. Nub. 749 gunaika pharmakid' ei priamenos Thettalēn | katheloimi nuktōr tēn selēnēn kthe. Cf. Hor. Epod. 5. 45 quae sidera excantata voce Thessala | lunamque caelo deripit. For this, however, the goddess exacted punishment, for Suidas says hai tēn selēnēn kathairousai Thettalides legontai tōn ophthalmōn kai tōn paidōn (v. l. podōn) steriskesthai. eirētai epi tōn heautois ta kaka epispōmenōn paroimia. Cf. also Plin. N. H. XXX. I. 2 (6). Aristophanes' designation of them under the name pharmakis, while it implies that their art consisted in the manipulation of drugs, does not limit us to that view, because Herodotus, vii. 114, uses the verb pharmakeuein in speaking of the sacrifice of white horses by the Magi to the river Strymon.

WOMEN AS BOASTED INFILTRATE THE UNIVERSITIES AND SEDUCES PATRIARCHALISM BY "SMALL ACTS OF TREACHERY." Osburn.

Divina.gifaugŭrĭum
dē-canto ,I. To sing a thing off, to repeat in a singing manner (v. cano and canto).
C. Esp., to repeat as a charm, and hence to bewitch, enchant, charm: “nullo decantatus carmine,
A.  Any kind of divination, prophecy, soothsaying, interpretation: “auguria rerum futurarum,” Cic. Phil. 2, 35, 89:
C. The art of the augur, augury: “cui laetus Apollo Augurium citharamque dabat,” Verg. A. 12, 394 (v. Apollo [Abaddon, Apollon] and augur
cĭthăra , ae, f., = kithara,  II. Meton., the music of the cithara, or, in gen., of a stringed instrument, the art of playing on the cithara, Prop. 2 (3), 10, 10; Verg. A. 12, 394; Hor. C. 1, 24, 4; id. S. 2, 3, 104 and 105.
incantātor , ōris, m. incanto, I. an enchanter, wizard (post-class.), Tert. Idol. 9; Isid. 8, 9, 15; Mos. et Rom. Leg. Coll. 15, 1, 2.

consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: “Apollinem de re,” Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,” Liv. 1, 20, 7: “deos hominum fibris,” Tac. A. 14, 30 fin.: “Phoebi oracula,” Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,” Plaut. Am. 5, 1, 76:

Both men and women commanded to be quiet and peaceful "so that all might be saved or SAFE and come to a knowledge of the Truth.  The Truth is the LOGOS or Regulative Principle outlaws rhetoric, self-experiences, singing, playing instruments, acting or dancing.

Isaiah 1 defines baptism parallell to Mark16, denies that God commanded sacrifices and offenders will be burned and NOT QUENCHED.
Isaiah 3 Women and BOYS (effeminate) SHALL rule over you
            -WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEAL PETER JONES
In Isaiah 5 which is parallel to Amos 5 the people are STARVED for lack of knowledge by the MUSICAL rituals.
In Isaiah 8 Christ said of those who do not SPEAK the WORD that THERE IS NO LIGHT IN THEM
Isaiah 23--Ezekiel 16 defines sacred sex in all religions by
Merces hire, pay, wages, salary, fee, reward, scenicorum recisis,” the players' salaries,, “Apollonius cum mercede doceret, “dulces modos (with citharae sciens laws) sermones
In Isaiah 28 Christ defines and Paul explains "tongues" as the language and instruments of the enemy
Isaiah 29 defines the Scribes and Pharisees as Hypocrites as speakers, singers, instrument player: also Ezek 33
Isaiah 50 prophesied about the clergy Smiting and Plucking which would be Musical Mocking.
Isaiah 55 Christ outlawed ME from paying YOU for the Free Water of the Word (Loogos-Spirit) dumber than an earthworm I have had three "investments with the lord" transistioned into the instrumental sect.  Jeff Walling and Rick Atchley have been used by the NACC and Christian Standard to show how to do it--Jeff Walling reserving some of his frog-boiling plot.
In Isaiah 58 The Spirit OF Christ outlawed seeking your own pleasure or speaking your own words 
I emphasized the word OF because it seems that no level of scholarship has a course in prepositions.

The reason that men and
women must be silent is that the are commanded not to speak their own words (Isaiah 58).  The reason will be obvious to anyone who cares to read the rest.
The only way to MARK FOR AVOIDANCE was defined by Christ in the willderness to PREACH the Word by READING the Word each REST day.  Jesus exampled, Paul commanded it and people observed it before Constantine paid the clergy who imposed singing as an ACT (that legal word) in the year 373 following Constantine.
1Tim. 2:5 For there is ONE God, [Theos]
        and one mediator between God [Theos] and men,
        the man Christ Jesus;
[Kurios]
The latest COHORT pledged to REPROGRAM young preachers take exception to that. For instance, Carrol D. Osburn notes that.
Carroll D. Osburn:  If we are to have a truly significant impact upon the national and international scene, faculties of religion must play leading prophetic roles in channeling and facilitating whatever changes loom ahead.
"The Bible is not so much a 'heaven-sent answer book' as a historical book produced within and for a historical community-- yet it serves as Scripture today because people find themselves accountable to it. That is what make its Scripture"
Who can blame the doctors of the law so willing to SELL you something to replace the FREE WATER OF THE WORD. I am certain that God loves them even though He said that He hates "music in the holy places" and people who "sow discord among brethren."

Jesus commanded that we teach and observe what HE COMMANDED TO BE TAUGHT: He is head of the Church and ONLY Rabbi UNTIL THE END OF THE WORLD. That means "No statute of limitations" and no changing CULTURE calling for new mediators.

Because God made Jesus of Nazareth to ARTICULATE his WORDS or LOGOS or Regulative Principle, if you deny that God has or is the Regulative Principle then you ARE an ANTI-Christ.  If you deny the ONE GOD the Father and ONE SON as LORD, John also says that you are and ANTI-Christ because you CLAIM that the ONE GOD THE FATHER cannot communicate with His son whom He made both LORD AND CHRIST without another God Person (people) to be the translator.

If you say that "a" spirit told you that the Levites instrument is YOUR COMMAND to knowingly sow discord to TRANSISTION the Church house of Widows to the only sectarians: the INSTRUMENTALISTS.

7.01.13 Gender Inclusive and Egalitarian Churches of Christ: Gender-focused churches are not related to the Apostolic teaching nor to the historic Church of Christ. To say that Scripture from Genesis to Revelation and the danger of Mother Goddess worship has always and has now NEUTERED many churches of Christ so that their performance preaching and music calls forth a lot of ridicule.  They have to say that all of the Scriptures lie and simply did not understand OUR CULTURE.  At the same time they twist the Scriptures to say that what Paul outlawed did not prevent what THEY want to impose. This normally happens after a senior preacher has usurped all authority, intimidated the elders, fired the vocational ministers and HIRED female ministers.  Christ in Isaiah 3 defined this time perfectly where the women and BOYS or the effeminate (or worse) rule over you. Men have already violated the direct command to PREACH the Word by READING the Word for Comfort and Doctrine.

SHORT STORY FOR THOSE WHO DON'T READ BLACK TEXT ON BROWN PAPER

    The PATTERN for the Church of Christ (the Rock) in the Wilderness was:
    EXCLUSIVE of vocal or instrumental rejoicing or any human opinions
    INCLUSIVE of REST from the usual worship service, READING and REHEARSING the Word (only) of God.
    In Exodus 18 God had Moses remove the MONEY in defining groups as small as ten families quarantined FROM the pagan rituals such as the worship of the starry host.  The Command was to PREACH the Word by READING the Word on the REST DAY: God never defines a Day of Worship in which people do their PART: LEGALISM is only the talent, learning, practice, performance and being judge as speakers, singers and instrument players. They are SOPHISTS and Jesus said the Father HIDES from them.  Maybe that is why the work so DESPERATELY HARD.
    In Exodus 31 in The Book of the Covenant keeping the Sabbath outlawed any vocal or instrumental noise.
    In Exodus 32 the people fell back into the musical idolatry of the always-pagan trinity represented by the golden calf.
    The Jacob Cursed Levites executed 3000 of the "brethren" and God ordained that they guard the worship of the starry host to execute Mike Cope if he broughta guitar NEAR the slaughter pit or into the temple.
    Christ caused them to be BLIND and DEAF until "another prophet like me comes."The God-Abandoned Levites is the PATTERN for the musical sowers of discord: God hates them.The synagogue or ekklesia was defined as a School of the Word and REST.  Sabbath does not permit sending out ministers of God: Sabbath was not for worship. Its a LIE and the FOUNDATION PATTERN of the musical sowers of discord. God commanded that the Levites STAND IN RANKS under the commanders of the army to EXECUTE anyone even a Levite not on duty who came close to the horrors of the slaughter of the innocents. It was only during the HOLOCAUST where the goats (cappellas) were burned that the Levites made a great crashing noise COMMANDED BY DAVID THE KING. Christ in Isaiah 1 and Jeremiah 7 said that God DID NOT COMMAND any of the worship of the starry host.
    That is why INSTRUMENTS and BURNING are almost always connected: either the MARK or the RESULT. Anathema is a person or thing that is dedicated to ADORN any religious shrine.  They cannot be REDEEMED and must be BURNED.

The once-Christian colleges BANDED with the NACC to manufacture COSMIC WORSHIP: right on Kairos Time!
RELIGIONISTS OUTSIDE OF GOD'S GRACE.  Pepperdine and ACU support the NACC is actually performing COSMIC WORSHIP: just in KAIROS time one hopes.

Mike Cope will say "saved by grace through faith" but never ask: SAVED OR SAFE FROM WHAT?

John 1:9 That was the true Light, which lighteth every man that cometh into the world.
John 1:10 He was in the world, and the world was made by him, and the world knew him not.

Ephesians 2:2 Wherein in time past ye walked according to the course of this world,
        according to the prince of the power of the air,
       
the spirit that now worketh in the children of disobedience:

Kosmos , ho,  natgural, II.rnament, decoration, esp. of women; “hieros k.” OGI90.40 (Rosetta, ii B. C.): pl., ornaments, A.Ag.1271; “hoi peri to sōma k.” Isoc.2.32: metaph., of ornaments of speech, such as epithets, Id.9.9 (pl.), Arist.Rh.1408a14, Po.1457b2, 1458a33; hadumelē k. keladein to sing sweet songs of praise, Pi.O.11 (10).13 (s.v.l.).

Hēdu^-melēs , Dor. had- , Aeol. ad- , es, A. sweet-singing, “khelidoi” Anacr.67, cf. Sapph.122(Comp.), Pi.N.2.25; sweet-sounding, “xoana” S.Fr.238, etc.: poet. fem., “hēdumeleia surigx” Nonn.D.29.287.

Surigx , iggos, ,
2. cat-call, whistle, hiss, as in theatres, Id.Lg.700c; cf. “surizō” 11.2, surigmos:—the last part of the nomos Puthikos was called surigges, prob. because it imitated the dying hisses of the serpent Pytho, Str.9.3.10.
3. mouthpiece of the aulos,

ALL names of instruments and musical terms are defined as enchantment or sorcery because it intends to tap into the fears and superstitious people ALWAYS to pick their pockets.

Aoid-ē a^], Att. contr. ōdē (q. v.), , : (aeidō):— 5. = eppsdē, spell, incantation, “okhēes ōkeiais . . anathrōskontes aoidais” A.R.4.42, cf. 59. Cf. ōdē.    A.divinely sounding, divinely sweet,

ō OPPOSITE  lexis  2. = epōdos, magic song, spell, Longus 2.7.
2. act of singing, song, thespesios A.divinely sounding, divinely sweet,
Lexis A.speech, OPPOSITE ōdē, orders given by word of mouth, the style used here (in courts of justice. word for word,

4. TEXT of an author, OPPOSITE exegesis,

The LOCUSTS or MUSES under Apollyon were dirty prostitutes and SHEPHERDESSES.  They ruled over the men in a sexual and erotic sense which is DEFACTO SOUGHT when women expose their body and talent (?) knowing that the attention or WORSHIP will be directed to them even to note that they are often fat and not very talented.  The Locusts were called MUSICAL PROPHESIERS intending to lull you to sleep so they could give you the sting of death. Paul wants both men and women to be SILENT so that "we might all be saved or safe and come to a knowledge of thetruth."

SELLING BODY PARTS OR TALENTS CLAIMING AUTHORITY FROM GOD IS CALLED PROSTITUTION.

X.Mem.1.6.13  Xen. Mem. 1.6.13

To this Socrates replied: “Antiphon, it is common opinion among us
        in regard to beauty and wisdom
                that there is an honourable
                and a shameful way of bestowing them.
        For to offer one's beauty for money to all comers is called prostitution;

        But we think it virtuous to become friendly with
              a lover who is known to be a man of honour.

        So is it with wisdom. Those who offer it to all comers for money
               are known as sophists, prostitutors of wisdom

        But we think that he who makes a friend of one whom he knows to be gifted
               by nature, and teaches him all the good he can,

               fulfils the duty of a citizen and a gentleman.

Sophis-tēs , ou, o(, A. master of one's craft, adept, expert, of diviners, Hdt.2.49; of poets, “meletan sophistais prosbalon” Pi.I.5(4).28, cf. Cratin.2; of musicians, “sophistēs . . parapaiōn khelun” A.Fr.314, cf. Eup.447, Pl.Com. 140; sophistē Thrēki (sc. Thamyris) E.Rh.924, cf. Ath.14.632c: with modal words added, “hoi s. tōn hierōn melōn” [melody in the holy place--a death sentence for any Levite]

HO, every one that thirsteth,
        come ye to the waters,
        and he that hath no money;
        come ye, buy, and eat; yea,
        come, buy wine and milk WITHOUT MONEY
        and WITHOUT PRICE. Isa 55:1

2 Cor. 2:17 For we are not as many,
............ which corrupt the word of God:
............ but as of sincerity, but as of God,
............ in the sight of God speak we in Christ.

kapēl-euō,  A. to be a retail-dealer, drive a petty trade Hdt. 3.89  ta mathēmata
sell learning by retail, hawk it about, Pl. Prt.313d , 2 Cor. 2:17, of prostitutes,

Gender Inclusive and Egalitarian Churches of Christ
Gal328 Gender Justice in Church of Christ
       
        D'Esta Love Pepperdine Board of Directors for Gal328.org
                Mike Cope Women Worship Leaders

Skillman Church of Christ: authority based on "scholars."
Doug Hurley Your Sons and Daughters shall Prophesy at ACU

See Ken Cukrowski Women in Ministry at ACU
See Ken Cukrowski claiming that the old and new testaments authorizes women prophets.
Jeff Walling Women in Ministry

Russ Adcox Women in Ministry
Carroll D. Osburn Women and Change Agenda

Wiley Clarkson one of Ken Cukrowski's disciples
John Mark Hicks Women in the Assembly: Prophesying
Rubel Shelly Homosexuals and Women justice
1. Rubel Shelly Women in God's Service

2. Rubel Shelly: Women in God's Service: Jesus Life and Service
Al Maxey Miriam as Musical Worship Minister

SELF-SPEAKERS AND SINGERS ARE CALLED SPIRITUAL PROSTITUTES

God was/is the LOGOS or what He Speaks including by Jesus Christ. The LOGOS is the Regulative or Governing principle: it is Word-centered and masculine as opposed to Sophia given to performance speaking, singing and making music to DISPLAY and market their body parts or talents: God cannot use you.

WARNING men with no Role and no Dole who cannot bring themselves to confront the MASCULINE, Rational, Spiritual Word and teach it as it has been taught now see Godliness as a means of financial gain: OCCUPATION only.  However, it is a fact that getting paid for performing with any of your body parts when Jesus paid it all and taught it all is called PROSTITUTION.

OF THE MERCHANTS:
Plat. Prot. 313d  For among the provisions, you know, in which these men deal, not only are they themselves ignorant what is good or bad for the body, since in selling they commend them all, but the people who buy from them are so too, unless one happens to be a trainer or a doctor. And in the same way, those who take their doctrines the round of our cities, hawking them about to any odd purchaser who desires them, commend everything that they sell, and there may well be some of these too, my good sir, who are ignorant which of their wares is

[313e] good or bad for the soul; and in just the same case are the people who buy from them, unless one happens to have a doctor's knowledge here also, but of the soul. So then, if you are well informed as to what is good or bad among these wares, it will be safe for you to buy doctrines from Protagoras or from anyone else you please: but if not, take care, my dear fellow, that you do not risk your greatest treasure on a toss of the dice.

How to use PSALLO to turn captives into WOMEN
Grant, then, forgiveness to the Lydians, and to
make sure of their never rebelling against thee,
        or
alarming thee more,
send and
forbid them to keep any weapons of war, command them to wear tunics under their cloaks,
        and to put buskins upon their legs,

        and make them bring up their sons to cithern-playing (Kitharizein), singing (psallein),
        and shop-keeping (Hucksterism). 
So wilt thou soon see them become women instead of men,
and there will be no more fear of their revolting from thee."
IT IS LOGICAL THAT THE MERCHANTS OF THEIR OWN SONGS AND SERMONS NEED WOMEN AROUND TO AFFIRM THEM

The massive "scholarly" work has been done to UPDATE Paul's evil teaching totally missed the CORE of keeping men from engaging in wrath (orgy) and women from TEACHING when the command is to PREACH the Word by READING the Word for education and comfort.  The CORE they do not intend to let happen is:

1Timothy 2:4 Who will have all men to be saved, and to come unto the knowledge of the truth.

2Timothy 3:2 For men shall be lovers of their own selves, covetous, boasters, proud, blasphemers,
        disobedient to parents, unthankful, unholy,
2Timothy 3:3 Without natural affection, trucebreakers, false accusers, incontinent, fierce, despisers of those that are good,
2Timothy 3:4 Traitors, heady, highminded, lovers of pleasures more than lovers of God;
2Timothy 3:5 Having a form of godliness, but denying the power thereof: from such turn away.
2Timothy 3:6 For of this sort are they which creep into houses,
        and lead captive silly women laden with sins, led away with divers lusts,

2Timothy 3:7 Ever learning, and never able to come to the knowledge of the truth

1Timothy 2:12 But I suffer not a woman to teach, nor to usurp authority over the man, but to be in silence.

The elders as pastor-teachers are commanded to teach that which has been taught: from the church in the wilderness onward the command was to PREACH the Word (only) By READING the word for comfort and doctrine. The synagogue did not give anyone the authority to "teach" anything by their own authority.  The Spirit OF Christ outlawed seeking your own pleasure or speaking your own words.

Did the word of God originate with you? Or are you the only people it has reached? 1 Corinthians 14:36
        If anybody thinks he is a prophet or spiritually gifted, let him acknowledge that
        what I am writing to you is the Lord's command. 1 Corinthians 14:37
        If he ignores this, he himself will be ignored. 1 Corinthians 14:38

The Authority outlawed is Authentia

"Michael Clycas, the Byzantine historiographer, uses this verb to describe the woman, 'who make sexual advances to men and fornicate as much as they please without arousing their husband's jealous.'" (Charles Trombly, Who Said Women Can't Teach, p. 176)

Ephesus was famous for its shrine of Diana, where thousands of sacred prostitutes believed fornication

brought believers into contact with deity
in much the say way the Gnostics used
authentia to bind the flesh and the divine together.
When these owm converted to Christianity they had to
unlearn these pagan practices.' Trombley, p. 177)

Dionysus is the wine-god, and thus should be a pleasant fellow, a benefactor. But wine has both positive and negative aspects. It makes people drunk, causes them to behave in strange ways. The Greeks were well aware of the dual natures of wine, mirrored by the dual nature of its god.... He betrays a dual nature: being bright, joyous, and vital for life,

while also having a side that is dark, mysterious and deadly.

"The adored wife of the fallen Hector, is taken as a concubine by the authentes, who can command her domestic and sexual services. The word also occurs in a homosexual sense in a speech by Theseus, king of Athens, where love of young boys was considered a virtue rather than a vice." ( Charles Trombly, Who Said Women Can't Teach, p. 174)

"dionysus's worship is thus established by the simple means of killing the opposition. It has been suggested that every tragic hero who suffers and dies on stage at the Dionysia, the great dramatic festival at Athens (of the South?), is in fact dionysus himself, being killed."

Si_gaō , means silent and not just VOCAL while being ORDERLY.  Men have NO AUTHORITY to transmit to women to TEACH in the self-referenced or authentia authority form.keep silence, used by Hom. only in imper. siga, hush! be still! I 2. metaph. of things, “sigōn d' olethros kai mega phōnount' . . amathunei” A.Eu.935 (anap.); “surigges ou sigōsin” Id.Supp.181; “

The command SILENCES:  phōn-eō , (phōnē) Anaxarch.1: abs., cry aloud, as in joy, S.Tr.202; of a singer, “aoidos . . aiola phōneōn” Theoc.16.44:—Pass., ta phōnēthenta sounds or words uttered, Pl.Sph. 262c, Ti.72a, cf. Longin.39.4.
4.
of a musical instrument, sound, E.Or.146 (lyr.); of sounds, hēdu phōnein sound sweetly, Plu.2.1021b; but brontē ph. it has a voice, is significant, X.Ap.12.

The command SILENCES:   surigx , iggos, , A.shepherd's pipe, Panspipe, “aulōn suriggōn t' enopē” Il.10.13; “nomēes terpomenoi surigxi” 18.526; “suriggōn enopē” h.Merc.512; “hupo ligurōn suriggōn hiesan audēn” Hes.Sc.278; “ou molpan suriggos ekhōn” S.Ph.213 (lyr.); kalaminē s. Ar.Fr.719; “