David Young Psalm 33 Instrumental Music

12.18.16 The elders and "leader" makes the following accusations intending, as they boast, to infiltrate and divert your congregation to their own wicked purposes.  These false teachings have been gleaned from difficult to endure sermons.  The simple statements are Anti Biblical and various self-speak is not discussed.

David Young was hired and rehired with fundamental dogmas which repudiated the views of the historic Church of Christ defined as the Church of Christ (the Rock):

First, the public boast that he convinced other preachers never to speak against the use of instrumental "muusic."

Second, supports "instrumental" music by the use of passages such as Psalm 33 and Revelation 5.
Psalm 150  is part of the hymnbook of the church: He concludes that everything that has BREATH including the musical instruments
Revelation 5 depicts the end of time.  worship God, heaven,
       Use musical instruments back to god.
Third, the beginning and most-recent attempts to reproduce the Cane Ridge "Revival". He and they believe that "a" spirit caused people to sing, shout, roll in the floor, bark up trees to get the devil, fight over garbage and other mental abberations

Fourth, a constant "false accuser" role accusing the other congregations with inventing as "traditional, legalism" NOT using instruments.

Fifth, Promoting a "Christian World View" including lifting your congregation to welcome everyone but the "fleecees".
        The World is the Kosmos or Ecumenical which is defined as the Kingdom of the Devil. Jesus said that He did not pray for the "world" and that neither He nor His disciples (students only) are not OF this world

Sixth
, David Young and church defends and supports Messianic Judaism which accepts Jesus as the messiah of the JEWS but continues to practice legalism. This teaches that the New Covenant was the OLD Covenant given to Jews but "available" to Christians.  Church institutional structures are built upon the Jewish or Babylonish model to which God abandoned the Jews because of Instrumental-Trinitarian-Perverted "play."

  1. Legalistic 2 times
  2. Just our Tradition or Traditional 20 Times.
           
    [This is a lie: vocal and instrumental rejoicing was outlawed for the Church of Christ in the Wilderness.
  3. Style or Styles  of WORSHIP 16 Times
    Jesus said that the kingdom does not come with religious observations: the School of Christ is the antithesis of the always-pagan worship rituals.  Jesus named self-speakers, singers and instrument players hypocrites.
  4. Method or Methods 9 Times [Elders as THE pastor-teachers are commanded to TEACH that which HAS BEEN TAUGHT.
  5. Customs 2 [Not using instruments is a Direct Command known by all bible students]
  6. A NEW Language 7 Times [They claim that the Bible is to be interpreted by a NEW REVELATIONS: the 20/20 vision CASTING is a witchcraft or sorcery word]
  7. Just our Heritage 2 [That's a lie]
  8. Freedom 22 Times--is something WE OFFER YOU. [Christ freed us from laded burden and burden laders: performance musicians a a TAX not in time of war.
  9. Just our Opinions 11 Times [That's a lie]
  10. Pharisee 2 [Jesus called preachers for hire, singers and instrument players PHARISEES]
  11. Continuity with the Past 2 [He means WE will OFFER both vocal and instrumental]
  12. Judgment 8 [Judgment is the Purpose Driven Cults Infiltrate and Divert your newly financed property]
  13. Not using INSTRUMENTS HINDERS the Work of God
  14. Because this is DISCORDING WE will move slowly. [Frogs might jump out of the Collection plate vat]

North.Boulevard.Church.Of.Christ.Change -  A New Day's thesis is that we have been wrong for these 2,000 years but WE have a new vision by a Direct Operation of THE holy spirit.  Missed Prepositions 101.

The Kairos Church Planting Plot: Kairos (Hermes-Mercury) is the demon son of Zeus among pagans. He is the false Christ Who is the only mediator between God and Man.  Kairos means the right time to mount an attack as Jesus came at the right time to put down the Civil-Military-Clergy robbing and enslaving those God liberated. Christ's Covenant is to the LAITY exclusive of Priests or Levites.

David Young Minister North Boulevard Church of Christ

David Young Northwest Church Predestination

North Boulevard Church of Christ Tithing

Elders.North.Boulevard.Church.Approve.Instrumental.Worship

David.Young.Psalm.33.Instrumental.Music.html


David.Young.Extreme.Discipleship.Following.Jesus
  The Extreme Discipling Dilema:  Lynn Anderson Hope Network.  Jimmy Adcox The Kairos Cult

North.Boulevard.Church.of.Christ.Unity.in.Diversity.html


Lee.Strobel.North.Boulevard.Church.of.Christ


NACC.2013.Victorius.Review - Bible and History


The.Progressive.Church.Of.Christ - piney.com - Bible and ..

Coming: North Boulevard Church of Christ Trinitarian: John writes that ANTI-christs deny. Among Pagans: Jesus was called a Son only after He was baptized and He was not Lord or Christ until the One God the Father MADE HIM TO BE:

Acts 2:36 Therefore let all the house of Israel know assuredly, that God hath made that same Jesus, whom ye have crucified, both Lord and Christ.

1Cor. 8:5 For though there be that are called gods,
        whether in heaven or in earth, (as there be gods many, and lords many,)
1Cor. 8:6 But to us there is but one God [Theos], the Father,
        of whom are all things, and we in him;
        and one Lord [Kurios] Jesus Christ, by whom are all things, and we by h

David Young God commanded Instrumental Music: This is not a set of rituals but Psalm 33 invites us to a rich EXPERIENCE with God "Praise God with the harp, shout for joy, INVITATION to give everything I have."

Only if you are Lost: can't get God's attention and praise or halal God meaning to "make yourself vile" but not having much luck since God did not command kings, kingdom, temple, animal slaughter, priests or Jacob-cursed and God-Abandoned levites: their instrumental prophesying was soothsaying-sorcery trying to get the god's attention.

Only if you have been abandoned to worship the starry host even if you call the golden calf your "god."

Mizmors used in an UGLY Anti-God sense

Psa. 33:1 Rejoice in the LORD, O ye righteous: for praise is comely for the upright.
h7442. ranan, raw-nan´; a primitive root; properly, to creak (or emit a stridulous sound), i.e. to shout (usually for joy):—aloud for joy, cry out, be joyful (greatly, make to) rejoice, (cause to) shout (for joy), (cause to) sing (aloud, for joy, out), triumph.

h8416, teh-hil-law´; from 1984; laudation; specifically (concretely) a hymn:—praise.
h1984 halal, haw-lal´; a primitive root; to be clear (orig. of sound, but usually of color); to shine; hence, to make a show, to boast; and thus to be (clamorously) foolish; to rave; causatively, to celebrate; also to stultify:—(make) boast (self), celebrate, commend, (deal, make), fool(-ish, -ly), glory, give (light), be (make, feign self) mad (against), give in marriage, (sing, be worthy of) praise, rage, renowned, shine.

h1966.  heylel, hay-lale´; from 1984 (in the sense of brightness); the morning-star:—lucifer.

Heylel.color.gif

Is. 14:9 Hell from beneath is moved for thee to meet thee at thy coming: it stirreth up the dead for thee, even all the chief ones of the earth; it hath raised up from their thrones all the kings of the nations.
Is. 14:10 All they shall speak and say unto thee, Art thou also become weak as we? art thou become like unto us?
Is. 14:11 Thy pomp is brought down to the grave,
        and the noise of thy viols: the worm is spread under thee, and the worms cover thee.
Is. 14:12 How art thou fallen from heaven, O Lucifer,
        son of the morning! how art thou cut down to the ground, which didst weaken the nations!

Zech. 11:1 Open thy doors, O Lebanon, that the fire may devour thy cedars.
Zech. 11:2 Howl, fir tree; for the cedar is fallen; because the mighty are spoiled: howl, O ye oaks of Bashan; for the forest of the vintage is come down.
Fir: 1265.  browsh, ber-osh´; of uncertain derivation; a cypress (?) tree; hence, a lance or a musical instrument (as made of that wood):—fir (tree).
Zech. 11:3 There is a voice of the howling of the shepherds; for their glory is spoiled: a voice of the roaring of young lions; for the pride of Jordan is spoiled.
Zech. 11:4 Thus saith the LORD my God; Feed the flock of the slaughter;
Zech. 11:5 Whose possessors slay them, and hold themselves not guilty: and they that sell them say, Blessed be the LORD; for I am rich: and their own shepherds pity them not.
Psa. 33:2 Praise the LORD with harp: sing unto him with the psaltery and an instrument of ten strings.
Praise is: h3034. yadah, yaw-daw´; a primitive root; used only as denominative from 3027; literally, to use (i.e. hold out) the hand; physically, to throw (a stone, an arrow) at or away; especially to revere or worship (with extended hands); intensively, to bemoan (by wringing the hands):—cast (out), (make) confess(-ion), praise, shoot, (give) thank(-ful, -s, -sgiving).
h5035. nebel, neh´-bel; or lRb´n nebel, nay´-bel; from 5034; a skin-bag for liquids (from collapsing when empty); hence, a vase (as similar in shape when full); also a lyre (as having a body of like form):—bottle, pitcher, psaltery, vessel, viol.
h5034nabel, naw-bale´; a primitive root; to wilt; generally, to fall away, fail, faint; figuratively, to be foolish or (morally) wicked; causatively, to despise, disgrace:—disgrace, dishounour, lightly esteem, fade (away, -ing), fall (down, -ling, off), do foolishly, come to nought, x surely, make vile, wither.
Psa. 33:3 Sing unto him a new song; play skilfully with a loud noise.

7891.  shiyr, sheer; or (the original form) r…wv shuwr (1 Sam. 18:6), shoor; a primitive root (identical with 7788 through the idea of strolling minstrelsy); to sing:—behold (by mistake for 7789), sing(-er, -ing man, -ing woman).
h7788. shuwr, shoor; a primitive root; properly, to turn, i.e. travel about (as a harlot or a merchant):—go, singular See also 7891.
1Sam. 18:6 And it came to pass as they came, when David was returned from the slaughter of the Philistine, that the women came out of all cities of Israel, singing and dancing, to meet king Saul, with tabrets, with joy, and with instruments of musick.
h 7789. shoor; a primitive root (identical with 7788 through the idea of going round for inspection); to spy out, i.e. (generally) survey, (for evil) lurk for, (for good) care for:—behold, lay wait, look, observe, perceive, regard, see.
Play: 5059.  nagan, naw-gan´; a primitive root; properly, to thrum, i.e. beat a tune with the fingers; expec. to play on a stringed instrument; hence (generally), to make music:—player on instruments, sing to the stringed instruments, melody, ministrel, play(-er, -ing).
5060.  naga , naw-gah´; a primitive root; properly, to touch, i.e. lay the hand upon (for any purpose; euphem., to lie with a woman); by implication, to reach (figuratively, to arrive, acquire); violently, to strike (punish, defeat, destroy, etc.):—beat, (x be able to) bring (down), cast, come (nigh), draw near (nigh), get up, happen, join, near, plague, reach (up), smite, strike, touch.
Loud Noise is: 8643. ruwah, ter-oo-aw´; from 7321; clamor, i.e. acclamation of joy or a battle-cry; especially clangor of trumpets, as an alarum:—alarm, blow(- ing) (of, the) (trumpets), joy, jubile, loud noise, rejoicing, shout(-ing), (high, joyful) sound(-ing).

Outlawed for the assembly Numbers 10:7

In a good sense the INDIVIDUAL sings TO God and the HARPS are from God: the OGRANON as the tongue.
When one Speaks or Meditates they use the TONGUE ONLY.  God always speaks ANTITHESIS: of the LITERAL harp or psaltery:

Job said of the organ players who were probably star worshippers

They take the timbrel and harp, and rejoice (make merry) at the sound of the organ. Jb.21:12
........ Therefore they say unto God, Depart from us; for we desire not the knowledge of thy ways. Jb 21:14

The sexual context of the organ is well documented throughout history:

"It (the pipe meaning to love passionatelyí) was apparently a secular instrument and is never listed in the temple orchestra; only in Ps. 150:4 it is mentioned in a religious (but not ritual) function. Its ethos was not blameless at all, ase we see from Genesis Rabbah 50:

"The angels said to Lot: There are players of the pipe (organ) in the country, hence it ought to be destroyed. Its rabbinical identification with the aboda, the flute of the notorious Syrian bayaderes, emphasizes the erotic element which already the Hebrew name suggests. (Interpreter's Dictionary of the Bible, p. 460, Abingdon). Click Here for more details.

God had abandoned the Civil-Military-Clergy over to WORSHIP the Starry host and sentenced them to captivity and death in babylon.  The Temple, in fact, is pictured as a Ziggurat or Tower of Jerusalem called the mother of harlots
"The name of psaltery entered Christian literature in the 3rd century B.C. translation of the Old Testament called the Septuagint where, in the Psalms, nebel was translated psalterion. Thus, Nebuchadnezzar's idolatrous ensemble included the Aramic psantria. Notice, also, that the book of Psalms has also become known as the Psalter (or psalterium), from the hymns sung with this harp. Source

Psa. 71:22 I will also praise thee with the psaltery, EVEN thy truth, O my God: 
     THEE
will I sing with the harp, O thou Holy One of Israel
Psa. 71:23 MY LIPS shall greatly rejoice when I sing UNTO THEE; and my SOUL, which thou hast redeemed.
h2167.  zamar, zaw-mar´; a primitive root (perhaps ident. with 2168
        through the idea of striking with the fingers);
       
properly, to touch the strings or parts of a musical instrument,
       
i.e. play upon it; to make music, accompanied by the voice;
       
hence to celebrate in song and music:—give praise, sing forth praises, psalms.

Command: Psa. 149:5 Let the saints be joyful in glory: let them sing aloud upon their BEDS.

BUT: Psa. 71:24 My TONGUE also shall TALK of thy righteousness ALL THE DAY LONG 
        for they are confounded, for they are brought unto shame, that seek my hurt.
h1897. hagah, daw-gaw´; a primitive root (compare 1901) by implication, to ponder:—imagine, meditate, mourn, mutter,  sore, speak, study, talk, utter.

mĕdĭtor  Suet. Tib. 65: “cor tuum meditabitur timorem,” i. e. promote by meditation, Vulg. Isa. 33, 18.—
to meditate, study, exercise one's self in, practise a thing Locutus Speech

Is. 33:14 The sinners in Zion are afraid; fearfulness hath surprised the HYPOCRITES.
        Who among us shall dwell with the devouring FIRE?
        who among us shall dwell with everlasting BURNINGS?
Is. 33:15 He that walketh righteously, and speaketh uprightly;
        he that despiseth the gain of oppressions,
        that shaketh his hands from holding of bribes,
        That stoppeth his ears from hearing of blood,
        and shutteth his eyes from seeing evil;
Is. 33:16 He shall dwell on high: his place of defence shall be the munitions of rocks:
        bread shall be given him; his waters shall be sure.
Is. 33:17 Thine eyes shall see the king in his beauty:
         they shall behold the land that is very far off.
Is. 33:18 Thine heart shall meditate terror.
        Where is the scribe? [doctor of the law]
        where is the receiver? [of Shekals]
        where is he that counted the towers? [Podiums]
Is. 33:19 Thou shalt not see a fierce people,
        a people of a deeper speech than thou canst perceive;
        of a stammering tongue, that thou canst not understand.

Paul affirms the Spirit OF Christ

1 Corinthians 1:20 Where is the wise? (singer, player, actor)
          where is the scribe?  (writer of sermons and songs)
          where is the disputer of this world?
          hath not God made foolish [
moronic] the wisdom of this world?

I will cry unto him
........ from my whole HEART:
I will praise and exalt Him
........ with all my MEMBERS." Ode 26:1-4

A new psalm with song
........ in gladness of HEART,
the fruit of the
lips
.........with the well-tuned INSTRUMENT of the TONGUE,
the first
fruits of the lips
......... from a pious and righteous heart" Psalms of Solomon, 15:3

That is what Paul commanded meaning to TEACH the Word of God and not MAKE MUSIC.

The Community Rule (1QS) reads in part much like Ephesians 5 and Colossians 3:

DSS: And at the beginning of their weeks
          for the
season of Jubilee.
........ All my life the engraved Precept shall be on my tongue
........ as the fruit of praise
........ and the portion of my lips.

I will sing with knowledge and all my music
shall be for the glory of God.
........ (My) lyre (and) my harp shall sound
........ for His holy order
........ and I will tune the pipe of my lips
........ to His right measure.

Is. 57:19 I create the fruit of the lips; Peace, peace to him that is far off, and to him that is near,
        saith the LORD; and I will heal him.
Heb. 13:15 By him therefore let us offer the sacrifice of praise to God CONTINUALLY,
         THAT IS, the fruit of our lips giving thanks to his name.


The Ekklesia consisting of all of the saved GATHERES itself as Synagogue: both the civil and religious ekklesia or synagogue was to READ, discuss and comprehend something handed down from a HIGHER AUTHORITY.
Hab. 2:13 Behold, is it not of the LORD of hosts that the people shall labour in the very fire,
        and the people shall weary [assemble, themselves] for very vanity?
--lăbōro  A. To work out, elaborate, to form, make, prepare: “nlaborat carmen in fine,

--ignis
  “quae simul aethereos animo conceperat ignes, ore dabat pleno carmina vera dei,Ov. F. 1, 473: “(Dido) caeco carpitur igni,the secret fire of love,
B.  Figuratively of that which brings destruction, fire, flame:
--carmen , “citharae liquidum carmen,
lyrae carmen  With allusion to playing on the cithara: “
5. A magic formula, an incantation:

--fīnis  borders, and hence territory, land, country enclosed within boundaries:
civitatum fines incolere, ejectus sum, quos, etc., Sal. Jug. 14 Sounds like Psalm 33
where these gods were worshipped, The end of life, latter end, death
Vanity --văcŭus , empty, void, free, clear, devoid of, without something (freq. and class.; cf. inanis.)   cetera, quae vacuas tenuissent carmine mentes,Verg. G. 3, 3

Verg. G. 3.3 Thee too, great Pales, will I hymn, [cano canite, play, sing, enchant Of men: “si absurde canat]
and thee, Amphrysian shepherd, worthy to be sung,
You, woods and waves Lycaean. All themes beside,
Which else had charmed the vacant mind with song,
Are now waxed common. Of harsh Eurystheus who
The story knows not, or that praiseless king
Busiris, and his altars? or by whom
Hath not the tale been told of Hylas young,
Latonian Delos and Hippodame,
And Pelops for his ivory shoulder famed,
Keen charioteer? Needs must a path be tried,
By which I too may lift me from the dust,
And float triumphant through the mouths of men.
Yea, I shall be the first, so life endure,
To lead the Muses with me, as I pass
To mine own country from the Aonian height;

Hab. 2:14 For [BECAUSE] the earth shall be filled
        [Replenished again;
disseminated the Gospel]
        with the knowledge of the glory of the LORD,
        as the waters cover the sea.
Hab. 2:18 What profiteth the graven image that the maker thereof hath graven it;
        the molten image, and a teacher of lies,
        that the maker of his work trusteth therein, to make dumb idols?
Hab. 2:19 Woe unto him that saith to the wood,
        Awake
; to the dumb stone, Arise, it shall teach!
         Behold, it is laid over with gold and silver,
        and there is no breath at all in the midst of it.
Hab. 2:20 But the LORD is in his holy temple:
        let all the earth keep silence before him.


David wanted to AWAKEN his lyre so that he could AWAKEN the dawn.  Fits with the kings being abandoned to worship the starry host (re the Star of David) OR "poems tend to be poetic."  Nonetheless, the uneducated fall sucker for poetic speech (says Jesus of speaking parables):


We even have a mention at a later date of a similar custom in connection with the cult in Jerusalem, where certain Levites, called me'oreim, 'arousers," sang every morning this verse from Ps 44: 'Awake, Lord, awake! Do not abandon us for ever." The Talmud tells us that Johy Hyrcanus suppressed the practice because it recalled too readily a pagan custom.

A similar practice is attested in connection with the cult of Herakles-Melkart. According to Menander, as he is quoted by Josephus, the king Hiram, who was a contemporary of Solomon, rebuilt the temples of Tyre and, 'he was the first to celebrate the awakening of Heracles in the month of Peritius." (de Vaux, p. 247)

In an inscription from Cyprus, in one from Rhodes and in several from around the district of Carthage, there are references to important personages who bear the title Mqm"lm which we can translate as 'arouser of the god." (de Vaux, p. 247).

David was  KING: God did not command king, kingdom, temple, animal slaughter, priests or Jacob-cursed and God-abandoned Levites.

David is never seen in the Synagogue or the Church of Christ (the Rock) where "vocal or instrumental rehoicing of speaking your own words was outlawed." Godly people understood to be reverent when the synagogue as a school of the Word only was assembled.
When David was healed of the illness mentioned previously, he then wrote the 32nd Psalm. It is a penitential Psalm, which means that David was repenting of his sin. He was also praising God for forgiveness and for healing.

Psa. 32:2 Blessed is the MAN unto whom the LORD imputeth not iniquity,
        and in whose spirit there is no guile.
Psa. 32:3 When I kept silence, MY bones waxed old through MY roaring all the day long
Psa. 32:4 For day and night thy hand was heavy upon ME:
        MY moisture is turned into the drought of summer. Selah.

Psa. 33:2 Praise the LORD with harp: sing unto him with the psaltery and an instrument of ten strings
H2167 zâmar zaw-mar' A primitive root (perhaps identical with H2168 through the idea of striking with the fingers); properly to touch the strings or parts of a musical instrument, that is, play upon it; to make music, accompanied by the voice; hence to celebrate in song and music:—give praise, sing forth praises, psalms.
But, you must notice that the instruments must always be named

Psa. 33:2 Praise the LORD WITH harp: [1] sing unto him [2] WITH the [3] psaltery and [WITH] an instrument of ten strings.
Psa. 33:3 Sing unto him a new song; play skilfully with a loud noise.
Psa. 33:4 For the word of the LORD is right; and all his works are done in truth.


Notice that David always had trouble getting God to recognize him: halal is the source of the LUCIFER word and it means to make self vile or disgusting or any outrageous thing to get God to recognize Him even as a mad man.
H7891 shı̂yr shûr sheer, shoor The second form being the original form, used in (1 Sam. 18:6 ); a primitive root (rather identical with H7788 through the idea of strolling minstrelsy); to sing:—behold [by mistake for H7789 ], 
H7788 shûr shoor A primitive root; properly to turn, that is, travel about (as a harlot or a merchant):go, sing. 

NONE of the Plucking words permit using a plektron or guitar pick: they never mean to beat a drum or blow a wind instrument.

Play
is h5059. nagan, naw-gan´; a primitive root; properly, to thrum, i.e. beat a tune with the fingers; expec. to play on a stringed instrument; hence (generally), to make music:—player on instruments, sing to the stringed instruments, melody, ministrel, play(-er, -ing).
h5060 nagan, naw-gah´; a primitive root; properly, to touch, i.e. lay the hand upon (for any purpose; euphem., to lie with a woman); by implication, to reach (figuratively, to arrive, acquire); violently, to strike (punish, defeat, destroy, etc.):—beat, (x be able to) bring (down), cast, come (nigh), draw near (nigh), get up, happen, join, near, plague, reach (up), smite, strike, touch.

Gath (h1660) gath; prob. from 5059 (in the sense of treading out grapes); a wine-press (or vat for holding the grapes in pressing them): - (wine-) press (fat).

wineskin.gif
A great noise is h8643. from 7321; clamor, i.e. acclamation of joy or a battle-cry; especially clangor of trumpets, as an alarum:—alarm, blow(- ing) (of, the) (trumpets), joy, jubile, loud noise, rejoicing, shout(-ing), (high, joyful) sound(-ing).
David was a WARRIOR but when the SYNAGOGUE or CHURCH was to be gathered this was OUTLAWED.
Num. 10:7 But when the congregation is to be gathered together, ye shall blow, but ye shall not sound an alarm.
Psalm 32[2] confitemini Domino in cithara in psalterio decem cordarum psallite illi

Tada h3034 to bemoan by wringing the hands,
Lev 16:21 And Aaron shall lay both his hands upon the head of the live goat, and confess H3034 over him all the iniquities of the children of Israel, and all their transgressions in all their sins, putting them upon the head of the goat, and shall send him away by the hand of a fit man into the wilderness:
David is using all of the mechanical noise he can find to try to MAKE HIMSELF KNOWN TO GOD.

confĭtĕor 
to acknowledge, confess, own, avow (an error, mistake, or a fact previously denied or doubted, etc., implying a sacrifice of will or a change of conviction;

confessing defeat
, to make one's self known
, With de: “de maleficioconfessing, that has acknowledged, pleaded guilty, etc, criminals who have confessed their guilt: to be notorious, everywhere known, Ov. Met. 5.177



David Young:
Psalm
150  is part of the hymnbook of the church: He concludes that everything that has BREATH including the musical instruments

Paul commanded that we SPEAK psalms, hymns or spiritual songs. In Romans 15 "that which is written for our learning. In Colossians 3 the WORD of Christ.  SPEAK is the opposite of ODE and PSALLO which includes plucking hairs while you pluck a young boy.

http://www.piney.com/Shofar.html

# 150 is not a PSALM but a MIZMOR or HALAL meaning make yourself vile as the root word for LUCIFER.
"Only in Ps 150:3 is it (shophar) mentioned with most of the other really musical instruments. Hence, we must conclude that the function of the shophar was to make noise--be it of earthly or of eschatological character--but NOT to make music After the destruction of the temple and the general banishment of all instrumental musicthe shophar alone survived, just because it was not a musical instrument."(International Dictionary of the Bible, p. 473, Abingdon).

[linked image]
David was a king over a kingdom which God did not command: the NOT APT elders demanded "set a SENIOR PASTOR OVER US." God knew that they wanted to WORSHIP LIKE THE NATIONS of GENTILES. The worshipped the starry HOST and not the CREATOR of the HOST.

Furthermore, these instruments were almost always associated with making WAR or making LOVE.

David was not of the Aaronic priesthood was FORBIDDEN to perform religious music AND HE NEVER DID.

ALL pagans believed that their musical instruments WERE their gods or the HOUSE of their gods.

http://www.piney.com/MuLamech.html

 David was a king over a kingdom which God did not command: the NOT APT elders demanded "set a SENIOR PASTOR OVER US." God knew that they wanted to WORSHIP LIKE THE NATIONS of GENTILES. The worshipped the starry HOST and not the CREATOR of the HOST.

Furthermore, these instruments were almost always associated with making WAR or making LOVE.

David was not of the Aaronic priesthood was FORBIDDEN to perform religious music AND HE NEVER DID.

ALL pagans believed that their musical instruments WERE their gods or the HOUSE of their gods.

http://www.piney.com/MuLamech.html


The Word ODE is the opposite of SPEAKThe LOGOS or regulative principle Word are "for our learning." Mature men do not sing and clap and shout while teaching the Word.

Both ODE and PSALLO are in the HEART which is a place and in 1 Corinthings 14 means SILENT.

Because of instrumental idolatry at Mount Sinai God abandoned the Jews to worship the starry hosts, therefore, David wants to praise (make himself vile) in the FIRMAMENT. None of these instruments were played around the temple and anyone who played an instrument into the Holy Places as types of the Church was commanded to be executed.

David Young Revelation 5 depicts the end of time.  worship God, heaven,
   Use musical instruments back to god.


The Elders as those who FIRED God and demanded a Senior Pastor so that they could worship LIKE the nations fall on their face in submission. The BEASTS are are defined as "A New Style of Music or Satyric (cappella) drama."

Jesus died to give US rest and liberty FROM any and all religious cunning craftsmen or sophists: speakers, singers, instrument players or actors. All religionism including the Jewish sacrificial system called them PARASITES.  The Church of Christ is defined as an UMBRELLUM which is a SAFE HOUSE to get in out of the violent antics of angels of light.

THE MARK OF STRONG DELUSIONS PRODUCING LYING WONDERS AFTER PEOPLE HAVE TAMPERED WITH THE WORD.

Jingling, banging, and rattling accompanied heathen cults, and the frenzying shawms of a dozen ecstatic cries intoxicated the masses. Amid this euphoric farewell feast of a dying civilization, the voices of nonconformists were emerging from places of Jewish and early Christian worship ..." (Encyclopaedia Judaica, 1971 ed., s.v. "Music")

"In this fashion evey common tribal interest--the recurrence of the seasons, the increase of the food supply, successful hunting-- was likely to become embodied in some regularly repeated ceremony, which usually included group dancing, singing, and feasting. Besides enabling men to express, and

thereby to allay, anger and anxiety,
such ceremonies also promoted tribal unity and
strengthened the loyalty of the individual to tribal traditions,

for the emotional excitement they aroused had the effect of breaking down the barriers between individuals and thus fusing all tribesmen into a collective whole.

Meanwhile, whole systems of magical devices were gradually elaborated." (Parkes, Henry Bamford, Gods and Men The Origins of Western Culture, p. 26, Knopf), p. 29)

The religion of Babylon implicates female musicians as the second oldest profession. Therefore, rather than being "contemporary" or culturally-friendly, they are the oldest "giants" implicated by Jesus as the Jewish temple people:

"The development both of religion and of the arts can be traced back in a continuous line to the hunting era. The group ritual of the primeval tribesmen were the origin not only of all religious ceremonial, but also of the drama and of poetry and music, while magic gave birth to the visual arts." (Parkes, p. 30).

"Awed by the mysteries of his own spirit no less than by those of nature, primitive man was likely to attribute to divine influence any abnormal emotional state, whether above or below the usual level. Medicine men customarily went into states of trance in which they were believed to be in communication with the gods, and many tribes supposed lunatics and sexual deviants to be divinely possessed.

JUST AFTER THE FLOOD

Clement wrote: "But when all these things were done, men turned again to impiety; [There is a similar chapter in Homily IX. 7, but in a discourse: on the following day.-R.] and on this account a law was given by God to instruct them in the manner of living.

But in process of time, the worship of God and righteousness were corrupted by the unbelieving and the wicked, as we shall show more fully by and by.

Moreover, perverse and erratic religions were introduced, to which the greater part of men gave themselves up, by occasion of holidays and solemnities, instituting drinkings and banquets, following pipes, and flutes, and harps, and diverse kinds of musical instruments, and indulging themselves in all kinds of drunkenness and luxury.

Hence every kind of error took rise; hence they invented groves and altars, fillets and victims, and after drunkenness they were agitated as if with mad emotions.

By this means power was given to the demons to enter into minds of this sort, so that they seemed to lead insane dances and to rave like Bacchanalians; hence were invented the gnashing of teeth, and bellowing from the depth of their bowels; hence a terrible countenance and a fierce aspect in men, so that he whom drunkenness had subverted and a demon had instigated, was believed by the deceived and the erring to be filled with the Deity.

While the Gentiles (none spiritual Israelites) are TRAMPLING THE COURTS in their lost faith you should get in out of the storms.

Psalm 32 comes before Psalm 33 and explains why David had lost his first love,

Psalm 32:2 Blessed is the man unto whom
.........the Lord imputeth not iniquity,
.........and in whose spirit there is no guile.

dŏlus device, artifice, fallaciam, machinationem, “per sycophantiam atque per doctos dolos [
the learned: “doctorum est ista consuetudo,Cic. Lael. 5, 17 ] “voces Pythagoreorum,
vox , vōcis, f. voco, I.a voice, sound, tone, cry, call. inclinata ululantique voce canere,” “theatrum ita resonans,
Pythagoreorum defines the World or Kosmos for which Jesus does not pray.
Psalm 32:3 When I kept silence, my bones waxed old
        through my roaring all the day long.
David did not have the ability to KEEP SILENT: unless he was jumping and shouthing he felt the heave hand of God on him.
clāmo , to call, cry out, shout aloud, to complain with a loud voice, vociferari, Of a vehement bawling before a tribunam, chirping of a cricket: [the locust] the roaring of waters,
exercĭto to vex, agitate, disturb. disquiet
Psalm 76.6  At your rebuke, God of Jacob, Both chariot and horse are cast into a deep sleep.

Psalm 32:4 For day and night thy hand was heavy upon me:
        my moisture is turned into the drought of summer. Selah. dĭapsalma  a pause in music: time to MEDITATE on what has been chanted.

grăvo  weighed down, oppressed, To burden, oppress, incommode:
IN PSALM 33 WE SEE THAT "EXULTING" IS WHAT ONE DOES WHEN THEY HAVE BEEN ABANDONED BY GOD.
David Young God commanded Instrumental Music:

This is not a set of rituals but Psalm 33 invites us to a rich EXPERIENCE with God "
Praise God with the harp, shout for joy, INVITATION to give everything I have."

Psalm
150  is part of the hymnbook of the church: He concludes that everything that has BREATH including the musical instruments

First: Bible Scholars understand that David is using figurative languages since musical instruments have no breath in them.
Second:
Because David wants to worship God in the FIRMAMENT we understand that God did not command the King, kingdom, animal slaughter, temple and that the Levites were commanded to stand in ranks and make a noise ready to slaughter any godly Jew who can near the Babylonish temple and evil sacrificial system. God turned them over to worship the starry host BECAUSE of musical idolatry.

The Worsip of the Jews was Sabazianism as the initial bacchus or dionysus worship in Egypt and as Mount Sinai.

Iamblichus wrote Of the Hebrew Kadeshim and the Eleusinian. Thus "Bacchus was directly called upon," he says. The Sabazian worship was Sabbatic; the names Evius, or Hevius, and Luaios are identical with Hivite and Levite. The French name Louis is the Hebrew Levi; Iacchus again is Iao or Jehovah; and Baal or Adon, like Bacchus, was a phallic god. "Who shall ascend into the hill (the high place) of the Lord?" asks the holy king David, "who shall stand in the place of his Kadushu "? (Psalms xxiv. 3). Kadesh may mean in one sense to devote, hallow, sanctify, and even to initiate or to set apart; but it also means the ministers of lascivious rites (the Venus-worship) and the true interpretation of the word Kadesh is bluntly rendered in Deuteronomy xxiii. 17; Hosea iv. 14; and Genesis xxxviii., from verses 15 to 22. The "holy" Kadeshuth of the Bible were identical as to the duties of their office with the Nautch-girls of the later Hindu pagodas.

h6945.  qadesh, kaw-dashe´; from 6942; a (quasi) sacred person, i.e. (technically) a (male) devotee (by prostitution) to licentious idolatry:—sodomite, unclean.

Deut 23:17 There shall be no whore of the daughters of Israel, nor a sodomite of the sons of Israel.

Deut 23:18 Thou shalt not bring the hire of a whore, or the price of a dog, into the house of the Lord thy God for any vow: for even both these are abomination unto the Lord thy God.

Hos 4:14 I will not punish your daughters when they commit whoredom, nor your spouses when they commit adultery: for themselves are separated with whores, and they sacrifice with harlots: therefore the people that doth not understand shall fall.

The Hebrew Kadeshim or galli lived "by the house of the Lord, where the women wove hangings for the grove," or bust of Venus-Astarte, says verse the seventh in the twenty-third chapter of 2 Kings.

The dance performed by David round the ark was the "circle-dance" said to have been prescribed by the Amazons for the Mysteries. Such was the dance of the daughters of Shiloh (Judges xxi. 21, 23 et passim), and the leaping of the prophets of Baal (I Kings xviii. 26). It was simply a characteristic of the Sabean worship, for it denoted the motion of the planets round the sun.

That the dance was a Bacchic frenzy is apparent. Sistra were used on the occasion, and the taunt of Michael and the king's reply are very expressive. "The king of Israel uncovered himself before his maid-servants as one of the vain (or debauched) fellows shamelessly uncovereth himself." And he retorts: "I will play (act wantonly) before   and I will be yet more vile than this, and I will be base in my own sight."

2Sam. 6:20  Then David returned to bless his household.
        And Michal the daughter of Saul came out to meet David, and said,
        How glorious was the king of Israel to day,
        who uncovered himself to day in the eyes of the handmaids of his servants,
        as one of the vain fellows shamelessly uncovereth [
nudatus] himself!
2Sam. 6:21 And David said unto Michal,
        It was before the LORD, which chose me before thy father,
        and before all his house, to appoint me ruler over the people of the LORD,
        over Israel: therefore will I play before [sight, presence]
the LORD.
2Sam. 6:22 And I will yet be more vile than thus,
        and will be base in mine own sight:
        and of the maidservants which thou hast spoken of,
        of them shall I be had in honour.http://www.piney.com/MuHeresyDow.html

Jer. 49:10 But I have made Esau bare,
        I have uncovered his secret places,
        and he shall not be able to hide himself:
        his seed is spoiled, and his brethren, and his neighbours, and he is not

g1540. galah, gaw-law´; a primitive root; to denude (especially in a disgraceful sense); by implication, to exile (captives being usually stripped); figuratively, to reveal:—+ advertise, appear, bewray, bring, (carry, lead, go) captive (into captivity), depart, disclose, discover, exile, be gone, open, x plainly, publish, remove, reveal, x shamelessly, shew, x surely, tell, uncover.
THE SPIRIT OF CHRIST SPEAKS ONLY THROUGH THE PROPHETS AND APOSTLES. He Refutes David Young.

Habakkuk 2:18 What profiteth the graven image that the maker thereof hath graven it; the molten image,
        and a teacher of lies, that the maker of his work trusteth therein, to make dumb idols?
Habakkuk 2:19 Woe unto him that saith to the wood, Awake; to the dumb stone, Arise, it shall teach!
        Behold, it is laid over with gold and silver, and there is no breath at all in the midst of it.


Dawn was the "mother" of Lucifer or Venus: Lucifer is Abaddon or Apollyon figure.
Psalms 57:8 Awake up, my glory; awake, psaltery and harp: I myself will awake early.
Psalms 108:2 Awake, psaltery and harp: I myself will awake early.

We even have a mention at a later date of a similar custom in connection with the cult in Jerusalem, where certain Levites, called me'oreim, 'arousers," sang every morning this verse from Ps 44: 'Awake, Lord, awake! Do not abandon us for ever." The Talmud tells us that Johy Hyrcanus suppressed the practice because it recalled too readily a pagan custom.

Psalms 44:23 Awake, why sleepest thou, O Lord? arise, cast us not off for ever.
Psalms 44:24 Wherefore hidest thou thy face, and forgettest our affliction and our oppression?

A similar practice is attested in connection with the cult of Herakles-Melkart. According to Menander, as he is quoted by Josephus, the king Hiram, who was a contemporary of Solomon, rebuilt the temples of Tyre and, 'he was the first to celebrate the awakening of Heracles in the month of Peritius." (de Vaux, p. 247)

This was the personification of Lucifer whom Christ called the "singing and harp-playing harlot" in the gardenof Eden

In an inscription from Cyprus, in one from Rhodes and in several from around the district of Carthage, there are references to important personages who bear the title Mqm"lm which we can translate as 'arouser of the god." (de Vaux, p. 247).

BUT, refuting David Young and all of the Musical Idolaters Christ says;

Habakkuk 2:20 BUT the LORD is in his holy temple:
        let all the earth keep silence before him

Paul wants the men to lift holy palms (to the Word) to prevent an outbreak of wrath or and ORGY defined by singing, clapping, playing.
Paul wants the women to be silent because "there is one Mediator between man and God, the MAN Jesus Christ."
Both men and women are to KEEP SILENCE so that the command from the wilderness onward could be obeyed: to PREACH the Word (only) by READING the Word (only).
Paul says that if men and women sit down and shut up then "we can all be saved or safe and COME TO A KNOWLEDGE OF THE TRUTH."

David Young compares eveyone else as worshiping like PAINTING BY NUMBERS.  He assumes or presumes as personally heard that "no one can understand the Scriptures." He meant that HE could understand the Word and teach if FOR A PRICE.

David Young makes a common perhaps demeaning mistake by the analogy (forbidden by the LOGOS word) as a Paint By Numbers as opposed to a Masterpiece.  The Artists is compared to worship as the Masterful EXPERIENCE of a powerful God.

I think David means singing, playing instruments, shouting, hugging and kissing: this human EXPERIENCE is somehow to replace the WORD which is to be PREACHED by being READ so that no body language or personal charisma can MASK the simple Word of Christ in the commanded Prophets and Apostles.

The ONLY worship concept for the Spiritual people beginning in the church and the wilderness, practiced and commanded by Jesus, commanded and practiced by the Apostles and the historic church before SOWERS OF DISCORD added Singing as an ACT of liturgy in the year 373.  Worship is IN THE SPIRIT as a place as opposed to houses build by human hands or the WORKS of human hands.
The Biblical Definition of ekklesia-synagogue
Episun-agō a^,
A. collect and bring to a place, Plb.1.75.2 (Pass.), 5.97.3, Wilcken Chr.11A5 (ii B.C.) ; gather together, LXX Ge.6.16, al., Ev.Matt.23.37, etc.:—Pass., OGI90.23 (Rosetta, ii B. C.), Placit. 3.4.1, Ph.1.338 ; “hoi -sunēgmenoi en Xoei BoiōtoiSupp.Epigr.2.871 (Egypt, ii B. C.) ; to be combined,ta ek tōn plēthuntikōn eis ta henika -omenaLongin.24.1 ; episunakhthentes tokoi accumulated interest, PGrenf.2.72.8 (iii/iv A. D.), cf. PFlor.1.46.14 (ii A. D.) ; “episunagomenos arithmoscounted up, Ptol.Tetr.43.
II  bring in, in a discussion, “peritton-ein kai tautasPhld.Acad.Ind.28.
2    Astrol., = episumpherō, Vett.Val.288.29.
III.  conclude, infer,sullogizomenoi ton metaxu khronon episunagousin hoti..

Click on “sullogizomenoi
PETER DEFINED THE MARKS OF ANY PERFORMANCE: SPEAKING, SINGING, PLAYING INSTRUMENTS. 

David Young God commanded Instrumental Music: This is not a set of rituals but Psalm 33 invites us to a rich EXPERIENCE with God "Praise God with the harp, shout for joy, INVITATION to give everything I have."

Psalm
150  is part of the hymnbook of the church: He concludes that everything that has BREATH including the musical instruments

Revelation 5 depicts the end of time.  worship God, heaven,
   Use musical instruments back to god.


It appears that it is not possible to be a Doctor of the Law and not fall under the ban of Jesus Who said that they take away the key to knowledge.  Music derived from mystery means "to make the lambs dumb before the slaughter." That was prophesied of Messiah 41 and fulfilled as the Jews MUSICALLY MOCKED Jesus up to the food of the Old Rugged Cross.

David was a KING and the Levite Prophesiers are called soothsayer-sorcerers always involved with sacrificing other people's lambs and are called PARASITES.  David wrote warrior music intending as in the halal (Lucifer word) intending to threaten them with the usual ALPHA MALE intimidation. God had turned the Jews over to worship the Starry host (missed Acts and Amos?) and that was the same Abadddon-Apollyon figure which they worshipped. That happened as a sin beyond redemption at Mount Sinai when the golden calf represented the always-pagan trinity of father, mother (spirit) and little bad son, Horus.  When preachers usurp the male leadership the PATTERN is also defined in Revelation 17 when the end-time Babylon Mother of harlots uses "lusted after fruits" (same as in Amos 8) as speakers, singers, instrument players and craftsmen: these are the ministry team called PARASITES in all religious institutions antithetical to the School of Christ.

Horus was the posthumous son and heir of the god Osiris, the primordial king and giver of life. He was invited by his uncle, Seth, to spend a day. Seth’s real motive was not to show him hospitality but to disqualify him from inheriting his father’s royal power. To this end, while Horus slept Seth committed an act of sodomy upon him. Since sodomy was inflicted as a punishment on a defeated enemy and was a symbol of domination, Seth could then claim that he had conquered Horus and demand the kingship in his place.

Historically, the rape of males was more widely recognized in ancient times. Several of the legends in Greek mythology involved abductions and sexual assaults of males by other males or gods. The rape of a defeated male enemy was considered the special right of the victorious soldier in some societies and was a signal of the totality of the defeat. There was a widespread belief that a male who was sexually penetrated, even if it was by forced sexual assault, thus "lost his manhood," and could no longer be a warrior or ruler. Gang rape of a male was considered an ultimate form of punishment and, as such, was known to the Romans as punishment for adultery and the Persians and Iranians as punishment for violation of the sanctity of the harem (Donaldson, 1990). Donaldson, Donald. (1990). "Rape of Males," in Dynes, Wayne, ed. Encyclopedia of Homosexuality. New York: Garland Publications.

Psalm 149 Sexuality and Dance

What is called Psalm 150 as part of the hymnbook of the church is not a psalm: it is a HALAL. David wants to HALAL his god in the FIRMAMENT: that is because the kings had been abandoned to worship the starry host because of instrumental idolatry of the trinity at Mount Sinai. This was a sin beyond redemption.  Halal is the root meaning of Lucifer: The Spirit OF Christ identified the king-queen of Tyre with "Lucifer the singing and harp-playing prostitute in the garden of Eden."

It was because of instrumental idolatry that God gave Israel The Book of the Law and turned them over to worship the Starry host. We wonder how one could read Acts 7 and NOT know that all of the history of the Monarchy defines the not-commanded rituals of an abandoned people.

"The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589).

Acts 7:41 And they made a calf in those days,
        and offered sacrifice unto the idol,
        and rejoiced in the works of their own hands.
lūdo , si, sum 84: “in numerum,dance, Verg. E. 6, 28: “hic juvenum series teneris immixta puellis ludit,
—Esp., to play on an instrument of music, to make or compose music or song: “ludere quae vellem calamo permisit agresti,Verg. E. 1, 10: “talia fumosi luduntur mense Decembri,Ov. Tr. 2, 491: “quod tenerae cantent, lusit tua musa, puellae,id. Am. 3, 1, 27: “coloni Versibus incomptis ludunt,Verg. G. 2, 386:carmina pastorum,id. ib. 4, 565; Suet. Ner. 3: “si quid vacui sub umbra Lusimus tecum,Hor. C. 1, 22, 2.—
ludere opus,to imitate work, make believe work,

Lucifer the singing and harp-playing prostitute was cast as profane (chalal) into the garden of Eden with wind string and percussion instruments.
The golden calf was worshipped with wind string and percussion instruments.
Christ in Isaiah 30 says that the SOUNDS of God driving His enemies into HELL will be wind, string and percussion instruments.
Voice of harpers, musicians, pipers and trumpeters in Revelation 18 will signal Jesus removing the LAMPS (seven spirits of knowledge) from a pseudo-church in preparation for CASTING THEM ALIVE INTO THE LAKE OF FIRE.



Euphrainō , Ep. euphr-, fut. Att.155.12, Pi.I.7(6).3
Pind. I. 6 Just as we mix the second bowl of wine when the men's symposium [crooked race] is flourishing, here is the second song of the Muses for Lampon's children and their athletic victories: first in Nemea, Zeus, in your honor they received the choicest of garlands,

g2165Euphraino.gif

This is the Crooked Race we are warned to save ourselves FROM.

Pind. I. 7   In which of the local glories of the past, divinely blessed Thebe, did you most delight your spirit? Was it when you raised to eminence the one seated beside Demeter of the clashing bronze cymbals, flowing-haired [5] Dionysus? Or when you received, as a snow-shower of gold in the middle of the night, the greatest of the gods, when he stood in the doorway of Amphitryon, and then went in to the wife to beget Heracles? But since ancient grace sleeps, and mortals are forgetful of whatever does not reach the highest bloom of skillful song, joined to glorious streams of words, [20] then begin the victory procession with a sweet-singing hymn for Strepsiades;

Bishop Hislop
Nimrod
was known as the god of the Chaldean Mysteries. That name, as we have seen, was Saturn. Saturn and Mystery are both Chaldean words, and they are correlative terms. As Mystery signifies the Hidden system, so Saturn signifies the Hidden god. *

* In the Litany of the Mass, the worshippers are taught thus to pray: "God Hidden, and my Saviour, have mercy upon us." (M'GAVIN'S Protestant) Whence can this invocation of the "God Hidden" have come, but from the ancient worship of Saturn, the "Hidden God"? As the Papacy has canonised the Babylonian god by the name of St. Dionysius, and St. Bacchus, the "martyr," so by this very name of "Satur" is he also enrolled in the calendar; for March 29th is the festival of "St. Satur," the martyr. (CHAMBER'S Book of Days)

Adonis, Attis, Osiris and Dionysus are the same.

To those who were initiated the god was revealed; to all else he was hidden. Now, the name Saturn in Chaldee is pronounced Satur; but, as every Chaldee scholar knows, consists only of four letters, thus--Stur. This name contains exactly the Apocalyptic number 666:--

Aristoph. Ach. 5 I was in ecstasy and I love the Knights for this deed; ‘it is an honour to Greece.’ But the day when I was impatiently awaiting a piece by Aeschylus, what tragic despair it caused me when the herald called, “Theognis, introduce your Chorus!” Just imagine how this blow struck straight at my heart!

Xen. Sym. 7.5 However, these questions also fail to promote the same object that wine does; but if the young people were to have a flute accompaniment and dance figures depicting the Graces, the Horae, and the Nymphs, I believe that they would be far less wearied themselves and that the charms of the banquet would be greatly enhanced.”

“Upon my word, Socrates,” replied the Syracusan, “you are quite right; and I will bring in a spectacle that will delight you.”

Acts 7:42 Then God turned,
        and gave them up to worship the host of heaven;
 
        as it is written in the book of the prophets,
        O ye house of Israel,  have ye offered to me slain beasts and sacrifices
        by the space of forty years in the wilderness?
Acts 7:43 Yea, ye took up the tabernacle of Moloch
        and the star of your god Remphan, 
        figures which ye made to worship them: 
        and I will carry you away beyond Babylon.

 

David Young's trying to induce the same fall from grace quotes:

 
Psalms 33:1 Rejoice in the LORD, O ye righteous: for praise is comely for the upright.
h8416. thillah, teh-hil-law´; from 1984; laudation; specifically (concretely) a hymn:—praise.
exsulto (exult B. In partic., to exult, rejoice exceedingly; to run riot, to revel; to vaunt, boast:
1. Boastful, vain-glorious: “turbati aut exsultantis animi motus,
2. Of an orator or an oration, diffuse, prolix: riot, gambol,

exsultātĭo (exult- ), ōnis, f. id.,
I.a springing up, leaping, frisking (post-Aug.).
II. Trop., excessive rejoicing, exultation: gaudium enim exsultatio, exsultationem tumor et nimia aestimatio sui sequitur, Sen. de Ira, 2, 21; cf.: “laetitia dicitur exsultatio quaedam animi gaudio efferventior,Gell. 2, 27, 31; Sen. Tranq. 15 fin.; Tac. H. 1, 72 al.

Exsŭlāris (exul- ), e, adj. exsul,
I.of or belonging to exile or to exiles (late Lat.): “poena,Amm. 15, 3: “maeror,
maeror (moer-I.a mourning, sadness, grief, sorrow, lamentation, whether secret or open
exsŭlātor (exul- ), ōris, m. id., I.a banisher, expeller: “primi hominis,
pŭĕrīlis , e, adj. puer. Lit., boyish, childish, youthful
boyish, childish, puerile, trivial, silly
Childishly, foolishly, sillily: “stultus,
Not used by the Text
Laudatiolaudationes modulatae,” [of singing, speaking, dancing, melodiously: modulate canentes tibiae, *] songs of praise, Suet. Ner. 20.— Applied to Nero: again playing the harp in many examples is a prelude to BURNING the faithful.

H7442 rânan raw-nan' A primitive root; properly to creak (or emit a stridulous sound), that is, to shout (usually for joy):—aloud for joy, cry out, be joyful, (greatly, make to) rejoice, (cause to) shout (for joy), (cause to) sing (aloud, for joy, out), triumph.

 h7422.ranan.gif

Catullus Carmine 63 "Haste you together, she-priests, to Cybele's dense woods, together haste, you vagrant herd of the dame Dindymene, you who inclining towards strange places as exiles, following in my footsteps, led by me, comrades, you who have faced the ravening sea and truculent main, and have castrated your bodies in your utmost hate of Venus, make glad our mistress speedily with your minds' mad wanderings.

Let dull delay depart from your thoughts, together haste you, follow to the Phrygian home of Cybele, to the Phrygian woods of the Goddess, where sounds the cymbal's voice, where the tambour resounds, where the Phrygian flutist pipes deep notes on the curved reed, where the ivy-clad Maenades furiously toss their heads, where they enact their sacred orgies with shrill-sounding ululations  [Halal praise word], where that wandering band of the Goddess flits about: there it is meet to hasten with hurried mystic dance."

When Attis, spurious woman, had thus chanted to her comity, the chorus straightway shrills with trembling tongues, the light tambour booms, the concave cymbals clang, and the troop swiftly hastes with rapid feet to verdurous Ida.

Then raging wildly, breathless, wandering, with brain distraught, hurries Attis with her tambour, their leader through dense woods, like an untamed heifer shunning the burden of the yoke: and the swift Gallae press behind their speedy-footed leader. So when the home of Cybele they reach, wearied out with excess of toil and lack of food they fall in slumber. Sluggish sleep shrouds their eyes drooping with faintness, and raging fury [Wrath warned Paul] leaves their minds to quiet ease.

See Paul in Galatians 5 music and witchcraft of the effeminate

Galatians 5:12 I would they were even cut off which trouble you.

A. Based on the words Paul uses pointed to the emasculated priests of the mother goddess, Paul intends to CUT OFF the musical performers in the same way the priests were made eunuchs:

First:
Apo-koptō
, a.ta gennētika, of eunuchs, Ph.1.89: abs., “apokekommenoseunuch, LXXDe.23.1, cf.Luc.Eun.8:—Med., make oneself a eunuch, Ep.Gal.5.12, cf. Arr.Epict.2.20.19.

This would apply to the musical fall from grace at Mount Sinai:  the worship of the Mother Goddess allowed males to "perform the role of women." David's stola was worn by the office of prostitute and the Ephod was a phallic symbol which David cast off and went naked.
Second:
3. esp. of voice or breath, cut short,ton tou pneumatos tononD.H.Comp.14, cf. 22:—Pass., “apokekoptai tini phōnēPlu.Dem.25, cf. Dsc.Eup.1.85.
Ton-os , o(, (teinō) 2. of sounds, raising of the voice, Aeschin.3.209,210, D.18.280, Phld.Lib.p.19 O., etc.: hence, a. pitch of the voice, Pl.R. 617b, Arist.Phgn.807a17, etc.; including volume,tonoi phōnēs: oxu, baru, mikron, megaX.Cyn.6.20; of a musical instrument, Plu.2.827b, etc.; diatonic scale,
3. esp. of voice or breath, cut short,ton tou pneumatos tononD.H.Comp.14, cf. 22:—Pass., “apokekoptai tini phōnēPlu.Dem.25, cf. Dsc.Eup.1.85
phōn-ē4. of sounds made by inanimate objects, mostly Poet., “kerkidos ph.S.Fr.595; “suriggōn (pipe) E.Tr.127 (lyr.); “aulōn”(flute) Mnesim.4.56 (anap.); rare in early Prose, “organōn phōnaiPl.R.397a; freq. in LXX, “ ph. tēs salpiggos” (harp) LXX Ex.20.18; ph. brontēs ib. Ps.103(104).7; “ ph. autou hōs ph. hudatōn pollōnApoc.1.15.
John Chrysostom understood Paul's message.

Chrysostom's Commentary on Galatians:

Galatians 5:1.-"With freedom did Christ set us free; stand fast therefore.115 ."
Ver. 12.
"I would that they which unsettle you would even cut themselves off." And he says well "that unsettle you."
"A man that is heretical after the first and second admonition refuse." (Tit. iii: 10) If they will,
let them not only be circumcised, but mutilated.
Where then are those who dare to mutilate themselves; seeing that they draw down the Apostolic curse, and accuse the workmanship of God, and take part with the Manichees? ... But if you will not allow this,
why do you not mutilate the tongue for blasphemy, the hands for rapine, the feet for their evil courses, in short, the whole body?
For the ear enchanted by the sound of a flute hath often enervated the soul;
and the perception of a sweet perfume by the nostrils hath bewitched the mind, and made it frantic for pleasure
.
The HALAL mark
Halal.Lucifer.All.gif

In David Young's early sermons he wanted to REPRODUCE the Cane Ridge Revival which alert people defined as witchcraft of silly preachers and black singers helping to drive the people into a Voodoois charismac breakdown.  He still wants a REVIVAL wheree he imagines tha the Holy Spirit (whose name is Jesus Christ the Righteous) can produce the same outrages at North Boulevard Church of Christ.  He wants everyone to sing, shout, dance, hug and kiss.

1Chr. 15:19 So the singers, Heman, Asaph, and Ethan, were appointed to sound with cymbals of brass;

SOUND: 8085.  shama, shaw-mah´; a primitive root; to hear intelligently (often with implication of attention, obedience, etc.; causatively, to tell, etc.):—x attentively, call (gather) together
CYMBALS: 6750.  = tsalal, tsaw-lal´; a primitive root (identical with 6749 through the idea of vibration); to tinkle, i.e. rattle together (as the ears in reddening with shame, or the teeth in chattering with fear):quiver, tingle.

6767tslatsal, tsel-aw-tsal´; from 6750 reduplicated; a clatter, i.e. (abstractly) whirring (of wings); (concretely) a cricket; also a harpoon (as rattling), a cymbal (as clanging):--cymbal, locust, shadowing, spear

tympănŏtrĭba , ae, m., = tumpanotribēs,
I.a taborer, a timbrel-player, a term of reproach for a soft, effeminate person (alluding to the priests of Cybele), Plaut. Truc. 2, 7, 49; cf. tympanum.
tumpa^no-tribēs i^, ou, ho, A. drummer, esp. used of the Galli in the worship of Cybele, in Lat. form tympanotriba, Plaut.Truc.611

T. Maccius Plautus, Truculentus, or The Churl

He looks at me as he groans. He heaved a sigh from the very bottom of his breast. Observe that now; he gnashes his teeth; he strikes his thigh. Prithee, is he deranged6, that he's beating his own self?

STRATOPHANES to PHRONESIUM. What say you? Why have you dared to say that you love another man?

PHRONESIUM I chose to.

STRATOPHANES Say you so, indeed? I'll first make trial of that. Do you, for the sake of such a shabby present, vegetables, and comestibles, and vinegar-water, bestow your love upon an effeminate, frizzle-pated, dark-haunt frequenting, drum-drubbing debauchee7, a fellow not worth a nutshell?

6 Is he deranged: "Hariolus." Literally, "a soothsayer," or "diviner." In their prophetic frenzy, these persons often had the appearance of being mad, and were so considered.

7 Drum-drubbing debauchee: "Typanotriba." Literally, "drum," or "tambourine beater." He alludes to the eunuch-priests of Cybele, who used to beat tambourines in her procession-probably in allusion to debauchees, emasculated by riot and dissipation.

The first Assault against people who would not BEGIN to do what they refused to do by direct command of Christ the Rock and the very masculine nature of a godly leadership.

Stark: Who put the twelfth commandment into God's law, saying, "Thou shalt not have an instrument of music in the congregation of the saints?"  David [Lipscomb], the destructive critic, when, like the "man of sin," he sits in the temple of God, says: "Thou shalt not."  That is the corner stone of his departure--the foundation of his schism.  Their church is built upon it, and a few old fogies have made it a test of fellowship.  God will shake their thunder out of them and put some lightning into them one of these days. [p.28]

Jameson Fawcett Brown notes: Vulgate translates, "They turn thy words into a song of their mouths." heart goeth after covetousness--the grand rival to the love of God; therefore called "idolatry," and therefore associated with impure carnal love, as both alike transfer the heart's affection from the Creator to the creature

Clement of Alexander: "After having paid reverence to the discourse about God, they leave within [at church] what they have heard.

And outside they foolishly amuse themselves with impious playing, and amatory quavering (feminine vibrato), occupied with flute-playing, and dancing, and intoxication, and all kinds of trash.

But now to pass from this to the shameless corruption of the stage. I am ashamed to tell what things are said; I am even ashamed to denounce the things that are done-the tricks of arguments, the cheatings of adulterers, the immodesties of women, the scurrile jokes, the sordid parasites,

David Young and the North Boulevard Church of Christ Elders:
Psalms 33:2 Praise the LORD with harp: sing unto him with the psaltery and an instrument of ten strings.

This is David's song and not a command for worship even in the synagogue to which the godly Jews went as A School of the Word as God quarantined them from the worship of the starry host (Abaddon, Apollyon etc) at the Temple which God DID NOT COMMAND

H3034 yâdâh yaw-daw' A primitive root; used only as denominative from H3027 ; literally to use (that is, hold out) the hand; physically to throw (a stone, an arrow) at or away; especially to revere or worship (with extended hands); intensively to bemoan (by wringing the hands):—cast (out), (make) confess (-ion), praise, shoot, (give) thank (-ful, -s, -sgiving).

H3027 yâd yawd A primitive word; a hand (the open one (indicating power, means, direction, etc.), in distinction from H3709 , the closed one);

The Greek Halal quoted above means to Make Self Vile: this is not the worship of a saved believer but of a warrior. If anything, the Psalmist CONFESSSES his VILENESS by playing on the Psaltery which was always attached to a women prostitute.  This is because the kings had been turned over to worship the starry host BECAUSE of instrumental idolatry at Mount Sinai. Furthermore, David was a king and the Jacob-cursed and God-abandoned Levites were under the King and Commanders of the army. When they sang TAUGHT songs and made themelves vile the message was to spook the enemy by

Boasting that our god (the astrial deities) can destroy your gods.
If you don't turn coward and run (the instrumental invasion)
        We will ROB you
        We will rape or sodomize you
        Then we will rapture your head off.

By CONFESSING His vileness with the instrument of the female prostitute, David confesses his Pre-destined  role of carrying out the captivity and death sentence imposed because of musical idolatry. David was not a worship leader and he did NOT write Worship Music for a Church of Christ using the instruments of the vile prostitute.

This is not the Shock and Awe of charismatic "worship" claiming the power to lead people into the presence of God: a job Jesus died to get.  However, the AWE is the utter terror while claiming to speak for the One God Almighty Who spoke only through the Spirit OF Christ to the Apostles and through Jesus of Nazareth to the Apostles.  There is room for reverence and godly fear because the Word of God cannot be private interpreted or further exounded. That iswhy the command from the wilderness onward was to PREACH the Word by READING the Word for Comfort and Doctrine.

Confĭtĕor , fessus, 2 (arch.
I.inf. confiterier, Plaut. Cist. 1, 3, 22), v. dep. fateor, to acknowledge, confess, own, avow (an error, mistake, or a fact previously denied or doubted, etc., implying a sacrifice of will or a change of conviction; while fate or expresses a simple acknowledgment, and profiteor a voluntary avowal), to concede, allow, grant
Cat. 86, 2
: se, to make one's self known (sc. Jovem), Ov. M. 3, 2;
(d). With de: “de maleficio,Cic. Rosc. Am. 41, 119; so id. ib. 42, 123; Tac. A. 14, 59; cf. supra, a fin.
confessedly, beyond doubt, Quint. 3, 5, 3; Sen. Ep. 76, 12: “in confesso esse,to be notorious, everywhere known, id. Ben. 3, 11, 2; id. Brev. Vit. 2, 3;

Catul. 1
To thee (Cornelius!); for wast ever fain
To deem my trifles somewhat boon contain;
E'en when thou single 'mongst Italians found
Daredst all periods in three Scripts expound
Learned (by Jupiter!) elaborately.
Then take thee whatso in this booklet be,
Such as it is, whereto O Patron Maid
To live down Ages lend thou lasting aid!

Lĭbellus , 7. A libel, lampoon, pasquinade (post-Aug.): “libellos aut carmina ad infamiam cujuspiam edere,Suet. Aug. 55; id. Caes. 80; id. Vit. 14: “sparsos de se in Curia famosos libellos,id. Aug. 55: “sive quis ad infamiam alicujus libellum aut carmen scripseri

Iuppiter (Iūpi-) Iovis, m

DIV-, Jupiter, Jove, son of Saturn, brother and husband of Juno, chief of the gods, god of the sky, Cs., C., L., H., V., O.: Iovis stella, the planet Jupiter.—Heaven, sky, air: sub Iove frigido, H.: metuendus (i. e. pluvius), V.: sub Iove, in the open air, O.: loci, temperature, O.: Iuppiter Stygius, i. e. Pluto, V.: Iovis auribus ista Servas, i. e. of Augustus, H.
mălĕfĭcĭum , ĭi, n. maleficus, I.an evil deed, misdeed, wickedness, offence, crime.
A. In gen. (class.): “ne conscii sint ipsi malefici suis,Plaut. Rud. 4, 7, 21: “conscientia maleficiorum,Cic. Phil. 5, 6, 15: “committere, admittere,to commit, id. Rosc. Am. 22, 62:
1. Fraud, deception, adulteration: “me maleficio vinceres?
2. Enchantment, sorcery, Tac. A. 2, 69  măgĭcē
vinco , I.to conquer, overcome, get the better of, defeat, subdue, vanquish, be victorious, etc. (syn.: supero, debello). i subitam et fortuitam orationem commentatio et cogitatio facile vincit
2. To prove triumphantly, show or demonstrate conclusively. constrained, compelled
Tac. Ann. 2.69 Then he left for Seleucia and awaited the result of the illness which had again attacked Germanicus. The terrible intensity of the malady was increased by the belief that he had been poisoned by Piso. And certainly there were found hidden in the floor and in the walls disinterred remains of human bodies, incantations and spells, and the name of Germanicus inscribed on leaden tablets, half-burnt cinders smeared with blood, and other horrors by which in popular belief souls are devoted so the infernal deities. Piso too was accused of sending emissaries to note curiously every unfavourable symptom of the illness.

Carmen  I.a tune, song; poem, verse; an oracular response, a prophecy; a form of incantation (cf.: cano, cantus, and canto)
I. In gen., a tune, song, air, lay, strain, note, sound, both vocal and instrumental (mostly poet.; in prose, instead of it, cantus; cf. “also versus, numeri, modi): carmen tuba ista peregit ( = sonus),
carmine vocali clarus citharāque Philammon,Ov. M. 11, 317; cf. “vocum,id. ib. 12, 157: “per me (sc. Apollinem) concordant carmina nervis,id. ib. 1, 518;
4. A response of an oracle, a prophecy, prediction: “ultima Cumaei venit jam carminis aetas,Verg. E. 4, 4; so Ov. M. 6, 582; Liv. 1, 45, 5; 23, 11, 4; 25, 12, 4; 29, 10, 6; 38, 45, 3; Tac. A. 3, 63; 4, 43; 6, 12 al.
5. A magic formula, an incantation: MALVM, Fragm. XII. Tab. ap. Plin. 28, 2, 4, § 17; cf. “Fragm. XII. Tab. 8, 1, a. ap. Wordsw. Fragm. and Spec. p. 260: polleantne aliquid verba et incantamenta carminum,Plin. 28, 2, 3, § 10: carmina vel caelo possunt deducere lunam; “Carminibus Circe socios mutavit Ulixi,
7. Moral sentences composed in verses:

măgĭcē , ēs, f., = magikē (sc. tekhnē),
I.the magic art, magic, sorcery (post-Aug.): pariter utrasque artes effloruisse, medicinam dico magicenque, Plin. 30, 1, 2, § 10; 30, 1, 2, § 7: “magices factio,id. 30, 1, 2, § 11.
factĭo , ōnis, f. id..Anything you make with your hands or compose
A company of persons associated or acting together, a class, order, sect, faction, party (syn.: pars, partes, causa, rebellio, perduellio, seditio). “lascivientium,Vulg. Amos, 6, 7.—

Amos 6:5 That chant to the sound of the viol, and invent to themselves instruments of musick, like David;
Amos 6:6 That drink wine in bowls, and anoint themselves with the chief ointments: but they are not grieved for the affliction of Joseph.
Amos 6:7 Therefore now shall they go captive with the first that go captive,
        and the banquet of them that stretched themselves shall be removed.
Amos 6:8 The Lord GOD hath sworn by himself, saith the LORD the God of hosts, I abhor the excellency of Jacob, and hate his palaces: therefore will I deliver up the city with all that is therein.
Amos 6:9 And it shall come to pass, if there remain ten men in one house, that they shall die.
măgĭcus , a, um, adj., = magikos, I.of or belonging to magic, magic, magical (poet. and in post-Aug. prose): “artes,” “superstitiones,Tac. A. 12, 59: “vanitates,
 di magici, that were invoked by incantations (as Pluto, Hecate, Proserpine), Tib. 1, 2, 62; Luc. 6, 577: “linguae,” i. e. hieroglyphics, id. 3, 222; “but lingua,skilled in incantations, Ov. M. 7, 330; Luc. 3, 224: “cantus,Juv. 6, 610: “magicae resonant ubi Memnone chordae,mysterious, id. 15, 5.
psaltērĭum , ĭi, n., = psaltērion (e scanned short, Ven. Fort. 2, 19, 43).
I. A stringed instrument of the lute kind, a psaltery, Varr. ap. Non. 215, 16; Cic. Har. Resp. 21, 44; Verg. Cir. 178; Quint. 1, 10, 31; Arn. 6, 209; Aug. in Psa. 32; 70; Tert. Cor. Mil. 9; Vulg. 1 Par. 13, 8; id. Psa. 56, 8.—
II. Transf., a song sung to the psaltery.
A. A satire, Varr. ap. Non. 101, 3; Paul. Sent. 5, 4, 16.—
B. The songs of David, the Psalms, Hier. Ep. 53, 8; 125, 11 et saep.
Cic. Har. Resp. 21, 44  All these men had a reason,—not an adequate one, indeed, (for no one can have an adequate reason for proving a bad citizen to the republic,) but still they had a serious reason, and one connected with some indignation of mind not unbecoming to a man.
        Publius Clodius came out as a popular character from saffron gowns and turbans,
        and woman's slippers, and purple bands, and stomachers,
        and singing, and iniquity, and adultery.
If the women had not caught him in this dress, if he had not been allowed to escape by the indulgence of the maid servants, from a place which it was impious for him to enter, the Roman people would have lost their devoted friend, the republic would have been deprived of so energetic a citizen. It is in consequence of this insane conduct, amid our dissensions, for which we are by these recent prodigies admonished by the immortal gods, that one of the patricians has been taken from their number to be made a tribune of the people, in direct violation of the laws.
David sang, danced and played instruments with the camp-following servants and godly Michal said that HE WENT NAKE: he was wearing the garments of a female used in the abandonement to the sacrificial system:
Ephod.Vulva.gif


Phallic.Cross.Ephod.gif


Worship Androgyny the Pagan Sexual Ideal
  Mystical Eroticism Pg 59.The worship of Aphrodite in Greece and Astartis (Ishtar) in Mesopotamia involved ritual prostitution.  Under Canaanite influence, this same abominable practice was introduced into Israel.. 1 Kings 15:12; 1 Kings 22:47; 2 Kings 23:7

Wikipedia verifies that The dress of the whore of Babylon is similar to the Jerusalem High Priest (Exodus 28:6).

Several Old Testament prophets referred to Jerusalem as being a spiritual harlot and a mother of such harlotry (Isaiah 1:21; Jeremiah 2:20; Jeremiah 3:1–11; Ezekiel 16:1–43; Ezekiel 23, Galatians 4:25). Some of the these Old Testament prophecies as well as the warnings in the New Testament concerning Jerusalem are in fact very close to the text concerning Babylon in Revelation, suggesting that John may well have actually been citing those prophecies in his description of Babylon.

For example, in Matthew 23:34–37 and Luke 11:47–51, Jesus himself assigned all of the bloodguilt for the killing of the prophets and of the saints (of all time) to the Pharisees of Jerusalem, and, in Revelation 17:6 and 18:20,24, almost identical phrasing is used in charging that very same bloodguilt to Babylon. This is also bolstered by Jesus' statement that "it's not possible for a prophet to be killed outside of Jerusalem." (Luke 13:33).[50]

THE UNIVERSAL DESPISING OF RELIGIOUS MUSICIANS ALWAYS GENDER BENT.
D. L. 6.2 [65] Seeing a young man behaving effeminately, "Are you not ashamed," he said, "that your own intention about yourself should be worse than nature's :
        for nature made you a man, but you are forcing yourself to play the woman."
        Observing a fool tuning a psaltery, "Are you not ashamed," said he,
        "to give this wood concordant sounds, while you fail to harmonize your soul with life ?"
To one who protested that he was ill adapted for the study of philosophy, he said, "Why then do you live, if you do not care to live well ?" To one who despised his father, "Are you not ashamed," he said, "to despise him to whom you owe it that you can so pride yourself ?"
        Noticing a handsome youth chattering in unseemly fashion, "Are you not ashamed," he said,
        "to draw a dagger of lead from an ivory scabbard ?"

Ath. 4.81 [3.] And while we were now all amusing ourselves with agreeable trifling, some flute-playing women and musicians, and some Rhodian players on the sambuca came in, naked as I fancied, but some said that they had tunics on. And they having played a prelude, departed; and others came in in succession, each of them bearing two bottles of perfume, bound with a golden thong
aphrōn , on, gen. onos, (phrēn) A.senseless, of statues, X. Mem.1.4.4:— and so, crazed, frantic,aphrona kourēnIl.5.875, cf. 761, A.Eu.377 (lyr.); silly, foolish,
WHAT THE MINIMALIST BIBLE STUDENT UNDERSTANDS UNLESS DETRACTED BY EFFEMINATE WORSHIP SERVICES.

"Women and girls from the different ranks of society were proud to enter the service of the gods as singers and musicians. The understanding of this service was universal: these singers constituted the 'harem of the gods'." (Quasten)

"The name of psaltery entered Christian literature in the 3rd century B.C. translation of the Old Testament called the Septuagint where, in the Psalms, nebel was translated psalterion. Thus, Nebuchadnezzar's idolatrous ensemble included the Aramic psantria. Notice, also, that the book of Psalms has also become known as the Psalter (or psalterium), from the hymns sung with this harp. Source http://www.s-hamilton.k12.ia.us/antiqua/psaltery.htm

NEBUCHADNEZZAR the king made an image of gold, whose height was threescore cubits (60), and the breadth thereof six (6) cubits: he set it up in the plain of Dura (circle), in the province of Babylon. Dan 3:1

That at what time ye hear the sound of the (1) cornet, (2) flute, (3) harp, (4) sackbut, (5) psaltery, (6) dulcimer, and all kinds of musick, ye fall down and worship the golden image that Nebuchadnezzar the king hath set up: Dan 3:5

"Its (pipe = to love passionately) was apparently a secular instrument and is never listed in the temple orchestra; only in Ps. 150:4 it is mentioned in a religious (but not ritual) function. Its ethos was not blameless at all, as we see from Genesis Rabbah 50:

'The angels said to Lot: 'There are players of the pipe (organ) in the country, hence it ought to be destroyed'." Its rabbinical identification with the aboda, the flute of the notorious Syrian bayaderes, emphasizes the erotic element which already the Hebrew name suggests." (Interpreter's Dictionary of the Bible, p. 460, Abingdon).

H5036 nâbâl naw-bawl' From H5034 ; stupid; wicked (especially impious):—fool (-ish, -ish man, -ish woman), vile person.
H5035 nebel nêbel neh'-bel, nay'-bel From H5034 ; a skin bag for liquids (from collapsing when empty); hence, a vase (as similar in shape when full); also a lyre (as having a body of like form):—bottle, pitcher, psaltery, vessel, viol
h5035Nebel.gif
WHAT STUDENTS OF THE ANCIENT NEAR EAST UNDERSTANDS

"The development both of religion and of the arts can be traced back in a continuous line to the hunting era. The group ritual of the primeval tribesmen were the origin not only of all religious ceremonial, but also of the drama and of poetry and music, while magic gave birth to the visual arts."

"Awed by the mysteries of his own spirit no less than by those of nature, primitive man was likely to attribute to divine influence

any abnormal emotional state, whether above or below the usual level. Medicine men customarily went into states of trance in which they were believed to be in communication with the gods, and many tribes supposed lunatics and sexual deviants to be divinely possessed. (Parkes, Henry Bamford, On Gods and Men, p. 30).

Fool also called JESTER, a comic entertainer whose madness or imbecility, real or pretended, made him a source of amusement and gave him license to abuse and poke fun at even the most exalted of his patrons. Professional fools flourished from the days of the Egyptian pharaohs until well into the 18th century, finding a place in societies as diverse as that of the Aztecs of Mexico and the courts of medieval Europe.

Often deformed, dwarfed, or crippled, fools may have been kept for luck as well as for amusement, in the belief that deformity can avert the evil eye and that abusive raillery can transfer ill luck from the abused to the abuser. Fool figures played a part in the religious rituals of India and pre-Christian Europe, and, in some societies, such as that of Ireland in the 7th century BC, they were regarded as being inspired with poetic and prophetic powers.

The raillery of the fool and his frequent ritual association with a mock king suggest that he may have originated as a sacrificial scapegoat substituted for a royal victim.

A resemblance between the sacrificial garments of ancient ritual and the costume of a household jester in the Middle Ages--coxcomb, eared hood, bells, and bauble, with a motley coat--has been noted.

In most early societies, moreover, men evolved techniques for deliberaly inducing the abnormal forms of consciousness in which they supposed themselves to achieve union with divine power, sometimes by the use of drugs and other physiological stimuli, sometimes by hypnotic dances and music. The wild utterances to which they gave vent on such occasions were regarded as the words of a god and were interpreted as divine commands or predictions of future events." (Parkes, p. 32-33).

"Many peoples attributed any violent or unusual emotion to one of the gods as a matter of course; the individual was then no longer held responsiblie for his actions, though the gods were sometimes mischievous or even malevolent and the result might be catastrophic." (Parkes, p. 33).

"The flash of insight that enabled an individual to achieve an original act of creation, whether in art or in technology, was always mysterious, and for early mankind it could be due only to the intervention of a god. Long after the advent of civilization, in fact, poets continued to believe that they wrote from divine dictation; inventors attributed their discoveries to divine aid." (Parkes, p. 34).

"in Primitave religion any violent or abnormal emotional state was attributed to the gods and regarded as mystical. Both in the Bible and in Homer there are examples of misleading and catastrophic inspiritation. When Jehovah wished King Ahab to be killed in battle, he put a 'lying spirit' in the mouths of his prophets in order that they might encourage the king to go to war (I Kings, xxii, 22)." (Parkes, p. 33)

"What primative men... wanted from the gods was health and strength, riches and long life, and they hoped to attain these things chiefly by ritual and sacrifice rather than by good conduct. The methods of early religion always remained largely magical, and its motivations thoroughly materialistic." (Parkes, p. 36).

"Agriculture may at first have been a feminine occupation. It is a plausible theory that the women of a tribe first realized that seeds thrown away near their encampment were producing sprouts and deduced the possiblity of deliberately planting them. Early agriculture was associated everywhere with an emphasis on the femine principle in nature and among the gods on the analogy between human sexuality and the fertility of the earth." (Parkes, p. 40-41)


The almost supernatural lust to impose Musical "machines for doing hard work mostly making war" and always defining sorcery, is based on the word PSALLO.  While Psallo included smiting a string with the FINGERS but never with the PLECTRUM and is wholly derived from shooting real arrows or Abaddon-Apollyon shoothing LOVE ARROWS by the power of his lyre.

H5034
nâbêl naw-bale' A primitive root; to wilt; generally to fall away, fail, faint; figuratively to be foolish or (morally) wicked; causatively to despise, disgrace:—disgrace, dishonour, lightly esteem, fade (away, -ing), fall (down, -ling, off), do foolishly, come to nought, X surely, make vile, wither.
h5034.Nabal.gif
H5036 nâbâl naw-bawl' From H5034 ; stupid; wicked (especially impious):—fool (-ish, -ish man, -ish woman), vile person.

David Young says this is a command to us
Psalms 33:3 Sing unto him a new song; play skilfully with a loud noise.


H8643 terû‛âh ter-oo-aw' From H7321 ; clamor, that is, acclamation of joy or a battle cry; especially clangor of trumpets, as an alarum:—alarm, blow (-ing) (of, the) (trumpets), joy, jubile, loud noise, rejoicing, shout (-ing), (high, joyful) sound (-ing).
H8643.Teruwah.gif

H7321 rûa‛ roo-ah' A primitive root; to mar (especially by breaking); figuratively to split the ears (with sound), that is, shout (for alarm or joy):—blow an alarm, cry (alarm, aloud, out), destroy, make a joyful noise, smart, shout (for joy), sound an alarm, triumph.

Christ the Rock outlawes this "vocal or instrumental rejoicing" when the assembly was called for REST, READING AND REHEARSING THE WORD.

h7321Ruwa.gif
David Young and the Elders:
Psalms 33:4 For the word of the LORD is right; and all his works are done in truth.

21For our heartH3820 shall rejoiceH8055 in him, becauseH3588 we have trustedH982 in his holyH6944 nameH8034.

Psalm 32.21 quia in eo laetabitur cor nostrum et in nomine sancto eius speravimus

laetor  rejoice, feel joy, be joyful or glad at any thing (syn. gaudeo
delightful, cheerful, agreeable
H8055  saw-makh' A primitive root; probably to brighten up, that is, (figuratively) be (causatively make) blithe or gleesome:—cheer up, be (make) glad, (have make) joy (-ful), be (make) merry, (cause to, make to) rejoice, X very.

John Calvin: There is a distinction, however, to be observed here, that we may not indiscriminately consider as applicable to ourselves, every thing which was formerly enjoined upon the Jews. I have no doubt that playing upon cymbals, touching the harp and the viol, and all that kind of music, which is so frequently mentioned in the Psalms, was a part of the education; that is to say, the puerile instruction of the law: I speak of the stated service of the temple.

[The SERVICE of the clergy musicians is called HARD BONDAGE. That is because they had been turned over to worship LIKE THE NATIONS and all animal sacrifices were a form of legalistic appeasement and exorcism.

The "people's" congregation were quarantined from the temple when the trumpets signaled the beginning of sacrifice. Only the civil-temple state sacrificed tens of thousands of innocent animals as their TYPE of the future sacrifice of Jesus Christ with the mocking music of the warrior Levites whose service was "hard bondage."]

For even now, if believers choose to cheer themselves with musical instruments, they should, I think, make it their object not to dissever their cheerfulness from the praises of God.

But when they frequent their sacred assemblies, musical instruments in celebrating the praises of God would be no more suitable than the burning of incense, the lighting up of lamps, and the restoration of the other shadows of the law.

The Papists, therefore, have foolishly borrowed this, as well as many other things, from the Jews. Men who are fond of outward pomp may delight in that noise; but the simplicity which God recommends to us by the apostle is far more pleasing to him. Paul allows us to bless God in the public assembly of the saints only in a known tongue, (1 Corinthians 14:16.)

See David Young Instrumental Music in Revelation 5
 


Revelation 5 depicts the end of time.  worship God, heaven,
   Use musical instruments back to god.

2.18.16  41  12.18.16  164


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