Dave Clayton Ethos Lipscomb Summer Celebration 2013
The Wizzard is one who
thinks that they can hear
the Word of God "beyond the sacred page." John called them
because they used rhetoric, singers and instrumentalists to STEAL the
Word and money. People who pretend that God has no will about using instruments when Jesus comes to teach have no problem telling everyone that is their god's will that they give their money for that which is not bread in violation of Christ in Isaiah 55.
Click below to See how refusing to SPEAK the WORD or LOGOS
(regulative principle) proves that the person has no LIGHT IN THEM.
Christ warned against the witches (mostly women) and wizards proving
that there is NOT LIGHT in them.
Dave Clayton and all of the false teachers allowed to BUY and SELL
at Lipscomb and other massed gatherings MUST promote the use of
instrumental music as worship. Moses wrote about other prophetiic
types beginning in BC 4000 after Israel had fallen into instrumental
idolatry at Mount Sinai, were sentenced back to Babylon with hope of
redemption, and Moses laid out a 6 Day or 6,000 year PATTERN. The year
ad2000 was when the SUDDEN and virulent attack the hand that feeds them
saw many kings for the day (Keynoters) go public. John warned
about the Babylon mother of harlots (Revelation 17) who uses "lusted
after fruits" (Same as in Amos 8) as speakers, singers and instrument
players to ask Christ to REMOVE the Lamps (seven spirits of
knowledge). John said that they are SORCERERS (same as in the
BC4000 original Babylon Mother of Harlots where Inanna or Ishtar gets
the father god drunk and steals the powers of the Eldership, demons as
instrumental musicians and 'kissing the phallus." That is why the
Gender-Variant-Priesthood is absolutely required when you hold Religious
Observations to which Jesus said the Kingdom will not come.
Carol Wimber and the Fuller pattern Intimacy with God
And, Lordy, even though Jesus Paid it all and there is not Law of Giving (that would be legalism):
"At this time we also
discovered that singing
was not the only way to worship God. Because the word worship means
literally to bow
down, it is important
that our bodies are involved in what our spirits are saying. In
scripture this is accomplished through bowing heads, lifting hands, kneeling, and even lying prostrate
before God. ... we are blessed as we worship him.
He visits his people with
manifestations of the
Holy Spirit. "Thus worship has a two-fold aspect: communication with
God through the basic
means of singing and praying, and communication from God
though teaching and preaching the word,
prophecy, exhortation, etc.
We lift him up and exalt him, and as a result are drawn into his
presence where he speaks to us."
"In the Vineyard we see
five basic phases of
worship, phases through
which leaders attempt to lead the congregation.... as we pass through
these phases we are headed toward one goal:
intimacy with God."....
The fourth phase is described
as "God Visits His People when "Expression then moves to a zenith, a
point, not unlike
lovemaking... We have
expressed what is in our hearts and minds and bodies, and now it is
time to wait for God to respond.
Stop talking and wait for Him to speak, to move. I call this, the fourth
The fifth phase is called
"Generosity "The fifth phase of worship is the giving of substance. The church knows so little about
giving, yet the Bible exhorts us to give to
God. it is pathetic to see people preparing for ministry who don't
know how to give. That is like an athlete entering a race, yet he
doesn't know how to run. If we haven't learned to give money, we
haven't learned anything.
All pagan temples led you into the presence of a god and making
love to a priestess or emasculated male was SOLD and the money didn't go
to the god but to the god's AGENT.
THE TRUTH: Both men and women are to be silent to prevent
wrath or ORGY which includes all of the hypocritic or performing arts
and crafts. The PURPOSE for silencing everyone but an ELDER as the
only gifted person IF APT to teach that which has been taught. He is to
PREACH the Word or LOGOS or Regulative principle by READING it for
Comfort and doctrine.
1Timothy 2:4 Who will have all men to be saved,
and to come unto the knowledge of the truth.
Only the Logos is TRUTH: it is opposite to rhetoric (even with the Steve Job's persona),
opposite to singing, playing instruments or drama
And telling Dave Clayton to claim otherwise that it is blsaphemy:
1Timothy 2:5 For there is one God,
and one mediator between God and men,
the man Christ Jesus;
1Timothy 2:6 Who gave himself a ransom for all, to be testified in due time.
Even to Paul, if you get any authority to speak that which is NOT
WRITTEN Jesus will have to APPEAR to you and let you SEE Him. But,
claims of supernatural power is psychological violence and a threat
against doubting him.
BUT DAVE CLAYTON SAYS AND LIPSCOMB UNIVERSITY AFFIRMS AND ENDORSES.
In fact the 40 day plan is God's way of TESTING people and at Mount
Sinai they broke. Jesus was tested and won for we Students (only) of the
Dave Clayton claims the power of the FLEECES. He claimed that after 40 days of prayer
God was CALLING him to do something: He was in desperation. In
2007 at 6:30 in the moring while in a shower he just said IF you are
real, tell me what to do.
"Well, Jesus told him what to do in the Great
Commission and he LIMITED him to what Christ had revealed through the
prophets and later made more certain by EYE-- and EAR-- witnesses to the
APOSTLES (only). A Church of Christ is built upon the Prophets and
Apostles and Peter left his PART for our memory. He said that that
perfected prophets was NOT to be private-Interpreted or further
expound. He said that would IDENTIFY one as a false Teacher like the
false prophets who CLAIMED that God spoke to them.
By 2:30 the phone rang by a friend who "does not
know what is going on." The LORD put it on his heart and he needes to
ask Dave Clayton. He said "It is the VOICE of God answering
Dave wanted to endorse social drinking because there was no LAW (that
makes him a legalist?) and actively promote what they call Instrumental
Music in Worship.
Ephraim Syrus On
Our Lord notes that
Sinai was a test. The Israelites were consummate idolaters in Egypt.
However, God gave them one more shot at the Abrahamic Covenant. By
removing Moses as a visible "authority figure" He wanted to let them
answer their own prayer:
18. But when their heathenism from being inward
also from being hidden openly appeared;
that he might openly punish those
whose heathenism had revelled beneath the holy cloud which had
But God removed the Shepherd of the flock from it for forty
days, that the flock
might show that its trust
was fixed upon the calf.
And he was there in
the wilderness forty
days tempted of Satan;
and was with the wild beasts; and the angels ministered unto him.
While God was feeding the flock with all
delights, it chose
for itself as its Shepherd the
calf, which was not
able even to eat.
........... Moses who kept them in awe was removed
from them, that the idolatry
might cry aloud in their
........... which the restraint of Moses had kept
down in their hearts. For they cried: Make us gods, to go before us.
19. But when Moses came down, he saw their heathenism revelling in the wide plain with drums and cymbals. Speedily, he put their
to shame by means of the Levites and drawn swords.
So likewise here,
our Lord concealed His
knowledge for a little
when the sinful woman approached Him, that the Pharisee might form into shape his
........ as his fathers
had shaped the
"The triumphal hymn
of Moses had unquestionably a religious character about it; but the
employment of music in
religious services, though
idolatrous, is more
in the festivities which attended the erection of the golden calf."
(Smith's Bible Dictionary, Music, p. 589).
"While she may have been
a prophetess because she was a wife of a prophet it
likely that she had been a prophetess
in Egypt which meant that
she was a priestess with
intercessory authority. Miriam and a band of trained women went out
in a mind-altering song
and dance with instruments
common to Egypt but not common to Israel. This has
been interpreted as not just a "victorious" dance but a
activity of a priestess with unquestioned authority - which she even tried
out on God.
"We know that all of the
Israelites brought Egyptian
gods and practices with
them and it is not far-fetched to
think that Miriam, who had not yet been exposed to the Covenant, was
part of the consciousness-altering
rhythms and which was
part of a priestly
brought to destructive
consummation at Mount Sinai as the golden calf was called back into
"rising up to
play" involved eating,
drinking, nakedness and musical worship. The goddess, Hathor,
is the best candidate for the Mother Goddess of the Mount Sinai
priestessess or prophetesses were highly trained with musical
instruments, cultic songs and be able to join in the religious
"Music and drugs were
co-consiprators in religious ecstasy. They may have used some product
of the sycamore fig which both intoxicated and induced an altered
state of consciousness. The ergo of barley was well known.
"On the other hand, other
sources, specifically relating to the customs of the East, refer to
the dance as a slow, grave, and solemn gesture, generally accompanied
and the sound of the
THIS WILL BE THE FINAL TEST. For those who have a need to know:
THE MARK: is falling into vocal and instrumental rejoicing (outlawed by Christ)
THE BEAST: is A new style of music and satyrc drama. ZOE (lucifer and EVE worship Paul warned about is defined at "the BEAST and female instructing principle.
"Hathor maintained a special
presence in Sinai on the high
places such as Serabit, where the
nomadic mining tribes worshipped her. (Maspero 354, Petrie 85). In
Egyptian inscriptions, "Qadesh beloved of Ptah" appears as the Syrian
known from terra cotta figurines from many sites in
Palestine. Hathor is also known as The Lady of Byblos and is thus Ashtarte
"Hathor, the Mother
aspect of the triple-goddess Isis, was depicted with a cow's head,
and so was Mary, because "Mary" is also one of the three faces of
Isis, one of the Egyptian "Meris" or "Maris." Again, Meri/Mary
represents the Mother aspect of Isis. She is also the Queen of Heaven
and the Goddess of the Sea, as "mar" or "mer" refers in many
languages to the ocean or sea.
"One of Egypt's earliest
deities was the ass-headed god Set (biblical Seth), an alter ego of Horus and a crucified sacred king. Palestine was named for the same deity under his Roman title
of Pales, who was sometimes said to be both male and female and was
identified with Vesta as a guardian of flocks and herds. Palestine's
God was once given the same form as Pales or Set, a man's body with
an ass's head. The Hebrew version of the Messiah, Iao, was said to be
Set under another name."
"When the Hebrews were in
- living as
Egyptians, worshipping the Golden Calf of Horus,
etc. - they also worshipped Horus's "twin," Set, whence comes Satan.
Where Horus is the Golden
Sun in the Age of Taurus the Bull,
Set represents the Serpent
of the Night, i.e., the night-time sky. The battle between
Horus/Jesus and Set/Satan represents the struggle between day and
night for supremacy.
It is a fact that from Genesis to Revelation and many places in between,
god MARKED the witchery sounds of wind, string and percussion
instruments criminals used to CLAIM that the gods were speaking to them
as RESOURCED from Satan or Lucifer as the 'singing and harp-playing
prostitute in the garden of Eden." Lucifer is ZOE or Aphrodite who
seduces people into a sexual experience which people like Jubal could
SELL as a spirit vibrating in them.
All trinities are father, spirit (mother) and son: that is why God
imaged Himself as one and only one. The Halal or praise word means "to
make yourself file." When you hear the sounds it is of MAKING WAR and
you are warned that you "Must CAPITULATE, or be robbed and then RAPED."
That is part of the SECRET message of MUSIC as being SACRED VIOLENCE.
the golden calf or calves represented Osiris, Isis and Horus: the pagan
trinity of father, mother and son.
Horus was the posthumous son and heir of the god
Osiris, the primordial king and giver of life. He was invited by his
uncle, Seth, to spend a day. Seth’s real motive was not to show him
hospitality but to disqualify him from inheriting his
power. To this end, while Horus slept Seth committed an act
upon him. Since sodomy was inflicted as a punishment on a
enemy and was a symbol of domination, Seth could then claim
that he had conquered Horus and demand the kingship
in his place.
Historically, the rape of males was more
widely recognized in ancient times. Several of the legends in Greek
mythology involved abductions and sexual assaults of males by
other males or gods. The rape of a defeated male
enemy was considered the special right of the victorious
soldier in some societies and was a signal of the
totality of the defeat. There was a widespread belief that a
male who was sexually penetrated, even if it was by forced sexual
assault, thus "lost his manhood," and could no longer be a warrior or
ruler. Gang rape of a male was considered an ultimate form of
punishment and, as such, was known to the Romans as punishment for
adultery and the Persians and Iranians as punishment for violation of
the sanctity of the harem (Donaldson, 1990). Donaldson, Donald. (1990).
"Rape of Males," in Dynes, Wayne, ed. Encyclopedia of Homosexuality.
New York: Garland Publications.
|Musical Idolatry at Mount Sinai: beyond redemption
Paul called it DEMON WORSHIP.
|Musical Idolatry at Tyre and Jerusalem before the 3 Chronicles 29
proof text and after it.
Isaiah 29 has Christ in a Prophetic Type saying that the SIGNS of God
driving His enemies into "hell" will be the wind, string and percussion
lnstruments which "Lucifer the singing and harp-playing prostitute
brought into the garden of Eden. Revelation defines the same as
SORCERY and John says that God will Cast them Alive into the Lake of
Fire: maybe as we speak they are destroying their spirits by the Breath
of their own mouth.
1.06.14 See Randy Lowry Lipscomb CELEBRATON: NOT using instruments causes CONFLICTS. So
he calls on Rick Atchely to help him convice that we should COLLABORATE
with what has always been called sorcery or witchcraft. Lowry confesses a TRIATIC collaboration between ACU, Pepperdine and LU. We, of course, add the NACC repeating the hostile takeover a hundred years later. They want YOU to bow to Baal and then there will be no CONFLICT. Alexander Campbell said that there must be Christians (baptized believers) in all of the sects. If so, he said that they should COME OUT OF BABYLON. Denying any unity with the Christian Church which began in 1927-1971, he said that the "Christians" had shown only how we might be divided.
LINKS TO A FEW STEPS TO THE LAKE OF FIRE; FIXED LINKS 12.30
"RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEAL
TRIBULATION PROMISED FROM WITHIN: BUT, DAVID YOUNG AND THE ELDERS SAY------
THE COMMAND IS TO SPEAK: THERE IS NO COMMAND TO SING AS PERFORMANCE
HOW RECORDED HISTORY NOTES THAT SINGING AS AN ACT WAS IMPOSED AFTER CONSTANTINE AND WAS DIVISIVE
THE COMMAND: SPEAK THAT WHICH IS WRITTEN. NOTHING WRITTEN BY THE SPIRIT IS METRICAL OR TUNEFUL
is to be ACCURSED for preaching a GOSPEL of Rhetoric, Singing, Playing
Instruments, Acting or DECORATING a place as a WORSHIP CENTER
ISAIAH 3 CHRIST'S PROPHETIC TYPE: CLICK BELOW FOR CHRIST'S WARNING ISAIAH 3: RELIGION" REPLACING "SCHOOL OF CHRIST" AND: WORSHIP ANDROGYNY THE PAGAN SEXUAL IDEA
ROMANS 15: CLICK FOR PAUL'S REVEALING THE PROPHETIC MADE MORE CERTAIN FOR OUR EXAMPLE
ISAIAH 8 WHEN EMMANUEL COMES TO YOUR SCHOOL OF CHRIST YOU WILL NOT--CANNOT--PEEP AND MUTTER
CHRIST'S PURPOSE DRIVEN CHURCH DOES NOT BOAST ABOUT ITSELF.
ISAIAH 14 CHRIST'S WARNING OF THE SINGING AND HARP-PLAYING PROSTIITUTES CAST INTO "HELL"
A HUNDRED YEARS OF ATTACKS AGAINST CHURCHES OF CHRIST WHICH WILL NEVER IMPOSE INSTRUMENTAL IDOLATRY.
PROOF THAT ALL INSTRUMENTALISTS ATTACKS ARE BASED ON LIES OR IGNORANCE.
NUMBERS 11 THE REST OF THE STORY ABOUT MUTTERING AND MURMURING: Violates Christ's outlawing vocal or instrument rejoicing or speaing your own words in Numbers 10
DAVID YOUNG STILL SAYS THAT ALL THINGS ARE LAWFUL?
THE "LEADERSHIP" IS PURPOSE-DRIVEN TO SOW MASSIVE DISCORD WHICH GOD HATES.
ELDERS AND DEACONS ARE THE ONLY VOCATIONAL "STAFF" IN A CHURCH OF CHRIST
The role of PREACHER as SENT Evangelist
ISAIAH 8: THOSE WHO DON'T PREACH THAT WHICH HAS BEEN PROVIDED ARE MARKED AS BEING WITHOUT LIGHT.
THE MARKS OF THE FINAL SHAKING AND THE END-TIME SHAKER.
The MARKS of the BEASTS (Zoe) and the INSECTS-PARASITES (LOCUSTS or musical worship teams)
THE FIREY DESTINY OF THOSE WHO SOW MUSICAL OR RHETORICAL DISCORD
Isaiah 8:The Spirit OF Christ defined
the REST for the Godly people in the Qahal, synagogue, ekklesia or
Church of Christ (the Rock) in the wilderness and in the prophets.
To guard against the Scribes and Pharisees, hypocrites meaning
speakers, singers and instrument players, the PATTERN is defined both
inclusively and exclusively.
ALL MUSICAL TERMS AND NAMES OF INSTRUMENTS ARE THE MARK OF WIZARDS,
WITCHES OR SORCERERS. There will always be a mother figure involved.
Isa 8:19And when they shall say unto you,
Seek unto them that
and unto wizards that peep, and that mutter:
should not a people seek unto their
for the living to the dead?
et cum dixerint ad vos quaerite a pythonibus et a divinis
qui stridunt in incantationibus suis numquid non populus a Deo
suo requirit pro vivis a mortuis
-pŏētĭcus , a, um, adj., = poiētikos,
-strīdō to make a shrill noise, sound harshly, creak, hiss,
grate, whiz, whistle, rattle, buzz: stridentia tinguunt Aera
lacu, V.: cruor stridit, hisses, O.: belua Lernae Horrendum stridens, V.: horrendā nocte (striges), O.: mare
refluentibus undis, V.: aquilone rudentes,
O.: videres Stridere secretā aure susurros, buzz,
raw-nan' A primitive root;
properly to creak (or emit a stridulous sound), 2. tremulous sound
of a mast or pole "Shaken by the wind" also the sound of a
torrent. Vibrate the voice TRILL which is the
WOMEN'S sound of Halal above.
-cantus , ūs, m. id., 2.
With instruments, a playing, music: “in nervorum vocumque cantibus,” Cic. Tusc. 1, 2, 4; id. Rosc. Am. 46, 134: “citharae,” Hor. C. 3, 1, 20: “horribili stridebat tibia cantu,” Cat. 64, 264: “querulae tibiae,” Hor. C. 3, 7, 30:
An incantation, charm, magic song, etc.: cantusque artesque magorum. Ov. M. 7, 195; 7, 201: “at cantu commotae Erebi de sedibus imis Umbrae ibant,” Verg. G. 4, 471: “magici,”
, a, um, adj., = magikos
or belonging to magic, magic, magical
and in post-Aug. prose): “artes,
” Verg. A. 4, 493
: “magicis auxiliis uti,
” Tib. 1, 8, 24
: “arma movere,
” Ov. M. 5, 197
” Tac. A. 12, 59
” Plin. 30, 1, 1, § 1
” id. 24, 17, 99, § 156
” Prop. 4, 1, 102
(5, 1, 106): di magici, that were invoked by incantations
), Tib. 1, 2, 62
; Luc. 6, 577
” i. e. hieroglyphics
, id. 3, 222
; “but lingua,
” skilled in incantations
, Ov. M. 7, 330
; Luc. 3, 224
” Juv. 6, 610
: “magicae resonant ubi Memnone chordae,
, id. 15, 5
-rĕ-sŏno “qui (cornus) ad nervos resonant in cantibus, carmina resonantia chordis Romanis, to the strings, “in vocibus nostrorum oratorum
I.poetic, poetical: “verbum,” Cic. de Or. 3, 38, 153: “non poëtico sed quodam oratorio numero et modo,” id. ib. 1, 33, 151: “di,” represented by the poets,
Mŏdus , 2.
The measure of tones, measure, rhythm, melody, harmony, time; in poetry, measure, metre, mode: “vocum,” Cic. Div. 2, 3, 9: “musici,” Quint. 1, 10, 14: “lyrici,” Ov. H. 15, 6: “fidibus Latinis Thebanos aptare modos,” Hor. Ep. 1, 3, 12: Bacchico exsultas (i. e. exsultans) modo, Enn. ap. Charis. p. 214 P. (Trag. v. 152 Vahl.): “flebilibus modis concinere,” Cic. Tusc. 1, 44, 106: saltare ad tibicinis modos, to the music or sound of the flute, Liv. 7, 2: “nectere canoris Eloquium vocale modis,” Juv. 7, 19.—Fig.: “verae numerosque modosque ediscere vitae,” moral harmonies, Hor. Ep. 2, 2, 144.—
spirit is a
serves as the echo chamber of the nebel which means 'VILE.' It has the same meaning as the harp and the sounding gongs
in 1 Cor. 13.
The Wizzard is one who
thinks that they can hear
the Word of God "beyond the sacred page." John called them
because they used rhetoric, singers and instrumentalists to STEAL the
Word and money from others
Yiddeoniy (h3049) yid-deh-o-nee';
from 3045; prop. a knowing
one; spec. a conjurer; (by impl.) a ghost:
"In Isa 8:19 the 'obhoth and yidh'onim
are spoken of those who
'chirp and mutter." These
terms refer to the necromancers themselves who practiced ventriloquism in connection with
their magical rites. In Isa 29:4 it
is said 'Thy voice shall be as
an 'obh, out of the ground.'... They are stamped in these
as in the Witch of Endor narrative, as deceivers practising a fraudulent
art. By implication their
power to evoke spirits
whom they were in familiar intercourse
is denied." (Int Std Bible
Ency., ency, p. 690)
law and to the
’ôb obe From the same as H1
(Ab, Ab, Lord, Lord sayers: apparently through the idea of prattling a
father’s name); properly a mumble, that is, a water skin (from its
hollow sound); hence a necromancer (ventriloquist, as from a
jar):—bottle, familiar spirit.
Pȳthon ,, I. the serpent slain, according
to the myth, near Delphi by Apollo, who was fabled to
have been called Pythius in commemoration of this victory, Ov. M. 1, 438;
they speak not according to this word,
it is because there
is no light in them.