David.Young.Ephesians.5.and.Dionysus.Sorcery

5.06.20 Ephesians 5 commands SPEAKING and in Romans 15 "using one mind and one mouth" to "speak that which is written for our LEARNING.  There is no evidence that people who Sow Discord and steal the churches of widows HAVE or evne NEED to understand what they so savagely teach with the command authority of WOLVES.  Paul would have understood that the "psalms" or Mizmors in the Book of Psalms are 50 used by their private devotion but never in a Worship Assembly.  Furthermore, both ODE and PSALLO  are silenced.  All "singing" or "names" of instruments are the Carnal Weapons of Sorcerers or Witches.

The Hebrews, like all nations, had a Civil-Military-Clergy abandoned because of Instrumental-Trinitarian-Perverted "PLAY".  Before the unredeemable fall at Mount Sinai, the Law did not include Priests, Levites or national sacrifices.  This was The Book of The Covenant and still Patriarchal.

The.Book.of.The.Covenant.html

The SABBATH was a day of REST as ANTITHETICAL of the Babylonian day of Tithes and SHABBAT

Scholars have not succeeded in tracing the origin of the seven-day week, nor can they account for the origin of the Sabbath. A seven-day week does not accord well with either a solar or lunar calendar. Some scholars, pointing to the Akkadian term shapattu, suggest a Babylonian origin for the seven-day week and the Sabbath. But shapattu, which refers to the day of the Full Moon and is nowhere described as a day of rest, has little in common with the Jewish Sabbath. It appears that the notion of the Sabbath as a holy day of rest, linking God to his people and recurring every seventh day, was unique to ancient Israel. Britannica Members

The Feast of Marduk and Zarpanit - the Sabbath, Shabbat, Shabatum

The Never Commanded King, Kingdom, Temple, Animal Sacrifices or "make the lambs dumb instruments."

The godly people RESTED on that day and were permitted to hold Synagogue or a READING ONLY meeting. That is the pattern for a "christian" assembly.

h4744.Miqra.gif
Eph. 3:5 Which in other ages was not made known unto the sons of men, as it is now REVEALED unto his holy apostles and prophets BY the SPIRIT;

Rom. 15:4 For whatsoever things were WRITTEN AFORETIME were written FOR our LEARNING, that we through patience and comfort of the SCRIPURES might have hope.
Acts 15:21 For Moses of old time hath in every city them that PREACH him, being READ in the synagogues every sabbath day. [Patterned by Ekklesia-Synagogue once each week]

THEN AND NOW INCLUSIVE-EXCLUSIVE PATTERN

Acts 13:26 Men and brethren, children of the stock of Abraham,
       and whosoever among you feareth God,
       to you is the WORD of this salvation sent.

ALL ANTI-CHRISTIAN "PAY FOR PLAY" INSTITUTIONS

Acts 13:27 For they that dwell at Jerusalem, and their RULERS,
        because they knew him not,
        nor yet the voices of the PROPHETS
        which are READ every sabbath day,
        they have fulfilled them in condemning him

JESUS OBEYED THE UNIVERSAL PATTERN FOR ANY NON-CLERGY MONEY TREE.

Luke 4:16 And he came to Nazareth, where he had been brought up:
     and, as his CUSTOM was, he went into the synagogue on the SABBATH day,
     FOR and stood up  to READ.
2Pet. 3:2 That ye may be MINDFUL of the WORDS which were spoken BEFORE by the holy prophets, and of the commandment of us the apostles of the Lord and Saviour: John 7:18 He that speaketh of HIMSELF seeketh his OWN GLORY
but he that seeketh his glory that sent him,
the same is true, and no unrighteousness is in him.
Eph. 2:20 And are built upon [EDUCATED] the foundation of the APOSTLES and PROPHETS, Jesus Christ himself being the chief corner stone;
Luke 4:17 And there was delivered unto him the book of the PROPHET Esaias. And when he had opened the BOOK, he found the place where it was WRITTEN,
Matt. 11:25 At that time Jesus answered and said, I thank thee, O Father, Lord of heaven and earth, because thou hast HID these things from the WISE and prudent, and hast revealed them unto babes.
Luke 4:18 The SPIRIT of the Lord is upon me, because he hath anointed ME to preach the GOSPEL to the POOR; he hath sent me to heal the brokenhearted, to preach DELIVERANCE to the captives, and recovering of SIGHT to the blind, to set at liberty them that are bruised,

Preachers speak their OWN WORDS because Jesus will not let them SELL the Free Water of the Word Isaiah 55
Isaiah.55.Word.Spirit.html

Sophos
A.skilled in any handicraft or art, clever, “mantis” All music is the INSTRUMENT of SORCERY.mostly of poets and musicians, Pi.O.1.9, P.1.42, 3.113; en kithara s. E.IT1238 (lyr.), cf. Ar.Ra.896  “nomos” LEGALISTS
Pind. P. 5 It is fitting for him, in the song of the young men, to celebrate Phoebus [APOLLON] with his golden sword,105] now that he has received from Pytho the graceful victory-song as a compensation for his expense. Intelligent men praise him. I will say what has been said by others: [110] he nurtures a mind and tongue that are beyond his years; in courage he is a long-winged eagle among birds; his strength in competition is like a bulwark. Among the Muses, he has had wings since he was a child in his dear mother's lap,
soph-izō ,
 Mousa   thugateresDaughters whatever the sex. II. mousa, as Appellat., music, song, “m. stugeraA.Eu.308 (anap.); “euphamosId.Supp.695 (lyr.); “kanakhan .[Clanging Brass] . theias antiluron mousasS.Tr.643 (lyr.); “Aiakō moisan pherein[The Laded Burden]

epi-phroneōHom. phrase aoidēn mallon epikleious' anthrōpoi).
Plat. Rep. 424b fearing when anyone says that“ That song is most regarded among men
Which hovers newest on the singer's lips,

BABES are believers who have been baptized

Titus 3:5 Not by works of righteousness which we have done,
         but according to his mercy he saved us,
         by the washing [Baptism] of regeneration, and REnewing OF the Holy Ghost;

2 Corinthians 3 Only those converted or baptized and READ BLACK text on BROWN paper or HEAR the Word when it is PREACHED by being READ.

DESPISING THE WORD Which the Latin translates as BLASPHEMY.

Ephesians.5.David.Young.Version.jpg

This is blasphemy because Psallo carries ugly meanings, has no musical meaning, and is commanded to be silent or in the heart.
Eph. 5:18 And be not drunk with wine, wherein is excess; but be filled with the Spirit;   
      kat-auleō , A. charm by flute-playing, tinos Pl.Lg.790e, cf. R.411a; tina  : metaph., se . . -ēsō phobō I will flute to you on a ghastly flute, E.HF871 (troch.):—Pass., of persons, methuōn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros khelōnidos psophon to be played to on the flute with lyre accompaniment, 

Eph. 5:19 SPEAKING to yourselves in psalms and hymns and spiritual songs,
BUT: singing and making melody IN your heart TO the Lord;

God is not INTELLIGIBLE as claimed by Leonard Allen.  So say anyone who thinks that there is any music content to the School of Christ.   If God wanted to command AUDIBLE and TUNEFUL melody He would have used the Greek
melos would have been used by God!

Eph. 5:20 Giving thanks always for all things unto God and the Father in the name of our Lord Jesus Christ;

A NEW VERSION OF EPHESIANS 5 READING 101A

Max Lucado and Worship Team assault the Paying Audience for their performance and then SELL CDs of their production.  Like Jimmy Swaggart. You can pay the Evangelists who, if faithful to the Word, will be despised and never rich and famous.

"For many, the worship wars are long over and entertainment music, center stage with all its obligatory paraphernalia, won.,. Geneva was a party city, a trading center, a crossroads where many merchants, far from home, came and went. He had seen the abuse of music on the streets and in the taverns, music that gave only “…foolish delight by which it seduces men from better employments and occupies them in vanity.”  . Douglas Bond

Of the Musical Prophesiers who DO rather than SPEAK.

John 8:28 Then said Jesus unto them,
        When ye have lifted up the
Son of man,
       
then shall ye know that I am he,
        and that
I DO nothing of MYSELF ;
              BUT as my Father hath taught me,

              I SPEAK
these things  SPEAK

John 8:38 I SPEAK that which I have seen with my Father:
        and ye DO that which ye have SEEN with your father.

Poieite. make, produce, first of something material, as manufactures, works of art, etc. of building, p. dōma  ton Apollōn,  p. to problēma effect a solution of the problem, compose, write, p. dithurambon, epea 1. song or lay accompanied by music, 8.91,17.519Saturous [BEAST] kōmōdian, tragōdian, poetry, write as a poet  describe in verse, put them into verse, of sacrifices, festivals, etc., celebrate  p. tēn mousikēn practise it,
Matt. 7:21 Not every one that SAITH unto me, Lord, Lord,
        shall enter into the kingdom of heaven;
        but he that DOETH the WILL OF MY FATHER which is in heaven.


Religious Musicians sell their body and history brands them Prostitutes. Rather than DO your own will claiming that A spirit is leading them, The Never-Musical Ephesians 5 makes ODE and PSALLO in the heart or SILENT as the only way to exclude the Women.  The repudiating of the Word, Logos or Regulative Principle.

Before Ephesians 5 as THE justification of lying, cheating and stealing the "living" and church house of widows, A Christian, Disciple or STUDENT only gets PREPARED with

Eph. 5:17 Wherefore be ye not unwise,  [Stupid or FORE-ORDAINED]
        but understanding what the WILL OF THE LORD IS


Eph. 5:18 And be not drunk with wine, wherein is excess; 

methuskō   hēdonē
Plat. Laws 649d Anger, lust, insolence, ignorance, covetousness, and extravagance; and these also,—wealth, beauty, strength, and everything which intoxicates a man with pleasure and turns his head

g810 Asotia Unsavedness or RIOT from g4982 loss of being SAVED

III. Methē personified, in Art, Paus.2.27.3.

Paus. 2.27.3   Near has been built a circular building of white marble, called Tholos (Round House),
        which is worth seeing. In it is a picture by Pausias representing Love,
        who has cast aside his bow and arrows,
        and is carrying instead of them a LYRE that he has taken up.
Here there is also another work of Pausias, Drunkenness drinking out of a crystal cup.

Plat. Laws 775b  Drinking to excess is a practice that is nowhere seemly
        save only at the feasts of the God, the Giver of wine,—nor yet safe;


Plat. Laws 700b one class of song was that of PRAYERS to the gods, which bore the name of “HYMNS 
1 i.e., solemn chants sung to the “cithara” or lyre. “Dithyrambs” were choral odes to Dionysus; “paeans” were mostly hymns of praise to Apollo [Apollyon]        
        BUT be filled with the SPIRIT;  [The Will of the Lord]
John 6:63 It is the SPIRIT that quickeneth; the flesh profiteth nothing:
        the WORDS that I SPEAK unto you, they are
SPIRIT, and they are LIFE.
Eph. 5:19 SPEAKING to yourselves in psalms and hymns and spiritual songs,
        singing [ode] and making melody [psallo] in your heart to the Lord;

The man who was dying blessed me; I made the widow's heart sing. Jb.29:13

So my HEART laments for Moab like a flute;
it laments LIKE a flute for the men of Kir Hareseth. The wealth they acquired is gone. Je.48:36

My HEART laments for Moab LIKE a harp,
my inmost being for Kir Hareseth. Is.16:11

And my HEART hath rejoiced in God my Saviour.Lu.1:47
Therefore did my HEART rejoice, and my tongue was glad; moreover also my flesh shall REST  in hope: Ac.2:26

In that hour Jesus rejoiced IN SPIRIT and said, I thank thee, O Father, Lord of heaven and earth, that thou hast hid these things from the wise and prudent,
The Wise are Sophists: rhetoricians, singers or instrument players.
and hast revealed them unto babes: even so, Father; for so it seemed good in thy sight. Lu.10:21
Babes are REgenerated at and by baptism. The have A holy spirit or A good conscience. This gives only true Disciples the
--Pl. Cur. 2.1 Plautus, Curculio CAPPADOX My spleen is killing me, my reins are in torment, my lungs are being torn asunder, my liver is being tortured, my HEART-strings are giving way, all my intestines are in pain.

--Eur. Hec. 216 Hecuba
Alas! a dreadful trial is near, it seems, [230] full of mourning, rich in tears. Yes, I too escaped death where death had been my due, and Zeus did not destroy me but is still preserving my life, that I may witness in my misery fresh sorrows surpassing all before. But if the bond may ask the free of things that do not GRIEVE them or WRENCH their
HEART-strings, you ought to speak in answer to my questions and I ought to hear what you have to say.

GREGORY OF NYSSA (died c394)

8 . Now since man is a RATIONAL animal,
the
instrument of his body must be made suitable for the use of REASON;
    as you may see musicians producing
their music according to the form of their instruments,
    and
not piping with harps nor harping upon flutes,

so it must needs be that the organization of these instruments of ours should be adapted for REASON, t
       That when
struck by the vocal
ORGANS
       it might be able to sound properly for the use of
WORDS.


Col. 3:16 Let the WORD of Christ  [Which is SPIRIT John 6:63]
        dwell in you richly in all wisdom;
        TEACHING and admonishing ONE ANOTHER another
        in psalms and hymns and spiritual songs,
                singing with GRACE IN your hearts
                to the Lord.
g3560.  noutheteo, noo-thet-eh´-o; from the same as 3559; to put in mind, i.e. (by implication) to caution or reprove gently: — admonish, warn.

Luther agreed with Calvin about the power of music: “We know by experience that music has a secret and almost incredible power to move hearts.” Calvin’s knowledge about the force of music, however, led him to be more cautious than Luther. “Therefore, we ought to be even more diligent in regulating it in such a way that it shall be useful to us and in no way pernicious.”
Paul would under teaching Psalms as mizmor

Delitzsch, Psalms: The word "psalm", which is derived from the Greek word psalmos, is a translation of the Hebrew term mizmor, which is the title standing at the head of fifty-seven of the psalms. Thus it is evident that not every psalm has the superscription "psalm". But it is this word which has come to be the designation of the whole book.

Thus we see that although the one hundred and fifty units are called in the Scriptures the Book of Psalms, only fifty-seven of them bear the superscription psalm (mizmor) in the Hebrew Old Testament. The title which the Book of Psalms bears in Hebrew is Sepher Tehillim - the Book of Praises. It is this Hebrew word tehillim....  In Hellenistic Greek the corresponding word psalmoi' (from psa'llein = zimeer) is the more common; the Psalm collection is called bi'blos psalmoo'n (Luke 20:42; Acts 1:20) or psaltee'rion, the name of the instrument (psanteerîn in the Book of Daniel)
Psalm 150 is the the smoking gun for instrumentalists.
Only 57 are mismors
Only 7 of the 57 have instruments named. These are all DEDICATED for the use of certain people or "on the Sabbath" when instruments were never played.  None of them COMMAND us to play instruments.
You will be happy to know that Psalm 150 is NOT a mizmor or psalm.  Therefore, Paul did not command you to SPEAK Psalm 150.

Psalm 150 is a praise song. Paul did not command praise songs. 76 are PRAISE SONG.  These were "making self vile" with lots of twanging bowstrings in front of the enemy who knew that if they lost they would be raped, robbed and raped.

H1984 hâlal haw-lal' A primitive root; to be clear (originally of sound, but usually of color); to shine; hence to make a show; to boast; and thus to be (clamorously) foolish; to rave... feign self mad (against), give in marriage

H1966 hêylêl hay-lale' From H1984 (in the sense of brightness); the morning star:--lucifer.

Ov. Met. 11.146
When Pan had doone, the sacred Tmole to Phebus turnd his looke,

And with the turning of his head his busshye heare he shooke.
Then Phebus [Apollineos] with a crowne of Bay uppon his golden heare
Did sweepe the ground with scarlet robe. In left hand he did beare
His viol made of precious stones [
gemma] and Ivorye intermixt.

gemma multas in digitis, plures in carmine gemmas Invenies,Mart. 5, 11, 3:

My friend Stella, Severus, wears on his fingers sardonyxes, emeralds, diamonds, jaspers. Though there are many gems on his fingers, there are more in his verses, whence, I conclude, his hand is so decorated.  3 See Ep. 8.

http://www.piney.com/Isa30LXX.html
Is. 30:32 And in every place where the grounded staff shall pass, which the Lord shall lay upon him, it shall be with tabrets and harps: and in battles of shaking will he fight with it.

Ezek. 28:13 Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created. [Cast as Profane]

Ovid: And in his right hand for to strike,
        his bowe was redy fixt.
He was the verrye paterne of a good Musician ryght
Anon he gan with conning hand
        the tuned strings to smyght.

plectrum   The PSALLO foundation of the musicators OUTLAWS the plectrum.  It only permits striking a bow or lyre string with the FINGERS.

artĭfex  artificibus eos auloedos esse, qui citharoedi   artifices scaenici,
A maker, originator, author, contriver: Also for a sly, cunning contriver, inventor of a thing (cf

căno   [cf. kanassō, kanakhē, konabos; clanging bronze  to utter melodious notes, to sing, sound, play. A. Of men: “si absurde canat, tibia canentum   harundine,    [flute] cithara,
Ovid: The sweetenesse of the which did so the judge of them delyght,
That Pan was willed for to put his Reedepype in his cace,
And not to fiddle nor to sing where viols were in place.
pello , 4. Of a musical instrument, to strike the chords, play: “nervi pulsi,struck, Cic. Brut. 54, 199: “lyra pulsa manu,Ov. M. 10, 205;
1. To drive out or away, to banish, expel: Phoebeā morbos arte
2. To beat, conquer, overcome
morbus  B. Grief, sorrow, distress:  “nomen insaniae significat mentis

4. Of a musical instrument, to strike the chords, play: “nervi pulsi,struck, Cic. Brut. 54, 199: “lyra pulsa manu,Ov. M. 10, 205; cf.: “classica pulsa,” i. e. blown,

NO LAW OF GIVING.

1:5 Give to every one that asketh of thee, and ask not again;

http://www.piney.com/Prdidache.html
for the Father wishes that from
his own gifts there should be given to all.
Blessed is he who giveth according to the commandment, for he is free from guilt;
........... but woe unto him that receiveth.

For if a man receive being in need, he shall be free from guilt;

but he who receiveth when not in need, shall pay a penalty as to why he received and for what purpose; and when he is in tribulation he shall be examined concerning the things that he has done, and shall not depart thence until he has paid the last farthing.

1:6 For of a truth it has been said on these matters, let thy almsgiving abide in thy hands until thou knowest to whom thou hast given.

1 Corinthians 16:1f asks to "lay by him in store" or to save up an amount for later collection. Then four or five pairs of hands would carry it to Judea to the poor only. Collections were taken from the "prosperous" for the "poor" and the poor were never asked to give.

In 2 Corinthians 8 and 9 Paul had to make it clearer that this was not a command. That is, he was not instituting some new legalistic "law of giving." The authority is for a one time contribution and was limited to the poor. Paul claimed the right of support for evangelizing but noted that accepting a wage would destroy his influence.

The Wise or Sophists cannot hear God.  That is why almost no sermons or songs are able to obey and "SPEAK that which is WRITTEN for our LEARNING."  That is the One Piece Pattern from the Church in the wilderness onward.
h4744.Miqra.gif

The book of Enoch associates music as sorcery or magic and abortion as the crimes for which God will come with ten thousand of His saints.

In the Classics soothsaying was often related to the sounds or music which issued from musical instruments or from a ventriloquist speaking or singing for idols.

"There were guilds of roving prophets who indulged in practices not unlike clairvoyancy and used music to induce the state; madness was ascribed to the prophets as a class (II Kings 9:11). Saul came under their influence, and in frenzy he stripped off his clothing, rolled on the ground, and prophesied for a day and night." (Clark, Elmer T., The Small Sects in America, p. 85, Abingdon)

"They resemble each other also in their pomp, having the same processional to the scene of their display from temples and altars, and that mournful profusion of incense and blood, with music of pipes and trumpets, all under the direction of the soothsayer and the undertaker, those two foul masters of funeral rites and sacrifices." (Tertullian, de Spectaculis, Ante-Nicene, III, p. 84).

h7696. shaga{, shaw-gah´; a primitive root; to rave through insanity:—(be, play the) mad (man).

7697.  shigga{own, shig-gaw-yone´; from 7696; craziness:—furiously, madness.

"Women and girls from the different ranks of society were proud to enter the service of the gods as singers and musicians. The understanding of this service was universal: these singers constituted the 'harem of the gods'." (Quasten)

"The name of psaltery entered Christian literature in the 3rd century B.C. translation of the Old Testament called the Septuagint where, in the Psalms, nebel was translated psalterion. Thus, Nebuchadnezzar's idolatrous ensemble included the Aramic psantria. Notice, also, that the book of Psalms has also become known as the Psalter (or psalterium), from the hymns sung with this harp

NEBUCHADNEZZAR the king made an image of gold, whose height was threescore cubits (60), and the breadth thereof six (6) cubits: he set it up in the plain of Dura (circle), in the province of Babylon. Dan 3:1

That at what time ye hear the sound of the (1) cornet, (2) flute, (3) harp, (4) sackbut, (5) psaltery, (6) dulcimer, and all kinds of musick, ye fall down and worship the golden image that Nebuchadnezzar the king hath set up: Dan 3:5

"Its (pipe = to love passionately) was apparently a secular instrument and is never listed in the temple orchestra; only in Ps. 150:4 it is mentioned in a religious (but not ritual) function. Its ethos was not blameless at all, as we see from Genesis Rabbah 50:

'The angels said to Lot: 'There are players of the pipe (organ) in the country, hence it ought to be destroyed'." Its rabbinical identification with the aboda, the flute of the notorious Syrian bayaderes, emphasizes the erotic element which already the Hebrew name suggests." (Interpreter's Dictionary of the Bible, p. 460, Abingdon).

It is a fact, however, that ALL of the instrumental psalms were WAR CHANTS or PARADE HYMNS. The intention was to give glory to an army and its "god" to drive the enemy into panic. The end result of being defeated was often to be sodomized. Therefore, the Greek word pointing to the prostitute points to the Hebrew word for PRAISES.

  transliterated Halal

"We even have a mention at a later date of a similar custom in connection with the cult in Jerusalem, where certain Levites, called me'oreim, 'AROUSERS,' sang (every morning?) this verse from

-"Ps 44:23: "Awake, O Lord! Why do you sleep? Rouse yourself! Do not reject us forever." The Talmud tells us that John Hyrcanus suppressed the practice because it recalled too readily a pagan custom." (Roland de Vaux, p. 247)

H1984 Halal A primitive root; to be clear (originally of sound, but usually of color); to shine; hence to make a show; to boast; and thus to be (clamorously) foolish; to rave; causatively to celebrate; also to stultify:(make) boast (self), celebrate, commend, (deal, make), fool (-ish, -ly), glory, give [light], be (make, feign self) mad (against), give in marriage, [sing, be worthy of] praise, rage, renowned, shine.

THAT IS BECAUSE JESUS ORDAINED VOCATIONAL ELDERS TO TEACH THAT WHICH HAS BEEN TAUGHT.  ANY MORE MEANS THAT YOU MAY NEED DEPROGRAMMING

In The Necessity of Reforming the Church (1543) Calvin wrote:

But is it not altogether at variance with reason that the ploughing oxen should starve, and the lazy asses be fed? They will say, however, that they serve at the altar. I answer, that the priests under the law deserved maintenance, [food only for about 2 weeks in the year]  by ministering at an altar;

but that, as Paul declares, the case under the New Testament is different.

And what are those altar services, for which they allege that maintenance is due to them? Forsooth, that they may perform their masses and chant in churches, for example,

partly labor to no purpose,
and partly
perpetrate sacrilege, thereby provoking the anger of God. See for what it is that they are alimented at the public expense!

Didache 11:3 But concerning the APOSTLES and PROPHETS, thus do ye according to the doctrine of the Gospel.
Didache 11:4 Let every
apostle who cometh unto you be received as the Lord.

Proof that he is NOT an Apostle as proclaimed by the New Day Church

Didache 11:5--- He will remain one day, and if it be necessary, a second; but if he remain three days, he is a false prophet.

Didache 11:6 --- And let the apostle when departing take nothing but bread until he arrive at his resting-place; but if he ask for money, he is a false prophet.

Didache 11:9 And every prophet who ordereth in the spirit that a table shall be laid, shall not eat of it himself, but if he do otherwise, he is a false prophet;

See Cyprian: But if such a one alleges poverty and the necessity of small means, his necessity also can be assisted among the rest who are maintained by the support of the Church;

if he be content, that is, with very frugal but innocent food. And let him not think that he is redeemed by an allowance to cease from sinning, since this is an advantage not to us, but to himself

THE CLEAR PATTERN AS A MARK TO AVOID THOSE WHO CORRUPT THE WORD OR SELL LEARNING AT RETAIL-ADULTERY.

Acts 15:21 For Moses of old time hath in every city
        them that PREACH him,
        being READ in the synagogues every [once] sabbath [Rest] day.

Sabbath NEVER meant a Worship Assembly but Sabbath-Day walk QUARANTINED them from the God-Abandoned Temple. Then and now the neo-Jewish institution INDOCTRINATES and refuses to EDUCATE.

Acts 13:27 For they that dwell at Jerusalem, and their RULERS,
        because they knew him not,
        nor yet the VOICE of the prophets
        which are READ every sabbath day,  [Once a week READING and CONFESSING God's word]
        they have fulfilled them in condemning him
The PATTERN of Jesus and then a First-Century Church of Christ.
Luke 4:16 And he came to Nazareth, where he had been brought up:
        and, as his custom was,  [PATTERN]
        he went into the synagogue [Had a poor box FOR the poor only]
        on the sabbath day, [Once each week for PAUO: [stop speaking, singing, playing]
        and stood up FOR TO READ
.  [Holy Scripture is Written and READ]

Acts 13:15 And after the READING
        of the law [Civil Rules]
        and the prophets [Spiritual education]
        the rulers of the synagogue sent unto them,
        saying, Ye men and brethren,
        if ye have any word of exhortation for the people, say on.
g3874.  paraklesis, par-ak´-lay-sis; from 3870; imploration, hortation, solace: — comfort, consolation, exhortation, entreaty.
The Pattern is defined EXCLUSIVELY before INCLUSIVELY
Rom. 15:4 For whatsoever things
        were written aforetime were written FOR our LEARNING,
        that we through patience and COMFORT of the SCRIPTURES might have hope.

g3874.  paraklesis, par-ak´-lay-sis; from 3870; imploration, hortation, solace: — comfort, consolation, exhortation, Entreaty.
Martin Luther Romans 15

For instance, the distracted world attempts to serve God by setting apart houses, churches, cloisters;
        vestures, gold-trimmed, silk and [50] every other kind;
        silver vessels and images; bells and organs, candles and lamps;
         the money for which expense should have been appropriated to the poor
        if the object was to make an offering to God.

Further, it keeps up a muttering and wailing in the churches day and night.
        But true praise and honor of God, a service that cannot be confined to place or person,
        is quietly ignored the world over.

The pretenses of priests and monks about their system of exercises
being service to the Lord, are false and delusive.

because they silenced his praise, while at the same time,
        they piped, blared and moaned like we do.
        true divine service of praise cannot be established with revenues,
 
      nor be circumscribed by laws and statutes.
        High and low festivals have nothing to do with it.
        It emanates from the Gospel, and certainly is as often rendered by a poor,
        rustic
servant as by a great bishop

Eph. 2:19 Now therefore ye are no more strangers and foreigners,
        but fellowcitizens with the saints, and of the HOUSEHOLD of God; [excludes Priests or Levites]
Eph. 2:20 And are built upon [EDUCATED]
         the foundation of the apostles and prophets,
        Jesus Christ himself being the chief corner stone;

Eph. 3:5 Which in other ages was not made known
        unto the sons of men,
        as it is now revealed unto his holy APOSTLES and PROPHETS
        BY the SPIRIT;

SPIRIT is defined as FIGURATIVE or a PARABLE to define "God put His WORD into the MOUTH"of A Moses the Prophets and LASTLY His Son and Man Jesus of Nazareth.
Micah 2:7 O thou that art named the house of Jacob,
        is the SPIRIT OF the Lord straitened? are these his doings?
        do not MY WORDS do good to him that walketh uprightly?
Isaiah 34:16 Seek ye out of the BOOK of the LORD, and READ:
        no one of these shall fail, none shall want her mate:
        for my MOUTH it hath commanded,
        and his SPIRIT it hath gathered them.
Isaiah 59:21 As for me, this is my covenant with them, saith the LORD;
        My SPIRIT that is upon thee,
        and my WORDS which I have put in thy MOUTH,
        shall not depart out of thy mouth, nor out of the mouth of thy seed,
        nor out of the mouth of thy seed’s seed, saith the LORD, from henceforth and for ever.
2Thessalonians 2:8 And then shall that Wicked be revealed,
        whom the Lord shall consume
        with the SPIRIT of his MOUTH,
        and shall destroy with the BRIGHTNESS of his coming:

The.Holy.Spirit.is.not.a.God
SPIRIT:
a metaphor for how God puts His WORD into the MOUTH of A Moses, the Prophets and Lastly the Man God "ordained" to be both Lord and Christ.  Jesus now Lives in the STATE of Holy Spirit as the one and only Intercessor.
1Cor. 15:45 And so it is written, The first man Adam was made a living soul;
        the last Adam was MADE a quickening SPIRIT
John 5:26 For as the Father hath life IN himself;
        so HATH HE GIVEN to the Son to have life in himself;
John 5:27 And hath given him authority to execute judgment also,
        BECAUSE he is the SON OF MAN
There is not a single command, example or remote inference of God commanding or approving SINGING as a way to worship Him.  The Instruments in the Old Testament were used by DAVID and the Commanders of the Army after God abandoned the Monarchy to "Worship the Starry host" beginning with Apollon or Abaddon before the Exodus.

DESPISING THE WORD Which the Latin translates as BLASPHEMY.
Ephesians.5.David.Young.Version.jpg

This is blasphemy because Psallo carries ugly meanings, has no musical meaning, and is commanded to be silent or in the heart.
Eph. 5:18 And be not drunk with wine, wherein is excess; but be filled with the Spirit;   
      kat-auleō , A. charm by flute-playing, tinos Pl.Lg.790e, cf. R.411a; tina  : metaph., se . . -ēsō phobō I will flute to you on a ghastly flute, E.HF871 (troch.):—Pass., of persons, methuōn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros khelōnidos psophon to be played to on the flute with lyre accompaniment, 

Eph. 5:19 SPEAKING to yourselves in psalms and hymns and spiritual songs,
BUT: singing and making melody IN your heart TO the Lord;

God is not INTELLIGIBLE as claimed by Leonard Allen.  So say anyone who thinks that there is any music content to the School of Christ.   If God wanted to command AUDIBLE and TUNEFUL melody He would have used the Greek
melos would have been used by God!

Eph. 5:20 Giving thanks always for all things unto God and the Father in the name of our Lord Jesus Christ;

GOD HIDES FROM THE WISE OR SOPHISTS: SPEAKERS, SINGERS, INSTRUMENT PLAYERS WHO BY DEFINITION DESPISE THE WORD OF GOD AS THE ONLY PATTERN.  PROOF OF BLINDNESS IS PROVEN BY READING 101A OR BY DEFINITION

Lexis.Ode.gif
There is nothing "musical" in the modern sense in all of Scripture.  Those who made noise with tuneful Instruments were the Jacob-Cursed and God-Abandoned Levites.  These levites were under the King and Commanders of the Army and all of their activities were connected with the God-Cursed Civil-Military-Clery complex.
Heb. 9:9 Which was a figure [Parable] for the time then present,
        in which were offered both gifts and sacrifices,
        that could not make him that did the service perfect,
        as pertaining to the conscience;
g4893. suneidesis, soon-i´-day-sis; from a prolonged form of 4894; co-perception, i.e. moral consciousness: — conscience.
g4894.  suneido, soon-i´-do; from 4862 and 1492; to see completely; used (like its primary) only in two past tenses, respectively meaning to understand or become aware, and to be conscious or (clandestinely) informed of: — consider, know, be privy, be ware of.

BAPTISM SAVES because that is God's only way to REQUEST that He give us A good conscience or A holy spirit.

1Cor. 15:45 And so it is written,
        The first man Adam was made a living soul;
        the last Adam was made A QUICKENING SPIRIT .

1Cor. 15:47 The first man is OF the earth, earthy:  [Adam was of DUST meaning an Aborigine]
        the second man is the Lord from heaven

The only commanded RESOURCE is "that which is written for our LEARNING."
The Jews dismembered (Melody) the Scripture Text into syllables which makes Cantillation possible.  Learning and confessing Scripture was the One Piece Pattern for Christ's Assembly which has and needs no Human mediators in song or sermon to REPLACE Jesus.
Music.  Cantillation signs guide the READER in applying a chant to Biblical READINGS. This chant is technically regarded as a ritualized form of SPEECH intonation rather than as a musical exercise like the singing of metrical hymns: for this reason Jews always speak of saying or reading a passage RATHER than of singing it. (In Yiddish the word is leynen 'read', derived from Latin legere, giving rise to the Jewish English verb "to leyn".)

Jesus put His WORDS into the MOUTH of Jesus: this is the only meaning of SPIRIT.  Jesus SPOKE only without measure or musical Meter.  There is nothing which God gave which is singable or musical in a tuneful sense.  Neither Greek Psallo or Harmony speaks of complex "harmony" which is the Laded Burden or the always-anxiety created by religious ritual.
"Although the sermon was not an essential part of the synagogue service, the translation and explanation of the Scripture lesson was a step in the direction of a preaching service. There is evidence that an exposition of the lesson formed a part of the Sabbath afternoon service. In earliest times the sermon seems to have been connected with the reading from the Prophets. Anyone able to instruct might be asked to preach (Acts 13:15). The preacher spoke from a sitting position on an elevated place (Luke 4:20). (feiffer, Charles F., Between the Testaments, p. 63 Baker Book House).
        "The word that is employed for this "anaginosko, anagnosis) is the technical term for the cultic reading aloud of the Old Testament in the synagogue. By applying this terminology to the reading of his own epistles he not only ascribes the same authority to the apostolic word as to the Old Testament writings...he also combines a quotation from the Old Testament with a word of Jesus and introduces the whole with the familiar formula: 'for the Scripture says.'" (Ridderbos, Hermon, Paul, P. 483 an Outline of His Theo., Eerdmans)
http://www.piney.com/Cantillation.2.html

The Philipedium: In most western European languages, the word for “read” starts with the letter “L”. These languages can be divided into two main groups — those of Latin origin and those of Germanic origin. In each of the Latin languages (Italian, Spanish, French, etc.), the modern word is derived from legere, the Latin word for “read”. The Italian word is still leggere, essentially unchanged from the Latin. In the other Romance languages, the “g” sound was lost, and so we have leer in Spanish, ler in Portuguese, and lire in French.

(Note: The Old Testament understands that instrumental music--called NOISE--was authorized only in certain dedicatory or purification rituals associated with the temple and with Jerusalem. Without both there was never any rationale for instrument to make a great crashing sound during animal sacrifices.)

"At the dedication of the later edifice, the priests blew the trumpets at the same time that the Levites sang and played upon instruments of music,

        so as 'to make one sound;' but it is evident that on that great occasion of rejoicing, what was aimed at was not musical harmony, but a powerful crash of jubilant sound. We are shut up to the conclusion that

there was nothing in the tabernacle-worship, as ordered by Moses, which could be justly characterized as instrumental music." (George Girardeau, Instrumental Music, p. 29 - a Presbyterian)

This universal CIVIL government of tyrants had nothing of Spiritual Value that could improve the human Spirit or Conscience-Conscience or the power of Co-Perception of God made AUDIBLE through His WORD which He put into the Mouth of A Moses, the Prophets and lastly into the mouth of the MAN Jesus of Nazareth.

People who  think that really simply whining a self-authored (outlawed) set of words to be repeated over and over (the laded burden) have a total disdain for the Holy and Singular Almighty of the universe.  He said "If I get hungry I will not ask you: I have the cattle on a thousand years."  How spiritually deprived to think that replacing the Word with one's on songs and sermons.

The WORD of God defines the Assembly of Christ both inclusively and exclusively in the prophets.
Jesus defines Holy Scripture as the Prophets or other prophecies "Concerning Me."
The Prophets specifically outlaws "selling the free water of the WORD or seeking your own pleasure"
Peter outlawed private interpretation (further expounding in songs or sermons) which would despise or blaspheme God and His Spirit or Breath.

The WORD or LOGOS is God's only Regulative and Governing principle.  God names and Defames personal opinions, personal experiences, rhetoric, singing, playing instruments, acting or "seeing godliness as a means of financial gain. Among the Greeks and others RATIONAL (Logos) are marked by SPEAK or READ identifies Disciples.  Disciples are STUDENTS of what Jesus commanded to be taught

Anything beyond being A School of Christ or those OF the World, Kosmos, Ecumenical or the kingdom of the Devil MAKING war against the Kingdom of Christ.  All Rhetoric, singing, speaking or acting is the universal marks of the effeminate or worse. God's Spirit left us a MARK.''

Isaiah.3.Children.and.Women [Boys].Rule.Over.Them.

Here is a short list of PERFORMANCE and PERFORMING Enabled by rhetoric, singing or any kind of instruments which CLAIMS that God is ignorant.

An Abomination, Witchcraft, the BEASTS, Sorcery, Charming, Soothsaying,  enchantment, harlots, beguile, serpents, vipers, Serpo, Herpo, inducing wine-dranking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, magic, Voodoo in primitive America, Melodies to deceive, Deceiver, Cunning Crafts, Techne, religious craftsmen, Lucifer, Voodoo, Locusts, Apollyon, Levi-Leviathan

goêt-euô ,
A. bewitch, beguile, Pl.Grg.483e, etc.:--Pass., Id.R.412e, 413b, D.19.102, etc.; fascinate, as a snake, Plot.4.4.40.
2. abs., play the wizard, D.L.8.5
9.

Plato, Gorgias

[483e] march against Greece, or his father against Scythia? Or take the countless other cases of the sort that one might mention.
        Why, surely these men follow nature--the nature of right--in acting thus;
        yes, on my soul, and follow the law1 of nature--
                though not that, I dare say, which is made by us;
                we mold the best and strongest amongst us, taking them from their infancy like young lions, and utterly enthral them by our spells

1 Callicles boldly applies the word nomos, which so far has been used in the sense of man-made law or convention, in its widest sense of “general rule” or “principle.” [Legalism]

ek neōn lambanontes: cf. Apol. 18 b ek paidōn paralabontes. The usual word for ‘receiving into school’ is the compound. Cf. 516 b. The use of the simple verb here implies a forcible compulsory manner of treatment.
Acts 2:41 Then they that gladly RECEIVED his WORD were BAPTIZED:
        and the same day there were added unto them about three thousand souls.


The Word or Logos is God's Regulative Principle: it outlaws anything but READING that once-delivered  Word or Gospel.  To do more or less is to expely God's Holy Spirit or BREATH which Jesus SPOKE ONLY without-METRON or musical tampering.
g588. apodechomai, ap-od-ekh´-om-ahee; from 575 and 1209; to take fully, i.e. welcome (persons), approve (things): — accept, receive (gladly).
Plat. Rep. 412e I think, then, we shall have to observe them at every period of life,
        to see if they are conservators and guardians
        of this conviction in their minds
                and never by sorcery nor by force
                can be brought to expel1 from their souls
                unawares this conviction that they must do what is best for the state.”
“What do you mean by the 'expelling'?” he said. “I will tell you, said I;
        “it seems to me that the exit of a belief from the mind
        is either
voluntary or involuntary.
Plat. Rep. 413b
  413b] “by those who have their opinions stolen from them I mean those who are over-persuaded and those who forget, because in the one case time, in the other argument strips them unawares of their beliefs. Now I presume you understand, do you not?” “Yes.” “Well, then, by those who are constrained or forced I mean those whom some pain or suffering compels1 to change their minds.” “That too I understand and you are right.” “And the victims of sorcery2

1 Cf. Dionysius ho metathemenos, who went over from the Stoics to the Cyrenaics because of the pain in his eyes, Diogenes Laertius vii. 166.

        metatithēmi , but, pervert, onomata change the use of words, metethou lussan arti sōphronōn thou hast changed to madness,

Example North.Boulevard.Church.of.Christ.Elders.Vision
  Which attempts to CHANGE the Biblical and Historic believes of the Church of Christ which is defined both Inclusively and Exclusively even in the Prophets and EXPELS anyone who does not teach that which HAS been taught or written for our--exclusive--learning resource.  Jesus died to mait it FREE OF CHARGE.

2 Cf. 584 Agoēteia.

goēt-eia , ,
A.witchcraft, jugglery, “g. kai mageiaGorg.Hel.10, cf. Pl. Smp.203a: metaph., “ouden hugies, alla g. tisId.R.584a, Andronic. Rhod.p.573 M., etc.;apatē kai g.Plb.4.20.5, cf. Luc.Nigr.15; “g. tēs hupokriseōsD.S.1.76; “hēdonēs di' ommatōnPlu.2.961d: in a milder sense, 'finesse', Cic.Att.9.13.4; tēs phuseōs g. the magic of Nature, Plot.4.4.44.
ma^geia , ,
A.theology of the Magians, “m. ZōroastrouPl.Alc.1.122a.
II. magic, Thphr.HP9.15.7 (pl.), Act.Ap.8.11 (pl.), PMag.Berol.1.127, etc.; tēn goētikēn m. oud' egnōsan hoi magoi] Arist.
    Magos [a^, ou, ho, Magian, one of a Median tribe, Hdt.1.101, Str. 15.3.1: hence, as belonging to this tribe,
2. one of the priests and wise men in Persia who interpreted dreams, Hdt.7.37, al., Arist.Fr. 36, Phoen.1.5, Ev.Matt.2.1.
3. enchanter, wizard, esp. in bad sense, impostor, charlatan, Heraclit.14, S.OT387, E.Or.1498 (lyr.), Pl.R.572e, Act.Ap.13.6, Vett. Val.74.17: also fem., Luc.Asin.4, AP 5.15 (Marc. Arg.).
II. magos, on, as Adj., magical, “magps tekhnē prattein tiPhilostr.VA1.2; “kestou phōneusa magōteraAP5.120 (Phld.). (Opers. maguš 'Magian'.)
phōn-eō , (phōnē) , cry aloud, as in joy, S.Tr.202; of a singer, “aoidos . . aiola phōneōnTheoc.16.44:—
4. of a musical instrument, sound, E.Or.146 (lyr.); of sounds, hēdu phōnein sound sweetly, Plu.2.1021b; but brontē ph. it has a voice, is significant, X.Ap.12.
Xen. Apol. 12 As for introducing ‘new divinities,’ how could I be guilty of that merely in asserting that a voice of God is made manifest to me indicating my duty? Surely those who take their omens from the cries of birds and the utterances of men form their judgments on ‘voices.’ Will any one dispute either that thunder utters its ‘voice,’ or that it is an omen of the greatest moment? Does not the very priestess who sits on the tripod at Delphi divulge the god's will through a ‘voice’?
Pu_thō , gen. ous, dat. oi, , Pytho, the region in which lay the city of Delphi,
A. Puthoi eni petrēessēIl.9.405; “P. en ēgatheēOd.8.80, Hes. Th.499, etc.; of Delphi itself, Pi.P.4.66, 10.4, Hdt.1.54, etc. (Acc. to the legend, derived from the rotting of the serpent, h.Ap.372.)
Plb. 4.20 They seem then to me to be the first, and indeed the onl,
        Arcadians who have abandoned institutions nobly conceived by their ancestors a
        And admirably adapted to the character of all the inhabitants of Arcadia.
For music, and I mean by that true music, which it is advantageous to every one to practice, is obligatory with the Arcadians.
        For we must not think, as Ephorus in a hasty sentence of his preface, wholly unworthy of him, says,
        that music was introduced among mankind for the purpose of deception and jugglery;
        nor must the ancient Cretans and Spartans be supposed to have introduced the pipe and rhythmic movement in war, instead of the trumpet, without some reason; nor the early Arcadians to have given music such a high place in their constitution, that not only boys, but young men up to the age of thirty, are compelled to practise it, though in other respects most simple and primitive in their manner of life. Every one is familiarly acquainted with the fact that the Arcadians are the only people among whom boys are by the laws trained from infancy to sing hymns and paeans, in which they celebrate in the traditional fashion the heroes and gods of their particular towns.
I. Ion. (and perh. in Porph.Chr.35.10), reply, answer (cf. “hupokrinōB. I), Hdt.1.116, 9.9; “tōn khrēstēriōnId.1.90; but the Att. word apokrisis occurs in codd. at 1.49,5.50.
II. Att., playing a part on the stage, Arist.EN1118a8, Phld.Mus.p.91K.
2. an orator's delivery, Arist.Rh.1386a32, 1403b22, 1413b18, Chrysipp.Stoic.2.96, Phld.Rh.1.195 S., 201 S. (pl.); hoi kata tēn hu. rhētores orators who depend on their delivery, opp. to the authors of written speeches, Arist.Rh.1404a18.
b. tone or manner of an animal's cry, ho kunēgetēs apo tēs hu. ēstheto tou kunos hulaktountos nun men hoti zētei ton lagōn, nun de hoti heuren . . Porph.Abst.3.5.
3. metaph., playing a part, hypocrisy, outward show, Phoc.2 B, Plb.35.2.13, LXX 2 Ma.6.25, Ev.Matt. 23.28, al., Luc.Somn.17.
4. hupokrisin, as Adv., after the manner of,delphinos hu.Pi.Oxy.408.69 ( = Fr.235).



Babylon-Tyre Israel. Sodom not spiritual Israel. Addressed to claiming TITHES AND OFFERINGS.  SPIRIT OF CHRIST
Jesus referenced Isaiah and Ezekiel to define the national Worship of the Starry Host--Abaddon
The End-Time Fulfillment
For thus saith the Lord God; Behold, I will bring upon Tyrus Nebuchadrezzar king of Babylon, a king of kings, from the north, with horses, and with chariots, and with horsemen, and companies, and much people. Ezek 26:7

They will PLUNDER your WEALTH and
    loot your merchandise;
    they will break down your walls
    and demolish your fine houses

    and throw your stones, TIMBER and rubble into the sea. Ezek 26:12

20/20 VISION (Wicca) fad

Fulfilled at a EXChurch near you.

Also, thou son of man, the children of thy people still are talking against thee by the walls and in the doors of the houses,

and speak one to another, every one to his brother, saying,

Come, I pray you, and hear what is the word that cometh forth from the Lord. Eze 33:30

Jesus called those who said that He even made Himself God, BLASPHEMERS
John called the ANTICHRISTS and affirmed that Jesus was the only Comforter or Prarclete.
Rev 17:3 So he carried me away in the spirit into the wilderness: and I saw a woman sit upon a scarlet coloured beast, full of names of blasphemy, having seven heads and ten horns.
Rev 17:4 And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication:
Rev 17:5 And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.  [Lusted after fruits]
Rev 17:6 And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration.
I will put an end to your NOISEY songs, and the music [sound] of your HARPS will be heard no more. Ezek 26:13

The LXX is more forceful in showing that both the music and the musicians would be silenced---


"And he shall DESTROY the MULTITUDE of thy musicians [songs], and the sound of thy psalteries shall be heard no more." Ezek. 26:13 LXX
quĭesco   to rest, repose, keep quiet. STOP malakos  soft, effeminate, unmanly, pathici
My people come to you, AS they usually do, and sit before you to listen to your words,
    BUT they do not put them into practice.

With their mouths they express devotion (Lord, Lord as amorousness - inordinate love),

    BUT their hearts are greedy for unjust gain (commerce or trade or attendance). Eze 33:31

1 Timothy 2 ALL must be quĭesco  so that all might be SAFE and come to a knowledge of the truth, Word, Logos, regulative principle.

Rev 18:1 And after these things I saw another angel come down from heaven, having great power; and the earth was lightened with his glory.  
     2 And he cried mightily with a strong voice, saying,
Babylon the great is fallen, is fallen, and is become the habitation of DEVILS, and the hold of every FOUL spirit, and a cage of every unclean and hateful bird
  And the voice of
harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; Rev 18:22
then I will bring you down with those who go    down to the pit,
     to the people of long ago
   I will make you dwell in the earth below,
    [TARTARUS]
as in ancient ruins, with those who go down to the PIT,and you will not return or take your place in the land of the living. Ezek 26:20

Isaiah 14:11 Thy POMP is brought down to the grave, and the noise of thy VIOLS: the worm is spread under thee, and the worms [maggots] cover thee.

Amos 5:23 Take thou away from me the noise [
tŭmultus] of thy songs [carmen]  for I will not hear the melody [cantĭcum] of thy viols
Indeed, to them you are NOTHING MORE
    than one who sings love songs with a beautiful voice
and [NOTHING MORE than one who]
    plays (make melody on) an instrument well,
for they hear your words
    but do not put them into practice. Eze 33

2 Cor. 2:17 For we are not as many, which corrupt the WORD of God:but as of sincerity, but as of God,in the sight of God speak we in Christ.

kapēl-euō,  A. to be a retail-dealer, hucksterdrive a petty trade Hdt. 3.89  ta mathēmata sell learning by retail, hawk it about, Pl. Prt.313d , 2 Cor. 2:17, of prostitutes,
Rev 18:23 And the light of a candle shall shine no more at all in thee;  [Isaiah 11. Seven Spirits]

and the voice of the bridegroom and of the bride shall be heard no more at all in thee:

The Brides and Bridegrooms along with the GRINDERS is the Heiros Gamos being promoted by Female Clergy.

Sara Barton The Song of Solomon

Mike.Cope.2017.PBL.Hieros.Gamos.html

for thy merchants were the great men of the earth; for by thy SORCERERS WERE all nations deceived.


I will make thee a TERROR, and thou shalt be no more:
    though thou be sought for,
    yet shalt thou never be found again, saith the Lord God. Ezek 26:2

ALL musical sounds create TERROR in those who claim that they bring GOD close.

When all of this this comes true--

and it surely will--

then they will know that a prophet has been among them." Eze 33:33

Revelation 19:19 And I saw the BEAST, and the kings of the earth, and their armies, gathered together to make war against him that sat on the horse, and against his army. 

   Revelation 19:20 And the BEAST was taken, and with him the false prophet that wrought miracles before him, with which he deceived them that had received the mark of the beast, and them that worshipped his image. These both were cast alive into a lake of fire burning with brimstone.


The Greek and Latin overflows with identifying anyone who tried to control another's mind with anything but FACTS

Proof is one Infiltrates, builds a huge institution and then claims a VISION that God wants Him to "steal the church houses of widows" to, in the name of the Great Tribulaters create A Theater for Holy Entertain.  

1.27.20  Debbie.Boggs.Psallo.Instrumental.Music.in.Worship
Original Shepherding Max Lucado and Oak Hills Church Elders into Instrumental Sorcery
You may comment About Debbie Debbie Anderson Boggs Dogma at Tapetalk
2.03.20 added. Notes added about the "locusts" or the Muses led by Apollyon

2.05.20
http://www.piney.com/G.E.Jones.Spiritual.Understanding.E.R.Harper.html


John T. Willis credits Jo Bass as his high school mentor. Jo Bass used G. E. Jones' Baptist list of proof texts promoting the present Supernatural Guidance of THE Holy Spirit. Missing "prepositions 101a" most theologians SEE "The Spirit OF Go " or Christ as ANOTHER GOD which, they claim, is required to make the Words of the Father and Son gods INTELLIGIBLE
I have reviewed just a few of Jones-Jo Bass proof texts being used to ATTACK E.R. Harper as a FEMINIST attack on Scripture as the ONLY resource for Faith

This was the result of adding Lynn Anderson to the Highland Church and having E. R. Harper cast out of his service. That marked the Confiscation of the Herald of Truth and the sowing of massive discord.

http://www.piney.com/John.T.Willis.and.Jo.Bass.The.Holy.Spirit.html

1.  Jesus does not pray for the World, Ecumenical or the kingdom of Satan trying to Silence or Steal from the Kingdom of God.

2.  Jesus said that God HIDES from the Wise or Sophists: Self-authoring Hireling speakers, singer, singers or instrument players.
3. Jesus MARKED the Scribes and Pharisees as Hypocrites: Hireling speakers, singers or instrument players. In the Prophets by the Spirit OF Christ which means that "God puts His WORDS into the MOUTH of the Prophets.
4.  The PROPHET Jesus of Nazareth defined Holy Scripture as the PROPHETS and other prophecies CONCERNING ME. The Scribe's records of an abandoned King, Kingdom, Priests, Levites, Animal Slaughter is defined as "the lying pen of the Scribes."

There is not a single Command, Example or Remote inference in Scripture or until after the Reformation with any godly people being called out of their REST (school only) for group singing with or without musical instruments defined as "machines for doing hard work.

The following Anti and Anti-Christ practices are all the RESULT of Singing with or without instruments.  These sounds shut down the Masculine-Rational-Logos mine and takes control of the Feminine-Anti Logos or Anti-rational principle and Scripture and Recorded history proves that SOPHIA is Erotic, Musical, and Trinitarian based on the Babylon Triple Goddesses or Mother Goddess (can be male).

Women are to LEARN in SILENCE (along with men) so that we might all be SAFE and come to a knowledge of THE TRUTH or The Word, Logos or Regulative.  Jesus died to make the Word FREE (Isaiah 55) and commanded that REST (never worship) made possible when no one seeks their own pleasure (music has no other role even thought being a Laded Burden) NOT Speaking YOUR OWN WORDS.

BOTH MALE AND FEMALE ARE COMMANDED TO BE SILENT WHILE HOLY SCRIPTURES ARE READ TO BE MEMORIZED AS "SPEAKING" TO YOURSELF ALL WEEK LONG.
"Abomination, Witchcraft, the BEASTS, sorcery, Charming, Soothsaying,  enchantment, harlots, beguile, serpents, vipers, Serpo, Herpo, inducing wine-dranking, Cunning Craftsmen or Sophists, Rhetoricians, Dogs or Catamites, Magic, Voodoo in primitive America Cane Ridge.

ALL CAUSED BY METRICAL OR TUNEFUL SOUNDS WHICH ASSAULTS the "Fight, Flight, Sexual Impulse" and is historically always defined as Purpose Driven Hurt.
The Marks of Patriarchal or Straight performance is READ or SPEAK that which is written
Acts 8:28 Was returning, and sitting in his chariot read Esaias the prophet.
Acts 15:21 For Moses of old time hath
        in every city them that preach him,
        being read in the synagogues every sabbath day.

2Cor. 3:14 But their minds were blinded:
        for until this day remaineth the same vail untaken away
        in the reading of the old testament; which vail is done away in Christ.
Col. 4:16 And when this epistle is read among you,
        cause that it be read also in the church of the Laodiceans;
        and that ye likewise read the epistle from Laodicea. 

Clement of Rome (I Corinthians 45) tells his readers to search the Scriptures for the truthful expressions of the Holy Ghost. St. Irenæus (Against Heresies ...
  
1 Clem 45:2 Ye have searched the scriptures, which are true, which were given through the Holy Ghost;

"The word that is employed for this "anaginosko, anagnosis) is the technical term for the cultic reading aloud of the Old Testament in the synagogue. By applying this terminology to the reading of his own epistles he not only ascribes the same authority to the apostolic word as to the Old Testament writings...he also combines a quotation from the Old Testament with a word of Jesus and introduces the whole with the familiar formula: 'for the Scripture says.'" (Ridderbos, Hermon, Paul, P. 483 an Outline of His Theo., Eerdmans)

Suneimi A.ibo) go or come together, assemble (eimi 3. attend, associate with, a teacher, X.Mem.1.2.8,24, etc.; also of the teacher, Id.Cyr.3.1.14, Pl.Tht.151a, etc.; of a fellow pupil, “emoi sunōn pote peri mathēmata hoi sunontes followers, partisans, associates, disciples, Antipho 5.68, Pl.Ap.25e, Tht.168a,

ekklēsi-a , , (ekklētos
II. in LXX, the Jewish congregation, De. 31.30,al.
2. in NT, the Church, as a body of Christians, Ev.Matt. 16.18, 1 Ep.Cor.11.22 ; “ kat' oikon tinos e.Ep.Rom.16.5 ; as a building
3. = psēphisma, anagignōskomenēs e. Philostr.VS2.1.11.
    anagignōskō , later anagi_nōskō :

The ONLY Purpose of A Church of Christ:
anagignōskō , later anagi_nōskō : 1. know well, know certainly, 2. know again, recognize books read aloud, hence opposie unpublished
"The Cultic READING ALOUD of that which is written for our learning."

The Bible is a library of books: the command is to Read and Discuss them.  There is no command or example for a "worship service" consisting of whatever acts each warring factions thinks proper. 

Biblĭŏthēca both a library-room and a collection of books
The first public library at Rome was collected by Asinius Pollio A.U.C. 715, B.C. 39, in the atrium of the Temple of Liberty,

The Ekklesia a Church of Christ

CLICK BELOW FOR WHAT THE LATIN CALLS BLASPHEMY

CLICK BELOW FOR EPHESUS AS THE PATTERN THESIS FOR ALL APOSTATE-WORLD RELIGIONS

CLICK BELOW FOR
EVIL-PERVERSION MARKS OF PSALLO AS SORCERY

SPEAK OR READ the Word, Logos, Regulative Principle which OUTLAWS rhetoric, singing, playing instruments or acting.  Jesus said that God HIDES from the wise or Sophists: speakers, singers, musicians.
Jesus called the Scribes and Pharisees HYPOCRITES: speakers, singers instrument players by pointing to Isaiah 29 and Ezekiel 33.
All forms of meter or musical melody is recorded as "hurting people" to psychological force one's own songs or sermons.

AUDIBLE: to SPEAK all of Scripture where musical melody means to break any Scripture into syllables.  Singing was Cantillation. 

Music

Cantillation signs guide the reader in applying a chant to Biblical readings. This chant is technically regarded as a ritualized form of speech intonation rather than as a musical exercise like the singing of metrical hymns: for this reason Jews always speak of saying or reading a passage rather than of singing it. (In Yiddish the word is leynen 'read', derived from Latin legere, giving rise to the Jewish English verb "to leyn".)
God put His WORDS into the MOUTH of Jesus for the last time. That is the meaning of SPIRIT.  Jesus SPOKE what God BREATHED (spirit) without measure or METRON mostly Musical Meter

Both the Ekklesia and Synagogue were Greek Civil assemblies.  There was NO Assembly of Christ in Cenchrea so Phoebe was an official of the Greek Government.  PAUL uses both synagogue and ekklesia words to define the COMING TOGETHER.  We are not aware of any professional religionists who grasps that when Jesus said "I will built MY Ekklesia" He defined the PATTERN or WAY both inclusively and exclusively.  That is because the Prophecies of the REST the Christ would bring is defined Inclusively and Exclusively in the PROPHETS.  Because the Lord's Supper remembers that Jesus died to become the ONLY Teacher for the Church of Christ.  That reduces the assembly to a ONE PIECE PATTERN.  The Church as House excludes Priests or Levites, Scribes or Pharisees Jesus and Ezekiel called Hypocrites as Performance Preachers, singers or instrument players.  The only two operative words for the ONCE EACH WEEK assembly is READ or SPEAK.  There is no example of any godly assembly preaching, singing or playing instruments.


First:  Jacob cursed the Levites and outlawed attending their assemblies or synagogues or entering into their Covenant.
After the Instrumental-Trinitarian-perverted PLAY at Mount Sinai, God turned the nation over to worship the starry host.  The Jews brought Abaddon or Apollon with them from Egypt and neither sacrifice, priest or Temple was commanded when God saved them by Grace at Mount Sinai.

The Holy Convocation was held on the First Day of yearly festivals and later each Sabbath or REST day.  No one in Scripture assembled to hold a Worship Service



The rulers were ignorant at the First Advent and will or are ignorant at this second advent when Apollon rises as the leader of the Locusts.  Locusts were the prophesying Muses as Apollon's musical worship team.

Acts 13:27 For they that dwell at Jerusalem, and their RULERS,
        because they knew him not,
        nor yet the voices of the prophets
        which are READ every sabbath day,
        they have fulfilled them in condemning him


THIS PATTERN NEVER CHANGED.
Acts 15:21 For Moses of old time hath in every city
        them that PREACH him, being READ in the synagogues every sabbath day.

That was just ONCE each week which is enough if every disciple reads together and memorizes a portion of Scripture. Then instead of vain imagination you can SPEAK TO YOURSELF recommended by Psychologists.

PATTERN
Luke 4:16 And he came to Nazareth, where he had been brought up:
        and, as his CUSTOM was,
        he went into the SYNAGOGUE
        on the SABBATH day,
        and stood up for to READ.

Then decently and in order He SAT DOWN for any discussion.

Acts 13:15 And after the READING of the law and the PROPHETS
        the rulers of the synagogue sent unto them, saying, Ye men and brethren,
        if ye have any word of exhortation for the people, say on.

http://www.piney.com/Sat.Down.Eat.Rose.Up.Play.html

David Young represents the once-Christian universities who have been "transistioned" to the Musical Sect.


NACC.Transitioning.Jeff.Walling.to.Instrumental.html


ADDED NOTES MUSIC IS SORCERY

WHAT THE LATIN CALLS BLASPHEMY

SORCERY is claiming that singing your own words can cause a SPIRIT to enter into you

Ephesians.5.David.Young.Version.jpg

Plat. Euthyd. 290a  and only slightly inferior to that. The sorcerer's [epōdōn] art
is the charming of snakes and tarantulas and scorpions and other BEASTS and diseases,
        while the other is just the charming and
        soothing of juries, assemblies [
ekklēsiastōn], crowds, and so forth.
        Or does it strike you differently?

                but to the most part of men cruel and extreme. [Savage]
CHARMING Kelesis
kēl-ēsis , eōs, , A.bewitching, charming, ekheōn, nosōn, Pl.Euthd. 290a: enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music and sweet sounds, Id.R.601b, Stoic.3.97.
2. criticize in a pettifogging way, “tous poiētas  lay verbal traps for one, ton rhētora boulomenos dikaiōs
-epōdē , Ion. and poet. epa^oidē , , A.song sung to or over: hence, enchantment, spell, BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
   oute pharmaka..oud' au epōdai Pl.R. 426b ; thusiai kai e. ib.364b ;
charm for or against..,toutōn epōdas ouk epoiēsen patērA.Eu.649.
Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters,
        shall be heard no more at all in thee;
and no craftsman, of whatsoever craft he be,
        shall be found any more in thee;
and the sound of a millstone
        shall be heard no more at all in thee;
Rev. 18:23 And the light of a candle
        shall shine no more at all in thee;
and the voice of the bridegroom and of the bride
        shall be heard no more at all in thee:
for thy merchants were the great men of the earth;
        for by thy SORCERIES were all nations DECEIVED.
Rev. 18:24 And in her was found the blood of prophets, and of saints,
        and of all that were slain upon the earth.

MUSIC BUILT UPON THE LEVITES UNDER THE MONARCY AND "MESSIANIC JUDAISM" TO MAKE THE LAMBS DUMB BEFORE THE SLAUGHTER.
IGNORANT OF THE SPIRIT BREATHED PROPHETS

Is. 1:3 The ox knoweth his owner, and the ass his master’s crib:
         but Israel doth not know, my people doth not consider.
Isaiah 1:4
Ah
sinful nation, a people laden with iniquity, a SEED of evildoers,
        children that are
corrupters:
        they have
forsaken the Lord, they have provoked [blasphemaverunt] the Holy One of Israel unto anger,
        they are
gone away backward.

Isaiah 1:8  And the daughter of Zion is left as a cottage in a vineyard, as a lodge in a garden of cucumbers, as a besieged city

Isaiah 1: 9 Except the Lord of hosts had left unto us a very small remnant, we should have been as Sodom, and we should have been like unto Gomorrah.

Is. 1:10 Hear the word of the LORD, ye RULERS of Sodom;
        give ear unto the law of our God, ye people of Gomorrah.

Rev. 11:8 And their dead bodies shall lie in the street of the great city,
which spiritually is called Sodom and Egypt, where also our Lord was crucified

The Spirit OF Christ contradicts. God said nothing about their mental attutude:

Is. 1:11 To what purpose is the multitude of your sacrifices unto me? saith the LORD:
        I am full of the burnt offerings of rams, and the fat of fed beasts;
        and I delight not in the blood of bullocks, or of lambs, or of he goats.
 

Why Paul commanded SPEAKING the Biblical Text
Ode and Psallo are IN the heart or SILENT because the Audible words define Sorcery and Perversion.

EPHESUS AS THE PATTERN THESIS FOR ALL APOSTATE-WORLD RELIGIONS

And in truth against these Heraclitus the EPHESIAN PROPHESIES as
   "
the night-walkers, the magi, the bacchanals, the Lenaean revellers, the initiated."

Ephesos , , Ephesus, Hdt.1.142, etc.:—Adj. Ephesios , a, on, grammata [Scribes MAN'S writing,  notes in music] A. magic formula, Plu.2.706e, Eust.1864.16 (also Ephesēia , “gr.Anaxil.18.7 (anap.)): Ephesia , , = aristolokheia stroggulē, Ps.-Dsc. 3.4; = artemisia, [
wormwoodp. hodos tōn theōn BROAD WAY”]: Ephesia , ta, festival of Artemis at Ephesus, Th.3.104 (also Epheseia, ta, OGI10.10): Ephesēo
nikēs
  [Nike the GODDESS OF VICTORY] victor in these games, Ephes.2.72 (iii A.D.): Ephesis , idos, , in pl., title of poem by Aeschrio, Sch.Lyc.688.
Pind. P. 3 [10] arrows of Artemis in her bedroom and descended to the house of Hades, by the skills of Apollon. The anger of the children of Zeus is not in vain. But she made light of Apollon, in the error of her mind, and consented to another marriage without her father's knowledge, although she had before lain with Phoebus [Apollon's female persona]  of the unshorn hair, [15] and was bearing within her the pure seed of the god. She did not wait for the marriage-feast to come, nor for the full-voiced cry of the hymenaeal chorus,    
        such things as unmarried girls her own age love to murmur in evening songs to their companion.
If I had reached his shores bringing a double blessing, golden health and a victory-song [Nike,, Nicolatains]  to add brilliance to his garlands from the Pythian games, which once Pherenicus took when he was the best at Cirrha,
Th.3.104 [4] There were likewise matches set of bodily exercise and of music; and the cities did severally set forth dances. Which things to have been so, is principally declared by Homer in these verses of his hymn to Apollo:
aristolokheia
  
lokhios , epith. of Artemis
Eur. IT 1097    [1100] and the well-grown laurel and the holy shoot of gray-green olive, Leto's dear child, and the lake that rolls about its ripples, where the melodious swan [1105] serves the Muses.

metaph
. of words and expressions, wellrounded, compact, terse, “s. rhēmata

SINGING WHICH INDUCES A SPIRIT OR A GOD IS ANTI-CHRISTIAN
 
Krēt-ikos   Cretan. A short garment worn by men as sacred singers.
Lucian the Syrian Goddess

56:31 See also §§ 27, 51. Cf. the legends that Dionysus received woman's clothes from Rhea at Cybela (Apollod. iii. v. 1); and that Hercules, having yielded up his weapons, including his axe, received woman's dress from Omphale (Ovid, Fasti, ii. 305 ff; Diodorus, iv. ii.; etc.).
57:34 Cf. Diod., iv. (i.). On the cult of Dionysus, cf. Farnell, Cults, v. His legends, rites and mysteries largely borrowed from Asia Minor (Furtwängler in Roscher's Lexikon). Identified with Attis and Adonis by Socrates and Plutarch; and with Osiris also by Herodotus (cf. Frazer, op. cit., p. 357). Macrobius recognises all four as sun-gods.
Ar.Ra.849 2. Krētikos (sc. pous), ho, a metrical foot [_ ^ _], = amphimakros, Heph.3.2, cf. A.D. Pron.50.16; so egeire . . , Mousa, K. “melosCratin.222; to K. (sc. metron) Heph.13.1; K. rhuthmos, rhuthmoi, D.H.Comp.25, Str.10.4.16.

Dionysus or Dionysos[a] is the god of the grape-harvest, winemaking and wine, of fertility, ritual madness, religious ecstasy, and theatre in ancient Greek religion and myth.[2][3]
As Eleutherios ("the liberator"), his wine, music and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. Those who partake of his mysteries are believed to become possessed and empowered by the god himself.[5 as he is a god of epiphany, sometimes called "the god that comes".
[13] The cult of Dionysus is also a "cult of the souls"; his maenads feed the dead through blood-offerings, and he acts as a divine communicant between the living and the dead.[14] He is sometimes categorised as a dying-and-rising god.[15]

GOD IS SMART: if He wanted to speak of MUSICAL Melody He would have used.  “melos     Cratin.222; to K. (sc. metron) Heph.13.1; K. rhuthmos, rhuthmoi,
Aristoph. Cl. 595 Chorus
Hear me again, King Phoebus, Delian Apollon, who inhabitest the high-peaked Cynthian rock! And thou, blessed goddess, who inhabitest the all-golden house of Ephesus, in which Lydian damsels greatly reverence thee; and thou, our national goddess, swayer of the aegis, Minerva, guardian of the city! And thou, reveler Bacchus, who, inhabiting the Parnassian rock, sparklest with torches, conspicuous among the Delphic Bacchanals
!

1.18.20 Added Notes
to show the Evil and Ugly bedfellows of the PSALLO word as the FOUNDATION for infiltrating and confiscating your congregation.  That is the meaning of Heresy or Sectarianism.  The Persona of Rhetoric, Singing or Playing instruments is ANTI-Logos or Regulative Principle and that which alerts the masses of owners to FLEE.
There is nothing connected with MUSIC in the Assembly or School of Christ. The only permision is:

James 5:13 Is any among you afflicted? let him pray. Is any merry? let him sing psalms. or SING PSALLO.

This is AT HOME and he would not call the ELDERS if he was sick meaning Spiritually Down.

Audible:    The command is ALWAYS to SPEAK the Word and never to Sing the Word for our LEARNING.
InaudibleOde (opposite of Speak) as an enchantment or Sorcery and
                   Psallo means PLUCK something with your FINGERS but never with a PLEKTRON or PICK.
                   Psallo in the Latin Literature and used as AUTHORITY by the Instrumental Sect Almost
                                always speaks of Girls or pseudo-girls who, with Alexander The Great, had his
                                pubic hairs PLUCKED and seduced by Alexander's Harp Plucking which embarrased
                                his father, Philip.

EVIL-PERVERSION MARKS OF PSALLO  psallere saltare   ēlĕgans   I. In the ante-class. period in a bad sense, luxurious, effeminate, fastidious, nice: elegans homo non dicebatur cum laude “mulier (Phrynewith formo

Elegans .  Luxurious, effeminate, fastidious, B. Of things: “nec magis compositum quicquam, nec magis elegansoratorium
The Orator rejects Scripture:
ōrātōrĭus
  He
ornamenta, gestus, compositio,
  He.
ingĕnĭum  have acted outinhumanum,one's natural bent, to one's old courses, vanum dictatoris
  
ingenii celeritas, with cleverness b. Of things, an invention, a clever thought: “exquisita ingenia

Tac. Hist. 2.71 The nearer the Emperor approached to Rome, the greater was the license of his march, accompanied as it was by players and herds of eunuchs, in fact by all that had characterised the court of Nero. Indeed, Vitellius used to make a display of his admiration for Nero,
        and had constantly followed him when he sang,
        not from the compulsion to which the noblest had to yield,
        but because he was the slave and chattel of profligacy and gluttony. [Religious Musicians are Parasites]


Vitellius admiratione celebrabat. sectari cantantem solitus,
Mercurio Sais fertur Virgineum conposuisse latus,

Mercury is Hermes or KAIROS as the messenger of the gods who knows when and where to ATTACK.
Mercury, the son of Jupiter and Maia, the messenger of the gods; as a herald, the god of dexterity; in speaking, of eloquence; the bestower of prosperity; the god of traders and thieves; the presider over roads, and conductor of departed souls to the Lower World:

virgĭnĕus   Helicon, as the seat of the Muses   Ov. M. 2, 219:   The Locusts unleashed were the MUSES or Apollon's musical worship.  They were known as filthy adulteresses and became the SHEPHERDESSES

conposuisse 1. To bring together in hostility, to oppose
a. To compose, write, construct. Oationibus compositus,   carmina,
epistulas 
saltātor , ōris, m. salto,
I.a dancer (generally among the Romans with an accessory contemptuous signif.), Cic. Off. 1, 42, 150; id. Mur. 6, 13; id. Deiot. 10, 28; id. Fin. 3, 7, 24; Quint. 1, 12, 14; 11, 3, 89; Suet. Calig. 54; id. Ner. 6; Macr. S. 2, 10 al.
--saltātĭo , ōnis, f. id.,
I. a dancing; concr., a dance, Quint. 1, 11, 18 sq.; 2, 18, 1; Scipio Afric. ap. Macr. S. 2, 10: “multarum deliciarum comes est extrema saltatio,Cic. Mur. 6, 13; id. Brut. 62, 225; id. Fin. 3, 7, 24; Quint. 11, 3, 128; Suet. Tit. 7 al.Plur., Plaut. Stich. 5, 2, 11.

All people accuse God with being ignorant.  Even a simple person would would understood that Music would include

rhythm of voice AND body.  Paul guided by Jesus Christ in the STATE of Holy Spirit would have said.

"Ode AND Mŏdus  Out Loud and to the Paying but rarely admiring Audience.:

Mŏdus 2. The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,Cic. Div. 2, 3, 9: “musici,Quint. 1, 10, 14: “lyrici,Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,Hor. Ep. 1, 3, 12: Bacchico exsultas (i. e. exsultans) modo, Enn. ap. Charis [grace]. : “flebilibus modis concinere,Cic. Tusc. 1, 44, 106: saltare [dance] ad tibicinis modos, to the music or sound of the flute, Liv. 7, 2: “nectere canoris Eloquium vocale modis,Juv. 7, 19.—Fig.: “verae

--dēlĭcĭae. dēlĭcĭa , ae, f.; [delicio; that which allures, flatters the senses], delight, pleasure, charm, allurement; deliciousness, luxuriousness, voluptuousness, curiosities of art; sport, frolics, etc. (freq. and class.; for syn. cf.: voluptas, libido, delectatio, oblectatio, delectamentum, oblectamentum).

E-lēgoI.to convey away (from the family) by bequest, to bequeath away, Petr. 43, 5; Gai. Inst. 2, 215.

"carried away by pride and arrogance, would they believe themselves to be deities of the first rank, and fellows of the highest in his exaltation,
        because they had devised the
arts of grammar, music, oratory, and geometry.
For we do not see what is so wonderful in these arts,
        that because of their discovery the soul should be believed to be above the sun as well as all the stars,
        to surpass both in grandeur and essence the whole universe, of which these are parts. "

"For what else do these assert that they can either declare or teach,
        than that we may learn to know the rules and differences of nouns,
         the
intervals in the sounds of different tones,
        that we may speak persualsively in lawsuits,
        that we may measure the confines of the earth?
Now
if the soul had brought these arts with it from the celestial regions,
        
and it were impossible not to know them,
        all men would long before this be busied with them all over the earth...
But see now how few
musicians, logicians, and geometricians are there in the world!
        How few orators, poets, critics!..." (Arnibious, Ante-Nicene, VI, p. 441)
                   

I am SO sorry but I don't think that history knows any exception:
CTESIAS.OF.CNIDUS
Why did you do this, you lowlife?" Parsondes now spoke without flattery,

        "I thought I was more worthy to have this prize
        since I am manlier and more useful to the king than you,
                a man who keeps his face clean-shaven, wears eye-liner,
                and anoints his skin with white make- up."
Then he answered, "Aren't you ashamed that such a great man as yourself,
        defeated by your belly and genetalia, has been conquered by the lesser one?
I, however," he continued, "will soon make your skin softer and whiter than a woman's." He then swore an oath to Belos and Molis (this is how the Babylonians call Aphrodite).

Nanaros then summoned the eunuch in charge of the songstresses and said to him,

        "take this man and shave his entire body except for his head,
        rub it with pumice stone, wash him twice a day and rinse him with egg-yolk,
        and then put eye-liner on him and braid his hair like a woman's.
               Teach him to sing, play the cithara, and pluck the lyre
                so he can perform like a woman for me with the music-girls,
                with whom he will share a lifestyle by having a soft body,
                wearing the same clothes, and practicing the same skills."

After he spoke, the eunuch took Parsondes, shaved his entire body except for the head, taught him what he was asked, keeping him out of the sunlight, washing him twice per day, softening him up,

        and keeping him in the same quarters with the women as his master had ordered.
        Soon after, Parsondes was a white, smooth, and woman-like man,
        who sang and played the cithara more beautifully than the music-girls with
        whom he had performed and surpassed them in beauty as well
        and no one who saw him perform at one of Nanaros' dinner-parties
would realize that he was not a woman.

After this, he invited the angaros to join him for a drink and dinner and when the meal was served, the music-girls entered, 150 women in with Parsondes among them. Some women played the cithara or aule while others plucked the lyre; Parsondes was the most prominent of them in beauty and talent as he appeared to be a woman too. When they had their fill of dinner, Nanaros asked the angaros which of the girls he thought was the most attractive and talented and without much thought he replied, "that one" while pointing to Parsondes. Nanaros clapped his hands and laughed for a long time before saying, "How would you like spending the night with her?" to which the angaros readily assented. Nanaros then said, "However, I won't let you have her.", and the angaros relied, "Then why did you ask me?" Nanaros paused for a while and said, "That is Parsondes, the man for whom you have come."

Athenaeus Deipnosophist 4.5.5

So piped he the drunken bagatelles of the Muses sung by Glauce,
        or the tune of the Stutterer
        who delights in the drinking of unmixed wine,
         or of Cotalus or Pacalus.77 Nay, then, of Theon the reed-piper say, Farewell, Theon!'

OF EDUCATED PEOPLE:

Plat. Prot. 347c But if he does not mind, let us talk no more of poems and verses, but consider the points on which I questioned you at first, Protagoras, and on which I should be glad to reach, with your help, a conclusion.
        For it seems to me that arguing about poetry is comparable to the wine-parties of common market-folk.
        These people, owing to their inability to carry on a familiar conversation o
        ver their wine by means of their own voices and discussions—

[347d] such is their lack of education—put a premium on flute-girls by hiring the extraneous voice of the flute at a high price, and carry on their intercourse by means of its utterance. But where the party consists of thorough gentlemen who have had a proper education,

        you will see neither flute-girls nor dancing-girls nor harp-girls,
        but only the company contenting themselves with their own conversation,
        and none of these
fooleries and frolics—each speaking and listening decently in his turn,

-lēros (A), ho, A. trash, trumpery, of what is showy but useless, useless, futile, “poiētōn l.

lēroi kai paidiai, of flute-playing at banquets, Pl.Prt.347d

paidiē 1 paizō   p. paizein pros tina to play a game with him, paizō 4. play on a musical instrument, h.Ap.206: c. acc., “Pan ho kalamophthogga paizōnAr.Ra.230; dance and sing, Pi. O.1.16.

5. play amorously, “pros allēlous

ADDED NOTES MUSIC IS SORCERY

Plato, Euthydemus
[289e]
For not only do these speech-writers themselves, when I am in their company, impress me as prodigiously clever, Cleinias, but their art itself seems so exalted as to be almost inspired. However, this is not surprising; for it is a part of the sorcerer's art, epōdōn tekhnēs
Latin 289e:

kai mentoi ouden thaumaston: esti gar tēs tōn epōdōn tekhnēs morion mikrō te ekeinēs hupodeestera.

Thaumaston Is a Lying wonder which claims that your rituals are ordained by God.

-epōdē
, Ion. and poet. epa^oidē , , A.song sung to or over: hence, enchantment, spell, LADEN BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
  oute pharmaka..oud' au epōdaiPl.R. 426b ; thusiai kai e. ib.364b ;
charm for or against..,toutōn epōdas ouk epoiēsen patērA.Eu.649.

epōd-os , on, (epadō
A.singing to or over, using songs or charms to heal wounds, “epōdoi muthoi

Pl.Lg.903b
.
b. Subst., enchanter,e. kai goēsE.Hipp. 1038 (but “goēs e.Ba.234): c. gen., a charm for or against,ethusen hautou paida epōdon Thrēkiōn aēmatōnA.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.
c. c. dat., assisting, profitable, 2. Pass., sung to music,phōnaiPlu.2.622d ; fit for singing,poiētikēn e. parekhein
2. epōdos, ho, verse or passage returning at intervals, in Alcaics and Sapphics, D.H.Comp.19 ; chorus, burden, refrain,
Plat. Euthyd. 290a and only slightly inferior to that. The sorcerer's art is the charming of snakes and tarantulas and scorpions and other beasts and diseases, while the other is just the charming and soothing of juries, assemblies [Ekklesia or church], crowds, and so forth. Or does it strike you differently? I asked.

No, it appears to me, he replied, to be as you say.

kēl-ēsis , eōs, ,
*A.  bewitching, charming, ekheōn, nosōn, Pl.Euthd. 290a: enchantment by eloquence, dikastōn k. te kai paramuthia ibid.; by music and sweet sounds, Id.R.601b, Stoic.3.97.

Ephesians 5
gives clergy the power to "infiltrate and divert" your peaceable congregation based almost solely on the "fore ordained" lust to impose performance music with or without instruments.

Jesus of Nazareth "appeared" to Paul and let him "hear his voice" before he was qualified to be taught and later guided into all truth.  No pretend "apostle" [The Adcox Pattern] who was did not witness the resurrected Lord.   Jesus Christ the Righteous is the only Comforter or Paraclete.

WHAT JESUS IS THE STATE OF "HOLY SPIRIT" LED PAUL TO SPEAK.

Eph. 5:17 Wherefore be ye not unwise,
        but understanding what the WILL of the Lord is.

Eph. 5:18KJV And be not drunk with wine, wherein is excess;
        BUT be filled with the SPIRIT;
Eph. 5:19 SpeakING  to YOURSELVES [PLACE] in psalms and hymns and spiritual songs,  [SCRIPTURE ONLY]
        
BUT singING and makING melody in [PLACE]your heart TO THE LORD
Lexis.Ode.gif
John 6:63 It is the SPIRIT that quickeneth; the flesh profiteth nothing:  [Jesus: sons of Devil speak on their own]
        the WORDS that I SPEAK unto you, they are
SPIRIT, and they are life.

 Col. 3:16 Let the WORD of Christ dwell in you richly in all wisdom;
        teachING and
      
[PLACE] admonishing one another
                   in psalms and hymns and spiritual songs,
         singiING with grace in your hearts
[PLACE] to the Lord.

SPIRIT is figurative or a PARABLE to hide from the wise or sophists: rhetoricians, singers or instrument players.

Is. 59:21 As for me, this is my covenant with them, saith the Lord;
        My
SPIRIT that is upon thee,
        and my WORD which I HAVE put in thy MOUTH,
        shall not depart out of thy mouth, nor out of the mouth of thy seed,
        nor out of the mouth of thy seed’s seed, saith the Lord, from henceforth and for ever.


SORCERY is claiming that singing your own words can cause a SPIRIT to enter into you

Ephesians.5.David.Young.Version.jpg

Holy Spirit means that God put His WORDS into the MOUTH of A Moses, the Prophets and LASTLY the MAN Jesus of Nazareth a Prophet like Moses.  The TESTIMONY of Jesus WAS the Spirit of Prophecy.  Spirit produces WORDS but not to any pseudo-Apostle

Isa 8:19 And when they shall say unto you,
        Seek unto them that have familiar spirits,
        and unto wizards that peep, and that mutter:
                should not a people seek unto their God?
                for the living to the dead
? 
[19] et cum dixerint ad vos quaerite a pythonibus et a divinis qui stridunt in incantationibus suis numquid non populus a Deo suo requirit pro vivis a mortuis

-strīdō    to make a shrill noise, sound harshly, creak, hiss, grate, whiz, whistle, rattle, buzz: stridentia tinguunt Aera lacu, V.: cruor stridit, hisses, O.: belua Lernae Horrendum stridens, V.: horrendā nocte (striges), O.: mare refluentibus undis, V.: aquilone rudentes, O.: videres Stridere secretā aure susurros, buzz, H.
H7442 rânan raw-nan' A primitive root; properly to creak (or emit a stridulous sound), 2. tremulous sound of a mast or pole "Shaken by the wind" also the sound of a torrent. Vibrate the voice TRILL which is the WOMEN'S sound of Halal above.

-cantus , ūs, m. id., 2. With instruments, a playing, music: “in nervorum vocumque cantibus,Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,Cat. 64, 264: “querulae tibiae,Hor. C. 3, 7, 30:
B. An incantation, charm, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,Verg. G. 4, 471: “magici,

The Wizzard is one who thinks that they can hear the Word of God "beyond the sacred page."  John called them sorcerers because they used rhetoric, singers and instrumentalists to STEAL the Word and money from others Yiddeoniy (h3049) yid-deh-o-nee'; from 3045; prop. a knowing one; spec. a conjurer; (by impl.) a ghost: - wizard.

"In Isa 8:19 the
'obhoth and yidh'onim are spoken of those who 'chirp and mutter." These terms refer to the necromancers themselves who practiced ventriloquism in connection with their magical rites. In Isa 29:4 it is said 'Thy voice shall be as an 'obh, out of the ground.'... They are stamped in these passages, as in the Witch of Endor narrative, as deceivers practising a fraudulent art. By implication their power to evoke spirits with whom they were in familiar intercourse is denied." (Int Std Bible Ency., ency, p. 690)

Pȳthon ,, I. the serpent slain, according to the myth, near Delphi by Apollon, who was fabled to have been called Pythius in commemoration of this victory, Ov. M. 1, 4381. Pȳthĭa , ae, f., = Puthia, the priestess who uttered the responses of the Delphic Apollo, the Pythoness, Pythia, Cic. Div. 1, 19, 38; Nep. Milt. 1, 3. —
To the law and to the testimony:
        if they SPEAK not according to this WORD,
        it is because there is no light in them. Isa 8:20


David Young and others CO-inspire by Rewriting Holy Scripture and use what is defined as SORCERY or WITCHCRAFT to overcome whole congregations and force them to obey THE LAW OF GIVING.

instead, be filled with the Spirit BY speaking to one another
with psalms, hymns, and spiritual songs,

He then demands that Singing dogma or self-authored songs CAUSES A Holy Spirit person to indwell.

However, He and they deny the role of Baptism which REQUESTS A holy spirit or A good conscience or consciousness which is given by Jesus in His STATE of Holy Spirit to be able to read the passage and KNOCK AND ASK to know the Divine Truth hidden in Parables from the clergy.

JESUS DIED TO REMOVE THE LADED BURDEN AND LADEN BURDENS: A Tithe or Offering or Begged is ANTI-Christian.

http://www.piney.com/HsJobParable.html

Matt. 13:34 All these things spake Jesus unto the MULTITUDE in parables;
        and without a parable spake he not unto them:
Matt. 13:35 That it might be fulfilled which was spoken by the prophet, saying,
        I will open my mouth in PARABLES;
        I will utter things which have been kept secret from the FOUNDATION of the WORLD.


http://www.piney.com/Matthew7.html

Give not that which is holy unto the dogs, neither cast ye your pearls before swine, lest they trample them under their feet, and turn again and rend you. Matthew 7:6

Ask, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you: Matthew 7:7

For every one that asketh receiveth; and he that seeketh findeth; and to him that knocketh it shall be opened. Matthew 7:8

Rev. 3:20 Behold, I stand at the door, and knock:
        if any man hear my voice, and OPEN the door,
        I will come in to him, and will sup with him, and he with me.
Rev. 3:21 To him that overcometh will I grant to sit with me in my throne,
        even as I also overcame,
        and am set down with my Father in his throne.
Rev. 3:22 He that HATH an ear,
        let him hear what the Spirit saith unto the churches.


DON'T GET DRUNK WITH WINE will cause a Christian-Disciple-Student to ASK to know the CULTURE in Ephesus and other places who:
       
kat-auleō , A. charm by flute-playing, tinos Pl.Lg.790e, cf. R.411a; tina  : metaph., se . . -ēsō phobō I will flute to you on a ghastly flute, E.HF871 (troch.):—Pass., of persons, methuōn kai katauloumenos drinking wine to the strains of the flute, Pl.R.561c; k. pros khelōnidos psophon to be played to on the flute with lyre accompaniment, 
2. c. gen. loci, make a place sound with flute-playing, Thphr.Fr.87:— Pass., resound with flute-playing, “nēsos katēuleitoPlu.Ant.56.
II. in Pass., [ton monokhordon kanona parekhein tais aisthēsesi . . katauloumenon subdued by a flute accompaniment metaph., to be piped down, ridiculed, “gelōmenoi kai -oumenoi”  
III. c. acc. rei, play on the flute,ta mētrōaDuris 16 J.:—Pass., to have played to one as an accompaniment on the flute, -“oumenoi pros tōn hepomenōn ta mētrōa melēD.H.2.19.

Revelation 17 warns about the end when the Babylon Mother of Harlots will have a priesthood of "Lusted after fruits." All of the religious priesthood are called SORCERERS.  Jude warned that they are old "spirits" who were Fore Ordained.
mētrōaII. Mētrōon (sc. hieron), to, temple of Demeter, Clitodem.1: more freq. temple of Cybele, esp. at Athens,
2. Mētrōa (sc. hiera), ta, the worship of Cybele, D.H.Dem.22
b. Mētrōa, ta, music played in her honour, Duris 16 J.; in full, ta M. “melēD.H.2.19; to M. “aulēmaPaus.10.30.9.

Self-speaking ALWAYS blasphemes by claiming that God was too ignorant to use
melos   If He permitted Musical Melody
 2. metaph., “esmen . . allēlōn melēEp.Rom.12.5, cf. 1 Ep.Cor.6.15. musical member, phrase: hence, song, strain, first in h.Hom.19.16  of lyric poetry lyric poetry, choral songs, opp. Epic or Dramatic verse

Musical MELODY which EXCLUDES Harmony is the Greek MELOS Plat. Rep. 398d
My recent "investment" was with David Young. Therefore, this collection of words such as Wizard, Charm, Enchant, Divination, Sorcery, familiar spirit, Epoide and many more used in Scripture is INDUCED by any musical or regularly-repeating sound.  Before the Ekklesia-Synagogue as School of the Word can take place SILENT REVERENCE must be demanded:
Hab. 2:19 Woe unto him that saith to the wood,
        Awake; to the dumb stone, Arise, it shall teach!
        Behold, it is laid over with gold and silver,
        and there is no breath at all in the midst of it.

Hab. 2:20 But the Lord is in his holy temple: let all the earth keep silence before him.
People really believe that the Lord-God has to be aroused so that our singing "brings you into the presence of God."

Psa. 44:23 Awake, why sleepest thou, O Lord? arise, cast us not off for ever.

Psa. 57:7 My heart is fixed, O God, my heart is fixed:
        I will sing and give praise.
Psa. 57:8 Awake up, my glory;
        awake, psaltery and harp: I myself will awake early.
Psa. 108:2 Awake, psaltery and harp: I myself will awake early.

John Hyrcannus SILENCED all of thes awakening Psalms as pagan.

We even have a mention at a later date of a similar custom in connection with the cult in Jerusalem, where certain Levites, called me'oreim, 'AROUSERS,' sang (every morning?) this verse from-"Ps 44:23: "Awake, O Lord! Why do you sleep? Rouse yourself! Do not reject us forever." The Talmud tells us that John Hyrcanus suppressed the practice because it recalled too readily a pagan custom." (Roland de Vaux, p. 247).

Because David as king was part of a cursed monarchy abandoned to worship the starry host then no one should ever fall into the trap that David was God's approved PATTERNISM for the MUSIC which was a MARK of that Sabazianism or worship of the Sun, Moon and planets as "wandering stars."  Apollo was the SUN god and is Abaddon or Apollyon and the musicians (muses) in Revelation 18 are called sorcerers: so too is the prophesying under the Levites. 

Pindar, Neaman Ode. Pi.N.9.50 9.[1 Pindar 9:[1]
Muses
, we will go in victory procession from Apollo's shrine in Sicyon to newly-founded Aetna,
        where the
doors flung open wide are overwhelmed by guests,
        at the prosperous home of Chromius.
Make a
sweet song of verses! For, mounting his chariot of victorious horses,
        he gives the word to
sing for the mother and her twin children
[5] who jointly watch over steep Pytho.
[6] There is a saying among men: a noble deed
        when it is accomplished should not be buried silently in the ground;
        and
divine song [
aoida] is suited to BOASTING [we refuse to even sing God's songs].
        But we will
wake the shouting lyre and the flute. 
phormigg
        in honor of the very pinnacle of horse-contests,
        which Adrastus established for Phoebus
[Apollo, Apollyon]
        by the streams of the Asopus.

        thespesios   
divinely sounding, divinely sweet, “aoidē”  th. hodos the way of divination

WHEN PAUL SAID DON'T GET DRUNK ON WINE, THE STUDENT WILL WANT TO KNOW THE PAGAN PATTERNS TO BE REPUDIATED.

Peace loves the symposium,
        and new-flourishing victory [NIKE] is fostered by SOFT song,

more than human: hence, awful, of natural phenomena,

malthakos  faint-hearted, cowardly, kinaidos, ALL religious marked the CATAMITE.

and the voice becomes bold beside the mixing-bowl.
[50] Let someone mix the wine now,
        the sweet forerunner of victory-song,
        and DISPENSE the powerful son of the vine
        in those silver goblets which once Chromius' horses won for him
        and sent from holy Sicyon together with the duly twined garlands of Leto's son.
Father Zeus, I pray that I may celebrate this excellence by the favor of the Graces,
         and excel many poets in honoring victory with my verses,
        [55] throwing my shaft nearest of all to the mark of the Muses.
Mousa  .Olumpiades M., Dios aigiokhoio thugateres” Wine and Music was always from DAUGHTERS whatever the sex. kanakhan . . theias antiluron mousasnumphikas m

http://www.piney.com/AnteClHeresVolII.html#P3023_899914

Fine sights truly, and becoming a goddess;
        mysteries worthy of the night, and flame,
        and the magnanimous or rather silly people of the
Erechthidae,
        and the other Greeks besides, "whom a fate they hope not for awaits after death."

And in truth against these Heraclitus the EPHESIAN PROPHESIES as
"the night-walkers, the
magi, the bacchanals, the Lenaean revellers, the initiated."

These he threatens with what will follow death, and predicts for them fire.
        For what are regarded among men as mysteries, they celebrate sacrilegiously.

Law, then, and opinion, are nugatory. And the mysteries of the dragon are an imposture,
        which celebrates religiously mysteries that are no mysteries at all,
        and observes with a spurious piety profane rites.
        What are these mystic chests?-for I must expose their sacred things, and divulge things not fit for speech.

Journal: Bibliotheca Sacra
Volume: BSAC 136:543 (Jul 1979)
Article: The Dionysian Background of Ephesians 5:18 Author: Cleon L. Rogers, Jr.
The festivals celebrated in honor of Dionysus varied from place to place, but it seems that one common feature was the emphasis on fertility and sex.
The emphasis on the phallus (the male sex organ) in the so- called “Phallus Procession” along with such things as “the Phallus Song,” certainly indicate the lewd debauchery connected with this worship.30 The significance was evidently to please Bacchus so that he would grant fertility.

Note 30: Aristophanes.Archarnians.html DICAEOPOLIS
Xanthias, walk behind the basket-bearer and hold the phallus well erect; I will follow, singing the Phallic hymn; thou, wife, look on from the top of the terrace. Forward!

[263] Oh, Phales, companion of the orgies of Bacchus, night reveller, god of adultery, friend of young men, these past six years I have not been able to invoke thee.

Another feature of the festivals was the wild, frenzied dancing and uncontrolled ravings,
         in connection with wine drinking and the music of flutes, cymbals, drums, or tambourines.
31 Along with this was the mountain dancing of the women which sometimes took place in the dead of winter, and the devouring of the raw flesh of animals.32
        The purpose of the intoxication BY WINE and also the chewing of ivy,
         as well as the eating of raw animal flesh,
                  was to have DionysUS
ENTER the body of the worshiper
                  and FILL him with “enthusiasm” or the SPIRIT of the god.

Dionysus was to possess and control such ones so that they were
        united with him and partook of his strength, wisdom, and abilities.
        This resulted in the person doing the will of the deity (either willingly or unwillingly)
34
        and
having the ability to speak inspired prophecy,35 and was often thought to be
        the source of artistic or poetical ability

Many will say to me in that day, Lord, Lord, have we not prophesied in thy name? and in thy name have cast out devils? and in thy name done many wonderful works? Matthew 7:22

Prophēt-euō  one who speaks for a god and interprets his wil
A. to be a prophētēs or interpreter of the gods, “manteueo, Moisa, prophateusō d' egōPi. l.c.; tis prophēteuei theou; who is his interpreter?E.Ion 413
IV. to be a quack doctor, mania . . prophēteusasawith oracular power, Pl.Phdr.244d:

-Prophêtês interpreter, expounder of the will of Zeus, of Tiresias, Pi.N.1.60; Bakkhou p., perh. of Orpheus, E.Rh.972; [Dionusou p., of the Bacchae, Id.Ba.551
Delphic Apollo, “Dios p. esti Loxias patrosA.Eu.19; of the minister [female] and interpreter at Delphi, Hdt.8.36,37  Mousôn prophêtai interpreters of the Muses, Plat.

Prophêtis  [fem. of prophêtês] of the Pythia 2. prophet's wife, LXXIs. 8.3.
(Puthia). The priestess of Apollo at Delphi who pronounced the oracles. See Delphi; Oraculum
   Puthios [u_; i_ metri gr. in h.Ap.373], a, on, ( [Pu_thô] ) Pythian, i.e. Delphian, epith. of Apollo, l.c., Pi.O.14.11, etc. (P. alone is f.l. in E. Ion 285); enPuthiou in

"Singing served as a means of inducing ecstatic prophecy (speaking in tongues). Thus the essential relationship between music and prophecy can be clearly seen. This relationship also explains why the expression for "making music" and "prophesying" was often identical in the ancient tongues. origen contra celsum 8.67.
      The Hebrew word
Naba signifies not only "to prophesy" but also "to make music." (Quasten, Johannes, Music and Worship in Pagan and Christian Antiquity, p. 39)

The Significance of the Dionysian Background

If the cultural background was Dionysian worship, then the two commands of Paul in Ephesians 5:18 and their context take on a new light. The several features to be considered are almost in themselves further support for a Dionysian background.

The Concept of ἀ σωτιά
“Be not drunk with wine, wherein is excess, but be ye filled with the Spirit” (Eph 5:18, AV). The word
translated “excess” basically means “without health,” or “incurable.”40 The word then refers to “one who by his manner of life, especially by dissipation destroys himself.”41

       It is generally acknowledged that Dionysus was not originally a Greek god, but probably had his origins in Thracia, Lydia, or Phrygia.
5 The name “Dionysus” appears to be the genitive of the word Zeus joined with the word nysos, (“son”) with the resultant meaning “son of Zeus.6 He is also referred to by the Lydian name of “Bacchus.”7
       
It would have been hardly possible to have visited an ancient city and to have remained any length of time without seeing Dionysus and his ever- present companions, the Satyrs, Silens, and Maenads.

        For a description of these male and female figures, half-clad, carrying musical instruments, wearing ivy wreaths, and having animal features, see Oxford Classical Dictionary , s.v. “Satyrs and Sileni” and “Maenads,” pp. 636, 956.

Heraclitus, 124, bacchanals, revelers in wine, the initiated.
SOURCES--Clement of Alex. Protrept. 2, p. 18. Context:--Rites worthy of the night and of fire, and of the great-hearted, or rather of the idle-minded people of the Erechthidae, or even of the other Greeks, for whom there awaits after death what they do not hope (see frag. 122). Against whom, indeed, does Heraclitus of Ephesus prophesy? Against night-roamers, Magians, bacchanals, revelers in wine, the initiated. These he threatens with things after death and prophesies fire for them, for they celebrate sacrilegiously the things which are considered mysteries among men (= frag. 125).

Eleusinian.Mysteries.jpg

There were also numerous priestly functionaries connected with the proceedings: The Hierophant, or High Priest, would preside over the most mysterious and solemn portions of the ritual. He alone had the right to enter the secret chamber of the Anaktoron, where the sacred Hiera, or cult objects, were housed.

The High Priestess of Demeter would share with the Hierophant the primary responsibility for presiding over the Mysteries. It is thought that she would assume the role of Demeter in a sacred drama reenacting the goddess's anguish and desperate search for Persephone. Most scholars also believe that the High Priestess would join the High Priest in performing an Hieros gamos, or sacred wedding of symbolic significance. The Hierophantides were two chief female assistants of the Hierophant who played a major role in the drama and initiation ceremonies. The Panageis Priestesses, also known as "bees," were celibate auxiliaries whose precise function remains unknown. Possibly they played a role in carrying the Hiera in the stately procession from Eleusis to Athens and back again. The Dadouchos, second male in rank after the Hierophant, was the torchbearer, who played an important role in the initiations. He alone at Eleusis had the authority to remove the stain of impurity from aspirants who had shed human blood. He and his female assistant, the Dadouchousa, were probably also responsible for the lighting effects in the Telesterion during the ceremonies. The Hieorokeryx was the official herald, whose stentorian voice would call the initiates to silence in order for the Mysteries to begin. Finally, the Priest at the Altar would preside over the animal sacrifices and other offerings to the two goddesses.  The Eleusinian Mysteries

Ignoring the warning of Paul the, as they say, "Use of Female Ministers" the PROMOTION of the Hieros gamos, or sacred wedding is promoted under the ploy of using the Pattern of the Song of solomon as the PATTERN:

Sara.Barton.The.Song.of.Solomon.html

Rick.Marrs.Pepperdine.2017.Song.of.Solomon.html

Boby.Valentine.The.Song.of.Solomon.html


David Young: instead, be filled with the Spirit BY speaking to one another
with psalms, hymns, and spiritual songs,


Clement and everyone: For such are the
begging priests of Cybele. Hence Antisthenes replies appropriately to their request for alms:
I do not maintain the mother of the gods, 
For the gods maintain her."
"Again, the same writer of comedy, expressing his dissatisfaction with the common usages, tries to expose the impious arrogance of the prevailing error in the drama of the Priestess, sagely declaring: --

If a man drags the Deity
Whither he will by the sound of cymbals,

He that does this is greater than the Deity;

"But these are the instruments of audacity and means of living Invented by men. --(Clement, Exhortation to the Heathen, Ante-Nicene, II, p. 193).


There is not a single Command, Example or remote Inference of God's People being called out to REST which includes SCHOOL to READ or SPEAK the Word without tampering.

The message of Scripture and historic testimony beginning with Clay Tablets is that musical sound, as a high pitch and a fixed cadence, INTENDS to Afflict and shut down the spiritual or rational mind.

There probably is no example of anyone subjecting a multitude to musical sounds who do not intend to fleece the widows and working class.  God's Spirit in Isaiah 55 MARKS selling your own songs or sermons.

Thessalian
Ephesians 5:18-20 David M. Young Translation.

And don't get drunk on alcohol, which leads to decadence;
instead, be filled with the Spirit BY speaking to one another
with psalms, hymns, and spiritual songs,

singing. and MAKING MUSIC WITH your heart to the Lord,
always giving thanks to God the Father for everything,
in the name of our Lord Jesus Christ.

David Young represents the prophesied end-time musical outbreak defined by Jude.  A witch or sorcerer does not 'boil frog's eyes" they "BOIL FROGS" by boasting of gradualism to infiltrate and divert all Bible-based churches and "turn them into a theater for holy entertainment."  Scripture and history says that "Koma is induced by musical instruments." Praise teams are "organic" musical instruments.

Jude 3 Beloved, when I gave all diligence to write unto you of the common salvation,
         it was needful for me to write unto you,
        and exhort you that ye should earnestly contend
        for the faith which was once delivered unto the saints.
Jude 4 For there are certain men crept in unawares, who were before of old ordained to this condemnation, ungodly men, turning the grace of our God into lasciviousness, and denying the only Lord God, and our Lord Jesus Christ

SPIRIT has never and can never define a GOD: God IS Spirit in contrast to having FLESH AND BONES.  Spirit is a STATE or Mind or Mental disposition.  SPIRIT means that "God puts His WORD into the MOUTH of A Moses, the Prophets and LASTLY into the mouth of Jesus of Nazareth.  Spirits are demons or devil:


1 Cor. 10:7 Neither be ye idolaters, as were some of them; as it is written,
        The people
sat down to eat and drink, and rose up to play.

1 Corinthians 10.7 mēde eidōlolatrai ginesthe, kathōs tines autōn: hōsper gegraptaiEkathisen ho laos phagein kai pein, kai anestēsan paizein.”
Barnes etc And rose up to play - (paizein). The Hebrew word used in Exodus 32:6 (tsaachaq) means "to laugh, to sport, to jest, to mock, to insult" Genesis 21:9; and then to engage in dances accompanied with music, in honor of an idol. This was often practiced, as the worship of idols was celebrated with songs and dances. This is particularly affirmed of this instance of idol worship Exodus 32:19; and this was common among ancient idolaters; and this mode of worship was even adopted by David before the ark of the Lord; 2 Samuel 6:5; 1 Chronicles 13:8; 1 Chronicles 15:29. All that the word "to play" here necessarily implies is, that of choral songs and dances, accompanied with revelry in honor of the idol.

Anistēmi
, II. rouse to action, stir up, III. make people rise, break up an assembly by force, Il.1.191; but ekklēsian anastēsai adjourn it, X.HG2.4.42. raise up against another, toutō de promon allon anastēsousin ib.7.116 (v. infr. B. 1.5): rouse to arms, raise troops, Th.2.68,96; “a. polemon epi tinaPlu.Cor.21; anastēsas ēge straton he called up his troops and marched them, Th.4.93, cf. 112, etc.

paizō,  Dor. paisdō Theoc.15.42: Lacon. pres. part. gen. pl. fem. paiddōhan Ar. Lys.1313 (lyr.): fut. paixoumai Syrac. in X.Smp. 9.2,
Aristoph. Lys. 1313
Leaving again lovely lofty Taygetus
Hither O Spartan Muse, hither to greet us,
And wi' our choric voice to raise
To Amyclean Apollo praise, [Abaddon, Apollyon]
And Tyndareus' gallant sons whose days
Alang Eurotas' banks merrily pass,
An' Athene o' the House o' Brass.
Now the dance begin;
Dance, making swirl your fringe o' woolly skin,
While we join voices
To hymn dear Sparta that rejoices
I' a beautifu' sang,
An' loves to see
Dancers tangled beautifully;
For the girls i' tumbled ranks
Alang Eurotas' banks
Like wanton fillies thrang,
Frolicking there
An' like Bacchantes shaking the wild air
To comb a giddy laughter through the hair,
Bacchantes that clench thyrsi as they sweep
To the ecstatic leap.
An' Helen, Child o' Leda, come
Thou holy, nimble, gracefu' Queen,
Lead thou the dance, gather thy joyous tresses up i' bands
An' play like a fawn. To madden them, clap thy hands,
And sing praise to the warrior goddess templed i' our lands,
Her o' the House o' Brass.
Paizo: A2. esp. dance, “paisate Od.8.251; “dōma peristenakhizeto possin andrōn paizontōn 23.147, cf. Hes.Sc.277; “p. te kai khoreuein Ar.Ra.409, cf. 390; “enoplia khalkōtheis epaizenPi.O.13.86:—Pass., alla pepaistai metriōs hēmin, of the chorus, Ar. Th.1227.
1Corinthians 10:20 But I say, that the things which the Gentiles [Gens] [ sacrifice,
         they sacrifice to devils, and not to God:
         and I would not that ye should have fellowship with devils.

Daemŏnĭum  II.  An evil spirit, demon, App. Mag. p. 315, 10; Vulg. Deut. p. 32, 17;
daimonaō ,  A. to be under the power of a daimōn, to suffer by a divine visitation,daimona domos kakoisA.Ch.566; “daimonōntes en ataId.Th. 1008 (lyr.): abs., to be possessed, to be mad, E.Ph.888, X.Mem.1.1.9, Plu.Marc.20, etc.; “daimonasMen.140.

Greek: Daimonios , II. from Hdt. and Pi. downwds. (Trag. in lyr.), heaven-sent, miraculous, marvellous,bōlaxPi.P.4.37; “terasB.15.35, S.Ant.376
2. of persons, “ d. hōs alēthōs kai thaumastōId.Smp.219b; ho peri toiauta sophos d. anēr ib.203a; “daimonios tēn sophianLuc.Philops.32: Comp. “-ōterosD.C.53.8.
Sophos , ē, on, mostly of poets and musicians, Pi.O.1.9, P.1.42, 3.113; en kithara s. E.IT1238 (lyr.),

Sophia A. cleverness or skill in handicraft and art, in music and singing, tekhnē kai s. h.Merc.483, cf. 511; in poetry, in divination,
Plato, Euthydemus
[289e] For not only do these speech-writers themselves, when I am in their company,
epistēmē  With enough money you can get a degree in epistemology to Take in hand metakheir-izō 4. practise, pursue an art, study, etc., metakheirizesthai mousikēn, philosophian, paideian,
impress me as prodigiously clever, Cleinias,
but their ART itself seems so exalted as to be almost inspired.

thaumaston  Claiming that your song or sermon or anything is divine is a LYING WONDER.
However, this is not surprising; for it is a part of the sorcerer's art, epōdōn tekhnēs

Plat. Euthyd. 290a  and only slightly inferior to that. The sorcerer's [epōdōn] art
is the charming of snakes and tarantulas and scorpions and other BEASTS and diseases,
        while the other is just the charming and
        soothing of juries, assemblies, crowds, and so forth. Or does it strike you differently? I asked.

ekklēsi-astēs , ou, ho,
A  member of the ekklēsia, Pl.Grg. 452e, Ap.25a, Arist.Pol.1275a26, Rh.1354b7.

There was no Church at Cenchrea: Phoebe was a member of the Greek Assembly which never MADE laws but met to agree and enforce them:

ekklēsi-a .assembly duly summoned, less general than sullogos, ; e. sunageirein, sunagein, sullegein, athroizein, call an assembly
sullog-os , ho, A.assembly, concourse, meeting of persons, which included:
        skholastikos 1 skholazō
        I.enjoying leisure, Lat. otiosus, Arist.; to skholastikon leisure, id=Arist.
        II.devoting one's leisure to learning, a scholar,

Sabbath means REST.  The Greek for the assembly is PAUO which is defined by ōtĭōsus
SPEAKING Psalms, Hymns and Spiritual songs from the BOOK of Psalms.  The Assembly was a Reading Assembly. A portion of Scripture was read ONCE each week until the whole book was read especially the Prophets. The goal was to REHEARSE the Word as the way to CONFESS and then SPEAK TO YOURSELF all week with God's Words to replace your own troubles.  
Latin 289e:

kai mentoi ouden thaumaston: esti gar tēs tōn epōdōn tekhnēs morion mikrō te ekeinēs hupodeestera.

-epōdē , Ion. and poet. epa^oidē , , A.song sung to or over: hence, enchantment, spell, BURDEN
ou pros iatrou sophou thrēnein epōdas pros tomōnti pēmati
of the Magi, Hdt.1.132
   oute pharmaka..oud' au epōdai Pl.R. 426b ; thusiai kai e. ib.364b ;
charm for or against..,toutōn epōdas ouk epoiēsen patērA.Eu.649.

epōd-os , on, (epadō
A.singing to or over, using songs or charms to heal wounds, “epōdoi muthoiPl.Lg.903b.
b. Subst., enchanter,e. kai goēsE.Hipp. 1038 (but “goēs e.Ba.234): c. gen., a charm for or against,ethusen hautou paida epōdon Thrēkiōn aēmatōnA.Ag.1418 ; e. tōn toioutōn one to charm away such fears, Pl.Phd.78a.
c. c. dat., assisting, profitable, 2. Pass., sung to music,phōnaiPlu.2.622d ; fit for singing,poiētikēn e. parekhein
2. epōdos, ho, verse or passage returning at intervals, in Alcaics and Sapphics, D.H.Comp.19 ; chorus, burden, refrain,
David Young and organization claim without shame that "Singing that which is NOT Scripture CAUSES A Holy Spirit God person to ENTER into their body.  The thesis is that human opinion afterwords acts as CO-authors of Scripture."
Rev. 18:22 And the voice of harpers, and musicians, and of pipers, and trumpeters,
        shall be heard no more at all in thee;
and no craftsman, of whatsoever craft he be,
        shall be found any more in thee;
and the sound of a millstone
        shall be heard no more at all in thee;
Rev. 18:23 And the light of a candle
        shall shine no more at all in thee;
and the voice of the bridegroom and of the bride
        shall be heard no more at all in thee:
for thy merchants were the great men of the earth;
        for by thy SORCERIES were all nations DECEIVED.
Rev. 18:24 And in her was found the blood of prophets, and of saints,
        and of all that were slain upon the earth.

-pharmaka.
3. enchanted potion, philtre: hence, charm, spell,
such charms have I, Hdt.3.85, cf. Apoc.9.21.
paiōniaA.Ag.848;

Rev. 9:20 And the rest of the men which were not killed by these plagues
        yet repented not of the works of THEIR HANDS that they should not worship DEVILS,
        and idols of gold, and silver, and brass, and stone, and of wood:
        which neither can see, nor hear, nor walk:
Rev. 9:21 Neither repented they of their murders, nor of their SORCERIES [
-pharmaka]. , nor of their fornication, nor of their thefts.
paiōn-ios , a, on, II. kelados ou p. unlike a song of victory, A.Pers.605.
pharmaka
    
Paian , 2. title of Apollo (later as epith., “Apollōni Paiani” “ Paiēon' aeidonh.Ap.517, “ te kai tas Mousas epikaloumenosPl.Criti.108c,
b. saviour, deliverer, “ō thanate PaianA.Fr.255.1, cf. E.Hipp.1373
paean, i.e. choral song, addressed to Apollo or Artemis (the burden being or Paian, v. supr. 1.2 ), in thanksgiving for deliverance from evil, 
2. song of triumph after victory, prop. to Apollon, Il.22.391 sq.; “halōsimos p.A.Th.635, etc.; also, battle-song, “paian' ephumnoun semnon Hellēnes”  in Prosody, paeon, a foot consisting of 3 short and 1 long syll., _^^^, ^_^^, ^^_^, or ^^^_,

kēl-ēsis , eōs, ,
A.bewitching, charming, ekheōn, nosōn, Pl.Euthd. 290a: enchantment by ELOQUENCE, dikastōn k. te kai paramuthia ibid.; by music and sweet sounds, Id.R.601b, Stoic.3.97.
OPPOSITE
khristos , ē, on, (khriō)
A.to be rubbed on, used as ointment or salve, opp. pistos, A.Pr.480, cf. E.Hipp.516, Triclin.ad Theoc.11.1; to elaion to kh. anointing oil, LXX Le.21.10.
3. in NT, ho kh. the Messiah, Ev.Matt.2.4, etc.; “ho kh. KuriouEv.Luc.2.26; then used as pr. n. of Jesus, “Iēsous kh.Ev.Matt.1.1, etc.; Iēsous ho legomenos kh. ib.16.
goēs , ētos, ho, A.sorcerer, wizard g. epōdos Ludias apo khthonosE.Ba.234, cf. Hipp.1038; prob. f.l. for boēsi Hdt.7.191. 2. juggler, cheat, “deinos g. kai pharmakeus kai sophistēsPl.Smp.203d; “deinon kai g. kai sophistēn . . onomazōnD.18.276; “apistos g. ponēros

There is no command, example or remote hint that anyone gathered as an Ecclesia of Christ and sang in a tuneful sense without or without musical instruments for many centuries.

The use of mechanical devices to sell the sounds as the SPIRIT entering into them was always bonded with refusing to SPEAK the Word of God through Christ OR of BURNING.
Lexis.Ode.gif
<img src="cgi-bin/Count.cgi?df=piney/counter_David.Young.Ephesians.5.and.Dionysus.Sorcery.html.dat">

2.26.20  53. 5.05.20. 104. 5.09.20. 106

<img src="cgi-bin/Count.cgi?df=piney/counter_David.Young.Ephesians.5.and.Dionysus.Sorcery.html.dat">