The Agora

The Agora or Marketplace worship: They are like unto children sitting in the marketplace, and calling one to another, and saying, We have piped unto you, and ye have not danced we have mourned to you, and ye have not wept. Luke 7:32

Jesus spoke in PARABLES to hide the truth from people who reject the word but make a profession of pretending.  A few men have has the not-too-secret agenda of diverting non-instrumental churches of Christ into a musical and theatrical Agora or marketplace religion. John identified this as the MARK of the Mother of harlots in Revelation 17 and identified the singers, musicians and all of the other religious operatives as being SORCERERS who HAD deceived the whole World.  The Book of Enoch POINTED TO by Jude identifies those agents of Lucifer or Satan or Apollyon in John's coded message as those FOR WHOM a burning hell was uniquely prepared.  You may begin the first part of Enoch--quoted liberally in the New Testament--by clicking here.

Isaiah 30 specificially declares that Topheth or the type of Hell just outside of Jerusalem was SPECIFICIALLY PREPARED for the king of Babylon and of other PATTERNISMS of Lucifer called the "singing and harp playing prostitute" who wholly seduced Eve while Adam "ate" willingly.  Paul says that this was a sexual seduction and we know that the "serpent" was the Musical Enchanter well known throughout that world. The MARK of God repaying His enemies and BEATING them into Hell (already) is the sound of the wind, string and percussion instruments Lucifer brought into the garden.

JESUS IDENTIFIED AND CONDEMNED MARKETPLACE OR AGORA WORSHIP SO WE SHOULD NOT TURN EKKLESIA INTO THE AGORA.  This is the DIRECT EMERGING church identified by John in Revelation as the Mother of Harlots or feminist (effeminite) rise of GODDESS WORSHIP and the rhetoricians, singers, musicians and craftsmen who are defined in the AGORA as "theater builders and stage managers" whom John called SORCERERS.  By pointing to Isaiah and Ezekiel Jesus identified the HYPOCRITIC SECTARIANS specificially as speakers, singers and instrument players: they didn't intend to teach the truth but just  "pass the plate" and the audience just intended to be entertained in a sexual way.  Pharisees "change the laws" and PERFORM in order to fleece the widows and the SCRIBES write the new "laws" and the songs and sermons.


For the EKKLESIA or SYNAGOGUE or school of the Bible (no more--no less) by
identifying his TARGET as wicked men of no faith. However, they plagued all of the new churches wanting to be paid to be their pagan-like priest. If the elders are incompetent as pastor-teachers, and because churchmen have always been of the "nobility" exercising civic power and pride, and need to hire a Pastor-Teacher, he is STILL under the absolute LAW to "teach that which has been taught" and to be "an example for other to follow." What will all the little lambs do when they discover that the SHEPHERDS have fulfilled Acts 20 and become WOLVES which is NOT a pretty word.

Jesus speaking of the Market-place and casting out the musical minstrels LIKE DUNG drew a "BLOOD RED ROPE" between the Agora or market-place and the ekklesia.  This DIRECTLY OUTLAWED musical performers pretending to perform religious rituals.

Apollo or the Apollyon of Revelation was the GOD OF THE AGORA and the MUSES or musical worship team known as adulterers were his TEAM. That proves that Satan is the "god" of the marketplace and the MARK is the musicians and singers performing as SORCERERS in Revelation 18.

The Agora was the place where men PREACHED FOR PAY, and as rhetoricians it didn't matter whether it was the truth or not. This defines all churches ENABLED to become mega-churches.

The first meaning of PSALLO which is ALWAYS lied about because Apollo was the father of the twanging bow to send forth singing arrows, musical harmony, thieves and liars. NOT such a good foundation to put your OWN money into because if the old "investors" were fleeced the NEW group will be fleeced. Just like Jim Bakker!
Psallô [psaô]
I.
to touch sharply, to pluck, pull, twitch, Aesch.; toxou neuran ps.
to
twang the bow-string, Eur.; belos ek keraos ps.
to send a shaft twanging from the bow
The SECOND meaning of PSALLO spoke of the blood-red painted ROPE which forced the people from the Marketplace where Jesus placed the perverted musicians whose New Wineskin god was Dionysus and forced themINTO the ekklesia which was, like the synagogue, for EDUCATION ONLY.  The ekklesia was the place where regular people could speak and dialor (Romans 15) and ACTORS were generallly confined to the AGORA or marketplace along with the sellers of young boys as "chorus leaders" and sellers of songs, poems, speeches and radishes.
FALSE RELIGIONISTS WANT TO USE THE WORD PSALLO TO AUTHORIZE INSTRUMENTAL MUSIC:
All known evidence proves that ALL of modern religionism such as singing, clapping, dancing, playing instruments and selling things are MARKS of perverted paganism.

PSALLO IS A MARK: Several means were used to force citizens to attend the assemblies; the shops were closed; circulation was only permitted in those streets which led to the Pnyx; finally, a rope covered with vermilion was drawn round those who dallied in the Agora (the market-place), and the late-comers, ear- marked by the imprint of the rope, were fined.

THE EKKLESIA WAS FOR EDUCATIONAL SPEAKING ONLY: THAT IS THE CLEAR DEFINITION OF THE CHURCH.

LOOKING FURTHER AT THE SECOND MOST USED APPLICATION WHICH REPUDIATES MUSIC.

Psallo 2nd Use: so, schoinos miltophurês psallomenê carpenter's red line, which is twitched and then suddenly let go, so as to leave a mark, id=Anth.

This never speaks of use by a carpenter but by those MARKING or separating the ekklesia (church) from the marketplace. This proves that there were never any singers, musicians or prostitutes in the church of Christ.

And found in the temple those that sold oxen and sheep and doves, and the changers of money sitting: John 2:14

And when he had made a scourge of small cords [schoinion], he drove them all out of the temple, and the sheep, and the oxen; and poured out the changers money, and overthrew the tables; John 2:15

Of the Musical Minstrels:
And he
put them all out, and took her by the hand, and called, saying, Maid, arise. Luke 8:54

In both cases, He cast then out LIKE DUNG.

THE ROPE

Achoin-ion , to, Dim. of

A. schoinos11 , small rope, cord or thread, Hdt.1.26, 5.85, 86, Ar.Ach.22, etc.; simply, rope, e.g. for mooring a ship, IG22.1611.254 (pl.); hostisanarrichataidiaschoiniou Gal.6.140 ; epischoiniouperipateinEpict.3.12.2 : prov., toektês psammou schoinion plekein Aristid.2.309 J.; pleistênthalattanschoiniôn pôloumenôn; when there are ropes for sale? Antiph. 100, cf. Com.Adesp.296. Arr.

Herodotus 1. XXVI.The first Greeks whom he attacked were the Ephesians. [2] These, besieged by him, dedicated their city to Artemis [Diana]; they did this by attaching a rope to the city wall from the temple of the goddess, which stood seven stades away from the ancient city which was then besieged.

THE POLLUTION OF THE ROPE

miltophurês 1 [phurô] daubed with red, Anth.

phurô

I. to mix something dry with something wet, mostly with a sense of mixing so as to soil or defile, dakrusin heimat' ephuron they wetted, sullied their garments with tears, Il.; also c. gen., cheilea phursô haimatos Od.:--Pass., dakrusi pephurmenê id=Il.; haimati oikos ephurthê Aesch.

2. of dry things, konei phurousa kara Eur.; gaiai pephursesthai koman to be doomed to have one's hair defiled with earth, Pind.

II. metaph. to mingle together, confuse, ephuron eikê panta they mixed all things up together, did all at random, Aesch., etc.:--Pass. to be mixed up, ek pephurmenou kai thêriôdous from a confused and savage state, Eur.

thêriôdês [eidos]

I. full of wild beasts, infested by them, Lat. belluosus, of countries, Hdt.

beluo-sus (bell- ), a, um, adj. [id.] , abounding in beasts or monsters: Oceanus, _ast; Hor. C. 4, 14, 47; so Avien. Ora Marit. 204.

II. of men, beast-like, wild, savage, brutal, Lat. bellui_nus, Eur., Plat., etc.:-- to th. the animal nature, Eur.
2. in Pass. also to mix with others, have dealings with him, Plat.

2. in Pass. also to mix with others, have dealings with him, Plat.

Making ekklesia into a WORSHIP CENTER is the BOAST that they have falllen under the Mother of Harlots (Revelation 17) because THEY know that YOU are not smart enough or ethical enough to resist perverting about ALL Biblical and historical evidence connecting music to Satan, warriors, prostitutes and Sodomites. I will post ANY exception you are able to find.

Satan is Saturn whose Chaldee number is 666. God commanded the Israelites to REST on that day and restricted travel so that they could NOT attend the usual Canaanite Baalism rituals of Star Worship to which God ABANDONED Israel when they demanded a king like the nations so that they could WORSHIP like the nations. REST never meant WORSHIP other than in Paul's ONLY worship concept which means to GIVE ATTENDANCE to the Word of God using the words for SPEAK which excludes the POETIC lies of the rhetoricians and EXCLUDES all forms of Music.

If you DO SABBATH worship you are MARKED as still under the CURSE of the Law which legislated for the Lawless now ABANDONED to what you PLAN to do on the Sabbath.

THE AGORA JESUS WARNED WOULD GET YOU HURT: SOME EXAMPLES


YOU ARE HERE in the Agora or Kuklos or Circus from which we get CHURCH named after Circe the Holy Whore of John's Revelation.

Athenaeus, Deipnosophist 3.

To the flute-girl Bromias, daughter of Deiniades, Phayllus gave a silver karchesion, a votive offering of the Phocaeans, and an ivy wreath of gold, the offering of the Peparethians. "This girl," Theopompus says, "would even have played the flute- accompaniment to the Pythian Games had she not been prevented from doing so by the populace. And (he adds) to Physcidas, the son of Lycolas of Trichoneium, a beautiful boy, Onomarchus gave a laurel wreath of gold, votive offering of the Ephesians. This boy was taken to Philip by his father and was there prostituted, and afterwards dismissed without reward. To Damippus, the son of Epilycus of Amphipolis, a beautiful boy, Onomarchus gave. . . [gap], a votive offering of Pleisthenes. To Pharsalia, the Thessalian dancing-girl, Philomelus gave a laurel crown of gold, a votive offering of the Lampsacenes.

This Pharsalia lost her life in Metapontium at the hands of the soothsayers in the market-place; for a voice had issued from the bronze bay-tree which the Metapontines had set up when Aristeas of Proconesus visited them and declared that he had come from the land of the Hyperboreans; and no sooner was she spied setting foot in the market-place than the soothsayers became furious, and she was pulled to pieces by them. And when people later came to look into the cause it was found that she had been killed because of the wreath which belonged to the god."

Britannica Members

"The necromancer or soothsayer gained their power through magical incantations. The sound of brass, pipe or string imitated the music of the seven heavenly spheres. As a result, the gods were forced to give material and sensual blessings." Enuma Elish III.101; IV. 1-26, 91 and other Near Eastern Manuscripts.

Luke 7:31 And the Lord said, Whereunto then shall I liken the men of this generation? and to what are they like?
Luke 7:32 They are like unto children sitting in the marketplace, and calling one to another, and saying, We have piped unto you, and ye have not danced; we have mourned to you, and ye have not wept.

So beware, you philosophers who indulge in passion contrary to nature, who sin against the goddess of love, -- beware lest you also are destroyed in the same manner. For even boys are handsome, as the courtesan Glycera, in the account given by Clearchus, was wont to say, only so long as they look like a woman.

Arnobius defining heresies:

41. Was it for this He sent souls, that they which shortly before had been gentle

and ignorant of what it is to be moved by fierce passions,
should build for themselves
markets and amphi-theatres, places of blood and open wickedness, in the one of which they should see men devoured and torn in pieces by wild beasts, and themselves slay others for no demerit but to please and gratify the spectators, [voluptatemque] and should spend those very days on which such wicked deeds were done in general enjoyment,

and keep holiday with festive gaiety; while in the other, again, they should tear asunder the flesh of wretched animals, some snatch one part, others another, as dogs and vultures do, should grind them with their teeth, and give to their utterly insatiable maw, and that, surrounded by faces so fierce and savage, those should bewail their lot whom the straits of poverty withheld from such repasts; that their life should be happy and prosperous while such barbarous doings defiled their mouths and face?

Was it for this He sent souls, that, forgetting their importance and dignity as divine, they should acquire gems, precious stones, pearls, at the expense of their purity; should entwine their necks with these, pierce the tips of their ears, bind their foreheads with fillets, seek for cosmetics to deck their bodies, darken their eyes with henna ; nor, though in the forms of men, blush to curl their hair with crisping-pins, to make the skin of the body smooth, to walk with bare knees, and with every other kind of wantonness,

both to lay aside the strength of their manhood,
and to grow in
effeminacy to a woman's habits and luxury?

42. Was it for this He sent souls, that some should infest the highways and roads, others ensnare the unwary, forge  false wills, prepare poisoned draughts; that they should break open houses by night, tamper with slaves, steal and drive away, not act uprightly, and betray their trust perfidiously; that they should strike out delicate dainties for the palate; that in cooking fowls they should know how to catch the fat as it drips; that they should make cracknels and sausages,  force-meats, tit-bits, Lucanian sausages, with these a sow's udder and iced puddings?

Was it for this He sent souls, that beings of a sacred and august race should here practise singing and piping ;

that they should swell out their cheeks in blowing the flute ;
that they should
take the lead in singing impure songs, and raising the loud din of the castanets, 309 by which another crowd of souls should be led in their wantonness to abandon themselves to clumsy motions,

to dance and sing, form rings of dancers, and finally, raising their haunches and hips, float along with a tremulous motion of the loins?

Was it for this He sent souls, that in men they should become impure,

in women harlots,
players on the triangle 310 and psaltery ; that they should prostitute their bodies for hire, should abandon themselves to the lust of all, 311 ready in the brothels, to be met with in the stews, [fornicibus] ready to submit to anything, prepared to do violence to their mouth even? 

309 Scabilla were a kind of rattles or castanets moved by the feet.

310 Sambuca, not corresponding to the modern triangle, but a stringed instrument of that shape. Its notes were shrill and disagreeable, and those who played on it of indifferent character.

311 So the ms. and first four edd., reading virilitatem sui populo publicarent . Meursius emended utilitatem -"made common the use," etc.; and Orelli, from the margin of Ursinus, vilitatem -"their vileness."
 Aristophanes Archarnians: DICAEOPOLIS (alone)

"Theognis, introduce your Chorus!" Just imagine how this blow struck straight at my heart! On the other hand, what joy Dexitheus caused me at the musical competition, when he played a Boeotian melody on the lyre! But this year by contrast! Oh! what deadly torture to hear Chaeris perform the prelude in the Orthian mode! --Never, however, since I began to bathe, has the dust hurt my eyes as it does to-day.

Still it is the day of assembly; all should be here at daybreak, and yet the Pnyx is still deserted. They are gossiping in the marketplace, slipping hither and thither to avoid the vermilioned rope.

Note: Several means were used to force citizens to attend the assemblies; the shops were closed; circulation was only permitted in those streets which led to the Pnyx; finally, a rope covered with vermilion was drawn round those who dallied in the Agora (the market-place), and the late-comers, ear- marked by the imprint of the rope, were fined.

Far from it, you would at once have sent three hundred vessels to sea, and what an uproar there would have been through all the city! there 'tis a band of noisy soldiery, here a brawl about the election of a Trierarch;
elsewhere pay is being distributed, the Pallas figure-heads are being regilded, crowds are surging under the marketwine-skins, oar-leathers, garlic, olives, onions in nets;

everywhere are chaplets, sprats, flute-girls, black eyes; in the arsenal bolts are being noisily driven home, sweeps are being made and fitted with leathers;

we hear nothing but the sound of whistles, of flutes and fifes to encourage the work-folk. That is what you assuredly would have done, and would not Telephus have done the same? So I come to my general conclusion; we have no common sense.
porticos, encumbered with wheat that is being measured,

CHORUS
Here is a man truly happy. See how everything succeeds to his wish. Peacefully seated in his market, he will earn his living; woe to Ctesias, and all other informers who dare to enter there! You will not be cheated as to the value of wares, you will not again see Prepis wiping his foul rump, nor will Cleonymus jostle you; you will take your walks, clothed in a fine tunic, without meeting Hyperbolus and his unceasing quibblings, without being accosted on the public place by any importunate fellow,

neither by Cratinus, shaven in the fashion of the debauchees, nor by this musician, who plagues us with his silly improvisations, Artemo, with his arm-pits stinking as foul as a goat, like his father before him. You will not be the butt of the villainous Pauson's jeers, nor of Lysistratus, the disgrace of the Cholargian deme, who is the incarnation of all the vices, and endures cold and hunger more than thirty days in the month.

A BOEOTIAN By Heracles! my shoulder is quite black and blue. Ismenias, put the penny-royal down there very gently, and all of you, musicians from Thebes, pipe with your bone flutes into a dog's rump.

SIMILAR WORDS PROVE THAT PSALLO DOES NOT AUTHORIZE MUSIC IN THE SCHOOL OF THE BIBLE.

> Pulso, to push, strike, beat

Of musical instruments: chordas digitis et pectine eburno, to strike, play upon, chelyn, pectine nervos: cymbala, Of things: pulsant arva ligones, nervo pulsante sagittae, 

pecto, shear; pokos, fleece; to give one a dressing or thrashing
A. In gen., to urge or drive on, to impel, to set in violent motion, to move, agitate, disturb, disquiet, cymbala,
> blituri , to, twang of a harp-string: hence of a meaningless sound,
>
klang-ê
, hê, metapl. dat. klangi Ibyc.56 : ( [klazô] ):--any sharp sound, e.g.
..........twang of the bow, Il.1.49;
..........scream of birds, esp. cranes,
..........to which are compared
confused cries of a throng,
..........grunting of swine,
..........howling of wolves and lions,
..........hissing of serpents
..........of musical instruments, Cassandra's prophecies
..........of the scream of the Harpies
......... and of the loud cry of warriors,
> klazô to make a sharp piercing sound
..........of dogs, bark, bay
..........Pan and his pipes
..........of arrows in the quiver, clash, rattle,
..........of the wind, whistle
..........klazousi kôdônes phobon ring forth terror,
..........of the sea, roar
..........musician, kitharai
..........melisma luras (of the tettix)
..........pealed forth thunder,
..........song of victory in honour of Zeus 
Of course, Paul went to the Agora to teach and preach "because that is where the people were
THIS PAINTED-DEFILED ROPE IS THE MEANING OF PSALLO used to force you FROM the ekklesia into the MARKET-PLACE ruled by Apollyon.



EVEN IF YOU ARE DRIVEN TO THE EKKLESIA BY CIVIL AND NON-POLLUTED AUTHORITIES YOU ARE MARKED BY THE RED DEFILING PAINT OF THE PSALLO ROPE: IF YOU REFUSED TO GO THE AUTHORITIES (GOD) WOULD HURT YOU.

Another view:
A gang of slaves, called Scythians, carrying ropes dipped in red ochre (miltos, hence Miltiades, i.e. the Red-Haired) would travel through the city on the days the Ecclesia was to meet, and would lash those citizens not in attendance with their ropes. With garments thus stained, shamed citizens could legally carry out no business until they visited the meeting grounds of the Ecclesia on the hill called the Pnyx.

THE EKKLESIA (SYANGOGUE) DIRECTLY COMMANDED EVEN IN THE WILDERNESS

Don't doubt it one second: Jesus spoke in parables to HIDE the truth from those who CORRUPT the Word which means "sell learning at retail" and also means "adultery." Surely, you can find a group which does not DELIBERATELY pervert ALL of the Words of God.

Jesus CAST OUT the musical minstrels LIKE DUNG using the same concept applied to "playing the flute, stealing your inheritance, polluting, prostitute as as LUCIFER CAST OUT OF HEAVEN. That is where you are: Jesus has visited TO REMOVE the candlesticks of the Seven Spirits of God related to knowledge which are NOT little people small enough to fit into the preacherling's body.

ON THE DIRECTLY COMMANDED SIDE OF THE PSALLO PARABLE USED TO FOOL THE FOOLS.

In a political sense the Ekklesia was for listening to instructions or for debate which had an effect on the life of the nation. You could hear many famous speakers of the time.
Similarly, early synagogue song intentionally foregoes artistic perfection, renounces the playing of instruments,
and
attaches itself entirely to 'the word'--the TEXT of the Bible" (Encyclopaedia Judaica, 1971 ed., s.v. "Music")
However, EKKLESIA, like the synagogue, was for those with TRUTH to speak and any singer or musician would have been BOOTED.  The DISCORDING SECTARIANS make fun of the Word of God and those who use it for faith and practice (all known church history before now) you are called a legalistic, sectarian BIBLE WORSHIPER.  Well, in fact, Paul's ONLY worship word approved means to GIVE ATTENDANCE or HEED to the Word.
FINALLY, brethren, pray for us,
that the WORD of the Lord
may have free course, and be GLORIFIED, even as it is with you: 2 Th 3:1
Think about it: you PAY ATTENTION (worship) the WORDS of Jesus Christ which He said are SPIRIT and LIFE OR you pay attention (worship) the false teacher and HIS words. That defines the PHARISEE and rhetorical speaking is defined by the word HYPOCRITE.

Paul's ONLY worship concept is to GIVE HEED to the Word or Sprit and Life from God in Christ.
You have fallen under the CURSE of people who profit by telling you that the WORDS of Christ are OBSOLETE. This REJECTION of the WORD is defined by Paul in Hebrews 6 as AN UNFORGIVEABLE SIN. Only those who REJECTED the Word as at Mount Sinai defined in Romans 6 are turned over to worship the false gods and the wine, women and music is the MARK and the PRODUCER of beyond redemption sexual perversion. If you sing and dance when they PIPE then you are
initiated into the New Wineskin Worship where MUSIC always meant PERVERSION.
And that we may be delivered from unreasonable and wicked [Degenerate] men: for all men have not faith. 2 Thess 3:2
G4190 ponēros pon-ay-ros' From a derivative of G4192 ; hurtful, that is, evil (properly in effect or influence, figuratively calamitous; also (passively) ill, that is, diseased; but especially (morally) culpable, that is, derelict, vicious, facinorous; neuter (singular) mischief, malice, or (plural) guilt; masculine (singular) the devil, or (plural) sinners:—bad, evil, grievous, harm, lewd, malicious, wicked (-ness). See also G4191
But the Lord is faithful, who shall stablish you, and KEEP you from evil. 2 Thess 3: 3

Now we COMMAND you, brethren, in the name of our Lord Jesus Christ,
that ye WITHDRAW yourselves from every brother that walketh disorderly,
and NOT after the tradition [transmission] which he received of us. 2 Thess 3: 6

For yourselves know how ye ought (obligated) to follow us:
for we behaved not ourselves disorderly [insubordinate] among you; 2 Thess 3: 7
Neither did we eat any mans bread for nought;
but wrought with labour and travail night and day,
that we might not be chargeable to any of you: 2 Thess 3: 8
Here are some of the universal definitions of ekklesia or synagogue or church:

Ten adult males are required to be present for a bublic service to proceed. The service consists of five parts:

  1. Reading the Shema [trinitians need not apply]
  2. Synagogue Prayers
  3. Reading from the Torah (The Law of Moses)
  4. Reading from the Prophets
  5. Benediction.
And he came to Nazareth, where he had been brought up:
..........and, as his custom was,
..........he went into the synagogue on the sabbath day,
..........and stood up for to read. Luke 4:16

And after the reading of the law and the prophets, the rulers of the synagogue sent unto them,
..........saying, Ye and brethren, if ye have any word of exhortation for the people, say on. Acts 13:15

Paraklesis (g3874) par-ak'-lay-sis; from 3870; imploration, hortation, solace: - comfort, consolation, exhortation, intreaty.

For Moses of old time hath in every city them that
..........preach him,
..........being read
..........in the synagogues every sabbath day. Acts 15:21

"Men and brethren, children of the stock of ..........,
..........and whosoever among you feareth God,
..........to you is the word of this salvation sent. Acts 13:26

For they that dwell at Jerusalem, and their RULERS
..........because they knew him not,
..........nor yet the voices of the prophets
..........which are read every sabbath day,
..........they have fulfilled them in condemning him  Acts 13:27

Rom 15 4 For whatsoever things
..........were written aforetime
..........were written for our learning,
..........that we through patience and comfort of the scriptures might have hope.

Rom 15 5 Now the God of patience and consolation
..........grant you to be likeminded one toward another according to Christ Jesus:

Rom 15 6 That ye may
..........with one mind and
..........one mouth glorify God,
..........even the Father of our Lord Jesus Christ.

1 Tim 4:13 Till I come, give attendance [the worship word]
..........to reading,
..........to exhortation,
..........to doctrine.
The word SPEAK used in the New Testament is defined as opposite to poetry or music:
Poiêsis A. FABRICATION, creation, production, mimêsis [acting, MARK of homosexuality] 2. of Poetry, hê tôn dithurambôn p., tês tragôidias [Goat singers, Capella is the goat and STAR tôn epôn III. method of procedure, in MAGIC

In Athenian Law it was not lawful to send out a philosopher of poet as a kerusso, herald or preacher.


For it seems to me that arguing about POETRY
is comparable to the WINE-parties
of common MARKET-folk. 
These people, owing to their INABILITY to carry on a familiar conversation OVER THEIR WINE
by means of their own
voices and discussions
I am going to pause: you have the Word of God and you have that "decision of Biblical proportion" to make. If you follow those who ABUSE you and EAT UP the living of widows and then DIVERT their love gifts to CONSTRUCT what John Prophesied as the worship of the Mother of Harlots where Apollo's agents USES music and musicians whom John called Sorcerers, that WILL mark you just as those who fell into Musical Idolatry at Mount Sinai were MARKED so that the Levites had no trouble picking out those to be PRUNED from Gods fold.

According to all of the musical passages and The Book of Enoch when you are MARKED you will never remove it. Being BLIND will not excuse you for following the BLIND: you have PROCURED your blindness at a High weekly Ticket Cost.

Jesus sent me to witness and not to whine with you when you are forced to make that choice between FAMILY and approving of INSTRUMENTAL MUSIC.

Musical Worship Index



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