A.
temple-slave, PCair.Zen.451 (iii B.C.), PHib.1.35.3 (iii B.C.), UPZ34.13 (ii B.C.), PTeb.6.25 (ii B.C.), SIG996.29 (Smyrna), BMus.Inscr.986.4 (Cyprus), OGI383.174 (Nemrud Dagh, i B.C.), etc.; neōkoroi kai hi.Ph.2.420; of the Nethinim, LXX 1 Es.1.2, al.; esp. of temple courtesans at Corinth and elsewhere, Str.8.6.20, 6.2.6; also of men, Id.11.4.7, al.
STATEMENT OF HALF OF THE TRUTH USED BY ALL FALSE TEACHERS.
Lynn Anderson Proof Text: Zondervan Pictorial Bible Dictionary. Grand Rapids, Michigan, 1963. P.694.
Psalmos – “Its name in Latin and English Bibles . . . comes from the Greek, Psalmos, which means ‘twangings [of harp strings]’, and then, as a result, songs sung to the accompaniment of harps. This latter name originated in the LXX (cf. its NT authenticity, Luke 20:42) and reflects the form of the book’s poetry. The same is true of its alternate title, Psalterion, meaning ‘psaltery,’ and then, a collection of harp songs, from which comes the English term ‘Psalter.’”Vine, W.E. Expository Dictionary of New Testament Words. Old Tappan, New Jersey, 1966. Psalm – “Psalmos--primarily denoted a striking or twitching with the fingers (on musical strings); then, a sacred song, sung to musical accompaniment, a psalm. It is used (a) of the O.T. book of Psalms, Luke 20:42; 24:44; Acts 1:20; (b) of a particular psalm,
Isnt there an intention to deceive by the "...."
Psalmos, ho, twitching or twanging with the fingers, psalmoi toxôn E.Ion173 (lyr.); toxêrei psalmôi [toxeusas] Id.HF1064 (lyr.). Psalmoi toxôn does not mean "sing and play a harp" WITH a bow. Psalmoi just means pluck or twang a bow. Only in a secondary sense do we PLUCK a harp string which does not music make. Even then Psalmos is often used of evil songs.
Acts 13:33; (c) of psalms in general, I Cor. 14:26; Eph. 5:19; Col. 3:16.
BUT, there are not 150 psalms in Paul's authorization. Paul didn't mention "halals" and "there was no praise service in the synagogue." Therefore, the "psalm 150" appeal repudiates music.
Delitzsch, Psalms: The word "psalm", which is derived from the Greek word psalmos, is a translation of the Hebrew term mizmor, which is the title standing at the head of fifty-seven of the psalms. Thus it is evident that not every psalm has the superscription "psalm". But it is this word which has come to be the designation of the whole book.
Thus we see that although the one hundred and fifty units are called in the Scriptures the Book of Psalms, only fifty-seven of them bear the superscription psalm (mizmor) in the Hebrew Old Testament. The title which the Book of Psalms bears in Hebrew is Sepher Tehillim - the Book of Praises. It is this Hebrew word tehillim.... In Hellenistic Greek the corresponding word psalmoi'(from psa'llein = zimeer) is the more common; the Psalm collection is called bi'blos psalmoo'n (Luke 20:42; Acts 1:20) or psaltee'rion, the name of the instrument (psanteerîn in the Book of Daniel)
"The name of psaltery entered Christian literature in the 3rd century B.C. translation of the Old Testament called the Septuagint where, in the Psalms, nebel was translated psalterion. Thus, Nebuchadnezzar's idolatrous ensemble included the Aramic psantria. Notice, also, that the book of Psalms has also become known as the Psalter (or psalterium), from the hymns sung with this harp. Source
Nebel (h5035) neh'-bel; from 5034; a skin- bag for liquids (from collapsing when empty); hence a vase (as similar in shape when full); also a lyre (as having a body of like form): - bottle, pitcher, psaltery, vessel, viol
Nabel (h5034) naw-bale'; to wilt; generally to fall away, fail, faint; figurative: to be foolish or morally wicked; to despise, disgrace: - disgrace, dishonour, lightly esteem, fade (away, - ing), fall (down, -ling, off), do foolishly, come to nought, surely, make vile, wither.Sounding brass: 2757. kenophonia, ken-of-o-nee´-ah; from a presumed compound of 2756 and 5456; empty sounding, i.e. fruitless discussion: -- vain.
Nine Muses and the Nine Magpies: a perfect "worship team".
‘Oh, cease your empty songs,
attuned to dulcet numbers, that deceive
the vulgar, untaught throng. If aught is yours
of confidence, O Thespian Deities
contend with us: our number equals yours.
We will not be defeated by your arts;
nor shall your songs prevail.-Familiar spirit: 178. owb, obe; from the same as 1 (apparently through the idea of prattling a father’s name); properly, a mumble, i.e. a water skin (from its hollow sound); hence a necromancer (ventriloquist, as from a jar): bottle, familiar spirit.
The bok of Psalms is Tehillim. Only 57 of the Book of Psalms are mizmors which Paul--a Hebrew--would command as "psalms." Only 4 of those are on Neginoth "implied a stringed instrument." However, no instrument is included in the song. Only 4 are on Neginoth "implied a stringed instrument." Only one (108) has a harp and a psaltery and the writer wants to AWAKEN his his instruments. Psalm 92 uses instruments in the text but does not PLAY on the Sabbath.
Psalm 150 is not a mizmor but a halal. All false music promoters want to get you led--and in bed--with Lucifer "the singing and harp-playing prostitute.
1984. halal, haw-lal´; a primitive root; to be clear (orig. of sound, but usually of color); to shine; hence, to make a show, to boast; and thus to be (clamorously) foolish; to rave; causatively, to celebrate; also to stultify:(make) boast (self), celebrate, commend, (deal, make), fool(-ish, -ly), glory, give (light), be (make, feign self) mad (against), give in marriage, (sing, be worthy of) praise, rage, renowned, shine. g1966 heylel or Lucifer from g1984. Lucifer was personified by the king of Tyre as the "singing and harp playing prostitute in the garden of Eden." The "snake" was really a musical enchanter(ess) based on word definition and history.
Therefore when Paul said SPEAK using PSALMS he included only non-instrumental Psalms which were not sung but cantillated meaning SPEAK.
DARE TO BE A DANIEL AND DO NOT BOW.
The word psallo never means a sacred song sung to musical accompaniment: Psallo just mens to play or pluck. You must define what is to be plucked. Plucking a harp string does not make music. Therefore, you have to define a tune.
FALSE TEACHERS ARE FORCED TO TWIST SCRIPTURE AND THEREFORE ALL RECORDED EVIDENCE.
Simple lexicons cannot be used to "define" especially to authorize what Lynn Anderson knows will spread discord but move the church into the "zone" of his birth--the Christian church--and those with whom he "runs." If someone speaks of "music that blasts" we do not use the word "music" to recommend to sober, decent society. The psallo words are based on something destructive and cannot ever carry a spiritual message. Just to let you read what the true Vine said when he EXCLUDES any instrument from the New Testament singing.
NOW RECYCLE TO UNDERSTAND THE ROOTS OF ALL MUSIC UNDER THE KING AND COMMANDERS OF THE ARMY:
Melody (Verb)
Psallo primarily "to twitch, twang,"
Ado is used always of "praise to God," [performing for an audience is excluded]
- THEN "to play a stringed instrument with the fingers," [instrument is always added and named. The plectrum is excluded to exclude guitars, organs or flutes.]
- and hence, in the Sept.,
a. "to sing with a harp," [instrument is always named if intended.]
b. sing psalms [Therefore the harp does not inhere.]- Denotes, in the NT, "to sing a hymn, sing praise;" in Eph5:19, "making melody" (for the preceding word ado,
- Elsewhere it is rendered "sing," Rom 15:9; 1 Cor 14:15; in James 5:13, RV, "let him sing praise" (AV, "let him sing psalms").
(a) intransitively, Eph 5:19; Col 3:16;
(b) transitively, Rev 5:9; Rev 14:3; Rev 15:3.
Praise [Verb]
psallo primarily,
Hymn (Noun and Verb)
- "to twitch" or "twang" (as a bowstring, etc.),
- then, "to play" (a stringed instrument with the fingers),
This pointedly EXCLUDES guitar picks, drums, flutes and organs: It is a warfar word.- in the Sept., to sing psalms,
- denotes, in the NT, to sing a hymn, sing "praise;"
- in James 5:13, RV, "sing praise" (AV, "sing psalms").
humneo akin to humnos, is used
(a) transitively, Matt 26:30; Mark 14:26, where the "hymn" was that part of the Hallel consisting of Psalms 113-118;
(b) intransitively, where the verb itself is rendered "to sing praises" or "praise," Acts 16:25; Heb 2:12.
(c) The Psalms are called, in general, "hymns," by Philo; Josephus calls them "songs and hymns."
Donald D. Markus, Performing the Book
- Hallel The Hallel through the generations, on specific occasions: Pesachim 117a
- Hallel requires a full stomach and a satisfied spirit: Taanis 25b-26a
- The reading is beloved to the people, and so they listen closely: Megillah 21b
- The Hallel as an Institution of the Prophets, to use to pray for salvation from danger: Pesachim 117a
- Reciting Hallel for a miracle which occurred outside of Israel: Megillah 14a
- Saying the Hallel daily is blasphemous: Shabbos 118b
- Therefore, as we exclude self -composed Scripture, self-composed song are excluded and theiri inclusion caused discord.
11 Hence, I argue first that the representation of the epic recital is highly dependent upon the representation of other public performances and, second, that epic's social image is attacked and reclaimed via its public performance.
In fact, behind the criticisms of the epic recital often lie issues about the performance of gender and social status.
In that regard, epic's position is parallel to that of rhetoric. Beginning with Aristotle's Rhetorica (1404a), critics of rhetorical performance have ascribed to lively delivery the same effect as that of acting. There is a persistent association between theatrics, bad rhetoric and effeminacy.
12 That this pattern of criticism was transferred onto the epic recital is ironic because the setting which brought epic into existence in Greece was public performance. In the hands of the Roman satirists and critics, however, epic's performance became subject to the same kind of scrutiny to which the public performance of rhetoric in first-century Rome was subjected.
Rhetoric was forever at pains to disentangle itself from unwanted associations with female deception and histrionic art,
because it was viewed as the art of socially weak women and slaves,
and rhetoricians of all ages have assiduously fought against any trace of bodily and vocal practice associated with these groups.A recital / reading is debased when it takes on the features of a performance.
Horace uses cantare in a derogatory sense for a mimetic, grotesque, distorted and inappropriate style of performance when he satirizes a character's recitals of Calvus and Catullus: quos neque pulcher Hermogenes umquam legit neque simius iste nil praeter Calvum et doctus cantare Catullum. (Sat. 1.10.17--19)
Psallo never means "twitch a harp": if you twitch a harp then a harp is twitched. If you twitch or yank out a hair then music you do not make. If you pluck out pubic hair you do other. The ROOT of this word speaks of DESTRUCTION and POLLUTION. Why would the Spirit of Christ use a word ROOTED in evil to praise him especially since "praise singing" is historically a form of verbal or virtual-sexaul abuse of the gods to force fertility? Fool the ROOTS and don't get taken captive by the EVIL THREAD:1 Chr 25:1 David, together with the commanders of the army, set apart some of the sons of Asaph, Heman and Jeduthun for the ministry of prophesying, accompanied by harps, lyres and cymbals. Here is the list of the men who performed this service:
Payne insists that the Hebrew of 1 Chronicles 25:1 unambiguously identifies these leaders as militarycommanders, an interpretation favoured by several Bible translations. (Payne, p 423-4; NASB, NIV, NKJV, NRSV, Jerusalem Bible) If military commanders had a particular interest in the appointment of musicians, it suggests a strong link between music and warfare
EASY STEP ONE:
5568. psalmos, psal-mos´;
A. from 5567;
B. a set piece of music, i.e. a sacred ode accompanied
1. with the voice, [defined as first instrument of choice in SONG]
2. harp
3. or other instrument; a “psalm”); [Paul commanded the HEART]
C. collectively, the book of the Psalms: psalm. Compare 5603
There is no INSTRUMENT included: you MAY strike a harp.All "singing" words speak of enchantment or sorcery: you sing INTENTIONALLY to do mind altering so you can pick their pockets. John says preaching, singing and playing instruments is SORCERY.
All instances where an instrument is intended it is NAMED: to say pluck has as its primary meaning to PLUCK hairs or a bowstring.
EASY STEP TWO:
Psalmos is not derived from any spiritually uplifting concept but of making war and prostitution. The praise word Chalal means to "play the flute, steal your inheritance, pollute and prostitute."
5567. psallo, psal´-lo; probably strengthened from yaw psao (to rub or touch the surface;
compare 5597);
If you look up twitch you will find psallo.
And from 5597 there is no musical content but a destructive grinding to SOP.5597. psocho, pso´-kho; prolongation from the same base as 5567;
to triturate [to grind into a fine powder]
i.e. (by analogy) to rub out (kernels from husks with the fingers or hand): — rub.
John 13:26 Jesus answered, He it is, to whom I shall give a sop,
when I have dipped it. And when he had dipped the sop,
he gave it to Judas Iscariot, the son of Simon.
John 13:27 And after the sop Satan entered into him.
Then said Jesus unto him, That thou doest, do quickly.
John 13:30 He then having received the sop went immediately out: and it was night.
5568. psalmos, psal-mo A. from 5567; B. a set piece of music, i.e. a sacred ode accompanied
1. with the voice, 2. harp or, 3. or otherinstrument; a “psalm”);5597. psocho, pso´-kho; prolongation from the same base as 5567;
to triturate [to grind into a fine powder] ):-beat, wear .We noted that only four of the Psalms (Mizmor) Paul mentioned are "upon Neginoth": 4, 6, 67 and 76. You may not want to use these to deliberately sow discord:
Note that H5059 is used interchangeably with h2490 Psa. 68:25 The singers went before, the players on instruments followed after;
5058. ngiynah, neg-ee-naw´; ngiynath (Psa. 61: title), neg-ee-nath´; from 5059;
Lam 3:14 I was a derision to all my people; and their song all the day.
Psa. 69:12 They that sit in the gate speak against me; and I was the song of the drunkards.
5060. naga naw-gah´; a primitive root; properly, to touch, i.e. lay the hand upon (for any purpose; euphem., to lie with a woman); by implication, to reach (figuratively, to arrive, acquire); violently, to strike (punish, defeat, destroy, smite, strike, touch.
Nagan (h5059) naw-gan'; a prim. root; prop. to thrum, i. e. beat a tune with the fingers; espec. to play on a stringed instrument; hence (gen.) to make music: - player on instruments, sing to the stringed instruments, melody, ministrel,
Is. 23:16 Take an harp, go about the city, thou harlot that hast been forgotten; make sweet melody [nagan], sing many songs, that thou mayest be remembered.5061. nega neh´-gah; from 5060; a blow (figuratively, infliction); also (by implication) a spot (concretely, a leprous person or dress):-plague, sore, stricken, stripe, stroke, wound. Psa. 87:7 As well the singers as the players on instruments shall be there: all my springs are in thee.
H2490 châlal khaw-lal' figuratively to profane (a person, place or thing), to break (one’s word), denominatively (from H2485 ) to play (the flute): take inheritance, pipe, playerinstruments, pollute, (cast as) profane (self), prostitute wound on .
2491. chalal, khaw-lawl´; from 2490; pierced (especially to death); figuratively, polluted:kill, profane, slain (man), x slew, (deadly) wounded.
Lev. 19:29 Do not prostitute thy daughter, to cause her to be a whore; lest the land fall to whoredom, and the land become full of wickedness.
Lev. 19:31 Regard not them that have familiar spirits, neither seek after wizards, to be defiled by them: I am the LORD your God.
"The triumphal hymn of Moses
The musical idolatry at Mount Sinai has the same meaning and the same root
Ex. 32:6 And they rose up early on the morrow, and offered burnt offerings, and brought peace offerings; and the people sat down to eat and to drink, and rose up to play
2Sam. 6:5 And David and all the house of Israel played before the LORD on all manner of instruments made of fir wood, even on harps, and on psalteries, and on timbrels, and on cornets, and on cymbals.
7832. sachaq, saw-khak´; a primitive root; to laugh (in pleasure or detraction); by implication, to play: deride, have in derision, laugh, make merry, mock(-er), play, rejoice, (laugh to) scorn, be in (make) sport. 7833. shachaq, shaw-khak´; a primitive root; to comminate (by trituration or attrition):-beat, wear . "The triumphal hymn of Moses had unquestionably a religious character about it; but the employment of music in religious services, though idolatrous, is more distinctly marked in the festivities which attended the erection of the golden calf." (Smith's Bible Dictionary, Music, p. 589).
The alarm outlawed for the synagogue has the same meaning"They sat down to eat and drink and rose up to play. They practiced rites in which they made themselves naked, perhaps similar to those which were carried out by naked Babylonian priests." (Woodward, p. 158).
"Not to be overlooked here is the accompaniment of music and dancing which, with the character of the ensuing phenomena, makes the diagnosis (of idolatry) certain." (Schaff-Herzog, Ecstasy, p. 71).
Num. 10:5 When ye blow an alarm, then the camps that lie on the east parts shall go forward.
8643.ruwah, ter-oo-aw´; from 7321; clamor, i.e. acclamation of joy or a battle-cry; especially clangor of trumpets, as an alarum:-- alarm, blowing of, the trumpets), joy, jubile, loud noise, rejoicing, shout(-ing), (high, joyful) sound(-ing).
Num. 10:7 But when the congregation is to be gathered together, ye shall blow, but ye shall not sound an alarm.
7321. ruwa, roo-ah´; a primitive root; to mar (especially by breaking); figuratively, to split the ears (with sound), i.e. shout (for alarm or joy):--blow an alarm, cry (alarm, aloud, out), destroy, make a joyful noise, smart, shout (for joy), sound an alarm, triumph.
7322. ruwph, roof; a primitive root; properly, to triturate (in a mortar), i.e. (figuratively) to agitate (by concussion):--tremble.):-beat, wear . No one in the Bible or early church history every DID that: Psallo is reserved as a MARK like SOP. It only surfaced in 1878 as a way to save the clergy and church as institute.
I gave my back to the smiters, and my cheeks to them that plucked off the hair: I hid not my face from shame and spitting. Isaiah 50:6 Prophesied in Psalm 41 of Jesus. per-cŭtĭo , I. (With the notion of the per predominating.) To strike through and through, to thrust or pierce through (syn.: percello, transfigo). II. (With the idea of the verb predominating.) To strike, beat, hit, smite, shootFor, lo, the wicked bend their bow, they make ready their arrow upon the string, that they may privily shoot at the upright in heart. Psalm 11:2 Bend: Darak (h1869) daw-rak'; a prim. root; to tread; by impl. to walk; also to string a bow (by treading on it in bending): - archer, bend, come, draw, go (over), guide, lead (forth), thresh, tread (down), walk.
2.To strike, shock, make an impression upon, affect deeply,move, astound
3.To cheat, deceive, impose upon on b. To strike, play a musical instrument (poet.):lyram, Ov. Am. 3, 12, 40
lyra , ae, f., = lura,I.a lute, lyre, a stringed instrument resembling the cithara, fabled to have been invented by Mercury and presented to Apollo, Why would any Bible reader not see that ALL of the "music" terms and names of instruments are the MARK of someone who intends to hurt you really bad? Why would the Spirit COMPROMISE all music concepts if He suffered from the LUST OF THE EARS?
EASY CONCLUSION. It JUST means to:
Psaô [cf. katapsaô], II. intr. to crumble away, vanish, disappear, ). (psaô, psaiô, psauô, psairô, psêchô, psôchô, and perh. psiô, psômos, seem to be different enlargements
Most examples include SPEAKING the Word of God: the mark of the literate.
Isa. 50:4 The Lord GOD hath given me the tongue of the learned,
that I should know how to speak a word in season to him that is weary:
he wakeneth morning by morning, he wakeneth mine ear to hear as the learned.
Is. 50:5 The Lord GOD hath opened mine ear,
and I was not rebellious, neither turned away back.
Most examples EXCLUDE music: the mark of despising God and of the illiterate.
Is. 50:6 I gave my back to the smiters,
and my cheeks to them that plucked off the hair:
I hid not my face from shame and spitting.
5221. nakah, naw-kaw´; a primitive root; to strike (lightly or severely, literally or figuratively):-beat, cast forth, clap, give (wounds), strickenIs. 50:7 For the Lord GOD will help me;
There must be a message that ALL playing of instruments is the same word for violence
Percutio To strike through and through, to thrust or pierce through. To strike, beat, hit, smite, shoot b. To strike, play a musical instrument
Ovid Amours 3:12
And there is hardly now a rake in Rome
But knows her rates, and thanks my babbling muse:
Her house is now as common as the stews;
For this I'm to the muse oblig'd, and more
For all the mischiefs envy has in store.
This comes of gallantry, while some employ
Their talents on the fate of Thebes and Troy,
While others Caesar's godlike acts rehearse,
Corinna is the subject of my verse.
And though Corinna in my songs is fair,
Let none conclude she's like her picture there.
The fable she with hasty faith receiv'd,
And what, so very well she lik'd, believ'd.
But since so ill she does the poet use,
'Tis time her vanity to disabuse.
therefore shall I not be confounded: therefore have I set my face like a flint,
and I know that I shall not be ashamed.
For, lo, the wicked bend their bow, they make ready their arrow upon the string,
that they may privily shoot at the upright in heart. Psalm 11:2Bend: Darak (h1869) daw-rak'; a prim. root; to tread; by impl. to walk; also to string a bow (by treading on it in bending): - archer, bend, come, draw, go (over), guide, lead (forth), thresh, tread (down), walk.
Alawys denounced: plato protagoras [347c] But if he does not mind, let us talk no more of poems and verses, but consider the points on which I questioned you at first, Protagoras, and on which I should be glad to reach, with your help, a conclusion. For it seems to me that arguing about poetry is comparable to the wine-parties of common market-folk. These people, owing to their inability to carry on a familiar conversation over their wine by means of their own voices and discussions-- Eph. 5:11 And have no fellowship with the unfruitful works of darkness, but rather reprove them.Jesus consigned the pipers, singers and dancers to the marketplace.
Eph. 5:12 For it is a shame even to speak of those things which are done of them in secret.
Eph. 5:18 And be not drunk with wine, wherein is excess; but be filled with the Spirit;
John 6:62 What and if ye shall see the Son of man ascend up where he was before?
John 6:63 It is the spirit that quickeneth; the flesh profiteth nothing:
the words that I speak unto you, they are spirit, and they are life.Sumposiois: [NEAR WINE] this custom is followed in Xen. Symp. 2. 1 erchetai tis autois epi kômon (revel) Surakosios anthrôpos, echôn te aulêtrida agathên kai orchêstrida (dancing-girl) tôn ta thaumata dunamenôn poiein kai paida panu ge hôraion kai panu kalôs kitharizonta kai orchoumenon. These show their skill during the whole banquet. Plato, however, has the same view as the one here, when he says Symp. 176 e eisêgoumai tên men arti eiselthousan aulêtrida chairein ean, aulousan heautêi, ê an boulêtai tais gunaixi tais endon, hêmas de dia logôn allêlois suneinai to têmeronAlawys approved: But where the party consists of thorough gentlemen who have had a proper education, you will see neither flute-girls nor dancing-girls nor harp-girls, but only the company contenting themselves with their own conversation,
Eph. 5:19 Speaking to yourselves in psalms and hymns and spiritual songs,
singing and making melody in your heart to the Lord;
Eph. 5:20 Giving thanks always for all things unto God and the Father in the name of our Lord Jesus Christ;
Eph. 5:21 Submitting yourselves one to another in the fear of God.
and none of these fooleries and frolics--each speaking and listening decently in his turn.
- Suneimi: To be joined with, Intercourse is II. to have intercourse with a person, live with hêdonê, desires after pleasure, pleasant lusts, voluptuosus
Spoiled Pets in the Ekklesia? See Ronnie Norman Twisting Romans 14Nine Muses and the Nine Magpies: a perfect "worship team".
- Cano n., to produce melodious sounds, whether of men or animals; later, with a designation of the subject-matter of the melody, as v. a., to make something the subject of one's singing or playing, to sing of, to celebrate, or make known in song, etc. B. Transf., soft, tender, delicate (poet. and in post-Aug. prose): capella (a she goat), II. Addicted to pleasure; luxurious, voluptuous; and subst., a voluptuary, a wanton. 1. Spoiled with indulgence, delicate, dainty, effeminate,
‘Oh, cease your empty songs,
attuned to dulcet numbers, that deceive
the vulgar, untaught throng. If aught is yours
of confidence, O Thespian Deities
contend with us: our number equals yours.
We will not be defeated by your arts;
nor shall your songs prevail.-
2 Peter 2:13 And shall receive the reward of unrighteousness, as they that count it pleasure to riot in the day time. Spots they are and blemishes, sporting themselves with their own deceivings while they feast with you;
And PAY them too: that defines a PARASITE.
Truphaô 2.revel in, LXXSi.14.4 ; delight in, .Ne.9.25. [Nehemiah called the kings-priests parasites]
A. live softly, luxuriously, fare sumptuously, of a child, leukos . Ep.Jac.5.5, Gal.6.416, etc.; paison, truphêson, zêson
paison paizô [pais] 4. to play (on an instrument), to sport, play, jest, joke, to make sport of one, mock him,
III. give oneself airs, be dainty, fastidious, connected to the Polus, Spoiled pets: en tais ekklêsiais t. kai kolakeuesthai, of the people,Psalms are poems and tend to be poetic: you have to understand forms of figurative language or be prepared to hav a "smashing in the heads of some infants" ceremony next week.
The tabulation of musical passages "contains a rather disproportionate number of metaphorical sentences, where music or its instruments are not to be understood literally but are used as similies or rhetorical figures. The most celebrated of these poetical passages is Paul's glorification of love in I Cor. 13." (Interpreter's Dict of the Bible, Music, p. 466).DANGER OF TWISTING SCRIPTURE
All of those defending "music" in the classroom of Christ use the "psallo" words but FAIL to grasp that the word most often speaks of making war or trying to seduce the Godly into sexual perversion.
Psalmos also appears in the LXX as equivalent to the Hebrew word neginah. This Hebrew term is used to describe a wide variety of songs. Neginah is translated by psalmos in Lam 3:14 (song), in Lam 5:14 (music) and in Ps 69:12 (song). It is striking to observe that in the LXX translation of Lam 3:14 and Ps 69:12, psalmos, or its verbal form, is used for songs uninspired but are in fact the product of the wicked, even drunkards, who mocked God and His word. The Hebrew term neginah is used elsewhere in the Hebrew Scriptures of: the songs of the wicked, Job 30:9 (song); the inspired praise of God, Psalm 61 title (Neginah-a song performed on a stringed instrument); and the uninspired praise of the Lord composed by King Hezekiah, Is 38:20 (my song).
Psa. 69:9 For the zeal of thine house hath eaten me up;
and the reproaches of them that reproached thee are fallen upon me.
Psa. 69:10 When I wept, and chastened my soul with fasting, that was to my reproach.
Psa. 69:11 I made sackcloth also my garment; and I became a proverb to them.
Psa. 69:12 They that sit in the gate speak against me; and I was the song of the drunkards.
Psa 69:20 Reproach hath broken my heart; and I am full of heaviness:
and I looked for some to take pity, but there was none; and for comforters, but I found none.Psa 69:21 They gave me also gall for my meat; and in my thirst they gave me vinegar to drink.
Lam 3:11 He hath turned aside my ways, and pulled me in pieces: he hath made me desolate.7219. rosh, roshe; or rowsh (Deut. 32:32), roshe; apparently the same as 7218; a poisonous plant, probably the poppy (from its conspicuous head); generally poison (even of serpents):--gall, hemlock, poison, venom.
Lam 3:12 He hath bent his bow, and set me as a mark for the arrow.
Lam 3:13 He hath caused the arrows of his quiver to enter into my reins. [Mind]
Lam 3:14 I was a derision to all my people; and their song all the day.
DERISION as David rose up to play:Job 30:8 They were children of fools, yea, children of base men: they were viler than the earth.
7832. sachaq, saw-khak´; a primitive root; to laugh (in pleasure or detraction); by implication, to play:deride, have in derision, laugh, make merry, mock(-er), play, rejoice, (laugh to) scorn, be in (make) sport.
7833. shachaq, shaw-khak´; a primitive root; to comminate (by trituration or attrition):--beat, wear . Same base as PSALLO.
SONG of DERISION is
5058. ngiynah, neg-ee-naw´; ngiynath (Psa. 61: title), neg-ee-nath´; from 5059; properly, instrumental music; by implication, a stringed instrument; by extension, a poem set to music; specifically, an epigram: stringed instrument, musick, Neginoth (plural), song.
HERE IS WHAT THEY SAY:
Lam 3:37 Who is he that saith, and it cometh to pass, when the Lord commandeth it not?
Lam 3:38 Out of the mouth of the most High proceedeth not evil and good?
Lam 3:61 Thou hast heard their reproach, O LORD,
and all their imaginations against me;
2781. cherpah, kher-paw´; from 2778; contumely, disgrace, the pudenda:--
rebuke, reproach(-fully), shame.
2778. charaph, khaw-raf´; a primitive root; to pull off, i.e. (by implication)
to expose (as by stripping); specifically, to betroth, betroth, blaspheme
Job 30:9 And now am I their song, yea, I am their byword.
Job 30:10 They abhor me, they flee far from me, and spare not to spit in my face.
MAKING WAR:
Psalmos, ho, twitching or twanging with the fingers, psalmoi toxôn E.Ion173 (lyr.); toxêrei psalmôi [toxeusas] Id.HF1064 (lyr.).Psalmoi toxôn does not mean "sing and play a harp" WITH a bow. Psalmoi just means pluck or twang a bow.MAKING WAR AGAINST THOSE JESUS DIED TO GIVE RESTApollo's Sun Chariot 2 Kings 23:11 And he took away the horses that the kings of Judah had given to the sun, at the entering in of the house of the Lord, by the chamber of Nathan-melech the chamberlain, which was in the suburbs, and burned the chariots of the sun with fire.
Phoebus' Euripides Ion [Apollo, Abbadon, Apollyon] lyre, that sings with you,[165] would not protect you from my bow. Alter your wings' course; go to the Delian lake; if you do not obey, you will steep your lovely melody in blood.[170] Ah, ah! what is this new bird that approaches; you will not place under the cornice a straw-built nest for your children, will you? My singing [psalmoi] bow will keep you off. Will you not obey?
Phoebus is Apollo or the Apollyon of Revelation: His musical worship team are called LOCUSTS and are always dirty and adulterous ready to expose themselves.
Phorm-inx A. lyre, freq. in Hom., esp. as the instrument of Apollo. 2. ph. achordos, metaph. for a bow, Arist.Rh.1413a1.
psalmoi s' eirxousin toxôn. ou peisêi; chôrôn dinais
Here psalmoi means just SINGING. Melody is aoide meaning "beautiful singing."
Here the singing is something the BOW does which is not tuneful.
toxêrei psalmôi [toxeusas]
[Furnished with the Bow] + [Twitching with the fingers] + [Shoot with the bow]
Pulso to push, strike, beat, Of musical instruments: “chordas digitis et pectine eburno,” to strike, play upon,, A. In gen., to urge or drive on, to impel, to set in violent motion, to move, agitate, disturb, disquiet, C.To drive away, remove, put out of the way, D. To injure, insult: pulsatos infecto foedere divos, of treasonMAKING WAR AGAINST GOD'S PEOPLE
Pello Truphao spoiled pets of the ekklesia, effeminate
Eph 6:12 For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.
We do NOT wrestle against flesh and blood:
Pale (g3823) pal'-ay; from pallo, (to vibrate; another form for 906); wrestling: - / wrestle
Pallô, poise, sway a missile before it is thrown, sway, brandish, she drove it furiously, tripped on the shield-rim, quiver, leap, esp. in fear, II. Pass., swing, dash oneself, Pi.N.5.21; vibrate, of strings, Pl.Phd.94c (psalloito ap. Stob.); leap, bound, quiver, quake, phrena deimati pallôn S.OT153 (lyr.); dash along, of horses, E.El.477 (lyr.).MAKING A METAPHOR:
Canto: III. In the lang. of religion, as v. n. or a., to use enchantments, charms, incantations, to enchant, to charm, cantata Luna, exorcised by magic, ignis, Cantus With instruments, a playing, music: in nervorum vocumque cantibus, citharae, horribili stridebat tibia cantuEuripides, Bacchae: Already like fire does this insolence of the Bacchae blaze up, a great reproach for the Hellenes.
[780] But we must not hesitate. Go to the Electran gates, bid all the shield-bearers and riders of swift-footed horses to assemble, as well as all who brandish the light shield and pluck bowstrings with their hands, so that we can make an assault against[785] the Bacchae. For it is indeed too much if we suffer what we are suffering at the hands of women.Pi.N.5.21 Pindar, Nemean 5.
[15] how indeed they left the glorious island, and what divine power drove the brave men from Oenone. I will stop: it is not always beneficial for the precise truth to show her face,
- and silence is often the wisest thing for a man to heed.
[19] - But if it is resolved to praise wealth, or the strength of hands, or iron war,
[20] let someone mark off a long jump for me from this point. I have a light spring in my knees, and eagles swoop over the sea. The most beautiful chorus of Muses sang gladly for the Aeacids on Mt. Pelion, and among them Apollo, sweeping the seven-tongued lyre with a golden plectrum,[25] led all types of strains. And the Muses began with a prelude to ZeusThere joyful bands welcome the god with the cry of reed-pipes, and contend with the bold strength of their limbs.
[40] The fortune that is born along with a man decides in every deed. And you, Euthymenes from Aegina, have twice fallen into the arms of Victory and attained embroidered hymns.
Incentor, one who sets the tune or begins to sing, a precentor, singer, carminis, incentore canam Phoebo Musisque magistris. [Phoebe=fear=Apollo or Abaddon]
II. Trop., an inciter, exciter: igneus turbarum, rebellionis totius meaning "a renewal of war, revolt, rebellion"
Magicus, belonging to magic, magic, magical. superstitiones, vanitates, that were invoked by incantations:
linguae= skilled in incantations, cantus, magicae resonant ubi Memnone chordae, mysteriousEze.13:6 They have seen vanity and lying divination, saying, The Lord saith: and the Lord hath not sent them:
or metaphor Send forth a hymn
3. c. acc. rei, shoot from a bow, metaph., discharge, send forth, t. humnous Pi.I.2.3 hath shot arrows in vain, E.Hec.603THE SECONDARY WAYS IT IS USEDPindar Isthmian 1.2.[1] The men of old, Thrasybulus, who mounted the chariot of the Muses with their golden headbands, joining the glorious lyre, lightly shot forth their honey-voiced songs for young men, if one was handsome and had[5] the sweetest ripeness that brings to mind Aphrodite [ZOE] on her lovely throne.[6] For in those days the Muse was not yet a lover of gain, nor did she work for hire. And sweet gentle-voiced odes did not go for sale, with silvered faces, from honey-voiced Terpsichore.
Pindar, Odes Isthmian Odes Pi.I.5(4).47; My swift tongue has many arrows, to shout the praises of these heroes.
"And Sophia and Zoe caught him up and gave him [jehovah] charge of the seventh heaven, below the veil between above and below. And he is called 'God of the forces, Sabaoth', since he is up above the forces of chaos, for Sophia established him. Jehovah made himself a huge four-faced chariot of cherubim, and infinitely many angels to act as ministers, and also harps and lyres.
"Between the more known, near the Sumerians, the goddess Ereshkigal; the goddess Inanna, associated with the winged lion, or while subjugating the lion [of the tribe of Judah], having assumed on themself the wings; near the Hittites, Hebat, spouse of Teshub, represented like a matrona, up on her sacred animal, the lion; the lunar goddess Shaushka (identified with Ishtar, IIIth dynasty of Ur, accadic period, approximately 2350 BC)
"Erotic dance was a sacred ritual in ancient Egypt, common in fertility rituals and sex magick. The most famous was the erotic dance of the priestesses of Het Heret [whom the Greeks called Hathor], but also common in the temples of Bast, Aset [Isis], and Nuit.
The meaning of 'Eve' is disputed. Hawwah is explained in Genesis III. 20 as 'mother of all living'; but this may well be a Hebraicized form of the divine name Heba, hebat, Khebat or Khiba. The goddess, wife of the Hittite Storm-god, is shown riding a lion in a rock-sculpture at Hattrusas--which equates her with Anath--and appears as a form of ishtar in Hurrian texts.
She was worshipped at Jerusalem (see 27.2). Her Greek name was Hebe, Heracles's goddess-wife.
SECOND: Psal-mos way the word is used: not what it meant:
II. mostly of musical strings, pêktidôn psalmois krekon humnon
Pêktidôn psalmois krekon humnonDENOTING ONLY THE SOUND OF PLUCKING YOUNG BOYS ETC.NOMOS or singing the LAWS of Apollo (Apollyon etal) is the ONLY definition of LEGALISM. That is because you use machines for doing HARD WORK or creating the shock and awe which is hallucinated as "worship."Pêktidôn Pêktis
I. an ancient harp used by the Lydians, Hdt., etc.
II. a sort of shepherd's pipe, joined of several reeds, like Pan's pipes (surinx), surinx 2. cat-call, whistle, hiss, as in theatres,
surigmos:--the last part of the nomos Puthikos was called suringes,
prob. because it imitated the dying hisses of the serpent Pytho
Psalmois twitching or twanging with the fingers
Krekon Krekô ,A. weave, 2. STRIKE a stringed instrument with the plectron, magadin generally, play on any instrument, aulon Ar.Av. 682 pêktidôn psalmois k. humnon
THIRD: 2. the sound of the cithara or harp, “psalmos d' alalazei” there were contests in to psallein,Alal-azô (formed from the cry alalai): --raise the war-cry shout the shout of victory, nikên alalazeinFOURTH: 3. later, [This ONLY defines how the word is used: not a definition]
2. generally, cry, shout aloud, Pi.l.c., E.El.855; esp. in orgiastic rites, of Bacchus and Bacchae, E.Ba.593 (in Med.), 1133, etc.; ôloluxan hai gunaikes, êlalaxan de hoi andres Hld.3.5 .
II. rarely also of other sounds than the voice, sound loudly, psalmos d' alalazei; kumbalon alalazon 1 Ep.Cor.13.1
T. Maccius Plautus, Miles Gloriosus, or The Braggart Captain
Now I will disclose to you both the subject and the name of the play which we are just now about to act, and for the sake of which you are now seated in this mirthful place , "Alazon" is the name (86)
This city is Ephesus; then, the Captain, my master, who has gone off hence to the Forum, a bragging, impudent, stinking fellow, brimful of lying and lasciviousness, says that all the women are following him of their own accord. Wherever he goes, he is the laughing stock of all; and so, the Courtesans here--since they make wry mouths at him, you may see the greater part of them with lips all awry Alazon is the name:
Jesus likened the MEN to CHILDREN in the marketplace piping trying to get others to sing (lament) and dance.Alazôn, "the boaster," he says, was the Greek name of the play. It is not known who was the Greek author from whom Plautus took this play, which is one of his best.
How better utterly condemn musical instruments associated with pagan women?1 Cor 13:1 THOUGH I speak with the tongues of men and of angels, and have not charity, I am become as sounding brass, or a tinkling cymbal.
Alalazo (g214) al-al-ad'-zo; from alale, (a shout, "halloo"); to vociferate, i.e. (by impl.) to wail; fig. to clang: - tinkle, wail
Mk.5:38 And he cometh to the house of the ruler of the synagogue, and seeth the tumult, and them that wept and wailed greatly.
a. song sung to the harp, [Psalmus does not INCLUDE the harp unless NAMED]
A song sung TO a harp means that you twang the string then seek to imitae that sound: this identifies mose uses of an instrument which was imitated but never to TEACH. Here is where the musical imposers have to go for evidence for pointIs. 23:15 And it shall come to pass in that day, that Tyre shall be forgotten seventy years, according to the days of one king: after the end of seventy years shall Tyre sing as an harlot.b. psalm, LXX 2 Ki.23.1, XXIII. Now these are the last words of David. David the son of Jesse says, The man who was raised on high says, The anointed of the God of Jacob,
Here is how a harlot sings:
Is. 23:16 Take an [1] harp, go about the city, thou harlot that hast been forgotten; make sweet [2] melody, [3] sing many songs, that thou mayest be remembered.
c. The sweet psalmist of Israel: [2] The Spirit of Yahweh spoke by me, His word was on my tongueal., Ep.Eph.5.19 Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord;d. biblos psalmôn
Speak is the opposite of poetry or music which intends to deceive.
Ev.Luc.20.42 . And David himself saith in the book of Psalms, The Lord said unto my Lord, Sit thou on my right hand,
That is why Paul commanded "plucking your heart strings" which was a common statement.Tom Burgess etal appeal to Plutarch to prove that PSALLO meant to "Pluck the harp." However, psallo never means more that PLUCK and in this case Alexander the Great was plucking the harp to seduce a young man--he DID die a mysterious death.
Plutarch, Lives (ed. Bernadotte Perrin) [4] Such objects are to be found in virtuous deeds; these implant in those who search them out a great and zealous eagerness which leads to imitation.Again, notice the many ways the word is USED but never defined.
In other cases, admiration of the deed is not immediately accompanied by an impulse to do it. Nay, many times, on the contrary, while we delight in the work, we despise the workman, as, for instance, in the case of perfumes and dyes; we take a delight in them, but dyers and perfumers we regard as illiberal and vulgar folk. [5]
Therefore it was a fine saying of Antisthenes,
when he heard that Ismenias was an excellent piper:
"But he's a worthless man," said he, "otherwise he wouldn't be so good a piper."
And so Philip once said to his son, who, as the wine went round,
plucked the strings charmingly and skilfully,
"Art not ashamed to pluck the strings so well?"
It is enough, surely, if a king have leisure to hear others pluck the strings, and he pays great deference to the Muses if he be but a spectator of such contests.
1) to pluck off, pull out
2) to cause to vibrate by touching, to twang
a) to touch or strike the chord, to twang the strings of a musical instrument so that they gently vibrate
b) to play on a stringed instrument, to play, the harp, etc.
c) to sing to the music of the harp
d) in the NT to sing a hymn, to celebrate the praises of God in song
EXAMPLES FROM THE LITERATURE: TOUCH OR HANDLE OF MUSICAL WORSHIP MINISTERS
Euripides Bacchae.
775
"Already, look you! the presumption of these Bacchantes is upon us, swift as fire, a sad disgrace in the eyes of all Hellas. No time for hesitation now! away to the Electra gate! order a muster of all my men-at-arms, of those that mount fleet steeds, of all who brandish light bucklers, of archers too that make the bowstring twang; for I will march against the Bacchanals. By Heaven this passes all, if we are to be thus treated by women."
psallousi neuras, hôs epistrateusomenbakchaisin: ou gar all' huperballei tade,
ei pros gunaikôn peisomesth' ha paschomen. Psallous to touch sharply, to pluck, pull, twitch
neura , A.string or cord of sinew, in Ep. usu. bowstring,Bakchê , A. Bacchante frantic handmaid of Hades. mainas, ados, ( [mainomai] )
A.raving, frantic, lussa v. l. in S.Fr.941.4; bakchêE. Ba.915 . 2. as Subst., mad woman, [of Corinth] [912] DIONYSUS [God of the New Wineskinners]
Ho! Pentheus, thou that art so eager to see what is forbidden, and to show thy zeal in an unworthy cause, come forth before the palace, let me see thee clad as a woman in frenzied Bacchante's dress, to spy upon thy own mother and her company.
Enter PENTHEUS. Yes, thou resemblest closely a daughter of Cadmus.
PENTHEUS (already frenzied)Of a truth I seem to see two suns, and two towns of Thebes, our seven-gated city; and thou, methinks, art a bull going before to guide me, and on thy head a pair of horns have grown. Wert thou really once a brute beast? Thon hast at any rate the appearance of a bull.
[977] CHORUS [Look ot the Hills]
To the hills! to the hills! fleet hounds of madness, where the daughters of Cadmus hold their revels,goad them into wild furyAnd so the MOTHER OF THE GODS or the Mother of Harlots uses then abuses speakers, singers and instrument players.
against the man disguised in woman's dress, a frenzied spy upon the Maenads.
ONCE YOU GRASP THAT PSALLO IS FIRST DEFINED AS REAL OR "SACRED VIOLENCE" THERE IS NO COMFORT. Before moving beyond redemption it is important not to lie about how the word is used in violent context. Click for context below.
Lynn Anderson is quoted by Rubel Shelly to prove that he has new spectacles through which he gets a new image or vision of the church for their culture.
Huxley notes that After taking the pill:
"The change which actually took place in that world was in no sense revolutionary. Half an hour after swallowing the drug I became aware of a slow dance of golden lights. A little later there were sumptuous red surfaces swelling and expanding from bright nodes of energy that vibrated with a continuously changing, patterned life. At another time the closing of my eyes revealed a complex of gray structures, within which pale bluish spheres kept emerging into intense solidity and, having emerged, would slide noiselessly upwards, out of sight. But at no time were there faces or forms of men or animals. I saw no landscapes, no enormous spaces, no magical growth and metamorphosis of buildings, nothing remotely like a drama or a parable. The other world to which mescalin admitted me was not the world of visions; it existed out there, in what I could see with my eyes open. The great change was in the realm of objective fact. What had happened to my subjective universe was relatively unimportant.
Lynn Anderson is still honored for his Life's work and used at Lipscomb University. In 2008 the focus was on professional musicians and the training of Musical Worship Ministers--the ultimate oxymoron and repudiation of direct commands, approved examples and necessary inferences to anyone who understands that ekklisia means synagogue which means "a school of the Bible--only." Vocal and instrumental rejoicing was outlawed for the church in the wilderness as destructive to the Holy Convocation and an insult to God and His words.Lynn Anderson: The mind-set of the times threatens to strip our faith of symbols, rituals, dramas, mystery, poetry, and story, which say about life and God what logic and reason and rationalism can never say. See Volkism
However, Altered Consciousness:
A key component of the Gnostic experience is the alteration of consciousness. Because the Gnostic is subjectively driven,
- the perception of God becomes something that hinges on feelings rather than faith.
- In order to improve upon the feelings, the use of additional mechanisms to create moods,
- ........... especially the use of music, is frequently brought in. (van der Merwe, p. 90-91, Strange Fire)
Lynn Anderson: Sounds right to me, Mr. Huxley! Something like this can happen to faith as well. The rational, informational, and linear-sequential worlds of productivity tend to dominate in our lives these days.
Consequently, the rest of our worlds suffer neglect, and we are losing touch with much of what it means to believe.
The rest of the story told by Huxley includes just this:
"Abused as we abuse it at present, dramatic art (preaching) is in no sense cathartic; it is merely a form of emotional masturbation. It is the rarest thing to find a player who has not had his character affected for the worse by the practice of his profession.
Nobody can make a habit of self-exhibition, nobody can exploit his personality for the sake of exercising a kind of hypnotic power over others, and remain untouched by the process. From Source
Many pagan and and voodoo-derived churchy singing has the purpose driven to make the Spirit come. This was mothered by the Wimbers of the Vineyard and imitated by the New Wineskins.
Lynn Anderson was used for Jubilee 99 to justify "worship" as the role of the church and to "facilite" the public laying on of hands.
Lynn Anderson and Holy Entertainment Jubilee 99
Neo- Pagan Parallels: Lynn Anderson
Lynn Anderson Shepherding
Dancing on the Rim
Click to see that: ALL musical terns and names of instruments are derived from sorcery or making war. I have posted one such connection which will continue with other words?
A. Enteinô, A. stretch or strain tight, esp. of any operation performed with straps or cords,
B. 2.stretch a bow tight, bend it for shooting, enteinamenoi tēn harmonian pitching the tune high
You will have to use your head to follow this.
I have added Part Two which will do the RECYCLE from the beginning-time Satanic attack in the garden of Eden to the end-time attack John called the Mother of Harlots using "lusted after fruits" as performance preachers, singers and instrument players. John calls the Sorcerers as does most recorded history of evil people using music to "silence the voice of the victim." Being "sacred violence" is proven by all of the PSALLO related words which we have just illusted: nevertheless it it VIOLENCE of men who have sold out to Satan and know it."All of these forms have relevance to Achilles, who was placed upon a fire to remove his mortal impurities, who was a renowned singer and harpist, and who was skilled with a bow. (Ironically, he was killed by a bolt directed by Apollo from the bow of Alexander.) The twanging of the bowstring suggests the sound of the harp string and the singing of the clear, high pitched voice of the youth.
THE SIGHT AND SOUNDS OF LYING WONDERS
Only God knows why such evil has broken out like "lying wonders" suddenly and spreading to most Bible-based religions.
2 Thess 2:7 For the mystery of iniquity
doth already work: only he who now letteth will let,
until he be taken out of the way.mustēri-on 2. Of Antichrist, Vulg. Apoc. 17, 5: mysterium iniquitatis, id. 2 Thess. 2, 7
4. secret revealed by God, i.e. religious or mystical truth,
2 Thess 2:8 And then shall that Wicked be revealed,
whom the Lord shall consume with the spirit of his mouth,
..........and shall destroy with the brightness of his coming:Iniquitas: B. Inequality, of weight: ponderis, App. M. 7, p. 195, 38 Pondus Phortos
unreasonable harshenss, injustice operis, OPUS
Working, latin operatio I. a working, work, labor, operation ( A. A religious performance, service,
or solemnity, a bringing of offerings: operationes denicales, offerings, Fest.
Phortos , A. load, freight, cargo, epoiêsanto i, prodedomai [pay in advance], phortos gegenêmai, Call.Fr.4.10P.; ph. erôtos, II. Att., vulgar stuff, rubbish, balderdash, Ar.Pax748 (anap.) Pl.796.
Poieô, 3. of sacrifices, festivals, etc., celebrate, 4. after Hom., of Poets, compose, write, b.represent in poetry, myths, burdens or songs. Epodos
Girard: 5.4.2 Behind the anthropological predilections against the victim's perspective, there is a very practical, quasi-historical reason: namely, the victim is shunned and often killed. In the ancient world, the role of music during ritual sacrifice was often to drown out any cries from the victim. (45) It is crucial that the victim not be heard. The practical mechanics of making victims means that it is unusual for the victim's perspective to survive. In the world of ancient ritual it was probably impossible.
45. The Greek verb myo means to close the mouth or shut the eyes. There is debate about whether myo plays a crucial role in the etymology of other significant words such as myth, mystery, and even music. Myth means to close ourselves to the victim and tell the tale according to the perpetrator's perspective; mystery cults are based on the silence of the victims; music derives from drowning out the voice of the victim.
2 Thess 2:9 Even him, whose coming is
after the working of Satan with all power
and signs and lying wonders,G4592 semeion say-mi'-on Neuter of a presumed derivative of the base of G4591 ; an indication, especially CEREMONIALLY or supernaturally:--miracle, sign, token, wonder.
Semaino A MARK. SEMEIO: A MARK for AVOIDANCE.Terato-poios , on, A. working wonders, LXX 2 Ma.15.21
Thaumasios
1.wonderful “teras th. Sight Pi.P.1.26; Pindar Odes 1: [1] Golden lyre, rightful joint possession of Apollo [Apollyon Revelation and the violet-haired Muses [Musicians Rev 18], to which the dance-step listens, the beginning [SEMI] of splendid FESTIVITY and singers obey your notes, whenever, with your quivering strings, you prepare to strike up CHORUS-LEADING PRELUDES.Thaumatourg-eô A. = thaumatopoieô, X.Smp.7.2; work wonders or miracles, Ph.2.18,185; but ta perigeia th. 'play tricks with', of Xerxes, Id.1.674; ta tethaumatourgêmena wonderful phenomena, Pl.Ti. 80c. Parallel to Teratourgeo, Teratourga, Thaumasios[5] You quench even the warlike thunderbolt of everlasting fire. And the eagle sleeps on the scepter of Zeus, relaxing his swift wings on either side,[7] the king of birds; and you pour down a dark mist over his curved head, a sweet seal on his eyelids. Slumbering, he ripples his liquid back,[10] under the spell of your pulsing notes. Even powerful Ares, setting aside the rough spear-point, warms his heart in repose; your shafts charm the minds even of the gods, by virtue of the skill of Leto's son and the deep-bosomed Muses.[13] But those whom Zeus does not love are stunned with terror when they hear the cry of the Pierian Muses, on earth or on the irresistible sea.
Xenophon, Symposium VII. Then some among the rest of the banqueters kept urging Philip to go on with his comparisons, while others opposed. As the clamour rose to some height, Socrates once more interposed, saying: “Since we all want to talk, would this not be a fine time to join in singing?” And with the words he began a song. [2] When they had finished, a potter's wheel was brought in for the dancing girl on which she intended performing some feats of jugglery.
This prompted Socrates to observe to the Syracusan: “Sir, it is quite probable that, to use your words, I am indeed a ‘thinker’; at any rate, I am now considering how it might be possible for this lad of yours and this maid to exert as little effort as may be, and at the same time give us the greatest possible amount of pleasure in watching them,—this being your purpose, also, I am sure.
BUT WASN'T THERE A PROPHECY ABOUT THAT?
Isaiah III. For, behold, the Lord, Yahweh of Hosts, takes away from Jerusalem and from Judah supply and support, The whole supply of bread, And the whole supply of water;[2] The mighty man, The man of war, The judge, The prophet, The diviner, The elder,[3] The captain of fifty, The honorable man, The counselor, The skilled craftsman, And the clever enchanter.[4] I will give boys to be their princes, And children shall rule over them
Isaiah 3.III. ecce enim Dominator Deus exercituum auferet ab Hierusalem et ab Iuda validum et fortem omne robur panis et omne robur aquae [2] fortem et virum bellatorem iudicem et prophetam et ariolum et senem [3] principem super quinquaginta et honorabilem vultu et consiliarium sapientem de architectis et prudentem eloquii mystici [4] et dabo pueros principes eorum et effeminati dominabuntur eis
Prophetes
Propheta and prŏphētes , ae, m., = prophêtês, I. a foreteller, soothsayer, prophethiero-doulos , o(, h(,
Hariolus I. a soothsayer, prophet, prophetess Chresmodotes one who gives oracles, pophet, soothsayer
Eloquium poets, and their imitators among prose writers, for eloquentia, eloquence, Hor. A. P. 217, uses with Ignis.Boys: Effemino II.Trop., to make womanish, effeminate, to enervate, A.Womanish, effeminate,
Hor. A. P. 217 Horace poetry. Let the chorus sustain the part and manly character of an actor: nor let them sing any thing between the acts which is not conducive to, and fitly coherent with, the main design. Let them both patronize the good, and give them friendly advice, and regulate the passionate, and love to appease thou who swell [with rage]: The flute (not as now, begirt with brass and emulous of the trumpet, but) slender and of simple form, with few stops, was of service to accompany and assist the chorus, and with its tone was sufficient to fill the rows that were not as yet too crowded, where an audience, easily numbered, as being small and sober, chaste and modest, met together.
But when the victorious Romans began to extend their territories, and an ampler wall encompassed the city, and their genius was indulged on festivals by drinking wine in the day-time without censure; a greater freedom arose both to the numbers [of poetry], and the measure [of music].Mysticus, mustikos Vannus mystica Iacchi, fan borne about in the Bacchic festival, Verg. G. 1, 166For what taste could an unlettered clown and one just dismissed from labors have,
when in company with the polite;
the base,
with the man of honor?
Thus the musician added new movements and a luxuriance to the ancient art, and strutting backwardforward, drew a length of train over the stage; thus likewise new notes were added to the severity of the lyre, and precipitate eloquence produced an unusual language [in the theater]: and the sentiments [of the chorus, then] expert in teaching useful things and prescient of futurity, differ hardly from the oracular Delphi. andDelphis , Delphis, a priestess of the Delphic Apollo, The Abaddon or Apollyon who uses the adulterous Muses as his worship team.See this See Strabo and the Musical Vile pervert connection
9) Strabo Geography 10.3.13 Corybantes (Phrygian castrate priests of Cybele) in their caverns invented this hide-stretched circlet, (tambourine) and blent its Bacchic revelry with the high-pitched, sweet-sounding breath of Phrygian flutes, and in Rhea's hands placed its resounding noise, to accompany the shouts of the Bacchae, (ev-ah!) Mother and from Mother Rhea frenzied Satyrs obtained it and joined it to the choral dances of the Trieterides, (Triennial Festivals) in whom Dionysus takes delight. Bacchae And in the Palamedes the Chorus says,
Thysa, daughter of Dionysus, who on Ida rejoices with his dear mother
in the Iacchic revels of tambourines.
"This Eve, on account of her having been in the beginning deceived by the serpent, and become the author of sin,
the wicked demon, who also is called Satan,
who then spoke to her through the serpent,and who works even to this day
in those men that are possessed by him
invokes as Eve." (Theophilus, p. 105)
Histrio, stage-player, actor, mimus, boaster, used with
Scaena, 1. Of a place like a scene of a theatre, school of rhetoric, display of eloquence.
Scaenicus
B. In mal. part., that submits to unnatural lust:pathicus, Cinaedos: a sodomite, catamite, one who dances publiclyMatt. 11:8 But what went ye out for to see? A man clothed in soft raiment? behold, they that wear soft [Catamites] clothing are in kings’ houses.
Matt. 11:16 But whereunto shall I liken this generation? It is like unto children sitting in the markets, and calling unto their fellows,
Matt. 11:17 And saying, We have piped unto you, and ye have not danced; we have mourned unto you, and ye have not lamented
Part Two to EXPOSE all of the people promoting theatrical performance (the hypocritic art) to finance the "ministry team" (Scribes and Pharissees.)
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