The Bacchae or Bacchantes By Euripides - Dionysus Wineskin God
It is symptomatic of structures that have lost their elasticity, becoming too rigid to accommodate further development, to intensify the semantics of self-reference as a sort of final act of self-reassurance.
When the clergy tried to get Jesus involved in choral dance and song they were testing to determine whether He was Dionysus whom many Jews worshipped in song with instrument, dance and drama. When you worship the new wineskin gods you are praised but when you refuse to worship Dionysus he gets you ripped apart by the men-girls of the musical worship and dance teams. Because of His miracles and prophetic teaching, the way to test Jesus' suitability as the "new David" or even Dionysus was to play the flute and He would strip off His clothes, fling his hands and tresses and do the effeminate choral dance.See Psalm "41" as translated in the Dead Sea Scrolls. This explains why Judas failed to MUSICALLY TRIUMPH OVER JESUS.
See more details of how the Levitical Warrior Musicians momentarily TRIUMPHED over Jesus after dismissing Him as Beel-zebul (Dung God in Hebrew and therefore Lord of the Flies). In the end, God in Christ would make "music" as the fruit of His lips.
When "performers" put on the persona of the Dionysus female ACTORS with any form of "body" performance they are trying to "worship with men's hands" and insult the Incarnate God of the universe Who was never a performer and Who demanded that you can only find Him in quiet places, outside the gates in solitary communion.
Many churches having lost their elasticicity demand a "new wineskin" to allow the wine-like exhilaration of "worship" to move the group into drama in an effort to "move the worshippers into the presence of the gods." This urge for "play" or drama is the evidence of lostness which can be somewhat relieved by pretending a form of worship to replace the never-realized goals of a few minor gods.
When the Wineskins Won't Stretch!
"It is symptomatic of structures that have lost their elasticity, becoming too rigid to accommodate further development, to intensify the semantics of self-reference as a sort of final act of self-reassurance.
The patterns of self-reference by drama to drama as we see them in The Bacchae of Euripides reflect a crisis in the very genre of tragedy, in the context of drastic changes in Athenian society toward the end of the fifth century; the prospect is one of abrupt confrontation and loss." -- Nagy, Pindar's Homer p. 388
This was the Y-.5K hysteria and the signs was a hysterical effort to assure themselves when they really had nothing to say. The pretend people substituted the performance of their own bodies having lost all of their clothing of righteousness and justice.
mania (A), Ion. -iê, hê, ( [mainomai] ) madness, Hdt.6.112, Hp.Aph. 7.5, S.Ant.958 (lyr.), etc.; pollên katagnônai m. tinôn Isoc.4.133 ; mechri manias hê sphodra hêdonê katechousa Pl.Phlb.45e ; maniê nousos Hdt.6.75 : freq. in pl., Lex Solonis ap.D.46.14, Thgn.1231, A.Pr. 879, 1057 (both anap.), etc.
II. enthusiasm, inspired frenzy, m. Dionusou para E.Ba.305 ; apo Mousôn katokôchê te kai m. Pl.Phdr. 245a ; theia m., opposite sôphrosunê anthrôpinê, ib.256b, cf. Prt.323b, X. Mem.1.1.16; tês philosophou m. te kai bakcheias Pl.Smp.218b .
Mousôn katokôchê
Mousa 1 [*maô]
I. the Muse, in pl. the Muses, goddesses of song, music, poetry, dancing, the drama, and all fine arts, Hom.: the names of the nine were Clio, Euterpe, Thalia, Melpomene, Terpsichore, Erato, Polymnia or Polyhymnia, Urania, and Calliope, Hes.,
II. mousa, as appellat., music, song, Pind., Trag.:--also eloquence, Eur.:--in pl. arts, accomplishments, Ar., Plat.
melôid-ia , hê, singing, chanting, E.Rh.923, etc.
II. chant, choral song, melôidias poiêtês Pl.Lg.935e , cf. 812d; lullaby, ib.790e: generally, music, Phld.Mus.p.12 K.
katokôchê 1 [attic for katochê] a being possessed, possession (i. e. inspiration), Plat.
OPPOSITE: sôphrosunê anthrôpinê [mankind]
sôphrôn 1 [sôs, phrên]
I. of sound mind, Lat. sanae mentis:-- hence sensible, discreet, wise, Hom., Hdt., Xen.
2. of things, sôphrona eipein Eur.; allo ti sôphronesteron gignôskein Thuc.:-- sôphron
II. having control over the sensual desires, temperate, self-controlled, moderate, chaste, sober,
2. to sôphron sôphrosunê,
Sophron (g4988) so'-frone; from the base of 4982 and that of 5424; safe (sound) in mind, i.e. self- controlled (moderate as to opinion or passion): - discreet, sober, temperate.
Anthrôpinos [anthrôpos] mankind defined as the only being capable of controlling their emotions.
Tatian reminds the sophisticated urbans who disparage rural songs and worship that song, instruments, dance and vocal competition (who will get out the biggest crowd), that these are always a reaching back for the "archaic, in Joseph Campbell's mind, when the food supply runs out:
"The wonders of the god Dionysus pull people together to celebrate these wonders by competing with each other in song and dance. The speech of the herdsman says it all: "once upon a time, we humble herdsmen came together in the countryside, drawn by the wonders of the god to sing and dance in competition."
Even in Corinth the unbelievers might have visited the urban church just to see the "huper" or super apostles fling their hands and listen to the women (men don't often do that) sing in the charismatic style of self-invention pretending to be true prophest and speaking for God. However, when "the best show in town" was over and the jubilators returned home, the modern music from voodoo and hillbilly roots makes them hold the "children playing musical games looking like madmen" (mild or extreme) in contempt:
"I have often seen a man (actor)-- and have been amazed to see, and the amazement has ended in contempt, to think how he is one thing internally, but outwardly counterfeits what he is not--
giving himself excessive airs of daintiness and indulging in all sorts of effeminacy;
somethines darting his eyes about;
sometimes throwing his hands hither and thither,and raving with his face smeared with mud (sweat, spit and dust); sometimes personating Aphrodite (female), sometimes Apollo (male); a solitary accuser of all the gods, an epitome of superstition, a vituperator of heroic deeds, an actor of murders, a chronicler of adultery,
a storehouse of madness, a teacher of cynaedi, an instigator of capital sentences;-- and yet such a man is praised by all. But I have rejected all his falsehoods, his impiety, his practices,--in short, the man althogether.
But you are led captive by such men,
while you revile those who do not take a part in your pursuits.I have no mind to stand agape at a number of singers, nor do I desire to be affected in sympathy with
a man when he is winking and gesticulating in an unnatural manner."...
"Why should I admire the mythic piper... We leave you to these worthless things; and do you believe our doctrines, or, like us, give up yours." (Tatian to the Greeks, Ante-Nicene, Vol. II, p. 75).
As you read the play you will understand why the jubilating Jews who had adopted Dionysus forms of worship tested Jesus, discovered that He was not a Dancing God and therefore had Him destroyed. Jesus, however, refused to sing, dance, get in the effeminate dance and identify Himself as -- like they hoped John would be -- a "man" Who wore soft clothing. When He refused they literally tried to tear Him limb from limb as His "bones were out of joint." He is still mocked by boy-girls trying to force you into the dance---
Cast
Dionysus
Cadmus
Pentheus
Agave
Teiresias
First Messenger
Second Messenger
Servant
Scene
Before the Palace of Pentheus at Thebes. Enter DIONYSUS.Written 410 B.C.
IDIONYSUS [Annotating note: The Bacchae will always be in BLACK text.]Lo! I am come to this land of Thebes, Dionysus' the son of Zeus,
of whom on a day Semele, the daughter of Cadmus, was delivered by a flash of lightning.
I have put off the god and taken human shape, and so present myself at Dirce's springs and the waters of Ismenus.
Yonder I see my mother's monument where the bolt slew her nigh her house, and there are the ruins of her home smouldering with the heavenly flame that blazeth still-
Hera's deathless outrage on my mother. To Cadmus all praise I offer, because he keeps this spot hallowed, his daughter's precinct, which my own hands have shaded round about with the vine's clustering foliage.
Lydia's glebes, where gold abounds, and Phrygia have I left behind; o'er Persia's sun-baked plains, by Bactria's walled towns and Media's wintry clime
have I advanced through Arabia, land of promise; and Asia's length and breadth, outstretched along the brackish sea, with many a fair walled town, peopled with mingled race of Hellenes and barbarians; and
this is the first city in Hellas I have reached.
There too have I ordained dances and established my rites, that I might manifest my godhead to men;
but Thebes is the first city in the land of Hellas that I have made ring with shouts of joy, girt in a fawn-skin, with a thyrsus, my ivy-bound spear, in my hand;
since my mother's sisters, who least of all should have done it,
denied that Dionysus was the son of Zeus,
saying that Semele, when she became a mother by some mortal lover,tried to foist her sin on Zeus-a clever ruse of Cadmus, which, they boldly asserted, caused Zeus to slay her for the falsehood about the marriage.
Wherefore these are they whom I have driven frenzied from their homes,
and they are dwelling on the hills with mind distraught; and I have forced them to assume the dress worn in my orgies, and all the women-folk of Cadmus' stock have I driven raving from their homes, one and all alike; and there they sit upon the roofless rocks beneath the green pine-trees, mingling amongst the sons of Thebes.
For this city must learn, however loth, seeing that it is not initiated in my Bacchic rites, and I must take up my mother's defence,
by showing to mortals that the child she bore to Zeus is a deity.
Now Cadmus gave his sceptre and its privileges to Pentheus, his daughter's child, (the mortal brother)
who wages war 'gainst my divinity, thrusting me away from his drink-offerings, and making no mention of me in his prayers.
Therefore will I prove to him and all the race of Cadmus that I am a god. And when I have set all in order here, I will pass hence to a fresh country, manifesting myself; but if the city of Thebes in fury takes up arms and seeks to drive my votaries from the mountain, I will meet them at the head of my frantic rout.
This is why I have assumed a mortal form, and put off my godhead to take man's nature.
O ye who left Tmolus, the bulwark of Lydia, ye women, my revel rout! whom I brought
from your foreign homes to be ever by my side and bear me company, uplift the cymbals native to your Phrygian home, that were by me and the great mother Rhea first devised, and march around the royal halls of Pentheus smiting them, that the city of Cadmus may see you;
while I will seek Cithaeron's glens, there with my Bacchanals to join the dance.
Exit DIONYSUS.
Enter CHORUS.
CHORUS
Dionysus or Bacchus was the NEW WINESKIN god. The Jews hoped that Jesus was that god. The test for both John the Baptist and Jesus was that they hoped that John wore soft clothing of the catamite of male prostitute which plagued the Jewish and all priesthoods. They "piped" as Jesus accused them of thinking that He would join the feminine of effeminate singing and dancing.
From Asia o'er the holy ridge of Tmolus hasten to a pleasant task, a toil that brings no weariness, for Bromius' (son of Egyptus, husband of Erato:) sake, in honour of the Bacchic god. Who loiters in the road? who lingers 'neath the roof? Avaunt!
I say, and let every lip be hushed in solemn silence;
for I will raise a hymn to Dionysus, as custom aye ordains. O happy he! who to his joy is initiated in heavenly mysteries and leads a holy life, joining heart and soul in Bacchic revelry upon the hills,
purified from every sin; observing the rites of Cybele, the mighty mother, and brandishing the thyrsus, with ivy-wreathed head, he worships Dionysus.
Go forth, go forth, ye Bacchanals, bring home the Bromian god Dionysus, child of a god, from the mountains of Phrygia to the spacious streets of Hellas, bring home the Bromian god!whom on a day his mother in her sore travail brought forth untimely, yielding up her life beneath the lightning stroke of Zeus' winged bolt; but forthwith Zeus, the son of Cronos, found for him another womb wherein to rest,
for he hid him in his thigh and fastened it with golden pins to conceal him from Hera. And when the Fates had fully formed the horned god, he brought him forth and crowned him with a coronal of snakes,
whence it is the thyrsus-bearing Maenads hunt the snake to twine about their hair. O Thebes, nurse of Semele! crown thyself with ivy;
burst forth, burst forth with blossoms fair of green convolvulus, and with the boughs of oak and pine
join in the Bacchic revelry; don thy coat of dappled fawn-skin, decking it with tufts of silvered hair; with reverent hand the sportive wand now wield.
Rhea was a name for EVE. In the Greek version, Eve is named ZOE or the MOTHER GODDESS. Long before the time of Paul most people worshiped the MOTHER OF THE GODS. The dove resting on the goddess whose DAUGHTER was the "female teaching principle" identified this goddess under various names. When the dove rested on the head of Jesus it was the FATHER speaking and identifying Jesus as the SON who spoke His words exactly as He heard them.
Inanna or Ishtar worshiped by the men in Jerusalem as the women lamented with instruments in the temple for Tammuz (Bacchus, Saturn or Satan whose number is 666) became EVE in the Classical period and ZOE in the early post-Christian period. In Babylonia, Inanna got father or grandfather drunk and stole the MES of the trees. Ea was the patron god of music and Inanna had the magical power of MUSICAL INSTRUMENTS.
Sophia (wisdom) was identified as the SERPENT and her daughter ZOE was identified as the BEAST. She was identified as the FEMALE INSTRUCTING PRINCIPLE.
People worshiped EVE because she had SUPERIOR KNOWLEDGE because Satan (Saturn 666) taught her both good and evil.
Paul being educated in Greek literature understood that Christianity had to be different for two reasons:
1. It was a fact that EVE was wholly seduced by Lucifer. She is called the harp playing prostitute as king/queen of Tyre.
Lucifer was in the garden and used music as the pleasure of the angelic host to seduce the worship from God. He is credited with introducing string instruments, wind instruments and percussions.
The prophecy that Lucifer as the end time Babylon Harlot "mother" of all RELIGIONS would again go back into hell with her musicians and musical instruments.
2. In the world view at that time, Sophia-Zoe had forced the "minor jehovahs" into forming MUSICAL WORSHIP TEAMS in order to worship the FEMININE Goddesses.
3. God had declared for a PATRIARCHIAL "school of the Bible" as opposed to a pagan worship center with music by identifying Himself as the FATHER.
4. Women and effeminate men always formed RELIGIONS but Christianity continued the synagogue. This was not a worship center but a school of the Bible.
5. Women and strange males were always identified as the singers and musicians in all pagan religions usually practiced at festivals.
6. The "authority" Paul outlawed was the Greek authentia. This was known to be exercised by women as both EROTIC and MURDEROUS. Musicologists identify today's praise songs as EROTIC.
Anon shall the whole land be dancing, when Bromius leads his revellers to the hills, to the hills away! where wait him groups of maidens from loom and shuttle roused in frantic haste by Dionysus. O hidden cave of the Curetes! O hallowed haunts in Crete, that saw Zeus born,
where Corybantes with crested helms devised for me in their grotto the rounded timbrel of ox-hide (lifeless instrument),
mingling Bacchic minstrelsy with the shrill sweet accents of the Phrygian flute, a gift bestowed by them on mother Rhea, to add its crash of music to the Bacchantes' shouts of joy;
but frantic satyrs (homosexual priests) won it from the mother-goddess for their own, and added it to their dances in festivals, which gladden the heart of Dionysus, each third recurrent year.
Oh! happy that votary, when from the hurrying revel-rout he sinks to earth, in his holy robe of fawnskin, chasing the goat to drink its blood, a banquet sweet of flesh uncooked, as he hastes to Phrygia's or to Libya's hills; while in the van the Bromian god exults with cries of Evoe (Eve, Zoe and now Mary).
With milk and wine and streams of luscious honey flows the earth, and Syrian incense smokes.
Methodist feminist and lesbian pastors have added the worship of SOPHIA and use honey in their "communion."
Paul warned about "uncovered prophesying" in Corinth:
While the Bacchante holding in his hand a blazing torch of pine uplifted on his wand waves it, as he speeds along, rousing wandering votaries, and as he waves it cries aloud with wanton tresses tossing in the breeze; and thus to crown the revelry, he raises loud his voice, "On, on, ye Bacchanals, pride of Tmolus (a gold-producing mountain in Lydia, near Sardis:)
with its rills of gold to the sound of the booming drum,
chanting in joyous strains the praises of your joyous god with Phrygian accents lifted high,
what time the holy lute with sweet complaining note invites you to your hallowed sport,
according well with feet that hurry wildly to the hills; like a colt that gambols at its mother's side in the pasture, with gladsome heart each Bacchante bounds along."
Enter TEIRESIAS.
TEIRESIAS
What loiterer at the gates will call Cadmus from the house, Agenor's son, who left the city of Sidon and founded here the town of Thebes? Go one of you, announce to him that Teiresias is seeking him; he knows himself the reason of my coming and the compact I and he have made in our old age to bind the thyrsus with leaves and don the fawnskin, crowning our heads the while with ivy-sprays.
Enter CADMUS.
CADMUS
Best of friends! I was in the house when I heard thy voice, wise as its owner. I come prepared, dressed in the livery of the god. For 'tis but right
I should magnify with all my might my own daughter's son, Dionysus, who hath shown his godhead unto men.
Where are we to join the dance? where plant the foot and shake the hoary head? Do thou, Teiresias, be my guide, age leading age, for thou art wise. Never shall I weary, night or day, of beating the earth with my thyrsus. What joy to forget our years?
TEIRESIAS
Why, then thou art as I am. For I too am young again, and will essay the dance.
CADMUS
We will drive then in our chariot to the hill.
TEIRESIAS
Nay, thus would the god not have an equal honour paid.
CADMUS
Well, I will lead thee, age leading age.
TEIRESIAS
The god will guide us both thither without toil.
CADMUS
Shall we alone of all the city dance in Bacchus' honour?
TEIRESIAS
Yea, for we alone are wise, the rest are mad.
CADMUS
We stay too long; come, take my hand.
TEIRESIAS
There link thy hand in my firm grip.
CADMUS
Mortal that I am, I scorn not the gods.
TEIRESIAS
No subtleties do I indulge about the powers of heaven. The faith we inherited from our fathers, old as time itself, no reasoning shall cast down; no! though it were the subtlest invention of wits refined.
Maybe some one will say, I have no respect for my grey hair in going to dance with ivy round my head; not so, for the god did not define whether old or young should dance, but from all alike he claims a universal homage,
and scorns nice calculations in his worship.
CADMUS
Teiresias, since thou art blind, I must prompt thee what to say. Pentheus is coming hither to the house in haste, Echion's son, to whom I resign the government. How scared he looks I what strange tidings will he tell?
PENTHEUS
I had left my kingdom for awhile, when tidings of strange mischief in this city reached me;
I hear that our women-folk have left their homes on pretence of Bacchic rites, and on the wooded hills rush wildly to and fro,
honouring in the dance this new god Dionysus, whoe'er he is; and in the midst of each revel-rout the brimming wine-bowl stands, and one by one they steal away to lonely spots to gratify their lust, pretending forsooth that they are Maenads bent on sacrifice, though it is Aphrodite they are placing before the Bacchic god. As many as I caught, my gaolers are keeping safe in the public prison fast bound; and all who are gone forth, will I chase from the hills, Ino and Agave too who bore me to Echion, and Actaeon's mother Autonoe. In fetters of iron will I bind them and soon put an end to these outrageous Bacchic rites.
They say there came a stranger hither, a trickster and a sorcerer, from Lydia's land, with golden hair and perfumed locks,
the flush of wine upon his face, and in his eyes each grace that Aphrodite gives; by day and night he lingers in our maidens' company
on the plea of teaching Bacchic mysteries.
Here is something on Echion:
THOUGH I speak with the tongues of men and of angels, and have not charity, I am become as sounding brass, or a tinkling cymbal. 1 Corinthians 13:1
And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith, so that I could remove mountains, and have not charity, I am nothing. 1 Corinthians 13:2
Echeo (g2278) ay-kheh'-o; from 2279; to make a loud noise, i.e. reverberate: - roar, sound.
Lu.21:25
And there shall be signs in the sun, and in the moon, and in the stars; and upon the earth distress of nations, with perplexity; the sea and the waves roaring;
Echos (g2279) ay'-khos; of uncert. affin.; a loud or confused noise ("echo"), i.e. roar: fig. a rumor: - fame, sound.
Heb.12:19
And the sound of a trumpet, and the voice of words; which voice they that heard intreated that the word should not be spoken to them any more:
êch-eô , I. intr., sound, ring, peal, êchei de karê . . Olumpou Hes.Th.42 ; hotan achêsêi polios buthos Mosch.Fr.1.4 ; achousi prospolôn cheres E.Supp.72 (lyr.); of metal, êcheeske ho chalkos tês aspidos (round brass shield) Hdt.4.200 ; ta chalkia plêgenta makron êchei Pl.Prt.329a , cf. Men.66.4; of the grasshopper, chirp, Alc.39, Theoc.16.96; of the ears, tingle, êchêsei ta ôta LXX 1 Ki.3.11 ; dia ti êchei ê dia ti emphainetai; impers., of anecho, Arist.AP0.98a27.
2. suffer from noises in the ears, Herod.Med. ap. Orib.10.40.3.
II. c. acc. cogn., achein (iachein codd.) humnon to let it sound, A.Th.869 (lyr.); kôkuton S.Tr.866 ; goous Id.Fr.523 ; humnous E.Ion883 (lyr.); chalkeon achei sound the cymbal! Theoc.2.36; ephexês êchounta auta (sc. ta phônêenta) Demetr.Eloc.71: --Med., acheisthai tina to sound his praises, dub. in Pi.Fr.75.19:-- Pass., êcheitai ktupos a sound is made, S.OC1500. (Cf. sq.)
êchetês , ou, ho, Ep. êcheta^ , Dor. achetas , acheta^ , ( [êcheô] )
A. clear-sounding, musical, shrill, donax achetas A.Pr.575 (lyr.); kuknos E.El.151 (lyr.); epith. of the cicada [locusts], chirping, êcheta tettix Hes.Op.582 , AP 7.201 (Pamphil.); achetat. ib.213 (Arch.): abs., achetas, ho, the chirper, i.e. the male cicada, Anan.5.6, Ar.Pax1159 (lyr.), Av.1095 (lyr.), cf. Arist.HA532b16,556a20: Orph.A.1250 has Ep.acc. êcheta porthmon the sounding strait.
Once let me catch him within these walls, and I will put an end to his thyrsus-beating and his waving of his tresses, for I will cut his head from his body.
This is the fellow who says that Dionysus is a god, says that he was once stitched up in the thigh of Zeus-that child who with his mother was blasted by the lightning flash, because the woman falsely said her marriage was with Zeus. Is not this enough to deserve the awful penalty of hanging, this stranger's wanton insolence, whoe'er he be?
But lo! another marvel. I see Teiresias, our diviner, dressed in dappled fawn-skins, and my mother's father too, wildly waving the Bacchic wand; droll sight enough! Father,
it grieves me to see you two old men so void of sense.
Oh! shake that ivy from thee! Let fall the thyrsus from thy hand, my mother's sire! Was it thou, Teiresias, urged him on to this? Art bent on introducing this fellow as another new deity amongst men, that thou mayst then observe the fowls of the air and make a gain from fiery divination?
and constant friction (minemployment) between men of corrupt mind, who have been robbed of the truth and who think that godliness is a means to financial gain. 1 Timothy 6:5
Were it not that thy grey hairs protected thee, thou shouldst sit in chains amid the Bacchanals,
for introducing knavish mysteries;
for where the gladsome grape is found at women's feasts, I deny that their rites have any longer good results.
CHORUS
What impiety! Hast thou no reverence, sir stranger, for the gods or for Cadmus who sowed the crop of earth-born warriors? Son of Echion as thou art, thou dost shame thy birth.
Sounding brass is:
Echeo (g2278) ay-kheh'-o; from 2279; to make a loud noise, i.e. reverberate: - roar, sound.
TEIRESIAS
Whenso a man of wisdom finds a good topic for argument, it is no difficult matter to speak well; but thou,
though possessing a glib tongue as if endowed with sense,
art yet devoid thereof in all thou sayest.[a proper prophets with the true "voice of the angels" would by nature be insane and therefore speak in gibberish or tongues because they believed that dod always used the emotionally or sexual abnormal to make people trust the gods.]
A headstrong man, if he have influence and a capacity for speaking, makes a bad citizen because he lacks sense.
This new deity, whom thou deridest, will rise to power I cannot say how great, throughout Hellas. Two things there are, young prince, that hold first rank among men,
the goddess Demeter, that is, the earth, call her which name thou please; she it is that feedeth men with solid food;
and as her counterpart came this god, (Dionysus) the son of Semele, who discovered the juice of the grape and introduced it to mankind,
stilling thereby each grief that mortals suffer from, soon as e'er they are filled with the juice of the vine;
and sleep also he giveth, sleep that brings forgetfulness of daily ills, the sovereign charm for all our woe.
God though he is, he serves all other gods for libations, so that through him mankind is blest.
He it is whom thou dost mock, because he was sewn up in the thigh of Zeus. But I will show thee this fair mystery. When Zeus had snatched him from the lightning's blaze, and to Olympus borne the tender babe, Hera would have cast him forth from heaven, but Zeus, as such a god well might, devised a counterplot.
He broke off a fragment of the ether which surrounds the world, and made thereof a hostage against Hera's bitterness, while he gave out Dionysus into other hands; hence, in time, men said that he was reared in the thigh of Zeus, having changed the word and invented a legend, because the god was once a hostage to the goddess Hera.
This god too hath prophetic power,
for there is no small prophecy inspired by Bacchic frenzy;
for whenever the god in his full might enters the human frame,
he makes his frantic votaries foretell the future.(speaking in tongues and their interpretations are pretend prophetic statements which delude and minimize the true prophets through God's Word)
Likewise he hath some share in Ares' rights; for oft, or ever a weapon is touched, a panic seizes an army when it is marshalled in array; and this too is a frenzy sent by Dionysus. Yet shalt thou behold him e'en on Delphi's rocks leaping o'er the cloven height, torch in hand, waving and brandishing the branch by Bacchus loved, yea, and through the length and breadth of Hellas.
Hearken to me, Pentheus; never boast that might alone doth sway the world,
nor if thou think so, unsound as thy opinion is, credit thyself with any wisdom;
but receive the god into thy realm, pour out libations, join the revel rout, and crown thy head.
It is not Dionysus that will force chastity on women in their love;
but this is what we should consider, whether chastity is part of their nature for good and all; for if it is,
no really modest maid will ever fall 'mid Bacchic mysteries.
Mark this: thou thyself art glad when thousands throng thy gates, and citizens extol the name of Pentheus;
he too, I trow, delights in being honoured. Wherefore I and Cadmus, whom thou jeerest so,
will wreath our brows with ivy and join the dance;
pair of grey beards though we be, still must we take part therein; never will I for any words of thine fight against heaven.
Most grievous is thy madness, nor canst thou find a charm to cure thee,
albeit charms have caused thy malady.
CHORUS
Old sir, thy words do not discredit Phoebus, and thou art wise in honouring Bromius, potent deity.
CADMUS
My son, Teiresias hath given thee sound advice; dwell with us, but o'erstep not the threshold of custom;
for now thou art soaring aloft, and thy wisdom is no wisdom. E'en though he be no god, as thou assertest, still say he is;
be guilty of a splendid fraud, declaring him the son of Semele, that she may be thought the mother of a god,
and we and all our race gain honour.
Dost thou mark the awful fate of Actaeon? whom savage hounds of his own rearing rent in pieces in the meadows,
because he boasted himself a better hunter than Artemis.
Lest thy fate be the same, come let me crown thy head with ivy; join us in rendering homage to the god.
Touch me not, away to thy Bacchic rites thyself! never try to infect me with thy foolery!
Vengeance will I have on the fellow who teaches thee such senselessness. Away one of you without delay! seek yonder seat where he observes his birds, wrench it from its base with levers, turn it upside down, o'erthrowing it in utter confusion, and toss his garlands to the tempest's blast. For by so doing shall I wound him most deeply.
Others of you, range the city and hunt down this girl-faced stranger, who is introducing a new complaint amongst our women, and doing outrage to the marriage tie.
And if haply ye catch him, bring him hither to me in chains, to be stoned to death, a bitter ending to his revelry in Thebes.
Exit PENTHEUS.
TEIRESIAS
Unhappy wretch! thou little knowest what thou art saying. Now art thou become a raving madman, even before unsound in mind. Let us away, Cadmus, and pray earnestly for him, spite of his savage temper, and likewise for the city, that the god inflict not a signal vengeance.
Come, follow me with thy ivy-wreathed staff; try to support my tottering frame as I do thine, for it is unseemly that two old men should fall; but let that-pass.
For we must serve the Bacchic god, the son of Zeus.
Only, Cadmus, beware lest Pentheus' bring sorrow to thy house;it is not my prophetic art, but circumstances that lead me to say this; for the words of a fool are folly.
Exeunt CADMUS and TEIRESIAS.
CHORUS
O holiness, queen amongst the gods, sweeping on golden pinion o'er the earth! dost hear the words of Pentheus, dost hear his proud blaspheming Bromius, the son of Semele;
first of all the blessed gods at every merry festival?
His it is to rouse the revellers to dance, to laugh away dull care,
.......and wake the flute,
.......whene'er at banquets of the gods the luscious grape appears,
.......or when the winecup in the feast sheds sleep on men who wear the ivy-spray.The end of all unbridled speech and lawless senselessness is misery;
but the life of calm repose and the rule of reason abide unshaken and support the home;
for far away in heaven though they dwell,
....... the powers divine behold man's state.Sophistry is not wisdom, and to indulge in thoughts beyond man's ken is to shorten life; and if a man on such poor terms should aim too high, he may miss the pleasures in his reach.
These, to my mind, are the ways of madmen and idiots. Oh! to make my way to Cyprus, isle of Aphrodite, where dwell the love-gods strong to soothe man's soul, or to Paphos, which that foreign river, never fed by rain, enriches with its hundred mouths!
Oh! lead me, Bromian god, celestial guide of Bacchic pilgrims, to the hallowed slopes of Olympus, where Pierian Muses have their haunt most fair.
There dwell the Graces; there is soft desire; there thy votaries may hold their revels freely. The joy of our god, the son of Zeus, is in banquets, his delight is in peace, that giver of riches and nurse divine of youth. Both to rich and poor alike hath he granted the delight of wine, that makes all pain to cease;
Grace is CHARA or CHARIS which is the "goddess" of Charismatic which involves pederasty among the "priesthood."
hateful to him is every one who careth not to live the life of bliss, that lasts through days and nights of joy.
True wisdom is to keep the heart and soul aloof from over-subtle wits. That which the less enlightened crowd approves and practises, will I accept.
Re-enter PENTHEUS. Enter SERVANT bringing DIONYSUS bound.
SERVANT
We are come, Pentheus, having hunted down this prey, for which thou didst send us forth; not in vain hath been our quest. We found our quarry tame; he did not fly from us, but yielded himself without a struggle; his cheek ne'er blanched, nor did his ruddy colour change, but with a smile he bade me bind and lead him away, and he waited, making my task an easy one.
For very shame I said to him, "Against my will, sir stranger, do I lead thee hence, but Pentheus ordered it, who sent me hither." As for his votaries whom thou thyself didst check, seizing and binding them hand and foot in the public gaol,
all these have loosed their bonds and fled into the meadows where they now are sporting, See the meaning of PLAY or SPORTING at Mount Sinai.
calling aloud on the Bromian god. Their chains fell off their feet of their own accord, and doors flew open without man's hand to help. Many a marvel hath this stranger brought with him to our city of Thebes; what yet remains must be thy care.
PENTHEUS
Loose his hands; for now that I have him in the net he is scarce swift enough to elude me. So, sir stranger,
thou art not ill-favoured from a woman's point of view,
which was thy real object in coming to Thebes;thy hair is long because thou hast never been a wrestler, flowing right down thy cheeks most wantonly;
thy skin is white to help thee gain thy end, not tanned by ray of sun, but kept within the shade, as thou goest in quest of love with beauty's bait. Come, tell me first of thy race.
DIONYSUS
That needs no braggart's tongue, 'tis easily told; maybe thou knowest Tmolus by hearsay.
PENTHEUS
I know it, the range that rings the city of Sardis round.
DIONYSUS
Thence I come, Lydia is my native home.
PENTHEUS
What makes thee bring these mysteries to Hellas?
DIONYSUS
Dionysus, the son of Zeus, initiated me.
PENTHEUS
Is there a Zeus in Lydia, who begets new gods?
DIONYSUS
No, but Zeus who married Semele in Hellas.
PENTHEUS
Was it by night or in the face of day that he constrained thee?
DIONYSUS
'Twas face to face he intrusted his mysteries to me.
PENTHEUS
Pray, what special feature stamps thy rites?
DIONYSUS
That is a secret to be hidden from the uninitiated.
PENTHEUS
What profit bring they to their votaries?
DIONYSUS
Thou must not be told, though 'tis well worth knowing.
PENTHEUS
A pretty piece of trickery, to excite my curiosity!
DIONYSUS
A man of godless life is an abomination to the rites of the god.
PENTHEUS
Thou sayest thou didst see the god clearly; what was he like?
DIONYSUS
What his fancy chose; I was not there to order this.
PENTHEUS
Another clever twist and turn of thine, without a word of answer.
DIONYSUS
He were a fool, methinks, who would utter wisdom to a fool.
PENTHEUS
Hast thou come hither first with this deity?
DIONYSUS
All foreigners already celebrate these mysteries with dances.
PENTHEUS
The reason being, they are far behind Hellenes in wisdom.
DIONYSUS
In this at least far in advance, though their customs differ.
PENTHEUS
Is it by night or day thou performest these devotions?
DIONYSUS
By night mostly; darkness lends solemnity.
PENTHEUS
Calculated to entrap and corrupt women.
DIONYSUS
Day too for that matter may discover shame.
PENTHEUS
This vile quibbling settles thy punishment.
DIONYSUS
Brutish ignorance and godlessness will settle thine.
PENTHEUS
How bold our Bacchanal is growing! a very master in this wordy strife!
DIONYSUS
Tell me what I am to suffer; what is the grievous doom thou wilt inflict upon me?
PENTHEUS
First will I shear off thy dainty tresses.
DIONYSUS
My locks are sacred; for the god I let them grow. [It is a shame for a man to have long hair 1Co.11:14 ]
PENTHEUS
Next surrender that thyrsus.
DIONYSUS
Take it from me thyself; 'tis the wand of Dionysus I am bearing.
PENTHEUS
In dungeon deep thy body will I guard.
DIONYSUS
The god himself will set me free, whene'er I list.
PENTHEUS
Perhaps he may, when thou standest amid thy Bacchanals and callest on his name.
DIONYSUS
Even now he is near me and witnesses my treatment.
PENTHEUS
Why, where is he? To my eyes he is invisible.
DIONYSUS
He is by my side; thou art a godless man and therefore dost not see him.
PENTHEUS
Seize him! the fellow scorns me and Thebes too.
DIONYSUS
I bid you bind me not, reason addressing madness.
PENTHEUS
But I say "bind!" with better right than thou.
DIONYSUS
Thou hast no knowledge of the life thou art leading; thy very existence is now a mystery to thee.
PENTHEUS
I am Pentheus, son of Agave and Echion.
DIONYSUS
Well-named to be misfortune's mate!
PENTHEUS
Avaunt! Ho! shut him up within the horses' stalls hard by, that for light he may have pitchy gloom. Do thy dancing there,
and these women whom thou bringest with thee to share thy villainies
I will either sell as slaves or make their hands cease from this noisy beating of drums,
and set them to work at the loom as servants of my own.
DIONYSUS
I will go; for that which fate forbids, can never befall me.
For this thy mockery be sure Dionysus will exact a recompense of thee-even the god whose existence thou deniest; for thou art injuring him by haling me to prison.
Exit DIONYSUS, guarded, and PENTHEUS.
CHORUS
Hail to thee, Dirce, happy maid, daughter revered of Achelous! within thy founts thou didst receive in days gone by the babe of Zeus, what time his father caught him up into his thigh from out the deathless flame,
while thus he cried: "Go rest, my Dithyrambus, there within thy father's womb; by this name, O Bacchic god, I now proclaim thee to Thebes." But thou, blest Dirce, thrustest me aside, when in thy midst I strive to hold my revels graced with crowns. Why dost thou scorn me? Why avoid me?
[6] Dithurambos Harmatideô. Dithyrambos, son of Harmatides, was not the captain, or general of the Thespians (cp. c. 222 supra). Dithyrambos, as a proper name, is a little startling: it is primarily (like Marôn) a title of Bakchos, cp. Eurip. Bakch. 526; it is secondarily a kind of poetry or melody (of which Arion was inventor, cp. 1. 23). This Thespian is the only human person to whom the name is given. His father ('Wagoner') may have been a musician --of the Dionysiac order (the dithyramb was always in the 'Phrygian' mode, and decidedly orgiastic: Aristot. Pol. 5 (8). 7. 9 f.=1342 A-B).
The dionysus infleunced clergy hoped that John wore soft clothing of a king's catamite and that Jesus would lament and dance the choral to prove that He was also a homosexual:
They are like unto children sitting in the marketplace, and calling one to another, and saying, We have piped unto you, and ye have not danced; we have mourned to you, and ye have not wept. Lu.7:32
The lament is derived from the Greek base:
Thriambeuo ((g2358) three-am-byoo'-o; from a prol. comp. of the base of 2360 and a der. of 680 (mean. a noisy iambus, sung in honor of Bacchus); to make an acclamatory procession, i.e. (fig.) to conquer or (by Hebr.) to give victory: - (cause) to triumph (over).
Because Jesus DRANK they accused Him of being a winedrinker. Of course in His own way He called them liars.
By the clustered charm that Dionysus sheds o'er the vintage I vow there yet shall come a time when thou wilt turn thy thoughts to Bromius. What furious rage the earth-born race displays,
even Pentheus sprung of a dragon (serpent) of old, himself the son of earth-born Echion, a savage monster in his very mien, not made in human mould,
THOUGH I speak with the tongues of men and of angels, and have not charity, I am become as sounding brass, or a tinkling cymbal. 1 Cor13:1
Sounding in Greek is: 1 Corinthians chapter 13:, 1 Corinthians chapter 13:,
Echeo (g2278) ay-kheh'-o; from 2279; to make a loud noise, i.e. reverberate: - roar, sound.
Echos (g2279) ay'-khos; of uncert. affin.; a loud or confused noise ("echo"), i.e. roar: fig. a rumor: - fame, sound.
Hebrew Dictionary linked to Strong Numbers Chalal (h2490) an instructor/ of distance/space, start, commence; to redeem, to desecrate, make void, to create a cavity, vacuum, hollow, an empty space; a hollow/vacuum as a means to trap or bring together, nature; a vault, to make hollow: to wound, pierce, define, violate, make vulgar, wounded, slain, dead, the action of resisting: to break, disregard; violating instruction, to arrange/ an order of instruction; to assign, to pipe, play pipes
Echo 1 Corinthians chapter 13:,
in Greek mythology, a mountain nymph, or oread. Ovid's Metamorphoses relates that Echo offended the goddess Hera by keeping her in conversation, thus preventing her from spying on one of Zeus' amours. To punish Echo, Hera deprived her of speech, except for the ability to repeat the last words of another. Echo's hopeless love for Narcissus, who fell in love with his own image, made her fade away until all that was left of her was her voice.
According to the Greek writer Longus, Echo rejected the advances of the god Pan; he thereupon drove the shepherds mad, and they tore her to pieces. Gaea (Earth) buried her limbs but allowed her to retain the power of song. (Britannica Members
Ovid Metamorphoses 7.346. 1 Corinthians chapter 13:,
- against the magic-making sound of gongs
- O wonder-working Moon, I draw you down
- against the magic-making sound of gongs
- and brazen vessels of Temesa's ore;
- I cast my spells and veil the jeweled rays
- of Phoebus' wain, and quench Aurora's fires.
- At my command you tamed the flaming bulls
but like some murderous giant pitted against heaven; for he means to bind me, the handmaid of Bromius, in cords forthwith, and e'en now he keeps my fellow-reveller pent within his palace, plunged in a gloomy dungeon. Dost thou mark this, O Dionysus, son of Zeus, thy prophets struggling 'gainst resistless might? Come, O king, brandishing thy golden thyrsus along the slopes of Olympus; restrain the pride of this bloodthirsty wretch! Oh! where in Nysa, haunt of beasts, or on the peaks of Corycus art thou, Dionysus, marshalling with thy wand the revellers?
or haply in the thick forest depths of Olympus, where erst Orpheus with his lute gathered trees to his minstrelsy,
and beasts that range the fields.
Ah blest Pieria! Evius honours thee, to thee will he come with his Bacchic rites to lead the dance, and thither will he lead the circling Maenads, crossing the swift current of Axius and the Lydias, that giveth wealth and happiness to man, yea, and the father of rivers, which, as I have heard, enriches with his waters fair a land of steeds.
DIONYSUS Within
What ho! my Bacchantes, ho! hear my call, oh! hear.
CHORUS
Who art thou? what Evian cry is this that calls me? whence comes it?
DIONYSUS
What ho! once more I call, I the son of Semele, the child of Zeus.
CHORUS II
My master, O my master, hail!
CHORUS III
Come to our revel-band, O Bromian god.
CHORUS IV
Thou solid earth!
CHORUS
Most awful shock!
CHORUS VI
O horror! soon will the palace of Pentheus totter and fall.
CHORUS VII
Dionysus is within this house.
CHORUS VIII
Do homage to him.
CHORUS IX
We do! I do!
CHORUS
Did ye mark yon architrave of stone upon the columns start asunder?
CHORUS XI
Within these walls the triumph-shout of Bromius himself will rise.
DIONYSUS
Kindle the blazing torch with lightning's fire, abandon to the flames the halls of Pentheus.
CHORUS XII
Ha! dost not see the flame, dost not clearly mark it at the sacred tomb of Semele, the lightning flame which long ago the hurler of the bolt left there?
CHORUS XIII
Your trembling limbs prostrate, ye Maenads, low upon the ground.
CHORUS XIV
Yea, for our king, the son of Zeus, is assailing and utterly confounding this house.
Enter DIONYSUS.
DIONYSUS
Are ye so stricken with terror that ye have fallen to the earth, O foreign dames? Ye saw then, it would seem, how the Bacchic god made Pentheus' halls to quake; but arise, be of good heart, compose your trembling limbs.
CHORUS
O chiefest splendour of our gladsome Bacchic sport, with what joy I see thee in my loneliness!
DIONYSUS
Were ye cast down when I was led into the house, to be plunged into the gloomy dungeons of Pentheus?
CHORUS
Indeed I was. Who was to protect me, if thou shouldst meet with mishap? But how wert thou set free from the clutches of this godless wretch?
DIONYSUS
My own hands worked out my own salvation, easily and without trouble.
CHORUS
But did he not lash fast thy hands with cords?
DIONYSUS
There too I mocked him; he thinks he bound me, whereas he never touched or caught hold of me, but fed himself on fancy. For at the stall, to which he brought me for a gaol, he found a bull, whose legs and hoofs he straightly tied, breathing out fury the while, the sweat trickling from his body, and he biting his lips; but I from near at hand sat calmly looking on.
Meantime came the Bacchic god and made the house quake, and at his mother's tomb relit the fire; but Pentheus, seeing this, thought his palace was ablaze, and hither and thither he rushed, bidding his servants bring water; but all in vain was every servant's busy toil.
Thereon he let this labour be awhile, and, thinking maybe that I had escaped, rushed into the palace with his murderous sword unsheathed.
Then did Bromius-so at least it seemed to me; I only tell you what I thought-made a phantom in the hall, and he rushed after it in headlong haste, and stabbed the lustrous air, thinking he wounded me.
Further the Bacchic god did other outrage to him; he dashed the building to the ground, and there it lies a mass of ruin, a sight to make him rue most bitterly my bonds. At last from sheer fatigue he dropped his sword and fell fainting; for he a mortal frail,
dared to wage war upon a god;
but I meantime quietly left the house and am come to you, with never a thought of Pentheus. But methinks he will soon appear before the house; at least there is a sound of steps within. What will he say, I wonder, after this? Well, be his fury never so great, I will lightly bear it; for 'tis a wise man's way to school his temper into due control.
Enter PENTHEUS.
PENTHEUS
Shamefully have I been treated; that stranger, whom but now I made so fast in prison, hath escaped me. Ha! there is the man! What means this? How didst thou come forth, to appear thus in front of my palace?
DIONYSUS
Stay where thou art; and moderate thy fury.
PENTHEUS
How is it thou hast escaped thy fetters and art at large?
DIONYSUS
Did I not say, or didst thou not hear me, "There is one will loose me."
PENTHEUS
Who was it? there is always something strange in what thou sayest.
DIONYSUS
He who makes the clustering vine to grow for man.
PENTHEUS
(I scorn him and his vines!)
DIONYSUS
A fine taunt indeed thou hurlest here at Dionysus!
PENTHEUS To his servants
Bar every tower that hems us in, I order you.
DIONYSUS
What use? Cannot gods pass even over walls?
PENTHEUS
How wise thou art, except where thy wisdom is needed!
DIONYSUS
Where most 'tis needed, there am I most wise. But first listen to yonder messenger and hear what he says; he comes from the hills with tidings for thee; and I will await thy pleasure, nor seek to fly.
Enter MESSENGER.
Messenger.
Pentheus, ruler of this realm of Thebes! I am come from Cithaeron, where the dazzling flakes of pure white snow ne'er cease to fall.PENTHEUS
What urgent news dost bring me?
MESSENGER
I have seen, O king, those frantic Bacchanals, who darted in frenzy from this land with bare white feet, and I am come to tell thee and the city the wondrous deeds they do, deeds passing strange. But I fain would hear, whether I am freely to tell all I saw there, or shorten my story; for I fear thy hasty temper, sire, thy sudden bursts of wrath and more than princely rage.
PENTHEUS
Say on, for thou shalt go unpunished by me in all respects; for to be angered with the upright is wrong. The direr thy tale about the Bacchantes, the heavier punishment will I inflict on
this fellow who brought his secret arts amongst our women.
I was just driving the herds of kine to a ridge of the hill as I fed them, as the sun shot forth his rays and made the earth grow warm; when lo!
I see three revel-bands of women;
Autonoe was chief of one,
thy mother Agave of the second,
while Ino's was the third.There they lay asleep, all tired out; some were resting on branches of the pine, others had laid their heads in careless ease on oak-leaves piled upon the ground,
observing all modesty; not, as thou sayest,
seeking to gratify their lusts alone amid the woods, by wine and soft flute-music maddened.
Anon in their midst thy mother uprose and cried aloud to wake them from their sleep, when she heard the lowing of my horned kine. And up they started to their feet, brushing from their eyes sleep's quickening dew, a wondrous sight of grace and modesty, young and old and maidens yet unwed.
First o'er their shoulders they let stream their hair; then all did gird their fawn-skins up, who hitherto had left the fastenings loose, girdling the dappled hides with snakes that licked their cheeks.
Others fondled in their arms gazelles or savage whelps of wolves, and suckled them-young mothers these with babes at home, whose breasts were still full of milk; crowns they wore of ivy or of oak or blossoming convolvulus. And one took her thyrsus and struck it into the earth,
and forth there gushed a limpid spring; and another plunged her wand into the lap of earth
and there the god sent up a fount of wine; and all who wished for draughts of milk had but to scratch the soil with their finger-tips and there they had it in abundance, while from every ivy-wreathed staff sweet rills of honey trickled.
Hadst thou been there and seen this, thou wouldst have turned to pray to the god, whom now thou dost disparage. Anon we herdsmen and shepherds met to discuss their strange and wondrous doings;
then one, who wandereth oft to town and hath a trick of speech, made harangue in the midst,
"O ye who dwell upon the hallowed mountain-terraces! shall we chase Agave, mother of Pentheus, from her Bacchic rites, and thereby do our prince a service?"
We liked his speech, and placed ourselves in hidden ambush among the leafy thickets; they at the appointed time began to wave the thyrsus for their Bacchic rites, calling on Iacchus (Iacchus or Bacchus, honored by all, deviser of our festal song and dance - (worship facilitator), the Bromian god, the son of Zeus, in united chorus, and the whole mount and the wild creatures re-echoed their cry; all nature stirred as they rushed on.
Now Agave chanced to come springing near me, so up I leapt from out my ambush where I lay concealed, meaning to seize her.
But she cried out, "What ho! my nimble hounds (homosexual priests), here are men upon our track; but follow me, ay, follow, with the thyrsus in your hand for weapon."
And when the messengers of John were departed, he began to speak unto the people concerning John, What went ye out into the wilderness for to see? A reed shaken with the wind? Lu.7:24
But what went ye out for to see? A man clothed in soft (clothes of a Catamite=male prostitute) raiment? Behold, they which are gorgeously apparelled, and live delicately (effeminate), are in kings courts. Luke 7:25
And the Lord said, Whereunto then shall I liken the men of this generation? and to what are they like? Luke 7:31
They are like unto children sitting in the marketplace, and calling one to another, and saying, We have piped unto you, and ye have not danced; we have mourned to you, and ye have not wept. Luke 7:32
For John the Baptist came neither eating bread nor drinking wine; and ye say, He hath a devil. Luke 7:33
The Son of man is come eating and drinking; and ye say, Behold a gluttonous man, and a winebibber, a friend of publicans and sinners Luke 7:34
But wisdom is justified of all her children. Luke 7:35
Thereat we fled, to escape being torn in pieces by the Bacchantes; but they, with hands that bore no weapon of steel, attacked our cattle as they browsed. Then wouldst thou have seen Agave mastering some sleek lowing calf, while others rent the heifers limb from limb. Before thy eyes there would have been hurling of ribs and hoofs this way and that; and strips of flesh, all blood-bedabbled, dripped as they hung from the pine-branches.
Wild bulls, that glared but now with rage along their horns, found themselves tripped up, dragged down to earth by countless maidens' hands.
The flesh upon their limbs was stripped therefrom quicker than thou couldst have closed thy royal eye-lids.
Many bulls have compassed me: strong bulls of Bashan have beset me round. Psalm 22:12
They gaped upon me with their mouths, as a ravening and a roaring lion. Psalm 22:13
I am poured out like water, and all my bones are out of joint: my heart is like wax; it is melted in the midst of my bowels. Psalm 22:14
Then off they sped, like birds that skim the air, to the plains beneath the hi