The Kairos Church Planting Plot

Would YOU lie, cheat, steal the church house of widows and sow discord for this?   Would you follow anyone who said that God Commanded an Instrumental Sectarian Institution for the first claim of a spirit's authority in recorded history? Yes! undoubtedly so.

11.08.16 Apollo or Apollon is the only personified SPIRIT and he is the leader of the Locusts which are the Muses or his "musical worship team." The Muses were know as SHEPHERDESSES and dirty PROSTITUTES.  Hermes or Kairos invented the Lyre as the Jubal "god" while still in his cradle. He is the father of liars and cheats and used his lyre or harp to teach Apollon's cattle to walk backward. When found out about his thieving "cattle stealing" he gave his harp or lyre to Apollo and is his instrument of choice and the basis of musical harmony and the "Psallo" harp plucking concept.  Those keeping you busy with "worship services" and trying to appeal to the WORLD for which Jesus did not pray, "scholars" are ignorant and keep their flocks ignorant of recorded history which MARKS religious musicians or speakers as parasites.

Plat. Sym. 215a
Are you not a piper? [215c] Why, yes, and a far more marvellous one than the satyr. His lips indeed had power to entrance mankind by means of instruments; a thing still possible today for anyone who can pipe his tunes: for the music of Olympus' flute belonged, I may tell you, to Marsyas his teacher. So that if anyone, whether a fine flute-player or paltry flute-girl, can but flute his tunes, they have no equal for exciting a ravishment, and will indicate by the divinity that is in them who are apt recipients of the deities and their sanctifications.

Plat. Sym. 215

Crito No, Socrates, I have nothing to say.

[215e] I am worse than any wild fanatic; I find my heart leaping and my tears gushing forth at the sound of his speech, and I see great numbers of other people having the same experience. When I listened to Pericles and other skilled orators I thought them eloquent, but I never felt anything like this; my spirit was not left in a tumult and had not to complain of my being in the condition of a common slave: whereas the influence of our Marsyas here has often thrown me into such a state

1 This satyr was fabled to have challenged Apollo to a musical contest, and on his fluting being judged inferior to Apollo's harping he was flayed alive by the god for his presumption, and his skin was hung up like a bag or bottle in a cave; cf. Herod. vii. 26
Plat. Sym. 216 that I thought my life not worth living on these terms. In all this, Socrates, there is nothing that you can call untrue. Even now I am still conscious that if I consented to lend him my ear, I could not resist him, but would have the same feeling again.

Plat. Minos 318b
Socrates

Then is it Marsyas, by tradition, and his beloved Olympus, the Phrygian?

Companion
That is true.

Socrates
And their flute-tunes also are most divine, and alone stir and make manifest those who are in need of the gods;1 and to this day they only remain, as being divine.

a mystic phrase for “ready for divine possession” (enthousiasmos).
enthousi-asmos , ho, A.inspiration, enthusiasm, frenzy, Democr.18, Pl.Ti.71e, Ph.1.535 (pl.), S.E.M.9.20 (pl.); “alogos e.Phld.Ir.p.67 W.; produced by certain kinds of music, Arist.Pol.1340a11, 1342a7.
--kōma , atos, to, (perh. cogn. with keimai, koimaō) A.deep sleep, “autō
  aithussomenōn de phullōn k. katarrei [Set in Rapid Motion stir up, kindle, Hermes stealing Apollon's Cattle]  Sapph.4; “hupnou k.Theoc.Ep.3.6: metaph., of the effect of music, Pi.P.1.12.
telet-ē , , (teleō)

Hdt. 8.65 Dicaeus son of Theocydes, an Athenian exile who had become important among the Medes, said that at the time when the land of Attica was being laid waste by Xerxes' army and there were no Athenians in the country, he was with Demaratus the Lacedaemonian on the Thriasian plain and saw advancing from Eleusis a cloud of dust as if raised by the feet of about thirty thousand men. They marvelled at what men might be raising such a cloud of dust and immediately heard a cry. The cry seemed to be the “Iacchus” of the mysteries

keirō , 3. metaph., 'fleece', plunder, “tēn mammēn” “Arēs kerseien aōtonA.Supp.666 (lyr.).
2. ravage a country, esp. by cutting down crops and fruit-trees,to pedionHdt.5.63; “temenosId.6.75, cf. ; “tēn gēnHdt.6.99, Th. 1.64; “khōranAen.Tact.15.9; destroy, “polin[CAST OUT THE OWNERS]; also, clear, of pioneers, “orosHdt.7.131:—Pass., of a country, to be ravaged, “karēnaiId.4.127,
nerally, destroy, consume:
1. tear, eat greedily, of beasts, keirei t' eiselthōn bathu lēion onos] Il.11.560; of fish, dēmon [KAIROS IS DEMON SON OF ZEUS]. . epinephridion keirontes21.204; of vultures, “hēpar ekeironOd.11.578, cf. Luc.DDeor. 1.1, DMort.30.1. 2. metaph., waste, devour,


Iakkhos , ho, Iacchos, mystic name of Dionysus, S.Fr.959,, Ar.Ra.398, Paus.1.2.4, etc.; Eleusini tou Iaakkhou (sic)
A. [select] hupodokhēIG22.847.21; ton Iakkhon exelaunein lead forth a Bacchic procession, Plu.Alc.34; “ton I. propempsaiIG22.1028.10.
*2. song in his honour, ho mustikos i. [INITIATION INTO GAY PRIESTHOOD] Hdt.8.65, cf ; adein ton I. Hsch. s.v. Diagoras: as Adj., “iakkhos ōdaE.Cyc.69 (lyr.).
2 , chorus, nekrōn i. E.Tr.1230; tumpanōn  
II  used by the tyrant Dionysius for khoiros, [NEW WINESKINS GOD]

Plat. Ion [533e] and attract other rings; so that sometimes there is formed quite a long chain of bits of iron and rings, suspended one from another; and they all depend for this power on that one stone. In the same manner also the Muse inspires men herself, and then by means of these inspired persons the inspiration spreads to others, and holds them in a connected chain. For all the good epic poets utter all those fine poems not from art, but as inspired and possessed, and the good lyric poets likewise;

Plat. Ion 536c and you have plenty to say: for it is not by art or knowledge about Homer that you say what you say, but by divine dispensation and possession; just as the Corybantian worshippers are keenly sensible of that strain alone which belongs to the god whose possession is on them, and have plenty of gestures and phrases for that tune, but do not heed any other. And so you, Ion, when the subject of Homer is mentioned, have plenty to say, but nothing on any of the others. And when you ask me the reason

THE BEASTS: A new Style of Music and Satyric Drama.

10.22.16 God is, including all things, WORD or LOGOS: Logos outlaws personal opinions, personal experiences, rhetoric, singing, playing instruments or acting beyond SILENCE (worship) while the command to PREACH the Word by READING the Word (only) takes place.  God's SON is defined in Proverbs as His WORD.  Logos is God's REGULATIVE PRINCIPLE which outlaws anything but words such as SPEAK or SAY: of those who do NOT speak that WORD the Spirit OF (a preposition) Christ in Isaiah 8 THERE IS NO LIGHT IN THEM. 

LOGOS: Scripture divides people as (1) EARTH BORN or OF the World, (2) Lost Spirits not OF this world meaning kosmos or the ECUMENICAL or the kingdom of the Devil. Jesus came to rescue the Little Flock or the WAY that is called a SECT.

SOPHIA: The Greeks and most recorded history divide the RACES in the world between logos and sophia.  WISDOM or Sophia was the abandoned Jews whose covenant was with DEATH and HELL "holy spirit" or mother as the OPPOSITE of the masculine LOGOS.  The SOPHIA race is marked by music and erastes or pederasty.

THE LOGOS RACE as opposed to the race of VIPERS (serpent, beast using "A new style of music or Satyric Drama" which drives out the spiritual-logical-rational and replaces them with people OF the World or just flesh. Jesus said that God hides from the wise or Sophists defined as speakers for hire, singers or instrument players intending to make the lambs dumb before the slaughter.  Paul excluded these religious craftsmen in Ephesians 4 because they are LYING IN WAIT TO DECEIVE.

Logi^k-os , ē, on, (logos) A. of or for speaking or speech, merē l. the organs of speech, Plu.Cor.38: logikē, , speech, opp. mousikē, D.H. Comp. 11; “l. phantasiaexpressed in speech, Stoic.2.61.
II. possessed of reason, intellectual, “merosTi.Locr.99e, al.; “to l. zōonChrysipp.Stoic.3.95; aretai l., = dianoētikai, OPPOSITE to moralizing sermons. ēthikai, Arist.EN1108b9.

Jesus and Paul said that worship is IN the Spirit and not IN the flesh and IN TRUTH or "speaking that which is written for our learning."  Paul had to battle men who wanted to get HIRED saying that Paul's FREE speEch was not worth HIRE. While the temple servant was worth their daily dole of food (only) Paul said that the Free Water of the Word could not be SOLD.  This was the ANTITHESIS of the religions (Legalism) of the Chronos-Zeus-Kairos or Hermes.

Kairos, Cairos, Hermes is the demon son of Zeus and from CHRONOS.  This was the pagan FAMILY OF GOD after which apostate take their names.

Karios
a_, a, on, A. Karikos, Hdt.8.135; esp. as epith. of Zeus, Id.1.171, 5.66, Str.14.2.23: worshipped in Thessaly and Boeotia, Phot. (Possibly from kara (A), cf. Karaios.)

The DIVINA of Lectio-Divina Sorcery was the hag or WITCH able to control the moon.

Ka_rikos , ē, on, Carian,
A.lophosAlc.22, cf. Hdt.1.171, al.; used for eutelēs, worthless, “k. tragoiS.Fr.540.
II. K. elaion a kind of salve, Ophel.5; “K. pharmakonHp.Ulc.16.
III. Karikē mousa funeral song, dirge, Pl.Lg.800e; “K. aulēmataAr.Ra.1302; “K. melos” 
IV. Karikē karikē cod.): asunthetos (leg. asunetos, kai ampelos, Hsch.
V. Karikon, to, Carian quarter in Memphis

Kairos or Hermes as the god of music and liars is the ANTICHRISTIAN LOGOS: He is the conductor of defunct spirits into Hades:
Plat. Laws [800e] just as a corpse is escorted with Carian music by hired mourners. Such music would also form the fitting accompaniment for hymns of this kind; and the garb befitting these funeral hymns would not be any crowns nor gilded ornaments, but just the opposite, for I want to get done with this subject as soon as I can. Only I would have us ask ourselves again1 this single question,—are we satisfied to lay this down as our first typical rule for hymns?

Clinias What rule?

Athenian That of auspicious speech; and must we have a kind of hymn that is

1 Cp. Plat. Laws 800b.

Plat. Laws 7.800b Shall we now lay down these enactments in our statement?

Clinias Yes, lay them down.

Athenian How shall we enact these rules by law in such a way as to escape ridicule? Let us consider yet another point concerning them. The safest plan is to begin by framing in our discourse some typical cases,1 so to call them; one such case I may describe in this way. Suppose that, when a sacrifice is being performed and the offerings duly burned, some private worshipper—a son or a brother —when standing beside the altar

1 ekmageion(“mold” or “impression”) is here used, much likeeidos, of a class or “type” of cases needing legal regulation.

“Plat. Laws 7.800c and the offering, should blaspheme most blasphemously, would not his voice bring upon his father and the rest of the family a feeling of despair and evil forebodings?

Clinias It would.

Athenian Well, in our part of the world this is what happens, one may almost say, in nearly every one of the States. Whenever a magistrate holds a public sacrifice, the next thing is for a crowd of choirs— not merely one—to advance and take their stand, not at a distance from the altars,

Plat. Laws 7.800d but often quite close to them; and then they let out a flood of blasphemy over the sacred offerings, racking the souls [laded burden] of their audience with words, rhythms and tunes most dolorous, and the man that succeeds at once in drawing most tears from the sacrificing city carries off the palm of victory [Nike]. Must we not reject1 such a custom as this? For if it is ever really necessary that the citizens should listen to such doleful strains, it would be more fitting that the choirs that attend should be hired from abroad, and that not on holy days but only on fast-days—

1 Music should he used as an ennobling educational instrument, promoting self-control, not as a means of exciting vulgar sentiment and passion

Seduction, Sophistry, and the Woman with the Rhetorical Figure
p. 74 Logos is incommunicable to itself--as its referential instability precludes stable meaning. Plato accounts for this instability by suggesting
        this is the result of willfully deceitful and manipulative rhetors
        who use language to lead audiences away from the truth.
        Plato theorizes that sophists uses of language
        have the purpose of flattering and deceiving hearers
        and obfuscating the truth,

Sophis-tēs , master of one's craft, adept, expert, of diviners, musicians, “sophistēs . . parapaiōn khelun” with modal words added, “hoi s. tōn hierōn melōn
Melody in a Holy Place Sophist, i.e. one who gave lessons in grammar, rhetoric, politics, mathematics, for money Apollōnidē sophistē 

In Ephesians 4 Jesus as "Holy Spirit" inspired Paul to warn any APT elder as the only pastor-teacher to eject the cunning craftsman or SOPHISTS.  They are self-authoring preachers for hire, singers, instrument players or actors. The ABSOLUTE mark from Genesis to Revelation and recorded history is that THEY ARE LYING IN WAIT TO DECEIVE.

They are marked by preaching Unity in Diversity meaning "We need your property to teach OUR diverse and perverted dogma.  Ephesians 4 protecting the Little Flock or the WAY that is called a SECT from robbers of temples.

whereas his system of dialecticts will produce truth, based on the belief that logos (rational, deliberate logos) has the function of communicating and revealing being.

The Word or LOGOS is the Regulative Principle and the opposite of rhetoric, singing, playing instruments or acting as the MARKS of the Greek KAIROS who is ANTICHRIST as God speaking only through Jesus whom God MADE TO BE both Lord and Christ.

Kairos or Hermes' head was shaved on the back so that you could never GET A GRIP on that god of thieves and liars. The new KAIROS meaning the "right time to mount an attack" says that YOU cannot find truth but they can for a price.

Georgias argues that there is no way to get a 'grip' on truth (Platoi), as we have previously mentioned, argued that without a grip on truth there can be no genuine art of speaking (Phaedrus 260).  For truth or what is, according to Georgia, is not stable, still or whole.  It is not possible to get a grip on flux, on Heraclitus' river [Shelly's Logos].  Furthermore, there is no way to get a grip on truth with logos [Jehovah God or the one Lord-God].  For logos only grips (tentativel and loosely Kairos concept) logos, not truth in itself. Hence is no genuine art of speaking.

Nor is there a genuine (real and true) speaker. The speaking subject, rather than speaking truth, is speaking deception.  All speakers, Georgias argues, are fabricators, all are poets and mythmakers, all the sophists and counterfeits.

In contrast to Kairos-Hermes who is ANTI-GOD, God as Logos speaking ONLY through Jesus Christ EXCLUDES rhetoric, poetry, singing, playing instruments, acting or CHARGING for the Free Water of the Word. God Quarantined the Godly Jews FROM the Sacrificial system and defined the Church of Christ (the Rock) both inclusively and exclusively: that one-piece patern never changed.

Acts 15:21 For Moses of old time
        hath in every city them that PREACH him,
        being READ in the synagogues every sabbath day.

There is no genuine speaker who has mastered truth, who speaks things, nor is there an authentic self who has mastered self who is being (unified, coherent, and real). Georgias would argue that rather than human beings, we are human not beings--that is to say, humans becomings: self in the flux, in process, in motion, in kinesis: and are false selves, always already in self-contradiction. This sublect in flux is the necessary complement to a fluctiating reality.
        Georgias notion of KAIROS is based on the notion of occassion--of vascillating moments,
        time and opportunity--and of the relative (hence the irrationality) of arguments and truth

In short, different rhetorical moments occasion [OCCASIO IS KAIROS] different subjects.This discourse situationality is not to be mistaken for the Platonic notion of matching discourses and souls (as argued in Phaedrus), nor for the Aristotelian requirements of assuming a different theme to match the audience (Rhetoric bk 2), for both these methods assume the control and mastery of the discourse situation lies in the speaker--goverened only by the exigency and purpose.

On the contray, Georgias is suggesting something other than a techne. He is not suggestiong that one be "true" to the rhetorical situation by adopting the appropriate posture.

Rather, he is arguing that the situation, the KAIROTIC movement creates a new subject--a hypoocritical subject, from the Greek word hypocrites.. The hypocritical subjects interprets what appears to be happening, and is engrossed [indeed, his existence is made possible by the acting] in the events of the stage.
        [mendacium untruth, falsehoodto believe a lie a fable,
        Fiction
(opp. historic truth): “poëtarum,
counterfeit

  1. Sophists are rhetoricians, singers, instrument players or actors. 
  2. Jesus called the Scribes and Pharisees, hypocrites: in Ezekiel 33 Christ named slick speakers for hire, singers and instrument players.
  3. Jesus said that God HIDES from the wise or Sophists: speakers, singers or instrument players.

(Phaedrus 260).

Phaedrus
On that point, Socrates, I have heard that one who is to be an orator does not need to know what is really just, but what would seem just to the multitude who are to pass judgment, and not what is really good or noble, but what will seem to be so; for they say that persuasion comes from what seems to be true, not from the truth....

[259b] perhaps they will be pleased and give us the gift which the gods bestowed on them to give to men.
Phaedrus
What is this gift? I don't seem to have heard of it.
Socrates 
It is quite improper for a lover of the Muses never to have heard of such things. The story goes that these LOCUSTS
were once MEN, before the birth of the Muses, and when the Muses were born and song appeared, some of the men were so overcome with delight
--[259c] that they sang and sang, forgetting food and drink,
        [Amos 8 musicians as "Fruits" starving people]
        Isaiah 5 God Lades a Burden (song) on the Musical Sheep Starvers

        until at last unconsciously they died
.
        From them the LOCUSTS
tribe afterwards arose, and they have this gift from the Muses,
        that from the time of their birth they need no sustenance,
        but sing continually, without food or drink, until they die,
        when they go to the Muses and report who honors each of them on earth.
       They tell Terpsichore of those who have honored her in dances, and make them dearer to her;

THE PERSONIFIED SPIRIT IS APOLLON-ABADON THE LEADER OF THE MUSICAL WORSHIP TEAMS

Heb. 6:4 For it is impossible for those who were once enlightened,
        and have tasted of the heavenly gift,
        and were made partakers of the Holy Ghost,
Heb. 6:5 And have tasted the good WORD of God, and the powers of the world to come,
Heb. 6:6 If they shall fall away, to renew them again unto repentance;
        seeing they crucify to themselves the Son of God afresh,
        and put him to an open shame.

The Abomination of Desolation: first defined as the instrumental-trinitarian worship at Mount Sinai.

4.16.16  Rev. 12:12 Therefore rejoice, ye heavens, and ye that dwell in them. Woe to the inhabiters of the earth and of the sea! for the devil is come down unto you, having great wrath, because he knoweth that he hath but a short KAIROS.

5.14.16 BEEN THERE HAD IT DONE TO ME THREE TIMES BUT I DID NOT BOW DOWN TO BAAL

-Soph. El. 39 When I went to the Pythian oracle to learn how I might avenge my father on his murderers, Phoebus [Apollon-Abaddon]  gave me the commandment which you will now hear:
        that alone, and by stealth, without the aid of arms or large numbers, [Purpose-Driven: Infiltrate and Divert]
        I should carry off my right hand's just slaughters.
        Accordingly, since I received this divine declaration,
             [Rick Atchley etal heard a spirit: Apollon is the personified spirit and leader of his musical worship team
                    to teach our youth to LEAVE OUR MOVEMENT]

        you must go into that house there
        [40] when opportunity [kairos] gives you entrance, [eisagē]
        and learn all that is happening,
        so that you may report [aggeilēs] to us out of sure knowledge.
Your age and the lapse of time [khronō] will prevent them from recognizing you; they will never suspect who you are with that silvered hair Let your story be that you are a Phocian stranger [45] sent by Phanoteus, since he is the greatest of their allies. Tell them, and affirm it with your oath, that Orestes has perished by a fatal chance, hurled at the Pythian games [50] from his speeding chariot. Let that be the substance of your message.

Eisagō 5. introduce new customs, ei. psukha kharinId.Hipp.526;
teletas ponēras E. Ba.260; [Initiation into the Gay Brotherhood]sophismaId.Ph.1408; “hotan se
kairos eisagē,
= hotan kairos ē se eisienai, S.El.39; “nux ei. pononId.Tr.29:—Med., admit forces into a city, Th.8.16,108; take in with one, introduce into a league or conspiracy, “
aulon kai rhuthmon eis ton polemon anti salpiggos Plb.4.20.6  Cretans and Spartans Used to train young men in making war.
II. bring in, bring forward, esp. on the stage, “khoron” “Hēran ēlloiōmenēnPl.R. 381d; “dramataId.Ap.35b

Hera is the Greek version of Eve or Evah which means an abomination

ponēros , A.oppressed by toils, ponērotatos kai aristos, of Heracles, 

-Eur. Hipp. 526 Eros, god of love, distilling liquid desire down upon the eyes,
        bringing sweet pleasure to the souls
        of those against whom you make war,
never to me may you show yourself to my hurt nor ever come but in due measure and harmony.
        [530] For the shafts neither of fire nor of the stars exceed the shaft of Aphrodite,
        which Eros, Zeus's son, hurls forth from his hand.

Colossians 3:5  Mortify therefore your members which are upon the earth; fornication, uncleanness, inordinate affection, evil concupiscence, and covetousness, which is idolatry:

THE BEAST

Thērion , to (in form Dim. of thēr),  A. wild animal, esp. of such as are hunted, mala gar mega thērion ēen, of a stag, Od.10.171, 180 (never in Il.); in Trag. only in Satyric drama
mousikē aei ti kainon thērion tiktei” 

mousikê aei ti kainon thêrion tiktei
A.
 
Mousikos, musical, agônes m. kai gumnikoi  choroi te kai agônes ta mousika music,  

II. of persons, skilled in musickuknos [minstrel]  kai alla zôia; peri aulous - professional musicians, mousikos kai melôn poêtês, use with singing, skilled in speaking before a mob. Melody

B. aei always
C. kainos , esp. of new dramas, the representation of the new tragedies,  (Aphrodisias dedicated to Aphrodite (ZOE); comedy, sexual love, pleasure, a woman's form of oath, Aster or Venus or ZOE Lucifer
D. Therion
E. Tikto mostly of the mother  of Rhea one of the zoogonic or vivific principles

The serpents, however, of the magicians-(that is,) the gods of destruction-withstood the power of Moses in Egypt, but the rod of Moses reduced them all to subjection and slew them. This universal serpent is, he says, the wise discourse of Eve. This, he says, is the mystery of Edem, this the river of Edem; this the mark that was set upon Cain,
that any one who findeth him might not kill him. This, he says, is Cain, [Gen. iv. 15] whose sacrifice [Gen. iv. 5. ] the god of this world did not accept.

The BEAST is defined as A New Style of Music or Satyric (cappella) Drama.  The MARK is accepting that new style of MUSIC which REPUDIATES all of Scripture and Restoration History prior to the year 1878.  Psallo means to pluck with your FINGERS and never with a guitar pick: you lie if you make it beating on a drum or blowing a wind instrument or using a guitar pick. Psallo is derived from Apollon's lyre given to him by Hermes or Kairos just out of his cradle (a Jubal without authority figure). Apollon used his bow to PLUCK the twanging string to send forth a SINGING arrow into the literal heard of those who would not take a mark. And he used his lyre to send forth a LOVE ARROW into his male and female worshipers.  The persona of rhetorical, singing or instrument players sends up to half of the owners packing: they know that Jesus defined the Scribes and Pharisees, hypocrites: In Isaiah 19 and Ezekiel 33 the Spirit OF (a preposition) Christ named performance preachers, singers, instrument players and their FLOCK. No one intends to speak that which is written and one intends to obey. They have all taken the mark.

The KAIROS pattern is to despise EXISTING Churches and try to REPLACE or Divert their "investment" into rhetorical and musical performances: been there been done that three time.  It is not possible to connect rhetoric, singing or playing without having Jesus mark you as a hypocrite and saying that God HIDES from you. That is why it is IMPOSSIBLE for A New Day replacing Another day of Rest to SPEAK THAT WHICH IS WRITTEN. They are ANTI-Word, Logos or Regulative Principle and are therefore ANTICHRISTS.

Cretan Meter Krēt-ikos . , Mousa, K. “melos”  (sc. metron) Heph.13.1; K. rhuthmos, rhuthmoi, D.H.Comp.25, Str.10.4.16.

Relates to
Ka_rikos , ē, on, CarianA.lophosAlc.22, cf. Hdt.1.171, al.; used for eutelēs, worthless, “k. tragoiS.Fr.540. III. Karikē mousa funeral song, dirge, Pl.Lg.800e; “K. aulēmataAr.Ra.1302; “K. melos
IV. Karikē karikē cod.): asunthetos Pl.Smp. 216c (leg. asunetos, kai ampelos,

Plat. Laws 7.800c Whenever a magistrate holds a public sacrifice, the next thing is for a crowd of choirs— not merely one—to advance and take their stand, not at a distance from the altars,  [800d] but often quite close to them;
        and then they let out a flood of blasphemy over the sacred offerings,
        racking [sunteinō] the souls of their audience with words, rhythms [harmoniais s. tas psukhas] and tunes most dolorous,
        and the man that succeeds [nikētēria] at once in drawing most tears from the sacrificing city
        carries off the palm of victory.

Must we not reject1 such a custom as this? For if it is ever really necessary that the citizens should listen to such doleful strains, it would be more fitting that the choirs that attend should be hired from abroad, and that not on holy days but only on fast-days—  1 Music should he used as an ennobling educational instrument, promoting self-control, not as a means of exciting vulgar sentiment and passion.

DEFINING THE LADED BURDEN BY BURDEN LADERS.
2. strain to the uttermost, urge on, exert, “

Hermes or Kairos
is the ANTICHRIST of paganism: He invented Apollon's harp, is the MEDIATOR and a CONDUCTOR OF DEFUNCT SPIRITS INTO HELL. The Spirit OF (a preposition: sorry you missed that) Christ defined wine, string and percussion instruments as the SIGHT and SOUND of God driving His ENEMIES into HELL. In Revelation 17 they are "lusted after fruits" of the Babylon Mother of Harlots: John calls the SORCERERS who HAD deceived the whole world and will finally be CAST ALIVE INTO THE LAKE OF FIRE.
Plat. Laws 800e just as a corpse is escorted with Carian music [Karikē tini mousē] by hired [HIRELINGS] mourners [misth-oō , A. let out for hire, farm out]. Such music would also form the fitting accompaniment for hymns of this kind; and the garb befitting these funeral hymns would not be any crowns nor gilded ornaments, but just the opposite, for I want to get done with this subject as soon as I can. Only I would have us ask ourselves again this single question,—are we satisfied to lay this down as our first typical rule for hymns?

Clinias What rule?

Athenian That of auspicious speech; and must we have a kind of hymn [ōdais] that is 1 Cp. Plat. Laws 800b.

Asun-thetos , on, (suntithēmi) II. (suntithemai) bound by no covenant, faithless,ho dēmos estin pragma tōn pantōn asunthetōtatonD.19.136 (v.l. asunet-), cf. Ep.Rom.1.31; making no covenants,a. diatelousi
drama action represented on the stage, drama, play,  saturikon d. , stage-effect of any kind, eisagō 5. introduce new customs, 

Sa^tu^r-ikos    phainomenos

Plu.Cat.Ma.7,2. of or resembling the Satyric drama, Pl.Smp. 222d; “poiēsisArist.Po.1449a22; orkhēsisD.H.7.72; “drama , saturikon, to, Satyric drama, X.Smp.4.19, Arist.Po.1449a20, IG22.2320.16; also “saturikēTz.Proll.Com.p.21 K., cf. “Saturos” 

phainō   A. Act., bring to light, cause to appear, in physical sense, teras tini ph. make a sign appear to one, b. Phainōn, ontos, ho, the planet Saturn,
2. of sound, make it clear to the ear, make it ring clear, aoidēn phainein8.499; “salpigx . . hupertonon gēruma phainetō stratōA.Eu.569.   3. show forth, display in action,
Saturos A BEAST in Revelation is a Carian (the Zeus family name) sells A New Style of Music or Satyric (Cappella Drama) of Dionysus himself, a lewd, goatish fella, a courtesan (Catamite selling body parts) fabulous people in Ethiopia, II. in pl., a play in which the Chorus consisted of Satyrs, Satyric drama, forming the fourth piece of a Tragic tetralogy,, A.wolf-minded
Paul warned against the dogs and concision who were the emasculated priestood of Cybele or Isis of the Mount Sinai fall into musical play and playing with one another. They tried to PIPE hoping that they could initiate Jesus into the always-gay priesthood. That  initiation makes you lament (sing) and dance but that is the only way to get into the INNER CIRCLE.

Sinus the PATTERN of the New Wineskins: those who are drunk on wine or PIPED DOWN WITH wine so that they cannot comprehend that SPEAK the Word does not mean SING the self-authored songs and sermons Paul outlawed for women because regular males never did that especially in self-exhibition to prove their hire.

kat-auleō , A.charm by flute-playing, , of persons, methuōn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros khelōnidos psophon to be played to on the flute with lyre accompaniment,  subdued by a flute accompaniment, to be piped down, ridiculed,gelōmenoi kai -oumenoi to have played to one as an accompaniment on the flute, -“oumenoi pros tōn hepomenōn ta mētrōa melēD.H.2.19.

THERE IS NO MUSICAL MELODY WORDS USED IN THE BIBLE.

katapsallō , A.play stringed instruments to, [“sumposion kataulein kai   
2. Pass., to be buried to the sound of music, Procop.Pers.2.23.
3. metaph., katapsalletai . . ho dēmiourgos is drummed out,
Tĭtŭbo  of drunken persons: Silenus to hesitate, falter, waver, be in suspense, be embarrassed or perplexed
sŏno II. Act., to sound, utter, give utterance to, speak, call, cry out, sing, pour forth
does not sound like that of a human being, boasting of, vaunting Pythius in longā carmina veste sonat,sings, pours forth, accompanies on the lyre, id. 2, 31 : “sonante mixtum tibiis carmen lyra,
    tībĭa  a pipe, flute (orig. made of bone; “ubi curva choros indixit tibia Bacchi,Verg. A. 11, 737:
Verg. A. 11.737 Not slackly do ye join
the ranks of Venus in a midnight war;
        Antichrist: [săcerdos Dianae Ephesiae  Phoebus Apollon Apollinean:carmina,]
or when fantastic pipes of Bacchus call
Bacchus  the deliverer, as intoxicating and inspiring, he is god of poets, Phallic Herma [Jochin-Boaz]
his attendants (a satyr, Silenus, and the Bacchæ), carried the thyrsus: Shaken Reed.
Bakkheios, Bacchic: “ululatus,”[Halal]
your dancing feet, right venturesome ye fly
to banquets and the flowing wine—what zeal,
what ardor then! Or if your flattering priest
begins the revel, and to Iofty groves
fat flesh of victims bids ye haste away!
Sīlēnus , i, m., = Seilēnos. I. Silenus, the tutor and constant attendant of Bacchus; represented as baldheaded, with short horns and a flat nose, as drunken, lascivious, and mounted on an ass, Hor. A. P. 239; Verg. E. 6, 14; Ov. A. A. 1, 543; id. F. 1, 399; 1, 413; 6, 339; id. M. 11, 90; 11, 99; Cic. Tusc. 1, 48, 114; Hyg. Fab. 191.—Plur.: Sīlēni , gods of the woods, satyrs, Cat. 64, 252; Plin. 35, 10, 36, § 110;
Phoebus Apollo as the god of LIGHT: A. Phoe-bēĭus , a, um, adj., Phœbean, Apollinean:
carmina, Lucr. 2, 504: “lampas,the sun, Verg. A. 4, 6: “virgo,” [Eve the Woman is Vires or Venum--a parable]
Rhodos,where the worship of Apollo prevailed, id. M. 7, 365: lyra,id. H. 16, 180: “sortes,oracle
C. Phoebas , a priestess of Apollon; hence the inspired one, the prophetess,“Circe, [CHURCH] daughter of Sol,
6.  The hiss of a snake Verg. Cul. 180. Flatulance
Silenus.Bag.gif silenusdonkey.1.jpg

Without any exception those who launch A New Day or A New Hermeneutic and slander existing groups the discord boils down to taking an AXE to the ANTI-instrumental Sectarians, patternists or legalists.  Jesus died to give us ANOTHER DAY of REST which excludes any and all religious observations beyond being A School of the Word.  They hear visions or cast visions or hear audible voices telling them to use the PATTERN of the Jacob-Cursed and God-Abandoned Levites. That's god because The Spirit OF God or Christ is the BREATH of God: Jesus SPEAKS (opposite of ODE) the Breath Without Metron: this is most commonly used of musical meter because there is no musical melody possible because God made certain that "that which is written for our learning" is Prose or Epic poetry.

At the right time c. ad 2000 the instrumental sectarians attacked the historical and Biblical churches of Christ: the thorn in the flesh was the historical (from the wilderness onward) for the SECT that is called the WAY refusal to affirm or conform to "transistion" the Restoration of A School (only) of the Word (logos or regulative principle) into "a theater for holy entertainment" by adding instruments and professional players beginning with the abomination concept of a "musical worship team."

Dt 18:9 When thou art come into the land which the LORD thy God giveth thee,
        thou shalt not learn to do after the abominations of those nations.
Dt 18:10 There shall not be found among you any one that
        maketh his son or his daughter to pass through the fire,
        or that useth divination, or an observer of times, or an enchanter, or a witch,

hărĭŏlus  soothsayer, prophet, prophetess
somnĭo , to dream; to dream of or see in a dream, to dream, i. e. to think idly or vainly, to talk foolishly:
psaltrĭa , ae, f., = psaltria, . a female player on the cithara, a lutist, “ineptias,Col. 1, 8, 2: “ah stulte! tu de Psaltriā me somnias Agere,Ter. Ad. 4, 7, 6; Plaut. Pers. 2, 3, 5.—Absol.: “vigilans somniat
portenta non disserentium philosophorum sed somniantium,Cic. N. D. 1, 8, 18.

Deut. 18:11 Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer

A Charmer is an Abomination

incantātor , ōris, m. incanto, I. an enchanter, wizard (post-class.), Tert. Idol. 9; Isid. 8, 9, 15; Mos. et Rom. Leg. Coll. 15, 1, 2.

consŭlo (a). In the lang. of religion, to consult a deity, an oracle, omens, etc.: Apollinem de re,Cic. Leg. 2, 16, 40: “deum consuluit auguriis, quae suscipienda essent,Liv. 1, 20, 7: “deos hominum fibris,Tac. A. 14, 30 fin.: “Phoebi oracula,Ov. M. 3, 9; Suet. Vesp. 5: “Tiresiam conjectorem,Plaut. Am. 5, 1, 76:

Cantus A. Prophetic or oracular song: “veridicos Parcae coeperunt edere cantus,Cat. 64, 306; cf. Tib. 1, 8, 4.—
B. An incantation, charm, magic song, etc.: cantusque artesque magorum.
cantus e curru Lunam deducere tentat,
2. With instruments, a playing, music: “in nervorum vocumque cantibus,Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,Cat. 64, 264: “querulae tibiae,
Jude warning about the PATTERN of the instrumental-trinitarian female led idolatry at Mount Sinai for which there was no redemption:

Jude 3  Beloved, when I gave all diligence to write unto you of the common salvation,
       
[unity established within the Little Flock almost invisible and certainly inaudible when in God's presence.]
        it was needful for me to write unto you, and exhort you
         that ye should earnestly contend for the faith [The Word, Logos, Regulative Principle]
        which was once delivered unto the saints.
Jude 4 For there are certain men crept in unawares,
        who were before of old ordained to this condemnation,
        ungodly men, turning the grace of our God into lasciviousness,
        and denying the only Lord God, AND our Lord Jesus Christ.
         [Meaning trinitarians claiming that BREATH is a PEOPLE]

Jude 5 I will therefore put you in remembrance,
        though ye once knew this, how that the Lord, having saved the people out of the land of Egypt,
        afterward destroyed them that believed not.
Jude 6 And the angels which kept not their first estate,
        but left their own habitation,
        he hath reserved in everlasting chains under darkness unto the judgment of the great day.
Jude 7 Even as Sodom and Gomorrha, and the cities about them in like manner,
        giving themselves over to fornication,
        and going after strange flesh, are set forth for an example,
        suffering the vengeance of eternal fire.


Amos 5:26 But ye have borne the tabernacle of your Moloch and Chiun your images,
        the STAR of your god, which ye made to yourselves.
Acts 7:41 And they made a calf in those days,
        and offered sacrifice unto the idol,
        and rejoiced in the works of their own hands
Moloch.gif

The practice in the wilderness, tyre and Jerusalem


Because their musical idolatry was the worship of the Astrial gods or Sabazianism (Dionysus-Apollo)
Acts 7:42 Then God turned,
        and gave them up to worship the HOST of heaven; 
        as it is written in the book of the prophets,
        O ye house of Israel,  have ye offered to me slain beasts and sacrifices
        by the space of forty years in the wilderness?
Molech.Col.Wiki.gif

Amos 5:27 Therefore will I cause you to go into
        captivity beyond Damascus,
        saith the LORD, whose name is The God of hosts.
Acts 7:43 Yea, ye took up the tabernacle of Moloch
        and the star of your god Remphan
        figures which ye made to worship them: 
        and I will carry you away beyond Babylon.

The Spirit OF CHRIST IN ISAIAH 30

Must ye always rejoice, and go into my holy places continually, as they that keep a feast? and must ye go with a pipe, as those that rejoice into the mountain of the Lord, to the God of Israel Isaiah 30:29 LXX

and the Lord shall make his glorious voice to be heard and the wrath of his arm, to make a display with wrath and anger and devouring flame: he shall lighten terribly, and his wrath shall be as water and violent hail. Isaiah 30:30 LXX

For by the voice of the Lord the Assyrians shall be overcome, even by the stroke where with he shall smite them. Isaiah 30:31 LXX

And it shall happen to him from every side, that they from whom their hope of assistance was, in which he trusted, themselves shall war against him in turn with drums and with harp. Isaiah 30:32 LXX

For thou shalt be required before thy time: has it been prepared for thee also to reign? nay, God has prepared for thee a deep trench, wood piled fire and much wood: the wrath of the Lord shall be as a trench kindled with sulphur. Isaiah 30:33 LXX

From the Golden Calf: The Canaanites were under Assyro-Babylonian dominance from 3000 to 1700 BCE. Even by circa 1400 BCE, their influence was still so great that all correspondence with Egypt and the Pharaoh was conducted in Babylonian, and the name of the moon-god Sin formed the basis for the Canaanite names Sinai and the wilderness of Sin (ERE, Vol. 3, p. 183). The hand of Sin was seen in the cause of Catatonia or madness in children - hence, lunacy is associated with this deity

Judas  was a thief: his bag or box was
always attached to the spotted flute case.

JudasDiony.JPEG

And God WATCHED the prophesied and fulfilled Musical Worship Team
Trumpet, drums, flute, cymbals and castinets with buffoons
Psallo permits ONLY smiting a string with your FINGERS: not a plectrum
Psallo and SOP have the same root meaning.

Mark.10.They.Shall.Mock.Him.With.Music

Mock.Jesus.Half.size.jpg

MY LAST INVESTMENT WITH THE "LORD": His brother of the Kairos Church Planting Scheme and Stan Grandberg (my first investment in Seattle) fulfilling Revelation 17 of the Babylon mother of harlots: In Revelation 18 John calls the craftsmen, singers and instrument players SORCERERS and then says that they will be-are CAST ALIVE INTO THE LAKE OF FIRE.

Russ.Adcox.Instruments.Stage.gif

Jude 18 How that they told you there should be mockers in the last time,
        who should walk after their own ungodly lusts.

empaiktēs , ou, ho, A. mocker, deceiver, LXXIs.3.4, 2 Ep.Pet.3.3, Ep.Jud. 18
empaig-ma , atos, to, A.jest, mocking, delusion, LXX Is.66.4; magikēs empaigmata tekhnēs
    paig-ma , atos, to,
A.play, sport, lōtos hotan . . paigmata bremē whene'er the pipe sounds its sportive strains, E.Ba.161(lyr.); “Ludia p. lurasLyr.Alex.Adesp.37.15.
II. 'child's play', to toiouto p. tōn logōn

Eur. Ba. 161 [145] The Bacchic one, raising the flaming torch of pine on his thyrsos [Shaken Reed] , like the smoke of Syrian incense, darts about, arousing the wanderers with his racing and dancing, agitating them with his shouts, [150] casting his rich locks into the air. And among the Maenad cries his voice rings deep:
        “Go, Bacchae, go, Bacchae, with the luxury of Tmolus that flows with gold, [155] sing of Dionysus, beneath the heavy beat of drums, celebrating in delight the god of delight with Phrygian shouts and cries, [160] when the sweet-sounding sacred pipe sounds a sacred playful tune suited [165] to the wanderers, to the mountain, to the mountain!” And the Bacchante, rejoicing like a foal with its grazing mother, rouses her swift foot in a gamboling dance.
Is. 66:3 He that killeth an ox is as if he slew a man; he that sacrificeth a lamb, as if he cut off a dog’s neck; he that offereth an oblation, as if he offered swine’s blood; he that burneth incense, as if he blessed an idol. Yea, they have chosen their own ways, and their soul delighteth in their abominations.
Isaiah 66:4 I also will choose their delusions, and will bring their fears upon them;
         because when I called, none did answer;
         when I spake, they did not hear: but they did evil before mine eyes,
        and chose that in which I delighted not.

Revelation 18:22 And the
        voice of harpers,
        and musicians,
        and of pipers,
        and trumpeters,
 shall be heard no more at all in thee;
        and no craftsman, of whatsoever craft he be,
All of these define SOPHISTS: God hides from the wise

Sophis-tēs
,
master of one's craft, adept, expert, of diviners, musicians, “sophistēs . . parapaiōn khelun” with modal words added, “hoi s. tōn hierōn melōn
Melody in a Holy Place Sophist, i.e. one who gave lessons in grammar, rhetoric, politics, mathematics, for money Apollōnidē sophistē
and the sound of a millstone shall be heard no more at all in thee;
The millstone made a "piping" sound and identified the "grinders" who were also prostitutes.
Revelation 18:23 And the light of a candle shall shine no more at all in thee; The seven spirits which would rest on the Branch (Isaiah 11) would all be forms of Divine, revealed knowledged.
and the voice of the bridegroom and of the bride shall be heard no more at all in thee:

See Jeff Walling Women in Performance: Eve worshipped as the MEDIATRIX
This speaks of the hieros gamus [-Aphroditē). sexual love, Venus Genetrix [Zoe, Eve]

Venus Also know as Matrimonium also Nuptiae (gamos). Marriage.
veneficusa poisoner, sorcerer, wizard; sorceress, witch,

for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. goēs , ētos, ho, A. sorcerer, wizard, Phoronis g. epōdos
pharmakeus kai sophistēs
Revelation 18:24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Revelation 19:20 And the beast was taken, and with him the false prophet that wrought miracles before him, with which he deceived them that had received the mark of the beast, and them that worshipped his image. These both were cast alive into a lake of fire burning with brimstone

TEACHING that which is written for our learning is the ONLY resource for building or educating a Church of Christ.  There is not a command, example or remote inference of any group singing with or without instruments until long after the Reformation.  Psallo is a profane concept and is therefore in the heart or SILENT. That is because SPEAK is the opposite of ODE. 

It may be blasphemy to say that God was not smart enough to introduce at least one Musical Melody Word.  The SING word is cantillation which is a reading style with rules to PREVENT anyone from adding or removing anything from the commanded text.

Musical melody is Melos or mŏdus   2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,Cic. Div. 2, 3, 9: “musici,Quint. 1, 10, 14: “lyrici,Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,

Musical Melody never appears in the text: if you want to make melody which is not harmony then:

melos , eos, to,

melē, ta, lyric poetry, choral songs, [None provided by God who breathed (spirit) without METRON or meter.
Opposite Epic or Dramatic verse, [There is no lyric Bible material]
2. music to which a song is set, tune, Arist.Po.1450a14;
Opposite. rhuthmos,
Opposite metron, Pl.Grg. 502c Karikon = worthless, funeral song, dirge,
Plat. Gorg. 502c she is bent rather upon pleasure and the gratification of the spectators.
Socrates
Pray then, if we strip any kind of poetry of its melody, its rhythm and its meter, we get mere speeches as the residue, do we not?
Opposite  --rhuthmos , Ion. rhusmos ho: (rheō):A. any regular recurring motion  [the LADED BURDEN]
I.
measured motion, time, whether in sound or motion 2. special phrases: en rhuthmō in time, of dancing, marching, rhythm,
Opposite metron and harmonia, Ar. Nu.638 sq

Opposite: rhēma
A.that which is said or spoken, word, saying
3. subject of speech, matter  rhētos 

Logos IV. inward debate of the soul, reflection, deliberation
Regulative and formative forces, derived from the intelligible and operative in the sensible universe,
VI. verbal expression or utterance, lego, lexis
      -Lexis A.speech, OPPOSITE ôidê

-ôidê, 1.art of song 5. = eppsdê, spell, incantation
4. text of an author,  OPPOSITE exegesis [Peter's private interpretation outlaws exegesis]Arist.En1142a26

2. Opposite ergmata, Pi.N.4.6; opp. ergon, Th.5.111; business, occupation

"Mother" churches bent on hatching "Daughter" or Satellite churches intend to use the existing Churches of Christ as a Launch Pad and finances. At the same time the Kairos plot denies that AFTER COMPUTERS anyone beyond them cannot do Church. Church is a School of the Word Only and that never changes. Scripture does not give any clergy ROLES or DOLE to fiddle away drumming up new customers.

IF YOU CLAIM THAT THE AUDIENCE OWES A CLERGY ANY MONEY FROM TITHES OR THE LAW OF GIVING YOU DESPISE THE WORD.

The Latin for despising or contradicting the Word is called blasphemy.

1Cor. 16:1 Now concerning the collection for the saints,
        as I have given order to the churches of Galatia, even so do ye.
diatassō   make arrangements, arrange for oneself, to arrange in an orderly manne
Acts 11:29 Then the disciples, every man according to his ability, determined to send relief unto the brethren which dwelt in Judaea:

Because they had not sent anything and there is no hint that they passed the plate, now a year later Paul wants the Corinthians to live up to their FIRST PROMISE.

1Cor. 16:2 Upon the first day of the week let every one of YOU lay by him [HIMSELF} in store [AT THEIR HOUSE], as God hath prospered him, that there be no gatherings when I come.

Each person would hand their gift to Paul and His men.  Paul said that there would be no gatherings (gifts for charity) AFTER he came. Paul might be there over winter.

The First Day of the Week was the first day of WORK. People didn't get a weekly check: most would be engaged in DAY labor.  Paul didn't say "based on 7 DAYS OF THE WEEK" but the first day of the week. This was not to support anyone but to supply food to DESTITUTE people.  "as prospered" has the FIRST DAY as its antecedant.

Humos   your, thou, used in addressing one person
Heautouof himself, herself, itself, themselves, himself,
Tithēmi    deposit, as in a bank,
Thēsaur-izō, A. store, treasure uphoard, lay up treasure
The Safe place or Thesaurizo would be by HIMSELF
Ep.Jac. 5.3; [laid up treasures for self] “heautōEv.Luc.12.21.

Heautou  of himself, herself, itself, entos; par' heautō at his own house, ib.3.13.3,

Entos en   within, inside, Lat. intus, opp. to ektos: 2. within, i. e. on this side,

Xen. Mem. 3.13.3 On yet another who complained that the drinking water at home was warm: “Consequently,” he said, “when you want warm water to wash in, you will have it at hand.”

Luke 12.[21] So is he who lays up treasure for himself, and is not rich toward God."
Prospered does not mean that EVERYONE gives PROPORTIONAL to THEIR wages.
Euod-oō ,  of things, prosper, be successful,

Rom. 1:10 Making request, if by any means now at length I might have a prosperous journey by the will of God to come unto you.
that there be no gatherings when I come -- or arrive

Log-eiacollection for charity, 

1Cor. 16:3 And when I come, whomsoever ye shall approve by your letters,
        them will I send to bring your liberality unto Jerusalem.
1Cor. 16:4 And if it be meet that I go also, they shall go with me.
1Cor. 16:5 Now I will come unto you, when I shall pass through Macedonia:
        for I do pass through Macedonia.
1Cor. 16:6 And it may be that I will abide, yea, and winter with you,
        that ye may bring me on my journey whithersoever I go.

No one AT Church or even Paul ever had their hands on any money. This may mean that they bought Paul a passage.


The Kairos Church Planting pattern needs to plant thousands (60,000 with one of their clients) even when there is a Church of Christ on every corner. Kairos says that THOSE churches are not the right KIND.  Those congregations are slandered with all of the RACA words primarily because they are not instrumental idolaters.  Kairos says that the old pattern does not work in the AC or after computer era of the youth. They ignore the fact that the olders are also computer inventrs and users.  Because this writers last three "investments" have been diverted, one boasts that using instruments like Tom Toms has GROWN 150 members. Never mind that it sows massive discord and does not know the meaning of church or worship.

Jesus sent Apostles and evangelists out as preachers or HERALDS to preach the gospel of the Kingdom. That kingdom does not come with observation meaning Religious observations. The church from the wilderness onward and taught in the American Restoration Movement is a School of the Word only.  The pagan like worship services didn't work with the youth either.

Computer literate evangelists would know that they can go into all of the world with e-mails and local mail inserts. That is the POSTMODERN way to GO for those interested.

Proverbs 6:15 Therefore shall his calamity come suddenly;
        suddenly shall he be broken without remedy

Perdĭtĭo , Vulg. Matt. 7, 13 et saep.; cf. perditio, apōleia,

Apoleia (g684) ap-o'-li-a; from a presumed der. of 622; ruin or loss (phys., spiritual or eternal): - damnable (-nation), destruction, die, perdition, * perish, pernicious ways, waste.

2. perdition, Ep.Rom.9.22, 2 Ep.Thess.2.3.
3. thing lost, LXXLe.6.35.22).

Proverbs 6:16 These six things doth the LORD hate: yea, seven are an abomination unto him:
Proverbs 6:17 A proud look, a lying tongue, and hands that shed innocent blood,
Proverbs 6:18 An heart that deviseth wicked imaginations, feet that be swift in running to mischief,
Proverbs 6:19 A false witness that speaketh lies, and he that soweth discord among brethren.

Māchĭnor ,I.v. dep. a. [machina], voluptatem to contrive skilfully, to devise, design, frame, invent
machinato strepitu tonitruum, artificial: to produce incrediblele or lying wonders in religious operationshaec duo musici machinati ad voluptatem sunt, versum atque cantum,id. de Or. 3, 44, 174:

MūsĭcusI. Of or belonging to music, musical (class.). LAWS of music
sonus citharae,Phaedr. 4, 18, 20:

1. mūsĭcus , i, m., a musician: “musicorum aures,Cic. Off. 1, 41, 146.—
2. mūsĭ-ca , ōrum, n., music: “in musicis numeri, et voces, et modi,Cic. de Or. 1, 42, 187: “dedere se musicis,   10: “et omnia musicorum organa,Vulg. 1 Par. 16, 42.—

The Levites stood at the door to execute any of the "staff" who came near any "holy thing or place." They didn't make music but quătĭo , to shake to agitate, disturb cymbala, 1. Of arms, weapons, reins, etc., to wield, brandish, ply, hold: “securim, 3. To beat, strike, drive: to beat out of doors,  4. To shake, beat, or break in pieces, to batter, shatter: B. Trop.: “quassā voce,in a broken voice

 -kairos, D.59.35katakairiosm' Apollōn tōd' epestēsen telei ib.1202
II. of Place, vital part of the body (cf. “kairios1), “es kairon tupeis”  E.Andr.1120.
tuptō , t. khalkōmata beat pots and pans (to make a noise),  [sting,ophis u' etupse mikros”  wound his conscience

Carmen   I. a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto). I. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental Apollinem) concordant carmina nervis,citharae liquidum carmen
III. more freq. of Time, exact or critical time, season, opportunity, Khronou k. S.El. 1292: IV. advantage, profit, tinos of or from a thing,  Khōrion meta megistōn k. oikeioutai te kai polemoutai with the greatest odds, the most critical results, Id.1.36.

The World or Kosmos is the Ecumenical or the kingdom of the Devil and intends to collect your property and make it his own; that is the definition of a heretic or sectarian.

Oikei-oō
, Ion. oikēioō ,
A.make oikeios :
I. make a person a kinsman,
2. c. acc. rei, make or claim as one's own, appropriate,tēn Asiēn oikēieuntai hoi PersaiHdt.1.4

Polem-oō , A.make hostile, make an enemy of, tina v.l. in LXX 4 Ma.4.21:—Med., pōs ou polemōsesthe autous; surely you will make them your enemies, Th.5.98:—Pass., to be made an enemy of,meta megistōn kairōn oikeioutai te kai polemoutaiId.1.36; epolemōthē de hoti

Spīrĭtus , a breathing or gentle blowing of air, a breath,
WHEN PERSONIFIED spiritum Phoebus [Apollon-Abaddon] mihi, Phoebus artem Carminis dedit, poetic spirit or inspiration, Hor

Used to
occŭpo  to lay hold of; hence, to take possession of, seize, occupy any thing 2. To fall upon, attack one with any thing tyrannidem,tyrannis , “tyrannidem occupare,

4.20.15   Hermes or Mercury or Kairos was the Greek speaker for the gods, a thief, a liar and a conductor of defunct spirits to hell. He invented the lyre while still in his cradle (a Jubal) and stole Apollo's (Abaddon, Apollon) cows by teaching them to walk backward. Consistent with most of Scriptures, John defined the TRUE Logos and the One God's speaker-messenger as Jesus of Nazareth whom God MADE TO BE both Lord and Christ.

Hermes-Mercury-Kairos is the Pagan ANTI-Christ Who articulates the Logos of God. 

Chambers' Encyclopedia says: "The Jews, as well as the early Christians, had no special names for thesingle days, but counted their number from the previous Sabbath, beginning with Sunday, as the first after the Sabbath, and ending with Friday, as the sixth after the previous, or eve (Ereb) of the next Sabbath. 
   The planetary gods Nardouk (Jupiter), Adar (Saturn), Istar (Venus, Zoe, Lucifer), Nergal (Mars), and Nebo (Mercury),* were all worshiped by the ancient Israelites. Istar was called "Queen of the Stars." Moloch, the rival of Jehovah, who shared for centuries the worship of the Hebrews, had his blazing star, the emblem of his implacable cruelty. The worship of Astarte, daughter of the moon, and "Queen of Heaven," whose emblem was a star, was introduced by Solomon himself (1 Kings xi, 5; 2 Kings xxiii, 13).

The Logos is God's regulative or governing principle: He ALWAYS creates and teaches by SAYING WORDS.  The Logos is opposite to rhetoric, singing, playing instruments or even "speaking your own words." (Isaiah 58).

Kairos is also the spirit (demon) son of Zeus and "grandson" of Chronos who now maybe thrusts in his sickle to reap the ripe fruits.

Mercŭrĭus , ii, m., = Hermēs, Kairos I.Mercury, the son of Jupiter and Maia, the messenger of the gods; as a herald, the god of dexterity; in speaking, of eloquence; the bestower of prosperity; the god of traders and thieves; the presider over roads, and conductor of departed souls to the Lower World:

The Spirit OF Christ in Isaiah 8 says of those who do not speak the WORD THERE IS NO LIGHT IN THEM.  The only action in the Synagogue or School of Christ is to READ or SPEAK. Both Jew and Gentile were "wise unto salvation" even the Greeks attended synagogue and not the pagan and perverted rituals;

Acts 15:21 For Moses of old time hath in every city
        them that PREACH him, being READ in the synagogues every sabbath day.
Sabbath does not mean "day of worship" but day of REST.  Rubel Shelly declares that John got his idea of LOGOS from the pagans.  However, the false teachers are devoted to SOPHIA which is effeminate and musical:

Seduction, Sophistry, and the Woman with the Rhetorical Figure

Logos is incommunicable to itself--as its referential instability precludes stable meaning. Plato accoungs for this instability by suggesting this is the result of willfully deceitful and manipulative rhetors who use language to lead audiences away from the truth. Plato theorizes that sophists [speakers, singers, instrument players] uses of language have the purpose of flattering and deceiving hearers and obfuscating the truth, whereas his system of dialecticts will produce truth, based on the belief that logos (rational, deliberate logos) has the function of communicating and revealing being. Georgias argues that there is no way to get a 'grip' on truth (Platoi), as we have previously mentioned, argued that without a grip on truth there can be no genuine art of speaking (Phaedrus 260).  For truth or what is, according to Georgia, is not stable, still or whole.  It is not possible to get a grip on flux, on Heraclitus' river [Shelly's].  Furthermore, there is no way to get a grip on truth with logos.  For logos only grips (tentativel and loosely Kairos concept) logos, not truth in itself. Hence is no genuine art of speaking.

The Logos is God's Regulative Principle: it outlaws rhetoric, personal opinions, personal examples, singing, playing instruments or drama. All religious Craftsmen (Revelation 18), singers and instrument players are call "fruits" and Sorcerers.  John said that they HAD deceived the whole world once and would be cast alive into the LAKE OF FIRE.  The only operative words for dispensing the WORD ONLY is SPEAK or READ.

Acts 15:21 For Moses of old time hath in every city them that PREACH him,
        being READ. in the synagogues every sabbath day.

Because of the instrumental-trinitarian idolatry at Mount Sinai, the Jew's eyes and ears were shut up until they turned, converted or were baptized into Christ;
2Cor. 3:14 But their minds were blinded:
        for until this day remaineth the same vail untaken away
        in the reading of the old testament;
        which vail is done away in Christ.

Jesus defined the Prophets and other texts which SPOKE OF HIM as Holy Scripture. The Spirit OF Christ in the prophets defines the REST of the godly people always quarantined from the pagan sacrificial system and the future Church of Christ both inclusively and exclusively.  You cannot SELL the Word and you cannot seek your own pleasure and you cannot SPEAK your own Words. That is God's PATTERN for Restoring the Old Paths:

Is. 8:20 To the law and to the testimony:
        if they speak not according to this WORD,
        it is because there is no light in them.

Eph. 2:20 And are built upon [EDUCATED]
        the foundation of the apostles and prophets,
        Jesus
Christ himself being the chief corner stone;
There is nothing in the God-abandoned Civil-Military-Clergy complex repudiated by the Prophets which has any application to the modern Church.  Peter said that Jesus certified or made the PROPHETS more certain and that is not subject to "private interpretation." That means "further expounding" and eleminates the wise or Sophists: rhetoricians, singers or instrument players:
Eph. 3:5 Which in other ages was not made known unto the sons of men, as it is now revealed unto his holy apostles and prophets by the Spirit;
The Postmoderns who think that only they have received a spirit's message which our more ignorant parents did not know. They use the Sacrificial System and instrumental EXORCISM or SORCERY as the PATTERN revealed to them by "a" spirit.  Abaddon is the only personified spirit and he is the leader of the Locusts or Muses known as dirty adulteresses and SHEPHERDESSES.
2Pet. 3:2 That ye may be mindful of the words
        which were spoken before by the holy prophets,
        and of the commandment of us the apostles of the Lord and Saviour:

Being Mindful of the Prophets left for our memory by the prophets is the only "worship" concept in Christ's kingdom which does not come with observation meaning religious observations.

Seduction, Sophistry, and the Woman with the Rhetorical Figure conclusion

Nor is there a genuine (real and true) speaker. The speaking subject, rather than speaking truth, is speaking deception.  All speakers, Georgias argues, are fabricators, all are poets and mythmakers, all the sophists and counterfeits.  There is no genuine speak who has mastered truth, who speaks things, nor is there an authentic self who has mastered self who is being (unified, coherent, and real). Georgias would argue that rather than human beings, we are human not beings--that is to say, humans becomings: self in the flux, in process, in motion, in kinesis: and are false selves, always already in self-contradiction. This sublect in flux is the necessary complement to a fluctiating reality. Georgias notion of kairos is based on the notion of occassion--of vascillating moments, time and opportunity--and of the relative (hence the irrationality) of arguments and truth.  In short, different rhetorical moments occasion different subjects..  This discourse situationality is not to be mistaken for the Platonic notion of matching discourses and souls (as argued in Phaedrus), nor for the Aristotelian requirements of assuming a different theme to match the audience (Rhetoric bk 2), for both these methods assume thecontrol and mastery of the discourse situation lies in the speaker--goverened only by the exigency and purpose.

On the contray, Georgias is suggesting something other than a techne. He is not suggestiong that one be "true" to the rhetorical situation by adopting the appropriate posture. Rather, he is arguing that the situation, the kairotic movenent creats a new subject--a hypoocritical

6. ON THE STATUE OF OPPORTUNITY [kairos] AT SICYON

7.26.14  The Kairos Church Planting Ministry intends to plant none instrumental Churches of Christ as well as Instrumental Christian Churches as well as other Catholic-derived names.  Because no faithful Disciple of Christ would "make the lambs dumb before the slaughter" with any of the hypocritical or performing arts and crafts, whatever they call themselves they cannot be the Historic Church of Christ (the Rock) Who defined the Qahal, ekklesia, synagogue or church in the wilderness both inclusively and exclusively. People may pick cute names through misunderstanding or it may be the result of ignoring the Word or Logos or Regulative Principle because they despise their Biblical roots.

The Bible is specificially antithesis to the Pagan accounts and religious practices.  Whatever you think of the theology and cosmology of the time they represent the TRUTH of what the people believed and practiced in a religious sense: these inherent credit to the Creature rather than the Creator is still the pattern of religious institutions in violent opposition to the synagogue or ekklesia which were SCHOOLS of the Laws of God. By their enlightened nature they did not dishonor God by thinking they could plan, plot and finance their way into God's presence or favor.

From about 1885 until today the Disciples of Christ -- Christian Churches used the most violent means (stealing your flock and house).  The first census and recorded history about "unity" proves that what became Churches of Christ were never "unioned" with what became a denomination intending to collect "all of Christendom".

The Psallo word (aka SOP) was a frantic effort to slow the sowing of discord within the Disciple-Christians (not churches of Christ which were and are the ATTACKEE)

Again about a hundred years later the "unity" movement by the NACC [separated from the Disciples officially in 1971] launched another movement intending that UNITY meant that everyone bow to baal when they piped. The Stone-Campbell Movement is the evil effort to, as the Standard and NACC boasts, transistion your property and flock to the instrumental sect.

Under the heading of Hell and Mister fudge we post some of the universal teaching that IMPOSING MUSICAL (?) INSTRUMENTS and other hypocritical arts is to MARK or identify the lineal descendants of Cain (a Musical Mark) and Jubal the father (dna) of those who handle (without authority and in a sexual sense) all of the tone generating machines enhanced by the discovery of BRASS (bell metal) which identifies the serpent:

5172.  nachash, naw-khash´; a primitive root; properly, to hiss, i.e. whisper a (magic) spell; generally, to prognosticate:—x certainly, divine, enchanter, (use) x enchantment, learn by experience, x indeed, diligently observe.
5173.  nachash, nakh´-ash; from 5172; an incantation or augury:—enchantment.
The beast as SERPO speaks of a slow, winding effort of fire or enchanting music to take the world captive: Christ breathed the message that Lucifer (Venus, Zoe) was the singing and harp-playing prostitute who was "cast as profane" (halal, chalal) out of God's presence. It takes about 10 years of "gradualism" to boil the frogs while denying their obvious using music to SET AMBUSH.
Serpo   B.Transf., of things, to move slowly or imperceptibly, to creep along, proceed gradually,
II.Trop., to creep, crawl; to extend gradually or imperceptibly; to spread abroad, increase, prevail
per agmina murmur,(bestiascanam, căno , cĕcĭni, cantum (ancient I.imp. cante = canite,
once canituri,Vulg. Apoc. 8, 13  to utter melodious notes, to sing, sound, play.
tibicen  cithara, crowing of a cock: “galli victi silere solent, canere victores,to crow,
to practice magic, to charm, Galli is a word for a Catamite: priest of the Mother Godesses.

"Kenite" is a rendition of Hebrew קֵינִי Qeyniy. According to Gesenius, the name is derived from the name Cain (קַיִן Qayin).[5] According to A. H. Sayce, the name `Kenite', Qéní, is identical an Aramaic word meaning `a smith', which in its turn is a cognate of Hebrew Quayin, with the meaning `a lance'.[6]"

The description of the trumpets.

[The Rule of the Trumpets: the trumpets] of alarm for all their service for the [ . . . ] for their commissioned men, 17[by tens of thousands and thousands and hundreds and fifties] and tens. Upon the t[rumpets . . . ]

[ . . . ] )8[ . . . ] 19[ . . . which ] 20 [,, . they shall write . . . the trumpets of Col. 3 the battle formations, and the trumpets for assembling them when the gates of the war are opened so that the infantry might advance, the trumpets for the signal of the slain, the trumpets of 2 the ambush, the trumpets of pursuit when the enemy is defeated, and the trumpets of reassembly when the battle returns.

Which has the meaning of speaking in tongues: h3907Lachash
h3907Lachash.gif1Corinthians 13:1 Though I speak with the tongues
        of men and of angels,               (condemned)
        and have not charity, (Grace)   (condemned)
        I am become as sounding brass, or a tinkling cymbal.


La^l-eō, Mark of the Locusts II.  chatter, Opposite. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday,  III.  of musical sounds, “aulō [flute] laleōTheoc.20.29; “di'aulou [flute] ē salpiggos l.”[trumpet] Arist. Aud.801a29; of Echomagadin lalein sound the magadis,  [double flute]

God the Holy Spirit is NOT IGNORANT? If He wanted to permit musical instruments by people being hired to speak HIS WORD (Logos, regulative principle) he would have used one of many instrument-specific words.

-kat-auleô , A. charm by flute-playing, metaphor I will flute to you on a ghastly flute, E.HF871 (troch.):--Pass., of persons, methuôn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros chelônidos psophon to be played to on the flute with lyre accompaniment,
II. in Pass., [ton monochordon kanona] parechein tais aisthêsesi . . katauloumenon subdued by a flute accompaniment, to be piped down, ridiculed, gelômenoi  
2.  make a place sound with flute-playing, resound with flute-playing, nêsos katêuleito Plu.Ant.56




\Job 15:17 I will shew thee, hear me; and that which I have seen I will declare;
Job 15:18 Which wise men have told from their fathers, and have not hid it:h

-Sapiens wise, knowing, sensible, well-advised, discreet, judicious

In a human-wise sense Sapio: taste, gusto, o suggest, be inspired by: “quia non sapis ea quae Dei sunt,Vulg. Matt. 16, 23; id. Marc. 8, 33.— Athenis  Apollinis oraculo sapientissimum

Ăpollo  Apollōn, Apollo, son of Jupiter and Latona, twinbrother of Diana, and god of the sun. Apollōn, represented with weapons, the citharaApollinem Delium,

Matthew 16:[23] But he turned, and said to Peter, "Get behind me, Satan! You are a stumbling-block to me, for you are not setting your mind on the things of God, but on the things of men."

Rev. 9:11 And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.
Apollo is the leader of the Muses or his musical worship team. However, Jesus said that God hides from the wise or sophists and speaks only to and through "babes" as opposed to doctors of the law who take away the key to knowledge.

SOPHOS   A.skilled in any handicraft or art, clever Margites Fr.2; but in this sense mostly of poets and musicians, Pi.O.1.9, P.1.42, 3.113; en kithara s. E.IT1238 (lyr.), cf. Ar.Ra.896 (lyr.), etc.; tēn tekhnēn -ōteros ib.766; “peri tiPl.Lg.696c; glōssē s. S.Fr.88.10; my little trick, learned, wiseen oiōnois, kithara, E. IT662, 1238  [guitar players.

Pind. O. 1 From there glorious song enfolds the wisdom of poets,1 so that they loudly sing [10] the son of Cronus,
        when they arrive at the rich and blessed hearth of Hieron

Pind. O. 1
Olumpias agōna pherteron audasomen:
hothen ho poluphatos humnos amphiballetai
sophōn mētiessi, keladein Kronou paid' es aphnean hikomenous
makairan Hierōnos hestian,
themisteion hos amphepei skapton en polumalō
20 Sikelia, drepōn men koruphas aretan apo pasan,
aglaizetai de kai
15mousikas en aōtō,
hoia paizomen

kela^d-eō  2. of persons, shout aloud, atar keladēsan Akhaioi, in applause, of bells, ring, tinkle, E.Rh.384; of the flute, “k. phthoggon kallistonId.El.716; of the sea, Ar.Th.44. II. trans., sing of, celebrate loudly, tina Pi.O.1.9, OF kuma I. wave, billow, of rivers as well as the sea,  sound as flowing waterk. thalassēs2. metaph., flood of men

Kronos , ho, Cronos  later interpreted as khronos , ho, —ana khronon in course of time, after a time, karp-imos , on,
        A.fruit-bearing, fruitful, “theros”  from whom money can be wrung 3. in Rhythmic and Music, time,
2. ho tou K. (sc. astēr) the planet Saturn, Id.Metaph.1073b35, Mu.392a24, 399a11; so later Kronos, ho, Placit.2.32.1, Cleom.2.7;
         tou K. hēmera Saturday, D.C.37.16.

In Revelation 17-18 the sounds of rhetoric, singing, playing instrument and all of the religious craftsmen marks the TIME when they are removed from the Kingdom and the Lamps go out: John calls them sorcerers who HAD deceived the whole world.  The WISE or SOPHISTS Thrust in the Pruning Hook which is the sign that God is PRUNING THEM at the KAIROS time

drep-ō II. Med., pluck for oneself, cull,
hēdusmata para tēs poiētikēs Mousēs Jul.Or.7.207c; “psukhēn theianOrph.Fr.228; haima drepsasthai cull the fruits of murder, A. Th.718, cf. Bion 1.22: abs., E. Hipp.81: c. gen., “kata kairon erōtōn d.

kairos , ho,
2. season, pasin kairois at all seasons of the year
b. critical times, periodic states, “kairoi sōmatōnArist.Pol.1335a41.
IV. advantage, profit, tinos of or from a thing, Pi.O.2.54, P.1.57; ei toi es k. estai tauta teleomena to his advantage,
tinos heineka kairou; D.23.182; hou k. eiē where it was convenient or advantageous, Th.4.54; k. ēn ib.90; Khōrion meta megistōn k. oikeioutai te kai polemoutai with the greatest odds, the most critical results, Id.1.36.

insĭdĭor ,
I.act. form insidiaverint for insidiati erunt, Dig. 48, 19, 28, § 11) [insidiae], to lie in ambush, lie in wait for; 
In Ephesians 4 the command is for APT elders to cast out the cunning craftsmen or sophists: speakers, singers, instrument players, actors because THEY ARE LYING IN WAIT TO DECEIVE.
II. Trop.: “somno maritorum,Cic. Cat. 1, 10, 26: “tempori,to watch for, seize upon the favorable moment, Liv. 23, 35, 15: temporibus, to watch the changes of the times, to turn them to one's own advantage, Vell. 2, 21.
Tempus b. In partic., the time, i. e. the fitting or appointed time, the right season, proper period, opportunity, = kairos: nunc occasio est et tempus,Plaut. Ps. 4, 2, 3:
b). tempŏra , um (less freq. in the sing. tempus), after the Gr. ta kairia (prop. the right place, the fatal spot), the temples of the head; 
drepa^non , to, also drapanon (q. v.), (drepō)
A.= drepanē, d. eukampes Od.18.368; “khalkeois ēma d.S.Fr.534; the usual form in Prose and Com., Hdt.1.125, etc.; “d. theristikonPMagd.8.6 (iii B. C.).
2. pruning-knife, Pl.R.333d.
3. scythe, X. Cyr.6.1.30.
4. curved sword, scimitar, Hdt.5.112, 7.93, Ar.Ra.576.
ther-istikos , ē, on, A.of or for reaping, “drepanonPMagd.8.6 (iii B.C.); “humnosSuid. s.v. Lituersēs: as Subst. th., to, crop, Str.17.3.11.

eukamp-ēs , es, (kamptō) A.well-bent or curved, “drepanon toxa a bow, harpē , A.bird of prey,
II. sickle, = drepanon, Hes.Op.573, S.Fr.424; “kalamētomos
melos , eos, to, 2. music to which a song is set, tune, Arist.Po.1450a14;
3. melody of an instrument, “phormigx d' au phtheggoith' hieron m. ēde kai aulos” Abaddon-Apollyon's instrument.

Plut. Quaes. Rom. 42
Or was it that this God [Saturn [Kronos ] presided over the fruits [p. 229] of the field and husbandry? For the sickle signified as much, and not, as Antimachus was persuaded and wrote with Hesiod,—
With crooked falk Saturn 'gainst heavens [ouranou] fought,  off his father's privities, foul bout.

Money is produced from plenty of fruit and the vent of them, therefore they make Saturn the author and preserver of their felicity. That which confirms this is that the conventions assembled every ninth day in the marketplace [agoran sunodous,] (which they call Nundinae) they reckon sacred to Saturn, because the abundance of fruit gave the first occasion of buying and selling. Or are these things farfetched, and was the first that contrived this Saturnine chamber of bank Valerius Publicola, upon the suppression of the kings, being persuaded it was a strong place, conspicuous, and not easily undermined by treachery?

Isa 18:3 All ye inhabitants of the world, and dwellers on the earth,
        see ye, when he lifteth up an ensign on the mountains;
        and when he bloweth a trumpet, hear ye.

clangor ,

I.a sound, clang, noise (mostly poet. and in Aug. prose).
I. Of wind instruments: “tubarum, tremulo clangore volare
III. Of dogs, a barking, baying,

Tŭba , a war-trumpet, Sonorous, elevated epic poetry,
Trop.: “tuba belli civilis,” i. e. exciter, author, instigator, Cic. Fam. 6, 12, 3: “rixae,Juv. 15, 52.

Isa 18:4 For so the LORD said unto me, I will take my rest,
        and I will consider in my dwelling place like a clear heat upon herbs,
        and like a cloud of dew in the heat of harvest.

Isaiah 18:5 For afore the harvest, when the bud is perfect, and the sour grape is ripening in the flower,
        he shall both cut off the sprigs with pruning hooks,
        and take away and cut down the branches.

And I looked, and behold a white cloud, and upon the cloud one sat like unto the Son of man,
        having on his head a golden crown, and in
his hand a sharp sickle. Revelation 14:14

And another angel came out of the temple, crying with a loud voice to him that sat on the cloud,
        Thrust in thy sickle, and reap
:
        for the time is come for thee to
reap; for the harvest of the earth is ripe. Revelation14:15

hōrai kairikai when it was necessary to distinguish them from the hōrai isēmerinai, [standard hours]

So he who was seated on the cloud swung his sickle over the earth, and the earth was harvested. Revelation 14:16

And another angel came out from the altar, which had power over fire; and cried with a loud cry to him that had the sharp sickle, saying, Thrust in thy sharp sickle, and gather the clusters of the vine of the earth; for her grapes are fully ripe. Rev 14:18

And the angel thrust in his sickle into the earth, and gathered the vine of the earth,
        and cast it into the great
winepress [lake] of the wrath of God. Re 14:19

thu_moōvent fury with the horns, Virgil's irasci in cornua, E.Ba.743; cf. “aoidos es keras tethumōtaiCall.Iamb. 1.321; to thumoumenonpassion,

aoidosa^, ho, (aeidō) A.singer, minstrel, bard,goōn, khrēsmōn [oracle] aoidos,2. fem., songstress,3.enchanter,S.Tr.1000.  Oh where is the sorcerer, where is the healer save only Zeus
III. = eunoukhos, Hsch.; cf. doidos.
Eunoukhos , ho, (eunē, ekhō) A.castrated person, eunuch,
KAIROS IS ALSO OCCASIO

occāsĭo , ōnis, f. occĭdo, a falling out, a happening, hap; hence,
I.an occasion, opportunity, fit time, convenient season, favorable moment for doing any thing; eukairia, kairos (syn.: opportunitas, locus, facultas). B. Personified: Occasio, Opportunity, as a goddess, Phaedr. 5, 8;
capere,to seize   răpĭo , lupē, to seize and carry off, to snatch, tear, drag, draw, or hurry away 1. To carry along or away with passion, to transport, ravish, captivate;
Nasonis carmina rapti,” i. e. torn from his home, borne far away, aetherios per carmina pandere census
pulso I.   Lucr. 4, 931),  to push, strike, beat (cf.: tundo, ferio, pello).
Of musical instruments:chordas digitis et pectine eburno,” to strike, play upon, Verg. A. 6, 647: “chelyn,” (harp) Val. Fl. 1, 139: “pectine nervos,” Sil. 5, 463: “cymbala,” Juv. 9, 62.
A.      In gen., to urge or drive on, to impel, to set in violent motion, to move, agitate, disturb, disquiet:
C.      To drive away, remove, put out of the way
Psalmus , = psalmos
I.      In gen., to play [psalmus] upon a stringed instrument; esp., to play upon the cithara, to sing to the cithara: “psallere saltare elegantius, Sall. C. 25,
Elego I. to convey away (from the family) by bequest, to bequeath away, 
Sal. Cat. 25 In the number of those ladies was Sempronia, a woman who had committed many crimes with the spirit of a man. In birth and beauty, in her husband and her children, she was extremely fortunate; she was skilled in Greek and Roman literature; she could sing, play, and dance, with greater elegance than became a woman of virtue, and possessed many other accomplishments that tend to excite the passions.
        But nothing was ever less valued by her than honor or chastity.
Phaed. 5.7
A little, friv'lous, abject mind,
Pleased with the rabble, puff'd with wind,
When once, as fast as pride presumes,
Itself with vanity it plumes,
Is by fond lightness brought with ease
To any ridicule you please.
One Prince, a piper to the play,
Was rather noted in his way,
As call'd upon to show his art,
Whene'er Bathyllus did his part,

Phaed. 5.8 Opportunity

Bald, naked, of a human shape,
With fleet wings ready to escape,
Upon a razor's edge his toes,
And lock that on his forehead grows-
Him hold, when seized, for goodness' sake
For Jove himself cannot retake
The fugitive when once he's gone.
The picture that we here have drawn
Is Opportunity so brief.-
The ancients, in a bas-relief,
Thus made an effigy of Time,
That every one might use their prime;
Nor e'er impede, by dull delay,
Th' effectual business of to-day.

4.29.14 Music induces a DRUG HIGH and I personally have to flee from people turning the School of the Word into a pagan worship service.  Boat loads of money and performance rituals will never keep up with the population growth while mortal sin is refusing to GO into the World and preach what JESUS COMMANDED too be taught: He called the Scribes and Pharisees, hypocrites. In Ezekiel 33 Christ names speakers for HIRE, singers and instrument players.  It is true that God never said: "Thou shalt not be a hypocrite." Jesus said that God HIDES from the wise or sophists which are self-speakers, singers, instrument players and actors.  So, Jesus guarantees that rejecting the Word requests that God send strong delusions that people believe their own lie and be damned.  Lying Wonders includes a Female PRAISE preacher which Paul outlawed.

5.27.14 THE CHILDREN OF WRATH

When Paul says that we are saved BY Grace THROUGH Faith no level of "scholarship" as a "doctor of the law" will permit the questions to be asked: What are we saved from or KEPT SAFE from when we speak only the Word, Logos or Regulative Principle.  Second, from WHAT are we kept SAFE if we obey the direct command for the one-piece pattern to PREACH the Word by READING the Word for Comfort and doctrine.


The ABSOLUTE MARK or seal of a Disciple of Christ is A holy spirit or A good conscience or the "Mind of Christ" which will NOT permit you to teach false doctrine by quoting a part of a verse.. Eph 2:1 AND you hath he quickened, who were dead in trespasses and sins; [not unconsious]

Eph 2:2 Wherein in time past YE walked  [not unconsious]

according to the course of this world,
according to the prince of the power of the air,
the SPIRIT that now worketh in the children of disobedience: 

Course Aion lifetime, age, generation, one's life, Personified Khronos
Khronos Time, a definite period
3. in Rhythmic and Music, time,diaireitai ho kh. hupo tōn rhuthmizomenōnAristox.Rhyth.p.79 W., etc.; ho prōtos kh.] time-unit, ibid., Aristid. Quint.1.14, etc.; khronos kenos ib.18: freq. in pl., “lexis eis khronous tetheisa diapherontasAristox.Rhyth.p.77 W., cf. Anon.Rhythm.Oxy. 9ii6; [“metra prokhōrei heōs l khronōnAristid.Quint.1.23.

Chronos: In the Orphic cosmogony the unageing Chronos produced Aither and Chaos, and made a silvery egg in the divine Aither. It produced the bisexual god Phanes, who gave birth to the first generation of gods and is the ultimate creator of the cosmos.  Space-Time

Aionios
    Thelema  

Cosmos

Pythagoras is said to have been the first philosopher to apply the term cosmos to the Universe, perhaps from application to the starry firmament.      

Music, Apollo taught divination and prophecy. It is common to hear the term "music of the spheres" and read of Pythagoras and his school, who laid the foundations of our knowledge of the study of harmonics—how strings and columns of air vibrate, how they produce overtones, how the overtones are related arithmetically to one another, etc.

Apollo   Divination  Lucian Prophecy  

In theology, the term can be used to denote the created Universe, not including the creator. The Septuagint uses both kosmos and oikumene for the inhabited world. In Christian theology, the word was also used synonymously with aion to refer to "worldly life" or "this world" as opposed to the afterlife.

The cosmos as originated by Pythagoras is parallel to the Zoroastrian term aša, the concept of a divine order, or divinely ordered creation.

Eur. Heraclid. 892
Chorus

In my eyes dancing is a pleasant thing and the high-pitched beauty of the flute at a feast. Aphrodite may also give pleasure. [895] But it seems it is also a source of joy to see the prosperity of friends who before were not esteemed. Fate that gives completion and Life, time's child, [900] bring many things to pass.
Opposite Mellon  I. to be destined or likely to, where belike the best are holding counsel

Hom. Il. 10.295 [325] For I will go straight on to the camp, even until I come to the ship of Agamemnon, where, I ween, the chieftains will be holding council, whether to flee or to fight.” So spake he, and Hector took the staff in his hands, and sware to him, saying: “Now be my witness Zeus himself, the loud-thundering lord of Hera, [330] that on those horses no other man of the Trojans shall mount, but it is thou, I declare, that shalt have glory in them continually.”

World Kosmos ornaments especially of women, ornaments of speech, such as epithets.

Isoc. 9 9 Id.9.9 (pl.),  [9] since they can represent the gods as associating with men, conversing with and aiding in battle whomsoever they please, and they can treat of these subjects not only in conventional expressions, but in words now exotic, now newly coined, and now in figures of speech, neglecting none, but using every kind with which to embroider their poesy  Aristot. Poet. 1457b

Poik-illo cunning craftsmanship II. of style, embellish, adorn,baia p.Pi.P.9.77; tell with art and elegance 2. metaph., speak equivocally, mince matters, 

Pi.P.9.77 Great excellence can always inspire many stories; but to embroider a short account from a lengthy theme is what wise men love to hear.

Hp. Morb. Sacr. 1 It is thus with regard to the disease called Sacred: it appears to me to be nowise more divine nor more sacred than other diseases, but has a natural cause from the originates like other affections. Men regard its nature and cause as divine from ignorance and wonder, because it is not at all like to other diseases.
        And this notion of its divinity is kept up by their inability to comprehend it, and the simplicity of the mode by which it is cured, for men are freed from it by purifications and incantations. But if it is reckoned divine because it is wonderful, instead of one there are many diseases which would be sacred  Thaummasios lying wonder 

Plat. Menex. 235a [235a] and the variety and splendor of their diction, they bewitch our souls; and they eulogize the State in every possible fashion, and they praise those who died in the war and all our ancestors of former times and ourselves who are living still; so that I myself, Menexenus, when thus praised by them feel mightily ennobled, and every time I listen fascinated I am exalted and imagine myself to have become all at once taller and nobler

Harmonia IV. in Music, stringing,ha. toxou kai lurasHeraclit.51, cf. Pl.Smp.187a: hence, method of stringing, musical scale 2. generally, music,autō de rhuthmō mimountai khōris ha.”  sumphōneinPl.R.617b; “hepta khordai ha.Arist. Metaph.1093a14,

Poieo  Is something you make especially in meter. Writing your own songs or rhetoric, 77; of imaginative constructions

Prince Arkhon a. tou kosmou toutou, of Satan, Ev.Jo.16.11, al.
John 16:6 But because I have spoken these things unto you, sorrow hath filled your heart.
John 16:7 Nevertheless I tell you the truth:
        It is expedient for you that I go away; for if I go not away,
        the Comforter will not come unto you; but if I go, I will send him unto you.
John 16:8 And he, when he is come, will convict the world in respect of sin, 
        and of righteousness, and of judgment:
John 16:9 of sin, because they believe not on me;
John 16:10 of righteousness, because I go to the Father, and ye behold me no more;
John 16:11 of judgment, because the prince of this WORLD hath been judged. 

Aesch. Pers. 73 Chorus

The fiery lord of populous Asia [75] is leading his wondrous warrior-flock against the whole earth in two divisions, on foot and by the sea, putting his trust in his stalwart and stern commanders; he himself, [80] a god-like hero whose race is sprung from gold.1

1 The hero Perseus, here regarded as the ancestor of Xerxes, and in l. 146 as giving his name to the whole Persian race, was the son of Zeus, who descended to Danae in a shower of gold.

Power Exousia 2. abuse of authority, licence, arrogance,hubris kai e3. Lit. Crit., e. poiētikē poetic licence, Str.1.2.17,

Plat. Gorg. 461e Socrates
It would indeed be a hard fate for you, my excellent friend, if having come to Athens, where there is more freedom of speech than anywhere in Greece, you should be the one person there who could not enjoy it. But as a set-off to that, I ask you if it would not be just as hard on me, while you spoke at length and refused to answer my questions,

Air  Aer  3. personified, “ō despot' anax amet rēt' A.Ar.Nu.264; “A. hon an tis onomaseie kai Dia

Aristoph. Cl. 264

Strep.
By Jupiter! You will not deceive me; for if I am besprinkled, I shall become fine flour. 

Soc.
It becomes the old man to speak words of good omen, and to hearken to my prayer. O sovereign King, immeasurable Air, who keepest the earth suspended, and through bright Aether, and ye august goddesses, the Clouds, sending thunder and lightning, arise, appear in the air, O mistresses, to your deep thinker!

Strep.
Not yet, not yet, till I wrap this around me lest I be wet through. To think of my having come from home without even a cap, unlucky man!

Soc.
Come then, ye highly honoured Clouds, for a display to this man. Whether ye are sitting upon the sacred snow-covered summits of Olympus, or in the gardens of Father Ocean form a sacred dance with the Nymphs, or draw in golden pitchers the streams of the waters of the Nile, or inhabit the Maeotic lake, or the snowy rock of Mimas, hearken to our prayer, and receive the sacrifice, and be propitious to the sacred rites.

Works Energeo
The only meaning of LEGALISM in Scripture and ancient literature is the word NOMOS: This word speaks of the Laws of Moses or the Laws you MUST follow in rhetoric, singing, playing instruments, acting or dancing.

Children of Disobedience

[Apitheo - Apistos] disobeyed the command to be baptized, failed to persuade
Disobeyed the AGGELIA ]

Rom. 6:16 Know ye not, that to whom ye present yourselves as servants unto obedience, his servants ye are whom ye obey; whether of sin unto death, or of obedience unto righteousness?

Eph 2:3 Among whom also WE all had OUR conversation in times past 
               When wedwell ina place, engage ourselves upon
        in the lusts of OUR flesh, fulfilling the DESIRES of the flesh and of the mind;
        and were by nature the children [produced by] of wrath, even as others.
     
        Conversion is Anastrepho,turn upside down, invert order of words or statements, go aboutin public       
         Lust Epithumia passion, sexual desire,
        fulfilling OUR will.
        Children, teknon young animals in PLAY
Matt. 11:16 But whereunto shall I liken this generation?
        It is like unto children sitting in the marketplaces, who call unto their fellows
Matt. 11:17 and say, We PIPED unto you, and ye did not DANCE; we wailed, and ye did not mourn.
Conversion is Anastrepho,turn upside down, invert order of words or statements, go aboutin public, 

Orge I. natural impulse or propension: one's temper, temperament, disposition, orgê , hê, II. passion, anger, wrath, 3. Panos orgai panic fears (i. e. terrors sent by Pan), Eur.:--but, orgê tinos anger against a person or at a thing, Soph.; hierôn orgas wrath at or because of the rites, Aesch.

Orgi-aiôn, ta, secret rites, secret worship, practised by the initiated, of the rites of the Cabeiri and Demeter, of Orpheus, Aphrodite, of Cybele, most freq. of the rites of Dionysus .2.81, E.Ba.34, al., Theoc.26.13. II. generally, RITES, orgia Mousôn [Rev 18:22] Ar.Ra.356 . Aphroditês [ZOE]

PROOF THAT THE "JUST IN TIME" FOR KAIROS OR CHRONOS IS OF THE WORLD OF WHICH JUDAS WAS THE MAIN ACTOR:


pythagbells.jpgMORE OF THE JUDAS WORLD
 Kosmos IV. Philos., world-order, universe, first in Pythag.,

The Son of Perdition used Judas the Sicarri or Assassin.

The Kosmakrator is the ruler of the world. Judas was of that Evil one and his Judas bag was for "carrying the mouth pieces of wind instruments." It is made up of two words meaning:

   Speaking in tongues which Paul compared to lifeless instruments which are carnal weapons, and
     Of the Kosmos
or the "adorning of the world."

La^l-eō, Mark of the Locusts II.  chatter, Opposite. articulate speech, as of locusts, chirp, Theoc.5.34; mesēmbrias lalein tettix (sc. eimi), a very grasshopper to chirp at midday,  III.  of musical sounds, “aulō [flute] laleōTheoc.20.29; “di'aulou [flute] ē salpiggos l.”[trumpet] Arist. Aud.801a29; of Echomagadin lalein sound the magadis,  [double flute]

-kat-auleô ,
A. charm by flute-playing, metaphor I will flute to you on a ghastly flute,
E.HF871
(troch.):--Pass., of persons, methuôn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros chelônidos psophon to be played to on the flute with lyre accompaniment,
II. in Pass., [ton monochordon kanona] parechein tais aisthêsesi . . katauloumenon subdued by a flute accompaniment, to be piped down, ridiculed, gelômenoi  
2.  make a place sound with flute-playing, resound with flute-playing, nêsos katêuleito Plu.Ant.56 

Aggelos ,  of a loquacious person 2.  generally, one that announces or tells, e.g. of birds of augury, Il.24.292,296; Mousōn aggelos, of a poet
Aggelos
, ho, ,

A. messenger, envoy, Il.2.26, etc.; “di' aggelōn homileein tiniHdt.5.92.z, cf. SIG229.25 (Erythrae):— prov., Arabios a., of a loquacious person, Men.32.
2. generally, one that announces or tells, e.g. of birds of augury, Il.24.292,296; Mousōn aggelos, of a poet,“aggelon glōssan logōn E.Supp.203; “aisthēsis hēmin a.Plot.5.3.3; neut. pl., “aggela nikēsNonn.D.34.226.
4. In later philos., semi-divine being, hēliakoi a.Jul.Or.4.141b,  “a. kai arkhaggeloi”  also in mystical and magical writings, aggela nikēs
nik-ēi_, II. pr. n., Nike, the goddess of victory, Hes.Th.384, cf. Pi.I.2.26, etc.; “Nikē Athana PoliasS.Ph.134, cf. E. Ion457 (lyr.), 1529.
Now Iamblichus (De Mysteries, III.ix) goes into the matter of the so-called Corybantic and Bacchic 'frenzies' produced by musical instruments in the Mysteries of Ceres and Bacchus; and in his Life of Pythagoras (xxv) he, further, tells us that:

"Farther still, the whole Pythagoric school produced by certain appropriate songs, what they called exartysis, or adaptation; synarmoge, or elegance of manners; and epaphe, or contact, usefully conducting the dispositions of the soul to passions contrary to those which it before possessed.

"The Orphic creeds werse the basis of the Pythagorean brotherhood, which flourished in southern Italy beginning in the 6th century BC. The Pythagoreans were aristocratic fraternities that sometimes had a political scope. Their main achievements, however, lay in the fields of music, geometry, and astronomy. They discovered that these subjects could be explained by numbers and ratios. Combining Orphic eschatology (the study of the last things, especially death and afterlife) with their discoveries,
In Romans 14, Paul outlawed the "doubtful disputations" of the sects in the marketplace identified by their diet: these were the Orphics, Phythagoreans and Dionysics: all were marked by music which is defined as enchantment or sorcery.
Tom Burgess Uses Moralia as proof text for using instruments in worship. All of the PLUCKING the harp history points to older males trying to seduce younger males.
Greeks considered madness an important aspect of worship.  Women in particular responded to Bacchus (also known as Dionysus), the god of madness; 'him of the orgiastic cry, exciter of women, Dionysus, glorified with mad honors'.  (Plutarch, Moralia 671c  Ancient Corinth was a center of Dionysiac worship, and Pausinius, world traveler of the second century of our era gives this description:

In the market-place, for most of the temples are there, is the Ephesian Artemis, and there are two wooden statues of Dionysus, gilt except the faces, which are painted with red paint, one they call Lysian Dionysus and the other Dionysus the Reveler. [Jachin and Boaz if you will] The tradition about these statues I will record.  Pentheus, they say, when he outraged dionysus, among other acts of reckless daring actually at last went to mount Cithaeron to spy on the women, and climbed up into a tree to see what they were doing; and when they detected him, they forthwith dragged him down, and tore him limb from limb.  And afterwards, so they say at Corinth, the Pythian priestess told them to discover that tree and pay it divine honors.  And that is why these statues are made of that very wood.  (Description of Greece, II.ii; tr. A.R. Shilleto)

"There was in Corinth, then, a significant monument memorializing the savagery of female Bacchus worshippers.  Nor was such a feminine ferocity confined to Pentheus alone.  Women under the inspiration of Bacchus were said to have torn Orpheus limb from limb;
        and Alexander the Great was supposed to have
incorporated a group of these maenads (mad women) into his army in his attempt to conquer India.  There was also a tradition that women during the course of the worship tore apart young animals and ate them raw, warm and bleeding, thereby receiving within themselves the life of the god.  In a 1976 address to the Mystery Religions Division of the Society of Biblical Literature, Ross Kraemer argued that there is evidence that women participated in a second level of initiation in Bacchic worship that was not available to men.  Among Dionysiac worshippers, writes Livy in his History of Rome, 'the majority are women' (XXXIX.xv)

While women were famed for their wildness in the Bacchic cult and in certain other mystery cults, other aspects of their worship were more traditional.  Of special importance to the study of the situation Paul addresses is the concept of clamor, noisy outbursts of religious pandemonium.

Christ gave godly ekklesia-synagogues APT elders who are the only vocational pastor-teachers. Their first task is to EXCISE the cunning craftsmen or sophists.

Ephesians 4:13 Till we all come in the unity of THE FAITH
        and of the KNOWLEDGE of the Son of God,
        unto a perfect man,
        unto the measure of the stature of the fulness of Christ:
Ephesians 4:14 That we henceforth be no more children, tossed to and fro,
        And carried about with every wind of doctrine, by the sleight of men,
        and cunning craftiness, whereby they lie in wait to deceive;
Ephesians 4:15 But SPEAKING the truth in love,
        may grow up into him in all things,
        which is the head, even Christ:   

Luke 1:76 And thou, child, shalt be called the prophet of the Highest: 
        for thou shalt go before the face of the Lord to prepare his ways;

Luke 1:77 To give knowledge of salvation unto his people 
        by the remission of their sins,
  1. Sophists are rhetoricians, singers, instrument players or actors. 
  2. Jesus called the Scribes and Pharisees, hypocrites: in Ezekiel 33 Christ named slick speakers for hire, singers and instrument players.
  3. Jesus said that God HIDES from the wise or Sophists: speakers, singers or instrument players.

The REASON self-speakers, singers and instrument players are EXCLUDED says Paul is because THEY LIE IN WAIT TO DECEIVE.

  1. If you  teach that God ordained any kind of group singing with or without instruments.
  2. And God did NOT remotely command, example or infer any kind of music.
  3. Then Christ in Jeremiah 23 says that you DESPISE the Word which is the word BLASPHEMY of the Holy Spirit OF Christ.
  1. If you say that God did not radically condemn any kind of instrumental noise even for the Jacob-cursed and God-Abandoned Levites.
  2. And God turned the Levi tribe over to Worship the Starry host which included the Abaddon (service) or Apollyon as the Leader of the Musical Team.
  3. Then you despise God, His Word and the People now taken captive and that is defined as blasphemy and without redemption.

THE PROPHECY OF MOCKING JESUS:

Jeremiah 11:17 For the LORD of hosts, that planted thee,
        hath pronounced evil against thee,
        for the evil of the house of Israel and of the house of Judah,
        which they have done against themselves to provoke me to anger
        in offering incense unto Baal.

Jeremiah 11:18 And the LORD hath given me knowledge of it, and I know it:
        then thou shewedst me their doings.

Jeremiah 11:19 But I was like a lamb or an ox that is brought to the slaughter;
         and I knew not that they had devised devices against me, saying,
        Let us destroy the tree with the fruit thereof, and let us cut him off from the land of the living, that his name may be no more remembered.

Those who get a vision to MOCK JESUS in fulfillment of prophecy ALSO rush to remove CHRIST from their public confession.

-mansŭesco , I. Act., to tame, to make tame B. Trop., to render mild, gentle, or peaceable:
nam me jam ab orationibus dijungo fere, referoque ad mansuetiores Musas,Cic. Fam. 1, 9, 23: “ira,Ov. Tr. 3, 6, 23.—

dēlūbrum , i, n. de-luo, the place of expiation, cella [holy place as a house only for a god]noctu audita ex delubro vox est, etc.,Liv. 29, 18: “so coupled with templa,id. 30, 20:

wickedly, profanely illūdo to play at or with any thing, to sport with, amuse one's self with (syn. colludo; cf. ludificor). 1. To make sport or game of, to jest, mock, or jeer at, to ridicule (class.).

1. To scoff or mock at, to make a laughing-stock of, to ridicule ipsa praecepta (rhetorum),Cic. de Or. 1, 19, 87: “voces Neronis, quoties caneret,Tac. A. 14, 52: verbis virtutem superbis, Verg. A. 9, 634.—
Mūsa , ae, f., = Mousa, I.a  muse, one of the goddesses of poetry, music,
Musarum delubra,Cic. Arch. 11, 27: “hic Musarum parens domusque Pieria, Mela, 2, 3, 2: crassiore Musā,
A. A song, a poem: “musa procax,Hor. C. 2, 1, 37
Dumb means the inability to MEDITATE on what is going on. 
cōgĭto The command is to SPEAK the Word and MEDITATE in the heart: not to make music. Cogitation in a rational sense can be stopped by (d). With de: “cogitavit etiam de Homeri   carminibus abolendis,

He was oppressed, and he was afflicted, yet he opened not his mouth: he is brought as a lamb to the slaughter, and as a sheep before her shearers is dumb, so he openeth not his mouth. Isa 53:7

Oppressed is from the Hebrew:

Nagas (h5065) naw-gas'; a prim. root; to drive (an animal, a workman, a debtor, an army); by impl. to tax, harass, tyrannize: - distress, driver, exact (-or), oppress (-or), * raiser of taxes, taskmaster.

The burden Jesus died to remove was:

Phortizo (h5412) for-tid'-zo; from 5414; to load up (prop. as aa vessel or animal), i.e. (fig.) to overburden with ceremony (or spiritual anxiety): - lade, be heavy laden.

Phoros (h5411) for'-os; from 5342; a load (as borne,) i.e. (fig.) a tax (prop. an individ. assessment on persons or property; whereas 5056 is usually a gen. toll on goods or travel): - tribute.

MAKING JESUS DUMB BEFORE THE SLAUGHTER FULFILLED

Matthew 27:29 And when they had platted a crown of thorns, they put it upon his head,
        and a reed in his right hand: and they bowed the knee before him,
        and mocked him, saying, Hail, King of the Jews!
Matthew 27:28 And they stripped him, and put on him a scarlet robe.
Matthew 27:31 And after that they had mocked him, they took the robe off from him,
        and put his own raiment on him, and led him away to crucify him.

Empaizō , fut. to be deluded  II. sport in or on, “hōs nebros khloerais e. leimakos hēdonaisE.Ba. 866 (lyr.); tois khoroisin e. to sport in the dance, Ar.Th.975; “ gumnasiōLuc.Lex.5.
-Prospaizô2. abs., sport, jest3. laugh at, make fun or sport ofsing to the gods, sing in their praise or honour, 2. banter, tous rhêtoras

2 Peter 3 Marks of the End Time Mockers

2 Peter 3:2 That ye may
        be mindful of the words which were spoken before by the holy prophets,
        and of the commandment of us the apostles of the Lord and Saviour:

That is the CURRICULUM for DISCIPLES who attend the School of the Word and not pagan ceremonial legalism

2 Peter 3:3 ¶ Knowing this first,
        that there shall come in the last days scoffers,
        walking after their own lusts,

LEADER OF THE CHORUS

-Aristoph. Thes.[947] Let us now devote ourselves to the sports which the women are accustomed to celebrate here, when time has again brought round the mighty Mysteries of the great goddesses, the sacred days which Pauson himself honours by fasting and would wish feast to succeed feast, that he might keep them all holy. Spring forward with a light step, whirling in mazy circles; let your hands interlace, let the eager and rapid dancers sway to the music and glance on every side as they move. - 

Great Goddesses:

Paizo dance, play a game,  4. play on a musical instrument, h.Ap.206: c. acc., Pan ho kalamo phthongapaizôn [played on a reed]Ar.Ra.230 ; dance and sing, Pi. O.1.16.5. play amorously, prosallêlous X.Smp.9.2 ; metatinosLXX Ge.26.8 ; of mares, Arist.HA572a30.

-Orgia sacrifices to Aphrodite A.secret rites, secret worship, practised by the initiated, of the Cabeiri and Demeter Achaia, most freq. of the rites of Dionysus, Cogn erdō, rhezō, cf. ergon, orgeōn.

Kukleo whirl round and round, encompass
[959] Chorus Let the chorus sing likewise and praise the Olympian gods in their pious transport. It's wrong to suppose that, because I am a woman and in this temple, I am going to speak ill of men; [966] but since we want something fresh, we are going through the rhythmic steps of the round dance for the first time. Matthew 27:29 And when they had platted a crown of thorns, they put it upon his head,
        and a reed in his right hand: and they bowed the knee before him,
        and mocked him, saying, Hail, King of the Jews!

MAKING THE LAMBS DUMB BEFORE THE SLAUGHTER IS A TRAINED MINISTRY

Aristot. Nic. Eth. 1175b.1
But things that are akin to things of different kinds must themselves differ in kind. [3] A still clearer proof may be drawn
        from the hindrance that activities
        receive from the pleasure derived from other activities.

For instance, persons fond of the flute cannot give their attention to a philosophical discussion [The LOGOS or Regulative Principle]  when they overhear someone playing the flute,  because they enjoy music more than the activity in which they are engaged;  therefore the pleasure afforded by the music of the flute impairs the activity of study.


When you hear the SOUNDS-LIKE harps and other panic-generating sounds such as the bow over New Zion, there is another angel sent to the LIVING saying PREACH the Gospel because the SOUNDS silencing the Word of Christ in the Prophets and apostles it is a SOUND OF SOON JUDGMENT.

Revelation 14:15 And another angel came out of the temple, crying with a loud voice to him that sat on the cloud, Thrust in thy sickle, and reap: for the time is come for thee to reap; for the harvest of the earth is ripe.

hōra (b. in ordinary life the day from sunrise to sunset was divided into twelve equal parts called hōrai hōrai kairikai
        when it was necessary to distinguish them from the hōrai isēmerinai,
        versus. kairikos2 c), “hēmera . . dōdekaōros, toutestin apo anatolēs mekhri duseōs” “
        oukhi dōdeka eisin hōrai tēs hēmeras;Ev.Jo.11.9; “hōraōn amphi duōdekadi
ANATOLE  hēliou, pros anatolas
II. as pr. n., Helios, the sun-god, Od.8.271, etc.; ton . Men.Sam. 108; hupo Dia Gēn Hēlion, in manumission-formula, dentified with Apollo, with Dionysus,
2. Hēliou astēr, of the planet Saturn
987c] and do state, so much as adequate knowledge tells us. For real wisdom shows herself in some such way as this to him who has got even a little share of right and divine meditation. And now there remain three stars, of which one is distinguished from the others by its slowness, and some speak of it under the title of Saturn; the next after it in slowness is to be cited as Jupiter; and the next after this, as Mars, which has the ruddiest hue of all. Nothing in all this is hard to understand
John 11:9 Jesus answered, Are there not twelve hours in the day? If any man walk in the day, he stumbleth not, because he seeth the light of this world.
John 11:10 But if a man walk in the night, he stumbleth, because there is no light in him.

Those who SEE through the rhetoricians, singers or instrument players cannot be Christians:

Isaiah 8:19 And when they shall say unto you, Seek unto them that have familiar spirits, and unto wizards that peep, and that mutter: should not a people seek unto their God? for the living to the dead?
Isaiah 8:20 To the law and to the testimony:
        if they speak not according to this word,
         it is because there is no light in them.
Isaiah 8:21 And they shall pass through it, hardly bestead and hungry: and it shall come to pass, that when they shall be hungry, they shall fret themselves, and curse their king and their God, and look upward.
Isaiah 8:22 And they shall look unto the earth; and behold trouble and darkness, dimness of anguish; and they shall be driven to darkness.
Hōrai isēmerinai,
is-ēmerinos , ē, on,
A.equinoctial, anatolē. Str.2.1.11; “skiaHipparch.1.3.6, cf. Str.2.1.20; “zōdionPtol.Tetr.31; hōrai standard hours (OPPOSITE. kairikos, q.v.), each = 1/24 of the nukhthēmeron, Hipparch.1.1.10, Ptol.Alm.2.9, Gal.10.479, etc.; puros i. wheat sown at that time, Thphr.CP4.11.4; ho i. kuklos celestial equator, Arist.Mete.345a3, Euc.Phaen.p.4M., Plu.2.429f, etc.; ho i. (sc. kuklos), Hipparch.1.10.22, Str.1.1.21, etc.; “hapsisJul.Or.5.168c; i. khronoi time-degrees [each = 4 time-minutes] of the equator, Ptol. Alm.1.16.

Versus:

A.timely, “apaggeliaiIG3.769.
2. appropriate to certain times or seasons, seasonable,anthēPMag.Leid.W.24.1.
b. Astrology, belonging to the kairos or chronocratory, “k. Khronoi Aphroditēs”  
c. Astron., hōrai k. hours of the kind that vary in length with the season, opp. isēmerinai, Ptol.Alm.4.11, 7.3, Tetr.76.
apagg-elia , ,
A.report, e.g. of an ambassador, D.19.5,al., Arist.Rh.Al.1438b10; a. poieisthai
poieō , Anything YOU make
A. make, produce, first of something material, as manufactures, works of art,
4. after Hom., of Poets, compose, write, p. dithurambon, epea, Hdt.1.23, 4.14; “p. theogoniēn HellēsiId.2.53; p. Phaidran, Saturous, [BEAST] Ar.Th.153, 157; p. kōmōdian, tragōdian, etc., Pl.Smp.223d; “p b. represent in poetry,
2.narrative, recital, description,hōn . . brakheia a. arkeiTh. 3.67lyric poetry is said to be “di' apaggelias autou tou poiētouPl. R.394c, cf. Phld.Po.5.1425.2; dramatic poetry is expressed by actionkai ou di' apaggeliasArist.Po.1449b26, cf. ib.11, D.H.Comp. 20.
II. diction, Id.Dem.25, Plu.Dem.2.
Plat. Rep. 394c 1 The dithyramb was technically a poem in honor of Bacchus. For its more or less conjectural history cf. Pickard-Cambridge, Dithyramb, Tragedy, and Comedy. Here, however, it is used broadly to designate the type of elaborate Greek lyric which like the odes of Pindar and Bacchylides narrates a myth or legend with little if any dialogue.

Aristot. Poet. 1449b Tragedy is, then, a representation of an action6 that is heroic and complete and of a certain magnitude—by means of language enriched with all kinds of ornament, each used separately in the different parts of the play: it represents men in action and does not use narrative, and through pity and fear it effects relief to these and similar emotions.7 By "language enriched" I mean that which has rhythm and tune, i.e., song, and by "the kinds separately" I mean that some effects are produced by verse alone and some again by song. Since the representation is performed by living persons, it follows at once that one essential part of a tragedy is the spectacular effect, and, besides that, song-making and diction.
KAIROS TIME FOR Aphroditē [i_, , aphros) II. as Appellat., sexual love, pleasure,Od.22.444; “hup' Apollōni psauein AphroditasPi.O.6.35; “erga Aphroditēs
2. generally, vehement longing or desire,E.IA1264; “A. tin' hēdeian kakōnenjoyment,Id.Ph.399III.ho tas Aphroditas astēr] the planet Venus,Ti.Locr.97a, cf. Pl.Epin.987b, Arist.Metaph.1073b31,
Plat. Epin. 987b For indeed they have received titles of gods: thus, that Lucifer, or Hesperus(which is the same, should almost belong to Aphrodite, is reasonable, and quite befitting a Syrian lawgiver; and that that which follows the same course as the sun and this together should almost belong to Hermes [Kairos] [987c] and do state, so much as adequate knowledge tells us. For real wisdom shows herself in some such way as this to him who has got even a little share of right and divine meditation. And now there remain three stars, of which one is distinguished from the others by its slowness, and some speak of it under the title of Saturn; the next after it in slowness is to be cited as Jupiter; and the next after this, as Mars, which has the ruddiest hue of all. Nothing in all this is hard to understand

Pind. O. 6 35 If someone were an Olympic victor, [5] and a guardian of the prophetic altar of Zeus at Pisa, and a fellow-founder of renowned Syracuse, what hymn of praise would that man fail to win, by finding fellow-citizens ungrudging in delightful song?...where Evadne was raised, and first touched the sweets of Aphrodite beneath Apollo's embrace.
The Spirit of Christ called Lucifer "the singing and harp-playing prostitute in the garden of Eden.


3.12.14
WOE
for the devil is come down unto you, having great wrath,  because he knoweth that he hath but a short TIME
  [kairon  ekhei ETHOS.’]
Rev. 12:12

Based on posts and e-mails most, even instrumental churches, were suddenly hit with men claiming prophetic powers: first they go to extremes to define your movement as dead or dying and needing an infusion of power.  Within churches of Christ the sudden and quite violent movement claimed that "a spirit" told them to add what they call "instrumental worship."  The discorder of the local happy church failed in his TIMING and the congregation GREW from about 350 to 150 and the stink will never die. He and his supporting father elder and father in law elder moved their operation to another county and grew by the usual views

Neo-Trinitarian automatically falling into the mother worship of Revelation 17 and rejecting everything that the Church of Christ stands for. Not, however, without USING the name Church of Christ to collect the unsuspected.  After saying that they didn't DENOUNCE instruments long enough to get the new property built, he and HIS elders asked IS THIS THE RIGHT TIME TO ADD INSTRUMENTS.

The Kairos churches adopt a "sanatized" term which marks them for Bible readers.

While the Right Time Church plants simply teach what they have been taught, it seems that Jesus always marks those who are not happy to obey the command from the Church in the wilderness onward: to PREACH the Word (Dabar, Logos) by READING the Word for Doctrine and Comfort. The assembly for the godly people never changed under the Monarchy, was endorsed by Jesus and commanded with the ekklesia or synagogue terms, Paul and Peter defines the assembly both inclusively and exclusively. The Campbells read the Word and called:

CHURCH is A School of Christ
WORSHIP is Reading and MUSING the Word.
        Paul made it perfectly clear SPEAK "that which is written for our learning"
        ODE (opposite LEGIS) and PSALLO (an ugly warfare word) are in the heart meaning SILENT.

POSTMODERNISM or the NEW HERMENEUTIC denies those pieces of the PATTERN and says (Rubel Shelly) that he (they) have new SPECTACLES to get a new vision of what Jesus would have said if He had their advantage.

The Bible in many places points to the well-known myths of paganism to show that the School of Christ is a repudiation of anything humans can concoct as LEGALISTIC efforts to bring fun, certainty and profit to people who are naturally and artificially induced anxious (the laded burden) and need assurance. If you obey the command to PREACH the Word by READING the word for Comfort and Doctrine everyone can be "united" and come to a knowledge of the truth.  However, the Devil says Jesus speaks on his own and when people come at you with all arms flying trying to get you involved in the Ponzi Scheme, you need to know a bit of the PARABLE history. Jesus said that truth was HIDDEN in parables from the foundation of the world.

Hermes (pagan messenger of god) has the same meaning as Kairos as as the god of liars, trade, eloquence. He is the son of Zeus the son of CHRONOS as grandfather with the same meaning as KAIROS.  Hermes made the harp out of a turtle while still in his cradle and is the Greek version of Jubal, Jabal, Tubal-Cain and Naamah.  Hermes knew how to make Apollo's (Abaddon) cows (members) walk backward so that they could not be found.  Hermes supplied Apollyon (the leader of the Muses) both a lyre and a flute.

Known Relatives: Zeus (father), Maia (mother); Hermaphroditus, Pan (sons);

(The Homeric Hymn to Hermes/Greek-Roman Myth) - Hermes was considered highly crafty and intelligent during his childhood. He created the lyre from a turtle shell and secretly stole the divine cows of his half-brother, Apollo. Apollo eventually uncovered this and took the matter to Zeus. Hermes surrendered and even bartered to Apollo using his lyre as a means of payment to Apollo. Apollo then chose to champion Hermes' introduction into the ruling council of the Olympian Pantheon as he was impressed by Hermes' attitude.

Hermes eventually became the messenger of the Olympian gods. As such, part of his duties were to guide the souls or astral forms of the Olympians' mortal worshippers who had died down the underworld, after they had been magically preserved by his uncle Hades (Pluto), god of the dead and the Olympian underworld.

Hermes.God.Magic.gif

(ll. 327-329) Then Hermes and Apollo of the Silver Bow stood at the knees of Zeus: and Zeus who thunders on high spoke to his glorious son and asked him:

(ll. 330-332) `Phoebus, whence come you driving this great spoil, a child new born that has the look of a herald? [kērukos preacher]  This is a weighty matter that is come before the council of the gods.'

(ll. 333-364) Then the lord, far-working Apollo, answered him: `O my father, you shall soon hear no triffling tale though you reproach me that I alone am fond of spoil. Here is a child, a burgling robber, whom I found after a long journey in the hills of Cyllene:

for my part I have never seen one so pert either among the gods or all men that catch folk unawares throughout the world. He strole away my cows from their meadow and drove them off in the evening along the shore of the loud-roaring sea, making straight for Pylos.



Paul in Ephesians 4 wants the cunning craftsmen or sophists (rhetoricians, singers, instrument players, actors) EXPELLED so that the command to PREACH the Word (Logos) by READING the Word as the one-piece-pattern can take place. This is demanded if you have APT elders not already neutered by senior pastor is because THEY LIE IN WAIT TO DECEIVE. This was prophesied in Psalm 41: in the Dead Sea version:

DSS: Thy members of my Covenant have rebelled
.........and have murmured round about me;
.........They have gone as talebearers
.........before the children of mischief
.........concerning the mystery which Thou hast hidden in me...
They have overtaken me in a narrow pass (gap) without escape
.........And there is no rest for me in my trial.
.........They sound my censure upon a harp
.........and their murmuring and storming upon a zither." Ps.41:11

Many bulls have compassed me: strong bulls (divide, make of none effect) of Bashan have beset me round. Ps.22:12 (The cows of Bashan in Amos with musical worship)

They gaped upon me with their mouths, as a ravening (tearing to pieces like the SOP) and a roaring lion Ps 22:13

My strength is dried up like a potsherd; and my tongue cleaveth to my jaws; and thou hast brought me into the dust of death. Ps 22:15

For dogs (keleb or male prostitutes) have compassed (danced the choral dance like Dionysus) me: the assembly (family assembly) of the wicked have inclosed me: they pierced my hands and my feet. Ps 22:16
The "lusted after fruits" as speakers, singers and instrument players John called sorcerers in Revelation 18 will be cast alive into the lake of fire.  This is prophesied:

18 DSS:
I will groan with the zither of lamentation
.........in all grief-stricken mourning and bitter complaint
.........until iniquity and wickedness are consumed

.........
and the disease-bringing scourge is no more.

An evil disease, say they, cleaveth fast unto him: and now that he lieth he shall rise up no more. Ps.41:8

DSS: Then will I play on
the zither of deliverance
and harp of joy,
on the tabors of prayer and the pipe of praise
without end.

Click for Psalms Twenty Two confirmation

See a similar account in the Psalms of Solomon.

XV. A Psalm. Of Solomon. With a Song.

1 When I was in distress I called upon the name of the Lord,
I hoped for the help of the God of Jacob and was saved;
2 For the hope and refuge of the poor art Thou, O God.
3 For who, O God, is strong except to give thanks unto Thee in truth?
4 And wherein is a man powerful except in giving thanks to Thy name?
5 A new psalm with song in gladness of heart,
The fruit of the lips with the
well-tuned instrument of the tongue,
The firstfruits of the lips from a pious and righteous heart

Because believers cannot participate either with the animal burning or its music, we must go outside came because we will not find Christ in the temple:

Let us go forth therefore unto him without the camp, bearing his reproach. Hebrews 13:13

For here have we no continuing city, but we seek one to come. Hebrews 13:14
By him therefore let us offer the sacrifice of praise to God continually, that is, the fruit of our lips, giving thanks to his name. Hebrews 13:15

But to do good and to communicate forget not: for with such sacrifices God is well pleased. Hebrews 13:16

And Christ supplies the FRUIT:
Proverbs 16:21 The wise in heart shall be called prudent:
        and the sweetness of the lips increaseth learning.
Isaiah 57:19 I create the fruit of the lips; Peace, peace to him that is far off, and to him that is near, saith the LORD; and I will heal him.

END-TIME PANIC the year c. ad 2000 is the calculated time (Kairos, Chronos) for Apollo, Abbadon and Apollyon and the Locusts which we know to be the MUSES called sorcerers in Revelation 18 who will be cast alive into the lake of fire.  A sudden and vicious assault was mounted specificially against what they now call ANTI-instrumentalists. ACU, LU, and Pepperdine sponsor the KAIROS Church (Circe) Planting Plot. The stated Purpose Driving them is to take the AXE to the ANTI-instrumental view. When people lie, cheat and steal in order to turn your School of Christ into a "theater for holy entertainment" you must understand that they can be dangerous.  It is a fact that no one will be allowed to BUY and SELL at these institutions in league with the NACC unless you have taken the mark of the Beast:

Orphic Theogony: THE FOUR AGES  and among these Orpheus; and these ages are first of Saturn, then of Jupiter, next of Neptune, then of Pluto, and some also, for instance the Magi, speak of the reign of Apollo. ... This period was said to be marked by the stars apparently returning to the starting points of their respective courses. And Proclus cites an opinion based on Orpheus that the end of the Great Year is marked by 'Cronus [Saturn] squaring the account of the Gods and taking his kingdom again; or in other words, he assumes dominion of that most primæval darkness, the zodiacal cycles that control the stars' (Lobeck, op. sit., p. 793). And Pliny (VI.xxi) calls it 'that eternal and final night that impends over the world'.

Hislop 73 To those who were initiated the god was revealed; to all else he was hidden. Now, the name Saturn in Chaldee is pronounced Satur; but, as every Chaldee scholar knows, consists only of four letters, thus--Stur. This name contains exactly the Apocalyptic number 666:--

S = 060
T = 400
U = 006
R = 200
-------------
666
Ăpollo , ĭnis (earlier Ăpello , = Apollōn, Apollo, son of Jupiter and Latona, twinbrother of Diana, and god of the sun. On account of his omniscience, god of divination;  and since he communicated oracles in verse, god of poetry and music, presiding over the Muses,

Apollōn , ho, Apollo: gA.ApollōIG1.9, al., A.Supp.214, S.OC1091, Tr.209 (lyr.) (mostly in adjurations, nēton Apollō, etc.), “ApollōnaPl.Lg.624a, freq. later, Agatharch.7, etc.: voc. “ApollonAlc.1, A.Th.159(lyr.), Cratin.186, etc.; “ApollōnA.Ch.559; cf. Apellōn, Aploun. [The music of Apollo WASHES in the pagan systems] II. Pythag. name of a number, Porph.Abst.2.36.
The Archaeology of Late Antique 'Paganism'
Mark:   singing and playing in the exclusively-pagan sense.
Beast:  A New Style of Music and Satyric Drama.
Image: REpresenting the Word of God but self-composed songs and sermons

The Serpent or Beastia in the garden of Eden was a musical enchanter(ess). The "serpent" concept speaks, like the Crooked Race, speaks of winding and twisting in order to deceive: it specificially speaks of "carmen" which like all of the music concepts speaks of enchantment or Sorcery.  Miriam and the Jacob-cursed and God-abandoned Levites as "prophesiers" speaks of musical soothsaying which is used interchangeably with sorcery.  Why not? God abandoned the tribe of Levi to worship the starry host because of musical idolatry at Mount Sinai.

There are dozens of passages which specifically identify the God-abandoned Civil-Military-Clergy as robbers and parasites.  In fact, Miriam is identified as a PRIMARY PARASITE of the Egyptian Hathor worship because she would be considered an Egyptian princess.

ALL religionism replaced by A School of Christ in the prophets and apostles was based on the various "gods" of the Sun, Moon and the seven known wandering planets, Time, and other human imaginations.  Contrary to the statement, Chronos (Khronos) is Father of Time, the father of Zeus and the "grandfather" of Kairos.  Kairos is the demon (spirit) son of Zeus.  Kairos is connected to Venus or Lucifer who in turn is connected to Abaddon or Apollyon.

ALL of the Bible and historic understanding was that Satan of the Devil introduced musical performance. The only exception is Jubal who "handled" all of the musical instruments meaning "sexually" and without authority.
"Just remember: when you're reading your Greek Testament and come upon kairos: stop, look and listen, because the Holy Spirit is flashing a caution light, warning of a coming crisis, an eminent judgment. That's why Jesus used the word more than once to predict his own crucifixion." Quote
A. WHAT IS A DEVIL Kairos-Merchury-Hermes is the ANTI-Christian LOOS: Hermes, like Jubal, invented the Lyre as an infant and used to to make Apollon's cattle walk backward so he could steal them.
daimonion , to, A. divine Power, Divinity II. inferior divine being, 2. evil spirit,d. phaula Opposite. agathos
Of Evil spirits d. phaula LXXDe.32.17, To.3.8, Ev.Matt.7.2
Deut. 32:17 They sacrificed unto devils, [The Devil]
        not to God;
        to gods whom they knew not, to new gods that came newly up,
        whom your fathers feared not.
Exod 32:6 And they rose up early on the morrow,
        
and offered burnt offerings, and brought peace offerings; 
        and the people sat down to eat and to drink, and rose up to play

1Cor. 10:5 But with many of them God was not well pleased:
        for they were overthrown in the wilderness.
1Cor. 10:6 Now these things were our examples,
        to the intent we should not lust after evil things, as they also lusted.
1Cor. 10:7 Neither be ye idolaters, as were some of them; as it is written,
        The people sat down to eat and drink, and rose up to play.

Paizō 2.  esp. dance, “paisateOd.8.251; “dōma peristenakhizeto possin andrōn paizontōn23.147, cf. Hes.Sc.277; “p. te kai khoreueinAr.Ra.409, cf. 390; “enoplia khalkōtheis epaizen Pi.O.13.86:—Pass., alla pepaistai metriōs hēmin, of the chorus, Ar. Th.1227.
4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōnAr.Ra.230; dance and sing, Pi. O.1.16. 5. play amorously, “pros allēlousX.Smp.9.2; “meta tinosLXX Ge.26.8; of mares, Arist.HA572a30.
6. hunt, pursue game, “p. kat' alsosS. El.567.
Prophēt-euō  A. to be a prophētēs or interpreter of the gods, “manteueo, Moisa,    prophateusō d' egō Mousa almost always "daughters" II. mousa, as Appellat.,  music, song antilu^ros responsive to the lyre  kanakha, of the flute,

2Thessalonians 2:1 Now we beseech you,
        brethren, by the coming of our Lord Jesus Christ,
        and by our gathering together unto him,
2Thessalonians 2:2 That ye be not soon shaken in mind, or be troubled,
        neither by spirit, nor by word, nor by letter as from us,
        as that the day of Christ is at hand.
2Thessalonians 2:3 Let no man deceive you by any means: for that DAY shall not come,
        except there come a falling away first,
        and that man of sin be revealed,
the son of perdition;

apōleia , ,  “tōn khronōn a perdition, Ep.Rom.9.22, 2 Ep.Thess.2.3.
khronos , ho, A. time, distinct from kairos, D.59.35, in the process of time 
3. in Rhythmic and Music, time,diaireitai ho kh. hupo tōn rhuthmizomenōnAnon.Rhythm.Oxy. 9ii6; [“metra prokhōrei heōs l khronōn
 

Dem. 59 35 Since, then, she was treated with wanton outrage by Phrynion, and was not loved as she expected to be, and since her wishes were not granted by him, she packed up his household goods and all the clothing and jewelry with which he had adorned her person, and, taking with her two maid-servants, Thratta and Coccalinêe, ran off to Megara. This was the period [khronos] when Asteius was archon at Athens,1 at the time [kairos] you were waging your second war against the Lacedaemonians.

1 That is, in 372 B.C.; Alcisthenes was archon the year following.

anom-ia , Ion. -, , A. lawlessness, lawless conduct, opp. dikaiosunē, Hdt.1.96,97; righteousness, justice

HERMES AND KAIROS

Hermes while still in his cradle (like Jubal) dedicated a turtle to be worshipped by scooping out its insides, string his guts across it and inventing the LYRE.  He taught Apollo's cattle to walk backward into his pasture: he is the god of thieves and liars.  Hermes gave the lyre to Apollo who is Abaddon or Apollyon in Revelation: he is the leader of the muses or his musical worship team at Delphi.

Kairos:
Kairos2.gif

KAIROS (or Caerus) was the spirit (daimon) of opportunity, the youngest divine son of Zeus. He was depicted as a youth with a long lock of hair hanging down from his forehead, which indicated that Opportunity could only be grasped as he approached.

Daimon is the Greek derivative for the term demon. In this sense the term "demon" means "replete with knowledge." The ancient Greeks thought there were good and bad demons called 'eudemons' and 'cacodemons.' The term 'daimon' means "divine power," "fate" or "god." 

PersEnc. isocrates A degree of relativism underlies his belief that rhetoric should concern itself with what is appropriate (prepon) and comes at the right time (kairos). But like Plato Isocrates attacks “sophists” (whom he sees as rivals) for having no moral values, and he affirms his own belief in rather traditional moral values, arguing that it is the job of rhetoric to express these. Novelty is important in the expression of one's views but not in the views themselves.



Aesop, Fables 536 (from Phaedrus 5. 8) (trans. Gibbs) (Greek fable C6th B.C.) :

"Running swiftly, balancing on the razor's edge, bald but with a lock of hair on his forehead, he wears no clothes; if you grasp him from the front, you might be able to hold him, but once he has moved on not even Juppiter [Zeus] himself can pull him back: this is a symbol of Tempus [Kairos, Opportunity], the brief moment in which things are possible." [N.B. This fable is associated with famous statue of Kairos at Olympia by the Greek sculptor Lysippos of the C4th B.C. The Greek name Kairos is rendered as Tempus in this Latin version of Aesop's fable.]
Hermes or Mercury
Hermes.Flying.Mercury.gif

Hermes.Kairos.Satyr.gif

3. Mythical sound events

In Greek mythology, there are some eighty such mythological characters connected with some kind of "mythical sound event" (Restani 1995). These events tend to gravitate around a few pivotal figures (like the Muses and Apollo Abaddon, apollyon) and the euretai, inventors of musical instruments: Athena (aulos), Hermes (lyra and syrinx), Pan (syrinx), Cybele (tympana), Tyrrhenian (salpinx). The events emphasize also two main themes.

Kairos is pictured almost exactly like Hermes or Mercury.  Hermes is also the god of liars

LEGALISM:
The first is the teaching, conservation, control and transmission of the mousike,
        prohibitions and transgressions included;
the second concerns the effects of sound on the performer and the audience, like, for instance, oblivion (Sirens), delight and sorrow (Phoemius and Demodox), bewitchment (Orpheus), calm (Achilles), attraction (Amphion), trance (Dionysus Bacchus).

Baccho . . . Apolline: abl. of cause with insignis.—Thebas: according to the myth Bacchus was born at Thebes.—Delphos: the seat of the famous oracle of Apollo.

Bacchus , i, m., = Bakkhos,
I. son of Jupiter and a Theban woman, Semele,
Apollo is Abaddon or Apollyon who UNLEASHES the Locusts or Muses in John's world..

Ăpollo , ĭnis (earlier Ăpello , like hemo for homo, Paul. ex Fest. p. 22 Müll.;
= Apollōn, Apollo, son of Jupiter and Latona, twinbrother of Diana, and god of the sun. On account of his omniscience, god of divination;  and since he communicated oracles in verse, god of poetry and music, presiding over the Muses,

Kronos , ho, Cronos, KAIROS has the same meaning of "time" as Kronos his grandfather.
2.  ho tou K. (sc. astēr) the planet Saturn, Id.Metaph.1073b35, Mu.392a24, 399a11; so later Kronos, ho, Placit.2.32.1, Cleom.2.7; tou K. hēmera Saturday, D.C.37.16.

THE MARK a BEAST (Therion: a new style of music or Satyric Drama)
Insignis
, e, adj. in-signum,
I. distinguished by a mark; remarkable, noted, eminent, distinguished, prominent, extraordinary totā cantabitur urbe,” i. e. notorious, Hor. S. 2, 1, 46:   spectaculum,Tert. Spect. 12: “religio, [to bind, religious rites and ceremonies]
insignĭter , remarkably, extraordinarily, notably

Liv. 5 52 When you see such momentous consequences for human affairs flowing from the worship or the neglect of the gods, do you not realise, Quirites, how great a sin we are meditating whilst hardly yet emerging from the shipwreck caused by our former guilt and fall?

canto , to produce melodious sounds (by the voice or an instrument), to sound, sing, play (class. in prose and poetry; rare in Cic.). “saltare et cantare,Cic. Cat. 2, 10, 23: for imagination, fiction, Juv. 4, 35.
III. In the lang. of religion, as v. n. or a., to use enchantments, charms, incantations, to enchant, to charm, cantata Luna, exorcised by magic, Prop. 4 (5), 5, 13
Spectācŭlum exposed to public view, in the sight of all,
A. Lit., in the theatre, circus, etc., a public sight or show, a stageplay, spectacle (cf.: “munus, ludi, fabula): spectacula sunt tributim data,Cic. Mur. 34, 72:  “scenae,Ov. A. A. 3, 351: “ludorum, resonant spectacula plausu, Ov. M. 10, 668:
C. A wonder, miracle: spectacula septem, the seven wonders of the world: “



It is IMPOSSIBLE to understand that a Christian is a Disciple and Disciples are to be taught what Jesus commanded to be taught: that is the prophets by the Spirit OF Christ and the prophecies made more certain by Jesus and left for our MEMORY by the Apostles. There A CHURCH OF CHRIST is built up or EDUCATED by the Prophets and Apostles.

don4.jpg don4a.jpg don5.jpg
Orpheus enchants the Thracians. Berlin,
Antikenmuseum, 3172 (detail)

These PROGRESSIVES intend to denounce what they label as 'sectarianism' When God from the wilderness onward demands that the Little Flock come out of or separate themselves from the world of RELIGIONISM, understand that the kingdom does not come with rhetorical, musical or theatrical performances called OBSERVATIONS.  After the fall into the Kairos-Chronis-Zeus etc. pagan religions based on superstition and a gender-variant clergy, Christ the ROCK defined His Church of Christ (Qahal, ekklesia, synagogue) which was radically QUARANTINED from the Jew's abandonment to worship the Starry Host (sorry the scholars missed Acts 7). 
The One-Piece Pattern of Christ after the fall into musical idolatry at Mount Sinai

The PATTERN defined by John Calvin who grasped that LOGOS is the commanded Regulative Principle


It is EXCLUSIVE of vocal or instrumental rejoicing or rhetoric other than PREACHING the Word by READING the Word for Commfort and Doctrine.

THEN it could be INCLUSIVE of Rest (from ceremonial), Reading and Rehearsing the Word of God only.
John Calvin called for A Restoration of the Church of Christ which  SEPARATED all of the pagan superstitions.

The Campbells being LOGOS--centered defined
:     Version Two
CHURCH is A School of Christ in the Word: A Church of Christ WILL BE build upon (educated) by the Prophets and Apostles being PREACHED by being READ for Comfort and Doctrine. Both Jews and Gentiles were ready for or Wise unto salvation because the Jews obeyed the ONE PIECE PATTERN:
        Acts 15:21 For Moses of old time hath in every city them that PREACH him,
        being READ in the synagogues every sabbath day.

That pattern is REPEATED by Jesus, Paul and Peter
WORSHIP is Reading and Musing the Word (only) of God: that's the ONLY worship concept
        1Timothy 4:13 Till I come, give attendance to [public] READING, to exhortation, to doctrine.

Judas did not know that he was the Son of Perdition tasked with the SOP same root meaning as PSALLO to try to TRIUMPH OVER Jesus (Psalm 41) with the FORBIDDEN "vocal or instrumental rejoicing" when God's LOGOS or Regulative Principle is at hand.  God left us a SIGN on many Vessels of Clay where the Judas Bag "for carrying the mouthpieces of wind instruments." This is the message of getting "fluted down with wine" which Paul silenced before he commanded that we SPEAK which is always the OPPOSITE to ODE or Psallo and so Paul made the SILENT.

SOP has the same root meaning as PSALLO.  The great attack against those who had never used performance singers or instruments since the Church in the wilderness when both was outlawed, began in 1878 with the use of the PSALLO Word. This has been used to say that God COMMANDED instruments and the attacks began about 1878 and was ENHANCED about a hundred years later and the boasted of TRANSISTON went full speed ahead c. ad 4000 which was the time frame begun in Genesis after the Elohim had Cast Down the heavens and earth making it unfit  for habitation whereas Yehovah in Isaiah 45 had not created it that way.
Matthew 26:18 And he said, Go into the city to such a man, and say unto him,
        The Master saith, My time [Kairos] is at hand; I will keep the passover at thy house with my disciples.
Matthew 26:19 And the disciples did as Jesus had appointed them; and they made ready the passover.
Matthew 26:20 Now when the even was come, he sat down with the twelve.
Matthew 26:21 And as they did eat, he said, Verily I say unto you, that one of you shall betray me.
Matthew 26:22 And they were exceeding sorrowful, and began every one of them to say unto him, Lord, is it I?
Matthew 26:23 And he answered and said, He that dippeth his hand with me in the dish, the same shall betray me.
John 13:26 Jesus answered, He it is, to whom I shall give a sop, when I have dipped it.
        And when he had dipped the sop, he gave it to Judas Iscariot, the son of Simon.
John 13:27 And after the sop Satan entered into him. Then said Jesus unto him, That thou doest, do quickly.
He is Judas Sicarri or Judas the Assassin or Daggar men: they continued down through history as Hashash Men who were dumed down (like music) and sent out to assassinate the enemy.  The Levites under the King and Commanders of the Army were not "worship ministers" but sent out to "make the enemy dumb before the slaughter."  This warrior music which is suddenly and treacherously imposed is known in the most pagan societies as a way to show that the ALPHA MALE was being affirmed.

JudasDiony.JPEG

Rick Atchley promised that HE would not impose instruments on the Sunday Service. However, after the usual period of softening people up by "letting the youth hear great christian bands to TEACH OUR YOUTH TO LEAVE OUR MOVEMENT."  Of the promise? Well, "That was then and this is now."

The MARK of a Jesus Movement is that evangelists GO into all the world: they are to seek and separate the LOST SPIRITS scattered among the Serpent's Seed (Cain from a "musical note").  Jesus said that they will BE BAPTIZED because they will recognize the CALL by the WORD (Logos).  God spoke in parables from the foundation of the world to HIDE Himself from the WISE or Sophists (speakers, singers, instrument players, actors, takers of shekals).  Jesus was not OF the World and those able to Hear the invitation are not OF the World.  They are called a Race of Vipers or Serpents and the Little Flock is to SAVE THEMSELVES from this Crooked Race (drunk on wine or fluted down with wine).


Like a FLOOD, t
he Kairos Church Planting Movement has infiltrated even once-christian universities along with the Ethos, Renovare and other names to remove CHRIST from their public confession.  This is "ecumenical" so it doesn't matter that it is FLOODED OUT under the Name of The Church of Christ but may or may not be faithful from the historical practices:
Consistent with the Pope's call for JUBILEE 2000, the new MOTHER CHURCH or ORGANIZATION is pledged in one case to begin a process leading to 60,000 new satellite or Daughters of the Mother.

After the fall from Grace from The Book of The Covenant that God in Christ made to Abraham BECAUSE of musical idolatry of the Egyptian etal "trinity" of families of gods, several thing happened:
  1. Moses would "flashback" to literal c. BC 4000 when the Sumerians and others began their pagan attack with sabbath worship, tithes and other oppression whereas Jehovah had NOT created the earth (fruitful place) in this Elohim-cast down heavens and earth.
  2. Moses promised that the Israelites (later Jews) bould be blind and deaf until 'Another Prophet Like Me" came. That is also defined in Genesis 49 as "Until Shiloh Comes."
  3. The Book of The Law was "because of this musical idolatry" when God invited His people to REST instead of serve the Serpent Race Civil-Military-Clergy complex.
  4. The Jacob Cursed tribe of Levi (Genesis 49) volunteered to execute 3,000 of the "brethren" and earned the right to be They were turned over to Worship the Starry Host instead of the Creator of the host. [hint Acts 7]
  5. They lost their inheritance and God commanded that they stand guard to execute any godly person or Levite not on duty who came near or into any now-Astrial Deity Tabernacle.
  6. They, like Miriam, "prophesied" with noisy instruments which means they were Soothsayers or Sorcerers to perform EXORCISM in the not-commanded monarchy of king, kingdom, temple, animal slaughter in a blood and fles lust, and the Levites under the unauthorized King and Commanders of the Army.
  7. The Spirit OF Christ specificially in Isaiah 1 and Jeremiah 7 said that God DID NOT command any of that to which He abandoned them.
  8. Moses wrote the story common in Egypt, Greece, Canaan and Babylon.  In Romans 17 the end time and identical Babylon Mother of Harlots (lusted after fruits same as in Amos 8) would be MARKED by preachers denying the Logos or Regulative Principle, singers, instrument players and craftsmen (sophists) which Paul DEFROCKED in Ephesians 4 IF you have APT ELDERS now replaced by boards of directors.
The vocal and instrument rejoicing which Christ outlawed for the Church of Christ (the Rock) would MARK by wind, string and percussion instruments God's driving His enemies into "hell." You don't need Isaiah 30 to get Phded.

The Craftsmen (Sophists) including all STAFF called PARASITES in religion, singers and instrument players (Rev 18) are called SORCERERS (Babylon, Miriam, Levites), the LAMPS (seven spirits of Christ Isaiah 11) and hypocritic performers are identified to be Cast Alive into the LAKE OF FIRE.

It is not the apostate's choice that the Name of Christs as Public Confession is REMOVED.  In the Prophetic Pattern in Amos 8 the songs in the holy place would be turned into HOWLING by the "baskets of Summer FRUITS" and God promises that I Will Not Pass by Again.  Time or KAIROS as the Daimon (spirit) of Zeus is now SHORT and will come to an end.

1.29.14: If you do not have the MARK (musical performance) of the BEAST (a new style of music ans Satyric Drama--that gender-variant priesthood) you cannot BUY or SELL at Lipscomb or any of the once-Christian colleges. The KEYNOTERS (king for a day) are all in mortal conflict with God by their promotion of Instrument Music and other CELEBRATION which according to Paul will get you BURNED.

Kairos Church Planting is behind the Mother Church--Daughter Church and lists Max Lucado as one of the leaders: Rick Atchley quickly followed suit. The plot was to get the new property well financed and then announce the agenda which had been hidden for more than a decade.  Rick Atchley promised never to add instruments SUNDAY but AT THE RIGHT TIME he announced that HE had decided to impose instruments so they could be BOTH/AND which insanity means that you can have one time practicing musical and rhetorical idolatry and then GRANT the "a cappella preference" have THEIR turn. Pretty strongly delusional.

The Kairos planted churches endorsed by Lipscomb University always say they are affiliated with KAIROS.  Kairos is one of those FAD words which has spread like wildfire. THEY have decided that the TIME IS RIGHT but they do not understand that they are not under control. North Boulevard "leaders" and elders laid out their plan in 2009 but claimed that it was not an AGENDA. Of course we know that David Young launched his work by claiming to teach other preachers to never preach against instruments again.

This is such a seemingly-miraculous effort at neutering the elders and being treacherous that the Bible laid out a PATTERN which no one needs to know to preach about themselves, here are some FACTS abaout Kairos or Caerus

  1. It is a fact that there is no command, example or remote inference that anyone from Genesis to Revelation were ever called out of their REST to sing as a congregation with or without instruments.
  2. It is a fact that the Church of Christ (the Rock) excluded "vocal or instrumental rejoicing" or any speaking other than PREACHING by READING the Word for Comfort (rest) and Doctrine.
  3. This triumph-over word was prophesied to mark Judas whom Jesus abandoned with the SOP which means PSALLO.
  4. All of the instruments from Genesis to Revelation are resourced from the Devil and are used to TRIUMPH OVER or bring others into captivity to the will of the Alpha Male.
  5. All of the instrument passages speak of people abandoned or being abandoned to be cast alive into "hell) or the Lake of Fire.
  6. A Church of Christ is defined inclusively and exclusively as A School of Christ as defined by Jesus, Paul, Peter and the Campbells. The only worship word is to Read and Muse the Word of God.
  7. Music from mystery means tomake the lambs dumb before the slaughter by Levites or others called Parasites. No one can debate the issue: songs and sermons and even singing during communion INTENDS to make certain that Jesus does not get to speak when the elders as the only Pastor-Teachers teach that which has been taught. Elders get on other "authority."
  8. Any Christian or Disciple of Christ and the PAGAN practices which the Bible repudiates would grasp the TIME IS RIGHT for the
  9. ACCUSER to launch all of those RACA words against churches of Christ (good, bad or ugly makes no excuse)

They wont give an answer because you can fool most of the people most of the time. That is why Jesus came for a LITTLE FLOCK exercising the WORD or LOGOS as the only power of RENOVARE.
Check.gif 2.03.10 Kairos Church Planting Daimon has come down to you

WOE:  for the devil is come down unto you, having great wrath,  because he knoweth that he hath but a short TIME  [kairon  ekhei ETHOS.’] Rev. 12:12   diabolos

KAIROS (or Caerus) was the spirit (daimon) of opportunity, the youngest divine son of Zeus. He was depicted as a youth with a long lock of hair hanging down from his forehead, which indicated that Opportunity could only be grasped as he approached.

daimôn , A. daimōnS.OC1480 (lyr.), “daimonTheoc.2.11, ho, , god, goddess, of individual gods or goddesses
p. 59.1 :—but more freq. of the Divine power (while theos denotes a God in person), the Deity, cf. Od.3.27;
genomenō mustagōgos tou biouManes
spiritual or semi-divine being inferior to the God evil spirit, demon, Ev.Matt.8.31,
ēthos  Not ethical but tactful
2. disposition, character, moral character, OPPOSITE dianoia, Arist.EN1139a1; as the result of habit, “to pan ē. dia ethosPl.Lg.792e, d. dramatis persona, eisagei andra ē gunaika ē allo ti ē. Arist.Po.1460a11, al.of departed souls,
musta^gōg-os , on, (mustēs, agō)
A.  Introducing or initiating into mysteries, IG5(1).1390.149 (Andania, i B.C.), Plu.Alc.34, etc.
2.   generally, teacher, guide, “biouMen.550, cf. Him.Or.15.3.
3.   in Sicily, = periēgētēs, cicerone, esp. at temples, Cic.Verr.4.59.132.
4    Christian priest, Men.Prot. p.111 D., Just.Nov.137.1.

In Greek mythology, Carius or Karios As Carius was wandering by a lake which later received the name Torrhebis, he heard the voices of nymphs singing; these nymphs, Nicolaus remarked, were also called the Muses by the Lydians. Carius learned the music from them, and taught it to the Lydians. This kind of music was known as "Torrhebian songs".[1] Carius ("of Caria") was also a surname of Zeus himself, under which he was venerated in Mylasa.[2]

The Brides in Revelation 18 are NYMPHS who along with the MUSES are called sorcerers who HAD deceived the whole world.

kair-ikos , , on,
A.timely, “apaggeliaiIG3.769.
2. appropriate to certain times or seasons, seasonable, “anthē”  
b. Astrol., belonging to the kairos or chronocratory, “k. Khronoi Aphroditēs
Aphroditē [i_, , aphros)
II. as Appellat., sexual love, pleasure, Od.22.444; “hup' Apollōni psauein AphroditasPi.O.6.35; “erga Aphroditēsh.Ven.1,9, etc.; ma tēn A., tēn A., a woman's form of oath, Ar.Lys.208, Ec.189, etc.
III. ho tas Aphroditas astēr] the planet Venus, Ti.Locr.97a, cf. Pl.Epin.987b, Arist.Metaph.1073b31,

kairios , a, on, also os, on Thgn.341, A.Ch.1064, S.Ph.637, Luc.Nigr. 35:

I. (“kairos11) in Hom. always of Place, in or at the right place, hence of parts of the body,
kairion
a vital part, Il.8.84,326; “en kairiō4.185; “ho aukhēn esti tōn kairiōnX.Eq.12.2, cf. 8 (Sup.);
of wounds, mortal, kairiē (sc. plēgē)“ tetuphthaiHdt.3.64;
peplēgmai kairian plēgēn A.Ag.1343; kairias plēgēs tukhein ib. 1292, cf. X.Cyr.5.4.5;
kairias (v.l. -ious sphagasE.Ph.1431; Slaughter, sacrifices, cut throat (heresy)
ekhein tēn kataphoran k
. Plb.2.33.3Downward Sword, tirade, Fall,
butalso, grave, serious, nousēmata, trōmata, Trauma, wound, hurt, intent to murder
generally, “kairiōtatēs teteukhenai KhōrasTheol.Ar.44.
II. of Time, in season, timely, “heuriske tauta kairiōtata einaiHdt.1.125,
Khrē legein ta k
. A.Th.1, cf. Ch.582; kairioi sumphorai ib.1064; [3. rarely in good sense, good luck, happy issue,
ei ti k. legei S.Ant.724; dran, phronein ta k., Id.Aj.120, El.228 (lyr.);
kairios spoudēId.Ph.637; “Making Haste, zeal for the conflicting arguments
-ōtera boulē
E.Heracl.471; [Killing children: Heirs]
k. enthumēma Reasoning, Device, syllogism, inference  X. HG4.5.4; to aei k. Id.Cyr.4.2.12, etc.; pros to k., = kairiōs, S.Ph. 525
critical
, auta ta k. ekhōn hekkaideka (sc. etē) AP12.22 (Scyth.);
agreeing with the subject, kairian d' hēmin horō steikhousan Iokastēn coming at the right time, S.OT631;
kairios ēluthesE.El.598;
kairia (Dind. for kai doria ptōsimos falling at the exact or fatal moment, A. Ag.1122 (lyr.);
 ta k. timely circumstances, opportunities, Th.4.10; emergencies, D.C.Fr.70.8.
2. lasting but for a season, AP12.224 (Strato).
III. chief, principal, “ta kairiōtata tōn klēmatōn
IV.Adv. -riōs in season, seasonably, “k. eirēmenonA.Ag.1372;“
skopein
E.Rh.339: Comp. “-ōterōsX.Cyr.4.5.49.
2. mortally, “outasmenosA.Ag.1344, cf. Plb.2.69.2.
skop-iazō , (skopia) .,A.spy from a high place or watch-tower, Il.14.58, Q.S. 2.6: generally, spy, watch, even on a plain, Od.10.260.
2. watch for shoals of fish, applied to certain members of a guild of lsis-worshippers, 
II. trans., spy out, watch, c.acc., Il.10.40, AP9.606, etc.:—Med., look out for, watch, “tōs thunnōsTheoc.3.26; “nēaA.R.2.918, etc.: aor. “skopiasamenos” 
PersEnc. isocrates A degree of relativism underlies his belief that rhetoric should concern itself with what is appropriate (prepon) and comes at the right time (kairos). But like Plato Isocrates attacks “sophists” (whom he sees as rivals) for having no moral values

He comes at critical or dangerous moment Like Hermes [Who makes the thief, protector of thieves] , he has wings in his feet to fly with the wind. Caerus is sometimes considered a daimon spirit rather than a God due to his aggressive nature towards humans. He sought to drink their blood, killing many to do so. Kairos or Caerus is the yougest son of Zeus: as the new spawn pronounces Je-Zeus to foul you. But once he has passed by, no one can grasp him, the back of his head being bald. The Always "mother goddess" name is Occasio.  As a sign to men that I am sharper than any sharp edge.
Kairos IS Cronos or Chronos (time) but also the fallen STAR (aster), Saturn or Apollo, Abaddon, Apollyon.

Cronos, KAIROS
Kronos , ho, Cronos, Hes.Th.137, Op.111, Il.8.479, 14.203, A.Pr. 203, Eu.641; hois basileus K. ēn 'in the golden age'

A.ho epi Kronou biosArist.Ath.16.7.—Later interpreted as, = khronos, cf. Arist.Mu.401a15.
2. ho tou K. (sc. astēr) the planet Saturn, Id.Metaph.1073b35, Mu.392a24, 399a11; so later Kronos, ho, Placit.2.32.1, Cleom.2.7; tou K. hēmera Saturday, D.C.37.16.
astēr , ho, gen. eros: dat. pl.
II. metaph. of illustrious persons, etc., “phanerōtaton aster' AthēnasE.Hipp.1122 (lyr.); “Mousaōn astera kai Kharitōn
The Muses (Apollyon's Musical Worship Team) and GRACES were known as religious prostitutes. In Revelation 18 Paul calls them SORCERERS who HAD deceived the Whole world and they WILL BE Cast alive into the lake of fire.

Hislop 75  Among these innumerable names, how shall we ascertain the name at which the Spirit of God points in the enigmatical language that speaks of the name of the beast, and the number of his name?
        
Osiris [at Mount Sinai], is Nimrod who had fifty names. He had a Musical Worship Team in Babylon and claimed to "regenerate morals through external means.[

The BEASTS or LOCUSTS are defined as A New Style of Music or Satyric Drama.  Apollo, Abaddon or Apollyon is the LEADER of the MUSES.

The Papacy has canonised the Babylonian god by the name of St. Dionysius, and St. Bacchus, [god of the New Wineskins]

To those who were initiated the god was revealed; to all else he was hidden. Now, the name Saturn in Chaldee is pronounced Satur; but, as every Chaldee scholar knows, consists only of four letters, thus--Stur. This name contains exactly the Apocalyptic number 666:--

S = 060
T = 400
U = 006
R = 200
-------------
666
Ăpollo , ĭnis (earlier Ăpello , like hemo for homo, Paul. ex Fest. p. 22 Müll.;
= Apollōn, Apollo, son of Jupiter and Latona, twinbrother of Diana, and god of the sun. On account of his omniscience, god of divination;  and since he communicated oracles in verse, god of poetry and music, presiding over the Muses,

Apollōn , ho, Apollo: gen. ōnos (also ō An.Ox.3.222): acc.
A.ApollōIG1.9, al., A.Supp.214, S.OC1091, Tr.209 (lyr.) (mostly in adjurations, nēton Apollō, etc.), “ApollōnaPl.Lg.624a, freq. later, Agatharch.7, etc.: voc. “ApollonAlc.1, A.Th.159(lyr.), Cratin.186, etc.; “ApollōnA.Ch.559; cf. Apellōn, Aploun.
II. Pythag. name of a number,

Orphic Theogony: THE FOUR AGES  and among these Orpheus; and these ages are first of Saturn, then of Jupiter, next of Neptune, then of Pluto, and some also, for instance the Magi, speak of the reign of Apollo.

Kairos.Church.Planting.Plot
Cincinnati Christian University and Kairos Church Planting Support
As men like Max Lucado and Rick Atchley, the rise of the MOTHER CHURCH raising all of the money founding DAUGHTER churches which will be PREACHERED by the Mother of the Daughters.  Because Max Lucado saw a vision to remove CHRIST from the public confession and add instruments and a Baptist Preacher, we are warned not to drink the KoolAid of those who think that they are inspired to tell all of Scripture that it DID NOT warn against instrumental sorcery or mingling with the Canaanites.
In our fellowship of Churches of Christ there are not many multisite churches. Oak Hills in San Antonio, The Hills in Fort Worth, The Branch and Highland Oaks in Dallas are examples of churches with heritage in Churches of Christ that have become multisite.
The Christian Standard: Compiled by R. Paige Mathews For a list of the PLANTING EXPLOSION

Christian churches and churches of Christ are committed to church planting! Just a quick look at this list will remind you that church leaders from coast to coast are working to reach non-Christians with new congregations.

Church planting organizations and associations were asked to share information about their ministry beyond basic contact information. That information is condensed below, for those who answered our survey.

more TIME passages
Revelation 1:3 Blessed is he that readeth, and they that hear the words of this prophecy, and keep those things which are written therein: for the KAIROS is at hand.
Revelation 10:6 And sware by him that liveth for ever and ever, who created heaven, and the things that therein are, and the earth, and the things that therein are, and the sea, and the things which are therein, that there should be KAIROS no longer:

Revelation 11:18 And the nations were angry, and thy wrath is come, and the KAIROS of the dead, that they should be judged, and that thou shouldest give reward unto thy servants the prophets, and to the saints, and them that fear thy name, small and great; and shouldest destroy them which destroy the earth.

Revelation 12:12 Therefore rejoice, ye heavens, and ye that dwell in them. Woe to the inhabiters of the earth and of the sea! for the devil is come down unto you, having great wrath, because he knoweth that he hath but a short KAIROS.

Revelation 12:14 And to the woman were given two wings of a great eagle, that she might fly into the wilderness, into her place, where she is nourished for a time, and KAIROS, and half KAIROS, from the face of the serpent.

Revelation 14:15 And another angel came out of the temple, crying with a loud voice to him that sat on the cloud, Thrust in thy sickle, and reap: for the KAIROS is come for thee to reap; for the harvest of the earth is ripe.

Revelation 22:10 And he saith unto me, Seal not the sayings of the prophecy of this book: for the KAIROS is at hand.


The LOGOS or Word is the Regulative Principle: it is opposite of human imagination, rhetoric, singing, playing instruments, drama or dance (the clapping and gyrating while musically mocking Jesus).

A Christian is a Disciple of Christ (only). A disciple is washed with water INTO the WORD (Logos) or the School of Christ.  He obeys the command to teach what HE commanded to be taught in the Prophets by the Spirit OF  Christ defining the REST for godly Jews and Gentiles after the Jew's Covenant with Death and Hell was cast down. Jesus made these inclusive-exclusive PATTERNS more certain. Peter and others left us a MEMORY as each part was finished and Peter said that anyone who private interprets (further expounds) is a false teacher.

Christ for the Qahal, synagogue, ekklesia or Church of Christ (the Rock) defined what He and Paul defined by the synagogue words:

It is EXCLUSIVE of vocal or instrumental rejoicing or rhetoric other than PREACHING the Word by READING the Word for Commfort and Doctrine.
THEN it could be INCLUSIVE of Rest (from ceremonial), Reading and Rehearsing the Word of God only.

Christ in Isaiah 8 said that if people do not speak what is in the LAW (no instruments) and TESTIMONY (the Prophets) it is because THERE IS NO LIGHT IN HIM.

Jesus patterned and commanded that. Paul and Peter SILENCED all of the self-speak and hypocritic performance SO THAT the direct PATTERN in Romans 15 can be possible: "Use one mind and one mouth to speak that which is written for our learning" or "Scripture for our Comfort."

Moses defined the 7 Day or 7 thousand year CYCLE or earth age AFTER the people rejected The Book of The Covenant of Grace and rose up in the instrumental idolatry of the Egyptian trinity under the symbol of Apis, the golden Calf.  Because this was a sin without redemption, God had Moses tell them the story of the c. ad 4000 rise of the SERPENT race of Temples and STAFF of singers, instrument players, dancers, praise singers (encomiasts), cooks, and prostitutes.

The end of the 4th day is prophesied in great detail when Messiah would come and EJECT LIKE DUNG the laded burdens and burden laders: these are AROUSAL SONGS the Scirbes and Pharisees used (Ezekiel 33) to take the people captive.

In Revelation Abaddon or Apollyon as the prince of the LOCUSTS meaning MUSES.  The Mother God had confined Apollyon and the Muses underground because they did not properly respect the MOTHER OF HARLOT.  The Harlot Church uses lusted after FRUITS (same as in Babylon) as speakers, singers, instrument players and brides NYMPHS in the Hieros Gamos which is sacred sex imitated between a god and a goddess.  This may be overtly VIRTUAL but at Mount Sinai and elsewhere it was LITERAL (Romans 1).  That's why the preachers want the effeminate praise singers and boast that WE USE WOMEN..

Prophetic Events repeat themselves: The Progressive Church of Christ CLAIMS that they have to UPSET your comfort zones and it will hurt and we will be gentle but WE GONNA become a Theater for Holy Entertainment. You cannot find a command, example or remote inference about groups singing with instruments as a WORSHIP OBSERVATION: Jesus said the kingdom does not COME to such observations. Therefore, the only Biblical or historical RESOURCE for music to make the lambs dumb before the slaughter. The only other exception is JUBAL who handled musical instruments WITHOUT AUTHORITY and He was the offspring of CAIN (a musical not or mark) who was the SON of the Serpent.

You have to LIE beyond redemption to suggest that Scripture does not mark vocal or instrument music as SORCERY or WITCHCRAFT because people know that they can overpower the rational or spiritual mind with music, rhetoric and motion.

In the middle of a world aggitated by wars a band of men decided to begin a Worship War. They used the words of Wicca, Machiavelli etal to tell people how to drive people into DISSOCIATON by being accusers of the brethren adnying that nothing that the historic Church of Christ believes (and feeds their face without authority) is valid based on the "changed culture" or even the Bible.  From the beginning of the break of the Christian Church in the late 1800s there has been a constant stream of attacks. Nothing could be more overt than trying to LOP OFF ONE BRANCH at a time to DESTROY the ANTI-instrumental sect.

THE MARK OF THE KAIROS "JUST THE RIGHT TIME TO STEAL YOUR FLOCK."


Chronos is a GOD and also time as It is 3 O'chronos.  Kairos has the same meaning but means to Strike While the iron is hot. Kairos in an end time religious sense means CREATE lots of discord (takes about a decade) and the STRIKE while we have everyone confused so that we can fulfill our DESTINY of those Scripture says HAD once deceived the whole world.  Saying that the TIME IS RIGHT.

Nenovare means the TIME TO STRIKE and do Spiritual Formation by imagining what Scripture REALLY says by meditation. God said that the imagination of man is only evil continually.

The Time for the Jews as KAIROS was when Jesus and Stephen came debunking the sacrificial system especially the Law of the Monarchy which Christ in the prophets calls a Covenant with Death and Hell.  Jesus came knowing that the KAIROS people would reject the WORD or LOGOS which did not fit the imagination of the Scribes and Pharisees, hypocrites.  Christ in Isaiah 3 warned about the women and BOYS ruling over them and Jesus called the MEN of that race or generation of Vipers CHILDREN or BOYS. That identifies the perpetual demand of the always gender-variant religionists to INITIATE Him into the gay brotherhood.

Matthew 26:18 And he said, Go into the city to such a man, and say unto him,
        The Master saith, My time [kairos] is at hand;
        I will keep the passover at thy house with my disciples.

THE JEWISH CLERGY KNEW IT WAS TIME TO MURDER JESUS

Matt 26:2 Ye know that after two days is the feast of the passover,
        and the Son of man is betrayed to be crucified.

Matt 26:4 And consulted that they might take Jesus by subtilty, and kill him.

Matt 26:5 But they said,
        Not on the feast day, lest there be an uproar among the people.

Psalm 41 prophesied that Judas would try to triumph over Jesus: that was the "vocal or instrumental rejoicing or rhetoric" Christ outlawed for the Church in the wilderness and left as a MARK for Judas.  The SOP which Jesus fed Judas has the same root meaning as PSALLO.  When that vocal or instrumental rejoicing was DISPLAYED then Satan came into him and he did the honorable thing and went out and hanged himself and rotted and splattered onto the ground. That would be better than the lake of fire promised to the musical idolaters.

JudasBag4.JPEGThe Judas bag or box is always attached to the spotted flute case.  The image of men making music is not pretty when Jesus comes to be out only Teacher.
JudasDiony.JPEG

Matt 26:30 And when they had sung an hymn, they went out into the mount of Olives.

Jesus never sang in a tuneful sense: that would compromise His gender. The word is Lego or
dīco
  to say, tell, mention, relate, affirm, declare, state; to mean, intend (for syn. cf.: for, loquor, verba facio, dicto, dictito, oro, inquam, aio, fabulor, concionor, pronuntio, praedico, recito, declamo, affirmo, assevero, contendo
opp. ouden legei has no meaning, no authority, “ouden l. to sōphronōs traphēnaiAr.Eq.334,

And the JESUS Pattern was that he might SPEAK a hymn (Biblical) same time NEXT year if still alive.
THE NON-BIBLICAL CHURCH PLANTING OR PROSELYTING RATHER THAN GOING INTO THE WORLD TO PREACH CLEARLY DID NOT KNOW THE TIME WHEN JESUS WOULD RETURN BUT NOT TO SET UP CHURCHES.

Mark 13:33 Take ye heed, watch and pray:
        for ye know not when the time [kairos] is.
John 7:6 Then Jesus said unto them,
        My time is not yet come: but your time [kairos] is alway ready.

John 7:8 Go ye up unto this feast: I go not up yet unto this feast; for my time is not yet full come

The opening ceremonies of the Feast of Tabernacles was a giant fertility ritual. The men competed in speaking, singing, playing instruments, acting or dancing.  Jesus knew that the Jewish (etal) clergy knew it was TIME to murder Jesus and they were SEEKERS after Him.

WHEN THE KAIROS CAME IT WAS TO BAPTIZE THE VIPER RACE WITH WIND (SPIRIT) AND FIRE.

1Corinthians 7:29 But this I say, brethren, the time [kairos] is short:
        it remaineth, that both they that have wives be as though they had none;

1Peter 4:17 For the time [kairos] is come that judgment must begin at the house of God:
        and if it first begin at us, what shall the end be of them that obey not the gospel of God?

Revelation 1:3 Blessed is he that readeth,
        and they that hear the words of this prophecy,
        and keep those things which are written therein: for the time is at hand.

WHEN YOU HEAR THE "SOUNDS LIKE" HARPS IN REVELATION 14 IT IS THE SOUNDS OF JUDGMENT


Revelation 14:15 And another angel came out of the temple,
        crying with a loud voice to him that sat on the cloud,
        Thrust in thy sickle, and reap: for the time is come for thee to reap;
        for the harvest of the earth is ripe.  [Parched, dried up]
ther-ismos  A.mowing, reaping, X.Oec.18.3, PHib.1.90.5 (iii B.C.), PFlor.101.4 (i A.D.).
II. reaping-time, harvest, Eup.202, Plb.5.95.5, Ev.Matt.13.30, al.
2. harvest, crop, LXXLe.19.9, Ev.Matt. 9.37.
Revelation 22:10 And he saith unto me, Seal not the sayings of the prophecy of this book: for the time  [kairos] is at hand.
Rev 22.10 Kai legei moi sphragisēstous logous tēs prophēteiastou biblioutoutou, “ho kairosgar eggus estin.
biblion or bublion , to,
4. ta b. ta hagia the sacred books or Scriptures, LXX 1 Ma.12.9; ta b. tou nomou ib.1.56.
The TIME would come in every generation which had to escape the Viper Race of Synagogues (churches) of Satan.

The Prophetia in the Prophets and Apostles was the gift of speaking the Will of God by the Spirit OF Christ Who promised to be with them to the end of the world. Be with WHOM? Be with those who commanded and observed what Jesus taught them to teach. The Father breathed  (spirit) and Jesus as the Son ARTICULATED the word of God. This BREATH of God came without METRON or musical melody. That is a fact because God SPOKE absolutely nothing that is metrical in a tuneful sense.

SIGNS OF THE KAIROS TIMES WHICH ARE TESTING EVERYONE.

Luke 21:25 And there shall be signs in the sun, and in the moon, and in the stars;
        and upon the earth distress of nations, with perplexity; the sea and the waves roaring;
Luke 21:26 Men’s hearts failing them for fear,
        and for looking after those things which are coming on the earth:
        for the powers of heaven shall be shaken.
Sal-euō , fut.  A. saleusōLXX Wi.4.19: aor. “esaleusaIsoc.8.95, AP11.83:— Pass., fut. “saleuthēsomaiLXX Si.16.18, Ev.Luc.21.26: aor. “esaleuthēnLXX 1 Ma.9.13, Act.Ap.4.31, 2 Ep.Thess.2.2, v.l. in Isoc. l.c.: pf. sesaleumai (v. infr.): (salos):c. acc. sal-euō , cause to rock, make to vibrate or oscillate, of the seas. tous okhlous stir them up, Act.Ap.17.13,
Acts 17:11 These were more noble than those in Thessalonica, in that they received the WORD with all readiness of mind, and searched the scriptures daily, whether those things were so.
Acts 17:13 But when the Jews of Thessalonica had knowledge that the WORD of God was preached of Paul at Berea, they came thither also, and stirred up the people.
Ecclesiasticus 28:12. If you blow on a spark, it will glow; if you spit on it, it will be put out; and both come out of your mouth.
Ecclesiasticus 28:13. Curse the whisperer and deceiver, for he has destroyed many who were at peace.
Ecclesiasticus 28:14. Slander has shaken many, and scattered them from nation to nation, and destroyed strong cities, and overturned the houses of great men.
suf-flo (subflo ), to blow forth from below; to blow up, puff out, inflate. A.Lit.: “age, tibicen, refer ad labeas tibias, Suffla celeriter tibi buccas, quasi proserpens bestia,
tībĭa , ae, f., I. Transf., a pipe, flute (orig. made of bone; “syn. fistula): age tibicen, refer ad labias tibias,Plaut. Stich. 5, 4, 41: “si tibiae inflatae non referant sonum,” “cantus tibiarum,id. 1, 11, 7: “tibia digitis pulsata canentum,Lucr. 4, 585: “modulate canentes tibiae, tibia digitis pulsata canentum,Lucr. 4, 585: “modulate canentes tibiae,
ubi curva choros indixit tibia Bacchi,Verg. A. 11, 737:
ignis , f the flame of love, love:
quae simul aethereos animo conceperat ignes, ore dabat pleno carmina vera dei,Ov. F. 1, 473:
sal-euō , bromi-os , a, on, (bromos) A. sounding, phormigx” [APOLLYONS HARP] Pi.N.9.8; noisy, boisterous, whence,
ek Bromiou guia saleuomenon
phorm-igx , iggos, ,
A.lyre, freq. in Hom., esp. as the instrument of Apollo, “phormiggos perikalleos hēn ekh' ApollōnIl.1.603, cf. 24.63, Od.17.270, Hes.Sc.203; of Achilles, “phrena terpomenon phormiggi ligeiē kalē daidaleēIl.9.186; with seven strings (after Terpander's time), heptaktupos, heptaglōssos, Pi.P.2.71, N.5.24;
        “antipsallōn elephantodeton ph.Ar.Av.219 (anap.).
2. ph. akhordos, metaph. for a bow, Arist.Rh.1413a1

Pindar Neaman 9.[1] The resounding strain of Archilochus, the swelling thrice-repeated song of triumph,
        sufficed to lead Epharmostus to the hill of Cronus,
        in victory-procession with his dear companions.

[5] But now, from the bow of the Muses who, shooting from afar, send a shower of such arrows of song as these on Zeus of the red lightning-bolt and on the sacred height of Elis, which once the Lydian hero Pelops [10] won as the very fine dowry of Hippodameia.

[11] And shoot a winged sweet arrow to Pytho; for your words will not fall to the ground, short of the mark, when you trill the lyre in honor of the wrestling of the man from renowned Opus. Praise Opus and her son;

c. ad 2000 the Pope Declared the final JUBILEE which meant that all of the DAUGHTER churches would return to the MOTHER church.  The NASHVILLE Jubilee responded with the intention of RESTRUCTURING all of what they call ANTI-instrumental churches of Christ which qualifies one to be Infiltrated and Diverted by people who lie, cheat and steal the church houses of widows and honest working people.

However, the year 2000 fits the end of the sixth day almost to the day.  In Genesis the ELOHIM had created meaning CAST DOWN the heavens and earth. Being empty and DARK speaks of the ignorance which God did NOT create. Centered around that TARGET God laid out gave rise to the most vicious, brutal and slanderous attack ever mounted against the Church of Christ which never fell into instrumental idolatry which was outlawed for the Church of Christ in the Wilderness.

This is not supposed to last too long. Only a tiny few have taken the mark of the beast (music of a new style of music or drama using songs which REpresent the word and such self-composed hymns have always been called idols used by idolaters to make the lambs dumb before the slaughter by silencing the WORD. Luke 21:27 And then shall they see the Son of man coming in a cloud with power and great glory.

When you hear those of your own household (churches) conspiring to force you to take the MARK then you know that something strange and supernatural has take place. Strong delusions produce Lying Wonders which include ANY kind of performance beyond PREACHING the Word by READING the Word for Comfort and Doctrine. The Burden Laders are the STAFF which replace the elders and deacons and in all such religions are called PARASITES like LOCUSTS.

Luke 21:28 And when these things begin to come to pass,
        then look up, and lift up your heads; for your redemption draweth nigh.


THE HEBREW PATTERN OF THE DEVIL'S FINAL ATTACH ON THE CHURCH

After warning about the musical fall from grace at Mount Sinai, Paul warns about the final shaking to REMOVE those things which CANNOT be removed. The Chaff or Viper race will receive the baptism of fire.

Heb. 12:25 See that ye refuse not him that speaketh.

        For if they escaped not who refused him that spake on earth,
        much more shall not we escape,
        if we turn away from him that speaketh from heaven

Whose voice then SHOOK the earth: but now he hath promised, saying,
        Yet ONCE MORE
I shake not the earth only, but also heaven. Heb 12:26

Hebrews 12.26 cuius vox movit terram tunc modo autem repromittit dicens adhuc semel ego movebo non solum terram sed et caelum

Mŏvĕo , to represent a by dancing (gesticulating), id. Ep. 2, 2, 125: “et fila sonantia movit,struck, Ov. M. 10, 89: citharam cum voce,id. ib. 5, 112:tympana, id. H. 4, 48; to disturb: “novis Helicona cantibus,
a. To excite, occasion, cause, promote, produce; to begin, commence, undertake: exercitatione sudor movetur,”  “nominis controversiam,
movere ac moliri aliquid,” to undertake any thing that excites disturbance, Liv. 23, 39: “ne quid moveretur,id. 35, 13.—
Exercĭtātĭo , I. A moving, agitating, setting in motion:
Lūdo , I. Lit., to play, play at a game of some kind B. To play, sport, frisk, frolic:
Especially to play on an instrument of music, to make or compose music or song: ludere quae vellem calamo permisit agresti,Verg. E. 1, 10
quod tenerae cantent, lusit tua musa, puellae,id. Am. 3, 1, 27: “coloni Versibus incomptis ludunt,Verg. G. 2, 386: “carmina pastorum,
B. To sport, dally, wanton (cf. "amorous play, to imitate work, make believe work, G. To delude, deceive:

lūdus a). In gen.: “hoc praetore ludos Apollini faciente,Cic. Brut. 20, 78: 2. Stage-plays [Mark of Abaddon, Apollyon]
And this word, Yet once more, signifieth the REMOVING
       of those things that are shaken, 
       as of things that are made, 
       that those things which cannot be shaken
[a trumpet-like word]

        may remain. Heb 12:27

făcĭo, “poëma,” to compose, id. Pis. 29, 70: “carmina,Juv. 7, 28:versus, id. 7, 38: sermonem,Cic. Fam. 9, 8, 1; cf.litteram,id. Ac. 2, 2, 6: ludos, to celebrate, exhibit = edere, id. Rep. 2, 20; id. Att. 15, 10; “also i. q. ludificari,Plaut. Capt. 3, 4, 4
commercium sermonis, discordiam,” to cause,
7. In mercant. lang., to practise, exercise, follow any trade or profession:
8. In religious language, like the Gr. rhezein, to perform or celebrate a religious rite; to offer sacrifice, make an offering, to sacrifice:

poieō   A. make, produce, first of something material, as manufactures, works of art 
2. create, bring into existence. of war and peace, polemon p. cause or give rise to a war
4. after Hom., of Poets, compose, write, p. dithurambon, epea, Hdt.1.23, 4.14; “p. theogoniēn HellēsiId.2.53; p. Phaidran, Saturous, Ar.Th.153, 157; p. kōmōdian, tragōdian, etc., Pl.Smp.223d; “palinōdianIsoc.10.64, Pl.Phdr.243b, etc.; “poiēmataId.Phd.60d: b. represent in poetry,

Wherefore we RECEIVING a KINGDOM which cannot be moved, let us have GRACE,

761.  asaleutos, as-al´-yoo-tos; from 1 (as a negative particle) and a derivative of 4531;
unshaken, i.e. (by implication) immovable (figuratively):  which cannot be moved, unmovable. 

WHEREBY, we may SERVE God acceptably with REVERENCE and godly fear: Heb 12:28

For our God is a consuming fire. Heb 12:29

All of the Kairos Church Planting or Church-"transistioning" is a product of the Christian Church or NACC.

Kairos.Church.Planting.Plot
Cincinnati Christian University and Kairos Church Planting Support
As men like Max Lucado and Rick Atchley, the rise of the MOTHER CHURCH raising all of the money founding DAUGHTER churches which will be PREACHERED by the Mother of the Daughters.

The Spirit OF Christ just flat failed to mention PREACHER and MUSICAL performers. He mention EVANGELISTS and the PATTERN of Jesus was to go throughout the world SEEKING and SAVE the LITTILE FLOCK of Lost Spirits. They are IN the Word but not OF the World. The Elders as the only Pastor-Teachers must FIRST eject the cunning craftsmen or SOPHISTS.  Jesus said that God HIDES from the Wise or SOPHISTS who are Rhetoricians, singers, instrument players, actors or any STAFF which in all religions are called PARASITES because God provided no role for them.  Only then can the church functions as A School of Christ with the LOGOS or regulative principle as the ONLY allowed resource in ekklesia or synagogue.

Isaiah 58

The Jews as Scribes and Pharisees, hypocrites (speakers, singers and instrument players) sought PROSELYTES but made them more devoted SONS OF HELL.
Adam Smikth in 1778 wrote: The institutions for the instruction of people of all ages are chiefly those for religious instruction. This is a species of instruction of which the object is not so much to render the people good citizens in this world, as to prepare them for another and a better world in a life to come. The teachers of the doctrine which contains this instruction, in the same manner as other teachers, may either depend altogether for their subsistence upon the voluntary contributions of their hearers, or they may derive it from some other fund to which the law of their country may entitle them; such as a landed estate, a tithe or land tax, an established salary or stipend.

Their exertion, their zeal and industry, are likely to be much greater in the former situation than in the latter. In this respect the teachers of new religions have always had a considerable advantage in attacking those ancient and established systems of which the clergy, reposing themselves upon their benefices, had neglected to keep up the fervour of faith and devotion in the great body of the people, and having given themselves up to indolence, were become altogether incapable of making any vigorous exertion in defence even of their own establishment.

Such a clergy, when attacked by a set of popular and bold, though perhaps stupid and ignorant enthusiasts, feel themselves as perfectly defenceless as the indolent, effeminate, and full-fed nations of the southern parts of Asia when they were invaded by the active, hardy, and hungry Tartars of the North... 

Upon such occasions the advantage in point of learning and good writing may sometimes be on the side of the established church.

But the arts of popularity, all the arts of gaining proselytes, are constantly on the side of its adversaries.

The mendicant orders derive their whole subsistence from such oblations. It is with them as with the hussars and light infantry of some armies;

no plunder, no pay.

The Catholic Mother of the harlots began with one presbyter of Bishop assuming control over many nongregations. Because Kairos promotes an over all institution with workshops and dogma the End-Time Babylon Mother of Harlots attempts the original Harrison Christian Church promoter intending to organize to "Include all of Christendom."  A local seedling in Murfreesboro, Tennessee (my old lost funds given to the "lord" raises 6 million with the Purpose Driven Agenda to gain 60,000 congregations. Undoubtely all under the Mother of the Harlots. 

Undoubtedly as promised by Jesus through John  in Revelation 18 the TIME when Jesus visits for His Lamps (seven spirits of Divine knowledge Isaiah 11) is the same time the Craftsmen, singers, instrument players and all STAFF (Parasites) are excised from the Church of Christ and they REMOVE Christ from their public confession.  John says that they WILL be Cast alive into the lake of fire.

Their time IS BEFORE the return of Christ to defrock those who have taken the Mark of the Beast.

In addition all of the Recorded Scripture marked instrumental noise when the godly tribes assembled absolutely FORBIDS any kind of vocal or instrumental rejoicing or preacher-speak beyond the COMMAND to PREACH the Word by READING the Word for Comfort and Doctrine.

The SAYING is the LOGOS: It is the Regulative Principle which the END TIME infiltrators and diverters have attempted to SEAL UP. From Genesis to Revelation the Serpent Race has used instrumental sounds which had an unnatural effect on superstitious minds and is called sorcery or witchcraft.

A Church of Christ is built upon or Educated by the Prophets and Apostles: the Spirit OF CHRIST breathed into the prophets to define the inclusive and exclusive pattern for the Qahal, synagogue, ekklesia or Church of Christ (the Rock) in the wilderness. The Viper RACE had been turned over to worship the starry host which included snake worship.

HERE IS A PICTURE OF KAIROS
 



Kairos2.gifKairos.gif

Ray Summers and E. Jerry Vardaman (Sep 1, 1998)


Chronos.Kairos.Christos.74.gif

The Lectio-Divina Commanded by Christ in the prophets, Jesus by example and command, the epistles by example and command and the historic Church of Christ.  No authority was ever sought for instruments before the Disciples-Christian Churches in 1878 who latched on the PSALLO word which has no musical meaning: means pluck or smite something with your FINGERS and never with a PLECTRUM.  They want you to believe that NOT IN RECORDED HISTORY did godly peoplel ever become so irreverent as to think of instruments are now the WEEDS and all of the RACA curses.

The command from the Church of Christ (the Rock) in the wilderness was to PREACH the Word in all of those small gatherings by READING  the Word and rehearsing it: Speaking the Word and MEDITATING in the heart: exclusive of vocal or instrumental rejoicing or sermonizing. Lectio-Divina as a part of the Kairos-Ethos church planting groups MINUS Christ as their public confession is OPPOSITE of what any reader would understanding.  ALL of the Scripture shuts down the Sophists so that the PATTERN can be imitated:

THE ONE PIECE PATTERN BECAUSE THE LORD'S SUPPER IS PREACHING THE DEATH OF JESUS: this is intended to SILENCE both male and female so that "we might all be saved and come to a knowledge of the Truth. The Word of God through Jesus Christ is THE TRUTH and it is opposite of Rhetoric (violated by all), singing, playing instruments or acting. These identify the only literal meaning of a hypocrite.  The Gentiles were wise to salvation because many attended the synagogue to escape the pagan rituals using all of the performing arts and artists;
Acts 15:19 Wherefore my sentence is, that we trouble not them,
        which from among the Gentiles are turned to God:
Acts 15:20 But that we write unto them,
        that they abstain from pollutions of idols, and from fornication,
        and from things strangled, and from blood.
Acts 15:21 For Moses of old time
       
hath in every city them that PREACH him,
        being READ in the synagogues every sabbath da
Those who READ the Word for comfort and doctrine (Romans 15) WILL grasp the following:
2Corinthians 3:14 But their minds were blinded:
        for until this day remaineth the same vail untaken away
        in the READING of the old testament; which vail is done away in Christ.
2Corinthians 3:15 But even unto this day,
        when Moses is READ, the vail is upon their heart.
2Corinthians 3:16 Nevertheless when it shall turn [be baptized] to the Lord,
        the vail shall be taken away.

Who IS the Spirit?
2Corinthians 3:17 Now the Lord is that Spirit:
        and where the Spirit of the Lord is, there is liberty.
2Corinthians 3:18 But we all, with open face
        beholding as in a glass the glory of the Lord,
         are changed into the same image from glory to glory,
        even as by the Spirit of the Lord
John 6:63 It is the spirit that quickeneth; the flesh profiteth nothing:
        the words that I speak unto you, they are spirit, and they are life.
Acts 13:15 And after the reading of the law and the prophets the rulers of the synagogue sent unto them, saying, Ye men and brethren, if ye have any word of exhortation for the people, say on.
Paul uses forms of the SYNAGOGUE which was not a pagan "worship center."
Suneimi A.ibo) go or come together, assemble
(eimi 3. attend, associate with, a teacher, X.Mem.1.2.8,24, etc.; also of the teacher, Id.Cyr.3.1.14, Pl.Tht.151a, etc.; of a fellowpupil, “emoi sunōn pote peri mathēmata hoi sunontes
followers, partisans, associates, disciples, Antipho 5.68, Pl.Ap.25e, Tht.168a,

ekklēsi-a , , (ekklētos
II. in LXX, the Jewish congregation, De. 31.30,al.
2. in NT, the Church, as a body of Christians, Ev.Matt. 16.18, 1 Ep.Cor.11.22 ; “ kat' oikon tinos e.Ep.Rom.16.5 ; as a building
3. = psēphisma, anagignōskomenēs e. Philostr.VS2.1.11.
    anagignōskō , later anagi_nōskō :

The ONLY Purpose of A Church of Christ:

anagignōskō , later anagi_nōskō : 1. know well, know certainly, 2. know again, recognize books read aloud, hence opposie unpublished
"The Cultic READING ALOUD of that which is written for our learning."
IF YOU DO NOT RECOGNIZE THAT THEN REMEMBER THAT JESUS SAID THAT DOCTORS OF THE LAW (SCRIBES-PHARISEES-HYPOCRITES) TAKE AWAY THE KEY TO KNOWLEDGE. THAT IS THEIR PREDESTINATE PURPOSE

Therefore, true to scholarly pretensions and deceptions LECTIO is the OPPOSITE of muttering and murmuring claiming at a spirit people is goint to let you DISOBEY the command to READ the word.  Othewise, you destroy the DNA God put into it.
Christian Lectio: 
lectĭo , ōnis, f. lego.
I. A gathering, collecting.
A. In gen. (post-Aug. and rare): “lectio lapidum,Col. 2, 2, 12: “florum,Arn. 5, 173.—*
B. In partic., a picking out, selecting: “judicum,Cic. Phil. 5, 6, 16. —
II. A reading, perusal; a reading out, reading aloud.
that which is read, reading, text, “juris lectiones,” passages of the laws,
Repeating a song over in over is the LADED BURDEN: the KAIROS time was for Jesus to put down the Burden Laders which identifies the songs of the Scribes and Pharisees--hypocrites. Music always INTEND to hurt like the runner's high.

In all CIVIL societes before the Post-Literate Dispensations
lectĭto , āvi, ātum, 1, v. freq. a. 2. lego.
I. To gather or collect eagerly or often (postclass.): “conchulas et calculos in litore lectitasse,Val. Max. 8, 8, 1: “flores,Arn. 5, 183. —
There is no Biblical command, example or remote inference of people SYNAGOGUING or collecting to lear rhetoric, singing, playing instruments or ACTING.

The only ROLE for a synagogue or ekklesia (civil or religious) was the READER of material from a HIGHER authority. Other mean and women are to be sedentary and SILENT for minimal reverence.

Lector , ōris, m. 2. lego, LEXIS is the OPPOSITE of ODE or PSALLO. I. one who reads.

I. Lit. A. In gen., a reader: “cum enim Brutus duos lectores excitasset, et alteri orationem legendam dedisset, etc.,Cic. de Or. 2, 55, 223: “nihil est aptius ad delectationem lectoris, quam fortunae vicissitudines,id. Fam. 5, 12, 4: “se lectori credere,Hor. Ep. 2, 1, 214: “otiosus,Quint. 4, 2, 4: adsiduo ruptae lectore columnae, Juv. 1, 13.—

B. In partic., a slave who read aloud to his master: unum aliquem constituere lectorem,Quint. 2, 5, 6: “lectorem inducere,Plin. Ep. 9, 17, 3; cf. id. ib. 1, 15, 2.—
II. Transf., an officer in the Christian Church:itaque hodie diaconus, qui cras lector,Tert. adv. Haeretic. 41; Sid. Ep. 4, 25.

Those with the mark to BUY and SELL have been active in putting the elders on the back pews.

Rubel Shelly says that the ministers are THE leaders and the elders are just SHEPHERDS of the minister best qualified by education and charisma.

A Church of Christ has Elders and Deacons over the local flock. The Evangelist is SENT OUT into the world.  If you have accumulated a huge STAFF to stroke the ego of the Senior Pastor then the Jewish and all pagan religious systems called the PARASITES. The elders are to EXCLUDE the cunning craftsmen or SOPHISTS meaning rhetoricians, singers, instrument plaqyers, actors or dancers.

See Tertullian Heretics 41

THOSE WITH THE MARK ARE ALLOWED TO BUY AND SELL AT THE CELEBRATIONS. Speaking in tounes (playing instruments) includes the idea of CROWING TOO SOON.

Dave Clayton has been trained at Lipscomb. His alternative name is ETHOS. Interesting because the Greeks believed that music contained an ethos.  Dave is also listed along with the Kairos Church Planting of Missional, instrumental and non-instrumental churches.

WHAT'S IN A NAME: Church (Assembly) of Christ is replaced by ETHOS CHURCH.  That refused to confess CHRIST just because Jesus promised that if we speak what He spoke without His own opinions we will be hated and despised by the Word. Removing the CONFESSION means that Jesus removes HIS confession because you are afraid of being "cast out of the synagogue" or out of the lecture Circuit CORRUPTING the Word by selling learning at retail defined as prostitution.

Sooner or later the name of CHRIST is removed from the Public Confession.  Max Lucado got a "vision" (from the NACC and Chris Seidman's 'white paper') to remove CHRIST from the confession an IMPOSE musical instruments and DENY baptism (the Ethos fallacy).  Rick Atchley claimed the spirit took more than a decade to force him to Devert.  Rubel Shelly claims that we should be able to hear the audible voice of the Spirit (His name is Jesus and he doesn't lie).  The Ignatius Medications with the Mother of God repeat claims that you can get the truth out of your own head.

Revelation 17 warns about the return of the Babylon Mother or harlots: her ministers as speakers, singers and instrument players are called SORCERERS and will be cast alive into the Lake of Fire. It seems that the Scribes and Pharisees, hypocrites are REMOVED at the same time the LAMPS or Seven Spirits OF Christ (Isaiah 11) are removed.

THE MARK OF THE ETHOS REPLACING CHRIST

Ethos | Kairos Prayer Movement  Nov 26, 2013 - by Kairos ... Within the span of just a few weeks Renovo and Ethos, two Kairos church plants, have ... Earlier in that week Dave Clayton, who …
3.  Ethos opened a new worship venue at Marathon Music Works in September. I've been able to go twice. Opening a new venue that begins with 300 people is awesome. Dave Clayton's vision is to see the Marathon venue grow to about 600 as they prepare leadership teams for other venues in the future.
..

I knew Stan Granberg before he thought that he was bringing in the END TIME for Jesus. SURPRISE! The Kairos-Ethos Time is the FIRST PRETENDER.  Jesus will NOT need such Logos-Denying, Works-Focused effort when HE comes

Ethos undoubtedly is one of those "we be holy" words whereas the conservatives are NOT Ethical: A Pharisee is holier than thou and Jesus called the Scribes and Pharisees, hypocrites: the Ezekiel 33 and all definitions of a hypocrite means a performing preacher, singer and instrument player. But, hey! if you get your training from purpose driven teachers then that's the way the twig will grow.
Ethos , A. custom, habit, e. to prosthe tokēōn  Just your traditions

Ethos
   If you "lade burdens" as burden laders your character is not moral.  If you "create mental anxiety" through the performing arts then your character is HABITUAL or TRADITIONAL but it is not moral.
 A.
an accustomed place: hence, in pl., haunts or abodes of animals, “meta t' ēthea kai nomon hippōnIl.6.511; [“suas erxan kata ēthea koimēthēnaiOd.14.411;
Accustomed place (traditionalism)
beltiōn tēs poleōs to ē. D.20.14
       A moral
character which is OPPOSITE. dianoia, Arist.EN1139a1;
       as the result of habit,
to pan ē. dia ethosPl.Lg.792e,
The LOGOS or Regulative Principle is the OPPOSITE of all of the Keynoters who are allowed to BUY and SELL in the marketplace.
Plat. Laws 790e  they use a kind of crooning noise; and thus they literally cast a spell upon the children (like the victims of Bacchic frenzy) by employing the combined movements of dance and song as a remedy.

Athenian
Both these affections are forms of fright; and frights are due to a poor condition of soul. So whenever one applies an external shaking
Plat. Laws 7.790dCorybantism” is a technical term for a state of morbid mental excitement (cp. “tarantism”) derived from “Corybantes,” the name given to the frenzied worshippers of Bacchus.

The Original Wineskin God

Kairos Church Planting-Ethos

The Renovatus Church of Christ where Kevin and Brenda Woods, Ryan's parents, minister will hold a special worship service Sunday, November 11, 6:00-7:30pm.

I spend much of the early morning working on a Strategy Lab to be held at the Riverside Church of Christ next week, January 16-20. I focused on a section about sensing, discerning, and entering the will of God. I am using a diagram from 3dm about God’s timing or Kairos.
        “Kairos” is God’s timing (as compared to “Chronos”,
        which is sequential timing as indicated by a watch or calendar).

Kairos occurs “when the eternal God breaks into your circumstances with an event that gathers some loose ends of your life and knots them together in His hands” (Breen and Cockran in “Building a Discipling Culture” The lynn Anderson thing).
Kairostime occurred when God sent Jesus into the world (Gal. 4:4-5) or when He led Peter to enter the house of Cornelius. It occurs when “the kingdom of God comes near” and we “repent and believe the Good News” (Mark 1:14-15).

THE KAIROS OF THE FIRST ADVENT
Mark 1:14 Now after that John was put in prison,
        Jesus came into Galilee, preaching the gospel of the kingdom of God,
Mark 1:15 And saying, The time  kairos] is fulfilled,
        and the kingdom of God is at hand:
        repent ye, and believe the gospel.

Kairos Time as FULFILLED was the slaughter of the innocents and the murder of Jesus Christ. Time was fulfilled when the Jews Covenant with Death and Hell was to come to an end. The TIME came when Messiah would WASH AWAY the filth and Dung in Jerusalem

Everything prophesied about Messiah had to be fulfilled and the "filth of blood and dung" washed out of Jerusalem as the first order of business.  This would be a SPIRIT of JUDGMENT and BURNING.  The Kingdom began with the 120 still alive in Jerusalem out of millions of Jews..

He DISABLED the Scribes and Pharisees (Doctors of the Law) by marking them as HYPOCRITES. Consistent with this the end time KAIROS-ETHOS is to dismantal the RESURRECTED covenant with death and hell.

The Prototype of Babylon-Tyre Israel. Sodom not spiritual Israel. Jesus referenced Isaiah and Ezekiel to define the national Worship of the Starry Host--Abaddon The End-Time Fulfillment
For thus saith the Lord God; Behold, I will bring upon Tyrus Nebuchadrezzar king of Babylon, a king of kings, from the north, with horses, and with chariots, and with horsemen, and companies, and much people. Ezek 26:7

They will plunder your wealth and
    loot your merchandise;
    they will break down your walls
    and demolish your fine houses

    and throw your stones, TIMBER and rubble into the sea. Ezek 26:12
Also, thou son of man, the children of thy people still are talking against thee by the walls and in the doors of the houses,

and speak one to another, every one to his brother, saying,

Come, I pray you, and hear what is the word that cometh forth from the Lord. Eze 33:30

Rev 17:3 So he carried me away in the spirit into the wilderness: and I saw a woman sit upon a scarlet coloured BEAST, full of names of blasphemy, having seven heads and ten horns.
   Rev 17:4 And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication:
   Rev 17:5 And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.
   Rev 17:6 And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration.
I will put an end to your noisy songs, and the music [sound] of your harps will be heard no more. Ezek 26:13

The LXX is more forceful in showing that both the music and the musicians would be silenced---





"And he shall destroy the multitude of thy musicians, and the sound of thy psalteries shall be heard no more." Ezek. 26:13 L

My people come to you, as they usually do, and sit before you to listen to your words,
   but they do not put them into practice.

With their mouths they express devotion (Lord, Lord as amorousness - inordinate love),
     but their hearts are greedy for unjust gain (commerce or trade or attendance). Eze 33:3 

Ezekiel 33:32 And, lo, thou art unto them as a very lovely song
of one that hath a pleasant voice,
and can play well on an instrument:
  for they hear thy words,
     but they do them not.

Rev 18:1 And after these things I saw another angel come down from heaven, having great power; and the earth was lightened with his glory. 2 And he cried mightily with a strong voice, saying, Babylon the great is fallen, is fallen, and is become the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird

And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; Rev 18:22

I will make thee a terror, and thou shalt be no more:
    though thou be sought for,
    yet shalt thou never be found again, saith the Lord God. Ezek 26:2
When all this comes true--

and it surely will--

then they will know that a prophet has been among them." Eze 33:33

Revelation 19:19 And I saw the beast, and the kings of the earth, and their armies, gathered together to make war against him that sat on the horse, and against his army.
   Revelation 19:20 And the beast was taken, and with him the false prophet that wrought miracles before him, with which he deceived them that had received the mark of the beast, and them that worshipped his image. These both were cast alive into a lake of fire burning with brimstone

c. BC 4000 began the hostile attack of the SUMERIANS who took the people captive and REJECTED the freedom God gave when He created the earth NOT Void and Empty (Isaiah 45). As prophesied by Moses it would not be the END KAIROS until God sent "another prophet like me.

The KAIROS time was when God made Jesus of Nazareth both Lord and Christ. The FIRST part of the TIME was to disarm the Jews "Covenant with Death and Hell."  Only a tiny Remnant of the Jews would be saved and the predestination of the Jews would be debunked.

The Kingdom of God does not come with observation: that means religious observations where Lying Wonders includes rhetoric, singing, playing instruments, acting or dancing.

THE FIRST ADVENT FREED US FROM THE ELEMENTS OF THE WORLD: KOSMOS

Gal 4:3 Even so we, when we were children,
        were in bondage under the elements of the world:

Gal 4:4 But when the fulness of the time was come,
        God sent forth his Son,
made of a woman,
        made under the law,

Gal 4:5 To redeem them that were under the law,
that we might receive the adoption of sons.

Heb 5:8 Though he were a Son,
        yet learned he obedience by the things which he suffered;
Heb 5:9 And being made perfect,
         he became the author of eternal salvation unto all them that obey him;

Obey

Hupakouo (g5219) hoop-ak-oo'-o; from 5259 and 191;
to hear under (as a subordinate), i.e. to listen attentively;
by impl. to heed or conform to a command or authority: -
hearken, be obedient to, obey.

Ac.6:7 And the word of God increased;
and the number of the disciples multiplied in Jerusalem greatly;
and a great company of the priests were obedient to THE FAITH
THIS IS THE WARNING AGAINST THOSE WHO FIRST CLAIM TO SPEAK FOR THE SPIRIT OF CHRIST EVEN CLAIMING TO BE "THE AUTHORATIVE TEACHER" AND CLAIMING THAT "A" SPIRIT TOLD HIM TO IMPOSE MUSICAL INSTRUMENTS KNOWING THAT IT WOULD SOW DISCORD.
Luke 17:20 And when he was demanded of the Pharisees,
        when the kingdom of God should come, he answered them and said,
        The kingdom of God cometh not with observation:
Luke 17:21 Neither shall they say, Lo here! or, lo there! for, behold,
        the kingdom of God is within you.

Luke 17:22 And he said unto the disciples,
        The days will come, when ye shall desire to see one of the days of the Son of man,
        and ye shall not see it.

Luke 17:23 And they shall say to you,
        See here; or, see there: go not after them, nor follow them.
Luke 17:24 For as the lightning, that lighteneth out of the one part under heaven, shineth unto the other part under heaven; so shall also the Son of man be in his day.
CONTRARY TO THE KAIROS-ETHOS REJECTING THE STATEMENT OF CHRIST IN ISAIAH 1 AND JESUS AS A DIRECT COMMAND ABOUT BAPTISM.

We are saved BY Grace (which teaches us to deny the Ethos pattern) through faith! But saved FROM what:?

TIME to FLEE The GRACE of the Grace Centered Paganism:

charis 2. esp. in erotic sense, of favours granted (v. charizomai 1.3 ), alochou charin idein Il.11.243 , cf. A.Ag.1206: more freq. in pl., X.Hier.1.34, 7.6, etc.; biai d' epraxas charitas ê peisas korên; Trag.Adesp.402; in full, charites aphrodisiôn erôtôn Pi.Fr.128 , cf. Pl.Phdr.254a, al.

charites aphrodisiôn erôtôn (Ask)

Aphrodisios [From Aphroditê] [Or ZOE or Lucifer]
I. belonging to Aphrodite, Plat.
II. Aphrodisia, ta,
sexual pleasures, Xen.
2. a festival of Aphrodite, id=Xen.
3. pudenda, Luc.Nigr.16.
III. Aphrodision, ou, to, the temple of Aphrodite, id=Xen.
IV. gratification, delight, tinos in or from a thing,
sumposiou Pi. O.7.5

Read the Bacchae by Euripides and understand why those impulsed and trafficking on musical rituals will hurt you real bad.

Eph 2:1
AND you hath he quickened [baptized], who were dead in trespasses and sins; [not unconsious]

Eph 2:2 Wherein in time past YE walked  [not unconsious]

according to the course of this world,
according to the prince of the power of the air,
the SPIRIT that now worketh in the children of disobedience:

Paul will say that you cannot beat these principalities and powers using carnal weapons which includes lifeless instruments.
All ignorant and superstitious generations believed that when you played an instrument "Satan came into them and spoke."

Eph 2:3 Among whom also we all had our conversation in times past  
        in the lusts of our flesh, fulfilling the DESIRES of the flesh and of the mind;
        and were by nature the children [produced by] of wrath, even as others.

Of the WRATH which Paul prevents by silencing jumpty men and women

Orgi-a , iôn, ta, secret rites, secret worship, practised by the initiated, of the rites of the Cabeiri [homosexuals] and Demeter, of Orpheus, of Cybele, most freq. of the rites of Dionysus .2.81, E.Ba.34, al., Theoc.26.13.

II. generally, rites, orgia Mousôn Ar.Ra.356 . Aphroditês [similar to Lucifer or Zoe].

Rev 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;

Musicians are:

Mousikos (g3451) moo-sik-os'; from Mousa , (a Muse); "musical", i.e. (as noun) a minstrel: - musician liberal arts, accomplishments

Mousa is used with Dionusos, Aeido, Aoidao, Humneo, Apollo and EROS.

Erôt-ikos  A.of or caused by love, orgê

[190] hymn the unending gifts the gods enjoy and the sufferings of men,  all that they endure at the hands of the deathless gods, and how they live witless and helpless and cannot find healing for death or defence against old age.  

See Strabo 10.3.7
"The
'sounding gong and tinkling cymbal' used in such worship are mentioned in a derogatory sense in 1 Corinthians 13:1; but the